Gershwin Plays Gershwin

1. Rhapsody in Blue

2. That Certain Feeling

3. Swanee

4. Kickin' the Clouds Away

5. Limehouse Nights

6. Drifting Along With the Tide

7. Rockabye Lullabye Mammy

8. Tee-Oodle-Um-Bum-Bo

9. I Was So Young, You Were So Beautiful

10. Left All Alone Again Blues

11. Who's Baby Are You?

12. Whipowill

13. Land Where Good Songs Go - Philipp Heinrich Erlebach, George Gershwin

14. For Your Country and My Country - Philipp Heinrich Erlebach, George Gershwin

15. So Am I

16. East Is West

17. Yearning

18. I'm Forever Blowing Bubbles

19. Novellette in 4ths

20. Sweet & Low Down

Gershwin Plays Gershwin,Irving Berlin,Bowers,Donaldson,George Gershwin,Jaan/ Kellette, John Kenbrovin,Jerome Kern,Neil Moret,Dal Segno,20th/21st Century Music for Voice and Keyboard,American Popular Song,Keyboard,Miscellaneous,Miscellaneous Music,Music Theater,Music for Keyboard,Musical Theater,Rag for Keyboard,Show Tunes,Solo Voice(s) and Small Ensemble,Tin Pan Alley Pop,Traditional Pop,Vocal,Vocal Music

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Average customer rating: Wonderfully American A Gersh-winner Interesting... but I think I'd prefer a good Gershwin interpreter Gershwin's playing overated The jazzy Gershwin. What a CD!!!!!!!

Gershwin Plays Gershwin: The Piano Rolls Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Jazz | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Gershwin, George | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Traditional | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 Essential George Gershwin Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris Levant Plays Gershwin George Gershwin: Greatest Hits ASIN: B000005J1I Release Date: 1993-11-09

Tracks:

1. Sweet And Lowdown
2. Novelette In Fourths
3. That Certain Feeling
4. So Am I
5. Rhapsody In Blue
6. Swanee
7. When You Want 'Em, You Can't Get 'Em...
8. Kickin' The Clouds Away
9. Idol Dreams
10. On My Mind The Whole Night Long
11. Scandal Walk
12. An American In Paris

Customer Reviews:

Wonderfully American.......2007-05-14

I've had a copy of this CD for years and love it. The power and optimism of the music is really quite remarkable... regardless of who or what is actually playing here. The arrangement of Swanee is light but rich with major chord trains like you just want to go marching around the room. And American In Paris leads you on a swaying, dischordy journey the deeper you go, as the narrative begins to trade delicacy for passion. (and I love renditions where you can hear the MUSIC and the instruments don't get in the way, like four-voice midi versions of Bach which reveal the eloquence).

When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.

"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.

A Gersh-winner.......2007-01-07

George Gershwin had a long association with the mechanical device known as the player piano. At the age of ten, Gershwin used a neighbor's pianola to teach himself how to play, by very slowly pumping the foot pedal that advanced the hole-punched rolls, and placing his fingers on the depressed keys. His parents were so impressed by his abilities they enrolled the boy in formal piano studies when he turned 13. Thus, an American genius was born.

The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.

The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.

Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.

TOTAL RUNNING TIME -- 60:36

Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14

Composers are not necessarily the best performers of their own work. A songwriter's songwriter like Jules Shear or Jimmy Webb comes to mind -- surely the best representations of their songs are on other artist's albums.

This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!

I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.

Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.

Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.

Gershwin's playing overated.......2006-04-09

After I heard this cd I bought Gershwin plays Gershwin on the naxos label which arn't piano rolls. Any pianist can tell that many of these rolls are heavily edited and can't be played by a pianists with two hands. On the naxos album that has some of these same songs Gershwin's actual playing doesn't sound very good. Many of Gershwins contempories such as James P. Johnson, Eubie Blake, Luckey Roberts and even Zez Confrey were much better pianists than he was, however they didn't have his melodic gifts as a composer. I would recommend Artis Whodhouse's
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.

