Al Fin

About the Artist
LOS PATANES (The Brats) is a Pop/Spanish Rock duo based out of Los Angeles, California. The name derives from their approach to writing and performing which, as they put it, is "honest, spontaneous and even irreverent at times", not unlike a bratty kid's behavior. The band was formed in the summer of '97 by Andres Lopez and Axel Hernandez who, after growing up in Bogota, Colombia, moved to California in 1989. On April 12, 2000, after nearly three years in the making, LOS PATANES' debut album was released. Appropriately titled "Al Fin" ("Finally"), this long awaited CD has already received excellent reviews. LOS PATANES' sound is a refreshing mixture of rock and pop that borrows elements from alternative, funk, progressive rock, and even a little hip hop. The melodies are catchy and well crafted, while the lyrics (in Spanish for the most part) are both interesting and entertaining at the same time. Axel's guitar work is aggressive, yet pleasantly melodic, while Andres' drumming is extremely powerful and groove-oriented. The cohesiveness and clear direction of "Al Fin" can be attributed in part to the fact that it was written, recorded and produced entirely by the two childhood friends. On-stage, a power trio picture is completed by the striking presence of world-renowned bassist Vail Johnson (Stevie Nicks, Paula Abdul, Michael Bolton, Herbie Hancock, Kenny G and many more), whose talent and experience would be impossible to describe in a few short sentences.

Product Description
Spanish Pop/Rock with a little bit of Hip Hop, Funk and a hint of Alternative and Progressive Rock.

Al Fin,Los Patanes

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Average customer rating: Best Cherubino... wonderful music Close Your Eyes and Listen Terrific value, beautiful quality. Exceptional recording

Mozart: The Marriage of Figaro / Pace, de Carolis, Frontali, Morandi [Highlights] Wolfgang Amadeus Mozart , Hungarian State Opera Orchestra , Pier Giorgio Morandi , Patrizia Pace , Natale de Carolis , Donato di Stefano , Ingrid Kertesi , Roberto Frontali , Denes Gulyas , Tamas Bator , and Jozsef Mukk Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Mozart, Wolfgang Amadeus | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Most Famous Opera Arias The Shawshank Redemption: Original Motion Picture Soundtrack The Most Famous Opera Duets Rossini: The Barber of Seville (Complete opera); Beverly Sills; Nicolai Gedda; James Levine; London Symphony Orchestra Mozart: Don Giovanni [Highlights] ASIN: B00004NK2F Release Date: 2000-03-14

Tracks:

1. Overture
2. Cinque, Dieci...
3. Bravo, Signor Padrone!
4. Se Vuol Ballare, Signor Contino
5. La Vendetta
6. Non So Piu Cosa Son
7. Non Piu Andrai
8. Porgi Amor
9. Voi, Che Sapete
10. Venite, Inginocchiatevi
11. Susanna, Or Via Sortite?
12. Hai Gia Vinta Causa!
13. Vedro, Mentr'io Sospiro
14. Riconosci In Questo Amplesso
15. E Susanna Non Vien!
16. Dove Sono I Bei Momenti?
17. Sull'aria...
18. Tutto E Disposto
19. Aprite Un Po' Quegl'occhi
20. Giunse Al Fin Il Momento
21. Deh Vieni Non Tardar
22. Pace, Pace, Mio Dolce Tesoro!
23. Final Scene: Gente! Gente!

Customer Reviews:

Best Cherubino..........2007-05-06

No kidding. This album has the best Cherubino part compared to the other Le Nozze di Figaro copycat. After you've listened to Non so più cosa son, you would feel bad hearing the other rendition of the same song.

wonderful music.......2006-06-20

you do not have to be an opera expert to appreciate this cd , as a person who is just beging to appreciate fine opera this is a wonderful choice . waht is nice amazon gives you the opportunity to listen to the tracs prior to buying it. i am extremelly pleased with this item and im sure you will be to. sincerly christian john nielsen

Close Your Eyes and Listen.......2006-05-28

If right now you need to know joy and timelessness, a heart filled with light, beauty that has been and will be always, overflowing with the splendor you are fashioned from, knowing all that is your own, that you are only in the least important sense alone, with nothing to fear other than never perceiving any of this, close your eyes and listen to the Duettino Sull'aria from Le Nozze di Figaro...

Terrific value, beautiful quality........2004-04-16

This CD is a wonderful value with top-notch recording. The Cherubino character (mischievous lovestruck youth) is especially delightful on this CD. I fell in love with "Sul Aria" in The Shawshank Redemption, and later saw this opera live. Though it's only a highlights album, I found it rather complete, with solid linear notes (plot summary for you to follow along), and ALL of the beloved songs I had remembered. I recommend this one!

Exceptional recording.......2003-09-29

The quality of this recording is exceptional. Naxos recordings are often played on classical music stations for good reason. The performances are excellent.

Average customer rating: Lecuona Plays Lecuona Lecuona the Cuban pianist is Great! The Cuban Chopin Lecuona, the musical genious . . . . . LECUONA IS NO LIGHTWEIGHT

Ultimate Collection Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Always in My Heart-Domingo sings Songs of Ernesto Lecuona Juana Zayas:A Treasury of Cuban Piano Classics Lecuona Sinfónica / Morton Gould and His Orchestra Ernesto Lecuona Piano Music: Piano Solo Ernesto Lecuona: The Complete Piano Music, Volume 3 ASIN: B000003G71 Release Date: 1997-02-11

Tracks:

1. Malaguena
2. Andalucia
3. Ante el Escorial
4. San Francisco el grande
5. Siempre en mi corazon
6. Maria la O
7. Siboney
8. Noche azul
9. La comparsa
10. Danza negra
11. Danza lucumi
12. A la antigua
13. Canto del guajiro
14. Canto del guajiro
15. La habanera
16. Damisela encantadora
17. Crisantemo
18. Romantico
19. Rosa la china
20. Como arrullo de palmas
21. Palomitas blancas
22. Poetico
23. Estudiantina
24. Cordoba
25. Music Box
26. Mazurka en glisado
27. Polichinela
28. Gitanerias
29. Aragon
30. Valencia mora

Tracks:

1. La brisa y yo
2. Devuelveme el corazon
3. Preludio en la noche
4. Yo te quiero siempre
5. Pavo real
6. Vals de las sombras
7. Bell Flower
8. Zambra gitana
9. Por eso te quiero
10. Vals azul
11. Vals en si mayor
12. Muneca de cristal
13. Mi amor fue una flor
14. Vals en re bemol
15. Apasionado
16. Amorosa
17. Ahi viene el chino
18. Al fin te vi
19. Por que te vas?
20. Mientras yo comia maullaba un gato
21. Por que te vas?
22. Amorosa
23. Los minstrels
24. No hables mas
25. Dame tu amor
26. Vals en re bemol
27. La 32
28. Mis tristezas
29. En tres por cuatro
30. Munequita
31. Burlesca
32. La paloma
33. Music Box

Amazon.com

This collection includes Ernesto Lecuona's complete 1954 recordings plus a series of 78s made in 1927-28. Ten of the recordings were previously unreleased. This is a lot of lightweight Cuban piano music to deal with at once, but it's definitely worth doing. Lecuona's music, which is having a major revival, may not be important. But it's consistently charming and entertaining. The 78s, which sound surprisingly good, reveal even more of a virtuoso than do the later recordings, but throughout we hear playing that expresses the spirit of the music extremely well. And yes, the famous Malagueña is here, sounding very sexy. --Leslie Gerber

Customer Reviews:

Lecuona Plays Lecuona.......2007-05-12

Oh Boy! What can I tell you about this magnificent collection of musical jewels from our Maestro Lecuona. I bought the original Long Playing Record back in the 50's in my country.
I purchased it again shortly after my arrival to the US, and I was lucky enough to buy it on DVD from Amazon, once I found out they had it.

