Don't Ask

Don't Ask

Track Listings

1. Chains
2. Heaven Help My Heart
3. Sorrento Moon (I Remember)
4. Wasn't It Good
5. Message
6. Show Me Heaven
7. Love Is the Answer
8. Greatest Gift
9. That's the Way a Women Feels
10. Be a Man
11. Standing Up

Don't Ask,Tina Arena,Sony,Alternative Pop/Rock,Singer/Songwriter


The Andrew Lloyd Webber Collection
Average customer rating: 4 out of 5 stars
  • The Andrew Lloyd Weber Collection
  • Andrew Lloyd Webber
  • The Andrew Lloyd Webber Collection
  • The Best You'll See from Sarah
  • The Angel of Music
The Andrew Lloyd Webber Collection

Manufacturer: Decca Broadway
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  1. Love Changes Everything: The Andrew Lloyd Webber Collection, Vol. 2
  2. Sarah Brightman Classics
  3. Time to Say Goodbye
  4. La Luna
  5. Harem

ASIN: B00000I0XW
Release Date: 1999-06-01

Tracks:

  1. The Phantom Of The Opera: The Phantom Of The Opera
  2. Song & Dance: Unexpected Song
  3. Aspects Of Love: Chanson D'enfance
  4. The Phantom Of The Opera: All I Ask Of You
  5. Evita: Don't Cry For Me Argentina
  6. Evita: Another Suitcase In Another Hall
  7. Aspects Of Love: Love Changes Everything
  8. Friends For Life
  9. Cats: Memory
  10. Cats: Gus: The Theatre Cat
  11. Aspects Of Love: Anything But Lonely
  12. Cats: Macavity: The Mystery Cat
  13. Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
  14. The Phantom Of The Opera: Wishing You Were Somehow Here Again
  15. Requiem: Pie Jesu
  16. The Phantom Of The Opera: The Music Of The Night

Amazon.com essential recording

Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Album Details

Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews:

5 out of 5 stars The Andrew Lloyd Weber Collection.......2007-05-12

Sarah Brightman sings in good form classic songs and does a great job!!

5 out of 5 stars Andrew Lloyd Webber .......2007-02-12

Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.

5 out of 5 stars The Andrew Lloyd Webber Collection.......2007-01-05

Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.

5 out of 5 stars The Best You'll See from Sarah.......2006-09-09

This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.

I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!

5 out of 5 stars The Angel of Music.......2006-03-13

This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!
Gold: The Definitive Hits Collection
Average customer rating: 4.5 out of 5 stars
  • Andrew LLoyd Webber - Gold Hits
  • The Gold By Andrew
  • The best of Webber
  • THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES
  • Super good CD
Gold: The Definitive Hits Collection
Andrew Lloyd Webber
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000657XY
Release Date: 2002-05-07

Tracks:

  1. Superstar - Murray Head w/ the Trinidad Singers (Jesus Christ Superstar)
  2. As If We Never Said Goodbye - Barbra Streisand (Sunset Boulevard)
  3. The Phantom Of The Opera - Sarah Brightman & Michael Crawford (The Phantom Of The Opera)
  4. You Must Love Me - Madonna (Evita)
  5. Any Dream Will Do-Donny Osmond (Joseph & The Amazing Technicolor Dreamcoat)
  6. Memory - Betty Buckley (Cats)
  7. Pie Jesus - Charlotte Church (Requiem)
  8. The Music Of The Night - Michael Crawford (The Phantom Of The Opera)
  9. I Don't Know How To Love Him - Yvonne Elliman (Jesus Christ Superstar)
  10. Don't Cry For Me Argentina -Patti Lupone (Evita)
  11. Love Changes Everything - Michael Ball (Aspects Of Love)
  12. All I Ask Of You - Sarah Brightman (The Phantom Of The Opera)
  13. The Perfect Year - Glenn Close & Alan Campbell (Sunset Boulevard)
  14. The Vaults Of Heaven - Tom Jones & Sounds Of Blackness (Whistle Down The Wind)
  15. No Matter What - Boyzone (Whistle Down The Wind)
  16. Oh What A Circus - Mandy Patinkin (Evita)
  17. Whistle Down The Wind - Sarah Brightman (Whistle Down The Wind)
  18. Amigos Para Siempre (Friends For Life) - Sarah Brightman & Jose Carrerras (1992 Olympics Theme)

Amazon.com

The critical debate over Andrew Lloyd Webber's musical legacy will no doubt rage for decades. Is he the shrewd populist composer who almost single-handedly revived the moribund stage musical--or a crass, Barnum-esque showman (who almost single-handedly revived the moribund stage musical)? This 18-track anthology chronicles the high points of Sir Andrew's enduring songcraft and the irrefutable impact it's made across a remarkably disparate swath of tastes and genres, from Broadway to Top 40 radio and even the classical repertoire.

If some have accused Lloyd Webber's songs--like "The Music of the Night" (from Phantom of the Opera) and the title tune from Whistle Down the Wind, included here--of having all the melodic and lyrical sophistication of a children's lullaby, that's likely the very element that's made them so appealing to a mass audience. If nothing else, it's a compelling argument for that old notion about it being "the singer, not the song." Indeed, there are few contemporary composers whose music could entice divas from Streisand ("As If We'd Never Said Goodbye" from Sunset Blvd.) to Madonna (Evita's "You Must Love Me") and Charlotte Church ("Pie Jesu" from Requiem) to cover it, let alone forge the very careers of artists like Sarah Brightman and Michael Crawford. And if there's any substance to that other criticism of Lloyd Webber lifting the melodic ideas of composers from Verdi to John Williams (we swear that's the theme to Jurassic Park bubbling up in Tom Jones's camped-up take on Whistle's "The Vaults of Heaven"), at least, like virtually every major composer, he's stolen--er, borrowed--from the best. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Andrew LLoyd Webber - Gold Hits.......2007-07-13

I sent this CD to my parents and they love it! It is nice to preview the songs on-line instead of with greasy headphones in a music store! The shipping is always speedy and makes sending gifts across the country so much easier.

5 out of 5 stars The Gold By Andrew.......2007-04-23

This cd is a must have for any Webber fan. It has many great songs from his most sucsessful musicals. But something I don't like about this cd is that some of the singer how sings some of the songs arn't the onse that sings the originals. Like "The Phantom Of The Opera" and "Love Changes Everything". Witch is so sad. Couse the original songs are so much better.
But besides that this cd is very good. With manye nice and difficult songs (I've sung some of the myself in siningclass).
So if you like Andrew's music this most sertanly is a most have.

4 out of 5 stars The best of Webber.......2005-09-12

Although I like Andrew Llloyd Webber and his music very much, this collection earns only 4 stars and it's not because of the quality of the music but the level of performers. If a best of collection is made it should contain the best version ever done and this time it's not true. I could write the same review for the European edition (labeled import here) because the blend of the two would be a perfect best of.

Some examples: this version contains Memory sung by Betty Buckley while the Elaine Page version is light years better. Then it contains Patti Lupone's version of Don't Cry For Me Argentina. Even though Madonna wasn't the best Evita, she definitely sung Argentina in a way no-one could before or will ever. Whistle Down The Wind is represented with 3 songs - the place of the Tom Jones song is not here (the same could be said of Tina Arena's song o the European edition). Instead of the TJ song they could have included Take That Look Off Your Face by Marti Webb - one of the best songs by Webber. Pie Jesu from the Requiem is much better sung by Sarah Brightman. These are the faults.

What about the rest? Pure joy and material worth of 6 stars. Superstar, Phantom Of The Opera, Music Of The Night, I Don't Know How To Love Him, All I Ask Of You, No Matter What, Oh What A Circus - wonderful songs and wonderful performers. My all-time favorite from Webber will always be Music Of The Night and the version included here is the mesmerizing adaptation of Michael Crawford.

I don't advise anyone not to buy this album - it's good material, however it's far from being perfect.

4 out of 5 stars THE BEST OF LLOYD WEBBER MADE FOR THE AMERICAN AUDIENCES.......2005-01-31

There are numerous compilations out on the market full of Andrew Lloyd Webber's music. As most people know, Lloyd Webber is the most successful musical composer of all time and many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. This compilation captures some of the best songs he has ever written, he personally supervised it and it is the best thing to have if you can't afford his five-CD compilation called "Now and forever", which was selected and supervised by him as well. You should bear in mind, however, that there are two compilations called Gold out there: The one made for the European and the British market, and this one, made for the American buyers. Some of the songs on both of them are the same, the others are performed by different artists and some can be found only in one of the two. This one here was issued later and it is digitally remastered. Therefore you should check your favourites and buy accordingly, or, if you can, buy them both, since both of them contain interesting songs and performers.

So here are my thoughts about the tracks in this one:

1. "Superstar" and "I don't know how to love him" are both from the concept album of "Jesus Christ Superstar". They sound wonderful as ever, although the orchestrations may seem a bit dated by now.

2. "Sunset Boulevard" is marked here with two songs. Barbra Streisand's powerful voice shines all the way through in "As if we never said goodbye"; it's a shame she never played Norma Desmond on Broadway, since Patti LuPone wasn't allowed to take her Norma to New York, and Glenn Close butchered the role. Her limited vocal abilities were hardly suited for the material, as it is shown by the second Sunset song, "The perfect year", performed by Close and Alan Campbell. They both lack a decent singing voice, so this is the one song I skip regularly. The song itself sounds much better in its single version with pops orchestration, as can be heard on the European version of this compilation, where it is performed by Dina Carroll. This version here can hardly be considered a gold one.

3. "The Phantom of the Opera" is represented by three songs. Michael Crawford and Sarah Brightman performance in the song of the same title is amazing. They were both born to play their roles in this show and their voices fit together perfectly. Sarah can hit the high notes in the end like no other Christine. Cliff Richard and Sarah sing the lovely ballad "All I ask of you" with passion, and Cliff has a wonderful warmth in his voice. Finally, Michael Crawford gives his unique and mesmerising interpretation in "The music of the night".

4. The 1996 movie version of "Evita" is Madonna's best role to date and it brought an Academy Award for Lloyd Webber and Tim Rice, who wrote "You must love me" especially for the big screen. This is another wonderful ballad with the haunting cello and piano solo. It just proves that Lloyd Webber and Tim Rice were the best collaborators. They really should do another musical together.

5. "The Joseph and his amazing Technicolor dreamcoat" was Webber's first musical and the signature song "Any dream will do" is performed here by Donny Osmond, who also appeared in the video version. I find his rendition even better than London's Jason Donovan, since Donny isn't strictly bound by the notes and so sings it more casually. A wonderful pop piece.

6."Memory" from "Cats" is probably the most famous of all Webber's songs, recorded by numerous artists. This version is sung by Betty Buckley, who was Broadway's Grizabella. Although Betty's performance can't be considered bad, I prefer Elaine Paige, who sung the song first, in the London production. Elaine has a note of sorrow in her at times husky voice, which I found very intriguing. Her performance can be considered definite, as heard on "Cats" DVD or in her latest two-disc compilation, "Centre stage: The very best of Elaine Paige", issued in May 2004. Still, those who prefer Ms. