| 1. Our Last Night |
| 2. Don't Say Goodbye |
| 3. Our Last Night (instrumental) |
| 4. Don't Say Goodbye (instrumental) |
Editorial Reviews
About the Artist
Kaila Yu was born in Taipei, Taiwan and moved to California when she was three years old. She easily adjusted to the laidback culture of the West and grew up performing in speech contests, ballet and tap dancing performances, and traditional Chinese folk dancing. She always loved being on stage and felt most at home when she was performing. Kaila also organized performances with the neighborhood kids and family members involving elaborate dance numbers and skits to perform to their parents. The performing took her away from my outcasted place in school. She had skipped a grade in elementary school and was incredibly shy with the older group of students she now had my classes with. She felt ignored and lonely in junior high and high school and dreamed of pursuing a singing career when she grew older. Music has always been Kaila's passion.
Tiomkin,and old-line symphonic genius,provided a magnificent score,at once adventurous and poingnant..
The people responsible for this version of"The Alamo"decided to teach,rather than entertain,and,at the same time attempted to be politically correct as well.Thus,the mythic aspects inherent in the John Wyane version were replaced by morally ambiguous nonsense,and heroics were more or less eliminated in favor of a rather desperate survival theme,coupled with some added imperialistic touches with the addition of the Sam Houston charecter as a major player along with Bowie,Crockett,and Travis.
The people responsible for this film ,having many fine symphonic-oriented composers to choose from instead opted for minalmism by Carter Burwell..One can hardly imagine,for instance,a five-star gourmet meal served on a foam plate,with plastic knife and fork.Likewise one can hardly imagine a would-be epic western (even if it is very revisionist)bearing a score that plays like a new-age snoozer...But this is exactly what Burwell has given us...There are no epic themes here...There is an enormous orchestra credited as having participated in this project however when one listens to the finished product one is hard-pressed to HEAR any evidence of this participation.
John Wyane's script called for a lot of action on-screen,and Tiomkin obligingly provided very suitable musical themes..
The script for this new film does not call for very much action,even short-changing the audience during the final battle scene by shooting it in near-darkness,and underscoring it with a dirge-like monotone.
This new film was"troubled"from the very start.Ron Howard was supposed to direct but he didn't.The cast was shuffled around several times.Some "Main"charecters were eliminated entirely ,although thier traces continued to show up in the trailers released for this movie..While on the subject of the trailers for this film,the music used in them was 110% better than the Burwell claptrap..Scenes featured in the trailers were actually NOT in the finished film.The film was scheduled for a christmas opening,a slot usually reserved for top-of-the-line oscar contenders,and was then,suddenly yanked,and later released in April,where it died a much-deserved death after about a week in theatres,a colossal flop.
The film was terrible,and part of this is due to the Burwell score which is terrible-plus.
http:www.alamoaudiotours.com you can also purchase this CD here on Amazon.com
OK, please bear with me, I will get to my point in a second. We ended up renting the film as I had heard the cinematography was sensational (it was). But my biggest surprise was the film itself. Not the script, not the actors, but the entire film. I can't really put into words how good it was, not perfect, but an excellent motion picture and probably an accurate depiction of the individuals and events as they occurred. And both Thornton and Quaid were exceptional...they deserve Oscars come January, and it will be a shame if they don't get them.
Now, concerning this soundtrack. To put it simply, if this CD isn't the best soundtrack winner for 2004, then there is a conspiracy going on. It isn't on Amazon's editors picks, nor the customer's favorites list, I chalk that up to being it was just recently released. However, it should be on both, and highly competitive for the top honors this year. It is simply that good. Carter Burwell set a new standard with the soundtrack for O Brother, Where Art Thou? and may have exceeded it with this one. The music here just puts the visualizations of the movie back into my head...the music retells the story as well as the images.
The bottom like is fairly straightforward, if you liked the movie than you owe it to yourself to get this soundtrack. There is absolutely no way you will be anything other than engrossed in it.
My only problem is that THE CDs ARE COPY PROTECTED! Considerable work is needed to get the music onto your iPod, if you really want the music in your mp3 collection. This is a major hassle and a surprise, since the first set in the series was not copy protected.
Indeed, this is an unbelievable collection of three double CDs packages with the complete series soundtrack, and I mean the complete music, not a tune is missing.
And this is the ORIGINAL Man From Uncle music. Let me stress the point: this is the four years ORIGINAL soundtrack with the original recordings as they were heard throughout the series, not a no-name orchestra doing personal versions of the stuff. The audio transfer is very, very good, the music from late episodes is even in stereo.
