| 1. Far Behind |
| 2. Find My Way |
| 3. Everybody Loves Me |
| 4. What's His Name |
| 5. Good Intentions |
| 6. Funny |
| 7. Hardly Anything |
| 8. Livin' On Ecstacy |
| 9. Pieces |
| 10. Into the Sky |
| 11. Black Week |
| 12. Never Wonder |
Editorial Reviews
About the Artist
Tangleroot has a rock-based sound, which spans a diversity of musical tastes. Boasting four songwriters, their music covers a range from almost pop-rock to folk, light listening to edging on grunge. The guitars and keyboards weave a musical tapestry highlighted by complex vocal arrangements featuring smooth, tight harmonies. Tangleroot is an up and coming band that is unique in Canada. This rock and roll band presents a different face with its mix of female and male performers
Product Description
Released in December 2000, this CD has a slightly darker edge than the first effort. Songs from all 4 songwriters represent differing views from both a musical and lyrical perspective relating to each other under the common Tangleroot banner. Besides 12 new original Tangleroot tracks, the enhanced CD contains computer ready multimedia files. Upon insertion in a computer, the CD will present pictures and biographical information on Tangleroot, as well as, their label-mates at Dark Skippy Records. Tangleroot's 2 singles from their first CD, "Helplessly Hoping" and "Promise", are included in the multimedia presentation. Also included is a full-length copy of the video for "Promise" which was featured on MuchMusic's Indie Spotlight. Tangleroot's label-mates featured in the presentation include Johnny Reid, Diane White, The Take, Byron, The Radio Kings, Evelyn Voight, and Claymouth. Each artist will have samples of their music and videos.
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
Enjoy it.
I have been a reader of the Aubrey Maturin Novels for 8 years (only two a year for dramatic suspense) and while I am a huge fan of Patrick O'Brian's writing, I find that with the addition of the music he scored his work to, I stand in awe. The music is well grounded to the situations and feelings in the book. Either Mr. O'Brian was a very well rounded, or he did his homework.
The CD is a wonderful insight to the author, and the characters he created. Pour a glass of claret, listen to the cd, read the books...
but pay no heed to Killick's "scrape, scrape , scrape..never a song you could dance to.."
Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.
I subsequently purchased Glassworks and find the music to be extremely powerful. I recommend this album absolutely. I find most of the pieces on the album to be profoundly moving. The last movement from "The Upper Room" is especially powerful and significant.
Let's start again... I absolutely love Opening. It's emotional, it's haunting, it's beautiful, and it's atmospheric. But what follows next... Really, Philip Glass could be a great etude composer. When I'm playing piano etudes, I'm always reminded of Glass' music. Some people say it's atmospheric, I say it's repetitive and boring. Hints of melody and style pierce the arpeggiated clouds on Island and Facades. But that's it.
If you want some good atmospheric minimalism, listen to Harold Budd or Brian Eno. If you want good post-modern influenced compositions, buy James Newton Howard's The Village score. You may want to buy Philip Glass' Glassworks if you can't live without the opening theme or want to find out what his music is about. I've found out. But right now I don't want to go any further...
From my rating, I clearly fall into the first camp. However, the pleasure you will derive from this CD is undoubtedly personal and subjective, based upon both experience and taste. No doubt, the arguments on both side of the question are passionate and entrenched. I suggest, instead, that you listen to the tracks that Amazon provides. This will give you a sense as to whether you will love or hate the music.
As for my experience with the music, I agree with several fellow reviewers: Glass's methodology is wholeheartedly expressive, providing the composer with ample space to slowly build and play on different moods within the work, making the listener conscious of individual notes, instruments, and rhythms within the ensemble. The only thing I can think to compare this with is, perhaps, flavors. Either you can eat a piece of chocolate hurriedly and grasp the totality of its flavor; or you may calmly savor it and, perhaps, find a nice caramal center, unmask the interplay of various textures, and discover satisfaction in its simplicity.
