| 1. Glory To The Risen King |
| 2. To The Praise |
| 3. Tender Heart |
| 4. Fill Me Up |
| 5. Kiss The Cross |
| 6. Air Of Heaven |
| 7. Walk With Me |
| 8. My Love |
| 9. I Have Seen |
| 10. Some Say |
| 11. We Will Run |
| 12. Behold |
Editorial Reviews
Product Description
Our Father in Heaven has set eternity in the hearts of men. As created beings, we were fashioned for more than just what takes place in this time-space world. Worhsip is man's opportunity to embrace eternity. As we worship, we participate in the very thing we will spend eternity doing: giving honor, glory, and praise to Him who is altogether praiseworthy.
Very good value.
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?
Arleen Auger has a very sweet voice. And??
Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.
The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.
Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."
Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.
This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.
The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.
Isaac Chute
My favorite songs were "Off to Philadephia" (Anthony) and "My Heart Will Go On" (Finbar). I didn't even mind the repetition of some songs heard on past CDs - but wondered about it, until I learned of the departure of Ronan Tynan. I am curious to see the kind of arrangements they have included on their new CD, due to come out later this year, which they made upon the return of John McDermott. John is a Canadian of Celtic descent, whose voice, though pleasant in a folksy way, does not seem to blend as well with Anthony and Finbar as did Ronan's trained vocals. I would be very pleased to see Anthony make a solo CD, including such ballads as (my all-time favorite) Bantry Bay and some of the wonderfully playful Irish ditties he sometimes performs at his solo concerts.
As one of their latest efforts, "Heritage" is an "okay" album, but it certainly lacks the freshness and fun of the Irish Tenors' earlier efforts. Of course, there are notable exceptions such as Kearns' roguish "Off to Philadelphia", the sprightly "Golden Jubilee" and the beautiful "The West's Awake" solo by Kearns. Wright's "Little Brigid Flynn" is downright fun but his "South of the Border" is oddly out of place. With too many recycled songs and a little too little Anthony Kearns, I personally found "Heritage" to be the weakest effort in the generally stellar Irish Tenors' discography.
This performance has been debated for 40 years as to whether it is musically adept, musically correct, an exemplar of the English choral tradition, or just a big old batch of fun at Handel's expense. I first owned this during a time when I also owned a recording Handel's "Royal Fireworks Music" featuring 40 woodwinds. The two made roughly an equal amount of noise.
There isn't much question this performance is completely out of step with the way Handel is performed in most venues today. Check out the wonderful Jon Vickers' highly operatic opening aria, "Comfort ye", then compare that to any leaned-out period group you've heard. You'll get another idea of the dimension of Beecham's project.
While not on the agenda of the Flat Earth Society, the only real interest in a performance like this -- especially having to endure it on three CDs when just about everyone else puts it on two -- is nostalgia or history, whichever happens to be the case for you.
My personal favorite version is in the 4-CD box of "Messiah" and "Israel In Egypt" where Andrew Parrott leads his Taverner Choir & Players and some of the best early music singers including Emma Kirkby, Emily van Evera, Margaret Cable, David Thomas, and Joseph Cornwall. HIs Messiah isn't perfect -- it uses a countertenor for a bass in one aria -- but it is more moderate than most PPP recordings and has a wonderful romantic edge to most of the score. It comes with a top notch recording of "Israel in Egypt" and still costs less than the Beehcham.
Beecham goes all out with an orchestration, while attributed to Sir Eugene Goosens is also probably some of Beecham's own inimitable tinkering, that adds instruments not only in numbers but also in color and depth of sound. Winds double strings, percussion includes the full battery instead of just tympani, the big cello and viola sound stand equally with the big violin sound, etc. The chorus is huge, and while this allows the big dramatic moments to be intense, the fine diction Beecham demanded remains solidly intact.
The soloists are in an operatic class of their own. Jennifer Vyvyan and Monica Sinclair were major singers when this recording was made and their singing is big and well ornamented. Jon Vickers and Giorgio Tozzi bring Verdi into the room and he is a welcome visitor to Beecham's vision of this work.
For this listener, who prefers the 'correct, authentic' performance, this recording and others even older that celebrate the BIG Messiah are a delight. And that just proves that performance standards, no matter the interpretation of the conductor, are paramount: Beecham gives a solid, convincing interpretation to the operatic Messiah. It is lush, and huge, and absolutely wonderful to hear again! Grady Harp, December 06
In the forty some recordings I own (and the many performances I've attended) there's no best and no definitive. This is one I respect but don't care to hear very often.
I'm just ending up with "Thanks to Jon!"
Anyway, this CD was great to listen to. Some hymns are scored for orchestral accompaniment, choir and organ, while the majority of tracks are just for choir and organ.
