Soul Messiah

Product Description
The "radio edit" on this single is an all-new version of the song, completely different from the album mix, bringing a slow groove and dramatic intensity to the song. The new version of "Flame" takes what was a ballad on the album and turns it into a funky dance track. This single simply presents some different approaches to two classic cuts from the "Salvation" album.

Soul Messiah,Alphaville

---

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Amazing and Soulful Was disappointed excellent, excellent cd Awesome Recording OUTSTANDING!

Handel's Messiah: A Soulful Celebration Dianne Reeves , Patti Austin , Stevie Wonder , George Duke , Take 6 , and Al Jarreau Manufacturer: Word Entertainment ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Jazz | Styles | Music Jazz Fusion | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Smooth Jazz | Jazz | Styles | Music General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music General | Pop | Styles | Music Soft Rock | Pop | Styles | Music Pop Rock | Pop | Styles | Music 1990s | By Decade | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Compilations | R&B | Styles | Music General | Funk | R&B | Styles | Music Quiet Storm | R&B | Styles | Music General | Classical | Styles | Music General | Compilations | Miscellaneous | Styles | Music Holiday Music | Compilations | Miscellaneous | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Pop Vocal | Holiday | Miscellaneous | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music A Cappella | Folk | Styles | Music CDs $7 - $10 | Vocal Jazz | Jazz | Today's Deals in Music | Formats | Music All Bargain Titles | Vocal Jazz | Jazz | Today's Deals in Music | Formats | Music CDs $7 - $10 | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music All Bargain Titles | Holiday Music | Miscellaneous | Today's Deals in Music | Formats | Music CDs $7 - $10 | R&B General | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | R&B General | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Funk | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Funk | R&B | Today's Deals in Music | Formats | Music CDs $7 - $10 | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music All Bargain Titles | Soul General | Soul | R&B | Today's Deals in Music | Formats | Music General Christmas | Holiday Music | Special Features | Music $7 - $10 | Today's Deals | Holiday Music | Special Features | Music Pop Vocal | Holiday Music | Special Features | Music 4-for-3 Broadway & Vocalists | 4-for-3 Music | Stores | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music 4-for-3 Jazz | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 R&B | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: He is Christmas Feels Good The Evolution of Gospel Messiah (George Frederick Handel) London Philharmonic Orchestra Africa to America: The Journey of the Drum ASIN: B000002LUJ Release Date: 1992-09-29

Tracks:

1. Overture: A Partial History Of Black Music - Various Artists
2. Comfort Ye My People - Vanessa Bell Armstrong
3. Every Valley Shall Be Exalted - Chris Willis
4. And The Glory Of The Lord - Diane Reeves
5. But Who May Abide The Day Of His Coming - Patti Austin
6. And He Shall Purify - Tramaine Hawkins
7. Behold, A Virgin Shall Conceive - Howard Hewitt
8. O Thou That Tellest Good Tidings To Zion - Stevie Wonder
9. For Unto Us A Child Is Born - James Wright
10. Glory To God - The Boys Choir Of Harlem
11. Rejoice Greatly, O Daughter Of Zion - The Richard Smallwood Singers
12. Behold The Lamb Of God (Instrumental) - The Yellowjackets
13. Lift Up Your Heads, O Ye Gates - Commissioned
14. Why Do The Nations So Furiously Rage? - Al Jarreau
15. I Know That My Redeemer Liveth - Tevin Campbell
16. Hallelujah! - Various Artists

Customer Reviews:

Amazing and Soulful.......2007-07-03

I first heard this recording at a session at the 2007 conference of the Association for African American Historical Research and Preservation and I have been listening to it ever since. This CD really is a celebration of music.

I have put in this CD without telling people what it was and have enjoyed the totally positive response.

Was disappointed.......2007-05-22

I bought this CD because of the great reviews and didn't like it at all. Too loud and abrasive for my ears... I gave it away to someone who might better like it.

