| 1. Boys in Blue - Manchester City FC |
| 2. Sugar, Sugar |
| 3. Up the Blues - Manchester City FC |
| 4. Cinnamon Stick - Brian Labone, |
| 5. Blue City |
| 6. Funk City - Manchester City FC |
| 7. Manchester Football Double |
| 8. Manchester City Medley: Winter Wonderland/Blue Moon/Go West/Yellow Subm - Frank Sidebottom |
| 9. Kinnel Tommy - Ed Banger |
| 10. Dancing in the Kippax |
| 11. We're Back |
| 12. Colour Blue - Manchester City FC |
| 13. Gio (Kinkladze) |
| 14. Playing for City |
| 15. Make Me an Island |
Blue Moon,Manchester City FC,Gaffer,Pop,Pop Vocals,Sports Anthems
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Silk Road Journeys: When Strangers Meet
Yo-Yo Ma , and Silk Road Ensemble Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000641CG Release Date: 2002-04-16 |
Tracks:
- Mongolian Traditional longsong
- Legend of Herlen (Byambasuren Sharav)
- "Blue Little Flower" (Chinese Traditional)
- "Mido Mountain" (Chinese Traditional)
- Moon over Guan Mountain (Zhao Jiping)
- "Miero vuotti uutta kuuta" from Five Finnish Folk Songs (Michio Mamiya)
- "Joiku" from Five Finnish Folk Songs (Michio Mamiya)
- Avaz-e Dashti (Persian Traditional)
- Habil-Sayagy (In Habil's Style) for cello and prepared piano (Franghiz Ali-Zadeh)
- Blue as the Turquoise Night of Neyshabur (Kayhan Kalhor)
- Chi passa per'sta strada (Filippo Azzaiolo)
- Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon/Tan Dun) (Bonus Track)
Amazon.com
This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler
Customer Reviews:
The Versatile Yo-Yo Ma .......2007-07-24
As always, the versatile Yo-Yo Ma is quite soulful and technically brilliant in his musical exploration of the "Silk Road". The music, to me, captures the feeling of Asia. The liner notes are very educational in providing a context to the project.
I find Asian music to be very different from our "Western" traditions, but given time and an even chance, I think that you will find this CD to be very nice and enjoyable.
Not for the average listener.......2007-03-20
I was looking forward to this, but the music is plodding in many parts,
like a dreary symphony. There are fine moments, but I was looking for something a bit more accesible, rhymic, and lyrical. This is a mixed bag that seems to miss more often than hit.
A thoroughly enjoyable trip through Central Asia and a few other places........2007-03-15
Silk Road Journey.......2007-02-19
A Detailed Review From A Non-expert Music Lover.......2007-01-12
To anyone who has heard of the Silk Road in Ancient China, the title of this CD immediately brings up images of exotic peoples and their cultures in your mind. I think Yo-Yo Ma's efforts in creating such a culturally diversified recording are definitely welcomed in this era of globalization.
But after listening through this CD I felt that something was missing from the selections. One of the most important areas on the Silk Road is the Uyghur region in northwestern China. Their music is quite unique. Inclusion of their music in this CD would be really interesting. Also in this CD not all of the selections are chosen from those regions directly related to the Silk Road. So I guess the title is just a metaphor of "when strangers meet", but is not directly about the cultures along the Silk Road.
Now I will review each of the selections.
1. Mongolian Traditional Long Song
I am somewhat familiar with their culture and land. So to me this song is very beautiful and enchanting. One of the most important factors in conducting any cross-cultural communications is context! You really cannot take it out of context. The Mongolian Long Song might sound monotonous and drawling to a person who is more used to the Western tradition of chant, choral, or opera music. Yet if you know the traditional nomadic lifestyle of the Mongolian people on the vast rolling greens of the Mongolian grassland embellished with winding creeks and rivers, you would probably hear such long-singing voices reverberating between the green of the grass and the blue of the sky. The Mongolian people have some of the most beautiful songs that I know of.