The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23

I got this CD as a gift. I am all for the austrogerman post- romantic music and as imagined Gershwin is not my favourite composer. I know him from his best known works such as the 'Rhapsody", the 'American' and his great songs. This CD is a treasure as mentioned from other reviewers of this site. Gershwin full of passion, his music being jazzy to the very end and that great feeling you get after a great live performance is present all over the length of this 'treasure'. No question about the presence of the music. Not to be missed

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Just great guitar Vignola Plays Like a Fine Lover Wonderful Songs Played By A Great Jazz Guitarist S'Wonderful

Vignola Plays Gershwin Frank Vignola Manufacturer: Mel Bay Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Similar Items: Blues for a Gypsy 5 for Freddie: Bucky's Tribute to Freddie Green Mel Bay John Pisano's Guitar Night Mel Bay Jazz Hits Volume 1 66 2/3 ASIN: B000N69OQM Release Date: 2007-04-17

Tracks:

1. I Got Rhythm
2. Summertime
3. S'Wonderful
4. Our Love Is Here To Stay
5. They Can't Take That Away From Me
6. The Man I Love
7. Somebody Loves Me
8. Strike Up The Band
9. Nice Work If You Can Get It
10. Fascinating Rhythm
11. Embraceable You
12. Lady Be Good
13. How Long Has This Been Going On
14. But Not For Me

Album Description

Jazz is not only the "sound of surprise," as critic Whitney Balliett famously declared, but it can also be the sound of camaraderie. On this exuberant session, you can hear the pleasure the band takes in the music and each other, as they "play" Gershwin in the fullest sense of the word.

This is Frank Vignola's twelfth CD as a leader. A born and bred "Noo Yawkuh" (from Lawn Gyland), he arrived on the scene about 20 years ago, and his star has kept on rising ever since. Vignola is an exceptionally elegant, versatile player who has another distinctive characteristic; he uses his prodigious technique to serve the music, rather than his ego. He might also be the most expressive note-bender in the business. A fan of Charlie Christian, Basie and Bucky, as well as Eric Clapton, Vignola glides across genre boundaries without a net, playing full-frontal straight-ahead jazz with a dash of blues, a whiff of classical, and a splash of rock n' roll. But while his palette of influences is a rich and varied one, his personal style is distinct and unmistakable.

Dr. Judith Schlesinger / From the Liner Notes

Customer Reviews:

Just great guitar.......2007-05-29

Have a great respect for Frank Vignola's artistry. Reminds me of things
from my youth. Several guitar students would get together and jam.
Each of us would get to improvise while the others played rhythm.
Mr. Vignola never disapoints. The only way he could please me more would
be to make more recordings. (I'm 74 yrs old) Get busy Frank!

Vignola Plays Like a Fine Lover.......2007-05-25

I had never heard of Frank Vignola before I heard his rendition of Summertime on my local jazz public radio station. After that I was obsessed with getting this CD and to make matters worse I had to wait for its release! When I listen to the way he plays this song it brings me to my knees. The care, the passion, the touch, the creativity, the expression that he brings to his instrument ... whoa. To me, listening to him play is like being invited to share in an incredibly intimate experience between two deeply connected souls (Frank and his guitar) where you are not sure whom is playing/leading who.

Wonderful Songs Played By A Great Jazz Guitarist.......2007-05-18

This CD is filled with wonderful songs played by a great guitarist. If you like jazz guitar, this CD will find a permanent spot in your multi-CD player or IPOD.

S'Wonderful.......2007-04-17

Crystal-clear recording, a tight top-notch jazz quartet, interesting arrangements, outstanding solos - who could ask for anything more?
This is jazz guitar at its best. Highly recommended.

