| 1. Hitradio Version |
| 2. Hitradio Xxl Version |
| 3. Karaoke Version |
| 4. Dj Jean Remix |
| 5. Airscape Remix |
| 6. Southside Spinners Remix |
| 7. Vengababes From Outer Space |
Editorial Reviews
Product Description
Includes 7 mixes!
It features Imogen Heap, Cary Brothers, Coldplay and more.
The music fits perfectly to the movie!
I like the cd because it exposes you to music you don't hear everyday- or sometimes ever...on the radio. It's an off the beaten path mix of songs that make you feel good.
SONGS
what's great here is that although several songs were cut for the movie, they are included on the soundtrack (my lord and master, shall i tell you what i think of you) it's a shame they were left out, but getting to hear them here is pretty great. there's a great broadway feel because of that, so i'm glad they made their way to this soundtrack
SONGS 5 out of 5
PERFORMERS
well of course there's yul brynner as the king, and no one tops him. his combination of stupborness and confusion are great and even these vocal tracks show why he won his oscar. marni nixon (who dubbed for deborah kerr) and deborah kerr perform together on several tracks, and the dubbing is perfect. you can't tell where one begins and the other ends. nixon's voice is flawless and she is great here too. sadly the supporting performers are mildly forgettable. personally i didnt care for reuben fuentes and leona gordon's dubbing for lun tha and tuptim respectively. they both do well, but aren't as moving martin vidnovic and june angela in the 1977 broadway revival. and, as well as fuentes and gordon actually do, they lack the presence and emotional level that is unsurpassed by peabo bryson and lea salonga on the 1992 studio cast album
PERFORMERS 5 out of 5
this is a great recording from a great movie that is a wonderful addition for either music lovers, musical lovers, or movie lovers. and fans of the king and i cant pass this up. marni nixon and of course yul brynner are amazing and shouldnt be forgotten.
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.
The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.
Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.
As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.
The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.
The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.
This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.
I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.
This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.
In short, this is a superb presentation of a fine R&H film soundtrack.
Strutter
Detroit Rock City
Calling Dr. Love
Hard Luck Woman - an actual sensitive, acoustic tune from KISS
Christine 16
New York Groove
I Was Made for Lovin You - great song, really moves, lyrics stick in head
Love it Loud - kinda cheesy lyrics, but tune is catchy
Lick it Up - ditto
Forever - ballad from 1990 that's pretty good coming from hard rockers
This album gets stronger toward the end, in large part due to more song variation
I'm not a "KISS Army" sized KISS fan but I think they have a lot of great songs in their catalog and to compile the best onto a single CD is a task that is certain to miss the mark by most fans' standards. I can see where most of these KISS comps serve a purpose though. DOUBLE PLATINUM is the original KISS "best of" and will never be duplicated or bettered simply because it contains the best loved songs from the band's original incarnation. It's pre-disco, pre-Elder, pre-band member changes, pre-taking off the make-up, pre-Michael Bolton power ballads.
SMASHES, THRASHES & HITS is in another (lower) class all by itself. It attempted to cover the band's entire career by including DOUBLE PLATINUM-era classics, more recent material, some remixes, a re-recording, and some new material. It crashed and burned in all of these areas leaving everyone who was showing any interest completely unsatisfied. The experience of listening to SMASHES, THRASHES & HITS was akin to a groupie making her way to Gene Simmons' dressing room for some serious oral action, only to find Christopher Cross waiting for her inside.
YOU WANTED THE BEST, YOU GOT THE BEST was a collection of their best live recordings.
GOLD and the MILLENIUM COLLECTION are just further entries into the record company's ongoing marketing campaign to put visually identical "best of's" in the stores of virtually every artist that ever produced a hit record of any consequence.
So THE VERY BEST OF KISS is the first level headed attempt at a single disc career spanning compilation of KISS' most popular material (including studio and live cuts) and not containing any weird edits, remixes or rerecordings.
Okay, so we've got 21 cuts of hot KISS action.
Does it hit all the high marks? Everyone can probably agree that it doesn't. Seriously, how could it?
What's on here that doesn't belong? What's not on here that is indespensable? Everyone will have their own answers to those last two questions, but I think the compilers did a fairly decent job of cramming one disc chock full of KISS classics.
What's not on here that I would like to see? "Black Diamond", "Do You Love Me", "Shandi", "Sure Know Something", "A World Without Heroes", "I", "Heaven's On Fire", "Tears Are Falling" and Gene Simmons' "Radioactive". But my list has two songs from THE ELDER so I probably deserve to have the KISS Army give me a serious beating.
As far as the greed argument goes, any record company is going to throw out compilations like this (particularly around Christmas time) to capitalize once again on a hit artists' ongoing popularity. It's usually the record company's greed that's evident, not the recording artists'.
So what exactly is the purpose that is being served by THE VERY BEST OF KISS? It replaces SMASHES, THRASHES & HITS which contained an inferior rerecording of "Beth", some awful remixes (whose lame idea was it to tone down the drums on "I Love It Loud"??!!) and new material that should have gone unreleased at the time. (The reviewers here that are bemoaning this compilation's lack of any new material might want to be reminded of "Let's Put The X In Sex", one of the worst songs ever recorded by anyone.) The original hits that weren't remixed for that collection are hampered by inferior remastering (probably not from the original tapes) resulting in poor sound quality.
At any rate, I think there's room for one more KISS collection and this is a pretty darn good one.
Oh, wait. I forgot about GREATEST KISS. Where does that one fit in?
Oh well, never mind.
Greatest hits albums aren't made with the die-hard fan in mind, so for those who don't have much or any KISS in their collection, this is a perfect starter CD.
For those of us who are long-time fans, we always feel like every greatest hits CD is missing something we think belongs on there. But when you look over this 21-song set, it's hard to think that there's anything on here that doesn't belong. On top of that, the album flows really well due to the chronological song ordering.
While The Very Best of KISS contains the essential hits like "Detroit Rock City", "Beth", "Shout It Out Loud", "Rock and Roll All Nite" and "I Was Made For Lovin' You", it also manages to cover a the entire career of the band better than other existing compilations. Songs like "I Love It Loud", "New York Groove", "I Stole Your Love" and "God Gave Rock and Roll" are true KISS staples that are often lacking on their other hits CDs.
If a KISS newbie is willing to spend up to $40, you could truly get the very best of KISS by picking up 3 CDs: "KISS Gold", "20th Century Masters - The Millennium Collection: The Best of Kiss, Vol. 2", and "Revenge". These 3 CDs contain every essential KISS song from 1974 thru 1992 -- including everything found on here.
But for this low price and great song selection, it's really hard to go wrong with The Very Best of KISS.
Good collection, but there is too much 70's and not enough 80's or 90's. Feel greedy, Paul and Gene? Well then make a 2-disc greatest hits, one with their 70's through early 80's and the other with a compilation of their greatest post-Dynasty hits.
This memory I'm giving back to you.
These memories, you know I have so many.
Since we dreamed of passing days
No need to change too much.
This memory I'm taking from you.
Memories like that happen to me all the time.
If life mistakenly sets us apart,
I'll get it from my drawer.
I dream with my eyes open.
It feels good.
It does not go any farther.
I don't look back
Since I feel good.
I wish tomorrow would come quick.
A last glass of sherry.
Sherry, my love, when I feel sad.
All days look alike to me now.
I miss you so terribly.
Torture
If Only Tonight We Could Sleep
Why Can't I Be You
Just Like Heaven
All I Want
Shiver and Shake
There's just so much mood and euphoria in these songs. The greatness of Just Like Heaven spills over into all the other compositions. Love it! Always will.
"Hey You!!!" will be released with all its brothers and sisters in August 2006 as the next reissue campaign from Rhino (US) and Fiction/Uni (UK) takes place. They are releasing the deluxe editions of The Top, The Head On The Door, and Kiss Me Kiss Me Kiss Me. They corrected the omission of "Hey You!!!" so we have the full album as it should be. Why it took them this long, I have no idea. Prince's 1999 cd suffered the same fate (Warners omitted "DMSR" to make the 74 min disc, but corrected it in 1991 when the capacity was increased).
OK, I should write a review...
KMKMKM came out the summer I moved from my childhood home. I remember the video of Robert Smith dressed like a bear or something in the video for "Why Can't I Be You?" and I recall falling in love with the song. I went out, bought the cassette, and the rest is history. This shows The Cure in all facets of their career...moody, gloomy, depressing, happy, poppy, dancey, quirky, rhythmic, tribal, etc. Take all of The Cure's works prior to 1987, mix it up onto a double album, and you have this one. Essential...even the filler is enjoyable if you are real Cure fan.
This CD desperately needs to come out in remastered form (no clipping or compression in the remastering process, please) with Breathe, A Chain of Flowers, and Hey You.