Joseph L. Alcover
Miami, FL

Lecuona the Cuban pianist is Great!.......2005-08-17

In my opinion this is one of the best CD's from Lacuona, Most of his piano compositions are recorded here (original ones), What, Ms. Leslie Gerber forgot to mention is that Mr.Lecuona was a band leader,"Lecuona and the Cuban Boys", remembers him? Or maybe she does not have sufficient information about him. The music from Lecuona still is very well alive today. I came across his recordings on my own, no one ever told me about this great pianist. I happened to hear the Malague?a by another great Cuban composer and band leader Perez Prado (The Real Mambo King) in one of his albums and Lecuona was the author. That got me interested in him. I'm pretty sure that Ms.Leslie Gerber does not mean any harm trying to put this composer down. It's just that maybe all she knows is Gerber baby food stuff!

The Cuban Chopin.......2004-06-18

What a great album and great value. There is music here that will make you smile, break your heart, inspire you, and Lecuona's skill is breathtaking. If you enjoy classical piano music (with a Cuban/Spanish influence), you'll love this. No, it doesn't display the virtuosity, complexity or seriousness of Lizst, Chopin or Beethoven, but it's fun, beautiful, dramatic yet accessible. You'll love it.

Lecuona, the musical genious . . . . ........2002-10-16

I feel compelled to identify myself first. I am Cuban born who arrived in the US in 1960 at the age of 16 years old. I am a US citizen since 1965 and a US Army Veteran of Viet Nam. I will die defending the right Ms. Leslie Garber has of expresing her opinions. But what I will not condone is her ignorance. To say that Lecuona writes "lightweight Cuban piano music" and that "Lecuona's music may not be important" is to show ignorance. A musician that composes GREAT music in several genres of the music world, a musician that in all genres has highly succesful pieces, and, a musician that after many years, (70-80 years) is still heard and admired can not be called other than MUSICAL GENIOUS and a CLASSICAL MUSICIAN. His music is so beautiful that it will live forever. From his Afro-Cuban compositions, to his romantic popular boleros, to his valses, to his Zarzuelas, Lecuona demonstrates once and again, time after time his immense musical talent. His Afro-Cuban "Cafetal", his romantic boleros "Noche Azul" and "Amapola", His vibrant and colorful "Comparsa" and "Andalucia", his classical Valses, just to mention a few things, makes Lecuona to stand together with the great musicians of the world. The fact that Hollywood made a film around "Estas en mi corazon" and that great singers, like Placido Domingo, want to sing Lecuona's music speaks immensely well of Lecuona/s greatness. The fact the popular instrumental orchestras like Faith, Conniff, Mantovani, Cugat have arranged and interpreted a lot of Lecuona's music also says a lot about Lecuona's versatility in his work. Lecuona is probably important to many millions of people and his music is certainly not lightweight. And if the only thing Ms. Garber can say about "Malaguena" is that "it sounds very sexy" is to demonstrate that she does not know a thing about music. It definitely does not give her the priviledge of commenting about Lecuona's music.

LECUONA IS NO LIGHTWEIGHT.......2002-02-27

Lecuona is one of the most important composers of Latin-America. He is by no means the "unimportant" and "lightweight" Leslie Gerber (whomever that may be) claims, having been hailed for performances of his earlier (and "less mature") works by the likes of Maurice Ravel.

In my opinion the highlight of the set is the devilish "La 32". It's also interesting to compare his interpretations of the same works at different times in his career, like the two recordings of "Por que te vas?" and "Amorosa", especially keeping in mind that Lecuona seldom notated and improvised quite frequently, leaving the transcription work to his students.

Average customer rating: Que Viva Zarzuela!! Preludes & Choruses From Zarzuelas overall The Dance of the Lovers is Here! ¡Olé!

Preludes & Choruses From Zarzuelas Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Zarzuela Arias & Duets Zarzuela: Spanish Operetta Romanzas de Zarzuelas Viva la Zarzuela! Gitano ASIN: B00007FKQI Release Date: 2003-02-18

Tracks:

1. Preludio
2. El Noble Gremio...
3. Intermedio
4. Coro De Doctores
5. Preludio
6. Intermedio
7. Seguidillas
8. Preludio
9. Preludio
10. Se Marcha Furioso
11. Preludio
12. Intermedio
13. Ronda De Enamorados
14. Preludio (II Acto)
15. Ensalada Madrilena

Customer Reviews:

Que Viva Zarzuela!!.......2006-11-10

Zarzuela is Spanish operetta. This is a fine collection of choruses and preludes from various famous Zarzuelas, particularly for a beginner in the genre. If however you have been "enrollado" in Zarzuela for a while it's a lot like popular classics or "Opera Goes to the Movies" It'll be stuff you've heard before. Maestro Roa knows how to conduct with finess and fire, whichever is required and the performances are easy to appreciate and very easy to understand the lyrics if you speak Spanish. I highly reccommend this disc to anyone who wants to take away the veil of mystery surrounding Zarzuela and start exploring on your own. This disc is an excellent place to begin!

Preludes & Choruses From Zarzuelas.......2006-07-17

Preludes & Choruses From Zarzuelas~ Miguel Roa was something quite new to me. Having mostly listened to classical from France, Germany, Austria, Russia and Italy I had not listened much to Spanish composers. The end result is that the music is very easy to listen to but feels light and I feel that it sounds a bit to much like movie soundtrack music. The book-let is quite well done and the painting on the front is splendid. The liner notes and the essay inside are well done and it is not overlong or too verbose. I must say that I had never ever heard of any of these composers before and it was a with an adventurous spirit that I started listening to this recording and to my pleasant surprise it was quite good and I therefore give it 4 out 5 stars.

overall.......2006-03-16

Great selections
Great orchestration
Every thing I was expecting
Wish you had this or any other like it in DVD
thank you

The Dance of the Lovers is Here!.......2003-09-07

For many years an ancient 78 of one of the items found on this welcome CD was the most requested item for playing on the national radio broadcaster in Australia. Requests for full details of the item always yielded an announcement that everything on the record label was printed in Spanish, that there was not much of it, and all that could be deciphered and translated approximated to "The Dance of the Lovers".