2. Legend of Herlen
There are probably two broad categories of non-western ethnic musics. One is the authentic folksong tradition of the people, the other is westernized works composed by westernized local musicians. I guess Legend of Herlen might fall into the second category. It has some interesting tunes in it. But the overall listening experience is too dramatic. I guess the dynamics used in this piece might even go beyond the ppp and fff. In the Mongolian traditional music, dynamics are sometimes used quite dramatically, with sharp difference between two adjacent notes or phrases. So this piece here is probably not very surprising. Nonetheless I find it a little too dramatic, sometimes even disturbing. Again I am not familiar with the background of this piece, so that might explain the unusual drama.
3. Blue Little Flower
I am not sure what fusion should really sound like. But in this piece it does seem to me that a lot of musical traditions are intertwined in it: western music, Chinese folksong from Shaanxi, and probably Iranian or Indian drums. Somehow the only part of this song that I liked is the beginning line. It's very beautiful and delicate, reminding me of the theme music from the Couching Tiger, Hidden Dragon. But it is westernized, not authentic Chinese folksong. If this is still not a problem, then the drum used in this piece does cause a lot of funny effects. The drum sounds so distinctive and it represents some of the central or western Asia cultures. The images such drum beats conjure up are very incompatible with this northwestern Chinese folksong. So in this piece there are at least three threads: western, Chinese, and Iranian/Indian (I am not sure which one). But they do not converge. There is also the funny part of the singing included in this piece. It is out of place and unnecessary. The singing itself is just too frivolous to me.
4. Mido Mountain
I like this piece, especially the part played by the Sheng. Again there are some elements that sound a little bit too foreign to me, especially the percussion part. They use the same percussion/drum in this piece as in the previous one. But the overall effect of the arrangement does sound authentic and pleasant to me.
5. Moon Over Guan Mountains
If you know that Zhao Jiping is famous for his scores for films, you will probably understand this piece better. But of course understanding does not mean you will like it. This piece falls into the second category that I described above. For a lot of non-Western countries, the influence of western music is definitely immense. Many local composers are trained in both the western tradition and the local tradition. But there is probably a general feeling among composers in these countries that western music is richer in theory and methods. Many of these composers will use themes from folk songs to compose westernized music. I will give this piece a B+. It does include some themes from northwestern China, which sound really unique. As I said in this CD there is no selection from the Uyghur region in China, this piece might make up for that, since some of the themes seem to me to be from that region. But this piece is still too dramatic too, like a film score.
6. Five Finnish Folksongs No. 3
I love this one! The theme melody is so beautiful, and maybe a little bit nostalgic, and maybe a little bit romantic also? But this piece is straightly western music. There is nothing ethnic about it.
7. Five Finnish Folksongs No.5
This one is ok, but not very impressive. The overall structure of this piece sounds like very loose. There is not memorable melody either. But it does not have the maddening drama like in the two pieces I have just talked about. This is good.
8. Avaz-e Dashti
I am not familiar with Persian music. But there are indeed some very Persian melodies in this piece. The instruments used in this piece are all traditional Persian instruments. Maybe this is why it sounds so authentic to me. I like the haunting, floating tunes in this piece. They sound very ethereal to me.
9. Habil-Sayagy
Again this piece falls into the second category like the Legend of Herlen and Moon Over Guan Mountains. Such music is probably interesting to the performers, since they can let loose their inner floodgate of emotions and resort to pure artistic connections. But the problem for such music is that they are just too dramatic, and it's really hard to understand them without fairly good knowledge of the context and their unique cultural backgrounds. I am sure all these three pieces might sound profound, meaningful, and artistic once we know the cultural backgrounds better. But for the general listener, they are too abstract and too emotionally charged. Another problem for such western-traditional combination pure art form of music is that tradition might be distorted and represented in the wrong way.
10. Blue as the Turquoise Night of Neyshabur
I like this one better that the previous one, especially the middle part beginning at around 5 min 30 sec into the music. The melody is quite unique, and memorable. The bassline is very interesting too. It conjures up the image of merchants traveling on camel back through the desert. The pulse of the bass sounds like the steps of camels walking. One the instruments used, I am not sure which one, santur or kemancheh, is quite successful in bringing out the authenticity of the music style.
11. Chi passa per'sta strada
This one has the same problem as the Blue Little Flower: it does not sound like anything! It is not Italian, nor is it Iranian, nor Chinese, nor anything else. What is it? Who knows. The ethnicity of world music is tied to their unique musical instruments closely. I remember there was one year the Chinese traditional orchestra had a New Year's Concert at Vienna, and when they played the Radetzky March at the end of the concert, I was quite unimpressed.
