| 1. Love Story | |||
| 2. My Way | |||
| 3. More | |||
| 4. Memories | |||
| 5. Send in the Clowns | |||
| 6. Around the World in 80 Days | |||
| 7. Strangers in the Night | |||
| 8. Misty | |||
| 9. Stormy Weather | |||
| 10. As Time Goes By | |||
| 11. Music of the Night | |||
| 12. Under Paris Skies | |||
| 13. If You Go Away | |||
| 14. Green Fields | |||
| 15. Autumn Leaves | |||
| 16. Try To Remember | |||
| 17. What I Did For Love | |||
| 18. I Wish You Love | |||
| 19. Speak Softly Love | |||
| 20. Lara's Theme | |||
|
See all 26 tracks on this disc
| |||
Editorial Reviews
Compilation of most love songs around the world. The songs of time (2) should be released next month.
The Songs of Times,Chiffon,Chiffon,Compilation of 24 most love songs from around the world.... the last 2 # 25, 26 are Chiffon"s own composition.
Average customer rating:
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TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXIL Release Date: 2002-08-20 |
Tracks:
- I Love Lucy Theme - Wilbur Hatch
- Dragnet - Ray Anthony
- The Twilight Zone - Rod Open
- Bonanza - Al Caiola & His Orchestra
- The Andy Griffith Theme - Earle Hagen
- The Ballad Of Jed Clampett - Earl Scruggs
- The Addams Family (Main Theme) - Vic Mizzy
- Munsters Theme - Jack Marshall
- The Ballad Of Gilligan's Isle - Morton Stevens
- Green Acres - Eddie Albert
- Jeannie - Hugo Montenegro
- Batman Theme - Neal Hefti
- (Theme From) The Monkees - The Monkees
- Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
- Mannix - Lalo Schifrin
- Hawaii Five-O - Mort Stevens & His Orchestra
- Theme From The Brady Bunch - The Brady Bunch
- Come On Get Happy - The Partridge Family
- Those Were The Days - Carroll O'Connor
- And Then There's Maude - Donny Hathaway
- Good Times - Jim Gilstrap
- Movin' On Up - Oren Waters
- The Rockford Files - Mike Post
- Them From S.W.A.T. - Rhythm Heritage
- Happy Days - Pratt & McClain
- Making Our Dreams Come True - Cyndi Grecco
- Chico And The Man - Jose Feliciano
- Welcome Back - John Sebastian
- What's Happening!! - Henry Mancini
- Barney Miller - Jack Elliott
- Charlie's Angels - Jack Elliott
- Love Boat Theme - Jack Jones
- Angela (Theme From 'Taxi') - Bob James
- It Takes Diff'rent Strokes - Gloria Loring
- Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
- Theme From Magnum, P.I. - Mike Post
- The Theme From Hill Street Blues - Mike Post
- Theme From Dynasty - Bill Conti
- Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
- Thank You For Being A Friend - Cynthia Fee
Album Description
TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.Customer Reviews:
good memories for me and fun "new" songs for my children.......2007-06-27
memories.......2007-02-22
TV Theme Songs.......2007-01-13
TV themes.......2006-07-05
Deja Vu.......2006-02-17
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Thomas Hampson , Jay Ungar , Molly Mason , Garrison Keillor , David Alpher , Mark Rust , Michael Parloff , Peter Ecklund , John Kirk , Arnold Kinsella , and Stephen Foster Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SK7 Release Date: 1992-10-20 |
Tracks:
- Opening Solo Violin
- Jeanie With The Light Brown Hair
- Hard Times Come Again No More
- The Voice Of Bygone Days
- Foster Favorites Medley (Ring, Ring The Banjo (1851) Oh! Susanna (1848) Camptown Races (1850)
- Open Thy Lattice, Love (1844)
- Beautiful Dreamer (1864)
- That's What's The Matter
- Old Home Medley (Old Folks at Home (1851) My Old Kentucky Home, Good Night (1853)
- Molly! Do You Love Me? (1850)
- Sweetly She Sleeps, My Alice Fair (1851)
- Comrades, Fill No Glass For Me (1855)
- Dancing On The River (Nelly Bly (1850) The Glendy Burk (1860) Angelina Baker (1850)
- My Wife Is A Most Knowing Woman (1863)
- Gentle Annie (1856)
- Linger In Blissful Repose (1858)
- Ah! May The Red Rose Live Alway (1850)
Customer Reviews:
It's Dreamy.......2007-01-10
Foster's songs are of a more innocent and naive time in the American psyche, a time that it would not hurt us to remember, given the wretched brutality of American culture today (something you'll appreciate after listening to this recording).
The songs are beautifully sung by Mr. Hamspon, and the musical accompaniment with piano, mandolin, tuba, banjo, etc. seems a perfect setting for this period music. I enjoyed the musical interludes of Foster songs (not sung by Mr. Hampson), such as "Oh, Suzanna", "My Old Kentucky Home", and "Camptown Races." They are foot-stompin' and finger-snappin' good in a non-syncopated way.
Mr. Hampson's voice is so beautiful, and he has done such a wonderful job with these song's you'll just have to hear it, and when you do, tell me that you're not dreaming.
I remember reading a quote by John Phillip Sousa that decried the use of syncopation in American popular music. I never understood it until listening to this recording. The richness and intensity of American popular music (as experienced in the work of Stephen Foster) has been lost.
Everything has to be so cool today, thanks to syncopation, and "cool" really means no emotion.
If emotion is what you want, emotion is what you'll get with Stephen Foster's songs. It was a time when the death of loved ones (especially those who died in their youth) was experienced more often (see "I Dream of Jeannie with the Light Brown Hair" and "Gentle Annie"). And we were not protected from the vicissitudes of fate by myriad government programs, modern medicine and universal prosperity (see "Hard Times").
Husbands and wives had their differences then, as today, (see the amusing song "My Wife is a Most Knowin' Woman") The passion of the Civil War (Foster was a Unionist),is reflected in a wonderful, fun song, "That's What's the Matter."
If you love good music, and you have heart which can be stirred, and you love your country, this is for you.
I love this recording. It has opened up the door to my "beautiful dreams," dreams of bygone days, lost love, and whatever else we pine for.
I wanted to buy several copies for my friends, but somehow I felt that the impact of this recording was so personal, that it could not be shared with others. Not that they couldn't enjoy it, but that I could not begin to share the intense emotion and reverie stirred in my heart by these beautiful songs.
My Favorite Composer of all time.......2006-08-20
I dream of Jeannie with the light brown hair
Born like a vapor on the summer air
I see her tripping where the bright streams play
Happy as the daisies that dance on her way
Many were the wild notes her merry voice would pour
but the violins in this CD make this CD the best out there..
FYI should you be into astrology Stephen Foster is definition of Cancer...Sun and Moon conjunct in Cancer with mars in Scorpio..i love his lyrics..almost to the point of obsession..
An American classic from Hampson that brings smiles and tears.......2006-07-17
In this 1992 collection of 17 Foster favorites, plus a few rareties, Hampson drops the platform manner and goes straight for heartfelt sincerity. His tone is plain yet sweet, his expression intimate. He is accompanied by instruments redolent of the Victorian drawing room (guitar, fiddle, upright piano), and the mood they create brings tears and smiles of remembrance. This music is embedded in America's genes, and it's wonderful to realize that every note is still alive and throbbing with feeling.
