| 1. Sad Truth |
| 2. World of Tears |
| 3. American Breakdown |
| 4. Sorrytown |
| 5. Rosabelle |
| 6. Sleeping Without You |
| 7. The World Keeps On Ending |
| 8. Blind |
| 9. Pacific |
| 10. Home After Dark |
Editorial Reviews
"..His singing and lyrics place him somewhere between early Neil Young and solo Don Henley.."
Singer/Songwriter Ray Wylie Hubbard
"..American Breakdown has soulful vocals, beautiful melodies, cool guitar, and honest and down to earth lyrics.."
American Breakdown
American Breakdown,Troy Campbell
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Nervous Breakdown
Black Flag Manufacturer: Sst Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000LYP Release Date: 1992-09-01 |
Tracks:
- Nervous Breakdown
- Fix Me
- I've Had It
- Wasted
Customer Reviews:
I'm gonna go bezerk.......2006-10-30
Anyway, back on topic. On the forefront of the late 70's punk scene was Black Flag, and with this EP, the saga began. Black Flag has had four singers in their career, but nobody does it better then Keith Morris. Even though he is only known for these four songs with Flag (he also did nine demos that can be seen on the "Everything Went Black" compilation album), he couldn't have been any better. Johnny Rotten of the Sex Pistols is an obvious influence on Morris, except Keith sings and yells better, in my opinion. Morris did great things with The Circle Jerks as well after he left Black Flag. Guitarist Greg Ginn is a legend of his genre, and even though his playing is very simple (composing of simple power and three-note chords), it is catchy as **** and is genius in it's own way. Ginn's signature guitar tone of distortion and heavy feedback is introduced here, and with this heavy amount of it made the MCD that much better. The bassist and drummers provide a solid rhythm core. The drumming is very good, and remains interesting throughout the five minutes this EP is. The bass playing, while mostly matching the guitars, provides a nice bottom section of the music. The tone is also very good. Lyrically, this album is also stunning. The lyrics are very easy to relate to, and they remain some of the best in punk.
The EP begins with the title track, "Nervous Breakdown". It is the longest song on the album, clocking in at a little over two minutes. Beginning with a nice, catchy riff, Keith Morris enters with his classic line, singing "I'm about to have a nervous breakdown / my head really hurts". As the song progresses, you could hear Keith Morris getting angrier and angrier, and by the end, he is almost mimicking the Johnny Rotten yell. By the end, he is screaming "crazy!" at the end, then starts an almost incomprehensible bark of "I don't care what ya f***in' do". By the end of the song, you just want to break something. The song is full of rage, and remains one of my favorite punk songs all time. The second song, "Fix Me", uses the same formulae of the first song, with very good lyrics. The song, only being 0:55, still has the very catchy chorus that makes it memorable. "I've Had It" is the second best song on the EP, with incredible riffing from Ginn's feedback guitar and a lot of rage spewing from Morris' mouth. The final song, "Wasted", is a song that only Keith Morris can do. Without him, this song may have not even been capable of making the record. It has funny lyrics, but you feel cut off when it ends after 0:51.
When this record is done, you are almost forced to play it again. I have had this for a long time, and it never gets stale. I personally am a completist when I love a band, but if you are looking for this, get the "The First Four Years" compilation, a collection of everything Flag pre-Henry Rollins, plus a lot more extras. The band would go through some lineup changes before the band released their "Jealous Again" EP, most notably one-time vocalist Chavo Pederast coming in after Morris left. How important is the release of this? Besides revolutionizing the Los Angeles hardcore-punk scene, it provided a formula for years to come that people, mostly failing, would try to repeat. Before Henry Rollins came in and Greg Ginn decided to fuse punk and metal (not to our disdain...it was still great), there was the Keith Morris era-Flag, which was all about the straight attitude and rage that graced us with some of the best stuff ever created. A landmark in the history of music, and definately not to be skipped over if you are a fan of not only punk, but music in general.
Back when punk was cool.......2006-04-04
Nervous Breakdown is slightly over two minutes and is the longest song on here. A very chilling song this is. Starts off with some nice punk riffs and then Keith comes in "I'm about to have a nervous breakdown/ My head really hurts" This song is quite a wild ride! Keith's voice gets pretty crazy near the end, and it all finishes with a cry of "I just wanna...DIIIIIIE" What a finish! Fix Me is under a minute long, but it still rocks. Keith simply roars on this song and Greg's riffs are just mean.
I've Had It has another nice riff at the start. Keith really sounds pissed on this one. You gotta love it when he goes "I'm going to explode, I'VE HAD IT!" Great song to play when you need to vent some anger. Wasted is another quick song. It's simple and to the point, just like punk should be.
Don't be afraid, this is not some whiny teenybopper pop punk. This is true punk music, and if your idea of punk is Good Charlotte (they suck by the way, but you already knew that) then get this and find out what punk is really about! If you don't, then you are simply cheating yourself.