Well, the same item features on Track 13 of this CD in a digitally recorded 1999 Madrid recording, and full information is provided about it and the other zarzuela excerpts in notes by Manuel Garcia Franco. This once popular item on Australian airwaves is a simple verse and chorus, the first in the minor and the second in the major mode. Framed in a short introduction and coda, it is sung twice, and what the female chorus members sing the first time is sung by the male chorus members the second time, and vice versa.

Although the Spanish composers of the zarzuela excerpts included here are represented in my collections by solo items from singers such as Supervia and de los Angeles, the choruses and orchestral excerpts found on this CD are all new to my ears. I have never seen a zarzuela and, welcoming and recommending this collection of samples, would like to read reviews or communications from others with better information.

¡Olé!.......2003-02-26

I know almost nothing about zarzuelas, other than that they're Spanish light operas, immensely popular in Spanish-speaking areas and virtually unknown everywhere else. Why they didn't travel and Viennese operetta did, I'll never know; they're a heckuva lot more exciting!

If this disc is any indication, the music, the rhythm, the overall feeling of zarzuela music is infectious. I put this CD on and then couldn't stop listening to it. According to the liner notes, these orchestral selections and choruses are among the best-known from this genre. I can see why they're popular. The playing and singing of the Comunidad de Madrid Orchestra and Chorus are exemplary.

Now please excuse me, while I go sign up for castanet lessons.

Average customer rating: Buen Disco De Salsa Pa' los saleros!

Al Fin NG Squared Manufacturer: Sony International ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Similar Items: A Punto a Estrallar Arroz Con Habichuela Comienzos Mejor Que Nunca Los Cocorocos ASIN: B000HEWGK6 Release Date: 2006-10-03

Tracks:

1. La Nueva Generacion
2. No Me Perdones
3. Pasaporte De Amor
4. Como Amigo No
5. Se Nos Fue El Amor
6. Como Si Fuera Facil
7. Maldita Suerte
8. Tu Placer
9. Amanecer Contigo
10. Se Nos Va La Vida

Customer Reviews:

Buen Disco De Salsa.......2006-12-14

Buen disco como la salsa no es hecho de veteranos, pero tampoco es salsa monga. Los cantantes son jovenes, pero no suenan como nenes. Es un buen disco, si salen mas talento nuevo en la salsa, el genero sigue.

Pa' los saleros!.......2006-11-18

I put this cd in my car I was blown away. NG2 has an explosive combination of music and vocals. They have an amazing flow and energy that all you want to do is dance all night long. What is so entrancing about this duo is that they seem so young on the cover but their style and voices are very well developed. Sometimes I think I am listening to veteran singers like Victor Manuelle or Gilberto Santarosa. If you are a Salsero you gotta have this cd in your collection!

Average customer rating:

Masters of the Bow: Cello Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Messiaen | Messiaen, Olivier | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wieniawski | Wieniawski, Henri | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Harrell, Lynn | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Masters of the Bow Masters of the Keyboard Masters of the Guitar Masters of the Voice: Tenor Masters of the Voice: Soprano ASIN: B000095J86 Release Date: 2003-05-13

Tracks:

1. The Swan - Maurice Gendron
2. Sarabande - Janos Starker
3. Pezzo - Maurice Gendron
4. Vocalise - Nina Kotova
5. Gigue - Pierre Fournier
6. Allegro Con Brio - Pablo Casals
7. III. Rondo (Allegro) - Christine Walevska
8. III. Largo - Ton Koopman
9. Intermezzo - Bruno Canino
10. Silent Woods - Mischa Maisky
11. Introduction & Polonaise Brillante For Cello And Piano In C Major, Op. 3 - Maurice Gendron
12. The Flight Of Bumble Bee - Julian Lloyd Webber
13. II. Andante - Scherzo - Lynn Harrell

Tracks:

1. Ave Maria - Mischa Maisky
2. Langsam, Mit Innigem Ausdruck - Gerhard Oppitz
3. Rasch Und Feurig - Heinrich Schiff
4. Nocturne - Julian Lloyd Webber
5. Allegretto - Mstislav Rostropovich
6. Kol Nidrei - Lynn Harrell
7. Scherzo Tarantelle - Heinrich Schiff
8. Abendlied - Tibor De Machula
9. Guitarre - Maurice Gendron
10. Elegie - Lynn Harrell
11. Irish Tune - Julian Lloyd Webber
12. Ritual Fire Dance - Nina Kotova
13. Elite Syncopations - Heinrich Schiff
14. Apres Un Reve No. 1 Op. 7 - Lynn Harrell
15. Eulogy To The Eternity Of Jesus - Maurice Gendron

Average customer rating: Just the best of the best.

Maria Callas Live Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Maria Callas 100 Best Classics Maria Callas: The Platinum Collection Maria Callas - Passion / A Film by Gerard Caillat Callas: La Divina [Limited Edition] Lyric & Coloratura Arias by Maria Callas (EMI's Great Recordings of the Century) ASIN: B000AMUU9E Release Date: 2005-11-08

Tracks:

1. Casta Diva...Fino Al Rito...Ah! Bello A Me Ritorna
2. Oh, Rimembranza!...Ah Si, Fa Core
3. Perfido! Or Basti!
4. Mira, O Norma...Cedi, Deh Cedi!...Si, Fino All'ore Estreme
5. In Mia Man Alfin Tu Sei
6. Deh! Non Volerli Vittime
7. Sorgete; E In Me Dover...Quando A Un Tratto - Various Artists
8. Ah! Lo Sento
9. Cedo Al Destin Orribile
10. Oh! S'io Potessi Dissipar Le Nubi...Col Sorriso D'innocenza..Oh, Sole! Ti Vela Di Tenebra Fonda

Tracks:

1. Care Compagne...Come Per Me Sereno...Sovra Il Sen
2. Son Geloso Del Zefiro Errante
3. D'Un Pensiero E D'un Accento...Non Piu Nozze - Various Artists
4. Ah! Non Credea Mirarti
5. Ah! Non Giunge
6. Regnava Nel Silenzio...Quando Rapito In Estasi
7. Qui Di Sposa...Verranno A Te
8. Soffriva Nel Pianto...Tu Che Vedi Il Pianto Mio
9. Chi Mi Frena - Various Artists
10. Il Dolce Suono...Ardon Gli Incensi...Spargi D'amaro Pianto - Various Artists

Tracks:

1. Dei Tuo figli...O Fatal Vello D'or
2. Creonte A Me Solo
3. E Che? Io Son Medea!
4. Come, Innocente Giovane...Non V'ha Sguardo
5. Io Sentii Sulla Mia Mano - Various Artists
6. Ove Sono?...In Quegli Sguardi Impresso...Ah! Segnata E La Mia Sorte - Various Artists
7. Va, Infelice
8. Fin Dall'eta Piu Tenera...Salira D'Inghilterra Sul Trono
9. Piangete Voi?...Al Dolce Guidami...Qual Mesto Suon?...Coppia Iniqua - Various Artists

Tracks:

1. Di Mio Padre...Deh! Pelopea Stirpe!...O Tu, Che In Tua Pieta Crudel
2. Sommi Dei!...O Sventurata Ifigenia
3. Il Voto Pago Andra...Io Ti Veggio
4. Ah! L'esecrando Rito...Io T'imploro Anelante
5. Di Quai Soavi Lagrime
6. Omai Da Lunge...Perche Di Stolto Giubilo
7. Donna...Che! Possente Numi!...Quest'alma E Troppo Debole
8. Ah! Fuggi Da Morte
9. Ecco Il Segnal!
10. Ecco L'orrido Campo...Ma Dall'arido Stela Divulsa
11. Teco Io Sto...O Qual Soave Brivido
12. A Tal Colpo...Morro, Ma Prima In Grazia

Tracks:

1. Libiamo, Ne' Lieti Calici
2. E Strano! E Strano...Ah! Fors'e Lui...Sempre Libera
3. Non Sapete...Ah! Dite Alla Giovine
4. Dammi Tu Forza, O Cielo!
5. Teneste La Promessa...Addio Del Passato
6. Ah, Violetta!...Se Una Pudica Vergine - Various Artists
7. Ritorna Vincitor!
8. Al Tuo Consiglio Io Cedo...Gloria All'egitto - Various Artists
9. Qui Radames Verra!...O Patria Mia
10. Ciel! Mio Padre!
11. O Terra, Addio

Tracks:

1. Nel Di Della Vittoria...Vieni! T'afferetta!...Or Tutti Sorgete
2. La Luce Langue
3. Una Macchia E Qui Tuttora
4. Gente La Dentro!...Mario! Mario!...Non La Sospiri, La Nostra Casetta
5. Orsu, Tosca, Parlate - Various Artists
6. Vissi D'arte
7. Senti, L'ora E Vicina...Amaro Sol Per Te...Presto! Su, Mario! - Various Artists
8. Ecco L'altare...Ervate Possente
9. Come Sa Amare!...La Mamma Morta
10. Benedico Il Destino! - Various Artists

Tracks:

1. Ben Io T'invenni...Anch'io Dischiuso Un Giorno (Abigaille, Act II)
2. Dov'e L'indiana Bruna? (Bell Song) (Lakme, Act II)
3. Tutte Le Torture (Costanze, Act II)
4. Ahime! Che Notte Oscura...Ombra Leggera (Shadow Song) (Dinorah, Act II)
5. Depuis Le Jour (Louise, Act III)
6. D'amore Al Dolce Impero (Armida, Act II)
7. Bel Raggio Lusinghier (Smiramide, Act I)
8. Ma Chi E Questa Bella...Ai Vostri Giochi...Ed Ora A Voi (Ofelia, Act IV)
9. Vanne, Lasciami...D'amor Sull'ali Rosee (Leonora, Act IV)
10. Pace, Pace, Mio Dio! (Leonora, Act IV)
11. Dolce E Calmo (Liebestod) Isolde, Act III)

Tracks:

1. Una Voce Poco Fa (Rosina, Act I)
2. Tu Che Vedi Il Mio Tormento (Tu Che Invoco) (Giulia, Act II)
3. Surta E La Notte...Ernani! Nernai, Involami (Elvira, Act I)
4. Tu Che Le Vanita (Elsabetta, Act IV)
5. Si. Mi Chiamano Mimi (Mimi, Act I)
6. L'altra Notte In Fondo Al Mare (Margherita, Act III)
7. L'amour Est Un Oiseau rebelle (Habanera) (Carmen, Act I)
8. Pres Des Remparts De Seville (Seguedille) (Carmen, Act I)
9. Nacqui All'affanno...Non Piu Mesta (Cenerentola, Act II)
10. Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table (Manon, Act II)
11. Werther! Qui M'aurait Dit...Des Cris Joyeux (Charlotte, Act III)
12. Tu? Tu? Piccolo Iddio (Butterfly, Act II)
13. O Mio Babbino Caro (Lauretta)

Customer Reviews:

Just the best of the best........2006-02-08

From all the compilations of Maria Callas EMI has issued this is BY FAR the best one.

Unlike her studio recitals, unequal and mostly recorded when her voice was starting to decay, this live records take you back to the glorious early fifties when the young Callas was changing the history of opera forever.

The first 6 CD's are scenes from stage performances and the last 2 from recitals.

Chronollogically, this compilation starts with the legendary (and controversial) 1951 Mexico-City "Aida" and ends with the 1964 Covent Garden "Tosca" (when Callas' voice was just the shade of itself but at the peak of her dramatic skills).
Listen to the electrifying poetry of the 1952 "La sonnambula", to the devorating flame of 1955 "La traviata" and "Lucia". Not to forget the 1952 "Norma", the 1957 "Ana Bolena" and some rarities like "Andrea Chénier", "Ifigenia in Tauride" and "Poliuto".
The only great absent of this collection is "Armida"...

As for the the 2 recital CD's, the first one contains arias from concerts between 1952 and 1958, when Callas was in full command of her voice. Nobody else was capable of singing arias from Nabucco and Lakmé on the same recital! And listen to the last aria: Wagner's Isolde's dead.

The second one, contains arias from 1959 to 1963. Here, Callas voice had diminished considerably and she was not anymore capable of the same technical miracles, but she still managed to give thrilling dramatical interpretations (listen to the dead scene of Madama Butterfly of the 1963 Paris recital!!!)

In 80% of this compilation you can hear the young Callas creating her own legend, giving herself completly on the stage.