Recorded in the King's College Chapel (the front cover has a great shot of the ceiling's trademark "fan" stone carving), the hymns are pure English sound--boys' treble voices along with men's changed voices singing with a pure, clean, straight tone. It's very sweet-sounding.
The hymns chosen are also great; "Be Thou My Vision," an Irish classic, appears along with "When I Survey the Wondrous Cross," "All People That on Earth Do Dwell," and "Morning Has Broken" (later recorded by Cat Stevens).
The singing isn't especially elaborate--they're just simple hymns. They're orchestrated very well, however, and they sound great.
Religious people may prefer these recordings more in general--these are Christian hymns after all--but I think it's a great recording and is worth listening too, especially if you enjoy that English sound!
There are actually two versions of this live performance, the one here and the other is available on LaserDisc. I believe that they were recorded on two different performance time, for on some arias the soloists have different style in singing the cadenza. Whichever you prefer, this is a recording you must simply own - even when your music library boasts a dozen or so of Handel's Messiah!!
Since the Wurlitzer 165 band organ upon which these musical selections are played is in such good condition, we get a musically idealized version of what we once heard at the merry-go-round. The sonic reality often was quite a bit less, with imperfectly working instruments and the sound of the drive motor as it pumped away to turn the carousel, not to mention the noise of the crowd and the children shouting and squealing. This is no criticism of the CD, though, since it only purports to present the music; it would take a lot more than a CD to present a realistic facsimile of the total experience.
The liner notes are brief, but provide some interesting background on the origin of carousels and the words themselves. I think the writer, Tupper L. Turner, deserves credit for his/her efforts.
I was surprised to see Track #30 listed as "Waltz (Title unknown)" when opera lovers will immediately recognize it as two tunes from Verdi's opera "Il Trovatore" (The Troubadour). The first tune is the soprano/tenor duet in the Miserere scene of Act IV; the second is the baritone aria "Il balen del suo sorriso." In any case, neither is a waltz proper, for both are in 6/8, not 3/4 time.
The selection of tunes, of course, depends on availability of the paper rolls which encoded them. I liked most of the tunes, familiar and otherwise, pretty well, and with 31 tracks there's quite a bit of all kinds there, including "The Merry-Go-Round Broke Down."
Overall, then, I was pleasantly surprised by the quality of the CD and the appropriateness of its content. There are several other CDs of this nature available, I know, but I'm not familiar enough with them to offer any comparisons. I just know that I like this one and am happy to have it in my collection. And I suspect that little children will love it!
Kudos to Klavier records for making a recording of this wonderful Wurlitzer 165 band organ - it sounds like a dream, and has transferred relatively well to CD format. My only complaint is that the glockenspiel sounds rather abrasive, and gets really grating when recorded onto a cassette tape. Otherwise, the album is pristine.
The tunes featured are all classic band organ offerings, and the rolls used are in splendid shape. The organ's mechanism performs beautifully - whatever "prominent Midwestern collection", as the liner notes read, it comes from is taking very good care of it.
Basically, this, alongside its sister album "Catch Another Brass Ring", stands as an ideal representation of what a Wurlitzer 165 should sound like. Band organ lovers will adore it. The average Joe? Hard to say...but it's certainly worth a try.
Our Father in Heaven has set eternity in the hearts of men. As created beings, we were fashioned for more than just what takes place in this time-space world. Worhsip is man's opportunity to embrace eternity. As we worship, we participate in the very thing we will spend eternity doing: giving honor, glory, and praise to Him who is altogether praiseworthy.
Air of Heaven was written to help us do exactly that. Our prayer is that it will serve to unleash a bit of "Heaven's air". As you listen and in it's release, turn your heart even more in total abandonment to Jesus.
Air of Heaven,Thru the Fire,Thru the Fire,Contemporary with Alternative styling, the music is passionate, intimate, prophetic and powerful.
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Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD  Elfman, Danny
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ASIN: B00008WI90 Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Customer Reviews:
A good value.......2007-05-17
The Sound Track Since Bernard Hermann.......2006-07-25
Very good value.
