I Call Out to You

I Call Out to You

Track Listings

1. I Call Out to You
2. I Call Out 2 U (dance remix)
3. I Call Out to You (instrumental)

Editorial Reviews

About the Artist
Introducing "Lucid Pop"

Singer/Songwriter L’illon is the founder of "Lucid Pop", a sub-genre of contemporary pop music. This music, described by industry insiders as "a class by itself and its own style", has been created by the singer/songwriter herself, and exemplifies her desire to merge the classical with the modern on any or all of these levels: vocal, instrumental, melodic, lyrical, dramatic, and emotional.

"Lucid Pop" is a modern sound that gets the listener into a unique mood; where a specific situation addresses a personal aspect of the contemporary individual. Turn the music on and the song’s melody stirs your senses. As one fan has expressed, "sing along melodies, with brilliantly effective lyrics, Lucid Pop never leaves your memory". The timeless tracks can act as a private contemplative session or as a motivational vehicle towards action. Studying the work of classical composers as well as modern songwriters such as the Beatles, Sting, U2, and Jewel, some of whom she identifies as influences, L’illon, nevertheless has crafted a unique approach to music. Her sound strives to openly address the struggles of life, portrayed with insight, compassion, and resolution.

L’illon has traveled abroad extensively, spending time in Europe (in places where Bowie and Bono also were inspired), and where she started studying voice at an early age. Later enrolling as a student at a private university and earning a Master’s Degree in Music, she developed her talents of musicianship more fully.

She has turned to songwriting and performing full time and is "blazing her own trail" on the contemporary music scene.

Product Description
Introducing the first "Lucid Pop" CD single release available to the public. "I Call Out to You", contains a sensual melodic line enhanced by the vocals. The vocals play on intensity, dynamics and range depicting various emotions, almost placing one into a zen moment. The lyrics are dramatic with a surge of hope beaming through the story-line. The instrumental back-ground offers a continous pulsating effect directing the song forward, and making the listener sway one's body.

I Call Out to You,L'illon,Blye Tower Productions,New pop sub-genre coined by singer/songwriter herself called "Lucid Pop". A modern sound like no other. Turn it on and your listening experience will be unforgettable.,Pop


The Maury Yeston Songbook
Average customer rating: 4.5 out of 5 stars
  • a wonderful surprise
  • What!? How is this possible?
  • Beauty and grace, charm and wit - Maury's got it all
  • A perfect marriage of music and lyrics
  • The Maury Yeston Songbook
The Maury Yeston Songbook
Maury Yeston , Christine Andreas , Brent Barrett , Betty Buckley , Liz Callaway , Alice Ripley , Sutton Foster , Brian d'Arcy James , and Philip Chaffin
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Rock | Styles | Music
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GeneralGeneral | Broadway & Vocalists | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Similar Items:
  1. The Maury Yeston Songbook
  2. The Drowsy Chaperone (2006 Original Broadway Cast)
  3. December Songs
  4. Jule Styne in Hollywood
  5. Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00008H2LJ
Release Date: 2003-04-08

Tracks:

  1. Please Let's Not Even Say Hello - Alice Ripley
  2. Only with You - Brent Barrett
  3. I Want to Go to Hollywood - Sutton Foster
  4. Danglin' - Johnny Rodgers
  5. I Had a Dream About You - Betty Buckley
  6. My True Love - Philip Chaffin
  7. A Call from the Vatican - Alice Ripley
  8. Now and Then - Laura Benanti
  9. You're There Too - Christopher Fitzgerald
  10. Is Someone Out There? - Eden Espinosa
  11. New Words - Brent Barrett
  12. My Grandmother's Love Letters - Christine Ebersole
  13. By the River - Christine Andreas
  14. I Am Longing - Philip Chaffin
  15. Home - Laura Benanti & Robert Cuccioli
  16. Another Day in the Modern World - Michael Holland
  17. Simple - Liz Callaway
  18. Unusual Way - Brian d'Arcy James
  19. Be On Your Own - Betty Buckley
  20. No Moon - Howard McGillin

Amazon.com

Despite racking up Tony nominations and/or box-office success with Nine, Grand Hotel, and Titanic, Maury Yeston remains a relatively unknown Broadway auteur. And yet, what a fabulous songwriter he is. Listen to "Home," for instance: This excerpt from Phantom (the other adaptation of Phantom of the Opera) has great melodic hooks, along with natural sweep and unrestrained emotion. Like every song on this CD, it also has such dramatic drive that it easily stands on its own outside of its regular narrative frame. This collection of new recordings provides an excellent overview of Yeston's talent, juxtaposing numbers from his three best-known scores (though there's only one from Titanic) with rarities and a generous selection from his 1991 song cycle December Songs. Christine Ebersole, Liz Callaway, and Betty Buckley turn in expectedly strong performances, but watch also for Laura Benanti (the star of the 2003 revival of Nine), Christine Andreas, and Foster Sutton, who completely make the material theirs. --Elisabeth Vincentelli

Description

The Tony Award-winning composer/lyricist -- who's given us the smash hit musicals Titanic, Phantom and Grand Hotel, and whose first stage show, Nine, is currently being revived in New York with Antonio Banderas -- is celebrated in song by the best stars o

Customer Reviews:

4 out of 5 stars a wonderful surprise.......2007-07-22

Like others, I bought this CD primarily for Sutton Foster's rendition of "I Want to Go to Hollywood." And while that's wonderful, the real surprises here are the songs from Yeston's song cycle "December Songs." Christine Ebersole and Christine Andreas give absolutely lovely, technically proficient, completely heartfelt renditions of "My Grandmother's Love Letters" and "By the River", respectively. I'd heard Andrea Marcovicci's recording of "December Songs" and was seriously underwhelmed. These two tracks just prove that Yeston might have over-estimated Marcovicci's range and technical ability. "By the River" is a revelation in the right hands, and Ms. Andreas's rendition is just four minutes of wonderful. I also want to mention Howard McGillin's "No Moon". This little song from "Titanic" is just so moving. Pulled out of context, it becomes a little jewel of metaphor.

The CD as a whole is beautifully recorded, with an intimacy and clarity that makes you feel like you're in the first row of a very small theatre. If you come across this and you're on the fence, take a chance. I bet that you'll be as pleasantly surprised and deeply moved as I've been.

3 out of 5 stars What!? How is this possible?.......2007-01-20

How could one put together a Maury Yeston Songbook cd without a track from Andrea Marcovicci? He wrote a song cycle for her. Granted there are some great singers here but a grave oversight to not include Ms Marcovicci.

5 out of 5 stars Beauty and grace, charm and wit - Maury's got it all.......2006-11-14

Maury Yeston may be musical theatre's unsung genius to the public at large, but I've heard his praises sung many times. A friend convinced me to buy the original Broadway cast of "Nine", and while there were some fantastic songs and an undeniable melodic gift throughout, it left me lukewarm. The same with "Grand Hotel". And I couldn't stand "Titanic" - too big, too self-important, too reliant on booming low brass and bombastic orchestral swells.

"Phantom" was the only one of his scores that touched something other than distanced admiration in me. It was everything Sir Lloyd Webber's popera travesty could never quite aspire to - epic yet human, beautiful and touching, with songs that showed actual details and emotions. So it was with that in mind that I purchased this, figuring that maybe Maury could prove me wrong, shorn from the restrictions of a book musical format.

And by God, did he prove me right and then some.

Maybe it's the singers. Maybe it's the perfect orchestrations. Maybe it's just the absence of a plot to follow. More than likely, it's all three, but this is one of the most gorgeous, enjoyable, heartbreaking albums I've ever purchased. Yeston has assembled an impressive cast to give voice to his music - such heavy Broadway hitters as Alice Ripley, Brent Barrett, Betty Buckley, Christine Ebersole and Howard McGillin mix with up-and-comers like Eden Espinosa, Sutton Foster, and Brian d'Arcy James. But the most impressive turns are given by people I'd never heard of before - Johnny Rodgers (who?) has a voice spun from gold, and he's absolutely perfect in "Danglin'", a simple and powerful song despite some odd lyric choices by Yeston. Likewise Philip Chaffin in "My True Love" and "I Am Longing", and Michael Holland displays a warm and untrained performance of "Another Day in the Modern World". These three men, who I'd never heard of before, absolutely stole the show. It doesn't hurt that they're given some of the best songs from the album.

Of course, the rest of the ensemble uniformly turns in worthwhile performances. The professionalism of Broadway is gloriously evident here, each singer making their song uniquely theirs. Brent Barrett made me hear "Only With You" as if for the first time. Betty Buckley is surprisingly vulnerable in "I Had A Dream About You". Alice Ripley is her usual bundle of raw emotion in "Please Let's Not Even Say Hello", and turns in a rare comic performance in "Call From The Vatican" to great effect (listen to that surprise high note near the end! Wow, Alice!). Christine Ebersole is heartbroken, elated, vulnerable, and tough all in the course of "Grandmother's Love Letters"' 4 minutes.

There are some weak spots - Eden Espinosa is mostly one-note during her song, and while it's certainly a high note, it's nothing you haven't heard her do better elsewhere. Laura Benanti's "Now and Then" goes by without much notice, which is a shame for this talented actress. And Betty Buckley goes back to her usual high-volume stridence in "Be On Your Own", which despite its chilling music deserves a more nuanced performance than Buckley gives here. But these songs would be standouts on any other album, and it's only the company they keep that prevent them from being excellent.

Oh, and "Unusual Way", possibly Yeston's best-known song, is so beautifully performed here by Brian d'Arcy James and a three-piece band that I nearly cried hearing it. And that's quite a feat for a song that I swore never to listen to again after the seventeenth girl in a day auditioned with it (badly). But the gender swap works perfectly, and d'Arcy James' golden Irish tenor swings through the music effortlessly.

As for the band - there are no missteps here. Each song is given exactly what it needs, from the Romantic-with-a-capital-R string section on "Home", to the jazzy saxophone on "Letter From the Vatican", to "Be On Your Own", which is given a Herrmann-esque string section. Some particular touches stand out - that lovely acoustic guitar on "Danglin'", the simple piano line on "Modern World", and the sublime cello/piano outro in "Unusual Way" really stuck with me after the album stopped playing. And the recording is without fault - crisp, encompassing, personable and expansive as the mood requires. The whole album sounds fantastic.

There is such a wide range of style and substance here that each song would deserve purchasing individually. As a collection? It's bliss. If you're a fan of theater music, appreciate great vocals, or just need something to keep you company on long nights, this is required purchase.

5 out of 5 stars A perfect marriage of music and lyrics.......2006-09-07

I think Yeston must be the most underrated talent in music theatre. And not just music theatre ... for as far as I know, "Danglin'" is not from a show - a jewel of a song ... and a disarmingly honest rendition from Johnny Rogers (what a beautiful voice! Why hasn't he made more CD's?) Some other favourites are "New Words" (not enough parent-child love songs out there ... and I can't imagine it could be sung any better than this), "You're there too" (with a charming and unexpected twist), "Simple" (Callaway is superb), "Only With You" (loveable rogue!) ... to name but a few. Inspired music theatre writing. A must for any musical buff, composer or singer seeking repertoire that will help them stand out from the crowd.

3 out of 5 stars The Maury Yeston Songbook.......2006-08-30

A good album sung by good singers. I have been an admirer of Maury Yeston for a number of years . I am a great fan of "Nine"
which I consider his best work.(If possible try to listen to the
Australian Cast Recording with John Diedrich) I enjoy listening to artists like Alice Ripley, Brent Barrett, Sutton Foster,and my very favourite singer Liz Callaway. All in all a great CD to just sit back ,relax and enjoy Les Breen
Handel: Belshazzar
Average customer rating: 4 out of 5 stars
  • ISSUE RESOLVED ON THE EUPHRATES
  • Enjoiyable, but lacking, too.
Handel: Belshazzar

Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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  1. Samson
  2. Handel: Alexander's Feast
  3. Handel - Joshua / Kirkby, Bowman, Oliver, Ainsley, George, The King's Consort
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  5. Handel: Solomon

ASIN: B0001ZWGHY
Release Date: 2004-06-15

Tracks:

  1. Overture
  2. Vain, Fluctuating State Of Human Empire!
  3. Thou, God Most High, And Thou Alone
  4. The Fate Of Babylon, I Fear, Is Nigh
  5. Lament Not Thus, Oh Queen, In Vain!
  6. Behold, By Persia's Hero Made
  7. Well May They Laugh/Oh Memory! Still Bitter To My Soul
  8. Opprest With Never-Ceasing Grief
  9. Dry Thoes Unavailing Tears
  10. Be Comforted: Safe Though The Tyrant Seem/Methought, As On The Bank Of Deep Euphrates
  11. Now, Tell Me, Gobrias
  12. Behold The Monstrous Human Beast
  13. Can You Then Think It Strange
  14. Great God! Who, Yet But Darkly Known
  15. My Friends, Be Confident
  16. All Empires Upon God Depend
  17. Oh Sacred Oracles Of Truth!
  18. Rejoyce, My Countrymen
  19. Sing, Oh Ye Heav'ns!

Tracks:

  1. Let Festal Joy Triumphant Reign!
  2. For You, My Friends
  3. The Leafy Honours Of The Field
  4. It Is The Custom, I May Say, The Law
  5. Recall, Oh King! Thy Rash Command
  6. They Tell You True
  7. Oh Dearer Than My Life, Forebear!
  8. By Slow Degrees The Wrath Of God
  9. See, From His Post Euphrates Flies!
  10. You See, My Friends, A Path
  11. Amaz'd To Find The Foe So Near
  12. To Arms, To Arms! No More Delay!
  13. Ye Tutelar Gods Of Our Empire
  14. Let The Deep Bowl Thy Praise Confess
  15. Where Is The God Of Judah's Boasted Pow'r?
  16. Call All My Wise Men

Tracks:

  1. A Singony (Allegro Postillions)
  2. Ye Sages! Welcome Always To Your King/Alas! Too Hard A Task The King Imposes
  3. Oh Misery! - Oh Terror! - Hopeless Grief!
  4. Oh King, Live For Ever!
  5. No! To Thyself Thy Trifles Be
  6. Yet, To Obey His Dread Command
  7. Oh Sentence To Severe!
  8. Oh God Of Truth! Oh Faithful Guide!
  9. You, Gobrias, Lead Directly To The Palace
  10. Oh Glorious Prince!
  11. Alternate Hopes And Fears
  12. Fain Would I Hope
  13. Can The Black Aethiop Change His Skin?
  14. My Hopes Revive
  15. Bel Boweth Down!
  16. I Thank, Thee, Sesach
  17. A Martial Symphony
  18. To Pow'e Immortal My First Thanks
  19. Be It Thy Care, Good Gobrias
  20. Great Victor, At Your Feet I Bow
  21. Say, Venerable Prophet
  22. Tell It Out Among The Heathen
  23. Yes, I Will Build Thy City
  24. I Will Magnify Thee

Customer Reviews:

5 out of 5 stars ISSUE RESOLVED ON THE EUPHRATES.......2005-06-19

One question I might find among the more difficult in my life would be - which is my favourite Handel oratorio? I suspect that my answer would generally be 'the one I heard most recently', and that, as I write this, is Belshazzar. It is a magnificent thing, a heavenly thing. It has taken me longer than it should have to come to an appreciation of what makes Handel the phenomenon - as a genius, as an artist, as a craftsman - that he is, but I am comforted to reflect that no less a genius than Haydn, at the age of nearly 70 gaining a more thorough knowledge of Handel in performance, was driven to say that he felt a mere apprentice. In his sense of how to pace a dramatic narrative, in his instinct for how to use the human voice in song and above all in chorus, in the matchless flexibility and adroitness he displays at word-setting and in the audacity of his melodic and harmonic effects I can think of nobody who can approach Handel on his own terms.

Belshazzar was not a great success at the box-office, although this may have had more to do with difficulties in the casting than because it was deemed insufficiently biblical for oratorio, which seems to have been the fate of Hercules. It seems to me to be perfectly well described as oratorio in other ways too, with (for one thing) the extensive use of the chorus that we find in, say, Samson but not in Hercules. The one passage that cries out for visual effects is of course the apparition of the moving finger itself. Even here the composer can go a long way with sheer power of suggestion, by the strange unaccompanied violin figure creeping upwards and the frightened brevity of the vocal numbers. Otherwise for me Belshazzar is as much an oratorio as Samson is. It has the same librettist too, the crusty and formidable Jennens, who had also collaborated with Handel on Saul and on Messiah itself. Jennens' full text is not provided, but I think if you read the synopsis first and then follow the work from the headlines to each number you will have no difficulty in catching the words, so clear is the enunciation by soloists and chorus alike. As usual, Handel was driven to make alterations to the score for practical reasons. He had been a little concerned about its length, roughly 2 hours and 50 minutes in this performance, but where he wishes to be expansive he gives us full measure - two arias in Act I scene 4 take well over 7 minutes each. The liner-essay (a good one, by Anthony Hicks) goes into the issue of the version of the score used here, and I personally have no problem with it.

I have no faults to find with the performance in any way. Pinnock is an established specialist, the instruments are period instruments and vocal cadenzas at the end of the arias are kept minimal. Anthony Rolfe Johnson, James Bowman and David Wilson-Johnson are tried and trusted Handel singers and at their best here, and Nicolas Robertson and Richard Wistreich in the smaller parts are every bit as good. The part of Cyrus is a soprano part, taken by Catherine Robbin, and when I thought I heard just one touch of strain in `Destructive War' in the final scene she makes up for it instantly in her superb duet with Arleen Auger in the following number. Auger as Nitocris the mother of Belshazzar has the biggest part, and she covers herself with glory all the way through.

The recording is perfect, and when I saw an aria entitled `Destructive War, thy limits know' near the end I felt a sharp sense of irony in the year 2005. Cyrus, Handel, Jennens, you should all have been living at this hour.

3 out of 5 stars Enjoiyable, but lacking, too........2004-08-16

This 3CD set of George Frederic Handel's (1685-1759) "Belshazzar", from Archiv Production, a division of Universal Music, is proof again that transfer from vinyl to tape to disc brings with it improvements in listening that make the purchase a worthwhile addition to anyone's listening library. Written in 1744, "Belshazzar" is an oratorio in the operatic style that is wonderful oratorio, but lacking the true depth one expects to hear in an opera. London opera audiences of Handel's day agreed, as both "Belshazzar" and Handel's other offering of the period in the same style, "Hercules", were not terribly successful. Instead of the scheduled 24 performances only 16 were given and Handel never offered a full season of oratorio again. The Libretto by Charles Jennens (1700-1773) is, as the production notes say, meant "not only to show the fall of Babylon but to show it as a fulfillment of divine prediction and to confirm the biblical testimony by reference to classical history." There's only one problem, as good a quality as the CDs are, it is not possible to follow the full libretto and the accompanying booklet includes no text, which is a shame. I think the listening experience would have been increased immeasurably if one was able to follow the text of what is being sung. Nonetheless the dramatic narrative is fluid and even, and the English Concert and Choir provide nice balance to the less full vocal passages, as in Disc 3s "Oh Glorious prince", cut 10. There is enough of this throughout to keep one's interest, but disappointing if what one expects is another ""Messiah".
Offenbach: La Belle Helene; Orpheus in the Underworld; La Vie Parisienne (Highlights)
Average customer rating: 5 out of 5 stars
  • Champagne Music!
Offenbach: La Belle Helene; Orpheus in the Underworld; La Vie Parisienne (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Opera & Vocal | Styles | Music
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  2. Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
  3. Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)

ASIN: B00009KHY3
Release Date: 2003-09-02

Tracks:

  1. Overture
  2. The Happy Bride Never Stumbles
  3. You've Gone Too Far!
  4. May I Make Myself Known?
  5. My Death Appears Divinely Smiling
  6. When Diana Leaves The Mountains
  7. To Arms!
  8. When Jupy Feels The Inclination
  9. Here Comes Orpheus
  10. When I Was King Of The Boeotians
  11. I Thought That I Felt On My Shoulder
  12. What Heavenly Joy Is Mine
  13. Minuet And Galop
  14. Overture
  15. How Sad We've Made The Marchioness
  16. Well Isn't That Just Life All Over?
  17. I'm The Guide For Every Tourist
  18. I Am A Native Of Brazil
  19. In This Enchanting Queen Of Cities
  20. I Am A Dab At Carving Pork
  21. We Have Seen Sights Since Eleven... I'm A Colonel's Widow
  22. Dinner Is Served

Tracks:

  1. Oh, Little Cloud
  2. When She Goes Out... Her Petticoats Go Frou, Frou, Frou
  3. Does He Know He's Splitting Down The Back
  4. Nobody Would Call Me A Rover
  5. I'll Have So Much To Say
  6. It's Most Important You Should Show
  7. Here You See The Place
  8. My Friends, I'm Most Delighted To See You
  9. In Songs And Shouts... Paris Blooms Like A Flower
  10. Introduction
  11. To Bow To Jupiter We Gather At The Shrine
  12. We've Had A Night Out
  13. On Mount Ida Three Great Ladies (The Judgement Of Paris)
  14. March And Entry Of The Kings
  15. Entr'acte
  16. We All Begin By Truly Trying
  17. It Is Her That Has Sent This Sweet Love Dream
  18. Come Here, You Kings Of Greece
  19. When All Of Greece Has Been Ravaged
  20. Do You See?

Customer Reviews:

5 out of 5 stars Champagne Music!.......2006-07-09

Thank goodness that these well filled CDs of selections from three of Offenbach's most entertaining and tuneful operettas are available. Exactly the thing to provide some hearty nourishment for Winter nights. Ideal also for a Summer barbecue. In both cases, a glass of champagne, or at least some other bubbly beverage, would be good to have at hand - everything here no doubt will call for a toast or several.

It is so nice to be able to hear in these translations the witty words, sung with welcome clarity and meaning by these admirable artists. As I recall, there were no microphones in sight, and perhaps not even used, when this production of Orpheus In The Underworld was brought to Australia, with a few cast changes but the same sparkle as shown here. Crisp diction and lively, often lovely, singing - a great recipe for enjoyable listening indeed.

The recording sounds a bit shrill here and there, but what a churlish quibble; to Hades with such curmudgeonly qualifications! This is music to raise the spirits, and not just those from Hades.
Wings (1995 Studio Cast)
Average customer rating: 4 out of 5 stars
  • Beautiful Show
Wings (1995 Studio Cast)
Arthur Perlman
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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  4. Legally Blonde (2007 Original Broadway Cast)
  5. My Life with Albertine (2003 Original Off-Broadway Cast)

ASIN: B000003FZ2
Release Date: 1996-08-13

Tracks:

  1. The New Daredevils of the Air/Catastrophe - Leo Daignault/Linda Stephens
  2. The Hospital/Globidge - William Brown/Ora Jones/Linda Stephens
  3. Wait-Stop-Hold-Cut - Linda Stephens
  4. My Name Then... - Ora Jones/Linda Stephens/William Brown
  5. All in All - Linda Stephens
  6. Let Me Call You Sweetheart - Dominic Cortese
  7. Makey Your Naming Powers - William Brown/Ora Jones/Linda Stephens
  8. I'll Come Back to That - Linda Stephens/Hollis Resnik
  9. Let Me Call You Sweetheart #2 - Hollis Resnik/Linda Stephens
  10. I'll Come Back to That #2 - Linda Stephens
  11. Yum, Yummy, Yum - Ora Jones/Linda Stephens
  12. I'll Come Back to That #3 - Linda Stephens/William Brown
  13. Tither - William Brown/Linda Stephens/Ora Jones
  14. All in All #2/I Don't Trust Him - Linda Stephens
  15. Malacats - Linda Stephens
  16. Needle - Linda Stephens
  17. Interlude-Wings Theme - Linda Stephens/Hollis Resnik
  18. Out on the Wing - Linda Stephens/Hollis Resnik
  19. Out on the Wing #2 - Linda Stephens/Hollis Resnik
  20. I Wonder What's Inside - Linda Stephens/Russ Thacker/Hollis Resnik
  21. Let Me Call You Sweetheart/Therapy Scene - Hollis Resnik/William Brown/Linda Stephens/Russ Thacker/Ora Jones
  22. A Recipe for Cheesecake - Russ Thacker/Hollis Resnik and Patients
  23. Like the Clouds - Linda Stephens
  24. Brownie Scene - Russ Thacker/Linda Stephens
  25. Record Player Scene - Hollis Resnik/Linda Stephens
  26. The New Daredevils of the Air/Preparing for Flight - Leo Daignault/Linda Stephens
  27. Winter Scene I - Hollis Resnik/Linda Stephens
  28. Snow - Linda Stephens/Hollis Resnik
  29. Winter Scene II - Linda Stephens/Hollis Resnik
  30. Wings - Linda Stephens

Customer Reviews:

4 out of 5 stars Beautiful Show.......2006-12-17

I have not seen this show, but after listening to it the whole way through, I want to very badly. The story is heartbreaking, and the music lends itself so well. At times it can be very spooky almost scary, and then other times as simplisticly beautiful as one could hope for. The music and lyrics are a bit repetitious, but this soundtrack tells the whole story. You can visualize everything going on. Its wonderful. I would suggest this to broadway collectors and just listners alike. Its also one that might be good for those who listen to books on tape, because you really do get the whole story, and it is stunningly beautiful. Favorite Song: "I Wonder What's Inside"
Greatest Hits
Average customer rating: 5 out of 5 stars
  • Patti Austin and Gregory Hines Are Brilliant
Greatest Hits

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005J712
Release Date: 2001-05-22

Tracks:

  1. Let Yourself Go - Steppin' Out With My Baby - Patti LuPone
  2. Slap That Bass - Gregory Hines
  3. Love Is Here To Stay - Patti Austin
  4. Mood Indigo - Dee Dee Bridgewater
  5. A Foggy Day - Gregory Hines
  6. Let's Call The Whole Thing Off - Patti Austin/Gregory Hines
  7. Heatwave - Patti LuPone
  8. Something Wonderful - Marilyn Horne
  9. O Mio Babbino Caro - Puccini's Gianni Schicchi
  10. Prelude To A Kiss - Dee Dee Bridgewater
  11. I'm Beginning To See The Light - Dee Dee Bridgewater
  12. Nice Work If You Can Get It - Gregory Hines
  13. The All Laughed - Patti Austin
  14. I've Got Beginner's Luck - Gregory Hines/Patti Austin
  15. Doin' What Comes Natur-lly - Patti LuPone
  16. I Have Dreamed - Peabo Bryson/Lea Salonga
  17. For You, For Me, For Evermore - Patti Austin/Gregory Hines

Tracks:

  1. Gone With The Wind: Main Title - John Mauceri/Hollywood Bowl Orchestra
  2. An American In Paris - John Mauceri/Hollywood Bowl Orchestra
  3. Carousel: Heaven Effect And Carousel Waltz - John Mauceri/Hollywood Bowl Orchestra
  4. Peyton Place - John Mauceri/Hollywood Bowl Orchestra
  5. The Wizard Of Oz Concert Suite - John Mauceri/Hollywood Bowl Orchestra
  6. Morning Mood - John Mauceri/Hollywood Bowl Orchestra
  7. Cinema Paradiso - John Mauceri/Hollywood Bowl Orchestra
  8. Somewhere In Time - John Mauceri/Hollywood Bowl Orchestra
  9. Eternal Love - John Mauceri/Hollywood Bowl Orchestra
  10. John Dunbar Theme - John Mauceri/Hollywood Bowl Orchestra
  11. Throne Room And Finale - John Mauceri/Hollywood Bowl Orchestra

Customer Reviews:

5 out of 5 stars Patti Austin and Gregory Hines Are Brilliant.......2007-07-07

I own the Hollywood Bowl Gershwin CD and I love it. I was surprised by it. Play the samples if you can but the singing and sound are clear and crisp and you can understand every word.
The Boy From Oz (1998 Original Australian Cast)
Average customer rating: 4.5 out of 5 stars
  • Re-listening to OZ from Oz
  • OH BOY, WHAT A JOY, THE SHOWS A HIT!!
  • Fantastic!
  • Almost Great
  • BRILLIANT - A GREAT CD
The Boy From Oz (1998 Original Australian Cast)

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

Australia & New ZealandAustralia & New Zealand | International | Styles | Music
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ASIN: B00000B8WV
Release Date: 2001-12-11

Tracks:

  1. Continental American - Lisa Callingham, Todd McKenney, Deb Mitchelmore, Cherine Peck
  2. When I Get My Name in Lights - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Deb Mitchelmore, Cherine Peck, Jill Perryman, Mathew Waters
  3. Pretty Keen Teen - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Todd McKenney, Deb Mitchelmore, Cherine Peck, Garry Scale
  4. All I Wanted Was the Dream - Christina Amphlett
  5. Only an Older Woman - Christina Amphlett, Todd McKenney
  6. Don't Wish Too Hard - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Deb Mitchelmore, Cherine Peck, Garry Scale, Ni Warnford
  7. Sure Thing Baby - Angela Toohey
  8. Quiet Please, There's a Lady on Stage - Christina Amphlett, Murray Bartlett, Lisa Callingham, Marcus Eyre, Todd McKenney, Deb Mitchelmore, Cherine Peck, Angela Toohey
  9. I'd Rather Leave While I'm in Love - Lisa Callingham, Todd McKenney, Deb Mitchelmore, Cherine Peck, Angela Toohey
  10. (I've Been) Taught by Experts - Christina Amphlett, Todd McKenney
  11. Not the Boy Next Door - Lisa Callingham, Todd McKenney, Deb Mitchelmore, Cherine Peck
  12. (When) Everything Old Is New Again - Todd McKenney
  13. (Arhtur's Theme) Best That You Can Do - Todd McKenney, Angela Toohey
  14. Love Don't Need a Reason - Lisa Callingham, Todd McKenney, Deb Mitchelmore, Cherine Peck
  15. She Loves to Hear the Music - Lisa Callingham, Deb Mitchelmore, Cherine Peck
  16. I Honestly Love You - Murray Bartlett
  17. I Still Call Australia Home - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Todd McKenney, Deb Mitchelmore, Cherine Peck, Garry Scale
  18. Don't Cry Out Loud - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Deb Mitchelmore, Cherine Peck, Jill Perryman, Mathew Waters
  19. Tenterfield Saddler - Todd McKenney
  20. I Go to Rio - Robyn Arthur, Murray Bartlett, Lisa Callingham, Marcus Eyre, Todd McKenney, Deb Mitchelmore, Cherine Peck, Garry Scale

Album Description

Australian stage show about the life of Peter Allen. Features all his international hits and an amazing performance from Chrissie Amphlett (of the Divinyls) as Judy Garland! 1998 EMI.

Customer Reviews:

4 out of 5 stars Re-listening to OZ from Oz.......2004-01-28

I've been relistening to the original original cast recording of this show. I'm really starting to enjoy it and find it quite entertaining. It has its own wonderful quality and well worth listening to over and over again.
It definitely would NOT have worked on Broadway with these arrangements because it retains too much the quality of a lounge act; not nearly 'big' enough for Broadway. BUT the performances are really terrific and the period arrangements are true to form.
I wish PRETTY KEEN TEEN, SURE THING BABY and TAUGHT BY EXPERTS had been kept in the Broadway production
Enjoy!

5 out of 5 stars OH BOY, WHAT A JOY, THE SHOWS A HIT!!.......2002-12-11

The Boy From Oz had its world opening at HER MAJESTY'S THEATRE Sydney in 1998. As a theatre lover and seen over 70 shows, this musical stands out as #1 around Australia and soon to hit and rule the world.
The music is outstanding.
The cast is the best.
The show PHENOMINAL!!!!

The songs lift your spirits beyond belief. They just make you feel you are up there on that stage with the cast. You would understand why the songs are on this cd and the order they are in as they happen in the show if you saw it first, but trust me you can listen to the cd before you see the show.
The cast featured on this cd are Australias best!
TODD MCKENNEY (Singin'In the Rain, Crazy for You, 42nd Street, Strictly Ballroom{movie})just to name a few, Plays Peter Allen.
CHRISSIE AMPHLETT (The lead singer in the band "The Divinyls", plus several shows) plays JUDY GARLAND.
JILL PERRYMAN (Austarlias lady of the stage and screen {small and big} Hello Dolly!, Funny Girl, Annie, to name a few) plays Peter Allens Mother MARION WOOLNOUGH.
ANGELA TOOHEY (Cabaret, Jesus Christ Superstar) plays LIZA MINNELLI. A very scary fantastic roll. You would think you were watching Liza on stage she has the role down so well.
Robyn Arthur (Beauty and the Beast, Les Miserables, Cats, Cosi) plays several roles.
Murray Bartlett (4th season of Sex and the City, Australian tv & theatre shows)plays Greg Connell. Peter Allen's partner.

The music that features in this show is outstanding and moving. There are moving/love songs: All i wanted was the dream, Sure thing baby, Quiet please, there is a lady on stage, I'd rather leave while i'm in love, Best that you can do, Love dont need a reason, I honestly love you, Dont cry out loud, Tenterfield Saddler
Fun and enjoyable songs:Continental American, When i get my name in lights, Pretty Keen teen, Only an older woman, Dont wish too hard, Sure thing baby, Taught by experts, Not the boy next door,everything old is new again, she loves to hear the music, I still call australia home, I GO TO RIO!!

The stage, the music, the fun and the life of Australias and the worlds most out there and amazing enterainer comes to life in this musical and cd. When it comes to a stage near you, you have to buy tickets. And if your anything like the millions of Aussies that have seen it you will see it again and again. With the likes of the Phantoms, Les Mis etc.. around and gracing our stages after 20 or so years, i know THE BOY FROM OZ will still be around gracing our stages and our childrens stages for many many many years.

OH BOY! WHAT A JOY! THE BOYS A HIT!

THIS MUSICAL EXPERIENCE WILL TAKE YOU FROM NEW YORK TO RIO AND OLD LONDON TOWN! BUT STILL CALL AUSTRALIA HOME!
OR YOU MIGHT WANT TO GO TO RIO!

5 out of 5 stars Fantastic!.......1999-12-15

Well, I saw this play while in Syndey in '98, and loved it then, and the more i listen to the soundtrack, the more i love it. It is amazing, and it totally recaps the feel of the play. I honestly love you, and Tenterfeild Saddler are two of the most amazing songs ever writen, and they are even more wonderful on this fabulous album! All praise Peter Allen

4 out of 5 stars Almost Great.......1999-06-09

The problem with this CD is that it contains only a fraction of the music in the show itself. Admittedly, it contains the major numbers, but a lot of good stuff from the original show is missing. Since it is the only CD available, I recommend it, but if and when this show gets to the London or New York stage, a CD containing more of the entire work will doubtless become available. The liner notes are sparse. The listener who has not seen the show will not have a clue as to what is going on with the story line. This is a real shame, because understanding the story line brings a special poignancy to many of the songs. If you can wait a year or two for another edition to appear, do so. Otherwise buy it now. If it were complete and had better liner notes, I'd give this one five stars plus. The fellow playing Peter Allen and the gal playing Lisa Minelli are dynamite talents.

5 out of 5 stars BRILLIANT - A GREAT CD.......1999-04-17

I must say I have never seen the show here in Australia but after listening to the recording I will have to go see it. The quality of sound is perfect and the track changes are also perfect. Some of the songs on the CD are so well sung it almost brings a tear to your eye for example TENDERFIELD SADDLER, I HONESTLY LOVE YOU and DON'T CRY OUT LOUD The songs arent sung by one person, lines of lyrics are given to characters. Well worth buying to add to your collection
The Water Gipsies (Original London Cast) with Bonus Tracks
Average customer rating: Not rated
    The Water Gipsies (Original London Cast) with Bonus Tracks

    Manufacturer: Sepia
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
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    Similar Items:
    1. The Buccaneer (Original London Cast) and Bonus Tracks
    2. Salad Days (1954 Original London Cast)
    3. Baker Street, A Musical Adventure of Sherlock Holmes (1965 Original Broadway Cast)
    4. The Drowsy Chaperone (2006 Original Broadway Cast)
    5. Grey Gardens - A New Musical (2006 Original Broadway Cast)

    ASIN: B000CNDXH2
    Release Date: 2005-12-26

    Tracks:

    1. Overture - Orchestra
    2. Why Did You Call Me Lily? - Dora Bryan
    3. Clip-Clop - Laurie Payne
    4. I Should Worry - Dora Bryan
    5. When I'm Washing Up - Pamela Charles
    6. Jane's Prayer - Pamela Charles
    7. Lily's Tale - Dora Bryan
    8. He Doesn't Care - Peter Graves
    9. Castles And Hearts And Roses - Laurie Payne
    10. Peace And Quiet/Little Boat - Laurie Payne
    11. Why Should Spring Have All The Flowers? - Doris Hare
    12. This Is Our Secret - Peter Graves
    13. It Would Cramp My Style - Dora Bryan
    14. You Never Know With Men - Dora Bryan
    15. Here's Mud In Your Eye - Chorus
    16. I'm Not A Jealous Woman - Joan Sims
    17. Finale - Chorus
    18. I'm So Terribly In Love With You - Robert English
    19. I Never Dreamt (You'd Fall In Love With Me) - Lido Dance Orchestra
    20. My Heart Is Saying - Billy Milton
    21. Selections From 'Little Tommy Tucker' - The Million-Airs
    22. You Looked At Me - Olive Groves
    23. My Heart's A Compass - Olive Groves
    24. You Have That Extra Something - Phyllis Stanley
    25. Three Songs From 'Big Ben' - Vivian Ellis
    26. Three Waltzes From 'Big Ben' - Vivian Ellis
    27. Selections From 'Tough At The Top' Part One - Vivian Ellis
    28. Selections From 'Tough At The Top' Part Two - Vivian Ellis
    29. The Music From 'And So To Bed' Part One - Vivian Ellis
    30. The Music From 'And So To Bed' Part Two - Vivian Ellis

    Album Description

    English composer Vivian Ellis had a prolific career spanning five decades, during which she wrote nearly 70 West End shows. The Water Gipsies was a 1955 collaboration between Ellis and A.P. Herbert. Contains the cast recording of The Water Gipsies plus bonus tracks including early Ellis compositions, many appearing on CD for the first time!
    Thomas Tallis: The Complete Works (Box Set)
    Average customer rating: 5 out of 5 stars
    • Go To Amazon.com/uk
    • Wonderful Set, but why pay this much?
    Thomas Tallis: The Complete Works (Box Set)

    Manufacturer: Signum UK
    ProductGroup: Music
    Binding: Audio CD

    Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B0006OR0DA
    Release Date: 2005-01-25

    Customer Reviews:

    5 out of 5 stars Go To Amazon.com/uk.......2006-02-23

    Thank you Paul Schleuse. Your review is right on, and most importantly, I paid $113. (including shipping) from amazon.com/uk to Boston. Less than halk the price here.