I expected it to be mellifluous and soulful but found it rather annoying... especially at the holidays.

excellent, excellent cd.......2007-04-26

there is nothing more i could say about this cd that the other reviewers haven't already mentioned - it is a must have for anyone, even if you are not a fan of christian music. i had never even heard of this project - i bought it soon after it came out, simply because i liked the cover art and thought it would be a good cd to have around christmas. it's better than that - i listen to it year round. every song, no matter what style, is delivered with all heart and soul possible. excellent lift-you-up music, and great to listen to in the mornings to get you pumped up for the day. "and he shall purify" is simply electrifying. i am also a big fan of the final song, "halleluja!" and "but who may abide the day of his coming" will just set you free! year round, this is an outstanding example of gospel, jazz, hip-hop and absolute zeal for any music lover.

Awesome Recording.......2007-04-11

Handel's Messiah: A Soulful Celebration is a masterful interpretation of an age old classic. The arrangements are sheer brilliance. My hats off to Mervyn Warren and all those involved in this project.

OUTSTANDING!.......2007-03-16

This album won a Grammy many years ago. I saw a Gospel Choir perform the Halleluah Chorus live at the award show. Since then I have not only enjoyed the recording tremendously myself I have given it to several people at Christmas time and they have been equally enthralled. I loaned it to my son's High School Choir teacher and finaaly made it a gift when he refused to give it back!

Average customer rating: Bach and Handel Treats Fine recording, but doesn't work for me. rock on!!!!! This song is the best I have ever heard. It rocks!!!!!

Jesu, Joy of Man's Desiring / Mormon Tabernacle Choir Johann Sebastian Bach , George Frideric Handel , Dr. Jerold D. Ottley , Eugene Ormandy , Richard P. Condie , Columbia Symphony Orchestra , Philadelphia Orchestra , Royal Philharmonic Orchestra , and Mormon Tabernacle Choir Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Mormon Tabernacle Choir | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Mormon Tabernacle Choir | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Make A Joyful Noise Rock of Ages: 30 Favorite Hymns The Mormon Tabernacle Choir's Greatest Hits: 22 Best-Loved Favorites More Greatest Hits: 18 Best Loved Favorites The Essential Mormon Tabernacle Choir ASIN: B0000027YR Release Date: 1992-07-14

Tracks:

1. Cantata No. 80: A Mighty Fortress Is Our God
2. Cantata No. 140: Zion Hears The Watchmen's Voices
3. Magnificant In D Major, BWV 243: My Soul Doth Magnify The Lord
4. Cantata No.147: Jesu, Joy Of Man's Desiring
5. Cantata No. 4: Now Keep We All This Holy Feast
6. Cantata No. 208: Sheep May Safely Graze
7. Mass In B Minor, BWV 232: Et Resurrexit
8. Cantata No. 79: Now Thank We All Our God
9. Cantata No. 140: Sleepers Awake
10. Samson: Awake The Trumpet's Lofty Sound
11. Samson: Let Their Celestial Concerts All Unite
12. Judas Maccabaeus: See, The Conqu'ring Hero Comes!
13. Judas Maccabaeus: Sing Unto God
14. Judas Maccabaeus: Hallelujah, Amen
15. Saul: Welcome, Welcome Mighty King
16. Saul: David, His Ten Thousands Slew
17. Israel In Egypt: But As For His People
18. Israel In Egypt: Sing Ye To The Lord
19. Coronation Anthem: Zadok The Priest
20. Messiah: Hallelujah

Customer Reviews:

Bach and Handel Treats.......2000-08-04

The unfortunate thingÑif anything can be said to the contrary about this collectionÑis that is an older recording. As far as authenticity, what was available in the days of Bach and Handel to perform their music, and what they may have had in mind as the formidable way of presenting it to the publicÑas well as to the heavensÑmay be quite different things. Viewed in this way, authenticity may be an abstraction we are not here priviledged to comment on.