Good mix of film music.......2006-07-02
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
A mixed collection of movie music.......2006-02-23
Uplifts your soul, takes your mind into the heavens.......2006-01-06
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios
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ASIN: B00062FLI8 Release Date: 2004-11-30 |
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Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Handel
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ASIN: B0000057DB Release Date: 1990-10-25 |
Tracks:
- Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
- Messiah: Part One - 2. Accompagnato : Comfort Ye My People
- Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
- Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
- Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
- Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
- Messiah: Part One - 7. Chorus : And He Shall Purify
- Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
- Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
- Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
- Messiah: Part One - 11. Air : The People That Walked In Darkness
- Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
- Messiah: Part One - 13. Pifa (Pastoral Symphony)
- Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
- Messiah: Part One - 17. Chorus : Glory To God In The Highest
- Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
- Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
- Messiah: Part One - 20. Air : He Shall Feed His Flock
- Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
- Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
- Messiah: Part Two - Air : 23. He Was Despised
Tracks:
- Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
- Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
- Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
- Messiah: Part Two - 27. Accompagnato : All They That See Him
- Messiah: Part Two - 28. Chorus : He Trusted In God
- Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
- Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
- Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
- Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
- Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
- Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
- Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
- Messiah: Part Two - 36. Air : Thou Art Gone Up On High
- Messiah: Part Two - 37. Chorus : The Lord Gave The Word
- Messiah: Part Two - 38. Air : How Beautiful Are The Feet
- Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
- Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
- Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
- Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
- Messiah: Part Two - 43. Air : Thou Shalt Break Them
- Messiah: Part Two - 44. Chorus : Hallelujah
- Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
- Messiah: Part Three - 46. Chorus : Since By Man Came Death
- Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
- Messiah: Part Three - 48. Air : The Trumpet Shall Sound
- Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
- Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
- Messiah: Part Three - 51. Chorus : But Thanks Be To God
- Messiah: Part Three - 52. Air : If God Be For Us
- Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen
Amazon.com essential recording
This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David HurwitzAmazon.com
Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted LibbeyCustomer Reviews:
Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13
So Fashionable, and So Disappointing.......2007-02-01
Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?
Arleen Auger has a very sweet voice. And??
Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.
The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.
Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."
Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.
A nice combination of period nad tradiitonal.......2006-12-17
This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.
The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.
Wait! Before you buy..........2006-05-28
La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29
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Heritage
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ASIN: B0001FVEVI Release Date: 2004-03-16 |
Tracks:
- The Harp That Once
- Red is the Rose
- Off to Philadelphia
- Golden Jubilee
- Little Brigid Flynn
- Fields of Athenry
- I'll Take You Home Again Kathleen
- My Heart Will Go On
- The West's Awake
- Danny Boy
- Song for Ireland
- Dublin Medley (Dublin Can Be Heaven/Rocky Road to Dublin)
- South of the Border
- Whiskey in the Jar
- The Parting Glass
- God Bless America
Customer Reviews:
Not the best........2005-03-02
What a magnificent Heritage.......2005-01-22
Isaac Chute
A Review .......2004-10-30
Heritage, The Irish Tenors.......2004-09-30
My favorite songs were "Off to Philadephia" (Anthony) and "My Heart Will Go On" (Finbar). I didn't even mind the repetition of some songs heard on past CDs - but wondered about it, until I learned of the departure of Ronan Tynan. I am curious to see the kind of arrangements they have included on their new CD, due to come out later this year, which they made upon the return of John McDermott. John is a Canadian of Celtic descent, whose voice, though pleasant in a folksy way, does not seem to blend as well with Anthony and Finbar as did Ronan's trained vocals. I would be very pleased to see Anthony make a solo CD, including such ballads as (my all-time favorite) Bantry Bay and some of the wonderfully playful Irish ditties he sometimes performs at his solo concerts.
Tattered Tenors.......2004-08-20
As one of their latest efforts, "Heritage" is an "okay" album, but it certainly lacks the freshness and fun of the Irish Tenors' earlier efforts. Of course, there are notable exceptions such as Kearns' roguish "Off to Philadelphia", the sprightly "Golden Jubilee" and the beautiful "The West's Awake" solo by Kearns. Wright's "Little Brigid Flynn" is downright fun but his "South of the Border" is oddly out of place. With too many recycled songs and a little too little Anthony Kearns, I personally found "Heritage" to be the weakest effort in the generally stellar Irish Tenors' discography.