Average customer rating:

Al Fin Solos ProductGroup: Music Binding: Audio CD Latin Pop | Latin Music | Styles | Music ASIN: B000O76UZS Release Date: 2007-04-17

Average customer rating: CONTINUING THE DEFINITIVE LECUONA SERIES WOW! INCREDIBLE MUSIC AND PLAYING PIANIST OF PIANISTS PERFECTION: PIANO PLAYING DOESEN"T GET ANY BETTER THAN THIS

Ernesto Lecuona: The Complete Piano Music, Volume 4 Ernesto Lecuona , Michael Bartos , Thomas Tirino , Polish National Radio Symphony Orchestra , and Silesian Philharmonic Chorus Manufacturer: Bis ProductGroup: Music Binding: Audio CD All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Ernesto Lecuona: The Complete Piano Music, Volume 5 Ernesto Lecuona: The Complete Piano Music, Volume 3 Ernesto Lecuona: The Complete Piano Music, Vol. 2 Ernesto Lecuona: The Complete Piano Music, Volume 1 Ultimate Collection ASIN: B0000016PP Release Date: 1999-02-15

Tracks:

1. Rumba - Rhapsody - Alexandra Montano
2. No Hables Mas!
3. No Puedo Contigo
4. Ahi Viene El Chino
5. Por Que Te Vas?
6. Lola Esta De Fiesta
7. En Tres Por Cuatro
8. Amorosa
9. Futurista
10. La Primera En La Frente
11. A La Antigua (El Tanguito De Mama)
12. Impromptu
13. La Danza Interrumpida
14. La Mulata
15. Arabesque
16. Ella Y Yo
17. La Cardenense
18. A Fin Te Vi!
19. Los Minstrel's
20. Vals Gitano
21. A Media Noche
22. Parisiana
23. Musetta
24. Vals Del Danubio
25. Broken Blossoms
26. Noches De Primavera
27. Vals De La Mariposa
28. Vals Azul
29. Paso Doble De Los Mantones

Customer Reviews:

CONTINUING THE DEFINITIVE LECUONA SERIES.......2004-09-14

In Each volume, Tirino's playing is Herculean. He understands all the forms-and then plays them flawlessly with total feel, command, poise, and technical panache this music requires. The rumba will have you begging for more! I don't think anyone could ever surpass the perfection Tirino brings to his Lecuona disks. Gold standard.

WOW!.......2001-05-17

I love this disc. Tirino is extraordinary from the first note to the last. How dare anyone call this great artist any other name but MAESTRO. This is a must have for any music lover. In fact, this is my favorite disk out of the whole Lecuona series on BIS. Get it, or you'll be waiting till the end of time for a better recording by any artist on these works, or on any Lecuona for that matter. 5 stars plus 100!

INCREDIBLE MUSIC AND PLAYING.......2001-05-04

This disc is fabulous from begining to end. Tirino is phenomenal-don't even DARE to think otherwise! This music swings and is beautiful from top to bottom. I'm going to buy all the discs in this series-if they are as good as this one, boy-I'm in for a treat. Highly recommended.

PIANIST OF PIANISTS.......2001-04-24

What more can be said of Tirino and his recordings of Lecuona's music except TOTAL, ABSOLUTE PERFECTION. This disc stands out for several reasons: The spirited Rumba with voices and chorus, and the Danzas Cubanas which are real gems. (as well as Vals Gitano). These danzas require EXTREME Left hand control of technique along with many colors and swing. I as a Cuban know this very well. I have never heard these pieces played better. Tirino's HUGE technique, beautiful sound, varied phrasing, and delicate subtelties never fail to amaze the listener-its incredible. Forget any negative comments-they are silly, stupid and uniformed. A better pianist, and better playing of this music you will never, EVER hear. If you want the best recordings of Lecuona's music, Tirino's series on the BIS label is IT. Get Lecuona's own recordings as well, as a point of reference. ENJOY!

PERFECTION: PIANO PLAYING DOESEN"T GET ANY BETTER THAN THIS.......2001-04-24

I own the entire Tirino/Lecuona series on the BIS label and I am a teacher at a major musical institution. I have heard a lot of piano playing in my life, including much Latin American piano music, which I have a special affinity for. Simply stated: Tirino plays this music like a God. Pianism of this high a calibre dosen't get any better. Period. Of all the discs in this series, this one is my favorite,(along with Volume 3). The rumba sizzles, and Tirino infuses it with breadth, stylistic colors and rhythm with real panache. And he wrote the Spanish lyric himself! Amazing. Tirino's technical skills are monumental, BIG, Lisztian in ability, certainly far above "Clementi" or "Scarlatti", good heavens. His playing is perfect for Lecuona-in fact-for ANYTHING. Beyond staggering technique he has a singing quality and subtelty of nuance and phrasing rarely heard nowadays-flexibility of sound with thousands of variations in phrasing, tone, dynamic, and pedal subtelties that make his musicianship stand FAR above many others. His tone is rich, full, NEVER BANGING (enough already, please!), aristocratic-never vulgar. Anyone who really knows good piano playing will hear it. Tirino's playing is very warm. The Danzas Cubanas (especially Lola esta de Fiesta) are magical. Put on Lecuona's recordings and compare them side by side to Tirino's. AMAZINGLY IDENTICAL! Fact: Tirino has been recognized as the Lecuona authority in the world for a reason-TIME magazine, The New York Times, and Stereo Review can't be wrong. Neither is the Lecuona family, who have endorsed his recordings, interpretations and work. There might not even be a discussion about Lecuona these days, had it not been for the work of Tirino.

In summary-Tirino is a GREAT artist and one would be hard pressed to imagine anyone else coming along and improving on his recordings. Comments made to the contrary can be dismissed as silly, uninformed vulgarity. If you want to hear great Lecuona, and great Piano playing by a tremendous artist, this disc and others in this series are for you. If not, it might be advisable to learn music, and re-wire your brain to try and listen differently.

Average customer rating: Excellent, but What Are the Words? outstanding collection Awesome 7.5 hours of superb music at a most reasonable price.

Les tres riches heures du Moyen Age: A Medieval Journey Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD All Works by Machaut | Machaut, Guillaume de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ballads | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Perotin / The Hilliard Ensemble Ambrosian Chant ASIN: B00000074R Release Date: 1995-11-21

Tracks:

1. 1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
2. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
3. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
4. 1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
5. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
6. 1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
7. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
8. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
9. 2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
10. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
11. 2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
12. 2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

Tracks:

1. 1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
2. 1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
3. 2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
4. 2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
5. 2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
6. 2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
7. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
8. 2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
9. 2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
10. 2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
11. 2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
12. 2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
13. 2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
14. 2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
15. 3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
16. 3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
17. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
18. 3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
19. 3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
20. 3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
21. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
22. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
23. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
24. 4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

Tracks:

1. The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
2. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
3. The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
4. The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
5. The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
6. Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
7. Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
8. Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
9. Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
10. Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
11. Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
12. Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
13. Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
14. Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
15. Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
16. Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
17. Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
18. Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
19. Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

Tracks:

1. 1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
2. 1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
3. 1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
4. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
5. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
6. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
7. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
8. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
9. 2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
10. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
11. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
12. 3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
13. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
14. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
15. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
16. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
17. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
18. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
19. 4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
20. 5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
21. 5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
22. 5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
23. 5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

Tracks:

1. 1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
2. 1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
3. 1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
4. 1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
5. 1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
6. 1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
7. 1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
8. 1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
9. 1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
10. 2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
11. 2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
12. 2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
13. 2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
14. 3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
15. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
16. 3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
17. 3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
18. 3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
19. 3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
20. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
21. 3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
22. 3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
23. Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
24. Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
25. Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
26. Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
27. Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

Tracks:

1. Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
2. 1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
3. 1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
4. 1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
5. 1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
6. 1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
7. 1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
8. 1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
9. 1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
10. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
11. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
12. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
13. 2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
14. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
15. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
16. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
17. 3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
18. Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
19. Lute Music: 'Nous bergiers' - Paul O'Dette
20. Lute Music: Ricercar No. 33 - Paul O'Dette
21. Lute Music: 'Il est bel et bon' - Paul O'Dette

Customer Reviews:

Excellent, but What Are the Words?.......2006-07-04

This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

outstanding collection.......2002-09-27

I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

Awesome.......2001-09-20

This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

7.5 hours of superb music at a most reasonable price........1999-12-24

There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

At twice the price, this would still be an excellent addition to any classical or medieval music collection, as well as the best introduction to medieval music around.