Each individual CD carries over 70 minutes of music. All in all there you have the four TV seasons main titles and all, absolutely all of TMFU unforgetable music.
This is not a chronological release, meaning, all CDs have a mix of music from all four TV seasons. Volume 1 is heavier on early TV seasons stuff, fans of Jerry Goldsmith will love it. Those of us who prefer what Gerald Fried and later Richard Shores did with TMFU music, then volume 2 is mandatory. If you are a fan, you can't miss any of these six CDs. However if buying all three double packages is too much for you, you must go with Volume 2, no questions asked. Volume three is the weakest of them as it brings "suites" and a whole CD with "The Girl From Uncle" soundtrack, but you have a bonus "Open Channel D" beeper.
Each package is gorgeous, each with a glossy color booklet with extensive liner notes with details on how each tune was written to a specific TV series episode and how it was used onwards. You have bios on the composers, on how the recordings were made, even an overview on how many instruments were available in each of the years the music was recorded.
So, throw away your Hugo Montenegro Man From Uncle CD, this is the REAL thing.
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
Kaila Yu was born in Taipei, Taiwan and moved to California when she was three years old. She easily adjusted to the laidback culture of the West and grew up performing in speech contests, ballet and tap dancing performances, and traditional Chinese folk dancing. She always loved being on stage and felt most at home when she was performing. Kaila also organized performances with the neighborhood kids and family members involving elaborate dance numbers and skits to perform to their parents. The performing took her away from my outcasted place in school. She had skipped a grade in elementary school and was incredibly shy with the older group of students she now had my classes with. She felt ignored and lonely in junior high and high school and dreamed of pursuing a singing career when she grew older. Music has always been Kaila's passion.
Kaila began actively pursuing my singing and modeling career when she transferred to UCLA. She was very naive and the entertainment industry was complicated and dangerous and I learned some hard lessons. However, I pulled myself through and began working full time as a model and working in the Import Car show scene.
Product Description
The first single release from artist Kaila Yu who is a well known import car show model with a strong following in the Asian community. The two songs on this single include a upbeat pop song and a sweet ballad.
Our Last Night,Kaila Yu,Sonic Gizmo Records,Asian infused pop sound mixed with danceable beats. A sexy, youthful voice blends in with the smooth sweet sounds of the music.
Average customer rating: 
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The Alamo
Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD  Movie Scores
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ASIN: B0001NBN6G Release Date: 2004-04-06 |
Tracks:
- Flesh And Honor
- 300 Miles Of Snow
- What We're Defending
- El Bexareno
- La Zandunga
- Who Took Their Loved Ones
- Listen To The Mockingbird Sing
- The Evacuation Of Bexar
- The Calm After The Storm
- The Visitation Of Saint Ursula
- Quiet Mountain
- They Ain't Bear
- Bonham's Ride
- Sell Our Lives Dearly
- Night Falls On The Alamo
- Deguello De Crockett
- The Last Night
- The Battle Of The Alamo, Part 1
- The Battle Of The Alamo, Part 2
- The Battle Of The Alamo, Part 3
- The Battle Of The Alamo, Part 4
- The Battle Of The Alamo, Part 5
- The Battle Of The Alamo, Part 6
- The Death Of Crockett
- Runaway Scrape
- Blood, Or Texas
Amazon.com
Carter Burwell cut his film scoring teeth on many a Coen brothers movie, quickly gaining a reputation for a quirky, human-scaled inventiveness that informed everything from jazz and folk to orchestral music and even the well-timed nod to Morricone. That often introspective sensibility is well paired to director John Lee Hancock's revisionist take on the legend of San Antonio's fabled doomed fortress, which focuses more on the conflicted human dimensions of its characters than familiar cardboard, pop culture heroics. Burwell's use of orchestral pomp is deliberate and decidedly restrained; more often the composer leans on spare, evocative passages of simple, though ever-inventive folk-based music (like the elegiac "Quiet Mountain") played by various combinations of guitar, banjo, and violin. Vintage traditional Mexican and American tunes are also given their atmospheric due via Jennifer Hammond's and Craig Eastman's arrangements of "La Zandunga" and "Listen to the Mockingbird Sing," respectively. But its Burwell's own peculiarly modernist instincts that inform both tradition ("Crockett's DeGuello") and his own masterfully understated cues, particularly the bleak, almost gothic emotional landscape of his six-part "Battle of the Alamo Suite" and its bittersweet coda, "Blood or Texas." --Jerry McCulleyCustomer Reviews:
Don't Remeber THIS "Alamo".......2006-07-21
Tiomkin,and old-line symphonic genius,provided a magnificent score,at once adventurous and poingnant..
The people responsible for this version of"The Alamo"decided to teach,rather than entertain,and,at the same time attempted to be politically correct as well.Thus,the mythic aspects inherent in the John Wyane version were replaced by morally ambiguous nonsense,and heroics were more or less eliminated in favor of a rather desperate survival theme,coupled with some added imperialistic touches with the addition of the Sam Houston charecter as a major player along with Bowie,Crockett,and Travis.
The people responsible for this film ,having many fine symphonic-oriented composers to choose from instead opted for minalmism by Carter Burwell..One can hardly imagine,for instance,a five-star gourmet meal served on a foam plate,with plastic knife and fork.Likewise one can hardly imagine a would-be epic western (even if it is very revisionist)bearing a score that plays like a new-age snoozer...But this is exactly what Burwell has given us...There are no epic themes here...There is an enormous orchestra credited as having participated in this project however when one listens to the finished product one is hard-pressed to HEAR any evidence of this participation.
John Wyane's script called for a lot of action on-screen,and Tiomkin obligingly provided very suitable musical themes..
The script for this new film does not call for very much action,even short-changing the audience during the final battle scene by shooting it in near-darkness,and underscoring it with a dirge-like monotone.
This new film was"troubled"from the very start.Ron Howard was supposed to direct but he didn't.The cast was shuffled around several times.Some "Main"charecters were eliminated entirely ,although thier traces continued to show up in the trailers released for this movie..While on the subject of the trailers for this film,the music used in them was 110% better than the Burwell claptrap..Scenes featured in the trailers were actually NOT in the finished film.The film was scheduled for a christmas opening,a slot usually reserved for top-of-the-line oscar contenders,and was then,suddenly yanked,and later released in April,where it died a much-deserved death after about a week in theatres,a colossal flop.
The film was terrible,and part of this is due to the Burwell score which is terrible-plus.
Defending the Alamo.......2005-09-09
Excellent CD.......2005-06-22
http:www.alamoaudiotours.com you can also purchase this CD here on Amazon.com
Enjoyable a-typical score.......2005-03-05
None Better.......2004-12-01
OK, please bear with me, I will get to my point in a second. We ended up renting the film as I had heard the cinematography was sensational (it was). But my biggest surprise was the film itself. Not the script, not the actors, but the entire film. I can't really put into words how good it was, not perfect, but an excellent motion picture and probably an accurate depiction of the individuals and events as they occurred. And both Thornton and Quaid were exceptional...they deserve Oscars come January, and it will be a shame if they don't get them.
Now, concerning this soundtrack. To put it simply, if this CD isn't the best soundtrack winner for 2004, then there is a conspiracy going on. It isn't on Amazon's editors picks, nor the customer's favorites list, I chalk that up to being it was just recently released. However, it should be on both, and highly competitive for the top honors this year. It is simply that good. Carter Burwell set a new standard with the soundtrack for O Brother, Where Art Thou? and may have exceeded it with this one. The music here just puts the visualizations of the movie back into my head...the music retells the story as well as the images.
The bottom like is fairly straightforward, if you liked the movie than you owe it to yourself to get this soundtrack. There is absolutely no way you will be anything other than engrossed in it.
Average customer rating: 
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Land of My Fathers: 100 Great Welsh Choir Favourites
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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ASIN: B0009SOFXG Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
- Ave Maria
- Pearl Fishers/Divine Brahma
- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
Tracks:
- Y Nefoedd
- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
- Holy City - Treorchy Male Choir
- Mefistofele: Ave Signor, Degli Angeli
- Senzenina (Zulu Chant)
- That's All I Want from You
- Deep Harmony - Treorchy Male Choir
- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
Average customer rating: 
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The Man From U.N.C.L.E., Vol. 2
Manufacturer: Film Score Monthly ProductGroup: Music Binding: Audio CD All Works by Schifrin
| Schifrin, Lalo
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ASIN: B0006SSQ7U Release Date: 2005-01-04 |
Tracks:
- First Season End Title
- Vulcan Affair (Suite No. 2)
- Iowa-Scuba Affair
- Shark Affair
- Deadly Games Affair (Suite No. 2)
- Meet Mr. Solo
- Giuoco Piano Affair
- King of Knaves Affair: Suite No. 2
- First Season Main Title [Revised]
- Deadly Decoy Affair
- Spy With My Face
- Second Season Main Title
- Alexander the Greater Affair
- Ultimate Computer Affair
- Very Important Zombie Affair
- Dippy Blonde Affair
- Seadly Goddess Afair
- Moonglow Affair
Tracks:
- One of Our Spies Is Missing
- Third Season Main Title
- Sort of Do-It-Youself Dreadful Affair
- Galatea Affair
- Pop Art Affair
- Come With Me to the Casbah Affair
- Off-Broadway Affair
- Concrete Overcoat Affair
- Napoleon's Tomb Affair
- Alternate Fourth Season Main Title
- Fourth Season (End Title)
- Test Tube Killer Affair
- Prince of Darkness Affair
- Seven Wonders of the World Affair
Customer Reviews:
Another great trip down the MFU memory lane.......2005-10-19
My only problem is that THE CDs ARE COPY PROTECTED! Considerable work is needed to get the music onto your iPod, if you really want the music in your mp3 collection. This is a major hassle and a surprise, since the first set in the series was not copy protected.