12. Desert Capriccio
Tan Dun is similar to the composers I mentioned above like Zhao Jiping. Tan's music is unique and interesting to both western and Chinese audience, because of the same thing: they are both unfamiliar with Tan's music. To the Chinese audience, his music sounds western, but to the Western audience, his music sounds exotic. Nonetheless I still like some of this music, like the Couching Tiger and Hidden Dragon. Some of the melodies are really great. Again this piece makes up for the lack of Uyghur music in this album, since the "desert" in this piece is in the Uyghur region. But the music is not Uyghur at all.
There you have it. That's all for my detailed review of this CD. I would give it a B+ for its efforts and some of the really good tunes. As I am not an expert, I might be wrong in many of the points that I make in this review. So feel free to comment on my review.
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Blue Moon Swamp
John Fogerty Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00067Z32M Release Date: 2004-11-09 |
Tracks:
- Southern Streamline
- Hot Rod Heart
- Blueboy
- Hundred and Ten in the Shade
- Rattlesnake Highway
- Bring It Down to Jelly Roll
- Walking in a Hurricane
- Swamp River Days
- Rambunctious Boy
- Joy of My Life
- Blue Moon Nights
- Bad Bad Boy
- Just Pickin' [*]
- Endless Sleep [*]
Customer Reviews:
just good music.......2007-07-03
Fogerty.......2007-06-10
For drinking beer & looking out your back door........2006-08-11
Fogerty's best solo album.......2006-07-14
The two bonus tracks clock in at less than 5 minutes. As I said if you have the previous edition they aren't essential. With the switch of Fogerty's solo stuff (all except his Fantasy releases)to Geffen Records the label thought it would be wise to reissue this album with bonus tracks to entice buyers again. The same original master created by Bob Ludwig is used so it doesn't really sound different.
check this out too.......2006-07-08
1) 24 Hours A Day by The Bottle Rockets
2) Chooglin': A Tribute To The Songs Of John Fogerty
3) Banjos and Sunshine by Sixty Acres
4) Trace by Son Volt
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Thunderbird
Cassandra Wilson Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EGDN0E Release Date: 2006-04-04 |
Tracks:
- Go To Mexico
- Closer To You
- Easy Rider
- It Would Be So Easy
- Red River Valley
- Poet
- I Want To Be Loved
- Lost
- Strike A Match
- Tarot
Amazon.com
With a series of terrific albums, Cassandra Wilson has established herself as one of the day's great vocalists and, in branching out from jazz into blues and folk and pop, paved the way for genre-crossing stars including Norah Jones. But the Mississippi native has rarely sounded as relaxed or winning as she does on "Thunderbird," which teams her with the stalwart O Brother Where Art Thou? producer T Bone Burnett. Recorded mostly in Los Angeles, the album is noteworthy not only for its roomy, atmospheric sound and experimental touches, but also for its improvised-in-the-studio approach. Working with innovative Burnett regulars including keyboardist (and co-producer) Keefus Ciancia, guitarist Marc Ribot, and drumming legend Jim Keltner, Wilson delivers such offbeat delights as "Going to Mexico," a dreamlike, funk-tinged tune built on a sample of "Hey Pocky A-Way" by New Orleans' Wild Tchoupitoulas. Eschewing the well-known pop tunes she usually covers, she lends her huskily seductive vocals to Jakob Dylan's wistful "Closer to You" and Burnett's dark "Strike a Match," to which she claimed co-ownership by changing the time signature and adding a lyric. The inspired contributors also include programmer and bassist Mike Elizondo (producer of Fiona Apple's "Extraordinary Machine") and guitarist Colin Linden, who wails on a gripping extended reading of Blind Lemon Jefferson's "Easy Rider" and duets with Wilson on the cowboy classic "Red River Valley," which eloquently sums up her ability to breathe jazz meaning into anything she chooses. --Lloyd SachsCustomer Reviews:
Pick One..........2007-05-01
The Best, Simply The Best, Singer Going.......2007-04-27
why krall whn u can fly!!.......2007-04-12
Too Many Pop Covers.......2007-03-11
Thunderbird is truly a classic.......2007-03-08
The old adage rings true...Like fine wine, she get's better with age!