HIGHLIGHTS:
For the most part, it's the singles that fare best here. "Catch" is a delicate ballad carried along on a modest string (or at least synth string) arrangement. "Why Can't I Be You?" is 3 minutes of dizzy ecstasy helped along by a zippy horn arrangement. ("Everything you do is simply delicate/Everything you do is quite angelicate/Why can't I be you?") "Just Like Heaven" is the Cure at its most erotic ("'Show me how you do that trick/The one that makes me scream' she said") while "Hot! Hot! Hot!" is a bit more coy with its passion. ("Hey hey hey!!/But I like it when that lightning comes/Hey hey hey!!/Yes I like it alot") "How Beautiful You Are" is Smith venting his disgust at a former (girl?)friend when she encountered impoverished gypsies in the street. ("How Beautiful" was the thoughts of the gypsies reflected in their eyes while her reaction was 'I hate these people staring/Make them go away from me!'")"The Perfect Girl" is probably the best of the album tracks, a could've been single with a great keyboard riff.
LOWS:
Sure the riffing is loud on "The Kiss" but the song just never really goes anywhere. "Shiver and Shake" later in the album is a much better distillation of Smith's anger. ("You're just three sick holes that run like sores") "Fight" DOES sound like the Cure's attempt at writing a "pump your fist" arena rocker and as such it's a poor fit for the band.
BOTTOM LINE:
Not essential. Most of the best tracks here are on GALORE or GREATEST HITS. Bigger Cure fans can get it and burn the best stuff (2,5,6,8,10,11,14,and 16) onto their own CD-R anthology.
1. The Kiss
An interesting choice for the opening track on the album, The Kiss is tense, dramatic and eager. It follows the format of many previous Cure songs: long, Gothic intro, followed by a short set of lyrics and a fadeout.
The Kiss chronicles a bitter, sadistic connection, and a sexual relationship that is used to express hate and contempt, designed to hurt and maim, rather than the sharing of a beautiful, mutual love and respect.
It's an intense listen, but it effectively lets you know what to expect from the album; it tells you that Kiss Me, Kiss Me, Kiss Me isn't just a collection of silly pop works.
2. Catch
A sure departure from the previous track, Catch is a sweet, sad tale of an unrequited crush. Robert Smith's voice is melodious and gentle, gliding reflectively along the innocent, cute lyrics. The smooth, easy guitar work, punchy percussion and bittersweet strings pull you into the mind of a man who is reminiscing about (and longing for) a strange, untouchable girl. A mellow pop ditty that you'll find yourself humming all day, this one was meant for the couple's skate at a roller rink.
3. Torture
What do you do when you know that someone is a poisonous creature who can do you know good, but is so infectious that you can't give them up?
Torture is a tale of spending one more night with such a person, and is delivered with just the sort of excellent, driving bass line and howling, provocative vocals that people have come to love and expect from The Cure. The momentum is great; you can feel the sweet torture for yourself.
4. If Only Tonight We Could Sleep
A crawling, crazed wish for peace and beauty in an ugly, dissatisfying world. With despairing instrumentals infused with Middle Eastern style, and vocals full of lament and sorrow, this experimental track will handily complement any reflective mood.
5. Why Can't I Be You?
Why Can't I Be You is the first really upbeat song on the album, and one of The Cure's most synthed-up works. The sound is magnificently big, making it almost impossible to keep from bopping around in your chair, and almost as difficult to keep yourself from jumping up and dancing.
The lyrics do a great job at telling of someone who is so incredibly beautiful and perfect that the singer and listener alike have to wonder what it would be like to be so grand.
6. How Beautiful You Are
Don't let the title throw you... this is no "Your Song". This track is about falling out of love.
The story follows a young couple walking hand in hand in Paris. When confronted by a poor family who admires the girl's beauty, she views them with disgust and contempt. How Beautiful You Are is a telling of how selfishness and disrespect can tear a couple apart.
The involved bass work, punky guitar stylings and generous sprinklings of classical violin, piano and accordion will pull you into a decaying Parisian street at sunset, and the passionate emotions behind the couple's interaction. Robert Smith's staccato vocals may throw you at first, but after a listen, you'll realize that they are needed to express the intense heartbreak and disappointment behind the lyrics.
Catch, Why Can't I Be You, Just Like Heaven and Hot Hot Hot where the four tracks from this album that were chosen to be made into singles. Though they are all excellent songs, How Beautiful You Are deserved to be in the mix. It is truly a masterpiece, and, though it's difficult for me to choose a song from the album to be my favorite, this might be it.
7. The Snakepit
Hisses, rattle and booms set the mood for this pensive anthem of dissatisfaction and contempt. The lyrics follow the realization that the storyteller is leading a hollow, empty life; an existence without meaning. Though he's surrounded by party animals and having a stereotypically "good time", he is drowned in the shallow pointlessness of it all.
This is a great listen for the days when you just need a breather.
8. Just Like Heaven
Pure magic. Just Like Heaven is a love song filled with ingenuity and wonder. By far the most atmospheric track on the album, The Cure brings you out into the open with this gorgeous work. A fresh, clear blend of acoustic guitar and rolling drums, sprinkled throughout with light synth work and simple piano, sets you atop a seaside cliff for a beautiful day with a loved one. Robert Smith's vocals on this track are the clearest and brightest on the album. Pure, clean and elegant, this spinning ode to amour will make you want to lock lips with the nearest person.
9. All I Want
Pure sexuality, expressed without profanity, is a rare thing to be found in modern music. But the band pulls it off in this soaring, aching track. All the storyteller wants is to be with the one person who makes him feel sane and complete.
The highlight of this song, is, without a doubt, the excellent, garage-inspired (or inspiring?) guitar work. A listen would suggest that this one sounds even better in an arena.
10. Hot Hot Hot!!!
An undeniably dance worthy funk work. Hot Hot Hot sounds almost like an inspiration for Red Hot Chili Peppers. The tight, punky guitar strumming, orchestra-inspired synthesizers and strong, domineering bass are the perfect sounds to complement this obscure song. Robert Smith's fevered, quavering vocals are meant to symbolize a man who has been struck by lightning, and, from what I can guess, they are apt. With lots of bounce and energy, this track parties down deliciously.
11. One More Time
An ode to child-like wonder, in true arena ballad fashion. With playful flute work, sparse, booming drums, and a soft guitar riff, this song is a strange break from the extreme pop, doom-ridden Goth and acoustic rock that comprises most of the album. It is an interesting, mellow, cute little tune, which might remind listeners of the soundtrack from Never Ending Story.
12. Like Cockatoos
Knocking, busy percussion, steady acoustic strumming and a sliding bass line help set the perfect "the end" mood for this rainy day break up song. In the dead of night, under a pouring rain, a man promises never to speak to his lover again. Though we're never told what she did to upset him, the city background noises and closing orchestral work somehow serve to make you glad he's leaving her.
13. Icing Sugar
Weird, man. The Cure glorifies urgent, girlish adolescent lust with furious drumbeats, screeching saxophone notes and a quick set of lyrics, delivered breathlessly. Hot, heavy, fast and naughty, you might need to take a few deep breaths after hearing this trippy ditty.
14. The Perfect Girl
She really is! Sweet strings and tinkling piano mix gorgeously with bopping drums and simple, steady guitar work, while a harpsichord further convinces us of The Cure's originality. Robert croons madly over a strange girl, whom he finds himself falling in love with. Strange looking, strange acting, and completely out of this world, she's a breath of fresh air, just like the song that was written for her. Beware of the power of this song: it has been know to cause silly dancing.
15. A Thousand Hours
Heartache drives every synth note, even piano strike and every lyric in this sweet, introspective cry of unrequited love. Every day seems to last a thousand lonely hours when you have devoted yourself to someone who doesn't care.
16. Shiver and Shake
With superior drumbeats that shimmy effortlessly, and fast, angsty guitar work, this is a worthy ode to fury. If you've ever met someone whom you wanted to kill, you can appreciate the curt, indignant lyrics and passionate animosity epitomized here.
17. Fight
The Cure's unprecedented venture in powerhouse rock begs you to never give up when the world turns on you. Robert Smith basically yells at the listener, but his reasons are justified. Stabbing, continuous synth notes, pushing lyrics and cutting guitar bring home a sense of resolution. Fight is a great closing track, with a great message. Never give in to pain and sorrow.
Though each track is unique, they seem to belong together, like a wonderfully dysfunctional family. Each song glides elegantly along our musical palates, as every work is relevant to what every person has felt at one point in time. Whether you choose to imbibe a few tracks at a time, or go for the gold and devour each song at once, Kiss Me, Kiss Me, Kiss Me is a true anytime listen, and a sure new wave masterpiece.