Keith Morris was Black Flag.............2005-12-08
Great lyrics on all the tracks..And after the quick spotting on Wasted the final lyric I was Wasted just puts a smile on ya...So, pick this up or pick up the first four years which has these classic tracks plus Henry's Damaged and Six Pack which are classics too just a diffrent style of black flag...
Kick ass punk rock.......2005-08-11
Punk Rock, BABY!!!.......2005-02-09
Average customer rating:
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Ansel Adams: Original Soundtrack Recording from the Film by Ric Burns
Brian Keane Manufacturer: Green Linnet ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000641AH Release Date: 2002-04-23 |
Tracks:
- Benediction Piano
- Benediction Orchestral
- Cowboy Song
- Marias River Breakdown
- American Open
- To The Summit
- Starting Out
- Sky
- Searching
- American Open Piano
- Ansel's Theme
- Benediction (Piano Reprise)
- High Sierra
- Bach Prelude
- American Open (Reprise)
- Benediction Orchestral (Reprise)
- Bach Prelude - Ansel Adams
Customer Reviews:
Stands on its own very well........2006-06-22
Average customer rating:
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American Breakdown
Troy Campbell Manufacturer: Loud House ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000950VY Release Date: 2003-05-06 |
Tracks:
- Sad Truth
- World Of Tears
- American Breakdown
- Sorrytown
- Rosabelle
- Sleeping Without You
- The World Keeps On Ending
- Blind
- Pacific
- Home After Dark
- BONUS TRACK: Ruby
Customer Reviews:
Why isn't this guy a star?.......2003-11-20
top ten cd.......2003-07-27
this great cd. it covers a lot of ground
and I've already bought a couple extra for my
friends.
Troy Campbell continues to grow.......2002-08-09
Troy Campbell: American Breakdown, A Roots-Rock Diamond.......2002-08-02
An American Voice.......2002-07-26
Average customer rating:
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The Life and Works of Pyotr Il'yich Tchaikovsky
Antoni Wit , Gerhard Markson , Kenneth Jean , Michael Halasz , Ondrej Lenard , Philippe Entremont , Stefan Sanderling , CSSR State Philharmonic Orchestra , National Symphony Orchestra of Ireland , National Symphony Orchestra of Polish Radio and Television , National Symphony Orchestra of Ukraine , Polish Radio Symphony Orchestra , Royal Philharmonic Orchestra , Slovak Philharmonic Orchestra , Slovak Radio Symphony Orchestra , Wiener Kammerorchester , Bernd Glemser , Oxana Yablonskaya , Takako Nishizaki , and Vladimir Grishko Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000669V2 Release Date: 2002-07-16 |
Tracks:
- Tchaikovsky In Early Childhood
- Music: Glinka: Overature To A Life For The Tsar
- Enforced Separation From His Mother
- Music: Tchaikovsky: Dumka, Op. 59
- Death Of His Mother
- Music: Reverie Du Soir
- Early Manhood: The Spendthrift Civil Servant
- Music: Minuet From Mozartina
- Dismissive Opinions Of Other Composers
- Music: The Storm
- Journey To A Breakdown
- Music: First Symphony
- Abortive Engagement
- The Advent Of Balakirev
- Music: Romeo And Juliet
- Travels And A Wounded Friendship
- Music: First Piano Concerto
Tracks:
- Reforming The Ballet
- Music: The Rose Adagio From The Sleeping Beauty
- Bizet's Carmen Has A Major Effect On Tchaikovsky's Music
- Music: Francesca Da Rimini
- A Compositional Paradox
- Music: Rococo Variations
- The Struggle Of Despair And Hope: He Decides To Marry
- Music: The Tempest
- The Advent Of Nadezhda Von Meck
- Music: The Sleeping Beauty Waltz
- The Disastrous Road To Matrimony
- Music: Romeo And Juliet
- Marriage, Trauma, And A Fairy Tale Annuity
- Letter To Mme Von Meck
- Music: Romeo And Juliet
Tracks:
- Recorvery And Creativity
- Music: Fourth Symphony
- The Creation Of His Favorite Opera
- Music: Lensky's Aria From Eugene Onegin
- The Return To Compositional Health
- Music: Violin Concerto In D
- He Experiences Distressing Relapses
- Music: Capriccio Italien
- Psychological Disturbances And A Long Fallow Period
- Music: Piano Trio In A Minor
- Sufferings For Mme Von Meck; He Decides To Settle Down
- Music: Manfred Symphony
- Conducting Tours And Domestic Bliss
- Music: Fifth Symphony
- More Conducting Tours, And A Working Holiday In Italy
- Music: Souvenir De Florence
Tracks:
- The Rift With Mme Von Meck
- Music: Sixth Symphony (Second Movement)
- His Obsession With 'Bob' Davydov; Adventures In America
- Music: Fifth Symphony
- Further American Adventures
- A Trip To Niagara
- Music: Dance Of The Sugar Plum Fairy (The Nutcracker)
- A Darker Episode
- Music: Voyevode
- Portrait Of A Conductor
- A Hero's Return
- Music: Sixth Symphony
- The Mystery Surrounding His Death
- Music: First Piano Concerto
Customer Reviews:
A fascinating look at a tortured genius.......2002-08-21
Now we have two more entries in this amazing series, again written and narrated by Jeremy Siepmann: "Pyotr Il'yich Tchaikovsky" (8.558036-39) with a playing time of 4 hrs. 5 min. and "Johann Sebastian Bach" (8.558051-54) with a playing time of 4 hrs. 34 minutes. (Please see my comments on the Bach set on its webpage.)
Was there ever a sadder composer than Tchaikovsky? Siepmann practically introduces us to the child in his cradle and covers his 53 or so years of torment over his music, his sexuality, his impossibly hopeless marriage his strange relationship with Mme von Meck, and above all his music.
To make the recording more vivid, the producers have assigned professional actors the roles of the composer himself (Malcolm Sinclair), the women in his life (Karen Archer and Teresa Gallagher) and the men (Stephen Thorne and David Timson). There are many music examples (drawn, of course, from Naxos recordings), some of them considerably longer than necessary. For example, the "Sugar Plum Fairy" is heard at length to represent all of the "Nutcracker" score when several shorter samplings would have served the purpose better. But this has been true for the entire series, and perhaps the producers will rethink this aspect.
Average customer rating:
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American Breakdown
ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068THU Release Date: 2002-05-28 |
Tracks:
- Sad Truth
- World of Tears
- American Breakdown
- Sorrytown
- Rosabelle
- Sleeping Without You
- The World Keeps On Ending
- Blind
- Pacific
- Home After Dark
Customer Reviews:
Why isn't this guy a star?.......2003-11-20
top ten cd.......2003-07-27
this great cd. it covers a lot of ground
and I've already bought a couple extra for my
friends.
Troy Campbell continues to grow.......2002-08-09
Troy Campbell: American Breakdown, A Roots-Rock Diamond.......2002-08-02
An American Voice.......2002-07-26
Average customer rating:
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Kallen Esperian - American Treasure (Pro Organo)
Manufacturer: Pro Organo ProductGroup: Music Binding: Audio CD ASIN: B00005QGDT Release Date: 2001-09-25 |
Tracks:
- Oh! Susana
- Red Rosey Bush
- Three Mountain Ballades: Baraba Allen
- Bily Boy
- Go 'Way From My Window
- Skip To My Lou
- The Turtle Dove
- Simple Gifts
- Riders In The Sky
- Home On The Range
- The Nightingale
- Johnny Has Gone For A Soldier
- Arkansas Traveler
- Shenandoah
- Long Time Ago
- Partings: The Wraggle-Taggle Gypsies
- China-A-Ring-Chaw
- Wayfaring Stranger
- Hark! I Hear The Harps Eternal
- Goin' Home
Customer Reviews:
Wonderful.......2004-03-15
Average customer rating: |
21st Century Mandolin
Manufacturer: Well-Tempered Produc ProductGroup: Music Binding: Audio CD ASIN: B000003Y2N Release Date: 1994-01-04 |
Tracks:
- Grass Valley Fire, 1988
- American Miniatures: I. Roads West
- American Miniatures: II. After the Battle of Bull Run
- American Miniatures: III. The Dust Bowl
- American Miniatures: IV. Gold
- American Miniatures: V. Neighborhoods
- Ellis Island Son: I. Arrival
- Ellis Island Son: II. Ghosts from the Old Country
- Ellis Island Son: II. Progress or Poverty?
- Ellis Island Son: IV. Who Are My People?
- Silicon Valley Breakdown
Average customer rating: |
American Breakdown
Troy Campbell Manufacturer: Universal/Evangeline ProductGroup: Music Binding: Audio CD ASIN: B0000667VR Release Date: 2002-05-06 |
Tracks:
- Sad Truth
- World of Tears
- American Breakdown
- Sorrytown
- Rosabelle
- Sleeping Without You
- World Keeps on Ending
- Blind
- Pacific
- Home After Dark
- Ruby [*]
Christian Music:
- Celebrity [Import]
- Christ Style
- Confidence
- Doin' That Thang
- Emotions [Import]
- Everybody's Happy When They're Singing
- Extenuating Circus Dances
- First Dance
- Get That Doe [Explicit Lyrics]
- Got to Have Your Love [CD-single] [Import]
Christian Music
Next to You [CD-single] [Import]
Sweet Dreams: Baby's First Mozart, Vol. 1
Stockholm Guitar Quartet Plays Bach & Telemann
Music CD: El Frijolero [Explicit Lyrics]
Take What You Can Live, 2000 [Live] [Import]
The Monkees - Greatest Hits [Deluxe Limited Edition] [Limited Edition]
Sydney International Piano Competition
Special Tribute to Glenn Miller, Vol. 1
Solo lo Nuestro! [Original recording remastered]