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Blue Moon
Steve Holy Manufacturer: Curb Special Markets ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004YNEE Release Date: 2000-10-10 |
Tracks:
- Blue Moon
- One Beat At A Time
- Cold Kisses
- Just A Kiss
- The Hunger
- Tear One
- She's So
- You're Gonna Miss My Love
- Someone's Out To Get Me
- If That's What You Want
- Don't Make Me Beg
- Good Morning Beautiful
Customer Reviews:
Fabulous.......2007-05-17
Steve Holy is awesome!.......2006-08-22
Received album today :).......2006-03-13
Beautiful Singer!!! .......2005-08-26
We need more from this artist!! Steve Holy you are such a beautiful sensitive singer and soul! Keep up the good work!
It does make me sad that he is not getting the attention that he deserves! I would love to see him perform on the country awards with Go Home. Boy, You are getting better and better!! (Maturing to an incredible country romantic heart grabbing artist!)
I raise my heart and glass(es) to you for great success!!
Keep up the good work!
Michael
;) IL
JUST THE BEST CD EVER.......2003-09-14
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A.I. - Artificial Intelligence: Original Motion Picture Score
Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LLVS Release Date: 2001-07-03 |
Tracks:
- The Mecha World
- Abandoned In the Woods
- Replicas
- Hide And Seek
- For Always
- Cybertronics
- The Moon Rising
- Stored Memories And Monica's Theme
- Where Dreams Are Born
- Rouge City
- The Search For The Blue Fairy
- The Reunion
- For Always (Duet)
Amazon.com
Packed with Big Ideas about the future of mankind and dispatched with a distant, often icy veneer, Steven Spielberg's Artificial Intelligence can scarcely camouflage its roots. It was begun by the late Stanley Kubrick in the mid-'80s; Spielberg collaborated briefly a decade later, bowed out, then inherited it upon Kubrick's death in '99. And while the late auteur's cold vision seems largely intact (if now infused with Spielberg's enduring Pinocchio fetish), it's safe to say that Kubrick's often challenging musical tastes would probably not have led him to composer John Williams's doorstep. Nonetheless, the acclaimed veteran again rises to the occasion, ably demonstrating that he's hardly been indifferent to 20-odd-years of minimalism and postmodernism and that, as always, the best film music is often a subtly crafted pastiche of sensibilities and styles. Setting the tone of the film's robotically enhanced not-so-distant future, "The Mecha World" crackles and glistens with Steve Reich's rhythmic urgency and John Adams's dense coloration, while "Abandoned in the Woods," "Hide and Seek," and "Rouge City" succeed by setting Williams's more traditional sense of melody against Phillip Glass's hypnotic arpeggios. There's also a sense that the composer has craftily evoked the ghost of Kubrick music past and 2001 in particular; "Replicas" and "Stored Memories" bring to mind Ligeti, while the mournful strings of "Cybertronics" seem a ghostly echo of Khachaturian's "Gayane Ballet Suite." David Foster's ballad "For Always" (in a solo rendition by Lara Fabian and a duet between Fabian and Josh Groban) seems twice-included strictly to enhance the album's radio allure. Completists should also note that Ministry's dark contribution to the film's Flesh Fair sequence, "What About Us?" is not included on this soundtrack, but is available on their Greatest Fits compilation. Arguably Williams's most musically adventurous score since his landmark Close Encounters, A.I. should take its place among the most distinctive of the composer's long and bounteous collaboration with Spielberg. --Jerry McCulleyCustomer Reviews:
The music is masterfully composed with wit, majesty, and soul.......2006-06-19
Beautiful .......2006-02-20
I would definately say this is one of his best. It reminds me of some of the other Spielberg collaboration scores. Mainly, Empire of the Sun, and War of the Worlds. Lots of the score is wonderful emotional underscoring. It's very complex, and full of interesting scales and keys. Of course, there is plenty of gorgeous thematic material to make the score complete. Honestly, I have never heard a bad John Williams score. Come to think of it, I've never heard one that was less than brilliant and amazing. Really, give this a listen.
Please vote me helpful!
John Williams does his best Minimalist Impersonation with Fine Results.......2006-02-05
Of course Williams, just like Steven Spielberg, can't help but pour on the schmaltz once in a while. The main theme of the film is the one used for the song " For Always ". When this music is played by piano and orchestra it's quite beautiful. When the soprano Barbara Bonney sings it with wordless vocals, it's very evocative of the mood in the film. HOWEVER, I have no idea what John Williams was thinking when he basically turns this beautiful, simple theme into a corny pop song. Oh wait, I know exactly what he was thinking, he was trying to generate a pop hit! Ugh. When Lara Fabian sings " For Always " on track 5, you grind your teeth and barely make it through. When on track 13, Lara Fabian is joined by Josh Groban for a duet version of the same song, it becomes intolerable schmaltz at it's worst.
So yes, there is much satisfying work here by everyone's most lovable film composer John Williams, just don't listen to tracks 5 and 13 so your musical sensibilities won't be irreparably damaged!
The last word from me, A.I., terrific soundtrack that rivals Williams' best, sayonara!
Will one day be considered among the best he's written.......2005-12-29
This score by John Williams will one day be considered among the best he's written. Highly underrated, yet greatly poignant.
I agree with other reviewers who have warned that this is not in the Star Wars / Indiana Jones vein. If you're looking for big, bombastic symphonic music, look elsewhere. This is very sentimental, but beautifully done music. It demonstrates John Williams' talent for matching the music to the film's intention. As his resume' demonstrates, John Williams can write music for just about every film, including a misunderstood "Spielberg/Kubrick" collaboration.
"The Reunion" (final track) is one of the best tracks of orchestra/piano music ever written. The lullaby-like song is the same melody as was used in "For Always," and it is achingly beautiful.
Appropriately, this final track is played in the film while David being (finally) reunited with his "mother."
Almost Impeccable.......2004-04-26
Several tracks stand out in this masterpiece. The twin versions of "For Always," one featuring Lara Fabian and the other featuring Josh Groban in a duet with Ms. Fabian are wonderfully pure. In solo form, Lara's voice is wonderfully smooth and has a subtle almost untrained quality that lends a genuineness to her singing. In the duet, Mr. Groban's silky smooth baritone perfectly offsets Lara's clear soprano. The penultimate song, titled "The Reunion" is a stunning, gorgeous lullaby of a piece that features a plaintive, almost childish piano theme. The simplicity is subtlely complex as the theme winds through an entire emotional range, from triumphant happiness to simple joy to black despair, and finally back into an almost heartbreaking lullaby.
Mr. Williams has displayed a wide variety of musical styles in this soundtrack. For fans of his that are desiring a "Star Wars" fanfare and overpowering orchestral pieces, this soundtrack is not for you. I personally prefer this collection to most of his other works.
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With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)
Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AGWH6 Release Date: 2003-08-26 |
Tracks:
- Opening
- It's A Good Day
- Tea For Two
- Blue Moon
- That Old Feeling
- Embraceable You
- Get Happy
- I'll Walk Alone
- They're Either Too Young Or Too Old
- I'm Thru With Love
- An American Medley
- WIth A Song In My Heart
- Overture
- You Mustn't Kick It Around
- I Could Write A Book
- Chicago
- That Terrific Rainbow
- What Is A Man?
- Happy Hunting Horn
- Bewitched
- Pal Joey
- The Flower Garden Of My Heart
- Zip
- Plan You Now, Dig You Later
- In Our Little Den
- Do It The Hard Way
- Take Him
- Bewitched (Reprise)
- Finale
Album Description
First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.Customer Reviews:
with a song in my heart/pal joey sound tracks.......2007-03-31
With A Song In My Heart CD.......2007-03-19
A Jane Froman double feature........2006-09-16
WITH A SONG IN MY HEART
Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.
PAL JOEY
Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.
In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.
"Pal Joey's" Pal.......2006-07-30
another great twofer from DRG.......2004-01-21
WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".
The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.
Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.
The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.
The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".