I have marveled for years, even when these were two separate LP's, of the power and dimensionality conveyed by the way these works are performed. I still switch from one to another piece as which is my favorite. In this respect, the experience is a hermenutic delight. Any lover or respecter of Bach or Handel would not go wrong by including this collection in their musical library.

When I use the word "treats" in the title, I mean just that: it is a collection of works that one would be hard pressed to find performed together on any available recording. And so I use the metaphor "treat," as if I were given a morsel and then devoured it; and another, and devoured that one, each with a fullness of pleasure and delight, and with soul filling satisfaction.

These indivdual recordings are for the most part masterpieces in and of themselves, and to be able to listen to them as they are performed flawlessly, and in a manner that invites the Spirit of GodÑby saying they are a "treat"Ñis to merely to treat them minimally.

Fine recording, but doesn't work for me........1999-05-07

I love several of J.S. Bach's cantatas, and enjoy hearing them in a variety of ways--period performances, orchestral arrangements, etc. Therefore I'm not one to insist on authenticity. Nevertheless, the chorus here sounds too big for the Bach. Also, the program needs more variety for straight through listening. Chorus after (massive) chorus doesn't work for me.

rock on!!!!!.......1999-02-09

Jesu joy of man's desiring, holy wisdom love most bright

This song is the best I have ever heard. It rocks!!!!!.......1999-02-09

Jesu joy of man's desiring, holy wisdom love most bright

Average customer rating:

Handel: The Masterworks (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Mendelssohn: The Masterworks [Box Set] Dvorák: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLI8 Release Date: 2004-11-30

Average customer rating: Ladies & gentleman: The Lord'n Savior, God Almighty So Fashionable, and So Disappointing A nice combination of period nad tradiitonal Wait! Before you buy... La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Pinnock, Trevor | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Opera & Vocal | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Opera & Vocal | Holiday Music | Special Features | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Pinnock, Trevor | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Otter, Anne Sophie von | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner Belcea Quartet ~ Debussy · Dutilleux · Ravel Beethoven: Symphony No 9 /ORR * Gardiner Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74 ASIN: B0000057DB Release Date: 1990-10-25

Tracks:

1. Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
2. Messiah: Part One - 2. Accompagnato : Comfort Ye My People
3. Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
4. Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
5. Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
6. Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
7. Messiah: Part One - 7. Chorus : And He Shall Purify
8. Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
9. Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
10. Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
11. Messiah: Part One - 11. Air : The People That Walked In Darkness
12. Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
13. Messiah: Part One - 13. Pifa (Pastoral Symphony)
14. Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
15. Messiah: Part One - 17. Chorus : Glory To God In The Highest
16. Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
17. Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
18. Messiah: Part One - 20. Air : He Shall Feed His Flock
19. Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
20. Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
21. Messiah: Part Two - Air : 23. He Was Despised

Tracks:

1. Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
2. Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
3. Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
4. Messiah: Part Two - 27. Accompagnato : All They That See Him
5. Messiah: Part Two - 28. Chorus : He Trusted In God
6. Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
7. Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
8. Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
9. Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
10. Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
11. Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
12. Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
13. Messiah: Part Two - 36. Air : Thou Art Gone Up On High
14. Messiah: Part Two - 37. Chorus : The Lord Gave The Word
15. Messiah: Part Two - 38. Air : How Beautiful Are The Feet
16. Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
17. Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
18. Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
19. Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
20. Messiah: Part Two - 43. Air : Thou Shalt Break Them
21. Messiah: Part Two - 44. Chorus : Hallelujah
22. Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
23. Messiah: Part Three - 46. Chorus : Since By Man Came Death
24. Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
25. Messiah: Part Three - 48. Air : The Trumpet Shall Sound
26. Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
27. Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
28. Messiah: Part Three - 51. Chorus : But Thanks Be To God
29. Messiah: Part Three - 52. Air : If God Be For Us
30. Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Average customer rating: a voice teacher and early music fan Handling Handel With Unparalleled Skill and Power Very beautifully intoned Handel: Oratorio Arias A beautiful recital

Handel: Oratorio Arias Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Handel: Opera Arias; David Daniels Sento Amor; David Daniels; David Daniels - Serenade Vivaldi: Stabat Mater, Nisi Dominus, Longe Mala Berlioz: Les Nuits d'Été ASIN: B000066I62 Release Date: 2002-09-17

Tracks:

1. "Destructive War" (Belshazzar)
2. " O Sacred Oracles Of Truth" (Belshazzar)
3. "Despair No More Shall Wound Me" (Semele)
4. "Your Tuneful Voice" (Semele)
5. " The Raptured Soul" (Theodora)
6. "Deeds Of Kindness" (Theodora)
7. " Kind Heaven" (Theodora)
8. "Sweet Rose And Lily" (Theodora)
9. "Brave Jonathan" (Saul)
10. "O Lord, Whose Mercies Numberless" (Saul)
11. "Up The Dreadful Steep Steps Ascending" (Jephtha)
12. "Dull Delay" (Jephtha)
13. "He Was Despised" (Messiah)

Amazon.com

This is a splendid recording. The music is beautiful, though of the 13 arias, only the one from Messiah is well-known. The rest come from relatively obscure oratorios (or operas--the distinction is often blurred). Artfully arranged for maximum diversity of tempo, length, tonality, mood, and character, they add up to a consistently engrossing program. The performances could hardly be better. David Daniels is an extraordinary artist. His voice, effortlessly produced and impeccably focused, has an incredibly pure, even quality over an enormous range. He can give it an infinite variety of nuance, inflection, and expression, from exquisite sweetness in the lyrical arias to assertiveness and defiance in the dramatic ones; it even matches the color of the instruments in answering phrases. His coloratura, delivered in smooth legato but clear and flawless like a string of pearls, is stunning. He gives every note vibrant life and brings out the character of each aria without fuss or exaggeration. In the da capo arias, he embellishes the repeats with imaginative but never excessive ornamentation that sounds genuinely improvised. The period orchestra is excellent. Using normal tuning but baroque style, the players can step forward as soloists or set and underline mood and atmosphere. Listeners will choose their own favorite gems from this treasure-trove, but listening to the concluding aria, "He was despised," one understands why Messiah is Handel's most enduringly popular oratorio. --Edith Eisler

Customer Reviews:

a voice teacher and early music fan.......2006-10-07

Handel's oratorio style was the product of many mingled elements. Germany, Italy and England all had a hand in its formation. But the work that Handel did in the development of the oratorio alone gives him the right to rank among the greatest of those to whom we owe the modern forms of music. David Daniels to my mind has chosen six of the greatest of Handel's oratorios. 'Belshazzar' was written to a text based on the book of Daniel, by the rich and eccentric land-owner Charles Jennens with whom he collaborated many times. 'O Sacred Oracle of Truth' is sung by the imprisoned prophet Daniel, while 'Destructive War' is sung by the haughty and magnamimous Cyrus, King of Persia, who frees the Hebrews from their slavery under the Babylonian king Belshazzar."Semele" is a secular story taken from Greek mythology put into verse by William Congreve. Jupiter lusts after a mortal woman snatching her from her family in the form of an eagle. The young woman, Semele,arouses the jealous anger of Juno, who takes her revenge. As a result of a plot that the goddess hatches,Semele is destroyed by fire. The 2 arias heard here are for Athamas who is betrothed to Semele. He finally gains consolation by marrying Semele's sister. The heroine of 'Theodora' is a Christian martyr whose life is recounted by St. Ambrose in his 'De virginibus of AD377. When Theodora is punished for refusing to worship the Roman gods, Didymus(a Roman soldier who has secretly converted to Christianity) rescues her from imprisonment; is then condemned to death, Theodora joins him in martyrdom. The oratorio 'Saul' centres on the celebrated trio of Saul,David and Jonathan. Based on the first book of Samuel, it dealt with a familiar story to most of the public at that time. 'Brave Jonathan' and 'O Lord, whose mercies Numberless' are both sung by David being pursued by a jealous Saul, but is sustained by the staunch friendship of Jonathan. 'Jeptha' is based on Chapter 11 of the book of Judges. The theme; Jeptha's promise to sacrifice to God ,in exchange for a victory over the enemy ,the first person to come out of his house to greet him after the battle; and it is his daughter Iphis. But what the Christian God really demands is that his daughter consecrate herself to Him and thus retain her virginity. And Hamor (countertenor) although very unhappy indeed sighs for her 'Up the Dreadful Steep Ascending' and 'Dull Delay'. The libretto of the "Messiah" is based on extracts from the Bible and The Book of Common Prayer, arranged by Charles Jennens. Unlike the other oratorios,it does not tell a story. 'He Was Despised' invites the listener to meditate on the horrendous suffering imposed by mankind on Jesus before his crucifixion.