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
DESIGN:
Remarkable-- simply outstanding. A miniature heavy board glossy hatbox, complete with a sturdy pull string that holds the box lid in place-- inside are four CDs surrounded by gray foam. They're stored on plastic holders that are covered by hard-paper books. Each of these packages has silver paper inside the front cover, and the overall look is of four differently styled powder compacts. Also included is a luxurious 204-page book that sets the standard for all-time. The jewel case sized book, made from heavy stock semi-gloss paper is replete with studio and other photos, advertisement and 45 label repros, and some of the most detailed text ever.
CONTENT:
This is where not all will be interested in this set. It's ideal for the obscurity collector, but not necessarily the TOP 40 fan-- there's only a sprinkling of commonly known tunes here. A lot of these tracks are unknown for a good reason-- some aren't even 'B' side quality. A good percentage of artists in this collection are as obscure as the songs they perform, and for the familiar groups or vocalists, many of their songs may not ring a bell either. This collection is called "LOST AND FOUND" for a good reason.
TOTAL RUNNING TIMES --
DISC ONE -- 77:34
DISC TWO -- 76:19
DISC THREE -- 75:17
DISC FOUR -- 75:50
This set, which is highly imaginative in packaging, includes some rather rare tracks that one would at times would need to find the original 45 release to get in order to hear.
I won't dwell on the obvious tracks here, like by the Shangri-Las, Darnells, Chris Clark, etc., but a few are worth the price of the whole.
My favorite is the contribution by Dolly Parton, "Don't Drop Out". Her voice seems so appropriate, but as we know which direction she chose, this track is one of the best unheard of gems, which is sad, as it should have done something.
Another classic is the 'stereo' version of Alder Ray's "Cause I Love Him", which in sound is alot different than the mono 45 version I possess. Crystal clear in sound, it still packs a punch.
One last great track that this package includes is Reparata & The Delron's "I'm Nobody's Baby Now". This track literally jumps out and bites. Not a Phil Spector sound-alike in intention, but does have a Righteous Brothers "Lovin' Feelin'" to it. Again, another clear and clean production.
I will say that with any package, there will be a few tracks that seriously should have been omitted, like "Egyptian Shumba" by The Tammys, which could have been replaced by another rarity that is not included, like Suzy Walli's "Be My Man" a powerful David Gates production from 1965, but everyone has different tastes. I for one admit that despite the few clunkers, this package is an excellent example of a time when girl groups and girl singers were everywhere.
Consider the fact that about 200 singles were released a week, and only a handful were graced on the Pop Charts. There are bound to be many that are excellent songs, but without the proper advertising, radio play, and touring, the obvious would happen. A good single that bombs.
One of my favorite artists is included, April Young. A shame that this package only inlcuded one track, "To Be Loved By You". It is a good song, but her energetic and rather forceful "Gonna Make Him My Baby" still sounds fresh.
Maybe in time Rhino will release a companion to this set. Sure, there are literally thousands of girl group records that were released in the 60's, like Marcia Strassman's "Out Of The Picture". Who's she? She later played the wife of Mr Kotter in 'Welcome Back Kotter", or "He's My Dreamboy" by Maria Antoinette, and other great girls like Beverly Warren, Roberta Day, Candy & The Kisses, The Joys, The Gleams, Carol Connors, etc. Can go on and on, but this package is worth the price, even to the most infrequent listener of the 'girl group' genre.
There are 4 cd's, so my advice is to just take a lazy afternoon, and while listening to the tracks, read the diary that is supplied. It's a good read, and at times rather refreshing, especially the rare pictures and even the pictures of the rare labels that sometimes one has never seen before.
Like i said, this package is worth the price.
Before it goes out of print, you need to pick up this incredible Rhino box
set.
One little problem is that Rhino's definition of "girl group" was too broad; some songs are female solo recordings on which backup singers play little or no role. And in an apparent attempt to appeal to the British market, they put on some British songs by people such as Cilla Black. The English had no handle on the girl-group sound at all; it was strictly an American phenomenon.
But with four CDs and 30 songs on each CD, who can complain? Some songs, such as several Shangri-Las rip-offs, are hilarious. Then
there's one called "He Makes Me So Mad" by the Hollywood Jills on which the lead singer is reciting her complaints about her boyfriend, and after each gripe the rest of the group comes in with a sarcastic reply. Example: "He told the gang that I swim raw." The reply: "Well, don't you?" Classic!
There's a great Wall of Sound-type song called "Bobby's Come a Long Long Way," produced by Al Kooper. I can't make out any of the lyrics, but
supposedly the song is about Bob Dylan!
You won't regret buying this box.
Buy this as an introduction to her other five cd's. You will very likely buy them all.
I'd been curious about Patty Griffin's music before that, as I'd seen that she'd written some good songs used by the Dixie Chicks (FUTK), like "Let Him Fly" and "Truth No. 2." But I hadn't heard her own voice or playing until those flights, and am happy to say that I've not stopped listening to this album since.
This collection covers a lot of territory, presenting songs from most (if not all) of her albums, and has a very bittersweet tone overall. Griffin's humble personality is very apparent when she introduces some of the songs and expresses her gratitude to some special guest musicians. The production is one of the better I've heard on a live album in a while, and effectively seems to capture the feel of seeing the show inside the Ryman.
I'd recommend this as an excellent place to start for someone just getting into Patty Griffin's music. The accompanying DVD is also worth having, as it features a series of interviews with Griffin about her music and a couple of music videos.
"Detroit Rock City" 10/10: When I heard the edited version on "The Very Best of Kiss", my first Kiss album, I didn't know the opening newscast. However, that just builds up the suspense for what is probably the greatest KISS song ever! Strong guitar attack with some cannon drumming!
"King of the Night Time World" 10/10: Although the end is kinda repetitive, this song is a definite feel-good rocker.
"God of Thunder" 10/10: Dark 'n' dirty riff with one of Gene's greatest performances. This song became legendary, pure and simple.
"Great Expectations" 5/10: Sorry, but this is a song that goes in the wrong direction. It has a little bit of a weird feel to it, and that's about it.
"Flaming Youth" 9/10: There are some keyboards thrown in to this anthemic rocker. It's got a cool riff, too, and is one of the better songs on the album.
"Sweet Pain" 8/10: While this is a very good song, the riff keeps going and the chorus repeats itself a little, too much.
"Shout It Out Loud" 10/10: One of the definitive Kiss rockers. Great guitars, bass and drums all the way and the lyrical/vocal delivery just adds to its greatness!
"Beth" 10/10: A sweet and gentle ballad that rounds out the feel of the album perfectly. I'm glad to hear Peter Criss's vocals on this song, as it's one of the few songs he does sing.
"Do You Love Me?" 10/10: This one has a swanky strut of a feel to it, and is all-around awesome.
"Bonus Track 1, aka Rock and Roll Party" 7/10: I don't know what this is, except it's a minute-and-a-half-long track. Paul mumbles the first part but then you can hear him belt out "Let's have ourselves a rock and roll party!". Whenever I wanna just keep this album running, I let this one play.
Overall: 89/100: This one gets a solid B+ for some really great tracks. However, some aren't as good as others but "Destroyer" is still an excellent studio album from Kiss. All fans should definitely own this, and all new-comers to Kiss should pick this one up, as it is highly recommended.
Includes 7 mixes!
Kiss (When the Sun Don't Shine),Vengaboys,EMI,Club/Dance,Euro-Dance
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The Last Kiss
Original Soundtrack Manufacturer: Lakeshore Records ProductGroup: Music Binding: Audio CD  General
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ASIN: B000G8NY54 Release Date: 2006-08-08 |
Tracks:
- Chocolate - Snow Patrol
- Star Mile - Joshua Radin
- Pain Killer - Turin Brakes
- Warning Sign - Coldplay
- Ride - Cary Brothers
- El Salvador - Athlete
- Hide And Seek - Imogen Heap
- Reason Why - Rachael Yamagata
- Hold You In My Arms - Ray LaMontagne
- Prophecy - Remy Zero
- Paper Bag - Fiona Apple
- Today's The Day - Aimee Mann
- Arms of a Woman - Amos Lee
- Cigarettes and Chocolate Milk (Reprise) - Rufus Wainwright
- Paperweight - Joshua Radin and Schuyler Fisk
Amazon.com
Repeating the feat that accompanied his directorial debut, Garden State, Zach Braff has again put together a tastefully assembled compilation of music. The track listing reads like a cherry-picked bouquet of refined American singer-songwriters (Fiona Apple, Aimee Mann, Rufus Wainwright, Ray Lamontagne), sprinkled with literate-yet-popular UK combos (Snow Patrol, Athlete, Turin Brakes) and the lone international megaband (Coldplay, already on Garden State). Based on the selection, Braff is the kind of guy who isn't afraid to show his sensitive side (that'd be the American songs, especially Apple's "Paper Bag" and Aimee Mann's "Today's the Day"), but who also likes to hang out at soft-rock clubs with his cool mates (that'd be the British songs, especially Snow Patrol's "Chocolate" and Turin Brakes' Simon & Garfunkel-like "Pain Killer"). Really, it's a win-win combination—except for those who prefer their rock more rocking, since the mood is, overall, really mellow. (Note that Michael Penn score isn't represented here.) --Elisabeth VincentelliCustomer Reviews:
good songs collection.......2007-07-27
Good music .......2007-06-11
Off the beaten path.......2007-05-27
It features Imogen Heap, Cary Brothers, Coldplay and more.
