Be Not Nobody [Enhanced] [Import]

1. Ordinary Day

2. Unsung

3. Thousand Miles

4. Pretty Baby

5. Rinse

6. Sway

7. Paradise

8. Prince

9. Paint It Black

10. Wanted

11. Twilight

12. Thousand Miles [Piano & Vocal Version][Live][*][Version]

13. Ordinary Day [Piano & Vocal Version][Live][*][Version]

14. Paradise [Enhanced Video][*][Version]

15. Thousand Miles [Piano & Vocal Version][Live][*][Multimedia Track]

Be Not Nobody,Vanessa Carlton,Universal Int'l,Adult Alternative Pop/Rock,Pop,Rock,Singer/Songwriter

Average customer rating:

Hyped and laudable debut full of liveliness
young and very talented
First off the track listing is wrong on amazon...
Bad Recording Quality
Great listen

Be Not Nobody
Vanessa Carlton
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Rock | Styles | Music
Similar Items:

Harmonium
The Spirit Room
Hotel Paper
Let Go
Breakaway

ASIN: B0000646TK
Release Date: 2002-04-30

Tracks:

A Thousand Miles
Unsung
Rinse
Ordinary Day
Twilight
Say You Would
Pretty Baby
Paint It Black
Paradise
Prince
Wanted

Amazon.com

With her much-anticipated debut, ex-ballerina Vanessa Carlton more than makes good on the promise of her first single, "A Thousand Miles." Augmenting her classical training with a broad range of pop she soaked up playing New York City clubs and listening to classic rock in her father's car, Be Not Nobody finds the phenom decorating her fierce piano playing with orchestration, guitars, and percussion galore. "Prince" is sizzling and funky, while "Ordinary Day" displays a majestic grace and "Unsung" is a stomping blues-bar breakdown. Comparisons to Fiona Apple and Little Earthquakes-era Tori Amos (especially on the haunting "Sway" and "Wanted") are inevitable and justified. Yet Carlton sounds fresh, even on a menacing interpretation of the Rolling Stones' "Paint It Black." With the exception of the anemic ballad "Pretty Baby," this impressive debut makes a strong case that a new star has emerged. --Annie Zaleski

Customer Reviews:

Hyped and laudable debut full of liveliness.......2007-04-28

Be Not Nobody, the debut CD from piano pop sensation and ballerina Vanessa Carlton, actually makes for one whopper of an album. Her dazzling piano playing--along with lilting, jazzy vocals that are instantly recognizable--makes for a unique and radio-friendly style that couldn't be any more polished if it tried. Despite all of her hits, namely 2002's inescapable ballad "A Thousand Miles", Vanessa still has a firm grip on her craft to ensure that it doesn't become lost in mainstream chaos.

Her words are just as fleshed-out as her sounds. Of the twelve tracks, only three or four have a more depressing nature, but as a pop album that fact works out fine. "Ordinary Day", the fantastic, swelling opening song, tells Vanessa's tales of an unsuspecting lover who gave her the advice to "take my hand / Live while you can". Unsurprisingly, unrequited love and lovesickness play quite a role in her songs, adding a sprinkle of realism among the concoction of sensationalism and glittering piano melodies contained herein. "Rinse", for example, is a morose but fantastic account of a girl slowly driving herself insane over her unreturned feelings for a boy. It starts off almost rushed, but explodes into a tempest of guitar licks and desperate lines that lash out with nothing but the naked truth.

The low point here is probably "Prince", during which the album seems to be winding down into a rather lazy final 1/3, but it picks itself back up immediately with a cover of the Rolling Stones' classic "Paint It Black" and (the real gem here) "Wanted", which has a great deal of Vanessa's distilled voice unaided by instrumentation. She shows off a natural and viciously honest side of herself that is only exhibited once on the whole CD.

But through the whole thing, there is always the reassurance that Vanessa knows what she is doing and knows the right way to do it. After this album and her follow-up Harmonium exploded onto the music scene, there's no question about this artist's exuberance and, above all, just plain talent.

young and very talented.......2007-03-27

I usually buy music based on one artist's song. In this case, the song was 1000 Miles. I liked it the first time I heard it and my interest was rekindled when it was used in the movie 'White Chicks'.
After purchasing it and listening through it a time or two, I focused on each song as it played. The second song that has trumped 1000 Miles thus far is 'Paradise'. I've always appreciated an artist who uses a full orchestra and Vanessa is no exception. The piano and strings played in the first few seconds immediately grabbed my attention. Then came this innocent voice that quickly grew into a young woman in total control of a very compelling song. As a person quite a few years older than Vanessa, I feel hauntingly seduced by the maturity and control of this young womans voice.