    5 out of 5 stars Wonderful Set, but why pay this much?.......2005-07-30

    This is a landmark set: the complete works of one of the most important composers of the 16th century, in performances of grace and clarity. However, you can get it for less than half of the US price by buying it at Amazon.co.uk. At GBP65.20, it works out to just over $100, or about $10 per disc--quite a bargain on a major addition to any serious early-music collection.
    Nicolae Bretan: Golem and Arald
    Average customer rating: 4.5 out of 5 stars
    • Beautifully understated drama
    • More beautiful music than we'd any right to expect.
    • Two short beautiful, somber lyric operas.
    Nicolae Bretan: Golem and Arald

    Manufacturer: Nimbus Records
    ProductGroup: Music
    Binding: Audio CD

    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    ASIN: B0000037FS
    Release Date: 1995-09-05

    Tracks:

    1. Golem: Intro - PO Moldova, Iasi/Cristian Mandeal
    2. Golem: Leave Me Alone, Golem, Leave Me! - Alexandru Agache
    3. Golem: I Looked Deep Into Her Eyes... - Alexandru Agache
    4. Golem: I Cannot Change You Into A Man - Tamas Daroczy
    5. Golem: I Formed You Of Clay... - Tamas Daroczy
    6. Golem: Under The Earth, You Do Not Feel The Cold - Alexandru Agache
    7. Golem: Did You Call Me? - Dan Zancu
    8. Golem: No! I Won't Tear It Out! - Alexandru Agache
    9. Golem: Why Don't You Give Me That Talisman? - Alexandru Agache
    10. Golem: Peace To You, Dream Of The Human Mind - Sounds Of The Autumn Wind
    11. Arald: Prologue- Arald On His Charger Sweeps... - Dan Zancu
    12. Arald: To You, O Timeless Seer, Across The World I Ride... - Ionel Voineag
    13. Arald: You Were Still But A Child - Alexandru Agache
    14. Arald: My People Ceased Their March... - Ionel Voineag
    15. Arald: Out Of The Heart Of Earth Let Man The Dead Awake... - Alexandru Agache
    16. Arald: Come, Arald, Your Sweet Brow Against My Bosom Lean... - Sanda Sandru
    17. Arald: Interlude - PO Moldova, Iasi/Cristian Mandeal
    18. Arald: Lost Of All Eternity Within The Tomb's Constraint - Alexandru Agache

    Customer Reviews:

    5 out of 5 stars Beautifully understated drama.......2005-06-10

    Despite a lack of big arias, Golem is a good opera. The singers in this production are very effective in conveying the inner tensions of their characters. Although there is little physical movement, the drama of Rabbi Judah Loeb confronting the monster he has created is intense.
    The scenic cantata, Arald, is Bretan's masterpiece. It is a lyrical evocation of memory, despair, and resignation. Arald puts the listener through all of the emotional upheaval of Das Lied von der Erde in half of the time. This performance of Arald is as affecting as the best performances of Das Lied von der Erde that I have heard.

    4 out of 5 stars More beautiful music than we'd any right to expect........2001-01-25

    The Transylvanian composer Bretan had one of the grimmer lives of any notable composer - his wife's family were murdered in Auschwitz; his refusal in post-war Romania to become a Communist led to his silencing - but you wouldn't know it from either of these operas.

    They are serious and solemn enough. 'Golem' takes the old story of a rampaging Frankenstein-type monster and turns it into a melancholy dialogue about life, science, creation, family. 'Arald', with its hero supplicating the Seer of the Underworld to resuscitate his dead love, forswears doomy Gothic in favour of more metaphysical musings.

    From a dramatic point of view, both works are static. Musically, however, they are gloriously reminiscent of mid-period Verdi - bountifully melodic, rapturously sad - with an Eastern European flavour. The fact that an opera composer in the mid-20th century dared even write a TUNE is reason enough to rejoice.

    4 out of 5 stars Two short beautiful, somber lyric operas........1999-05-07

    "Golem" is a one-act opera about the legendary clay man created by the Rabbi of Prague. The poignant libretto is by the composer. The music is beautiful and lyric, but has no memorable tunes. Stylistically, it is a bit like Rimsky-Korsakoff's operatic writing. "Arald" is not really an opera but a scenic cantata. It tells of the despair of the khan of the Avars over the loss of his wife. The gloom of both text and music put me off at first. On second hearing, I loved it! It is more tuneful than "Das Lied von der Erde" and has none of the dissonance of Bartok's "Duke Bluebeard's Castle", but the mood is similar.
    I Call Out to You
    Average customer rating: Not rated
      I Call Out to You
      L'Illon
      Manufacturer: Blye Tower Productions
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Pop | Styles | Music
      Pop RockPop Rock | Pop | Styles | Music
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      ASIN: B00097FAWC
      Release Date: 2005-04-07

      Tracks:

      1. I Call Out to You
      2. I Call Out 2 U (dance remix)
      3. I Call Out to You (instrumental)

      Product Description

      Introducing the first "Lucid Pop" CD single release available to the public. "I Call Out to You", contains a sensual melodic line enhanced by the vocals. The vocals play on intensity, dynamics and range depicting various emotions, almost placing one into a zen moment. The lyrics are dramatic with a surge of hope beaming through the story-line. The instrumental back-ground offers a continous pulsating effect directing the song forward, and making the listener sway one's body.

      Christian Music:

      1. I Give You My Heart
      2. I Love Hits : The Top Picks Singers And Orchestra
      3. Impatience
      4. Inside Out
      5. It's Christmas Time Again
      6. J.Lo
      7. Just One Step
      8. Legends of the 20th Century [Import]
      9. Let Love Lead The Way/Holler [Australian Exclusive CD] [CD-single] [Enhanced] [Import]
      10. Love Don't Cost a Thing [CD-single] [Import]

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      christian music

      Christian Music

      The Stix

      Bartok: Major Piano Works

      Beethoven: Emperor Cantatas

      Music CD: Maria [CD-single]

      Bridget Jones: The Edge Of Reason (+2 Bonus Tracks) [Soundtrack] [Import]

      Ashes

      Animal Tracks [Import] [Limited Edition] [Original recording remastered]

      Caveman

      Avec Vous [Live]

      Conducts Elgar

      Anything Goes

      30 Exitos, Vol. 2

      Charge It 2 da Game [Explicit Lyrics]

      Lorraine Hunt Lieberson: Handel Arias

      Better Days