Handling Handel With Unparalleled Skill and Power.......2004-08-08

If you need evidence on why David Daniels has been rising so fast as the leading countertenor voice today, you need only listen to this wonderfully recorded disc of Handel's oratorio arias, which captures him at full vocal power with amazing coloratura. Although the countertenor voice is generally described as androgynous and often effeminate because of the high range, Daniels has an intensely passionate style that actually sounds warmer and more masculine than one would think possible for such a voice type. Consequently, he is playing a pivotal role in broadening the audience significantly for not only countertenors but also Handel's wondrous music.

Daniels' first solo recording for Virgin Classics in 1998 (strongly recommended) focused on Handel's Italian operas, while this one focuses on his English oratorios composed specifically for the concert stage. Except for the language difference, the distinction is not all that meaningful since both fully use Daniels' amazing interpretative powers to their maximum. On "The raptured soul" from "Theodora", for example, it's amazing how through his sheer virtuosity and deeply textured tessitura, he can make the repetition of six simple lines sound so compelling over an air that lasts nearly nine minutes. Speaking of which, it's quite satisfying to have four airs from "Theodora" recorded here for posterity, as an aural reminder of his stunning performance as Didymus in Peter Sellars' legendary 1996 Glyndebourne staging of this oratorio (now available on DVD and also strongly recommended).

Starting with a scale-swooping "Destructive war" from "Belshazzar", the entire program is mesmerizing with special mention going to "O Lord, whose mercies numberless" from "Saul" and "He was despised" from "Messiah". Conductor John Nelson and the Ensemble Orchestral de Paris accompany Daniels beautifully and unobtrusively with modern (versus period) instruments, a smart decision giving the pieces a more contemporary feel. The end result is a recital to play again and again...at least until you have the opportunity to hear him live.

Very beautifully intoned.......2004-04-04

I was greatly impressed with this CD. I have always appreciated Daniel's voice over most other countertenors (and there are many wonderful ones that are simply incredible), and mostly for its warmth and lack of "hootiness." The coloratura is well executed, and his legato line is breathtaking. Then why a four star rating? All of these arias are sung in English, and it seems these days NO ONE, not male, female, soprano, alto, countertenor, seem to know how to sing it so you can understand a word. That is why I say this recording is beautifully intoned, for it is beautifully sung. What is missing is actual communication of something, no meaning exists behind the non-existent words. It would have been so much more meaningful if we could have figured out what he was telling us. I have old recordings of Dame Clara Butt, a huge voiced contralto of the past century. She sings much of this type of music, and in spite of the horrible quality of the recordings, her words come blazing forth effortless to understand. Even Ernestine Schumann-Heink sings credibly in English giving meaning to the words. Singing is WORDS, not just music. Sadly, we are all forgetting this now days, and most of our well known singers are simply horrible when it comes to singing in English (I have bought many Chaldas recording of opera in English, well they may as well have sung in the original language for we at least can figure out the words when singers sing thusly). Countertenors have the world's worst pronunciation of their words out there, but Daniels is usually much better because of the darker quality of his voice. This time, however, I have to say, I was not impressed. The voice is beautiful, the singing ravishing, but there is no meaning because the words are not clear.