Average customer rating: Excellent The Best Don Giovanni On Record If only..... Like Amadeus, Terrific! A Must have! Not the best by a long shot

Mozart - Don Giovanni / Raimondi, Te Kanawa, Berganza, Moser, van Dam, Opera de Paris, Maazel (1979 film) Wolfgang Amadeus Mozart , Lorin Maazel , Ruggero Raimondi , Kiri Te Kanawa , Chorus & Orchestra of the Paris Opera , Edda Moser , José van Dam , Teresa Berganza , John Macurdy , Kenneth Riegel , and Malcolm King Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances German | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan OPERA 101: A COMPLETE GUIDE TO LEARNING AND LOVING OPERA Verdi - Rigoletto / Sutherland, Pavarotti, Milnes, LSO, Bonynge ASIN: B0000025CF Release Date: 1990-10-25

Tracks:

1. Don Giovanni: Ouverture
2. Don Giovanni: Act I - Scene I -Introduzione: (Leporello) (Donna Anna) (Don Giovanni) (Commendatore)
3. Don Giovanni: Act I - Scene 2 - Recitaivo: Leporelli, ove sei? (Don Giovanni) (Leporelli)
4. Don Giovanni: Act I - Scene 3 - Recitativo: Ah! del padre in periglio (Donna Anna) (Don Ottavio)
5. Don Giovanni: Act I - Scene 3 - Duetto: Fuggi, crudele, fuggi! (Donna Anna) ((Don Ottavio)
6. Don Giovanni: Act I - Scene 4 - Recitativo: Orsu, spiccati presto (Don Giovanni) (Leporello)
7. Don Giovanni: Act I - Scene 5 - Terzetto: Ah! chi mi dice mai (Donna Elvira) (Don Giovanni) (Leporello)
8. Don Giovanni: Act I - Scene 5 - Recitativo: Chi e la? (Donna Elvira) (Don Giovanni) (Leporello)
9. Don Giovanni: Act I - Scene 5 - Aria: Madamina, il catalogo e questo (Leporello)
10. Don Giovanni: Act I - Scene 7 - Duetto & Coro: Gioveinette, che fate all'amore (Zerlina) (Masetto)
11. Don Giovanni: Act I - Scene 8 - Recitativo: Maco male, e partita (Don Giovanni) (Leporelli) (Zerlina) (Masetto)
12. Don Giovanni: Act I - Scene 8 - Aria: Ho capito, signor si! (Masetto)
13. Don Giovanni: Act I - Scene 9 - Recitativo: Alfin siam liberati (Don Giovanni) (Zerlina)
14. Don Giovanni: Act I - Scene 9 - Duettino: La ci darem la mano (Don Giovanni) (Zerlina)
15. Don Giovanni: Act I - Scene 10 - Recitativo: Fermati, scellerato! (Donna Elvira) (Zerlina) (Don Giovanni)
16. Don Giovanni: Act I - Scene 10 - Aria: Ah! fuggi il traditor (Donna Elvira)
17. Don Giovanni: Act I - Scene 11 - Recitativo: Mi par ch'oggi il demonio (Don Giovanni) (Don Ottavio) (Donna Anna)
18. Don Giovanni: Act I - Scene 12 - Recitativo: Ah, ti ritrovo ancor (Donna Elvira) Quartetto: Non ti fidar, o misera (Donna Elvira) (Donna Anna) (Don Ottavio) (Don Giovanni)
19. Don Giovanni: Act I - Scene 12 Recitativo: Povera sventurata! (Don Giovanni)
20. Don Giovanni: Act I - Scene 13 - Recitativo: Don Ottavio... son morta! (Donna Anna) (Don Ottavio)
21. Don Giovanni: Act I - Scene 13 - Aria: Or sai chi l'onore (Donna Anna)
22. Don Giovanni: Act I - Scene 14 - Recitativo: Come mai creder deggio (Don Ottavio)
23. Don Giovanni: Act I - Scene 14 - Aria: Dalla sua pace (Don Ottavio)

Tracks:

1. Don Giovanni: Act I - Scene 15 - Recitativo: Io deggio, ad ogni patto (Leporello) (Don Giovanni)
2. Don Giovanni: Act I - Scene 15 -Aria: Finch;han dal vino (Don Giovanni)
3. Don Giovanni: Act I - Scene 16 - Recitativo: Masetto...senti un po (Zerlina) (Masetto)
4. Don Giovanni: Act I - Scene 16 - Aria: Batti, batti, o bel Masetto (Zerlina)
5. Don Giovanni: Act I - Scene 16 - Recitativo: Guarda un po' come seppe (Masetto) (Don Giovanni) (Zerlina)
6. Don Giovanni: Act I - Scene 16 - Finale: Presto, presto, pira che venga (Masetto) (Zerlina)
7. Don Giovanni: Act I - Scene 17: Su svegliatevi, da bravi! (Don Giovanni)
8. Don Giovanni: Act I - Scene 18 - Tra quest'arbori celata (Zerlina) (Don Giovanni) (Masetto)
9. Don Giovanni: Act I - Scene 19 - Bisogna aver coraggio (Donna Elvira) (Don Ottavio) (Donna Anna) (Leporello)
10. Don Giovanni: Act I - Scene 19 - Protegga il giusto cielo (Donna Anna) (Don Ottavio) (Donna Elvira)
11. Don Giovanni: Act I - Scene 20 - Riposate, vezzose ragazze (Don Giovanni) (Leporello) (Masetto) (Zerlina)
12. Don Giovanni: Act I - Scene 20 - Venite pur avanti (Leporello) (Don Giovanni) (Donna Anna) (Donna Elvira)
13. Don Giovanni: Act I - Scene 20 - Ecco il birbo che t'ha offesa (Don Giovanni) (Leporello) (Don Ottavio) (Donna Anna) (Donna Elvira) (Zerlina) (Masetto)
14. Don Giovanni: Act I - Scene 20 - Trema, trema scellerato (Tutti)
15. Don Giovanni: Act 2 - Scene 1 - Duetto: Eh via, buffone, non mi seccar! (Don Giovanni) (Leporello)
16. Don Giovanni: Act 2 - Scene 1 - Recitativo: Leporello...Signore (Don Giovanni) (Leporello)
17. Don Giovanni: Act 2 - Scene 2 -Terzetto: Ah! taci, ingiusto core (Donna Elvira) (Leporello) (Don Giovanni)
18. Don Giovanni: Act 2 - Scene 2 -Recitativo: Amico, che tim par? (Don Giovanni) (Leporello)
19. Don Giovanni: Act 2 - Scene 3 - Recitativo: Eccomi a voi (Donna Elvira) (Don Giovanni) (Leporello)
20. Don Giovanni: Act 2 - Scene 3 - Aria: Deh! vieni alla finestra (Don Giovanni)
21. Don Giovanni: Act 2 - Scene 4 - Recitativo: V'e gente alla finestra (Don Giovanni) (Masetto)
22. Don Giovanni: Act 2 - Scene 4 - Aria: Meta di voi qua vadano (Don Giovanni)
23. Don Giovanni: Act 2 - Scene 5 - Recitativo: Zitto...lascia ch'io senta (Don Giovanni) (Masetto)
24. Don Giovanni: Act 2 - Scene 6 - Recitativo: Ahi! ahi! la testa mia! (Masetto) (Zerlina)
25. Don Giovanni: Act 2 - Scene 6 - Aria: Vedrai, carino (Zerlina)
26. Don Giovanni: Act 2 - Scene 7 - Recitativo: Di molte faci il lume (Leporello) (Donna Elvira)
27. Don Giovanni: Act 2 - Scene 7 - Sestetto: Sola, sola in buio loco (Donna Elvira) (Leporello) (Don Ottavio) (Donna Anna)
28. Don Giovanni: Act 2 - Scene 8 - Sestetto: Ferma, briccone! Dove ten vai? (Zerlina) (Masetto) (Donna Anna) (Don Ottavio) (Donna Elvira) (Leporello)
29. Don Giovanni: Act 2 - Scene 8 - Sestetto: Mille torbidi pensieri (Leporello) (Zerlina) (Donna Anna) (Don Ottavio) (Donna Elvira)
30. Don Giovanni: Act 2 - Scene 9 - Recitativo: Dunque quello sei tu (Zerlina) (Donna Elvira) (Don Ottavio) (Masetto)
31. Don Giovanni: Act 2 - Scene 9 - Aria: Ah! pieta, signori miei! (Leporello)
32. Don Giovanni: Act 2 - Scene 9 - Recitativo: Ferma, perfido; ferma (Donna Elvira) (Masetto) (Zerlina) (Don Ottavio)
33. Don Giovanni: Act 2 - Scene 9 - Aria: Il mio tesoro (Don Ottavio)

Tracks:

1. Don Giovanni: Act 2 - Scene 10 - Recitativo: In quali eccessi (Donna Elvira)
2. Don Giovanni: Act 2 - Scene 10 - Aria: Mi tradi quell'alma ingrata (Donna Elvira)
3. Don Giovanni: Act 2 - Scene 11 - Recitativo: Ah! ah! ah! questa e buona! (Don Giovanni) (Leporello) (Commendatore)
4. Don Giovanni: Act 2 - Scene 11 - O statua gentilissima (Leporello) (Don Giovanni)
5. Don Giovanni: Act 2 - Scene 12 - Recitativo: Calmatevi, idol mio (Don Ottavio) (Donna Anna)
6. Don Giovanni: Act 2 - Scene 12 - Recitativo: Crudele? Ah no! mio ben! (Donna Anna) Aria: Non mi dir (Donna Anna)
7. Don Giovanni: Act 2 - Scene 12 - Aria: Forse un giorno (Donna Anna)
8. Don Giovanni: Act 2 - Scene 12 - Recitativo: Ah, si segua il suo passo (Don Ottavio)
9. Don Giovanni: Act 2 - Scene 13 - Finale: Gia la mensa e preparata (Don Giovanni) (Leporello)
10. Don Giovanni: Act 2 - Scene 14 - Finale: L'ultima prova (Donna Elvira) (Don Giovanni) (Leporello) Che grido e questo mai? (Don Giovanni) (Leporello)
11. Don Giovanni: Act 2 - Scene 15 - Finale: Don Giovanni, a cenar teco (Commendatore) (Don Giovanni) (Leporello)
12. Don Giovanni: Act 2 - Scene 15 - Finale: Da qual tremore insolito (Don Giovanni) (Leporello)
13. Don Giovanni: Act 2 - Final Scene - Ah! dov'e il perfido? (Tutti)
14. Don Giovanni: Act 2 - Final Scene - Or che tutti, o mio tesoro (Don Ottavio) (Donna Anna)
15. Don Giovanni: Act 2 - Final Scene - Questo e il fin (Tutti)

Customer Reviews:

Excellent.......2005-05-08

I just bought this set and I am very impressed. To start off I am a very big fan of the soprano and baritone voice. In addition to this I am of the belief that Kiri Te Kanawa and Ruggiero Raimondi can do no wrong when it comes to singing, so naturally it was not very hard for me to decide which Don Giovanni to add to my collection.

This set does not dissapoint. Both the Don and Elvira are in exceptional voice. In addition to this rest of the cast is terrific. Donna Anna, sung by Edda Moser, is truly remarkable especially in her first aria. I have read other reviews about her singing of this role and it seems that the reviewers are split in half. One half seems to think her Wagnerian sounding voice is far too heavy and aggressive for this role while the other half seems to find her perfect. Although, I must admit there are others that I have listened to and enjoyed just as much as Moser, it is nice to be able to hear "Or sai che l'onore" sung as though the soprano has just deiscoverd some horrifying fact and is ready to take action against it rather than faint. True, singing anything softer than forte is an alien concept to this woman, I feel that most people will be duly impressed.

Besides, if you do not enjoy Edda Moser's voice then any buyer can be certain to have loads of fun with Teresa Berganza, who sings the role of Zerlina. To put it plainly Berganza's singing and interpretation of this role may exceed even that of Bartoli's, who is yet another singer I firmly believe does no wrong when it comes to music.