Bear in mind, however, I approached Philip Glass after having a large exposure to Ravi Shankar and 'classical Indian' music. Some, not all, of the music is rhythmically repetitive. This experience, I think, predisposed me to liking Glass's compositions.
First of all people have to realize a few things about this music. Philip Glass did not intend on having this music being played in the background at your next dinner party. Leave that up to Bach and Mozart. What Glass did want with this piece was for mature listeners to realize what he has done with texture and simplicity. Also, Glass's works are not about melody. They are about texture and mood and atmosphere. Each piece has its own shape little additions keep the piece from becoming overly monotonous. I think that Glass has made a great musical statement with his set of pieces that should be carefully digested with an open mind.
For the most part, Glass's concept works. However, the second movement "Floe" could probably be axed or revised. This is the only movement that seems to get unbelivably monotonous. It's also a lot to digest at the beginning of the suite. If it came more towards the end before the closing as opposed to after the opening where it functions as more of a rhythmic pie in the face. Some of the movements could also stand to use a little more variation but for the most part, Glass keeps the pieces interesting.
I cannot say much about the other work, "In the Other Room" that appears on this album, because I own the original Glassworks album. I just wanted to clear up some of the misconceptions that many have about this different music. It's hard to say whether or not Glass's music will stand up to the same test of time as the music of the greats like Mozart's and Bach's, but things are not looking good for Glass, not because the music isn't good, but becuase too many ignorant people immediately dismiss it as garbage. It seems that if people openly knock this music like they do, the same people that put those parental advisory stickers on CDs might want to instigate a separate rating system. This one should be stickered with: "CDMA: Mature Audiences Only."
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
Tangleroot has a rock-based sound, which spans a diversity of musical tastes. Boasting four songwriters, their music covers a range from almost pop-rock to folk, light listening to edging on grunge. The guitars and keyboards weave a musical tapestry highlighted by complex vocal arrangements featuring smooth, tight harmonies. Tangleroot is an up and coming band that is unique in Canada. This rock and roll band presents a different face with its mix of female and male performers
Product Description
Released in December 2000, this CD has a slightly darker edge than the first effort. Songs from all 4 songwriters represent differing views from both a musical and lyrical perspective relating to each other under the common Tangleroot banner. Besides 12 new original Tangleroot tracks, the enhanced CD contains computer ready multimedia files. Upon insertion in a computer, the CD will present pictures and biographical information on Tangleroot, as well as, their label-mates at Dark Skippy Records. Tangleroot's 2 singles from their first CD, "Helplessly Hoping" and "Promise", are included in the multimedia presentation. Also included is a full-length copy of the video for "Promise" which was featured on MuchMusic's Indie Spotlight. Tangleroot's label-mates featured in the presentation include Johnny Reid, Diane White, The Take, Byron, The Radio Kings, Evelyn Voight, and Claymouth. Each artist will have samples of their music and videos.
In Pieces,Tangleroot
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The Most Relaxing Piano Album in the World...Ever!