Handel: Oratorio Arias.......2003-08-08

In this beautiful collection of music, one would be, as usual, hardpressed to find some aspect about which to complain in the beautiful, mellifluous tones of David Daniels. That is not the reason for this brief review. I am, on the other hand, dissatisfied with the choice of using the Ensemble Orchestral de Paris as the accompaniment. With many fine baroque ensembles out there from which to choose and enhance--including ones utilized in previous recordings--it seems a shame to pick such an average group, who saw away with very little phrasing or soul. Leave it to the French to abandon all traces of soulfulness--even in their music.

A beautiful recital.......2002-09-23

For once, I'll be brief. Beautiful singing and playing. Daniels performance of "Oh, Lord whose mercies numberless" is alone worth the price of the CD. Mr. Daniels is a consummate musician and this release further gives proof of that. Lovers of Handel and baroque music in general and English oratorios in particular will be more than delighted with this CD. Sit back and enjoy.

Average customer rating: Maurice's music is excellent....

El Shaddai Manufacturer: Integrity Media ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Praise & Worship | Christian & Gospel | Styles | Music Similar Items: He Restoreth My Soul: The Personal Testimony Of Maurice Sklar ASIN: B000008NP9 Release Date: 1994-10-18

Tracks:

1. Jehovah Jireh
2. Shaddai
3. Worship Medley: I Worship You, Almighty God/Joy of My Desire
4. This Is My Father's World
5. Jewish Medley: As David Did/He Is Jehovah/Blow the Trumpet in Zion
6. Classic Composers Medley: O Sacred Head, Now Wounded/I Knwo My ...
7. Simple Gift
8. It Is Well With My Soul
9. To Him Who Sits on the Throne
10. Holy Spirit Medley: I Am the God That Healeth Thee/Holy Spirit, ...

Customer Reviews:

Maurice's music is excellent...........2007-04-14

I have this album by Maurice Sklar. It has to be one of the best instrumental albums ever. He is talented beyond words. Mr Sklar's music brings into God spresense to worship. Awesome, Really Good. I would recommend this to any Christian/Praise and Worship and Messianic music fan.

Average customer rating: Old Fashioned Sincerity One of the worst recordings ever made Pete's Dad

Handel's Messiah Manufacturer: Golden Classics ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music ASIN: B00013ND8M Release Date: 2004-02-10

Tracks:

1. Overture
2. Comfort Ye My People
3. Ev'ry Valley Shall Be Exalted
4. And the Glory of the Lord
5. Thus Saith the Lord of Hosts
6. But Who May Abide the Day of His Coming?
7. And He Shall Purify the Sons of Levi
8. Behold a Virgin Shall Conceive
9. O Thou That Tellest Good Tidings to Zion
10. For Behold, Darkness Shall Cover the Earth
11. People That Walked in Darkness
12. For Unto Us a Child Is Born
13. Pastorale Symphony
14. There Were Shepherds Abiding in the Field
15. Glory to God in the Highest
16. Rejoice Greatly, O Daughter of Zion
17. Then Shall the Eyes of the Blind Be Open'd
18. He Shall Feed His Flock Like a Shepherd
19. His Yoke Is Easy, His Burden Is Light
20. Behold the Lamb of God

Tracks:

1. He Was Despised and Rejected of Men
2. Surely, He Hath Borne Our Griefs
3. And With His Stripes We Are Healed
4. All We Like Sheep Have Gone Astray
5. All They That See Him, Laugh Him to Scorn
6. He Trusted in God That He Would Deliver Him
7. Thy Rebuke Hath Broken His Heart
8. Behold, And See If There Be Any Sorrow
9. He Was Cut Off Out of the Land of the Living
10. But Thou Didst Not Leave His Soul in Hell
11. Lift Up Your Heads, O Ye Gates
12. How Beautiful Are the Feet of Them
13. Why Do the Nations So Furiously Rage
14. Let Us Break Their Bonds Asunder
15. He That Dwelleth in Heaven
16. Thou Shalt Break Them With a Rod of Iron
17. Hallelujah - London Philharmonic Chorus
18. I Know That My Redeemer Liveth
19. Since by Man Came Death - For as in Adam, Even So in Christ
20. Behold, I Tell You a Mystery
21. Trumpet Shall Sound
22. Worthy Is the Lamb That Was Slain
23. Amen

Customer Reviews:

Old Fashioned Sincerity.......2006-12-30

This is not the best recording of Messiah but it is by no means a disaster. Susskind was an able conductor with a valid view of this great piece. The recording from the 1950s is more than adequate (there is some roughness in the treble but it is full and clear - though some edits are very obvious indeed). The orchestra is excellent and the choir sing well. The soloists - all of them - are superb, among the very best in any version of Messiah! Susskind's tempos are slow by modern standards but there is good rhythmical bounce and a genuine sense of the greatness of the piece. If you can adjust to the broad tempos and the big scale conception then you will discover important aspects of this masterpiece in this performance - and the set costs next to nothing!

One of the worst recordings ever made.......2006-05-10

This is only my second one star review. And I am rather generous with stars. But this recording is just horrible, especially considering that all of the participants are legendary musicians. First of all, this is extremely old fashioned Handel. The textures are way too heavy for music of the baroque. But worst of all, the performance just sits there like mud on your tires that won't come off. Yes, the price is very low, but whatever you do, do not buy this recording.

Pete's Dad.......2005-12-11

I have had a CD of the London Philharmonic version of the Messiah conducted by Fredrick Jackson for several years and enjoyed listening to it. However, the quality of the recording leaves something to be desired.

Average customer rating: Finally a Messiah with fervor! Great recording! Good and Bad This is a great recording!

Handel: Messiah Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Christmas at Trinity ASIN: B00002R16A Release Date: 1999-11-30

Tracks:

1. Messiah: No. 1 Overture
2. Messiah: No. 2 Arioso For Tenor
3. Messiah: No. 3 Air For Tenor
4. Messiah: No. 4 Chorus
5. Messiah: No. 5 Recitative For Bass
6. Messiah: No. 6 Air For Bass
7. Messiah: No. 7 Chorus
8. Messiah: No. 8 Recitative For Alto
9. Messiah: No. 9 Air For Alto And Chorus
10. Messiah: No. 10 Arioso For Bass
11. Messiah: No. 11 Air For Bass
12. Messiah: No. 12 Chorus
13. Messiah: No. 13 Pifa (Pastoral Symphony)
14. Messiah: No. 14a Recitative And No. 14b Arioso For Soprano
15. Messiah: No. 15 Recitative For Soprano
16. Messiah: No. 16 Arioso For Soprano
17. Messiah: No. 17 Chorus
18. Messiah: No. 18 Air For Soprano
19. Messiah: No. 19 Recitative For Alto
20. Messiah: No. 20 Air For Alto And Soprano
21. Messiah: No. 21 Chorus
22. Messiah: No. 22 Chorus
23. Messiah: No. 23 Air For Alto
24. Messiah: No. 24 Chorus
25. Messiah: No. 25 Chorus
26. Messiah: No. 26 Chorus

Tracks:

1. Messiah: No. 27 Arioso For Tenor
2. Messiah: No. 28 Chorus
3. Messiah: No. 29 Recitative For Tenor
4. Messiah: No. 30 Air For Tenor
5. Messiah: No. 31 Recitative For Tenor
6. Messiah: No. 32 Air For Tenor
7. Messiah: No. 33 Chorus
8. Messiah: No. 34 Recitative For Tenor
9. Messiah: No. 35 Chorus
10. Messiah: No. 36 Air For Alto
11. Messiah: No. 37 Chorus
12. Messiah: No. 38 Aria For Soprano
13. Messiah: No. 39 Chorus
14. Messiah: No. 40 Air For Bass
15. Messiah: No. 41 Chorus
16. Messiah: No. 42 Recitative For Tenor
17. Messiah: No. 43 Air For Tenor
18. Messiah: No. 44 Chorus
19. Messiah: No. 45 Air For Soprano
20. Messiah: No. 46 Chorus
21. Messiah: No. 47 Recitative For Bass
22. Messiah: No. 48 Air For Bass
23. Messiah: No. 49 Recitative For Alto
24. Messiah: No. 50 Duet For Alto And Tenor
25. Messiah: No. 51 Chorus
26. Messiah: No. 52 Air For Soprano
27. Messiah: No. 53 Chorus
28. Messiah: Amen