A fine addition to your collection. [DRG 19054]
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Grease - Deluxe Edition
Olivia Newton-John , John Travolta , and Stockard Channing Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C16OQ Release Date: 2003-09-23 |
Tracks:
- Grease - Fankie Valli
- Summer Nights - Olivia Newton-John
- Hopelessly Devoted To You - Olivia Newton-John
- You're The One That I Want - Olivia Newton-John
- Sandy - John Travolta
- Beauty School Drop-Out - Frankie Avalon
- Look At Me, I'm Sandra Dee - Stockard Channing
- Greased Lightnin' - John Travolta
- It's Raining On Prom Night - Cindy Bullens
- Alone At The Drive-In Movie (Instrumental) - Jim Jacobs
- Blue Moon - Sha-Na-Na
- Rock N' Roll Is Here To Stay - Sha-Na-Na
- Those Magic Changes - Sha-Na-Na
- Hound Dog - Sha-Na-Na
- Born To Hand-Jive - Sha-Na-Na
- Tears On My Pillow - Sha-Na-Na
- Mooning - Cindy Bullens
- Freddy, My Love - Cindy Bullens
- Rock N' Roll Party Queen - Louis St. Louis
- There Are Worse Things I Could - Stockard Channing
- Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
- We Go Together - Olivia Newton-John
- Love Is A Many Splendored Thing (Instrumental) - Sammy Fain
- Grease (Reprise) - Frankie Valli
Tracks:
- Grease (Instrumental Version) - Gary Brown
- Summer Nights (Sing-A-Long Version) - Jim Jacobs
- Hopelessly Devoted To You (Sing-A-Long Version) - John Farrar
- You're The One That I Want (Sing-A-Long Version) - John Farrar
- Sandy (Sing-A-Long Version) - Louis St. Louis
- Greased Lightnin' (Single Version) - John Travolta
- Rydell Fight Song (Instrumental) - Jim Jacobs
- Greased Up And Ready To Go (Instrumental) - Jim Jacobs
- Grease Megamix: You're The One That I Want/Greased Lightnin'/Summer Nights - Olivia Newton-John
- Grease Dream Mix: Grease/Sandy/Hopelessly Devoted To You - Olivia Newton-John
- Summer Nights (Martian Remix) - Olivia Newton-John
- You're The One That I Want (Martian Remix) - Olivia Newton-John
Amazon.com
There's no better example of American pop culture's hall-of-mirrors ethos than producer Alan Carr's relentlessly buoyant 1978 film adaptation of the stage musical Grease. Inspired by that decade's rampant 50's nostalgia, it now paradoxically evokes the campy 70's excesses that spawned it. That sense of recycled decades in collision is underscored repeatedly on this deluxe, double-disc Grease-fest, especially on the set's second disc of bonus materials that spans vintage singles of the title track (its instrumental B-side) and "Greased Lightnin'," some sing-along karaoke tracks, and a handful of alternately slick/techo-savvy remixes (originally produced for the film's 20th anniversary) that are testament to its enduring, era-defying appeal. The original soundtrack itself has been treated to a stellar digital remastering that fills disc one, and remains a joyous monument to camp, sheer ambition, and exuberant nostalgic illusions. Includes a slip-cased, double-fold-out case and new booklet with complete song lyrics. --Jerry McCulleyCustomer Reviews:
You 're The One That I Want.......2007-04-03
The complete Grease experience. This cd is a two disc-set with disc one being the complete soundtrack, while disc two is all bonus material including the popular Grease Megamix. Fans of the movie would want to make this cd an essential part of their music collection.
Prepare to be transported to Summer Nights.......2006-03-26
This album has not only captured the spirit of the movie but the essence of a 1970's version of the 1950's. I have seen this play live and yes some things are different. Yet I grew up on the movie. I even find myself singing some of the songs now and then. Of course you will never see me singing "Look At Me, I'm Sandra Dee." However I do keep this in my car as great driving music. This album is not you can pick apart and say things like missing songs, in the wrong order etc. It sounds and feels just right. There will be many versions yet this one is the Grease - Deluxe Edition [ORIGINAL RECORDING REMASTERED] [SOUNDTRACK] gives you more information about each of the tracks allowing you to feel that you have inside information and to feel that you know more of what went into the making of each song.
Great Soundtrack & Fun Extras from an Enduring Musical........2004-07-06
Track 1 on the Bonus Disc is an instrumental version of the film's theme, "Grease", written and produced by Barry Gibb. Frankie Valli's voice has been replaced by a saxophone. The chorus is vocal, but the voices are not those in the original song. You could use this as a sing-along version, as it would be easy to sing over the sax. Tracks 2-5 are officially sing-along versions. "Summer Nights" includes the chorus vocals from the film and sounds good. "You're the One That I Want" has new chorus vocals of questionable merit. "Sandy" is a new arrangement. It's not as good as the film version, but you can sing along. Track 6 is the single version of "Greased Lightning" that you may have heard on the radio back in the day. It's differs from the original in that the bad words have been replaced for radio airplay. Tracks 7-8 are previously unreleased instrumentals from the film. "Greased Up and Ready to Go" is lively. Tracks 9-10 are mixes that I occasionally hear on the radio. The "Grease Megamix" and the "Grease Dream Mix" are fun, if awkward. Tracks 11-12 are Martian Remixes of "Summer Nights" and "You're the One That I Want". They retain the original vocals, but set them to a Latin rhythm. They make pretty good dance tracks.
This 2-disc set isn't in a jewel case. The case is paperboard with 4 panels that fold out. This is inside of a clear vinyl slip case on which the tracks are written. This isn't convenient packaging. On the bright side, the case won't crack in the mail. Tucked inside one of the panels is a booklet that contains lyrics and credits.
The "Grease: 25th Anniversary Deluxe Edition" is a terrifically fun soundtrack to one of the all-time great movie musicals. And for all those preteen girls who go wild over the movie with each new generation, the bonus material is perfect for parties and horsing around.
If You Love Grease, You'll Love This - Only 1 Major Flaw.......2004-05-15
Grease CD Reveiw.......2004-04-26
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Placido Domingo: A Love Until The End Of Time
Ken Hirsch , Jule Styne , John & Paul McCartney Lennon , Consuelo Velazquez , John Denver , Andrew Lloyd Webber , Richard Rodgers , Henry Mancini , Johnny Mercer , Armando Manzanero , and Maureen McGovern Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026H6 Release Date: 1990-10-25 |
Tracks:
- Maria
- Siboney
- A Love Until The End Of Time
- Noche Azul
- La Comparsa
- Save Your Nights For Me
- Time After Time
- Malaguena
- Yesterday
- Besame Mucho
- My Life For A Song
- Annie's Song
- Siempre en me Corazon
- Love Came For Me (Love Theme From Splash)
- I Don't Talk To Strangers
- Blue Moon - Moon River
- Autumn Leaves
- Adoro
Customer Reviews:
love songs easy to listen too.......2007-05-07
This is an oldie but a goodie!.......2006-11-09
Great for boring candlelight dinner or quick ride in an elevator........2006-10-31
For a romantic mood, "Perhaps Love" (simply fabulous) is much better choice.
Beautiful music.......2006-02-23
A Valentine's Day Gift for all time.......2005-02-02
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New Moon Daughter
Cassandra Wilson Manufacturer: Blue Note Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005H0D Release Date: 1996-03-05 |
Tracks:
- Strange Fruit
- Love Is Blindness
- Solomon Sang
- Death Letter
- Skylark
- Find Him
- I'm So Lonesome I Could Cry
- Last Train To Clarksville
- Until
- A Little Warm Death
- Memphis
- Harvest Moon
Amazon.com essential recording
Her luscious alto has the depth and texture of a great tenor saxophonist, but Cassandra Wilson's defining asset is a postmodern song sense that enables her to surf through Son House, Neil Young, Johnny Mercer, Billie Holiday, and (gasp!) the Monkees in pursuit of strong songs that can provide that instrument with a canvas. Her second Blue Note album extends Wilson's seductive pilgrimage beyond the conventions of jazz repertoire and accompaniment, yet it's her instincts as a jazz singer that inform these brilliant readings. The settings again step away from traditional small group jazz (for starters, there's no piano) to evoke the emotional core of these songs. Anyone who can turn the Monkees' "Last Train to Clarksville" into a slow-burning erotic vignette deserves your attention. --Sam SutherlandCustomer Reviews:
dreamy, unexpected, every song a unique interpretation.......2007-01-03
"Love Is Blindness" Is Worth The Price Alone!!!!.......2004-11-01
"Blue Light Til Dawn" is Cassandra's most acclaimed CD but "New Moon Daugher" is equally as good. I love them both dearly but "New Moon Daughter" is still my favorite. The material on this CD is just so damn strong. Plus it's got "Love Is Blindness" on it. Like I said before, I LOVE that song!
WUL, YES-of course this is GREAT vibes herein and..............2004-09-09
'Last Train...."? OUTRAGOUS!! boom da boomboom dee BOOM!
Upstate New York,to boot,ey?Bearsville.Man- what a beautiful GIFT this woman posseses.WANT MORE PLEASE!!Her newest one is REALLY her best so far,imo.Gettum all! Check out the Jamie Cullum "TwentyFour Something" jams too!! WOW!! A La HOT!!
Karyn Allison...and Ben w/ The Medicine Wheel.Jean-Luc Ponty?YES!!
Quiet, yet fiery inspiration from one of today's greats.......2004-05-14
Other high points on this enormously well-conceived disc are a gorgeous version of Hank Williams' "I'm So Lonesome I Could Cry," a summery, engaging "Skylark" (yes, Hoagy Charmichael) and U2's "Love is Blindness," an aching ballad that Wilson imbues with overwhelming regret. And just the right choice to end is Neil Young's glowing "Harvest Moon," gently fading out in a haze of shimmering guitar work. Wilson's outstanding musicians -- creative, enthusiastic, yet never overpowering -- must share some of the credit for the success here.
If you go for Wilson's ethereal yet husky voice, not to mention her marvelous taste in choosing and reworking material, this recording shows her at her most luminous. Arguably her best to date, and one of the great jazz vocal recordings of the 1990's.
ONE INCREDIBLE JAZZ SINGER.......2003-04-23
Jazz numbers here and she's no slouch as a writer. Case in point: "Solomon Sang". There's also her arrrangements which feature a Joni Mithchell style of "Whack Tuning" as it's refered to in the liner notes, as well as some very diverse instrumentation. It might take you a few listens to really get into, but most great music does and this is without a doubt, great!!!!
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The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007OU0 Release Date: 1998-06-09 |
Tracks:
- H.M.S. Pinafore: We Shall Sail The Ocean Blue
- H.M.S. Pinafore: I'm Called Little Buttercup
- H.M.S. Pinafore: My Galant Crew, Good Morning
- H.M.S. Pinafore: I'm The Monarch Of The Sea
- H.M.S. Pinafore: When I Was A Lad
- H.M.S. Pinafore: Nevermind The Why And Wherefore
- H.M.S. Pinafore: Kind Captain, I've Important Information
- H.M.S. Pinafore: Carefully On Tip - Toe Stealing
- H.M.S. Pinafore: For He Is An Englishman
- The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
- The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
- The Pirates Of Penzance: With Cat Like Tread
- The Sorcerer: My Name Is John Wellinton Wells
- The Gondoliers: Take A Pair Of Sparkling Eyes
- Patience: If You're Anxious To Shine
- The Mikado: If You Want To Know Who We Are
- The Mikado: A Wand'ring Minstrel I
- The Mikado: Behold The Lord High Executioner
- The Mikado: As Someday It May Happen
- The Mikado: Three Little Maids From School Are We
- The Mikado: The Sun Whose Rays Are All Ablaze
- The Mikado: Here's A How - De - Do!
- The Mikado: From Ev'ry Kind Of Man Obedience I Expect
- The Mikado: A More Humane Mikado Never Did In Japan Exist
- The Mikado: The Criminal Cried As He Dropp'd Him Down
- The Mikado: The Flowers That Bloom In The Spring, Tra La
- The Mikado: On A Tree By A River A Little Tom Tit
- The Mikado: There Is Beauty In The Bellow Of The Blast
- The Mikado: For He's Gone And Married Yum-Yum
Customer Reviews:
Well worth the price.......2006-04-13
Not Exactly "The Ultimate" Collection..........2004-12-23
In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.
Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.
Where's the chicks?!?!.......2003-05-15
Not quite the ultimate...........2002-03-25
Great Music - Questionable Selection.......2002-02-05
Christian Music:
- Bootylicious [CD-single] [Import]
- Broken Factory Music
- Burt Bacharach: Magic Moments [Import]
- Celebrity [Import]
- Cherish
- Christmas Dance Party
- Christmas Sing-A-Long
- Classic Guitars
- Close to You [Import]
- Day After Day
Christian Music
String Quartets: Op.59/3; Op.130; String Trio Op.3
The Best Arabic Album in the World...Ever! [Import]
Symphonies 3 "Scottish" & 4 "Italian"
The Cologne Concert, Vol. 2 [Live]