The music fits perfectly to the movie!
I like the cd because it exposes you to music you don't hear everyday- or sometimes ever...on the radio. It's an off the beaten path mix of songs that make you feel good.
Never received.......2007-05-25
More great music from ZB!.......2007-05-07
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The King and I (1956 Film Soundtrack)
Deborah Kerr , Yul Brynner , Marni Nixon , Rita Moreno , and Alfred Newman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Movie Soundtracks
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ASIN: B00005A7XC Release Date: 2001-03-13 |
Tracks:
- Main Title - 20th Century-Fox Orchestra/Alfred Newman
- I Whistle A Happy Tune - Marni Nixon/Rex Thompson
- My Lord And Master - Rita Moreno
- The March Of The Siamese Children - 20th Century-Fox Orchestra/Alfred Newman
- Anna And The Royal Wives - 20th Century-Fox Orchestra/Alfred Newman
- Hello, Young Lovers - Marni Nixon
- A Puzzlement - Yul Brynner
- Getting To Know You - Deborah Kerr/Marni Nixon
- Garden Rendezvous - 20th Century-Fox Orchestra/Alfred Newman
- We Kiss In A Shadow - Leona Gordon/Reuben Fuentes
- I Have Dreamed - Leona Gordon/Reuben Fuentes
- Shall I Tell You What I Think Of You? - Deborah Kerr/Marni Nixon
- Something Wonderful - Terry Saunders
- Prayer To Buddha - Yul Brynner
- Waltz Of Anna And Sir Edward - 20th Century-Fox Orchestra/Alfred Newman
- The Small House Of Uncle Thomas - Rita Moreno
- Song Of The King - Yul Brynner/Marni Nixon
- Shall We Dance? - Deborah Kerr/Marni Nixon/Yul Brynner
- The Letter - 20th Century-Fox Orchestra/Alfred Newman
- Something Wonderful (Finale) - Chorus/Alfred Newman
- Overture (LP Version) - 20th Century-Fox Orchestra/Alfred Newman
Amazon.com essential recording
Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James HendricksonCustomer Reviews:
brilliant. a truely timeless classic.......2007-07-29
SONGS
what's great here is that although several songs were cut for the movie, they are included on the soundtrack (my lord and master, shall i tell you what i think of you) it's a shame they were left out, but getting to hear them here is pretty great. there's a great broadway feel because of that, so i'm glad they made their way to this soundtrack
SONGS 5 out of 5
PERFORMERS
well of course there's yul brynner as the king, and no one tops him. his combination of stupborness and confusion are great and even these vocal tracks show why he won his oscar. marni nixon (who dubbed for deborah kerr) and deborah kerr perform together on several tracks, and the dubbing is perfect. you can't tell where one begins and the other ends. nixon's voice is flawless and she is great here too. sadly the supporting performers are mildly forgettable. personally i didnt care for reuben fuentes and leona gordon's dubbing for lun tha and tuptim respectively. they both do well, but aren't as moving martin vidnovic and june angela in the 1977 broadway revival. and, as well as fuentes and gordon actually do, they lack the presence and emotional level that is unsurpassed by peabo bryson and lea salonga on the 1992 studio cast album
PERFORMERS 5 out of 5
this is a great recording from a great movie that is a wonderful addition for either music lovers, musical lovers, or movie lovers. and fans of the king and i cant pass this up. marni nixon and of course yul brynner are amazing and shouldnt be forgotten.
FINALLY, KEER AND NIXON BOTH SING.......2007-05-26
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.
The King and I--a distinguished, beautiful score laced with tenderness and sorrow.......2007-04-08
The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.
Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.
As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.
The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.
The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.
This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.
A fine King and I soundtrack reissue.......2007-02-10
I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.
This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.
In short, this is a superb presentation of a fine R&H film soundtrack.
great album.......2006-07-15
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The Very Best of Kiss
Kiss Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General
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ASIN: B00006GFAB Release Date: 2002-08-27 |
Tracks:
- Strutter
- Deuce
- Got To Choose
- Hotter Than Hell
- C'Mon And Love Me
- Rock And Roll All Nite (live)
- Detroit Rock City
- Shout It Out Loud
- Beth
- I Want You
- Calling Dr. Love
- Hard Luck Woman
- I Stole Your Love
- Christine Sixteen
- Love Gun
- New York Groove
- I Was Made For Loving You
- I Love It Loud
- Lick It Up
- Forever
- God Gave Rock 'N' Roll To You II
Amazon.com
Sure, Detroit had the MC5 and the Stooges, but Long Island's Kiss threw down their own gauntlet. Paul Stanley, Gene Simmons, Ace Frehley, and Peter Criss cleaved a spot between glam, punk, waning Woodstock rock, and adult-oriented pop and became a phenomenon in the process. Kiss kept their music simple and, of course, sexual, with the likes of "Hotter than Hell," "Love Gun," and "Calling Dr. Love," paving the way for the waves of pop-metal sexpot wannabes and winning fans in such quantities that they launched the so-called Kiss Army. Their magnetism permeates this 21-song set, with Criss sounding so lonesome he could cry on "Beth," and the fire-breathing, blood-spitting Simmons unfailingly serving up a comical mix of menace and lasciviousness. The version of "Rock & Roll All Nite" comes from 1975's crowd-noise drenched Alive!, cut at the time when live albums were de rigueur. This collection was made smartly enough that only four songs come from the band's post-Dynasty period, making The Very Best of Kiss an essential primer on 1970s rock grandeur. --Andrew BartlettCustomer Reviews:
Let Your CD Player Kiss This.......2007-07-09
Strutter
Detroit Rock City
Calling Dr. Love
Hard Luck Woman - an actual sensitive, acoustic tune from KISS
Christine 16
New York Groove
I Was Made for Lovin You - great song, really moves, lyrics stick in head
Love it Loud - kinda cheesy lyrics, but tune is catchy
Lick it Up - ditto
Forever - ballad from 1990 that's pretty good coming from hard rockers
This album gets stronger toward the end, in large part due to more song variation
a good place to start..........2007-06-04
Another pointless review..........2007-05-19
I'm not a "KISS Army" sized KISS fan but I think they have a lot of great songs in their catalog and to compile the best onto a single CD is a task that is certain to miss the mark by most fans' standards. I can see where most of these KISS comps serve a purpose though. DOUBLE PLATINUM is the original KISS "best of" and will never be duplicated or bettered simply because it contains the best loved songs from the band's original incarnation. It's pre-disco, pre-Elder, pre-band member changes, pre-taking off the make-up, pre-Michael Bolton power ballads.
SMASHES, THRASHES & HITS is in another (lower) class all by itself. It attempted to cover the band's entire career by including DOUBLE PLATINUM-era classics, more recent material, some remixes, a re-recording, and some new material. It crashed and burned in all of these areas leaving everyone who was showing any interest completely unsatisfied. The experience of listening to SMASHES, THRASHES & HITS was akin to a groupie making her way to Gene Simmons' dressing room for some serious oral action, only to find Christopher Cross waiting for her inside.
YOU WANTED THE BEST, YOU GOT THE BEST was a collection of their best live recordings.
GOLD and the MILLENIUM COLLECTION are just further entries into the record company's ongoing marketing campaign to put visually identical "best of's" in the stores of virtually every artist that ever produced a hit record of any consequence.
So THE VERY BEST OF KISS is the first level headed attempt at a single disc career spanning compilation of KISS' most popular material (including studio and live cuts) and not containing any weird edits, remixes or rerecordings.
Okay, so we've got 21 cuts of hot KISS action.
Does it hit all the high marks? Everyone can probably agree that it doesn't. Seriously, how could it?
What's on here that doesn't belong? What's not on here that is indespensable? Everyone will have their own answers to those last two questions, but I think the compilers did a fairly decent job of cramming one disc chock full of KISS classics.
What's not on here that I would like to see? "Black Diamond", "Do You Love Me", "Shandi", "Sure Know Something", "A World Without Heroes", "I", "Heaven's On Fire", "Tears Are Falling" and Gene Simmons' "Radioactive". But my list has two songs from THE ELDER so I probably deserve to have the KISS Army give me a serious beating.
As far as the greed argument goes, any record company is going to throw out compilations like this (particularly around Christmas time) to capitalize once again on a hit artists' ongoing popularity. It's usually the record company's greed that's evident, not the recording artists'.