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ASIN: B000059Q4Q Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
Excellent Music.......2007-02-19
buy now.......2006-09-01
Lovely.......2006-02-22
Aesthetically Pleasing.......2005-09-14
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
Average customer rating:
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Spanish Guitar Music
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ASIN: B00005YJ4Q Release Date: 2002-01-29 |
Tracks:
- Albeniz: Asturias
- Albeniz: Tango
- Sanz: Canarios
- Rodrigo: Fandango
- Torroba: Nocturno
- Segreras - El Colibri
- Albeniz: Sonata in D
- De Falla: The Corregidor's Dance
- De Falla: Fisherman's Song
- De Falla: The Miller's Dance
- Torroba: Madronos
- La Nit de Nadal
- El Noy de la Mare
- Granados: Ma Maja de Goya
- Abeniz: Cordoba
- Tarrega: Recuerdos de la Alhambra
- Granados: Spanish Dance No. 5
- El Testamen de Amelia
- Villa-Lobos: Prelude No. 4 in E Minor
- Albeniz: Sevilla
- De Falla: Homanaje
- Mudarra: Fantasia
- Turina: Fandanguillo
Customer Reviews:
Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
The guitar is an orchestra in miniature!.......2005-02-05
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
GUITAR MAJESTY.......2004-12-21
Sweet, sweet music, an essential addition to your collection.......2004-12-07
A True Classic.......2004-01-26
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Baby Einstein: Traveling Melodies
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ASIN: B0009AJK3O Release Date: 2005-05-10 |
Tracks:
- Orchestra Tune-Up
- Bartered Bride Overture
- Symphony 5, 1st Movement
- The Four Seasons, Autumn, RV293, 1st Movement
- Divertimento In F, K.138, 1st Movement
- March Militaire
- Symphony 5, 4th Movement
- Annen Polka
- Capriccio Espagnol, Alborada
- Trish-Trash Polka
- Concerto In C, RV537, 3rd Movement
- Capriccio Espagnol, Fandango
- The Four Seasons, Spring, RV269, 1st Movement
- Serenade For Strings, Waltz
- The Bartered Bride, Polka
- Symphony 100, 'Military' 2nd Movement
- Piano Sonata 15, Op.28, 4th Movement
- Waltz In G Flat Op.70, No.1
- Symphony 101, 'Clock' 2nd Movement
- 6 Children Pieces, Op.72, 2nd Movement
- Lullaby
Customer Reviews:
Selection is not good.......2006-07-27
Baby Einstein: Traveling Melodies .......2006-02-23
This CD is great!
My son has ADD & when we are out & he gets Anxious I put this CD in his portibale CD player.
It seems to help him calm down & better cope with things.
I think that every parent should have this CD that has a special needs child.
Thanks so much for putting it online for people to buy.
Thanks Again,
A Greatfull Mom
Saved My Sanity.......2005-11-03
A Very Pleasant CD for Little Ones in the Car.......2005-11-01
Average customer rating:
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The Essential Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Quartets
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ASIN: B000A7Q29G Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert LevineCustomer Reviews:
pure genius.......2007-05-21
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
first disc great- second a flop.......2007-04-12
Encore.......2007-03-31
The Versatile Yo-Yo Ma.......2007-03-29
Average customer rating:
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300 Years of Guitar Masterpieces
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Duets
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ASIN: B000001K62 Release Date: 1992-11-04 |
Tracks:
- Spanish Dances: No. 4 Villanesca
- Spanish Dances: No. 12 Arabesca
- Etudes For Guitar: No. 7 In E Minor
- Etudes For Guitar: No. 3 In D Major
- Etudes For Guitar: No. 5 In C Major
- Etudes For Guitar: No. 12 In A Minor
