Friends Always

1. Mama Used To Say

2. Friends Always (Companheiros)

3. Love Song

4. Golden Rule

5. Como Posso Desvendar(Key To Your Heart)

6. Just That Strong

7. Fala Pra Ele (Tell Him)

8. Barracao de Zinco

9. So Acredite (Only Believe)

10. Love Is The Seventh Wave

11. Brejeiro

12. Change The World

13. Estupefando o Lee

Friends Always,Eva Eva,E/Eva,Pop,Pop Vocals

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Average customer rating: You'll be disappointed Pretty good musical mix

Greatest Songs from the Musicals Various Artists Manufacturer: Soho ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | International | Indie Music | Stores | Music International | Imports | Stores | Music Similar Items: Very Best Of Broadway Musicals Ultimate Broadway Only Broadway CD You'll Ever Need Ultimate Broadway II: The Very Best of Broadway Now Greatest Hits: Broadway ASIN: B000077JS0 Release Date: 2002-10-21

Tracks:

1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
9. America [From West Side Story] - National Symphony Orchestra
10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
9. Quintet [From West Side Story] - National Symphony Orchestra
10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.

Average customer rating: Moved to tears Nonesuch delivers.Again harmonia in excelsis Our greatest living composer Wonderful CD

The John Adams Earbox: A 10-CD Retrospective Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Adams | Adams, John | ( A ) | Featured Composers, A-Z | Classical | Styles | Music Ives, Charles | ( I ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Ives, Charles | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music San Francisco Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music Similar Items: Steve Reich 1965-1995 John Adams: The Dharma at Big Sur/My Father Knew Charles Ives Naive & Sentimental Music 25 Years: Retrospective Century Rolls ASIN: B00001SID1 Release Date: 1999-10-19

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances: Judah To Ocean
3. John's Book Of Alleged Dances: Toot Nipple
4. John's Book Of Alleged Dances: Dogjam
5. John's Book Of Alleged Dances: Pavane: She's So Fine
6. John's Book Of Alleged Dances: Rag The Bone
7. John's Book Of Alleged Dances: Habanera
8. John's Book Of Alleged Dances: Stubble Crotchet
9. John's Book Of Alleged Dances: Hammer & Chisel
10. John's Book Of Alleged Dances: Alligator Escalator
11. John's Book Of Alleged Dances: Standchen: The Little Serenade
12. John's Book Of Alleged Dances: Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Two Fanfares For Orchestra - Tromba Lontana
2. Two Fanfares For Orchestra - Short Ride In A Fast Machine
3. Common Tones In Simple Time
4. El Dorado - Part I. A Dream Of Gold
5. El Dorado - Part II. Soledades

Tracks:

1. Harmonielehre - Part I
2. Harmonielehre - Part II The Anfortas Wound
3. Harmonielehre - Part III Meister Eckhardt And Quackie
4. Violin Concerto - Part I
5. Violin Concerto - Part II Chaconne:
6. Violin Concerto - Part III Toccare

Tracks:

1. Chamber Sympony - Mongel Airs
2. Chamber Sympony - Aria With Walking Bass
3. Chamber Sympony
4. Hoodo Zephyr - Tundra
5. Hoodo Zephyr - Dissappointment Lake
6. Hoodo Zephyr - Hoodo Zephyr
7. Gnarly Buttons - The Perilous Shore
8. Gnarly Buttons - Hoe-Down (Mad Cow)
9. Gnarly Buttons - Put Your Loving Arms Around Me

Tracks:

1. Ensemble - I Was Looking At The Ceiling And Then I Saw The Sky
2. A Sermon On Romance
3. Consuelo's Dream
4. Mike's Song About Arresting A Particular Individual
5. Tiffany's Solo
6. Song About The On-Site Altercation
7. Song About The Bad Boys And The News
8. Your Honor My Client He's A Young Black Man
9. Leila's Song; Alone (Again Or At Last)
10. Three Weeks And Still I'm Outta My Mind
11. Crushed By The Rock I Been Standing On
12. Dewain's Song Of Liberation And Surprise
13. !Este Pais! / This Country
14. One Last Look At The Angel In Your Eyes
15. Finale

