| 1. So Real |
| 2. Candy |
| 3. What You Want |
| 4. Walk Me Home |
| 5. Lock Me in Your Heart |
| 6. Telephone (Interlude) |
| 7. Quit Breaking My Heart |
| 8. Let Me Be the One |
| 9. Not Too Young |
| 10. Love Shot |
| 11. I Like It |
| 12. Love You for Always |
| 13. Quit Breaking My Heart (Reprise) |
Editorial Reviews
Amazon.com
In the market for a single album consolidating most of the selling points of mainstream female teen- and dance-pop of the past few years? Try Mandy Moore's So Real. Various cuts here demonstrate her (and her writing and production teams') mastery of the styles of Britney Spears, the Spice Girls, Janet Jackson, and early Madonna. While projecting a playful sultriness much like that of Spears, the younger Moore takes pains to keep things chaste: not only does she promote "trust" on "What You Want," she rhymes it with "crush," not "lust." Complete with a hook that defies interpretation ("I'm missin' you like candy") on the breakthrough single "Candy," and a can't-miss Janet-style ballad in "Walk Me Home," So Real adds a welcome note of CD-length consistency to the current girl-pop formula. --Rickey Wright
In the market for a single album consolidating most of the selling points of mainstream female teen- and dance-pop of the past few years? Try Mandy Moore's So Real. Various cuts here demonstrate her (and her writing and production teams') mastery of the styles of Britney Spears, the Spice Girls, Janet Jackson, and early Madonna. While projecting a playful sultriness much like that of Spears, the younger Moore takes pains to keep things chaste: not only does she promote "trust" on "What You Want," she rhymes it with "crush," not "lust." Complete with a hook that defies interpretation ("I'm missin' you like candy") on the breakthrough single "Candy," and a can't-miss Janet-style ballad in "Walk Me Home," So Real adds a welcome note of CD-length consistency to the current girl-pop formula. --Rickey Wright
So Real,Mandy Moore,Sony,Adult Contemporary,Dance-Pop,Pop,Popular Music,Rock,Teen Pop
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