Average customer rating: LEVANT AND GERSHWIN A GREAT COMBINATION Levant Plays Gershwin Look for the original vinyl Old classics played by an old classic! The most heavenly earthly music

Levant Plays Gershwin Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Jazz General | Jazz | Today's Deals in Music | Formats | Music All Bargain Titles | Jazz General | Jazz | Today's Deals in Music | Formats | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Oscar Levant Gershwin: Rhapsody in Blue/Cuban Overture/Porgy and Bess Suite/An American in Paris Gershwin Plays Gershwin: The Piano Rolls The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 Memoirs of an Amnesiac ASIN: B0000026H0 Release Date: 1990-10-25

Tracks:

1. Rhapsody in Blue
2. Second Rhapsody for Piano and Orchestra
3. Concerto in F for Piano and Orchestra: I-Allegro
4. Concerto in F for Piano and Orchestra: II-Andante Con Moto
5. Concerto in F for Piano and Orchestra: III-Allegro Con Brio
6. 'I Got Rhythm' Variations
7. Prelude I: Allegro Ben Ritmato E Deciso
8. Prelude II: Andante Con Moto E Poco Rubato
9. Prelude III: Allegro Ben Ritmato E Deciso

Customer Reviews:

LEVANT AND GERSHWIN A GREAT COMBINATION.......2007-05-13

KNOWING THAT LEVANT AND GERSHWIN WERE CLOSE FRIENDS, COMBINED WITH THE SPECIAL ARTISTRY OF LEVANT, PROVIDES MORE THAN ENOUGH REASON TO PURCHASE THIS CD. LEVANT'S INTERPRETATION OF GERSHIWIN'S MUSIC IS INDEED SPECIAL.

Levant Plays Gershwin.......2007-02-03

I have been in love with Levant's version of Rhasody In Blue for 50 years. Nobody does it better and this CD is excellent. I crank up the Bose and watch the pictures on the wall shake. Nobody does Gershwin better, not even Gershwin.

Look for the original vinyl .......2006-10-27

Columbia Masterworks engineers of the era captured Levant's faithful and arguably definitive Gershwin interpretations in a dry studio setting that enhanced the music's warmth and vitality. Unfortunately, the excessive digital reverberation added to this release compromises the dynamics and acoustic integrity of the original recordings and invariably, the music itself. I may be a lone voice in the wilderness, but I grieve for what this CD could have been.

Old classics played by an old classic!.......2006-08-07

Brings back memories from my childhood when I was a piano student studying Gershwin's serious works. Oscar Levant was Gershwin's best friend, so I figure his interpretation of Gershwin's compositions comes closer to George's own than anyone else's possibly could.

The most heavenly earthly music .......2006-05-24

Two excellent Amazon reviews , one by A. Burns, and another by Mr. Pardo tell more about this recording than I know. What I have to say is that the music of Gershwin , especially 'Rhapsody in Blue' has taken my mind and heart to a certain place that no other music does. There is a kind of inspiring sophistication, a kind of Manhattan glamour in the music which always moves this small- town soul. Levant is by all accounts one of the major interpreters of Gershwin and as Mr. Burns says by the end of the forties he was the 'representative of Gershwin on earth'.
This is the most heavenly earthly music imaginable.

Average customer rating: Oscar 's Trio at Its Best - Ten Stars - A Jazz Album of Beauty & Grace My first Peterson album Fascinating And Lively Rhythms An essential album for every collection. A really (too ? ) accessible Jazz CD

Oscar Peterson Plays The George Gershwin Songbook Oscar Peterson Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Oscar Peterson Plays the Cole Porter Songbook Night Train Stan Getz & The Oscar Peterson Trio: The Silver Collection Plays the Harold Arlen Song Book Oscar Peterson Plays the Duke Ellington Song Book ASIN: B000004716 Release Date: 1996-02-27

Tracks:

1. It Ain't Necessarily So
2. The Man I Love
3. Love Walked In
4. I Was Doing All Right
5. A Foggy Day
6. Oh, Lady, Be Good!
7. Love Is Here To Stay
8. They All Laughed
9. Let's Call The Whole Thing Off
10. Summertime
11. Nice Work If You Can Get It
12. Shall We Dance?
13. The Man I Love
14. Fascinating Rhythm
15. It Ain't Necessarily So
16. Somebody Loves Me
17. Strike Up The Band
18. I've Got A Crush On You
19. I Was Doing All Right
20. 'S Wonderful
21. Oh, Lady, Be Good!
22. I Got Rhythm
23. A Foggy Day
24. Love Walked In

Amazon.com

Oscar Peterson made two trips through the Gershwin repertoire, one in 1952 and another in 1959 after the advent of stereo. As with Oscar Peterson Plays the Duke Ellington Songbook, this disc compiles both sessions, the earlier one with a trio of guitarist Barney Kessel and bassist Ray Brown, the later one with Brown and drummer Ed Thigpen. The later session is programmed first. The earlier group drew its conception from the Nat "King" Cole trio, a lightly swinging blend that benefits from a third highly adept soloist in Kessel. The later group is more conventional, but it sometimes draws meatier, more forceful playing from an older Peterson. The contrast is apparent in the two versions of "It Ain't Necessarily So." On both sessions, the emphasis is on the tunes, and Peterson sparkles on uptempos and ballads alike. --Stuart Broomer

Customer Reviews:

Oscar 's Trio at Its Best - Ten Stars - A Jazz Album of Beauty & Grace.......2006-04-10

The 1st 12 songs were the ones actually released on the original album. A Foggy Day when Oscar hits the bridge (Middle Part) where he plays the melody so graciously almost angelic to a point with Ray Brown walking his distinct bass lines the song mezmorizes you. You'll keep playing it over and over. Many of the 1st 12 songs are like that. I believe the trio's interpretation of melody was at its zenith when it recorded this album. Can Jazz be a thing of beauty and grace? This album says so.

My first Peterson album.......2005-10-10

This is great listening. From a non-Peterson fan, I think I'm hooked!

Fascinating And Lively Rhythms.......2004-11-09

Anyone who loves jazz will not miss Oscar Peterson in his/her jazz vocabulary. An extraordinary pianist known for his improvisation and distinctive style, Mr. Peterson is one of the greatest jazz icons who has recorded and performed myriads of the best melodies of all-time, most notably the compositions of musical genius, George Gershwin.

This CD consists of twenty-four tracks. The last half were recorded in 1952 with back-up musicians Ray Brown and Barney Kessel, and the first twelve were recorded in 1959 with Ray Brown and Ed Thigpen. There are two versions of "Love Walked In" (tracks #3 & 24), "It Ain't Necessarily So" (tracks 1 & 15), "I Was Doing All Right" (tracks 4 & 19), "A Foggy Day" (tracks 5 & 23), "Lady Be Good" (tracks 6 & 21) and "The Man I Love" (tracks 2 & 13).

My favorites? These are all lively performances, but I chose "A Foggy Day," "Love Walked In," "I've Got A Crush On You," "Love Is Here To Stay," "Nice Work If You Can Get It," "The Man I Love" and " 'S Wonderful."

This is one great CD to own. I listen to it when I'm in a bubbly mood. I'm pretty sure that you will enjoy listening to it as much as I do. It's more than an hour of listening pleasure not only for Gershwin and Peterson aficionados, but also for anyone who appreciates lively and vibrant piano music.

An essential album for every collection........2002-10-18

Oscar Peterson + George Gershwin. What a combination! Peterson and his veteran trio sound brilliant on this gorgeous disc. My wife, a recent jazz fan, loves this disc. It has a bouyant, ebulient, feel to it while simultaneously being an essential after hours recording. I have to give props to bassist Ray Brown who just kicks a$$ here. Peterson often sounds restrained here, which is a bit different, yet he is no less inspired or fiery. As for the songs, well, its Gershwin. What more do you need to know?