Tracks:

1. Lollapalooza
2. John's Book Of Alleged Dances - Judah To Ocean
3. John's Book Of Alleged Dances - Toot Nipple
4. John's Book Of Alleged Dances - Dogjam
5. John's Book Of Alleged Dances - Pavane: She's So Fine
6. John's Book Of Alleged Dances - Rag The Bone
7. John's Book Of Alleged Dances - Habenera
8. John's Book Of Alleged Dances - Stubble Crotchet
9. John's Book Of Alleged Dances - Hammer & Chisel
10. John's Book Of Alleged Dances - Alligator Escalator
11. John's Book Of Alleged Dances - Standchen: The Little Serenade
12. John's Book Of Alleged Dances - Judah To Ocean (Reprise)
13. Slonimsky's Earbox

Tracks:

1. Harmonium - Negative Love
2. Harmonium - Becuase I Could Not Stop For Death
3. Harmonium - Wild Nights
4. Shaker Loops - Shaking and Trambling
5. Shaker Loops - Hymning Slews
6. Shaker Loops - Loops and Verses
7. Shaker Loops - A Final Shaking

Tracks:

1. The Chairman Dances - Foxtrot For Orchestra
2. Grand Pianola Music - First Movement
3. Grand Pianola Music - Second Movement
4. Grand Pianola Music - Third Movement: On The Dominant Divide
5. Fearful Symmetries

Tracks:

1. Nixon In China - Opening
2. Nixon In China -
3. Nixon In China -
4. Nixon In China - Landing Of The Spirit Of '76
5. Nixon In China -
6. Nixon In China -
7. Nixon In China -
8. Nixon In China -
9. Nixon In China - Cheers
10. Nixon In China -
11. Nixon In China - Opening
12. Nixon In China -
13. Nixon In China -
14. Nixon In China -
15. Nixon In China -
16. Nixon In China -
17. Nixon In China -
18. Nixon In China -
19. Nixon In China -
20. Nixon In China -
21. Nixon In China -
22. Nixon In China -

Tracks:

1. The Wound-Dresser
2. Christian Zeal And Activity
3. Five Songs - Thoreau
4. Five Songs - Down East
5. Five Songs - Cradle Song
6. Five Songs - At The River
7. Five Songs - Serenity
8. Eros Piano

Amazon.com

Having earned his composing stripes after the 1960s, John Adams had the pioneering work of Steve Reich, Philip Glass, and Terry Riley close at hand as he ventured into his trade. And, while minimalism's historical continuum helps place Adams, he used Reich, Glass, and Riley (among others) only as a starting point. And here's proof: a 10-CD retrospective of nearly all Adams's recorded compositions on Nonesuch Records, the label that also issued Steve Reich 1965-1995 and Kronos Quartet: 25 Years. Adams's Harmonium, a choral work of startling energy and effervescence, appears here in a new recording, as do distillations of both The Death of Klinghoffer and Nixon in China, two path-clearing operas. Over the span of a career covered by Earbox, Adams has returned minimalism to traditional instrumental ensembles as well as to projects that at once advanced a political commentary and took that commentary back to orchestral audiences. And so, in far less time than his predecessors, Adams created works that now play like standard repertoire pieces: The Wound Dresser and Shaker Loops and the Violin Concerto--all of them are here. What these works demonstrate is a fierce creativity on the one hand and perhaps a hunger for commercial advances on the other. Adams may at times be a bustling free thinker, but he sounds ever conscious of what audiences are listening to. As for the works themselves, they remain every bit as daunting as when written.

Some may object to particular selections. I Was Looking at the Ceiling and Then I Saw the Sky, for example, hardly ranks with Adams's best work. But this box isn't a mere best-of; it's an almost-all-of. At times terrifically American--especially in the news-aware operas and their narrative pragmatism--Adams well deserves a major box set, and its coverage is appropriate to his varied, stylistically diverse output. As with any large-scale retrospective, Earbox--which fairly bristles with Adams's new composition, Slonimsky's Earbox--has spots where fans might balk at the quality of the composer's writing. But it's got a fantastic accompanying booklet along with its many hours of inarguably modern and thoroughly listener-friendly music. --Andrew Bartlett

Customer Reviews:

Moved to tears.......2004-03-18

Never before in my life was i moved so intensely and directly by classical music. I put the first cd in my player and a few minutes later tears are flowing. I find myself dancing and moving to a rythm i already seem to know. Wow, i just have to share that.

Nonesuch delivers.Again.......2002-11-27

John adams is one of the most popular living composers of"modern" classical music[I believe the cutoff point, though arbitrary is usually WWII}.I came to him late, through my husband. Modersn classical music , I said? What the hell is that?My husband kept playing bits and pieces of adams for me, and more and more i found myself amazed. and swayed. His operas have been groundbreaking{Nixon in China} controversial{Death Of klinghoffer},his compostions sublimely beautiful{shaker Loops or harmonium].HIS STATURE IS WORTHY THEN OF SUCH A MONUMENTAL CAREER SPANNING BOX SET.This 10 disc set[great value, again from NONESUCH}encompasses Adams' entire career,and though there are some misses here{I was looking at the ceiling and then i saw the sky doesnt quite fit},it is still magnificent. the Highlights are ,{for me} the Wound Dresser, Chamber symphony,Violin Concerto, of course, Shaker Loops and Harmonuim are wonderful. The true jewels here are Nixon in China,the Chairman dances and the Death of Klinghoffer,which is simply a masterpiece. The set comes with a wonderful book, which contains essay's by Robert Hurwitz {An Uncommon Man}renaud Machart[John adams as seen from europe} and Essays before an earbox by Adams himself.A Chronology and dicography are included. A wonderful study of an American original,worth the investment, Highly highly recommended

harmonia in excelsis.......2001-11-12

I must agree with Mr. Bartlett, particularly with regard to "Ceiling." It may well be because his Violin Concerto and Harmonielehre are so powerful. 4.5 stars.
Interesting, and likely intentional, is that two names in the extensive liner book fail to mention two great and glaringly obvious precursors: Carl Orff and Raymond Scott. Without "Carmina Burana," there would be no "Harmonium." Orff has his mark all over Adams's gifted and epic compositions. Similarly, though there are glib references to "cartoon music," the polymath engineer/musician Scott is a seminal figure in American music, and casts a large shadow over the witty juxtapositions and sense of play one loves in Adams's work. In all, an excellent career overview.

Our greatest living composer.......2001-07-22

As a composer, I'm staggered that anyone could fail to be gripped by this music.

That anyone can use the words "spoiled, overrated" amazes me. I emphatically disagree with "A music fan"'s review.

I don't think it's "mind-numbing"; I think it's spiritual and exciting. To me it's the most substantial music being created in our times.

I'm really sorry that anyone could fail to enjoy it, and really recommend others to listen for themselves.

Wonderful CD.......2000-04-02

This compilation should turn even the most curmudgeonly listerner into a fan. Beautifully recorded, great notes -- and it's a heck of a bargain!

Average customer rating: ISSUE RESOLVED ON THE EUPHRATES Enjoiyable, but lacking, too.

Handel: Belshazzar Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Pinnock, Trevor | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Samson Handel: Alexander's Feast Handel - Joshua / Kirkby, Bowman, Oliver, Ainsley, George, The King's Consort Handel - Deborah / Y. Kenny · Gritton · Denley · Bowman · M. George · The King's Consort · King Handel: Solomon ASIN: B0001ZWGHY Release Date: 2004-06-15

Tracks:

1. Overture
2. Vain, Fluctuating State Of Human Empire!
3. Thou, God Most High, And Thou Alone
4. The Fate Of Babylon, I Fear, Is Nigh
5. Lament Not Thus, Oh Queen, In Vain!
6. Behold, By Persia's Hero Made
7. Well May They Laugh/Oh Memory! Still Bitter To My Soul
8. Opprest With Never-Ceasing Grief
9. Dry Thoes Unavailing Tears
10. Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
11. Now, Tell Me, Gobrias
12. Behold The Monstrous Human Beast
13. Can You Then Think It Strange
14. Great God! Who, Yet But Darkly Known
15. My Friends, Be Confident
16. All Empires Upon God Depend
17. Oh Sacred Oracles Of Truth!
18. Rejoyce, My Countrymen
19. Sing, Oh Ye Heav'ns!

Tracks:

1. Let Festal Joy Triumphant Reign!
2. For You, My Friends
3. The Leafy Honours Of The Field
4. It Is The Custom, I May Say, The Law
5. Recall, Oh King! Thy Rash Command
6. They Tell You True
7. Oh Dearer Than My Life, Forebear!
8. By Slow Degrees The Wrath Of God
9. See, From His Post Euphrates Flies!
10. You See, My Friends, A Path
11. Amaz'd To Find The Foe So Near
12. To Arms, To Arms! No More Delay!
13. Ye Tutelar Gods Of Our Empire
14. Let The Deep Bowl Thy Praise Confess
15. Where Is The God Of Judah's Boasted Pow'r?
16. Call All My Wise Men

Tracks:

1. A Singony (Allegro Postillions)
2. Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
3. Oh Misery! - Oh Terror! - Hopeless Grief!
4. Oh King, Live For Ever!
5. No! To Thyself Thy Trifles Be
6. Yet, To Obey His Dread Command
7. Oh Sentence To Severe!
8. Oh God Of Truth! Oh Faithful Guide!
9. You, Gobrias, Lead Directly To The Palace
10. Oh Glorious Prince!
11. Alternate Hopes And Fears
12. Fain Would I Hope
13. Can The Black Aethiop Change His Skin?
14. My Hopes Revive
15. Bel Boweth Down!
16. I Thank, Thee, Sesach
17. A Martial Symphony
18. To Pow'e Immortal My First Thanks
19. Be It Thy Care, Good Gobrias
20. Great Victor, At Your Feet I Bow
21. Say, Venerable Prophet
22. Tell It Out Among The Heathen
23. Yes, I Will Build Thy City
24. I Will Magnify Thee

Customer Reviews:

ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19

One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.

Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.

I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.

The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.

Enjoiyable, but lacking, too........2004-08-16

This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".

Average customer rating: My Name is the Real Rating for This CD I don't know what took me so long, but this is a gem enduring songs from an American moment

The Street Was Always There Eric Andersen Manufacturer: Appleseed Records ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Classic Rock | Styles | Music Similar Items: Waves Beat Avenue You Can't Relive the Past Memory of the Future Blue River ASIN: B0002PUHBU Release Date: 2004-09-21

Tracks:

1. Little Bit Of Rain
2. These 23 Days In September
3. Universal Soldier
4. Johnny Half-Breed
5. Waves Of Freedom
6. I Ain't Marching Anymore
7. Louise
8. Misty Roses
9. White Boots Marching In A Yellow Land - Wyclef Jean
10. A Hard Rain's A-Gonna Fall - Carole Sylvan
11. Many A Mile
12. The Other Side Of This Life
13. The Street Was Always There
14. Phil Ochs Speaks

Amazon.com

Having continued to turn out a body of consistently brilliant--if recently overlooked--original work since the 1960s, Andersen here decides to cover tunes from that fertile era. The period saw a spate of songs written to effect social change, like Buffy Sainte-Marie's "Universal Soldier," Phil Ochs's "I Ain't Marching Anymore," and, more elliptically, Bob Dylan's "A Hard Rain's A-Gonna Fall." Other artists covered, like Tim Hardin, Paul Siebel, and Fred Neil, dealt with more personal realms; radio play and "hits" were not an issue. These still relevant tunes prove that Andersen and his cohorts set a songwriting standard that has yet to be beaten--and is rarely equaled. --Michael Ross

Album Description

Eric Andersen, one of America's premier singer-songwriters, puts aside his original material (for the most part) to "sing as freshly as possible the songs I first heard sung in the streets, cafes, and clubs by certain performing songwriters in the 1960s Greenwich Village" on "The Street Was Always There." Andersen presents passionate new versions of classics and forgotten gems written by his '60s elders, contemporaries, and friends - Bob Dylan, Phil Ochs, Fred Neil, Tim Hardin, Peter La Farge, Patrick Sky, David Blue, Buffy Sainte-Marie and Paul Siebel.

On "The Street Was Always There," Andersen presents the many creative facets on the '60s Village-based songwriters, spanning the protest and personal approaches to "folk music" and proving the timelessness of both. With vibrant production by multi-instrumentalist Robert Aaron (leader of international hip-hop/rap star Wyclef Jean's band), Andersen applies his time-seasoned baritone to all-too-relevant anti-war songs - Dylan's "A Hard Rain's A-Gonna Fall," Sainte-Marie's "Universal Soldier," Ochs's "I Ain't Marching Anymore" and "White Boots Marching in a Yellow Land" - the latter featuring an explosive rap by guest Wyclef Jean, who also plays electric guitar and bass on the track - as well as two of Fred Neil's bluesy ballads, a shimmering bossa nova take on Tim Hardin's "Misty Roses, and an unsettling version of David Blue's "These 23 Days in September," among others. Andersen also revisits his own "Waves of Freedom" from 1969 and provides the newly-penned title track, a tribute to the Village community of the '60s and to the endless options for expression and experience provided by the metaphorical "street." Joining Andersen (vocals, electric guitar) and Aaron (bass, guitar, keyboards, melodica, woodwinds) are special guests Wyclef Jean, ex-Lovin' Spoonful leader and solo artist John Sebastian, fellow '60s songwriter Patrick Sky, guitarist Pete Kennedy of the roots/pop duo The Kennedys, longtime Woodstock musician (and fellow Village graduate) Happy Traum (acoustic guitar), and a cast of top-flight sidemen. The CD booklet includes numerous historic photographs of the songwriters whose work is brought back to the public ear on this CD.

Customer Reviews:

My Name is the Real Rating for This CD.......2006-02-04

Embarrassingly bad remakes of 60s era folk sings. I couldn't decide what was worse - the ponderous singing, or the uninteresting electric guitar arrangements of tunes better suited to acoustic treatment. A particular lowlight is the comically bad rendition of Bob Dylan's "A Hard Rain's a Gonna Fall", which is painfully stretched out to over nine minutes. The liner notes, which elevate 1960s folk singers to the status of gods, add to the leaden effect of this CD. For boomers whose craze for nostalgia has completely overwhelmed their ability to recognize quality music - which this isn't.

I don't know what took me so long, but this is a gem.......2005-10-25

First off, I'm a long time Eric Andersen fan. Long time. Walked through 3 feet of snow on Bloor Street one winter's night in Toronto in '75 to hear Eric play before maybe 20 people (not his fault, blame the shinook that blew in). And would do it again in a heartbeat.
For some reason, thinking this might be just a throwback spurred on by Appleseed, I avoided this disc. I like Eric's songs. Man was I wrong. This is simply terrific, from the opening Fred Neil track to the closer. It pays homage to colleagues Eric knew in the Village days, while at the same time breathing fire into worthy tunes, thanks mainly to the superb guitar work by Eric and Pete Kennedy.
Eric often felt Dylan dealt Phil Ochs more than one underhanded blow in the course of their careers, and so Phil's "I'm not marching anymore," features a brilliant arrangement with Patrick Sky on uillean pipes to restore this moving song to its rightful place in the American folksong tradition. Fellow Canadian songwriter Buffy Saint Marie has her "Universal Soldier" delivered with a passion that doesn't just resonate these days, it demands attention. Funny how so much of the material here is so to the point of the duplicitous nature of US society. Maybe more so now than back in the day. The Roman Empire is starting to teeter. Some would say, it's got it coming. Eric simply points out where they left their conscience and leaves it to the denizens to decide to revive or decline. In that respect, as social and political commentary, Eric has released a profound gem, worthy of Plato's dialogues.
It is the notion of dissent that Ochs embraced as key to the American concept of democracy. The fascist element in power now would tell you that Ochs is unpatriotic. Hopefully, with the advocacy of Patrick FitzGerald in the CIA-leak case, treason will be unmasked where it lies. In the meantime, this is a disc whose merits ought to be mulled and discussed. It is a work of brilliance from a thinking poet, honouring those who were his comrades in thinking.

enduring songs from an American moment.......2004-09-28

Next to Dylan, Eric Andersen remains the most artistically vital performer to emerge from the legendary Greenwich Village folk scene of the 1960s. That's not only because -- unlike such as fellow talents as Fred Neil, Dave Van Ronk, Phil Ochs, David Blue, Tim Hardin, and Tim Buckley -- he's still alive; perhaps more to the point, it's because Andersen is still consumed with his muse. Though his approach remains based in the modern-folk sound created in those heady years (and I have not a single objection to that), he has an appealing way of putting that sound into unexpected but unforced more contemporary sonic textures.

Besides being a very fine singer, Andersen is an exceptional (if sometimes remote) songwriter. Here, however, he looks back to old days and old friends, reviving songs written mostly by others when he was prowling Village streets with Ochs, Dylan, and that fabled outlaw gang. Rock and hip-hop producer Robert Aaron doesn't attempt to recreate their original sound -- which in any event would be pointless since the first-draft versions are easily available -- but sets them under a shimmery folk-rock sky; at moments one could almost swear one is hearing voices accompanied by the aurora borealis. Throughout, Andersen's vocals treat the material, much of it bluntly political, with fierce, even unsettling conviction. Such moral urgency, encountered in an age too often defined by cruel indifference and brutal self-righteousness, is shocking, but it is more than welcome. Most of all, however, these are -- happily -- songs, not sermons, and entirely satisfying on that level.

I have heard nearly all of these songs for what seems like nearly all of my life, though in fact they first passed through my ears when I was a college student in the mid-1960s. Ever since, whenever I've heard somebody spout piously about the Great American Songbook, I've wondered why he or she never seems to have these songs in mind. In his section of the liner notes, producer Aaron -- to whom these songs were new when Andersen brought them to him -- wonders the same. Surely the equal of any written in the past century, these songs document a magical moment, an all-too-short one when older tradfolk-music forms entered a brave new world torn by change, war, and wild new possibilities and refused to blink. A handful of artists, acoustic guitars in hand, found their voices and sang for themselves and the ages.

Smartly conceived and ingeniously executed, The Street Was Always There does them proud. It takes their art to a new generation that will find it needs that art more than ever.

Average customer rating:

Always (A Song for Love) J-Friends Manufacturer: Universal/Polygram ProductGroup: Music Binding: Audio CD General | International | Styles | Music International | Imports | Stores | Music ASIN: B00005U27T Release Date: 2001-12-19

Album Details

Deluxe limited edition book style packaging.

Average customer rating:

Company of Friends Manufacturer: Words and Muse Productions ProductGroup: Music Binding: Audio CD General | Children's Music | Styles | Music ASIN: B000CAFK08 Release Date: 2004-07-06

Average customer rating: Great Tunes 4 Great Times

Live in 3-D Wylde Nept Manufacturer: Wylde Nept ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Celtic | International | Styles | Music ASIN: B000CA8UJQ Release Date: 2005-08-23

Tracks:

1. Haul Away Joe
2. Gallows
3. Whiskey in the Jar
4. Strike the Bell
5. Mrs. Durkin
6. Big Strong Man
7. Johnny Jump Up
8. John Kanakanaka
9. Some Kind of Ride
10. Week Before Easter
11. Lannigan's Ball
12. Finnegan's Wake
13. Drunken Sailor

Customer Reviews:

Great Tunes 4 Great Times.......2006-06-20

Wylde Nept is a local band from Cedar Rapids, IA who do "Irish Pub" music quite well. If you like to have a few drinks with friends and enjoy Irish music then this is the CD for you. Goes great with a Guinness!