Customer Reviews:

Finally a Messiah with fervor!.......2005-10-20

I've hunted a thrilling performance of The Messiah through 240 versions so far. This is the best I've found. Some are self-conscious, dutifully singing as instructed. Some are almost childish in their lilt. Some are overblown with so much bombast that you can barely hear the heart of the music. Some are concentrated on faithfulness to the original instruments. If you want a performance that will make you shiver with the power and joy of the music, this is the one. The singers are singing about GLORY. They sound as if they are ecstatic. The musicians are at one with the music and they create a virtual cathedral wherever this CD is played, just close your eyes. Or, let your own imagery, be it celestial, or of great oceans...carry you away.

Great recording!.......2003-09-22

There are so many performances of the Messiah out there that it is very difficult to point to a difinative one, but I'd put this in the catagory of the "very good" ones. As other reviewers have said, every performance is different and has its own character. Each has stronger and weaker points. Here the conductor and musicians have made good, solid musical choices. There is an amazing attention to detail which is not so obvious the first listen through but which makes the piece shine. The tempos seem to be right on, and there is no frivolous over-embellishment by the soloists. There is no attempt to be showey. The dramatic dynamics in the first section of the overture are interesting, but seem to work after you hear it a few times. This performance also includes sections which are often omitted (Second half of "He shall feed his flock," "Thou art gone up on high," "Great was the company of the preachers," and "Death where is thy sting"). I prefer the more intimate quality of a small ensemble of musicians to the mega-performances by the London Philharmonic, Vienna State Opera Orchestra, etc.. As with this performance, the smaller group lends a clarity to the music, where the larger ensembles can get a little "muddy" at times. Just my personal preference. Overall, this is a very good performance, and certainly the low price (being on the Naxos lable) makes this a clear choice.

Good and Bad.......2000-04-09

I was more interested in "The Messiah" for the religious content than as a music critic, but this was too much. The strings are tinny. The orchestra is plodding. The soloists and choir are thankfully very good and seem to understand the meaning of the words. It is a shame the sound mix is uneven. The male parts come across loud and clear, but the poor women. For instance, No. 9 Oh thou that tellest..., the soloist sounded like she was singing in an echo chamber far from the mike. This is one of the most disappointing versions of "The Messiah" I have heard in a long time.

This is a great recording!.......2000-02-11

I was really surprised with the new that the Messiah's New World premiere was held at Trinity Church in October 1770, twenty-eight years after it was written. This fact only will make one proud in having this CD among his collection.

Anyhow, this is nothing more than a historic detail and would not count if this recording had not an outstanding first-rate ensemble of singers. Without doubt there is no definitive version of Messiah. Each one has its own distinctive touch and feeling and exploring it is always a pleasant journey through imagination.

As stated by the conductor: "we must concede that performing Messiah with twenty singers and an appropriately balanced instrumental ensemble represents, at best, an imperfect comprimise", it will be easy to understand that this recording does not stand among the greatest and will probably carry some imperfections. I will mention two that kind of disppointed me a little bit. The Overture and the Chorus Worthy is the Lamb, for some reason misses the habitual vigor and strenght. Everything else is great and this is definitely a worth buying.

Average customer rating: wedding classics Problem with Samples Perfect Music for a Perfect Day

Wedding Classics Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Finzi, Gerald | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Karg-Elert, Sigfrid | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Stanley | Stanley, John | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music