The rest of the cast is also excellent. Don Ottavio, Leporello, and Masetto are all sung and portrayed as well as any. Overall this is a fine set and is well worth the purchase

The Best Don Giovanni On Record.......2004-09-15

Everyone has their pick of their favorite Don Giovanni, and recordings which they consider to be the ultimate. For me, this 1979 studio recording, which was also the soundtrack for the Joseph Losey film, is the greatest on record. It has the right voices for the dark and witty drama that is Don Giovanni, the right orchestration and there is a certain magic to the whole thing that is going to leave you an opera fan for life. Ruggero Raimond sings the role of the Don. He is convincing both as a singer and an actor, bringing life to the dark, predatory, perverted, scheming character. Don Giovanni is a wolf disguised as a gentleman. He is charming, elegant but beneath his mantle of aristocratic nobility, he is the Devil incarnate. His music, mostly through recitatives (he gets only a toast aria "Finc al vino" and a Serenade "Vieni A La Finestra"of elegance) is full of wit, sophisticated humor and bawdy ribald perversion. He is a man whore, who delights in making love to all women of any age, shape or size (but never twice). He is anti-marriage even anti-romantic love. He was married briefly to Dona Elvira who is still demanding her rights as a wife and follows him everywhere, obscessed with him, attempting to regain his love, warning other women of his deception and betrayal. The role of Dona Elvira is sung by Kiri Te Kenawa who is in excellent late 70's voice, her dramatic inflections are perfect for the role. Actually, she makes a convincing and less cartoonish Elvira. Dona Elvira is usually played quite histerically and even comically but Kiri Te Kenawa plays her with a dignity of her own. If she is dramatic it is because she is madly in love with Don Giovanni and conflicted. She has a love/hate relationship with him.

Donna Ana is performed by Edda Moser. A German soprano of lyric dramatic coloratura, she has the perfect category of voice for Dona Ana the way she ought to be sung. Nowadays it's popular for a light lyric soprano to sing the role, as Renee Fleming has done. But I am pretty sure Mozart intended for her to be a dramatic soprano with a heavier voice that is nevertheless lyric, beautiful, full of pianissimo and high top register. There is one coloratura aria "A Forse Un Giorno Il Cielo" and dramatic lines in her recitatives. Right from the start, she is screaming in horror as she discovers her father has been killed by Don Giovanni. There are also moments in which the dramatic music compliment the dramatic outbursts such as the moment when she recognizes Don Giovanni as the man who tried to rape her. "O Dei ! O Gods!" she cries. There is an intense quality to the aria "Or Sai Che L'Onore" in which she is resolved that Don Ottavio take revenge against the Don. Edda Moser has a Wagnerian voice that is quite good for Dona Ana, especially because in this "version" she has some feelings of temptation for the Don which she is vigorously fighting to kill.

Lorin Maazel is a good conductor, even if he makes an excess of strings and conducts some moments such as the Act I finale at a faster pace. Jose Van Dam is a perfect support for Raimondi as Leporello, the faithful, clever and comic servant. His basso buffo voice is perfect for the role. Zerlina is sung by the adorable Teresa Berganza who has a sweet, lyric voice and who plays the almost seduced peasant girl with great conviction. In the end, she loves Masetto and will not betray him. Malcom King's Masetto is quite good, adorably jealous. Jon Macurdy has a terrifying voice as the Commandatore. This is the perfect Don Giovanni. What are you waiting for ? See the movie and get this soundtrack.

If only............2004-05-07

This recording is exciting no doubt but it has a serious flaw- the sound. All of Mozart's orchestral brillance reduced to mush with the exaggerrated acoustics. An engineering disaster not helped by Maazels excessive use of string. Having said that wow- the singing catches fire. This version is comes close to comparing with the legendary Guilini recording with Schwartkoft and Sutherland. Kiri te Kanawa is phenomenal!!!. Very rarely does she sound so convincing dramatically but she is heavenly in this recording. Ah che di mai, Inquali eccesi, Masker's trio, Ah Fuggi.. are all sung excellently with a full throated creamy tone as golden as the morning sun and as smooth as silk. Not a note out of place or scooped. Schwartkopf occassional shows her troubles with Mozart- esp in Inquali eccesi but otherwise she is commanding. Her's is the more compelling potrait but te Kanawa outshines her in all other aspects of the role- youthful brilliance coupled with a voice that is truly unforgettable.

In the 1970's te Kanawa as a lyric soprano had no equal esp in Mozart. Freni, Riciarelli, Tomowa Sintow, Cotrubas, Popp comes nowhere near and four of her Mozart recordings then deserves to be ranked as some of the most sensational recordings ever committed to disc ( along with her Grammy award Four Lasts Songs ). Of her many Mozartian potraits; Fiordiligi and Pamina with Lombard and her Figaro with Boehm, this Elvira has to be the most breathtaking and quintessential of all. Her incredible voice, the manner of her delivery and the warmth of her superlative singing is magical.

Edda Moser is a wondefully dramatic Anna, not always focused and she sounds positively insecure in her entrance. Sutherland is incomparable. I find her 'Or sai' tellingly dramatic. Berganza is lovely and she manages the high tessitura well.

The men lack something of the spark in comparison. Van Dam is a most aristocratic Leporello. Terfel is more believable. Raimondi is commanding- his is the most sexually appealling of all recordings. Maazel has wonderful moments but tends to rush much of Mozart's orchestral colour.

Like Amadeus, Terrific! A Must have!.......2001-08-03

If you have seen the 1984 Milos Forman Best Picture Amadeus, you would have seen the Commandatore Scene from Don Giovanni. This soundtrack is to the 1979 film version of the opera, with the great conductor Lorin Maazel at the baton, Kiri Te Kenawa, Edda Moser, Berganza and Van Dam putting in their talents. This is a great performance, and if you loved the film, this is a must have. Dark, comic, it is Mozart's finest Italian opera. Popular for its beautiful melodies, such as "La Ci Darem La Mano" "Viva La Libertad " the Don's lusty champagne aria "Finch hal Del Vino" and of course the climatic encounter with the Commandatore, Don Giovanni remains one of the world's greatest operas. Before you listen to all the other recordings, try this one out. I think you will be pleasantly surprised. Of course, Maazel fans might appreciate it better, as well as fans of Te Kenawa and Moser.

Not the best by a long shot.......2001-05-09

Frankly, this is very overated recording, as is the so-called legendary Gulini. Best in my view are a) Josef Krips (Decca) and Mitropoulos (Sony Classics). The latter is live, which this opera can take and in fact it adds to the frisson and excitement particularly in the final act. And the singers. Nobody has yet bettered Grummer, or Della Casa as Donna Anna or Donna Elivira. Hear them and you won't be able to listen to others doing this opera. The sound for a 1956 recording is excellent as is the Krips one which was recorded around 1959. In both recordings Siepi is the Don and his voice is a marvellous mixture of suave, erotic and downright sinister. In short he encompases the whole role. Do yourself a favour and get BOTH these recordings.

Christian Music:

1. Apartment 82
2. Back To Back
3. Be
4. Be Not Nobody [Enhanced] [Import]
5. Be Not Nobody [Enhanced] [Import]
6. Bird of Paradise
7. Bittersweets
8. Boy U Say? [EP]
9. Canned Beer
10. Cant Sleep

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The Smell Of Victory

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Villa Lobos: The Little Train of the Caipira; Antill: Corroboree; Ginastera: Estancia; Panambi

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