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Handel - Messiah / Vyvyan · Sinclair · Vickers · Tozzi · Royal PO · Beecham
George Frideric Handel , Sir Thomas Beecham , Jennifer Vyvyan , Monica Sinclair , Royal Philharmonic Orchestra , Jon Vickers , and Giorgio Tozzi Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Handel
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ASIN: B000003FB8 Release Date: 1992-07-14 |
Tracks:
- Messiah: Overture - Royal Philharmonic Orchestra
- Messiah: Recit: Comfort Ye, My People (Tenor) - Jon Vickers
- Messiah: Air: Every Valley Shall Be Exalted (Tenor) - Jon Vickers
- Messiah: Chorus: And The Glory Of The Lord - John McCarthy
- Messiah: Recit: Thus Saith The Lord Of Hosts (Bass) - Giorgio Tozzi
- Messiah: Air: But Who May Abide (Bass) - Giorgio Tozzi
- Messiah: Chorus: And He Shall Purify - John McCarthy
- Messiah: Recit: Behold, A Virgin Shall Conceive (Contralto) - Monica Sinclair
- Messiah: Air & Chorus: O Thou That Tellest Good Tidings (Contralto) - John McCarthy
- Messiah: Recit: For, Behold, Darkness Shall Cover (Bass) - Giorgio Tozzi
- Messiah: Air: The People That Walked In Darkness (Bass) - Giorgio Tozzi
- Messiah: Chorus: For Unto Us A Child Is Born - John McCarthy
- Messiah: Pastoral Symphony - Royal Philharmonic Chorus
- Messiah: Recit: There Were Shepherds Abiding (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And The Angel Said Unto Them (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And Suddenly There Was (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Glory To God In The Highest - John McCarthy
- Messiah: Air: Rejoice Greatly, O Daughter (Soprano) - Jennifer Vyvyan
- Messiah: Recit: Then Shall The Eyes (Contralto) - Monica Sinclair
- Messiah: Air: He Shall Feed His Flock; Come Unto Him (Contralto & Soprano) - Monica Sinclair
- Messiah: Chorus: His Yoke Is Easy - John McCarthy
Tracks:
- Messiah: Chorus: Behold The Lamb Of God - John McCarthy
- Messiah: Air: He Was Despised (Contralto) - Monica Sinclair
- Messiah: Chorus: Surely He Hath Borne Our Griefs - John McCarthy
- Messiah: Chorus: And With His Stripes We Are Healed - John McCarthy
- Messiah: Chorus: All We Like Sheep Have Gone Astray - John McCarthy
- Messiah: Recit: All They That See Him (Tenor) - Jon Vickers
- Messiah: Chorus: He Trusted In God - John McCarthy
- Messiah: Recit: Thy Rebuke Hath Broken His Heart (Tenor) - Jon Vickers
- Messiah: Air: Behold, And See If There Be (Tenor) - Jon Vickers
- Messiah: Recit: He Was Cut Off Out Of The Land (Tenor) - Jon Vickers
- Messiah: Air: But Thou Didst Not Leave (Tenor) - Jon Vickers
- Messiah: Chorus: Lift Up Your Heads - John McCarthy
- Messiah: Air: How Beautiful Are The Feet (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Their Sound Is Gone Out Into All Lands - John McCarthy
- Messiah: Air: Why Do The Nations So Furious Rage (Bass) - Giorgio Tozzi
- Messiah: Chorus: Lets Us Break Their Bonds Asunder - John McCarthy
- Messiah: Recit: He That Dwelleth In Heaven (Tenor) - Jon Vickers
- Messiah: Air: Thou Shalt Break Them (Tenor) - Jon Vickers
- Messiah: Chorus: Hallelujah! - John McCarthy
- Messiah: Part III - Air: I Know That My Redeemer Liveth (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Since By Man Came Death - John McCarthy
- Messiah: Recit: Behold, I Tell You A Mystery (Bass) - Giorgio Tozzi
- Messiah: Air: The Trumpet Shall Sound (Bass) - Giorgio Tozzi
- Messiah: Chorus: Worthy Is The Lamb - John McCarthy
Tracks:
- Messiah: Recit: Unto Which Of The Angels (Tenor) - Jon Vickers
- Messiah: Chorus: Let All The Angels Of God Worship Him - John McCarthy
- Messiah: Air: Thou Art Gone Up On High (Bass) - Giorgio Tozzi
- Messiah: Chorus: The Lord Gave The Word - John McCarthy
- Messiah: Recit: Then Shall Be Brought To Pass (Contralto) - Monica Sinclair
- Messiah: Duet: O Death, Where Is Thy Sting? (Contralto & Tenor) - Monica Sinclair
- Messiah: Chorus: But Thanks Be To God - John McCarthy
- Messiah: Air: If God Be For Us (Soprano) - Jennifer Vyvyan
Amazon.com essential recording
Sir Thomas Beecham's Messiah has become notorious among baroque purists (like this writer) for embodying the worst excesses of pre-1960 Handel performance: ponderous tempos, stentorian opera singers, huge lumbering choruses and orchestras, crashing cymbals, clanging triangles.... Well, we'll need a new straw man: this performance is WONDERFUL. Jon Vickers and Giorgio Tozzi negotiate Handel's writing surprisingly well; Jennifer Vyvyan takes to it naturally. The chorus and orchestra (yes, including trombones, tuba, triangle, and cymbals) may obscure the part-writing, but they fill the music with power, grandeur, and faith. If Mozart could re-orchestrate Messiah, why not Beecham? This may not be Handel's Messiah as such, it may even be a period piece itself--but it's magnificent. --Matthew WestphalCustomer Reviews:
Beecham's noisy Messiah.......2006-12-23
This performance has been debated for 40 years as to whether it is musically adept, musically correct, an exemplar of the English choral tradition, or just a big old batch of fun at Handel's expense. I first owned this during a time when I also owned a recording Handel's "Royal Fireworks Music" featuring 40 woodwinds. The two made roughly an equal amount of noise.
There isn't much question this performance is completely out of step with the way Handel is performed in most venues today. Check out the wonderful Jon Vickers' highly operatic opening aria, "Comfort ye", then compare that to any leaned-out period group you've heard. You'll get another idea of the dimension of Beecham's project.
While not on the agenda of the Flat Earth Society, the only real interest in a performance like this -- especially having to endure it on three CDs when just about everyone else puts it on two -- is nostalgia or history, whichever happens to be the case for you.
My personal favorite version is in the 4-CD box of "Messiah" and "Israel In Egypt" where Andrew Parrott leads his Taverner Choir & Players and some of the best early music singers including Emma Kirkby, Emily van Evera, Margaret Cable, David Thomas, and Joseph Cornwall. HIs Messiah isn't perfect -- it uses a countertenor for a bass in one aria -- but it is more moderate than most PPP recordings and has a wonderful romantic edge to most of the score. It comes with a top notch recording of "Israel in Egypt" and still costs less than the Beehcham.
The Big Victorian Handel 'Messiah': Indulge Yourself!.......2006-12-16
Beecham goes all out with an orchestration, while attributed to Sir Eugene Goosens is also probably some of Beecham's own inimitable tinkering, that adds instruments not only in numbers but also in color and depth of sound. Winds double strings, percussion includes the full battery instead of just tympani, the big cello and viola sound stand equally with the big violin sound, etc. The chorus is huge, and while this allows the big dramatic moments to be intense, the fine diction Beecham demanded remains solidly intact.
The soloists are in an operatic class of their own. Jennifer Vyvyan and Monica Sinclair were major singers when this recording was made and their singing is big and well ornamented. Jon Vickers and Giorgio Tozzi bring Verdi into the room and he is a welcome visitor to Beecham's vision of this work.
For this listener, who prefers the 'correct, authentic' performance, this recording and others even older that celebrate the BIG Messiah are a delight. And that just proves that performance standards, no matter the interpretation of the conductor, are paramount: Beecham gives a solid, convincing interpretation to the operatic Messiah. It is lush, and huge, and absolutely wonderful to hear again! Grady Harp, December 06
Comfort Ye!.......2006-10-30
Familiarity hasn't bred much affection.......2005-11-02
In the forty some recordings I own (and the many performances I've attended) there's no best and no definitive. This is one I respect but don't care to hear very often.
Thanks to Jon!.......2005-03-08
I'm just ending up with "Thanks to Jon!"
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Best Loved Hymns
Anonymous , James Bain , Louis Bourgeois , Edmond Budry , Orlando Gibbons , John [composer] Goss , William H. Harris , Herbert Howells , John Ireland , Stephen Jackson , Martin Luther , Edward Miller , Sir Charles H.H. Parry , Clement Cotterill Scholefield , Cyril Taylor , German Traditional , Irish Traditional , Ralph Vaughan Williams , Wallace Collection , Sioned Williams , Benjamin Bayl , Tom Williamson , Choir of King's College at Cambridge , and Stephen Cleobury Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Baroque Dance Suites
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ASIN: B000058BGQ Release Date: 2001-03-27 |
Tracks:
- Michael: A Fanfare Setting: All My Hope On God Is Founded
- Praise, My Soul: Praise, My Soul, The King Of Heaven
- Bunessan: Morning Has Broken
- Down Ampney: Come Down, O Love Divine
- Ein' Feste Burg: A Mighty Fortress Is Our God
- Regnator Orbis: O What Their Joy And Their Glory Must Be
- Rockingham: When I Survey The Wondrous Cross
- Repton: Dear Lord And Father Of Mankind
- Slane: Be Thou My Vision
- St. Clement: The Day Thou Gavest, Lord, Is Ended
- Picardy: Let All Mortal Flesh Keep Silence
- Hast Du Denn, Jesu: Praise To The Lord, The Almighty, The King Of Creation
- Love Unknown: My Song Is Love Unknown
- Brother James' Air: The Lord's My Shepherd
- Maccabaeus: Thine Be The Glory
- Song 46: Drop, Drop, Slow Tears
- Abbot's Leigh: Glorious Things Of Thee Are Spoken
- The Old Hundredth: All People That On Earth Do Dwell
Customer Reviews:
Hymns in the Anglican Tradition Beautifully Performed.......2007-01-24
Very inspiring music.......2005-07-06
Great English Hymns.......2005-02-10
Anyway, this CD was great to listen to. Some hymns are scored for orchestral accompaniment, choir and organ, while the majority of tracks are just for choir and organ.
Recorded in the King's College Chapel (the front cover has a great shot of the ceiling's trademark "fan" stone carving), the hymns are pure English sound--boys' treble voices along with men's changed voices singing with a pure, clean, straight tone. It's very sweet-sounding.
The hymns chosen are also great; "Be Thou My Vision," an Irish classic, appears along with "When I Survey the Wondrous Cross," "All People That on Earth Do Dwell," and "Morning Has Broken" (later recorded by Cat Stevens).
The singing isn't especially elaborate--they're just simple hymns. They're orchestrated very well, however, and they sound great.
Religious people may prefer these recordings more in general--these are Christian hymns after all--but I think it's a great recording and is worth listening too, especially if you enjoy that English sound!
Buy this CD!.......2004-09-20
English Choirs.......2002-12-18
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Handel - Messiah / McNair · von Otter · Chance · Hadley · Lloyd · Marriner
George Frideric Handel , Neville Marriner , Anne Sofie von Otter , Michael Chance , Academy of St. Martin-in-the-Fields , Sylvia McNair , Jerry Hadley , and Robert Lloyd Manufacturer: Philips ProductGroup: Music Binding: Audio CD All Works by Handel
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ASIN: B00000414Y Release Date: 1992-11-17 |
Tracks:
- Messiah: Part I: Symphony
- Messiah: Part I - No. 1 Accompagnato: Comfort Ye, Comfort Ye, My People
- Messiah: Part I - No. 2: Air Ev'ry Valley Shall Be Exalted
- Messiah: Part I - No. 3 Chorus: And The Glory Of The Lord
- Messiah: Part I - No. 4 Accompagnato: Thus Saith The Lord
- Messiah: Part I - No. 5 Air: But Who May Abide The Day Of His Coming
- Messiah: Part I - No. 6 Chorus: And He Shall Purify The Sons Of Levi
- Messiah: Part I - No. 7 Recitative: Behold, A Virgin Shall Conceive
- Messiah: Part I - Nos. 8-9 Air And Chorus: O Thou That Tellest Good Tidings
- Messiah: Part I - No. 10 Accompagnato: For Behold, Darkness Shall Cover The Earth
- Messiah: Part I - No. 11 Air: The People That Walked In Darkness
- Messiah: Part I No. 12 Chorus: For Unto Us A Child Is Born
- Messiah: Part I No. 13 Pifa: Pastoral Symphony
- Messiah: Part I No. 14 Recitative: There Were Shepherds - And Lo, The Angel Of The Lord - And The Angel Said Unto Them - And Suddenly There Was
- Messiah: Part I No. 15 Chorus: Glory To God In The Highest
- Messiah: Part I No. 16 Air: Rejoice Greatly, O Daughter Of Zion
- Messiah: Part I No. 17a Recitative:Then Shall The Eyes Of The Blind
- Messiah: Part I No. 18a Duet: He Shall Feed His Flock
- Messiah: Part I No. 19 Chorus: His Yoke Is Easy
- Messiah: Part II No. 20 Chorus: Behold The Lamb Of God
- Messiah: Part II No. 21 Air: He Was Despised
- Messiah: Part II No. 22 Chorus: Surely He Hath Borne Our Griefs
- Messiah: Part II No. 23 Chorus: And With His Stripes We Are Healed
- Messiah: Part II No. 24 Chorus: All We Like Sheep
Tracks:
- Messiah: Part II No. 25 Accompagnato: All They That See Him
- Messiah: Part II No. 26 Chorus: He Trusted In God
- Messiah: Part II No. 27 Accompagnato: Thy Rebuke Hath Broken His Heart
- Messiah: Part II No. 28 Arioso: Behold, And See
- Messiah: Part II No. 29 Accompagnato: He Was Cut Off
- Messiah: Part II No. 30 Aria: But Thou Didst Not Leave
- Messiah: Part II No. 31 Chorus: Lift Up Your Heads
- Messiah: Part II No. 32 Recitative: Unto Which Of The Angels
- Messiah: Part II No. 33 Chorus: Let All The Angels Of God
- Messiah: Part II No. 34a Air: Thou Art Gone Up On High
- Messiah: Part II No. 35 Chorus The Lord Gave The Word
- Messiah: Part II No. 36 Air: How Beautiful Are The Feet
- Messiah: Part II No. 37a Arioso: Their Sound Is Gone Out
- Messiah: Part II No. 38 Air: Why Do The Nations
- Messiah: Part II No. 39 Chorus: Let Us Break Their Bonds Asunder Let us break their bonds asunder
- Messiah: Part II No. 40 Recitative: He That Dwelleth In Heaven
- Messiah: Part II No. 41 Air: Thou Shalt Break Them
- Messiah: Part II No. 42 Chorus: Hallelujah
- Messiah: Part III No. 43 Air: I Know That My Redeemer Liveth
- Messiah: Part III No. 44 Chorus: Since By Man Came Death
- Messiah: Part III No. Accompagnato: Behold, I Tell You A Mystery
- Messiah: Part III No. 46 Air: The Trumpet Shall Sound
- Messiah: Part III No. 47 Recitative: Then Shall Be Brought To Pass
- Messiah: Part III No. 48 Duet: O Death, Where Is Thy Sting?