First off the track listing is wrong on amazon..........2007-02-17

So I decided to post that. Here it is:

1. Ordinary Day
2. Unsung
3. A Thousand Miles
4. Pretty Baby
5. Rinse
6. Sway
7. Paradise
8. Prince
9. Paint It Black
10. Wanted
11. Twilight

Okay, now on to the review.

This CD is pretty good I must admit. While at times Vanessa can come off as whiny, all of these songs (minus maybe two of them) sound so different it keeps you interested. Vanessa isn't the strongest lyricist but her words do the trick.

Highlights: Ordinary Day, Prince, Paint It Black and definitely Twilight which is probably the best track here. A Thousand Miles is good too but it isn't my favorite anymore.

Lastly, I would like to say although this release is close to stellar, her follow up (which flopped) Harmonium, is the better CD. I do recommend it over this one because of songs like Who's To Say, Afterglow, Private Radio, Half A Week Before Winter and She Floats. Certainly great songs.

But all in all, I believe that if you like pop music that isn't too poppy then you should get this CD. ^_^

Bad Recording Quality.......2006-12-14

This disc has great songs on it, but they are recorded in a very poor manner. You can actually hear the microphone input clip on parts of certain songs. This is solely the fault of the recording engineer. In other parts you begin to wonder if the other instruments are the feature and not Vanessa.

If you are listening to this CD on a boombox or some HTIB system, you may not ba able to hear what I hear (I have Classe front end components pushing B&W 802D speakers.) When I purchase a CD I expect recording quality better than what I can do in my basement!

Great listen.......2006-10-26

I've heard Vanessa Carlton's "A Thousand Miles" on the radio but it wasn't until her second album released that had really begun listening to her music.I purchased Harmonium and was amazed at the lyrics of her songs and how she made the piano a subtle yet essential part of her songs.

Soon after purchasing Harmonium,I purchased Be Not Nobody.I had perceived the obvious growth in her lyrics and the topics sung compared to Harmonium,but her powerful lyrics and piano-playing had obviously been carried over from her excellent debut album.

My favorites include "Ordinary Day," "Rinse," "Paradise," and "Twilight." I do admit that some songs are harder to listen to than others,but you will always stuble on a song or songs like that on any album...I would think.

The album features some of the most mysterious lyrics that seem indecipherable at first,yet when you really listen,you perceive a song's simplicity and its message.

I'd recommend this album to anyone who has casually heard her songs on the radio and liked it.If you like that,you'll love what the entire album has to offer.

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Average customer rating:

The Price Club
A living legend
not your daddy's old timey spiritual
Immaculate Vocals of Leontyne Price
Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Leontyne Price: The Ultimate Collection
Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
Amazing Grace: Jessye Norman
Spirituals in Concert
Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Finnissy: Gershwin Arrangements, More Gershwin

Average customer rating:

Gershwin filtered through a modern master
not the Finnissy I know

Finnissy: Gershwin Arrangements, More Gershwin

Manufacturer: Metier
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B00004S920
Release Date: 2000-03-15

Customer Reviews:

Gershwin filtered through a modern master.......2004-01-08

Michael Finnissy is finally getting his due, and this recording is one of a number of excellent recent ones that show him at his quirky best. Finnissy has completely rethought these old standards, going much further than simply taking the melodies and inserting new chords underneath them. Some freedom with the rhythms echo some of the grand old piano transcriptions from the past -- an interesting reference and high praise. And the textures here are crucial: all of the piano lines are important, from top to bottom, and Ian Pace's intelligent renderings make all of this audible.

I hope this disc, as well as Pace's other Finnissy recordings, will push the composer's profile even higher. Many of these would make clever encores in the right context. (And I look forward to those recitals!) Some listeners may find it difficult to absorb too much of this recording at once, since it's all quite concentrated. Three or four of these arrangements at one time might be recommended for newcomers. Nevertheless, this is an outstanding example of Finnissy's creative mind coupled with Pace's exemplary artistry.

Sound quality by Metier is excellent, with Finnissy's complexity put forth with wonderful clarity. A witty, enlightening and very persuasive disc.

not the Finnissy I know.......2000-04-13

Ian Pace is a marvelous pianist of the new or old complexity. He has the entire repertoire of the new under his fingers and mind. He can a be a bit passive however in the live performances I've heard in Chicago in particular. Well he is new to the scene. Finnissy on the the other hand has been making constructing,concocting and mesmerizing those who follow this music for quite some time. Like preaching to the already converted. His music taps nicely into post-modernist thinking, the mileau of utilizing borrowed found objects,already in the world- material but transformed and transmogrified in such a way that the metamorphosis becomes something quite relevant,brilliant and unexpected from the materials given, much like Kafka's insect. Finnissy's piano music is quite literally impossible to play, I don't know who can play it including everyone here mentioned. When for instance you have 72 tones against 57, resulting in an asymmetrical odd bit of musical irrationality(at least within the Western canon)who can do that? . The computer I'm on now the Finale software can play that without a flinch. Gershwin here is not transformed interestingly enough, at least from the perspective of Finnissy's other master piano concoctions like the Verdi Transcriptions or the English Country Tunes. Both those works made the materials sink and respond opaquely,virtuositically becoming part of the blizzards of tones, and filigreed moments scouring and traversing the entire register of the piano. The Gershwin here by contrast seems like a tired pianist sitting in a lounge trying to recapture an old dust-ladened flame, Casablanca? .