Essential.

A really (too ? ) accessible Jazz CD.......2001-08-09

These are great interpretations of Gershwin's standard. They were originally destined to a wider audience and may lack some subtleties of Peterson true style. Jazz newcomers should really try it.

Average customer rating: Let the Buyer Beware Historical and Pristine "Rhapsody In Blue"

Gershwin Plays Rhapsody in Blue Manufacturer: Shout Factory ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Gershwin Plays Gershwin: The Piano Rolls Gershwin: Rhapsody In Blue/An American In Paris The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 Levant Plays Gershwin Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris ASIN: B000098ZSS Release Date: 2003-05-13

Tracks:

1. Rhapsody In Blue
2. An American In Paris
3. Swanee
4. Walkin' The Dog
5. Let's Call The Whole Thing Off
6. Somebody Loves Me
7. Our Love Is Here To Stay
8. S'Wonderful
9. Embraceable You
10. Oh, Lady Be Good

Customer Reviews:

Let the Buyer Beware.......2007-01-12

I do not disagree on any level with the other reviewers of this CD. However, the content is recorded from piano rolls rather than directly from the artist. This fact is not explicitly presented on the web page. Yes, if one clicks on the CD cover photo to get an enlarged image, one can read "First recording 1924 from rare piano rolls" at the bottom in small type. Not everyone will do this however. For this reason alone I only rate this product 3 stars.

Historical and Pristine.......2006-12-22

This compilation of Gershwin selections taken from the piano rolls of the composer offer a perfect introduction to the music of Gershwin, offering a balance between his serious symphonic pieces and his accessible popular songs. Beginning with two of his concert works, "The Rhapsody in Blue" and "An American in Paris," the CD just hints at what the composer accomplished in the concert hall and the world of serious music. To my understanding, the "Rhapsody in Blue" was originally performed at a concert titled 'An Experiment in Modern Music' in 1924 at Aeolian Hall in New York. The piece was performed by an orchestra with Paul Whiteman as director, and with the composer at the piano as part of a concert experiment in jazz. The version on this CD is a piano adaptation created by the composer based off of the original symphonic work.

"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.

The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.

On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.

"Rhapsody In Blue".......2006-07-12

"This piece (Rhapsody In Blue) seemed to sweep through my mind. It was the heart of America, the feverishness of life, the musical welter of races, of peoples, their joys and their passions, their dissipations and their exaltations." ~ George Gershwin (September 26, 1898 - July 11, 1937) ~

Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.

This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You." It has been said that Mr. Gershwin functioned best and had written his very best compositions at 3 o'clock in the morning and when he finish eight bars that he likes, he can finish a chorus in a few minutes, like the songs "`S Wonderful" and "Let's Call The Whole Thing Off." This recording also includes "Swanee," "Walkin' The Dog," "Somebody Loves Me," and "Oh, Lady Be Good."

It's so amazing that he composed frequently and never run out of inspirations for writing melodic tunes that are so pleasing to the ears. He can write three to five songs in a single afternoon. When he completed the melody of a song, he gives it to Ira to write words to it. He was such a genius and played the piano by ear after a fashion, tapping out the tunes with a finger.

Not known to many, Mr. Gershwin had tried his hand at painting. I've seen a portrait of himself that he painted a year before his death from brain cancer, and I would say, it's a beautiful work of art, almost like a work of a professional painter. He could have been a great painter.

George Gershwin will always be remembered as one of the greatest 20th Century composers and his music will always linger in the hearts of music lovers like me who truly appreciate and enjoy fine music.

Average customer rating: Gershwin chamber jazz, with all that implies... Get his other CDs instead Great Musicians at Their Most Uninspired Just magnificent! Really Gershwin ?