So what exactly is the purpose that is being served by THE VERY BEST OF KISS? It replaces SMASHES, THRASHES & HITS which contained an inferior rerecording of "Beth", some awful remixes (whose lame idea was it to tone down the drums on "I Love It Loud"??!!) and new material that should have gone unreleased at the time. (The reviewers here that are bemoaning this compilation's lack of any new material might want to be reminded of "Let's Put The X In Sex", one of the worst songs ever recorded by anyone.) The original hits that weren't remixed for that collection are hampered by inferior remastering (probably not from the original tapes) resulting in poor sound quality.
At any rate, I think there's room for one more KISS collection and this is a pretty darn good one.
Oh, wait. I forgot about GREATEST KISS. Where does that one fit in?
Oh well, never mind.
The Best of the Best of KISS.......2007-03-23
Greatest hits albums aren't made with the die-hard fan in mind, so for those who don't have much or any KISS in their collection, this is a perfect starter CD.
For those of us who are long-time fans, we always feel like every greatest hits CD is missing something we think belongs on there. But when you look over this 21-song set, it's hard to think that there's anything on here that doesn't belong. On top of that, the album flows really well due to the chronological song ordering.
While The Very Best of KISS contains the essential hits like "Detroit Rock City", "Beth", "Shout It Out Loud", "Rock and Roll All Nite" and "I Was Made For Lovin' You", it also manages to cover a the entire career of the band better than other existing compilations. Songs like "I Love It Loud", "New York Groove", "I Stole Your Love" and "God Gave Rock and Roll" are true KISS staples that are often lacking on their other hits CDs.
If a KISS newbie is willing to spend up to $40, you could truly get the very best of KISS by picking up 3 CDs: "KISS Gold", "20th Century Masters - The Millennium Collection: The Best of Kiss, Vol. 2", and "Revenge". These 3 CDs contain every essential KISS song from 1974 thru 1992 -- including everything found on here.
But for this low price and great song selection, it's really hard to go wrong with The Very Best of KISS.
Explicit Lyrics?!! WTF?.......2007-02-01
Good collection, but there is too much 70's and not enough 80's or 90's. Feel greedy, Paul and Gene? Well then make a 2-disc greatest hits, one with their 70's through early 80's and the other with a compilation of their greatest post-Dynasty hits.
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French Kiss: Original Motion Picture Soundtrack
Various Artists Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General
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ASIN: B000001EFZ Release Date: 1995-05-09 |
Tracks:
- Someone Like You - Van Morrison
- La Vie En Rose - Louis Armstrong
- Les Yeux Ouverts - Beautiful South
- Via Con Me - Paolo Conte
- I Love Paris - James Newton Howard
- Feels Like A Woman - Zucchero
- I Love Paris - Ella Fitzgerald
- Verlaine - Charles Trenet
- C'est Trop Beau - Tino Rossi
- La Mer - Kevin Kline
- I Want You - James Newton Howard
- Les Yeux De Ton Pere - Les Negresses Vertes
Customer Reviews:
Fun Soundtrack from a Fun Movie.......2007-07-12
Translation of " Les yeux Ouverts".......2007-06-21
This memory I'm giving back to you.
These memories, you know I have so many.
Since we dreamed of passing days
No need to change too much.
This memory I'm taking from you.
Memories like that happen to me all the time.
If life mistakenly sets us apart,
I'll get it from my drawer.
I dream with my eyes open.
It feels good.
It does not go any farther.
I don't look back
Since I feel good.
I wish tomorrow would come quick.
A last glass of sherry.
Sherry, my love, when I feel sad.
All days look alike to me now.
I miss you so terribly.
FRENCH KISS .......2007-04-11
Worth its weight in French.......2007-03-09
ONE OF MY FAVORITES!!!!.......2007-02-28
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Best: 1991-2004
Seal Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General
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| Dance Pop
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ASIN: B00063F8BC Release Date: 2004-11-09 |
Tracks:
- Crazy
- Kiss From A Rose
- Killer
- Prayer for the Dying
- Waiting For You
- Don't Cry
- My Vision
- Love's Divine
- Walk On By
- Get It Together
- Fly Like An Eagle
- Human Beings
- Future Love Paradise
Amazon.com
It's fair to assume that if you're a Seal fan, you prefer your pop shot through with substance. Using that as a guiding principle, you'll want to glide right into Best: 1991-2004 where you will encounter, throughout two discs and 27 songs, scarcely a second of musical fluff. All the expected goosebump-raisers come on disc one--"Don't Cry" follows "Prayer for the Dying" follows "Kiss from a Rose" follows "Crazy"--and they're interspersed with deeper cuts from Seal IV such as "Get It Together" and "Loves Divine" as well as a couple of covers that, in a lesser vocalist's hands, might have been catastrophic. Seal plays it subtle and sweet and Burt Bacharach's "Walk on By," sidestepping any instinct to belt, and the help he gets from Mikey Dread on Echo & the Bunnymen's "Lips Like Sugar" settles the song into a snazzified reggae-pop celebration. (Also included is Seal's soaring cover of Steve Miller's "Fly Like an Eagle," which proved his prowess as a cover artist with its chart success). Though "best" collections aren't normally upheld for their surprise elements--nobody likes a package that challenges with armloads of new stuff--disc two pulls off a neat stunt. It's a complete acoustic album, again encompassing the major radio hits but stretching to include tracks like the impossibly tender "Touch" and the meltingly gorgeous "Colour." Their unplugged presentation, with the artist on guitar, sets an up-close-and-personal tone that suits Seal. More to the point, it suits his fans, who'll take all the intimacy with the singer-slash-heartthrob they can get. --Tammy La GorceAlbum Description
Multiplatinum selling, Grammy winning, critically acclaimed Seal unveils his first greatest hits collection with Seal Best 1991-2004. But there's even more-along with the single-CD edition, with original album versions of 12 of his hits and best-loved tracks plus a cover song newly recorded by Seal ("Walk on By"), a double-CD package adds a disc of newly recorded acoustic versions of nine of those cuts (and four others). For fans of the pop, dance, urban and adult contemporary, Seal Best 1991-2004 is the quintessential Seal experience.Customer Reviews:
I love this music!.......2007-07-20
I love love love this guy! .......2007-03-16
Seal it with a Kiss.......2007-03-11
"Greatest Hits" album could have been "greater".......2007-03-08
essential seal.......2007-02-06
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Kiss Me, Kiss Me, Kiss Me
The Cure Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD General
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ASIN: B000002H4Q Release Date: 1990-10-25 |
Tracks:
- The Kiss
- Catch
- Torture
- If Only Tonight We Could Sleep
- Why Can't I Be You?
- How Beautiful You Are
- The Snakepit
- Just Like Heaven
- All I Want
- Hot Hot Hot!!!
- One More Time
- Like Cockatoos
- Icing Sugar
- The Perfect Girl
- A Thousand Hours
- Shiver And Shake
- Fight
Amazon.com
Released in 1987, at the height of the compact-disc revolution, Kiss Me, Kiss Me, Kiss Me is the prototypical CD album. Cure architect Robert Smith knew that the newly popular format could handle almost twice as much music as records, and he wasn't about to waste the space. Unfortunately, many of Kiss Me's 17 tracks sound more like B-sides. The cream is certainly worth culling, however; "Catch," "How Beautiful You Are," and the alternative-rock staple "Just Like Heaven" are among the Cure's finest moments. "Hot Hot Hot!!!" and "Why Can't I Be You?" reveal that underneath all the dyed-black hair and glum stares lay a fervent dance band. Who knew? --Bill CrandallCustomer Reviews:
I wanna hold you like a doll..........2006-07-19
Torture
If Only Tonight We Could Sleep
Why Can't I Be You
Just Like Heaven
All I Want
Shiver and Shake
There's just so much mood and euphoria in these songs. The greatness of Just Like Heaven spills over into all the other compositions. Love it! Always will.
In response to SRS.......2006-06-10
"Hey You!!!" will be released with all its brothers and sisters in August 2006 as the next reissue campaign from Rhino (US) and Fiction/Uni (UK) takes place. They are releasing the deluxe editions of The Top, The Head On The Door, and Kiss Me Kiss Me Kiss Me. They corrected the omission of "Hey You!!!" so we have the full album as it should be. Why it took them this long, I have no idea. Prince's 1999 cd suffered the same fate (Warners omitted "DMSR" to make the 74 min disc, but corrected it in 1991 when the capacity was increased).
OK, I should write a review...
KMKMKM came out the summer I moved from my childhood home. I remember the video of Robert Smith dressed like a bear or something in the video for "Why Can't I Be You?" and I recall falling in love with the song. I went out, bought the cassette, and the rest is history. This shows The Cure in all facets of their career...moody, gloomy, depressing, happy, poppy, dancey, quirky, rhythmic, tribal, etc. Take all of The Cure's works prior to 1987, mix it up onto a double album, and you have this one. Essential...even the filler is enjoyable if you are real Cure fan.