- Etudes For Guitar: No. 2 In A Major
- Etudes For Guitar: No. 8 In C - Sharp Minor
- Etudes For Guitar: No. 11 In E Minor
- Etudes For Guitar: No. 1 In E Minor
- Estudo No. 1
- 3 Pieces For Guitar: No. 1 Largo
- 3 Pieces For Guitar: No. 2 Tranquillo
- 3 Pieces For Guitar: No. 3 Un poco mosso
- Suite populaire bresilienne: Mazurka - Choro
- Suite populaire bresilienne: Schottish - Choro
- Suite populaire bresilienne: Valsa - Choro
- Suite populaire bresilienne: Gavotta - Choro
- Suite populaire bresilienne: Chorinho
Tracks:
- Sonata In D Major, K. 290, L. 206
- Sonata In E Minor, K. 292, L. 24
- Sonata In E Major, K. 380, L. 23
- Sonata In A Major, K. 208, L. 238
- Sonata In A Major, K. 209, L. 428
- Sonata In D Minor
- Sonata In A Major
- Sonata In B Minor
- Sonata In A Major, Op. 3, No. 1
- Variations sur les Folies d'Espagne, Op. 45
- Sonata In E Minor, Op. 3, No. 6
- Gran Sonata Eroica In A Major, Op. 150: Allegro maestoso
- Spanish Dances: No. 1 Minuetto
- Spanish Dances: No. 5 Andaluza (Playera)
- Spanish Dances: No. 3 Zarabanda
Tracks:
- Suite No. 4 In E Major: Prelude
- Suite No. 4 In E Major: Loure
- Suite No. 4 In E Major: Gavotte en Rondeau
- Suite No. 4 In E Major: Menuett
- Suite No. 4 In E Major: Bourree
- Suite No. 4 In E Major: Gigue
- Suite No. 2 In A Minor: Preludio
- Suite No. 2 In A Minor: Fuga
- Suite No. 2 In A Minor: Sarabande
- Suite No. 2 In A Minor: Gigue - Double
- First Suite Espagnola, Op. 47: Granada (Serenata)
- First Suite Espagnola, Op. 47: Cataluna (Curranda)
- First Suite Espagnola, Op. 47: Sevilla (Sevillanas)
- First Suite Espagnola, Op. 47: Cadiz (Cancion)
- First Suite Espagnola, Op. 47: Cuba (Capricho)
Amazon.com
Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a solid musician, as expressive in Bach as in Villa- Lobos. He also makes transcriptions that respect the origins of the music. This is a wide-ranging guitar collection, but all the music is worth hearing, especially in performances like these. The disc is one of the best bargains among all guitar recordings, and Vox's recordings still sound like a guitar. --Leslie GerberCustomer Reviews:
Illuminating.......2007-07-04
Essential recordings.......2007-04-06
Exquisite.......2006-12-14
The "cool school" of guitar playing.......2006-10-26
Bach and others on the Guitar.......2006-08-10
Average customer rating:
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Art of Segovia
Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Chamber Music
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ASIN: B00006B66L Release Date: 2002-10-08 |
Tracks:
- Andante
- Andantino
- Lento
- Romance De Los Pinos
- Madronos
- Serenata Burlesca
- Variations On A Theme From Mozart's 'The Magic Flute'
- Mesto E Calmo
- Theme, Variations & Finale
- Cancion Mexicana No.X
- Sevillana, Op.29
- Sarabanda
- Capriccio Diabolico, Op.85
- Tonadilla For Guitar On The Name Of Andres Segovia
- No.1 In E Minor
- No.3 In A Minor
- Guitarreo
- Segovia, Op.29
Tracks:
- If My Complaints
- Now, O Now I Need Must Part
- Sarabande
- 1. Prelude (Transposed In D Major)
- 4. Tempo Di Bourree
- Courante
- 3. Gavotte En Rondeau
- Aria E Corrente
- Moderato
- Menuet In G Major
- Andantino Variato
- No.7 In A Major
- 2. Canzonetta
- 2. Quasi Lento (Preludio)
- 1. Andantino Poco Allegretto (Allegretto)
- 2. Il Vecchio Castello
- Allegretto
- Tres Calme Et Doucement Expressif
- No.4 In E Flat Minor
- 5. Asturias. Leyenda - Preludio
- 7. Zambra Granadina
- Estudio Sin Luz
- Allegro Con Brio
Amazon.com
DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan DavisCustomer Reviews:
A Man and His Art - Magnificently Captured.......2007-04-06
There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.
Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.
What can you say - it's Segovia!.......2007-02-10
EVERYBODY KNOWS.......2007-01-13
Immortal guitar.......2006-08-02
WOW.......2006-02-23
Average customer rating:
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Musical Evenings With The Captain
Manufacturer: Essay ProductGroup: Music Binding: Audio CD Trios
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ASIN: B00000083U Release Date: 1996-06-18 |
Tracks:
- Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Andante
- Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Largo Andante
- Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Allegro
- Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Menuetto & Trio: Vivace
- Duet For Violin & Cello In D Major: Poco Adagio
- Duet For Violin & Cello In D Major: Tempo di Menuetto
- Duet For Violin & Cello In D Major: Allegro (non troppo)
- Eight Pieces For Violin And Cello: Tuning & Gavotte
- Eight Pieces For Violin And Cello: Two Menuets
- Eight Pieces For Violin And Cello: Air
- Eight Pieces For Violin And Cello: Menuet With 2 Variations
- Eight Pieces For Violin And Cello: Impertinence
- Eight Pieces For Violin And Cello: Sarabande
- Eight Pieces For Violin And Cello: Menuet With 2 Variations
- Eight Pieces For Violin And Cello: Air
- Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Andante
- Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Allegro
- Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Aria with 3 Variations
- Sonata For Violin & Cello In D Major: Allegretto Spiritoso
- Sonata For Violin & Cello In D Major: Vivace
- Sonata For Violin & Cello In D Major: Grave
- Sonata For Violin & Cello In D Major: Allegro Assai
- Sonata In D Minor For 2 Violins & Basso Continuo: Andante Molto Cantabile
- Sonata In D Minor For 2 Violins & Basso Continuo: Allegro
- Sonata In D Minor For 2 Violins & Basso Continuo: Andante Pastorale
- Sonata In D Minor For 2 Violins & Basso Continuo: Allegro
Customer Reviews:
Wonderful and delightful evenings.......2007-06-27
Enjoy it.
Great Music.......2007-04-05
excellent compile.......2007-01-16
Pleasant backdrop .......2006-01-10
I have been a reader of the Aubrey Maturin Novels for 8 years (only two a year for dramatic suspense) and while I am a huge fan of Patrick O'Brian's writing, I find that with the addition of the music he scored his work to, I stand in awe. The music is well grounded to the situations and feelings in the book. Either Mr. O'Brian was a very well rounded, or he did his homework.
The CD is a wonderful insight to the author, and the characters he created. Pour a glass of claret, listen to the cd, read the books...
but pay no heed to Killick's "scrape, scrape , scrape..never a song you could dance to.."
Musical soothing of the soul.......2002-06-11
Average customer rating:
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Satie: Piano Works
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets
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Ciccolini, Aldo
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ASIN: B000002SBP Release Date: 1992-01-23 |
Tracks:
- Oeuvres Pour Piano: Gymnopedie I
- Oeuvres Pour Piano: Gymnopedie II
- Oeuvres Pour Piano: Gymnopedie III
- Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
- Oeuvres Pour Piano: II: Son binocle
- Oeuvres Pour Piano: III: Ses jambes
- Oeuvres Pour Piano: Trois Gnossiennes: I Lent
- Oeuvres Pour Piano: II Avec nnement
- Oeuvres Pour Piano: III Lent
- Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
- Oeuvres Pour Piano: V Mod
- Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
- Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
- Oeuvres Pour Piano: Prolongation du m
- Oeuvres Pour Piano: I
- Oeuvres Pour Piano: II
- Oeuvres Pour Piano: III
- Oeuvres Pour Piano: En plus
- Oeuvres Pour Piano: Redite
- Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
- Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
- Oeuvres Pour Piano: III Espa (Sorte de valse)
- Oeuvres Pour Piano: Sonatine bureaucratique
- Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
- Oeuvres Pour Piano: II Simplement
- Oeuvres Pour Piano: III Un peu mouvement
- Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
- Oeuvres Pour Piano: Air du Grand Maitre
- Oeuvres Pour Piano: Air du Grand Prieur
- Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
- Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
- Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation
Tracks:
- Jack In The Box: Prelude
- Jack In The Box: Entracte
- Jack In The Box: Final
- Sports et Divertissements: Choral inappetissant
- Sports et Divertissements: La Balanre
- Sports et Divertissements: La Chasse
- Sports et Divertissements: La Come italienne
- Sports et Divertissements: Le Ril de la Mari
- Sports et Divertissements: Colin-Maillard
- Sports et Divertissements: La Pe
- Sports et Divertissements: Le Yachting
- Sports et Divertissements: Le Bain de mer
- Sports et Divertissements: Le Carnaval
- Sports et Divertissements: Le Golf
- Sports et Divertissements: La Pieuvre
- Sports et Divertissements: Les Courses
- Sports et Divertissements: Les Quatre-Coins
- Sports et Divertissements: Le pique-nique
- Sports et Divertissements: Le Water-chute
- Sports et Divertissements: Le Tango
- Sports et Divertissements: Le Traau
- Sports et Divertissements: Le Flirt
- Sports et Divertissements: Le Feu d'artifice
- Sports et Divertissements: Le Tennis
- Oeuvres Pour Piano: I D'Holothurie
- Embryons desseches: II D'Edriophtalma
- Embryons desseches: III De Podophtalma
- Preludes flasques (pour un chien): I Voix d'interieur
- Preludes flasques (pour un chien): II. Idylle cynique
- Preludes flasques (pour un chien): III. Chanson canine
- Preludes flasques (pour un chien): IV. Avec camaraderie
- En habit de cheval (a 4 mains): I Choral
- En habit de cheval (a 4 mains): II Fugue litanique
- En habit de cheval (a 4 mains): III Autre chose
- En habit de cheval (a 4 mains): IV Fugue de papier
- Apercus desagreables: I Pastorale
- Apercus desagreables: II Choral
- Apercus desagreables: III Fugue
- Descriptions automatiques: I Sur un vaisseau
- Descriptions automatiques: II Sur une lanterne
- Descriptions automatiques: III Sur un casque
- 3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
- 3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
- 3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
- Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
- Peccadilles importunes: Lui manger sa tartine
- Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
- Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
- Pieces froides - No. 1 Airs a faire fuir: II Modestement
- Pieces froides - No. 1 Airs a faire fuir: III S'inviter
- Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
- Pieces froides - No. 2 Danses de travers: II Passer
- Pieces froides - No. 2 Danses de travers: III Encore
- La Belle Excentrique: I Grande ritournelle
- La Belle Excentrique: II Marche franco-lunaire
- La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
- La Belle Excentrique: IV Can-can grand-mondain
- 3 Sarabandes: No. 1
- 3 Sarabandes: No. 2
- 3 Sarabandes: No. 3
Amazon.com
It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted LibbeyCustomer Reviews:
Picasso in sound.......2006-02-19
Great but NOT complete.......2004-12-23
Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.
There's only one........2004-06-26
Don't forget Satie was an Anti-Romantic.......2002-02-25
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.
"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17
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Glassworks
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ASIN: B0000CD5GV Release Date: 2003-09-30 |
Tracks:
- Glassworks
- Glassworks
- Glassworks
- Glassworks
- Glassworks
- Glassworks
- In The Upper Room
- In The Upper Room
- In The Upper Room
- In The Upper Room
- In The Upper Room
Customer Reviews:
He works magic in film........2007-03-25
Glassworks is an amazing album.......2006-11-12
I subsequently purchased Glassworks and find the music to be extremely powerful. I recommend this album absolutely. I find most of the pieces on the album to be profoundly moving. The last movement from "The Upper Room" is especially powerful and significant.
Great experiment of questionable musical value.......2006-01-30
Let's start again... I absolutely love Opening. It's emotional, it's haunting, it's beautiful, and it's atmospheric. But what follows next... Really, Philip Glass could be a great etude composer. When I'm playing piano etudes, I'm always reminded of Glass' music. Some people say it's atmospheric, I say it's repetitive and boring. Hints of melody and style pierce the arpeggiated clouds on Island and Facades. But that's it.
If you want some good atmospheric minimalism, listen to Harold Budd or Brian Eno. If you want good post-modern influenced compositions, buy James Newton Howard's The Village score. You may want to buy Philip Glass' Glassworks if you can't live without the opening theme or want to find out what his music is about. I've found out. But right now I don't want to go any further...