OMG!!! More than 10000000000000000000000000000000000000000000000000000000 stars, one of the best album in the world!!!.......2005-11-25
Thomas Hampson's voice is simply fantasic. His voice is very different from regular operatic baritone voice, very sweet, and rich. I really cant believe an operatic baritone can sing folk song like THIS good, in my opinion he sounds even better than his opera works in this album. His voice and the background music matches perfectly, the outcome would move u to tears, and u can feel the origin of MUSIC. This album really shows what the word MUSIC means, and the songs simply just ALL beautiful. I like his "beautiful dreamer", "my life is well knowing woman", and "jeanie with the light brown hair" the most. When I listen the songs I would just imagine that I am in the world of past USA, and I can feel the life of the ppl in the past USA~ just like watching an old classic movie, it would touch ur heart and fall in love with this album.
It's simply lovely.......2004-12-14
This CD is a revelation. The melodies are so beautiful, as are the poems, and Thomas Hampson just brings them to life as wonderfully as ever. I especially love "Beautiful Dreamer" - it gives me butterflies - and "My wife is a most knowing woman" - the way he makes the voices and the indignation is just brilliant. If one needed reminding what a brilliant singer Mr Hampson is - this disk does it.
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A Portrait Of Anonymous 4
Anonymous , Hildegard of Bingen , and Anonymous 4 Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000007HW Release Date: 1997-04-10 |
Tracks:
- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Venite omnes cristicole
- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Ad superni regis decus
- Miracles Of Sant'Iago: Music From The Codex Calixtinus: Portum in ultimo
- The Lily & The Lamb: Chant & Polyphony From Medieval England: O Maria stella maris
- The Lily & The Lamb: Chant & Polyphony From Medieval England: Stabat iuxta Christi crucem
- The Lily & The Lamb: Chant & Polyphony From Medieval England: Stillat in stellam radium
- A Star In The East: Medieval Hungarian Christmas Music: Primo tempore alleviata
- A Star In The East: Medieval Hungarian Christmas Music: Speciosus forma
- A Star In The East: Medieval Hungarian Christmas Music: Mi Atyank Atya Isten
- Love's Illusion: Music From The Montpellier Codex: Puisque bele dame m'eime - Flos Filius
- Love's Illusion: Music From The Montpellier Codex: Ne sai, que je die - Iohanne
- Love's Illusion: Music From The Montpellier Codex: Amor potest conqueri - Ad amorem sequitur
- Love's Illusion: Music From The Montpellier Codex: Quant yver la bise ameine - In Seculum
- Love's Illusion: Music From The Montpellier Codex: On doit fin(e) Amor - La Biaute - In Seculum
- An English Ladymass: Medieval Chant & Polyphony: Edi beo thu hevene quene
- An English Ladymass: Medieval Chant & Polyphony: Ave maris stella
- An English Ladymass: Medieval Chant & Polyphony: Salve virgo virginum
- On Yoolis Night: Medieval Carols & Motets: Ther Is No Rose Of swych vertu
- On Yoolis Night: Medieval Carols & Motets: Prolis eterne genitor - psallat mater gracie
- On Yoolis Night: Medieval Carols & Motets: Ecce quod natura
- Spiritui sancto
Amazon.com
This sampler album of excerpts from seven other Anonymous 4 releases is a good introduction for anyone who is unacquainted with the A4's startlingly pure singing and virtually celestial blend. But if you fall under the spell of this outstanding a capella quartet, the present disc will become extraneous because you'll want to own the complete recordings from which it's drawn. If you prefer complete works to samplers, try taking the plunge with "An English Ladymass" or "On Yoolis Night." --Sarah Bryan MillerCustomer Reviews:
An aural treat for lovers of vocal music.......2007-04-14
Enchanting.......2007-01-10
If Angels Ever Recorded A CD.......2006-03-16
If angels ever came down from heaven to record a CD this is what they would sound like.
Harmonious, Celestial, Purifying and Eternal.
another exquisite performance.......2006-02-27
Anonymous, but in no way generic.......2001-02-04
These four women are virtuoso female vocalists, hauntingly pure of voice. They perform music from centuries ago in the same type of setting that it was originally performed in, with stunning results. I'm generally not one for "religious" material (this is the first recording of this nature I've ever bought), but this music goes so far back in time that it sounds more primal than Christian overall.
A refreshing change when you're in the right mood, and something that can relax even you type A personalities out there (and you *know* who you are :) , I can suggest this one without reserve. You'll be adding a nice, quiet corner to your collection, and you'll probably wind up visiting it more than you ever imagined.
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Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007Z9QUS Release Date: 2005-05-10 |
Tracks:
- Haunted Heart
- River
- When Did You Leave Heaven?
- You've Changed
- Answer Me
- My Cherie Amour
- In My Life
- The Moon Is A Harsh Mistress
- Wozzeck/The Midnight Sun
- Liebst du um Schit
- My One And Only Love/This Is Always
- Can do Amor
- Psych
- Hard Times Come Again No More
Amazon.com
While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson
\
Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.
Customer Reviews:
Sublime and ridiculous.......2007-06-13
The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.
So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).
Eeeeeeeeeeewwwwwww.......2007-06-06
Better than I thought it would be.......2007-04-10
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.
I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.
To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!
Brava Renee.......2007-04-09
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.
Art is always new. .......2007-03-10
I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.
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Rasin Kreyol
Emeline Michel Manufacturer: Times Square Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002WZSQW Release Date: 2004-10-05 |
Tracks:
- Bel Kongo
- Ban'm La Jwa
- Beni-Yo
- Nasyon Soley
- La Karidad
- Non'm Sa
- Zikap
- Interlude (Soufle Van)
- Lo'm Kanpe
- Bo Kote'w
- Interlude (Mon Reve)
- Mon Reve
Amazon.com
Here on Rasin Kreyol (which translates as "Creole Roots"), reigning queen of Haitian song Emeline Michel covers a lot of ground, writing songs that draw upon Haitan compas, twoubadou and rara as well as jazz, rock, pop, bossa nova and samba. Whichever direction the singer goes, her voice is clear and forceful as she dramatically imparts her political lyrics in Haitian Creole and French, offering up messages about AIDS, social justice and peace. She does this skill and class: Michel repeats the line "Tell me, where is peace?" to chilling effect on "Mon Rêve," where she's joined by background singers, flute and voodoo hand drums. At the other end of the spectrum, "Ban'm La Jwa" is uplifting with its driving calypso-jazz grooves. While the singer has released a handful of albums as imports over a 15-year career, Rasin Kreyol, her Times Square records debut, is a standout that should help U.S. audiences catch up with the French speaking world that already adores her. -- Tad HendricksonCustomer Reviews:
satisfaction guaranteed.......2005-08-03
Un régal!.......2005-04-18
Mille fois bravo à Emeline et bonne écoute à vous.
Old/New.......2004-11-18
It's this blend of old and new which gives Emeline Michel an unexpectedly contemporary style - hard to pin down to a single trend, yet compelling.
Rasin Kreyol "se bongay" - is the real McCoy!.......2004-10-06
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Songs by Stephen Foster, Vol. 1-2
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005IYE Release Date: 1992-05-28 |
Tracks:
- Songs By Stephen Foster: Jeanie With The Light Brown Hair
- Songs By Stephen Foster: There's A Good Time Coming
- Songs By Stephen Foster: Was My Brother In The Battle?
- Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
- Songs By Stephen Foster: If You've Only Got A Moustache
- Songs By Stephen Foster: Gentle Annie
- Songs By Stephen Foster: Wilt Thou Be Gone, Love?