Problematic.......2006-05-06
This CD desperately needs to come out in remastered form (no clipping or compression in the remastering process, please) with Breathe, A Chain of Flowers, and Hey You.
Overkill.......2006-03-08
HIGHLIGHTS:
For the most part, it's the singles that fare best here. "Catch" is a delicate ballad carried along on a modest string (or at least synth string) arrangement. "Why Can't I Be You?" is 3 minutes of dizzy ecstasy helped along by a zippy horn arrangement. ("Everything you do is simply delicate/Everything you do is quite angelicate/Why can't I be you?") "Just Like Heaven" is the Cure at its most erotic ("'Show me how you do that trick/The one that makes me scream' she said") while "Hot! Hot! Hot!" is a bit more coy with its passion. ("Hey hey hey!!/But I like it when that lightning comes/Hey hey hey!!/Yes I like it alot") "How Beautiful You Are" is Smith venting his disgust at a former (girl?)friend when she encountered impoverished gypsies in the street. ("How Beautiful" was the thoughts of the gypsies reflected in their eyes while her reaction was 'I hate these people staring/Make them go away from me!'")"The Perfect Girl" is probably the best of the album tracks, a could've been single with a great keyboard riff.
LOWS:
Sure the riffing is loud on "The Kiss" but the song just never really goes anywhere. "Shiver and Shake" later in the album is a much better distillation of Smith's anger. ("You're just three sick holes that run like sores") "Fight" DOES sound like the Cure's attempt at writing a "pump your fist" arena rocker and as such it's a poor fit for the band.
BOTTOM LINE:
Not essential. Most of the best tracks here are on GALORE or GREATEST HITS. Bigger Cure fans can get it and burn the best stuff (2,5,6,8,10,11,14,and 16) onto their own CD-R anthology.
Classic.......2006-01-09
1. The Kiss
An interesting choice for the opening track on the album, The Kiss is tense, dramatic and eager. It follows the format of many previous Cure songs: long, Gothic intro, followed by a short set of lyrics and a fadeout.
The Kiss chronicles a bitter, sadistic connection, and a sexual relationship that is used to express hate and contempt, designed to hurt and maim, rather than the sharing of a beautiful, mutual love and respect.
It's an intense listen, but it effectively lets you know what to expect from the album; it tells you that Kiss Me, Kiss Me, Kiss Me isn't just a collection of silly pop works.
2. Catch
A sure departure from the previous track, Catch is a sweet, sad tale of an unrequited crush. Robert Smith's voice is melodious and gentle, gliding reflectively along the innocent, cute lyrics. The smooth, easy guitar work, punchy percussion and bittersweet strings pull you into the mind of a man who is reminiscing about (and longing for) a strange, untouchable girl. A mellow pop ditty that you'll find yourself humming all day, this one was meant for the couple's skate at a roller rink.
3. Torture
What do you do when you know that someone is a poisonous creature who can do you know good, but is so infectious that you can't give them up?
Torture is a tale of spending one more night with such a person, and is delivered with just the sort of excellent, driving bass line and howling, provocative vocals that people have come to love and expect from The Cure. The momentum is great; you can feel the sweet torture for yourself.
4. If Only Tonight We Could Sleep
A crawling, crazed wish for peace and beauty in an ugly, dissatisfying world. With despairing instrumentals infused with Middle Eastern style, and vocals full of lament and sorrow, this experimental track will handily complement any reflective mood.
5. Why Can't I Be You?
Why Can't I Be You is the first really upbeat song on the album, and one of The Cure's most synthed-up works. The sound is magnificently big, making it almost impossible to keep from bopping around in your chair, and almost as difficult to keep yourself from jumping up and dancing.
The lyrics do a great job at telling of someone who is so incredibly beautiful and perfect that the singer and listener alike have to wonder what it would be like to be so grand.
6. How Beautiful You Are
Don't let the title throw you... this is no "Your Song". This track is about falling out of love.
The story follows a young couple walking hand in hand in Paris. When confronted by a poor family who admires the girl's beauty, she views them with disgust and contempt. How Beautiful You Are is a telling of how selfishness and disrespect can tear a couple apart.
The involved bass work, punky guitar stylings and generous sprinklings of classical violin, piano and accordion will pull you into a decaying Parisian street at sunset, and the passionate emotions behind the couple's interaction. Robert Smith's staccato vocals may throw you at first, but after a listen, you'll realize that they are needed to express the intense heartbreak and disappointment behind the lyrics.
Catch, Why Can't I Be You, Just Like Heaven and Hot Hot Hot where the four tracks from this album that were chosen to be made into singles. Though they are all excellent songs, How Beautiful You Are deserved to be in the mix. It is truly a masterpiece, and, though it's difficult for me to choose a song from the album to be my favorite, this might be it.
7. The Snakepit
Hisses, rattle and booms set the mood for this pensive anthem of dissatisfaction and contempt. The lyrics follow the realization that the storyteller is leading a hollow, empty life; an existence without meaning. Though he's surrounded by party animals and having a stereotypically "good time", he is drowned in the shallow pointlessness of it all.
This is a great listen for the days when you just need a breather.
8. Just Like Heaven
Pure magic. Just Like Heaven is a love song filled with ingenuity and wonder. By far the most atmospheric track on the album, The Cure brings you out into the open with this gorgeous work. A fresh, clear blend of acoustic guitar and rolling drums, sprinkled throughout with light synth work and simple piano, sets you atop a seaside cliff for a beautiful day with a loved one. Robert Smith's vocals on this track are the clearest and brightest on the album. Pure, clean and elegant, this spinning ode to amour will make you want to lock lips with the nearest person.
9. All I Want
Pure sexuality, expressed without profanity, is a rare thing to be found in modern music. But the band pulls it off in this soaring, aching track. All the storyteller wants is to be with the one person who makes him feel sane and complete.
The highlight of this song, is, without a doubt, the excellent, garage-inspired (or inspiring?) guitar work. A listen would suggest that this one sounds even better in an arena.
10. Hot Hot Hot!!!
An undeniably dance worthy funk work. Hot Hot Hot sounds almost like an inspiration for Red Hot Chili Peppers. The tight, punky guitar strumming, orchestra-inspired synthesizers and strong, domineering bass are the perfect sounds to complement this obscure song. Robert Smith's fevered, quavering vocals are meant to symbolize a man who has been struck by lightning, and, from what I can guess, they are apt. With lots of bounce and energy, this track parties down deliciously.
11. One More Time
An ode to child-like wonder, in true arena ballad fashion. With playful flute work, sparse, booming drums, and a soft guitar riff, this song is a strange break from the extreme pop, doom-ridden Goth and acoustic rock that comprises most of the album. It is an interesting, mellow, cute little tune, which might remind listeners of the soundtrack from Never Ending Story.
12. Like Cockatoos
Knocking, busy percussion, steady acoustic strumming and a sliding bass line help set the perfect "the end" mood for this rainy day break up song. In the dead of night, under a pouring rain, a man promises never to speak to his lover again. Though we're never told what she did to upset him, the city background noises and closing orchestral work somehow serve to make you glad he's leaving her.
13. Icing Sugar
Weird, man. The Cure glorifies urgent, girlish adolescent lust with furious drumbeats, screeching saxophone notes and a quick set of lyrics, delivered breathlessly. Hot, heavy, fast and naughty, you might need to take a few deep breaths after hearing this trippy ditty.
14. The Perfect Girl
She really is! Sweet strings and tinkling piano mix gorgeously with bopping drums and simple, steady guitar work, while a harpsichord further convinces us of The Cure's originality. Robert croons madly over a strange girl, whom he finds himself falling in love with. Strange looking, strange acting, and completely out of this world, she's a breath of fresh air, just like the song that was written for her. Beware of the power of this song: it has been know to cause silly dancing.
15. A Thousand Hours
Heartache drives every synth note, even piano strike and every lyric in this sweet, introspective cry of unrequited love. Every day seems to last a thousand lonely hours when you have devoted yourself to someone who doesn't care.
16. Shiver and Shake
With superior drumbeats that shimmy effortlessly, and fast, angsty guitar work, this is a worthy ode to fury. If you've ever met someone whom you wanted to kill, you can appreciate the curt, indignant lyrics and passionate animosity epitomized here.
17. Fight
The Cure's unprecedented venture in powerhouse rock begs you to never give up when the world turns on you. Robert Smith basically yells at the listener, but his reasons are justified. Stabbing, continuous synth notes, pushing lyrics and cutting guitar bring home a sense of resolution. Fight is a great closing track, with a great message. Never give in to pain and sorrow.
Though each track is unique, they seem to belong together, like a wonderfully dysfunctional family. Each song glides elegantly along our musical palates, as every work is relevant to what every person has felt at one point in time. Whether you choose to imbibe a few tracks at a time, or go for the gold and devour each song at once, Kiss Me, Kiss Me, Kiss Me is a true anytime listen, and a sure new wave masterpiece.