The best of the three Double CDs ORIGINAL soundtrack release.......2005-07-12
Indeed, this is an unbelievable collection of three double CDs packages with the complete series soundtrack, and I mean the complete music, not a tune is missing.
And this is the ORIGINAL Man From Uncle music. Let me stress the point: this is the four years ORIGINAL soundtrack with the original recordings as they were heard throughout the series, not a no-name orchestra doing personal versions of the stuff. The audio transfer is very, very good, the music from late episodes is even in stereo.
Each individual CD carries over 70 minutes of music. All in all there you have the four TV seasons main titles and all, absolutely all of TMFU unforgetable music.
This is not a chronological release, meaning, all CDs have a mix of music from all four TV seasons. Volume 1 is heavier on early TV seasons stuff, fans of Jerry Goldsmith will love it. Those of us who prefer what Gerald Fried and later Richard Shores did with TMFU music, then volume 2 is mandatory. If you are a fan, you can't miss any of these six CDs. However if buying all three double packages is too much for you, you must go with Volume 2, no questions asked. Volume three is the weakest of them as it brings "suites" and a whole CD with "The Girl From Uncle" soundtrack, but you have a bonus "Open Channel D" beeper.
Each package is gorgeous, each with a glossy color booklet with extensive liner notes with details on how each tune was written to a specific TV series episode and how it was used onwards. You have bios on the composers, on how the recordings were made, even an overview on how many instruments were available in each of the years the music was recorded.
So, throw away your Hugo Montenegro Man From Uncle CD, this is the REAL thing.
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The Essential Songs of Andrew Lloyd Webber
Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B00005Y47E Release Date: 2002-02-22 |
Tracks:
- Any Dream Will Do
- Close Every Door
- Heaven On Their Minds
- Everything's Alright
- Gethsemane
- I Don't Know How To Love Him
- Jesus Christ Superstar
- Could We Start Again Please?
- Don't Cry For Me Argentina
- Another Suitcase In Another Hall
- Buenos Aires
- Rainbow High
- High Flying Adored
- Memory
- Jellicle Cats
- Mister Mistofeles
- Unexpected Song
- Last Man In My Life
- Rolling Stock
- U-N-C-O-U-P-L-E-D
Tracks:
- Only You
- Starlight Express
- There's Me
- Pie Jesu
- Angel Of Music
- Masquerade
- Wishing Somehow You Were Here Again
- All I Ask Of You
- The Phantom Of The Opera
- Music Of The Night
- Love Changes Everything
- The First Man You Remember
- Seeing Is Believing
- As If We Never Said Goodbye
- Sunset Boulevard
- With One Look
- Too Much In Love To Care
- Half A Moment
- Whistle Down The Wind
- Our Kind Of Love
Album Description
Full title, 'Essential Songs Of Andrew Lloyd Webber'. UK budget-price compilation. 40 superlative performances featuring songs from every one of Andrew Lloyd Webber's hit musicals. Guest artists include John Barrymore, Issy Van Randwyck, Dave Willetts, Maria Friedman, Kim Criswell, Graham Bickley and the National Symphony Orchestra. Housed in a slipcase. 2002.Customer Reviews:
Okay, but kind of disappointing.......2006-04-17
It is a good collection for inexpensively getting a lot of Andrew Lloyd Webber's most popular songs in one place and having them there to be able to listen to get the idea of what a certain song sounds like and is about. It isn't the collection of definitive recordings for certain roles. In fact in a couple examples, I wonder if the performer fully understood the context of the song he or she was singing &/or what it was about. Overall, the album is good, for the most part, if not excellent.
However, the liner notes for "The Essential Songs of Andrew Lloyd Webber" is another matter. I don't mean to be unkind, but the author of the comments on the different tracks (one Rexton S. Bunnett) is blatantly WRONG in multiple instances. I don't mean just in nit-picky details, but in major plot details/context of songs, like the fact that Bunnett identifies "Wishing You Were Somehow Here Again" as being sung by "our heroine" (who he does not even identify by name as Christine Daae) as she thinks about her lover, not as being sung about Christine's dead father. He also says that the Phantom has found his perfect love and "Angel of Music" in Christine... because HE is the Angel of Music who Christine believes has been sent to her by her dead father, and because although the Phantom is obsessed with Christine, that relationship is far from "loving" (even if Christine shows him compassion. I feel like these (and a couple other mistakes) are major plot points to get wrong. A good amount of the commentary reads as if Bunnett might have written it at the last minute, fudging his way through entries on musicals of which he had little knowledge; like what an essay I might write on a book I never read for my college class but had quickly looked up on Cliff's Notes would sound like. In terms of sheer editing, there are spelling mistakes, run-on sentences and spacing errors ("Any DreamWill Do")in the liner notes. Where was the copy editor?
And the most frightening fact of all, under Bunnett's credentials, it says "Harper Collins has just published his revision and updating of the Collins Book of the Musical."
I am being very critical, but I think that for a widely-released CD it is reasonable to expect the liner notes to be at a professional level, as they were most likely supposed to be.
Not quite what I expected..........2005-04-23
Some great performances, some not so great..........2005-04-18
Pros:
Two classic songs that are performed excellently are Phantom of the Opera and I Don't Know How to Love Him.
Of course you want to compare Phantom to the classic Michael Crawford/ Sarah Brightman version. Well, guess what? This version is BETTER. The woman has a deeper voice than Brightman, and her singing style is just awesome. The ending of this version (you know, the "Sing, my angel of music, sing for me!") is different, but in a good way... I think.)
And of course, the standard for I Don't Know How to Love Him is Yvonne's version. This version is different, but it grew on me quickly. This version has a country feel to it, almost. Somehow it works and sounds great.
There are a lot of great performances in this collection. My favorites include: Heaven on Their Minds, Everything's Alright, Could We Start Again Please, Another Suitcase in Another Hall, Buenos Aires, Rainbow High, Only You, Starlight Express, Angel of Music, Masquerade, All I Ask of You, Half a Moment, and Whistle Down the Wind. I think they're all great versions of their more famous counterparts.
Cons:
First of all, there are some technical problems that are kind of disappointing. A few of the songs have a very echoey sound. Any Dream Will Do, Another Suitcase in Another Hall, Wishing You Were Somehow Here Again, and There's Me are the songs that come to mind that are the worst in this regard. It isn't really bad, just enough to be slightly annoying, more so when the volume is turned way up on your CD player.
A few songs are worthy of skipping over when listening to this collection. In my opinion, Superstar, Sunset Boulevard, and Gethesmane are the biggest disappointments.
Superstar just doesn't cut it for me. The singer really overdoes it, making it overstylized... really makes you yearn for Murray Head. I can't stand listening to it. Just my opinion.
Sunset Boulevard is one of my very favorite musicals, so I was really hoping that the singer would do justice to its title song. Unfortunately I don't think he did. You can't help but compare it to Alan Campbell's fantastic version. This guy has a very choppy way of singing, when I'm used to it being sung so smoothly. Maybe it would grow on me, but I don't think I'll give it a chance to. However, that last note is much stronger than Alan Campbell's. It doesn't make up for the rest of the song, though.
Finally, Gethsemane. The inevitable fact is that NO ONE can sing this song like Michael Ball. This guy tries, he really does. But he doesn't have the right voice or the right style. So please listen to Michael Ball's performance of Gethsemane if you want to know how breathtaking of a song it can be. It's on the Royal Albert Hall DVD, and I'm sure he's got it on one of his CDs.
Anyway, overall, this is a good CD if you like quantity over quality. Don't buy it for the classics, you'll probably end up disappointed with many of them. Buy it for the lesser known songs. You probably won't like every song, especially if you're a big ALW fan, but for the price, it's worth it.
If you want classic versions of classic ALW songs, you might prefer something like "The Very Best of Andrew Lloyd Webber: The Broadway Collection".
Disappointed.......2005-03-11
Musical Talent at Its Best.......2003-01-03
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Jussi Bjoerling: Rarities
Manufacturer: Video Artists Int'l ProductGroup: Music Binding: Audio CD All Works by Gounod
| Gounod, Charles
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ASIN: B00004U1BW Release Date: 2000-06-06 |
Customer Reviews:
At last, some REAL Bjorling rarities!.......2000-12-26
This collection was put together by Cantor Don Goldberg, probably the foremost Bjorling authority in the United States - and I say `probably' only because Jussi's son Anders lives in Minnesota. In addition to presumably providing the original recordings, he has also written some excellent and perceptive notes on Bjorling's career as a recitalist and radio artist, which actually took up much more of Bjorling's time than his work on the opera stage.
Of the 21 selections on this CD, 5 have never been released in any form, an additional 9 have never been released on CD to the best of my knowledge, and all but one of the rest of the offerings are on CDs that are now out of print. This `not really rare' selection is a `Flower Song' that also appears on the Bluebell CD `Jussi Bjorling Live in Holland and Norway'. All these tracks are originally from radio broadcasts, mostly from the Bell Telephone Hour and the Voice of Firestone. The operatic selections are familiar (i.e `Nessun Dorma', and arias from Manon, Carmen, etc), although occasionally in unfamiliar form, such as a Swedish language `Salut, demeure', and the songs tend to be those `chestnuts' well liked by American radio audiences of the time, such as `A Dream' by James Caroll Bartlett, and `The Rose of Tralee'. He throws in a few Italian songs as well, such as `Funiculi Funicula' and `La Danza', although the last is sung in Swedish as well.
Of course, the singing is uniformly marvelous. Few would deny that Bjorling was, if not the greatest tenor of the twentieth century, at least in the top 5, and I, of course, would put him at number 1. Some highlights are `Nessun Dorma' sung by someone who actually understands that it's not a soccer anthem but the dreamy rapture of a man in love, a gorgeous rendition of `The Rose of Tralee' with superb feeling and legato, his marvelous English diction and facility with runs in `Clorinda', a superb `La Reve' from Manon, and, no great surprise from this master of Gounod's Romeo et Juliette and Faust, a deeply moving `O Divine Redeemer' by the same composer. There is a marvelous moment in the aforementioned `Funiculi Funicula' while the chorus is singing the words where he sings 4 notes ascending the scale of such beauty and power it makes one shiver. He also has marvelous soprano partners Grace Moore and Eleanor Steber in scenes from `Faust' and `Il Trovatore', and a very decent baritone partner, Donald Dickson, in a scene from `La Forza Del Destino', a pre-echo of the same duet recorded 12 years later with Robert Merrill.
Why, then, only 4 stars, or more accurately, 3 1/2? Either I have better sounding LP originals than Cantor Goldberg does, which I think is highly unlikely, or the remastering had some problems. Some of the selections, notably `Funiculi Funicula' and `O Divine Redeemer', simply do not sound as good as they do on my LPs. It is possible this is due to my hearing the LPs and this CD on different systems, and also I have not listened to the LPs in some time and may be remembering incorrectly. In general, I get the impression that the process used was something similar to the Ambisonic Process used by Nimbus Records - both give Bjorling a faraway sound, sometimes almost like he is underwater. One thing I think was a very bad idea was that in virtually every case applause was cut off, making the ends of songs seem very abrupt and in some cases taking away from the impact of Bjorling's final (occasionally high) notes. To be even more picky, I think I would have also preferred the French language Gounod `Sanctus' he sang on the same broadcast as `O divine redeemer', because I don't think it's a terribly good English translation and it sounds better in Latin anyway. Still, I understand that Cantor Goldberg wanted to give us the rarest items possible.
Though Jussi Bjorling impresses under almost any circumstances, I think this is a CD less for people who are comparatively new to his voice than for committed collectors, for whom this disc will be essential. And of course, I hope for Volume II and III and IV, or even more, even if they might need to change engineers. There's still quite a few more Bjorling rarities out there...
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The Man from U.N.C.L.E., Vol. 3
Manufacturer: Film Score Monthly ProductGroup: Music Binding: Audio CD All Works by Schifrin
| Schifrin, Lalo
| ( S )
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ASIN: B0006SSQ8O Release Date: 2005-01-11 |
Tracks:
- First Season Main Title [Revised/Extended]
- Jerry Goldsmith Medley: The Deadly Games Affair/The Vulcan ...
- Quadripartite Affair
- Double Affair, Suite No. 2
- Belly Laughs
- Finny Foot Affair
- Fiddlesticks Affair, Suite No. 2
- Yellow Scarf Affair
- Meet Mr. Solo
- Spy With My Face
- Discotheque Affair, Suite No. 2
- Nowhere Affair
- U.N.C.L.E. A Go Go
- Bat Cave Affair
- One of Our Spies Is Missing
- Monks of St. Thomas Affair, Suite No. 2
- Spy in the Green Hat
- Gerald Fried Medley: The Foreign Legion Affair/The Apple a Day Affair
- Karate Killers
- Richard Shores Medley: The Summit-Five Affair/The "J" for Judas Affair
Tracks:
- Girl from U.N.C.L.E. Main Title
- Dog-Gone Affair
- Prisoner of Zalamar Affair
- Mother Muffin Affair
- Mata Hari Affair
- Montori Device Affair
- Horns-of-the-Dilemma Affair
- Girl from U.N.C.L.E. (End Title)
- Deadly Quest Affair: Teaser
- Deadly Quest Affair: Act 1
- Deadly Quest Affair: Act 2
- Deadly Quest Affair: Act 3
- Deadly Quest Affair: Act 4
Average customer rating:
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The Essential Songs of Andrew Lloyd Webber
Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Requiems
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ASIN: B000B9G6O4 Release Date: 2005-10-03 |
Tracks:
- Phantom of the Opera/All I Ask of You
- By Jeeves/Half a Moment
- Beautiful Game/All the Love I Have
- Jesus Christ Superstar/I Don't Know How to Love Him
- Phantom of the Opera/Think of Me
- Aspects of Love/The First Man You Remember
- Starlight Express B'way/Starlight Express
- Starlight Express/Only You
- Tell Me on a Sunday/Unexpected Song
- Aspects of Love/Seeing Is Believing
- Beautiful Game/Our Kind of Love
- Tell Me on a Sunday/The Last Man in My Life
- Phantom of the Opera/Wishing You Were Somehow Here Again
- Sunset Boulevard/Too Much in Love to Care
- Tell Me on a Sunday/Tell Me on a Sunday
- Aspects of Love/There Is More to Love
- Evita/Don't Cry for Me Argentina
- Aspects of Love/Love Changes Everything
Tracks:
- Sunset Boulevard/With One Look
- Evita/Another Suitcase in Another Hall
- Cats/Memory
- Jesus Christ Superstar/Could We Start Again Please?
- Requiem/Pie Jesu
- Phantom of the Opera/Angel of Music
- Joseph and the Amazing Technicolor Dreamcoat)/Close Every Door
- Jesus Christ Superstar/Gethsemane
- Whistle Down the Wind/Whistle Down the Wind
- Sunset Boulevard/As If We Had Never Said Goodbye
- Starlight Express/U-N-C-O-U-P-L-E-D
- Phantom of the Opera/The Point of No Return
- Aspects of Love/Anything But Lonely
- Joseph and the Amazing Technicolor Dreamcoat/Any Dream Will Do
- Joseph and the Amazing Technicolor Dreamcoat/There's Me
- Jesus Christ Superstar/Pilate's Dream
- Evita/High Flying Adored
- Phantom of the Opera/Music of the Night
Tracks:
- Cats/Macavity
- Jesus Christ Superstar/Heaven on Their Minds
- Evita/Rainbow High
- Starlight Express/Rolling Stock
- Phantom of the Opera/The Phantom of the Opera
- Jesus Christ Superstar/Hosanna
- Evita/Oh What a Circus
- Phantom of the Opera/Masquarade
- Starlight Express/Starlight Express
- Jesus Christ Superstar/King Herod's Song
- Evita/Buenos Aires
- Cats/Jellicle Cats
- Sunset Boulevard/Sunset Boulevard
- Jesus Christ Superstar/Everything's Alright
- Cats/Mr. Mistoffelees
- Phantom of the Opera/Prima Donna
- Cats/The Jellicle Ball
- Jesus Christ Superstar/Jesus Christ Superstar
Album Details
Lovesongs, Ballads and Show Stoppers. 54 Tracks, Including Some Brand New Titles Released Here for the First Time.
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One Star, At Last: A Selection of Carols of Our Time
Manufacturer: Signum UK ProductGroup: Music Binding: Audio CD All Works by MacMillan
| MacMillan, James
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ASIN: B000BM3MK2 Release Date: 2005-11-29 |
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Haydn: The Seasons
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
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ASIN: B0002XV2ZW Release Date: 2005-02-15 |
Tracks:
- Overture
- Recitative: Oh See Where Cruel Winter Flies
- Chorus: Come, Gentle Spring!
- Recitative: From Aries Rolls At Last The Bounteous Sun
- Air: Now Fairly Runs The Farmer's Boy
- Recitative: The Countryman Has His Work Achieved
- Trio And Chorus: Be Now GRacious, Smiling Heaven!
- Recitative: Now Heard Are All Our Prayers
- Trio And Chorus: Oh HOw Lovely Gleams The Outlook
- Chorus And Trio: Ageless! Powerful! Bounteous God!
- Recitative: IN Dove-Grey Mantle Drawing Near
- Air: The LIvely Swain Is Gath'ring Now His Happy Flocks
- Recitative: The Rosy Morn Breaks Forth
- Trio And Chorus: He's Mounting Up, The Sun
- Recitative: Now All Are Astir
- Recitative: The Midday Sun Is Burning Now
- Cavatina: Opress'd Succumbs All Nature Now
- Recitative: Oh Welcome Now, You Shadier Grove
- Air: So Reviving To The Senses
- Recitative: Oh See! Now Rising In The Sultry Air
- Chorus: Hark! The Tempest Drawing Night!
- Trio And Chorus: The Gloomy Clouds Now Part Aside
Tracks:
- Overture
- Recitative: All That Through Her Blossom Fair Spring
- Trio And Chorus: So Nature Gives Reward To Zeal
- Recitative: Now See! To Hazel Bushes There The Youngsters
- Duet: You Beauties Of The Town
- Recitative: Now See, On New-Stripp'd Harvest Field
- Air: There Look Across The Open Fields
- Recitative: Here Beaters, Closing In , Put Up The Hares
- Chorus: Hark! The Clamorous Noise That Through The Wood
- Recitative: On All The Vines Are Glist'ning
- Chorus: Cheer Now! The Wine Is Here
- Introduction
- Recitative: Now Sinks The Pale Declining Year
- Cavatina: Light And Life Are Both Enfeebled
- Recitative: Allfetter'd Lies The Open Lake
- Air: Here Stands The Wand'rer Now
- Recitative: At His Approach Rings In His Ear
- Song And Chorus: Purring, Whirring, Purring
- Recitative: The Flax Has Now Been Spun
- Song And Chorus: A Maid Who Kept Her Honour Fair
- Recitative: From Barren East Now Thrust Far Keener Icy Blasts
- Air: Before Thee Here, Deluded Man
- Recitative: Remains, Alone, And is Our Guide
- Trio And Double Chorus: Then Breaks The Glorious Day At Last
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The Songs of Frank Bridge
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
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General Modern
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ASIN: B000003010 Release Date: 1997-07-08 |
Tracks:
- Sonnet: When most I wink
- If I could choose
- The Primrose
- A Dirge
- The Devon Maid
- Dawn and Evening
- Where'er my bitter teardrops fall
- E'en as a lovely flower
- Blow, blow, thou winter wind
- Go not, happy day
- Night lies on the silent highways
- A Dead Violet
- Cradle Song
- Lean close thy cheek
- Fair Daffodils
- Adoration
- So perverse
- Tears, idle tears
- The Violets Blue
- Come to me in my dreams
- My pent-up tears oppress my brain
- Music, when soft voices die
- Far, far from each other
- Where is it that our soul doth go?
Tracks:
- All things that we clasp
- Love is a rose
- Dear, when I look into thine eyes
- Isobel
- O that it were so!
- Strew no more red roses
- Where she lies asleep
- Love went a-riding
- Thy hand in mine
- So early in the morning
- Mantle of Blue
- The Last Invocation
- When you are old and gray
- Into her keeping
- What shall I your true love tell?
- 'Tis but a week
- Day after Day
- Speak to me, my love!
- Dweller in my deathless dreams
- Goldenhair
- Journey's End
Christian Music:
- Pages of Love
- Pop Love Songs
- prettysongs
- Prey on Life
- Reality
- Reign Dance
- Rise Above
- Salvation [CD-single] [Import]
- Sanctuary
- Selah
Christian Music
Hauntings:Scream of Consciousness
Il Mio Nome E Nessuno [Original recording remastered] [Import]
Fly Away From Here [CD-single] [Import]
h2O Productions presents..."While U Wait"
Georg Philipp Telemann: Funeral Music for Garlieb Sillem