Bill Charlap Plays George Gershwin Bill Charlap Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Blue Note Records | Amazon.com Label Stores | Stores | Music Similar Items: Love Is Here to Stay Somewhere: The Songs of Leonard Bernstein Written in the Stars Stardust You Taught My Heart to Sing ASIN: B0009NCPEW Release Date: 2005-06-28

Tracks:

1. Who Cares?
2. Somebody Loves Me
3. Liza
4. How Long Has This Been Going On?
5. A Foggy Day
6. 'S Wonderful
7. I Was So Young And You Were So Beautiful
8. Bess, You Is My Woman Now
9. Nice Work If You Can Get It
10. Soon

Album Description

The septet that appears on The American Soul is built upon the trio, with three tracks featuring the threesome, including the opener "Who Cares," "Liza," and the rarity "I Was So Young (You Were So Beautiful)." (Charlap also renders the closer, "Soon," as an unaccompanied piano solo, in effect putting his signature on the end of the recording.) The remaining six tracks feature various members of the four-horn frontline recruited for this album, an astounding collection of musicians spanning several generations, including Nicholas Payton on trumpet, Slide Hampton on trombone, Phil Woods on alto saxophone, and Frank Wess on tenor saxophone.

Bill Charlap: piano
Peter Washington: bass
Kenny Washington: drums

Customer Reviews:

Gershwin chamber jazz, with all that implies..........2005-10-06

One way of interpreting Gershwin is as jaunty and spiffy, and this recording is just that. The tunes bounce around merrily for the most part and make no pretense at great profundity.

There remains the question, however, as to just how inventive the horn soloists are.

Well, there is no truth to the charge that Slide Hampton's solos are not inventive. Here's a quiz: what is the tune that Mr. Hampton quotes in his solo on 'Somebody Loves Me'? Inventive or no? Ah, but first you have to recognize a quote when you hear it... Some subtleties go just above people's heads...

Get his other CDs instead.......2005-09-09

This is okay but it is not the sterling brilliant work Charlap does on his three previous efforts at all. Get any of those instead of this one. Get Stardust. Get Somewhere. Get Written in the Stars. Any and all of those three instead of this one. Another warning...this Gershwin one has the annoying Copy Control demon on it so when you load it onto your mp3 it skips and jumps. most annoying. whatever happen to fair use by people who buy the music????

Great Musicians at Their Most Uninspired.......2005-09-03

I sort of happened upon Bill Charlap when I heard "Somewhere" because there is a decided lack of exciting piano trios around, unless you still like the Keith Jarrett factory. Charlap is one of those guys who has incredible almost orchestral subtlety, and gets that sparkling sound out of his piano lines, but still makes it sound like he's not even trying very hard. But the addition of the horns on this CD ruins it for me - Charlap loses control, and the rest of the musicians turn this into a jam session with tunes that are, let's face it, not that exciting by themselves anymore. I like Payton's energy, but it doesn't seem to mesh with the group. Even when the horns are cut out, "Liza" seems hurried. "I Was So Young" is nice, but even that doesn't have the harmonic or compositional freshness of Charlap's full trio CDs. Compare Charlap plays Gershwin with the Fred Hersch Trio +2, a great example of a trio pianist really taking the time to flesh out and expand his ideas with wind instruments. I hope Charlap takes his time with his next CD, because he's capable of something original and fresh and that's so rare today.

Just magnificent!.......2005-08-25

Bill Charlap owns the piano and this album is among his very best. Can't recommend it enough.

Really Gershwin ?.......2005-08-20

Mr Charlap is to go without saying excellent. I got the recommendation from the New York Times---but---It shows the importance of listening to a disc before you purchase it. My preference is smooth jazz. The person who reviewed this disc has different taste in music than I do and the fault is mine. I'll donate the disc to the local library.