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Vocal Jazz General
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ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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One Kiss Can Lead to Another: Girl Group Sounds Lost and Found
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General
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ASIN: B000B5KRV6 Release Date: 2005-10-04 |
Tracks:
- Needle in a Haystack
- He's Got the Power
- Nobody Know What's Goin' On (In My Head But Me)
- I'd Much Rather Be with the Girls
- Keep Your Hands Off My Baby
- Nothing But a Heartache
- You Don't Know
- Boys
- Big Bad World
- Out in the Streets
- Is It True
- Please Don't Wake Me
- I'll Keep Holding On
- Oh No Not My Baby
- May My Heart Be Cast into Stone
- Magic Garden
- I Never Dreamed
- He's a Bad Boy
- Happy, That's Me
- Dream Boy
- Try the Worryin' Way
- I Can't Let Go
- Go Now
- You're No Good
- Opportunity
- Life and Soul of the Party
- Break-A-Way
- What Am I Gonna Do with You
- He Did It
- Baby That's Me
Tracks:
- I Adore Him
- Train from Kansas City
- Please Go Away
- Let Me Get Close to You
- I Have a Boyfriend
- I'm into Something Good
- I'll Come Running
- If There's Anything Else You Want (Let Me Know)
- When the Lovelight Starts Shining Through His Eyes
- It Comes and Goes
- Baby, Baby (I Still Love You)
- Girl Don't Come
- That's When the Tears Start
- What a Lonely Way to Start the Summertime
- Don't Drop Out
- One You Can't Have
- I'm Nobody's Baby Now
- You're So Fine
- When You're Young and in Love
- My One and Only, Jimmy Boy
- Friend of Mine
- Chico's Girl
- Cause I Love Him
- Bye Bye Baby
- First Cut Is the Deepest
- I Won't Tell
- Egyptian Shumba
- I Sold My Heart to the Junkman
- Walking in Different Circles
- Hideaway
Tracks:
- Trouble with Boys
- Lookin' for Boys
- Dream Baby
- Condition Red
- Should I Cry [Alternate Take]
- I'm Blue (The Gong-Gong Song)
- I've Been Wrong Before
- Love's Gone Bad
- Nightmare
- She Don't Deserve You
- Will You Be My Love
- Take Me for a Little While
- Funnel of Love
- I'm Gonna Destroy That Boy
- Terry
- Untrue Unfaithful (That Was You)
- Sophisticated Boom Boom
- Saturday Night Didn't Happen
- Don't Ever Leave Me
- Don't Forget About Me
- Wanna Make Him Mine
- Only to Other People
- Big-Town Boy
- Daddy You Gotta Let Him In
- After Last Night
- How Can I Tell My Mom & Dad
- Too Hurt to Cry, Too Much in Love to Say Goodbye
- Up Down Sue
- When I Think of You
- Good, Good Lovin'
Tracks:
- When the Boy's Happy (The Girl's Happy Too)
- Don't Drag No More
- I'm Afraid They're All Talking About Me
- That's How It Goes
- Some of Your Lovin'
- Peanut Duck [#]
- Thank Goodness for the Rain
- Steady Boyfriend
- He Was Really Sayin' Somethin'
- I Know You Love Me Not
- Whatever Happened to Our Love
- Heart
- I Can't Give Back the Love I Feel for You
- He Makes Me So Mad
- I Can't Wait Until I See My Baby's Face
- Crying in the Rain
- We Don't Belong
- You Don't Love Me No More
- Hey, Tell Me Boy
- Brink of Disaster
- Who Do You Love
- I'm 28
- They Never Taught That in School
- Dressed in Black
- Ain't Gonna Kiss Ya
- Every Little Bit Hurts [Del-Fi Version][Version]
- Mister Loveman
- Make the Night a Little Longer
- Mixed Up, Shook Up, Girl [Live]
- Good Night Baby
Amazon.com
Girl groups have enchanted humankind since the era of the ancient Greeks, when legend has it the Sirens attempted to lure wayfarers Odysseus and Jason to their fates; Persephone's chanteuses would eventually even lose a battle of the bands to the Muses. A couple millennia later, female singers would become a dominant force in the pop and rock of the `60s, the era anthologized on this four-disc, 120-track collection from Rhino. If the "group" tag is something of a misnomer (many of the acts here are solo artists), the vibrant female pop spirit of the times gets showcased in rare fashion by a collection that eschews the obvious to revel in showcasing rarities and surprises at every turn: the bittersweet, life-is-over-when "I'm 28" musings of a two-decades-pre-"Mickey" Toni Basil; a healthy sampling of gems by the Cookies and their various alter-egos, including the Palisades' fervent ode to uber-necking, "Make the Night Just a Little Bit Longer"; the Shangri-Las' mini-epic, "Out in the Streets"; hit songwriter Ellie Greenwich's solo turn on the haunting "You Don't Know." An impressive collection with an inclusive bent, its tracks range across the classic r&b of the Marvelettes, Chiffons and Irma Thomas, country-crossovers Skeeter Davis and Wanda Jackson, the blue-eyed soul of Jackie DeShannon and Dusty Springfield and wounded white-girl pop of Lesley Gore and Connie Francis. It's all contained in one of Rhino's most elaborately designed packages yet: each disc comes in a mock compact; its extensive liner notes and track info printed as a mini-diary; all housed in a smart replica of a vintage hat box--a treasure-packed delight for lovers of the genre and curious novices alike. -- Jerry McCulleyAlbum Description
It's the kiss that will be heard 'round the world: Rhino salutes the fabulous girl group genre with what is-amazingly and historically-the first boxed set ever to do so! This supersized collection luxuriates through almost five hours of the plethora of sounds, styles, and subjects that represent the beautiful, vibrant, and influential music women were making in the early to mid-60's. A footnote to the pop and rock of the day no longer, the raw emotion and spirited savvy of girl group greatness finally gets its due. Compilation producer Sheryl Farber notes, "Fans have always known how rich and varied this music is-how the sound encompasses soul, garage, Bacharach-style pop, countrypolitan, the British take on the American girl group sound, and more." Now the world will know and fall in love with girl group music too!Customer Reviews:
More important than the bible.......2007-03-09
Young, female, and unknown.......2007-02-24
DESIGN:
Remarkable-- simply outstanding. A miniature heavy board glossy hatbox, complete with a sturdy pull string that holds the box lid in place-- inside are four CDs surrounded by gray foam. They're stored on plastic holders that are covered by hard-paper books. Each of these packages has silver paper inside the front cover, and the overall look is of four differently styled powder compacts. Also included is a luxurious 204-page book that sets the standard for all-time. The jewel case sized book, made from heavy stock semi-gloss paper is replete with studio and other photos, advertisement and 45 label repros, and some of the most detailed text ever.
CONTENT:
This is where not all will be interested in this set. It's ideal for the obscurity collector, but not necessarily the TOP 40 fan-- there's only a sprinkling of commonly known tunes here. A lot of these tracks are unknown for a good reason-- some aren't even 'B' side quality. A good percentage of artists in this collection are as obscure as the songs they perform, and for the familiar groups or vocalists, many of their songs may not ring a bell either. This collection is called "LOST AND FOUND" for a good reason.
TOTAL RUNNING TIMES --
DISC ONE -- 77:34
DISC TWO -- 76:19
DISC THREE -- 75:17
DISC FOUR -- 75:50
Superb Overview Of The Girll Group Era.......2007-02-19
This set, which is highly imaginative in packaging, includes some rather rare tracks that one would at times would need to find the original 45 release to get in order to hear.
I won't dwell on the obvious tracks here, like by the Shangri-Las, Darnells, Chris Clark, etc., but a few are worth the price of the whole.
My favorite is the contribution by Dolly Parton, "Don't Drop Out". Her voice seems so appropriate, but as we know which direction she chose, this track is one of the best unheard of gems, which is sad, as it should have done something.
Another classic is the 'stereo' version of Alder Ray's "Cause I Love Him", which in sound is alot different than the mono 45 version I possess. Crystal clear in sound, it still packs a punch.
One last great track that this package includes is Reparata & The Delron's "I'm Nobody's Baby Now". This track literally jumps out and bites. Not a Phil Spector sound-alike in intention, but does have a Righteous Brothers "Lovin' Feelin'" to it. Again, another clear and clean production.
I will say that with any package, there will be a few tracks that seriously should have been omitted, like "Egyptian Shumba" by The Tammys, which could have been replaced by another rarity that is not included, like Suzy Walli's "Be My Man" a powerful David Gates production from 1965, but everyone has different tastes. I for one admit that despite the few clunkers, this package is an excellent example of a time when girl groups and girl singers were everywhere.
Consider the fact that about 200 singles were released a week, and only a handful were graced on the Pop Charts. There are bound to be many that are excellent songs, but without the proper advertising, radio play, and touring, the obvious would happen. A good single that bombs.