Love - Hate Relationship.......2006-01-17
From my rating, I clearly fall into the first camp. However, the pleasure you will derive from this CD is undoubtedly personal and subjective, based upon both experience and taste. No doubt, the arguments on both side of the question are passionate and entrenched. I suggest, instead, that you listen to the tracks that Amazon provides. This will give you a sense as to whether you will love or hate the music.
As for my experience with the music, I agree with several fellow reviewers: Glass's methodology is wholeheartedly expressive, providing the composer with ample space to slowly build and play on different moods within the work, making the listener conscious of individual notes, instruments, and rhythms within the ensemble. The only thing I can think to compare this with is, perhaps, flavors. Either you can eat a piece of chocolate hurriedly and grasp the totality of its flavor; or you may calmly savor it and, perhaps, find a nice caramal center, unmask the interplay of various textures, and discover satisfaction in its simplicity.
Bear in mind, however, I approached Philip Glass after having a large exposure to Ravi Shankar and 'classical Indian' music. Some, not all, of the music is rhythmically repetitive. This experience, I think, predisposed me to liking Glass's compositions.
A Few Words on Glassworks.......2005-12-21
First of all people have to realize a few things about this music. Philip Glass did not intend on having this music being played in the background at your next dinner party. Leave that up to Bach and Mozart. What Glass did want with this piece was for mature listeners to realize what he has done with texture and simplicity. Also, Glass's works are not about melody. They are about texture and mood and atmosphere. Each piece has its own shape little additions keep the piece from becoming overly monotonous. I think that Glass has made a great musical statement with his set of pieces that should be carefully digested with an open mind.
For the most part, Glass's concept works. However, the second movement "Floe" could probably be axed or revised. This is the only movement that seems to get unbelivably monotonous. It's also a lot to digest at the beginning of the suite. If it came more towards the end before the closing as opposed to after the opening where it functions as more of a rhythmic pie in the face. Some of the movements could also stand to use a little more variation but for the most part, Glass keeps the pieces interesting.
I cannot say much about the other work, "In the Other Room" that appears on this album, because I own the original Glassworks album. I just wanted to clear up some of the misconceptions that many have about this different music. It's hard to say whether or not Glass's music will stand up to the same test of time as the music of the greats like Mozart's and Bach's, but things are not looking good for Glass, not because the music isn't good, but becuase too many ignorant people immediately dismiss it as garbage. It seems that if people openly knock this music like they do, the same people that put those parental advisory stickers on CDs might want to instigate a separate rating system. This one should be stickered with: "CDMA: Mature Audiences Only."
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Classics for Kids
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ASIN: B000003FE3 Release Date: 1993-06-08 |
Tracks:
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- Parade of The Wooden Soldiers (Jessel-MacDonald)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- THe Girl With The Flaxen Hair (Debussy)
- Hoedown from Rodeo (Copland)
- Little Waltz from The Toy Box (Debussy)
- Viennese Musical Clock from Hary Janos (Kodaly)
- Mother Goose Suite Excerpts (Ravel)
- Mother Goose Suite Excerpts (Ravel)
- March of the Siamese Children from The King and I (Rogers)
- Dreams frin Scenes From Childhood ( Schumann)
- March of The Toys from Babes In Toyland (Herbert)
- Childhood Games Excerpts (Bizet)
- Childhood Games Excerpts (Bizet)
- The Toy Trumpet Al Hirt, trumpet (Scott)
- The Little Train of Caipira (Villa-Lobos)
- The Sorcerer's Apprentice (Dukas)
- Waltz from The Sleeping Beauty (Tchaikovsky)
- Lullaby (Brahms)
Customer Reviews:
Just for kids?? No way!!.......2005-04-08
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
The best classical album for kids!.......2002-12-12
Great for Preschool Children.......2000-10-12
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