Average customer rating: BRILLIANT Pure Gold Pure Heaven Gershwin "Live"

The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 George Gershwin Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: Gershwin Plays Gershwin: The Piano Rolls Essential George Gershwin Gershwin Plays Rhapsody in Blue Levant Plays Gershwin Gershwin: Rhapsody in Blue/Cuban Overture/Porgy and Bess Suite/An American in Paris ASIN: B000005J3K Release Date: 1995-09-19

Tracks:

1. Havanola (Have Another)
2. Con Conrad: Singin' The Blues ('Till My Daddy Comes Home))
3. From Now On
4. Harry Akst: Jaz-O-Mine
5. Louis Silvers: Just Snap Your Fingers At Care
6. Jerome Kern: Whip-Poor-Will
7. Rialto Ripples
8. Waitin' For Me
9. Buzzin' The Bee
10. Chris Schoenberg: Darling
11. For Your Country And My Country
12. Kangaroo Hop
13. Pastime Rag No. 3
14. Chinese Blues
15. Whispering
16. Arrah Go On I'm Gonna Go Back To Oregon

Customer Reviews:

BRILLIANT.......2006-08-08

This CD is just BRILLIANT. It is every bit as good as the first Gershwin piano rolls CD. Gershwin plays Gershwin (and others) and his genius comes through. A total delight!

Pure Gold.......2004-01-25

When I first heard Rhapsody in Blue on this CD it didn't sound quite right. It was more free, more spontaneous, more joyous.
But that is because it went from the composer's mind directly to his fingers, bypassing the compromise of sheetmusic. It goes right to the heart of the listener.

If I was stranded on a desert island and allowed to bring only 10 CDs, this one just might have to be one of the ones I would have to take.

Pure Heaven.......2003-11-11

How would you feel if George Gershwin himself suddenly appeared out of nowhere, sat down at the piano in the corner of your own living room, and played away to his heart's content?

Amazement and delight would perhaps be fair, but not quite good enough words to describe it - pure heaven may just hit nearer the mark!

Such is the feeling that pervades this wonderful collection, which, no less magnificently done than the 1st Volume - an all-Gershwin program - also includes some of the sources of his inspiration.

This is a rare authentic glimpse into the mind of a giant, and listening to him in person affords a feeling of connecting directly to his universe, a feeling as magical as it is palpable.

The style of his playing is positive, decisive, clean, straightforward, no-nonsense, resolutely devoid of either sentimentality or cynicism. However somewhere between the lines engraved is his own heartbeat, full of hope, gentle irony, and complete and utter belief in everything good - be it friendship, love, or life itself.

A must for Gershwin lovers, a much-needed reminder of faith, in these turbulent times, for everyone else.

Gershwin "Live".......2000-08-04

Listening to these modern recordings taken from old piano rolls cut by George Geershwin between 1916 and 1921, one might be compelled to conclude that there's something to be said for older technology. We are able to listen to Gershwin performances that sound as though they occurred today. Obviously, an actual recording made at the time these rolls were cut would have had very primative sound quality, and nowhere near the immediacy which is present here.

The only reason for rating this four, rather than five stars, is that there's a certain player piano quality to the performances that I suspect is not exactly how Gerswin actually sounded; but, having said that, this is about as close as you're going to be able to get to a "live" Gershwin performance with modern sound.

Average customer rating: The Best Recordings of George Gershwin's Piano Improvisations

Gershwin Plays Gershwin Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music General | Pop | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Tin Pan Alley | Oldies | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Jazz General | Jazz | Today's Deals in Music | Formats | Music Similar Items: Gershwin Plays Gershwin: The Piano Rolls The Gershwin Plays Gershwin: The Piano Rolls, Vol. 2 Reflection Gershwin: Rhapsody In Blue/An American In Paris ASIN: B000053HK5 Release Date: 2001-01-16

Tracks:

1. Swanee
2. Sweet And Low Down
3. That Certain Feeling
4. Looking For A Boy
5. When Do We Dance?
6. Do-Do-Do
7. Someone To Watch Over Me
8. Clap Yo' Hands
9. Maybe
10. My One And Only
11. 'S Wonderful - Funny Face
12. Rhap In Blue
13. Prld No.1
14. Prld No.2
15. Prld No.3
16. Rhap In Blue: Andante
17. Second Rhap

Customer Reviews:

The Best Recordings of George Gershwin's Piano Improvisations.......2006-08-09

This low priced CD is the greatest presentation of George Gershwin's incredible improvisational skill, reworking his popular hits of the day into complex arrangements that can hold the interest of the 'most discriminating music lover.' These disc recordings are much more lifelike than the well known piano-roll CDs. On this Cd Gershwin's filled-in tenth cords in his left hand along with his consecutive four-note chord spreads to the octave with his right, cross rhythms, and virtuoso embellishments give the piano arrangements a full sound. The recording of 'Swanee' is a small 1919 group recording of the Van Eps Quartet with a young George Gershwin at the piano and Nathan Glantz on the saxaphone. The Van Eps Quartet plays in a yiddish sounding style which accents Swanee's rooting in yiddish music. The next recordings are of George Gershwin at the piano recorded in 1926 and 1928. This CD also includes the 1924 Paul Whiteman orchestra recording of 'Rhapsody in Blue' with the composer at the piano. The arrangement was shortened to about 9 minutes in order to fit onto the two sides of a 78rmp record, but I think this is the best recording of 'Rhapsody in Blue' ever recorded, because this was recorded when 'Rhapsody in Blue' was New, Exciting, and Full of Life. This recording lets the humor that was originally intended by Gershwin shine through. His own recording of his three preludes is the best rendition of the popular preludes. Gershwin stands as the best performer of his own works, and this CD is the best example of his own playing. The improvisations of his show tunes on this CD are much more fleshed out than his brief radio recordings available elsewhere, although I recommend trying to find all of his recordings. Gershwin's solo piano arrangement of the Andante section of Rhapsody in Blue is another opportunity to hear George play his own material. The last recording on the disc is a 1931 rehersal of 'Second Rhapsody' which George Gershwin had recorded onto disc by NBC for him to listen to. Once again, George Gershwin is the best interpreter of his own works, and this CD is the best document of Gershwin playing Gershwin.

Average customer rating:

The Ruby Braff George Barnes Quartet Plays Gershwin Ruby Braff with the George Barnes Quartet Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music New Orleans Jazz | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music New Orleans & Dixieland Jazz | Compilations | Jazz | Styles | Music Dixieland | Jazz | Styles | Music ASIN: B0000006RX Release Date: 1990-10-25

Tracks:

1. 'S Wonderful
2. I Got Rhythm
3. They Can't Take That Away From Me
4. Nice Work If You Can Get It
5. Somebody Loves Me
6. But Not For Me
7. Summertime/Bidin' My Time
8. Love Walked In
9. Embraceable You
10. Liza

Christian Music:

1. Gone Where They Don't Play Billiards
2. Gratefully Yours
3. Happy Together (+5 Bonus Tracks) [Import]
4. Holiday Party Favorites
5. HOLLARATCHABOI [Explicit Lyrics]
6. Hope
7. If I Listen To My Heart
8. In the Reverb of the Sounds We Made Together
9. INTERFACE
10. Interview [Import]

Christian Music

christian music

Christian Music

Sunshine Feelings [Import]

Boulez: Domaines

Beethoven: Chamber Music for Winds, Vol. 3

Music CD: En Concierto [Live]

Bones [Explicit Lyrics] [Soundtrack]

America's Least Wanted [Explicit Lyrics]

Band On The Run

Astronaut

Brazilification [Import]

B-Flat Symphonies

Ballroom Orchestra V.2 [Import]

Al Punto

Bad Boyz of Bass

The Great Escape (Score)

Lucero