- Messiah: Part III No. 49 Chorus: But Thanks Be To God
- Messiah: Part III No. 50 Air: If God Be For Us
- Messiah: Part III No. 51 Chorus: Worthy Is The Lamb - Blessing And Honour
- Messiah: Part III: Amen
Customer Reviews:
a voice teacher and early music fan.......2006-10-21
I really love this recording.......2005-03-26
Some very good parts.......2002-12-14
The best Messiah for me is still Marriner's 1976 disk, much better overall rendition.
Great mezzo and trumpet.......2002-05-17
Its world-beater aspects include mezzo Anne-Sophie von Otter, whose "He was despised" is well north of magnificent: Warmly mournful in the slow sections, snarling and spitting in the center section.
Trumpeter Mark Bennett does by far the best trumpeting on any of my 30 complete Messiahs. "Glory to God" and "Hallelujah" are as good as it gets -- no, better than any other recording gets.
Countertenor Michael Chance is quite good in "If God be for us" -- I say that as someone who doesn't like countertenors.
Some of the other choruses are also well done. But tenor Jerry Hadley seems to have thought he had more lucrative things to do with his time than to think about Messiah.
And He Shall Reign Forever and Ever, Amen........2002-01-01
There are actually two versions of this live performance, the one here and the other is available on LaserDisc. I believe that they were recorded on two different performance time, for on some arias the soloists have different style in singing the cadenza. Whichever you prefer, this is a recording you must simply own - even when your music library boasts a dozen or so of Handel's Messiah!!
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The Essential Wedding Collection
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ASIN: B0001U0GCG Release Date: 2004-05-11 |
Tracks:
- Sheep May Safely Graze - Stuttgarter Kammerorchester
- Jesu, Joy Of Man's Desiring - Stuttgarter Kammerorchester
- Aria (Air On The G String) - Stuttgarter Kammerorchester
- Air - Academy Of St. Martin-In-The-Fields
- Love Divine, All Loves Excelling - Richard Farnes
- Canon in D major - Stuttgarter Kammerorchester
- Bridal Chorus - Stephen Cleobury
- The Prince Of Denmark's March - Michael Laird Brass
- Trumpet Tune And Air - Peter Hurford
- Panis Angelicus - Luciano Pavarotti
- Ave Maria - Wandsworth School Boys' Choir, National Philharmonic Orchestra and Luciano Pavarotti
- Exsultate, Jubilate, K. 165 - Leontyne Price
- Water Music - Stephen Cleobury
- Wedding March - Peter Hurford
- The Lord's My Shepherd - Huddersfield Choral Society
- Laudate Dominum - Wren Orchestra
- Let The Bright Seraphim - Dame Joan Sutherland
- Abide With Me - Anthony Way
- Ombra Mai Fu - Anthony Way
- On Wings Of Song - Utah Symphony Orchestra
- Toccata - Stephen Cleobury
- Praise, My Soul, The King Of Heaven - Richard Farnes
Tracks:
- My Heart Will Go On - James Horner
- I Will Always Love You - Dolly Parton
- Love Theme - Nino Rota
- Up Where We Belong - Will Jennings
- As Time Goes By - Herman Hupfeld
- Take My Breath Away - Giorgio Moroder
- Can You Feel The Love Tonight? - Elton John
- Evergreen - Barbra Streisand
- Love Is All Around - Reg Presley
- Maid Marian At The Waterfall (Everything I Do) I Do For You - Seattle Symphony Orchestra
- Moon River - Henry Mancini
- Where Do I Begin - Francis Lai
- When A Man Loves A Woman - Andrew Wright
- The Way We Were - Marvin Hamlisch
- Unchained Melody - Hollywood Bowl Orchestra
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The Number One Classical Album 2006
Manufacturer: Universal ProductGroup: Music Binding: Audio CD All Works by Albinoni
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ASIN: B000BP2VJW Release Date: 2005-11-21 |
Tracks:
- Heroe
- O Mio Babbino Caro
- Deer Hunter/She Was Beautiful (Cavatina)
- Tosca/Vissi d'Arte
- Adagio
- Minuet
- ThaMtation
- Turandot/Nessun Dorma
- Ave Maria
- Laudate Dominum
- I Believe
- Mass for Four Voices/Agnus Dei
- Vuchella
- O Sole Mio
- Barcarolle
- Choristes
- Jubilate Domum
- Dr. Zhivago/Love Is a Mystery
- Reflexionem
- Listen to the Bell (Chi Si Ascolter
Tracks:
- Amore Sei Tu (I Will Always Love You)
- Rigoletto/La Donna Mobile
- Places
- Santa Lucia
- Tears in Heavon
- Sound of Music/Climb Every Mountain
- In Dreams
- Panis Angelicus
- Orfeo Ed Euridice/Che Farnza Euridice