Average customer rating:

Be Not Nobody
Vanessa Carlton
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Rock | Styles | Music

Alternative Rock | Imports | Stores | Music

Rock | Imports | Stores | Music

Pop | Imports | Stores | Music
ASIN: B0000894NL
Release Date: 2003-03-18

Tracks:

Ordinary Day
Unsung
A Thousand Miles
Pretty Baby
Rinse
Sway
Paradise
Prince
Paint It Black
Wanted
Twilight
A Thousand Miles
Ordinary Day
Paradise

Average customer rating:

AMAZING AND AWESOME
Awesome and great

Be Not Nobody
Vanessa Carlton
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Rock | Styles | Music

Alternative Rock | Imports | Stores | Music

Rock | Imports | Stores | Music

Pop | Imports | Stores | Music
ASIN: B000086ECR
Release Date: 2003-02-03

Tracks:

Ordinary Day
Unsung
Thousand Miles
Pretty Baby
Rinse
Sway
Paradise
Prince
Paint It Black
Wanted
Twilight
Wanted [Ripe Mix]
Thousand Miles [Piano & Vocal Version][Live][*]
Ordinary Day [Piano & Vocal Version][Live][*]
Paradise [*][Version]
Thousand Miles [Piano & Vocal Version][Live][*][Multimedia Track]

Album Description

UK tour edition of 2002 debut album includes five bonus tracks, 'Wanted' (Ripe Mix Version - UK Bonus Track), 'A Thousand Miles' (Piano/Vocal Version - Live In Tokyo), 'Ordinary Day' (Piano/Vocal Live in Holland), 'Paradise' (Piano/Vocal Version), & 'A Thousand Miles' (Live In New York - Video Version). A&M. 2003.

Album Details

Includes Four Bonus Tracks and Some Video Footage of Vanessa Performingf in New York.

Customer Reviews:

AMAZING AND AWESOME.......2003-04-04

This album is great.I love the A thousand miles performance.The bonus tracks are really good.Plus she has amazing piano skills and a great voice.This comes from a NESSAholic.Plus it has the Pretty Baby radio edition witch is verry good.Vanessa carlton rocks!!! Nessaholics rule.

Awesome and great.......2003-04-04

This album is great.I love the A thousand miles performance.The bonus tracks are really good.Plus she has amazing piano skills and a great voice.This comes from a NESSAholic.

Average customer rating:

Classy piano
Excellent tunes, excellent performance
The best interpretations of Mayerl yet
Super syncopation

Billy Mayerl: Rediscoveries, Vol. 1

Manufacturer: Shellwood
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

General | Oldies | Pop | Styles | Music

General | Broadway & Vocalists | Styles | Music
ASIN: B000006BDG
Release Date: 1998-02-24

Tracks:

Billy Mayerl-Piano Transcriptions: If You Knew Susie
Billy Mayerl-Piano Transcriptions: I Would Like To Know Why?
Billy Mayerl-Piano Transcriptions: I Love My Baby, My Baby Loves Me
Billy Mayerl-Piano Transcriptions: Alabamy Bound
Lothar Perl-Piano Syncopations: Cowboy
Lothar Perl-Piano Syncopations: Two Toys-1. Rocking Horse
Lothar Perl-Piano Syncopations: Two Toys-2. Crazy Top
Lothar Perl-Piano Syncopations: Hollywood Stars
Lothar Perl-Piano Syncopations: Zebra Stripes
Lothar Perl-Piano Syncopations: The Goldfish
Lothar Perl-Piano Syncopations: Ducky
Lothar Perl-Piano Syncopations: Three Syncopated Romances-1. Ballade
Lothar Perl-Piano Syncopations: Three Syncopated Romances-2. Nocturne
Lothar Perl-Piano Syncopations: Three Syncopated Romances-3. Rondeau
Lothar Perl-Piano Syncopations: Black And White
Lothar Perl-Piano Syncopations: Tim And Tom
Lothar Perl-Piano Syncopations: Grasshopper Dance
Lothar Perl-Piano Syncopations: The Last Mohican
Carroll Gibbons-Medley: Possibly/On The Air/Misunderstood/I'll Be Getting Along/A Garden In...
Billy Mayerl Transcriptions-Medley: When Summer Is Gone/Just Like A Melody Out Of The Sky...
Billy Mayerl Songs: Saturday Showboat
Billy Mayerl Songs: Apart From Business
Billy Mayerl Songs: Valse Eugene
Billy Mayerl Songs: Never Stop Rainin' Blues
Billy Mayerl Songs: Steak And Kidney Pudding
Billy Mayerl Songs: No Wonder (Nobody Cares For Me)
Billy Mayerl Songs: What More Can I Do?
Billy Mayerl Songs: It's Not Fair
Billy Mayerl Songs: What You Going To Do?
Billy Mayerl Songs: A Little Love

Customer Reviews:

Classy piano.......2004-05-11

This is piano music of the highest order - catchy tunes and flawless performance. I couldn't buy this CD from Amazon so I bought it directly from Shellwood.

Excellent tunes, excellent performance.......2003-10-10

Billy Mayerl, Lothar Perl and Carroll Gibbons are not exactly household names, and they probably never will be. Mayerl wrote over 500 tunes and was the director of the light music division of the BBC. Perl, among other accomplishments, was the music director of the Ernie Kovacs show and was occasionally on camera. Gibbons was an American pianist/composer/bandleader who achieved fame in England.

This music is melodic, varied and highly catchy. My favorite pieces are "Hollywood Stars," "Grasshopper Dance" and "A Garden in the Rain." Hassan's performances are, as always, top notch and right in character with the era. Incidentally, I bought my CD directly from the Shellwood Productions website.

The best interpretations of Mayerl yet.......2003-05-19

Billy Mayerl was an extraordinarily gifted and prolific composer in the "novelty/syncopated/rhythm" piano style. Alex Hassan plays this music with consumate grace. Thanks are due to Shellwood Productions for producing such a high quality CD; check their website for more offerings from Hassan.

Super syncopation.......2003-05-14

I don't know why this CD is only listed in the classical section: it should also be listed in the popular music section. The music of Billy Mayerl and Lothar Perl has never been played so well, not even by the composers themselves! Bravo, Mr. Hassan!

Average customer rating:

Be Not Nobody
Vanessa Carlton
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music
ASIN: B000LYNI1S

Average customer rating:

Good but not the best.

Be Not Nobody
Vanessa Carlton
Manufacturer: Universal/a&M
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

Pop | Imports | Stores | Music
ASIN: B000065BBR
Release Date: 2002-08-28

Tracks:

Ordinary Day
Unsung
Thousand Miles
Pretty Baby
Rinse
Sway
Paradise
Prince
Paint It Black
Wanted
Twilight
Twilight (Live Version)
Wanted (Ripe Mix)

Album Details

Japanese Version featuring Two Bonus Tracks: "Twilight (Live)", and "Wanted (Ripe Mix)".

Customer Reviews:

Good but not the best........2003-05-02

I have bought this CD, I liked most of the songs best including 'Twilight', 'Paint it Black', and 'Paradice'. I just think that some parts of the CD mostly on the song 'Wanted' were not made for her voice. All and all it was a good Cd if you don't like those lovey dovey songs then just skip 'Sway' 'Pretty Baby' 'Prince'. All but one of her songs were composed (written) by Vanessa Carlton (or so they say). The music is meaningful, and shows many different points of views. Buy it, try it, love it? Great!

Average customer rating:

Vanessa Carlton's voice is awesome!

Be Not Nobody
Vanessa Carlton
Manufacturer: Universal/a&M
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

General | Rock | Styles | Music

Rock | Imports | Stores | Music
Similar Items:

Harmonium

ASIN: B000068FO6
Release Date: 2002-06-17

Tracks:

Ordinary Day
Unsung
Thousand Miles
Pretty Baby
Rinse
Sway
Paradise
Prince
Paint It Black
Wanted
Twilight

Album Details

Includes Bonus Track Not on USA Version 'wanted (Ripe Mix Version)' which is also Available on UK Single of 'a Thousand Miles' .

Customer Reviews:

Vanessa Carlton's voice is awesome!.......2006-12-13

I really love this CD! I really love all of the songs on here!

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Christian Music:

Christian Music

christian music

Christian Music

94 East [Import]

Verdi: Chore [Import]

Ustvolskaya: Complete Piano Sonatas/12 Preludes

Music CD: Plastico [Import]

Worst of [Import]

Welcome to My World [Import]

Waiting For The Sun [Gold CD]

You Are Dignified

Voglia Di Ballare [Import]

Waltzes, Galops, Polkas

Tribute to Jaco Pastoruis [Import]

Un Tipo Comun

V.1 Kraft [Explicit Lyrics]

Weiss: Lute Sonatas Vol. 8

McGann McGann