- Songs By Stephen Foster: That's What's The Matter
- Songs By Stephen Foster: Ah! May The Red Rose Live Alway
- Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
- Songs By Stephen Foster: Beautiful Dreamer
- Songs By Stephen Foster: Mr. & Mrs. Brown
- Songs By Stephen Foster: Slumber My Darling
- Songs By Stephen Foster: Some Folks
- Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
- Songs By Stephen Foster: Linger In Blissful Repose
- Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
- Songs By Stephen Foster: Come Where My Love Lies Dreaming
- Songs By Stephen Foster: The Soiree Polka
- Songs By Stephen Foster: Better Times Are Coming
- Songs By Stephen Foster: Katy Bell
- Songs By Stephen Foster: The Hour For Thee And Me
- Songs By Stephen Foster: Summer Longings
Customer Reviews:
Time Capsule.......2006-11-30
But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.
Very highly recommended.
Unexpected.......2005-11-26
An album to treasure.......2004-09-23
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.
A classic recording of American songs.......2004-08-22
If only Ms. DeGaetani had graced my parlor...
The sessions of sweet silent thought stirred.......2003-11-22
Average customer rating:
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Song of America
Charles Tomlinson Griffes , Erich Wolfgang Korngold , Charles Naginski , Ned Rorem , American Traditional , Elinor Remick Warren , Kurt Weill , Haydn Wood , Michael Parloff , Jay Ungar , Armen Guzelimian , Craig Rutenberg , David Alpher , Evan Stover , Garrison Keillor , and Mark Rust Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BGR0TW Release Date: 2005-11-08 |
Tracks:
- As Adam Early In The Morning
- Ah! May The Red Rose Live Alway (1850)
- Shenandoah (Traditional)
- Beautiful Dreamer (1864)
- Danny Deever
- Roses Of Picardy
- Jeanie With The Light Brown Hair (1854)
- Hard Times Come Again No More (1854)
- Molly, Do You Love Me? (1850)
- An Old Song Resung
- Tomorrow (When You Are Gone)
- The Erie Canal (Traditional)
- We Two
- The Nightingale (Traditional)
- Comrades, Fill No Glass For Me (1855)
- Luke Havergal
- To What You Said
- Look Down Fair Moon
- Dirge For Two Veterans
- Ethiopia Saluting The Colors
Amazon.com
Thomas Hampson is a persuasive advocate for these treasures from the Library of Congress' vast collections, so this CD's generous sampling leaves you wanting more. It covers the American songbook in all its variety, from traditional "folk" items like Shenandoah to Stephen Foster to the immigrants Erich Korngold and Kurt Weill to Leonard Bernstein and contemporary composers. Hampson adjusts his flexible, light baritone to fit each song. The voice is full and resonant on Danny Deever, simple and direct in 19th-century traditional songs and ballads, and nuanced in songs like Ned Rorem's "As Adam Early in the Morning," one of several on the disc with texts by Walt Whitman. A standout is the last song in this recital, one that leaves you with thoughts about music, history, and our nation's continuing issues, "Ethiopia Saluting the Colors," by Henry Burleigh. Most of the selections are performed with piano accompaniment, but several are with a small ensemble of traditional instruments. A word of caution: everything was recorded in the 1990s and presumably was available piecemeal on previous releases, although few are likely to have more than a handful of these 20 gems. --Dan DavisCustomer Reviews:
It's lovely - But not newly recorded!.......2006-10-04
Anyhow, this is what Hampson is focusing on right now, American song. While those aren't exactly my thing I have to say that he sings them beautifully. I wish he'd stick to that rather than heavy Verdi and Wagner which his voice isn't right for.
Yet another compilation.......2006-06-13
Now, Tom has been on tour and I STRONGLY recommend that you go see him next year when he comes through your city.
The other thing really annoying is that on the CD where you'd expect information about the music or the recording co., you instead get a large warning label from the FBI on pirating.
how precious!.......2006-05-08
Disappointing Duplication.......2006-01-17
If you like this sorta thing.......2006-01-17
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Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals
Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000049NP Release Date: 1995-07-28 |
Tracks:
- The Glendy Burke
- Nelly Was A Lady
- Melinda May
- The Soree Polka
- The Moustache Song
- O Willie, Is It You, Dear?