One of my favorite artists is included, April Young. A shame that this package only inlcuded one track, "To Be Loved By You". It is a good song, but her energetic and rather forceful "Gonna Make Him My Baby" still sounds fresh.
Maybe in time Rhino will release a companion to this set. Sure, there are literally thousands of girl group records that were released in the 60's, like Marcia Strassman's "Out Of The Picture". Who's she? She later played the wife of Mr Kotter in 'Welcome Back Kotter", or "He's My Dreamboy" by Maria Antoinette, and other great girls like Beverly Warren, Roberta Day, Candy & The Kisses, The Joys, The Gleams, Carol Connors, etc. Can go on and on, but this package is worth the price, even to the most infrequent listener of the 'girl group' genre.
There are 4 cd's, so my advice is to just take a lazy afternoon, and while listening to the tracks, read the diary that is supplied. It's a good read, and at times rather refreshing, especially the rare pictures and even the pictures of the rare labels that sometimes one has never seen before.
Like i said, this package is worth the price.
Outstanding!.......2007-01-16
Before it goes out of print, you need to pick up this incredible Rhino box
set.
One little problem is that Rhino's definition of "girl group" was too broad; some songs are female solo recordings on which backup singers play little or no role. And in an apparent attempt to appeal to the British market, they put on some British songs by people such as Cilla Black. The English had no handle on the girl-group sound at all; it was strictly an American phenomenon.
But with four CDs and 30 songs on each CD, who can complain? Some songs, such as several Shangri-Las rip-offs, are hilarious. Then
there's one called "He Makes Me So Mad" by the Hollywood Jills on which the lead singer is reciting her complaints about her boyfriend, and after each gripe the rest of the group comes in with a sarcastic reply. Example: "He told the gang that I swim raw." The reply: "Well, don't you?" Classic!
There's a great Wall of Sound-type song called "Bobby's Come a Long Long Way," produced by Al Kooper. I can't make out any of the lyrics, but
supposedly the song is about Bob Dylan!
You won't regret buying this box.
SIMPLY BRILLIANT!.......2007-01-04
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A Kiss in Time
Patty Griffin Manufacturer: Ato Records ProductGroup: Music Binding: Audio CD General
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ASIN: B0000CC83O Release Date: 2003-10-14 |
Tracks:
- Long Ride Home
- Goodbye
- Christina
- Peter Pan
- Rain
- Mad Mission
- Be Careful
- Tony
- Mary
- Fly
- Nobody's Cryin'
- 10 Million Miles
Amazon.com
This live album documents a love affair, one between a singer-songwriter who attracted a whole new following with the release of 2002's 1000 Kisses and the devoted fans who flocked to her subsequent tour. The rapturous response at Nashville's Ryman Auditorium, long the hallowed home of the Grand Ole Opry, makes it plain that Griffin is among friends for this concert recording, with kindred spirits Emmylou Harris and Julie and Buddy Miller joining her onstage to lend vocal support. Despite the setting, Griffin's music resists categorization as country (or folk or rock), with acoustic guitar, accordion, and piano providing exquisite settings for her expressively edgy vocals on a range of striking material--from the suicide of a tormented gay boy in "Tony" to the plight of an unhappy heiress in "Christina" (which Griffin explains to the crowd came to her in a dream about Christina Onassis) to the hint of ragtime in "Mad Mission." A bonus DVD of backstage scenes and videos completes the package, which lets fans feel they've gotten to know not only the music, but the artist. -- Don McLeeseCustomer Reviews:
Excellent Work.......2007-05-24
Excellent CD.......2006-07-23
Patty Griffin live - A Kiss In Time.......2006-02-23
Buy this as an introduction to her other five cd's. You will very likely buy them all.
Thanks United Airlines!.......2004-07-22
I'd been curious about Patty Griffin's music before that, as I'd seen that she'd written some good songs used by the Dixie Chicks (FUTK), like "Let Him Fly" and "Truth No. 2." But I hadn't heard her own voice or playing until those flights, and am happy to say that I've not stopped listening to this album since.
This collection covers a lot of territory, presenting songs from most (if not all) of her albums, and has a very bittersweet tone overall. Griffin's humble personality is very apparent when she introduces some of the songs and expresses her gratitude to some special guest musicians. The production is one of the better I've heard on a live album in a while, and effectively seems to capture the feel of seeing the show inside the Ryman.
I'd recommend this as an excellent place to start for someone just getting into Patty Griffin's music. The accompanying DVD is also worth having, as it features a series of interviews with Griffin about her music and a couple of music videos.
Live but Cooked.......2004-06-20
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Destroyer
Kiss Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD General
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ASIN: B000001EL3 Release Date: 1997-08-12 |
Tracks:
- Detroit Rock City
- King Of The Night Time World
- God Of Thunder
- Great Expectations
- Flaming Youth
- Sweet Pain
- Shout It Out Loud
- Beth
- Do You Love Me?
- Bonus Track 1
Amazon.com essential recording
With their 1976 album Destroyer, the band's fifth release in two years, Kiss began to expand their fan base by shedding a bit of their edge, taking on a more melodic sound and a less menacing image. The Peter Criss ballad "Beth," written for his wife, is the most sentimental love ballad the group ever recorded, and songs like "Detroit Rock City" and "Shout It Out Loud" had the kind of arena-rock punch that kept subscriptions to the Kiss Army at an all-time high. Despite, or because of, the blatantly commercial direction the band seemed to be heading in, 1976 was the most creatively rewarding period in its lengthy career. In addition to releasing Destroyer, the band pumped out the equally touted album Rock and Roll Over, which included the pounding "Take Me" and the groovin' "Calling Dr. Love." The only finer year was 1978, when the band starred in the classic B-grade flick Kiss Meets the Phantom of the Park. --Jon WiederhornAlbum Description
Digitally remastered Japanese reissue of the band's top 201976 album in a miniaturized LP sleeve limited to theinitial pressing only. Nine tracks, including the top 10smash 'Beth', plus the classics 'Do You Love Me', 'Shout ItOut Loud' and 'Detroit Rock CCustomer Reviews:
Kiss Meets The Wizard of Ez.......2007-07-24
Started the Kiss Craze for Me.......2007-06-05
KISS in their Prime!.......2007-05-30
...and with this album , KISS struck gold!.......2006-11-25
"Detroit Rock City" 10/10: When I heard the edited version on "The Very Best of Kiss", my first Kiss album, I didn't know the opening newscast. However, that just builds up the suspense for what is probably the greatest KISS song ever! Strong guitar attack with some cannon drumming!
"King of the Night Time World" 10/10: Although the end is kinda repetitive, this song is a definite feel-good rocker.
"God of Thunder" 10/10: Dark 'n' dirty riff with one of Gene's greatest performances. This song became legendary, pure and simple.
"Great Expectations" 5/10: Sorry, but this is a song that goes in the wrong direction. It has a little bit of a weird feel to it, and that's about it.
"Flaming Youth" 9/10: There are some keyboards thrown in to this anthemic rocker. It's got a cool riff, too, and is one of the better songs on the album.
"Sweet Pain" 8/10: While this is a very good song, the riff keeps going and the chorus repeats itself a little, too much.
"Shout It Out Loud" 10/10: One of the definitive Kiss rockers. Great guitars, bass and drums all the way and the lyrical/vocal delivery just adds to its greatness!
"Beth" 10/10: A sweet and gentle ballad that rounds out the feel of the album perfectly. I'm glad to hear Peter Criss's vocals on this song, as it's one of the few songs he does sing.
"Do You Love Me?" 10/10: This one has a swanky strut of a feel to it, and is all-around awesome.
"Bonus Track 1, aka Rock and Roll Party" 7/10: I don't know what this is, except it's a minute-and-a-half-long track. Paul mumbles the first part but then you can hear him belt out "Let's have ourselves a rock and roll party!". Whenever I wanna just keep this album running, I let this one play.
Overall: 89/100: This one gets a solid B+ for some really great tracks. However, some aren't as good as others but "Destroyer" is still an excellent studio album from Kiss. All fans should definitely own this, and all new-comers to Kiss should pick this one up, as it is highly recommended.
They came from Outta Space.......2006-11-05
Christian Music:
- Kiss (When the Sun Don't Shine) [CD-single] [Import]
- Last Diary of a Torch Singer
- Let Me Be [Import]
- Lullabies for the young at heart
- Mother Goosed Queen of Hearts Club Band
- My Love Is Your Love [CD-single] [Import]
- Mystery of Love
- Northern Star [UK CD1]
- Our Last Night
- Pages of Love
Christian Music
Who Needs Love: Remix Album [Import]
Erna Berger Sings Purcell, Schubert, Pfitzner...
Music CD: 16 Exitos de Siempre
Dragon Attack: A Tribute to Queen [Import]
Dare Pt.1 [CD-single] [Enhanced] [Import] [Limited Edition]