- Marriage of Figaro/Voi Che Sapete
- Gymnope No. 3
- Dawn
- Rusalka/Song to the Moon
- Look at the World
- Air on a G String
- Adiemus
- I Paglicacci/Vesti La Giubba
- Palladio
- Marble Halls
- Brighid's Kiss
- Auld Lang Syne
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Catch the Brass Ring
Manufacturer: Klavier ProductGroup: Music Binding: Audio CD Waltzes
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Strauss Jr., Johann
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ASIN: B00000DUWQ Release Date: 1987-01-01 |
Tracks:
- Alexander's Ragtime Band
- Beside a Babbling Brook
- You Gotta See Mamma Every Night
- Old Reliable March
- Missouri Waltz
- Beer Barrel Polka
- Yes, We have no Bananas
- Barney Google
- Boston Commandery March
- When My sugar Walks Down the Street
- Oh Katherina
- Paddlin' Madeline Home
- Always
- Alley Cat
- Doo Wacka Doo
- King of the Air March
- Show Me the Way to Go Home
- I Love My Baby, By Baby Loves Me
- Me and My Shadow
- Louise
- American Patrol (March)
- All Alone
- Bye Bye Blackbird
- The Merry-Go-Round Broke Down
- Agravatin'Papa
- Yes sir That's my Baby
- Roses From the South
- Ja Da
- Heaven's Artillery March
- Waltz
- Goodnite Waltz
Album Description
Old-fashioned Merry-Go-Round music including favorites such as "The Beer Barrel Polka", "Bye-Bye Blackbird", "The Missouri Waltz" and 28 others.Customer Reviews:
This Merry-Go-Round Doesn't Break Down!.......2005-04-12
Since the Wurlitzer 165 band organ upon which these musical selections are played is in such good condition, we get a musically idealized version of what we once heard at the merry-go-round. The sonic reality often was quite a bit less, with imperfectly working instruments and the sound of the drive motor as it pumped away to turn the carousel, not to mention the noise of the crowd and the children shouting and squealing. This is no criticism of the CD, though, since it only purports to present the music; it would take a lot more than a CD to present a realistic facsimile of the total experience.
The liner notes are brief, but provide some interesting background on the origin of carousels and the words themselves. I think the writer, Tupper L. Turner, deserves credit for his/her efforts.
I was surprised to see Track #30 listed as "Waltz (Title unknown)" when opera lovers will immediately recognize it as two tunes from Verdi's opera "Il Trovatore" (The Troubadour). The first tune is the soprano/tenor duet in the Miserere scene of Act IV; the second is the baritone aria "Il balen del suo sorriso." In any case, neither is a waltz proper, for both are in 6/8, not 3/4 time.
The selection of tunes, of course, depends on availability of the paper rolls which encoded them. I liked most of the tunes, familiar and otherwise, pretty well, and with 31 tracks there's quite a bit of all kinds there, including "The Merry-Go-Round Broke Down."
Overall, then, I was pleasantly surprised by the quality of the CD and the appropriateness of its content. There are several other CDs of this nature available, I know, but I'm not familiar enough with them to offer any comparisons. I just know that I like this one and am happy to have it in my collection. And I suspect that little children will love it!
Saluting the Wurlitzer 165.......2004-12-30
Kudos to Klavier records for making a recording of this wonderful Wurlitzer 165 band organ - it sounds like a dream, and has transferred relatively well to CD format. My only complaint is that the glockenspiel sounds rather abrasive, and gets really grating when recorded onto a cassette tape. Otherwise, the album is pristine.
The tunes featured are all classic band organ offerings, and the rolls used are in splendid shape. The organ's mechanism performs beautifully - whatever "prominent Midwestern collection", as the liner notes read, it comes from is taking very good care of it.
Basically, this, alongside its sister album "Catch Another Brass Ring", stands as an ideal representation of what a Wurlitzer 165 should sound like. Band organ lovers will adore it. The average Joe? Hard to say...but it's certainly worth a try.
A must-have for anyone who loves band organs!.......2003-05-17
For certain ambient moods...........2002-10-13
The happiest music on earth!.......2002-09-17
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