- Mr. & Mrs. Brown
- Gem From Lucia No.1
- Wilt Thou Be Gone?
- The Voices That Are Gone
- Ole Black Joe
- Maggie By My Side
- Camptown Ladies
- Hard Times
- Gems From Lucia No.2, No.3
- The Shanghai Chicken
- Beautiful Dreamer
- Ah! May The Red Rose Live Away
- Nelly Bly
- I Dream Of Jeannie
- O Susannah & Some Folks
Customer Reviews:
Amid fine work, a new star!.......2004-09-28
program, but tenor Frederick Urrey [his Foster recording debut?] is a sensation! A glorious voice, with a perfect command of style in
operatic, ballad, ensemble and even comic scenes, his Melinda May is breathtaking, his Beautiful Dreamer is the best on records, his
duets charm and his drunken husband is a gas! He has it all!! In my 25 years of total immersion in Foster and his era, I have never
even dreamt of hearing an artist of such stature. Foster was said to have a fine voice and to sing his music better than any other.
I pray we now hear more of SF's songs as he must have sung them!
Stephen Foster Would Be Proud.......2004-02-26
This collection of Stephen Foster tunes, one of two that Russell has partaken in, is a rousing collection of the musical sounds of the mid-19th century. Soprano Julianne Baird and tenor Frederick Urrey join in with Ms. Russell's alto vocals to make a truly remarkable ensemble (including the musicians playing the mountain dulcimer, fortepiano, fiddle, hammered dulcimer, recorder, and accordion - all on authentic antique instruments). All combined show off the genius that Stephen Foster was - the 19th century's top songwriter who wrote music for ALL time, not just his time.
But if it wasn't for the musical reenactors (on CD at least) of Russell and company many of these long lost gems might have stayed hidden, sadly unheard. Some choral music, a feel of opera, a bit of traditional folk all mixed together to make what I feel is an authentic piece of musical history.
Here's hoping that Linda Russell and friends continue in the making of traditional music - Christmas and popular.
Ms. Russell, do you ever tour? We'd love to see you here in Michigan!
Foster at his simple best.......2002-01-22
Get it today.
Well-rounded and convincing.......2000-10-27
I only wish that they had incorporated a 19th c. parlor guitar to round out the ballads. Overall, however, one can well imagine that this is indeed the way the music sounded. As one of America's first "popular song" writers, the present performers succeed in doing him justice by incorporating many styles of 19th c. popular musics, avoiding the anachronistic "bluegrass" sound often used in performances of this repertoire, and never succumbing to waves of overly self-indulgent nostalgia.
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100 Favorite Patriotic Songs
Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A1HT8 Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
Not so bad, 100 tunes for 4$.......2005-06-22
You get what you pay for........2004-07-04
Now I know why there were no song samples to listen to ..........2004-07-04
Christian Music:
- Top of the Pops Spring 2002 [Import]
- Top Tunes Karaoke CDG 80's Vol. 1 TT-111
- Top Tunes Karaoke CDG 80's Vol. 2 TT-112
- Top Tunes Karaoke CDG 80's Vol.3 TT-113
- Top Tunes Karaoke CDG 80's Vol. 6 TT-116
- Top Tunes Karaoke CDG Female Pop Vol. 20 TT-074
- Top Tunes Karaoke CDG FunPack Male Pop 2001 TTFP - 23 & 24 [Enhanced] [Karaoke]
- Top Tunes Karaoke CDG Latin Fun Pack TTFP-11&12
- Top Tunes Karaoke FunPack 2001 Female Pop TTFP - 19 & 20 [Enhanced] [Karaoke]
- Top Tunes Karaoke Pop/Rock 70's Vol. 2
Christian Music
Morning Lift: Classics to Start the Day
Music CD: Alvarez Guedes, Vol. 15
Lady and the Tramp [Soundtrack]
Memorial Show [Box set] [Enhanced] [Live]