Average customer rating:

Always Best Friends Laurie Roth Manufacturer: Bmg Music ProductGroup: Music Binding: Audio CD ASIN: B00000DUU8 Release Date: 1993-08-24

Average customer rating: Great music! meravigliosa! essential for ALL music lovers pure bliss friends always

Friends Always Eva Eva Manufacturer: E/Eva ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Broadway & Vocalists | Styles | Music General | Pop | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music ASIN: B00005MNT7 Release Date: 2000-02-01

Tracks:

1. Mama Used To Say
2. Friends Always (Companheiros)
3. Love Song
4. Golden Rule
5. Como Posso Desvendar(Key To Your Heart)
6. Just That Strong
7. Fala Pra Ele (Tell Him)
8. Barracao de Zinco
9. So Acredite (Only Believe)
10. Love Is The Seventh Wave
11. Brejeiro
12. Change The World
13. Estupefando o Lee

Customer Reviews:

Great music!.......2007-05-13

My name is Bill Lucas, I'm brazilian, and I participated playing percussion on this CD. For me it was such a big pleasure and joy to play with Eva and the other great musicians. All the music on this CD is very inspiring. The atmosphere in the studio was very good and everything worked out just fine. It was also a great oportunity to meet and play with one of my idols "Osvaldinho da Cuíca", a percussion icone in Brazil. Thank you Eva and good luck!

meravigliosa!.......2002-04-01

This CD is amazing. A little of everything, and the voices are marvelous. A lovely singer. Infectious beats. Just buy it!
RD

essential for ALL music lovers.......2001-11-28

EvaEva's music is truly a breath of fresh air and she has something for everyone on her cd... A little pop, a little samba, a little reggae. Not only is her voice genuinely beautiful and extremely versatile but her lyrics also have meaning. They talk of the love, fun, beauty and hope in life. I recomend this cd to all!

pure bliss.......2001-08-17

A good arrangement of songs, and a wonderful vioce,make for a pleasant listening to Eva C.,

friends always.......2001-08-14

This CD is so great that I can't wait to listen to the next one (soon I hope). The band is great, the singer is terrif! A must have CD. Evaeva's music makes me very happy.

Average customer rating:

I've Always Got the Blues Miles Davis & Friends Manufacturer: Zyx Records ProductGroup: Music Binding: Audio CD General | International | Styles | Music Bebop General | Bebop | Jazz | Styles | Music Cool Jazz | Jazz | Styles | Music General | Jazz | Styles | Music Jazz | Imports | Stores | Music ASIN: B0000C426O Release Date: 2003-09-22

Christian Music:

1. Frosty the Snowman
2. Gershwin Plays Gershwin
3. Gone Where They Don't Play Billiards
4. Gratefully Yours
5. Happy Together (+5 Bonus Tracks) [Import]
6. Holiday Party Favorites
7. HOLLARATCHABOI [Explicit Lyrics]
8. Hope
9. If I Listen To My Heart
10. In the Reverb of the Sounds We Made Together

Christian Music

christian music

Christian Music

Stargazing [Import]

Best of Dvorak: Chamber Selections

Baroque Guitar Works

Music CD: Encadenado

Big Screen, Little Screen [Soundtrack]

Alcohol Anthems

Baktabak Interview: The Interview

Amphibian

Best [Import]

Art of

Back in the Day [Import]

20 Temas de la Nueva Onda Nortena

Ain't No Thang Like the Game

The Butterfly Lovers

Lost in the Loop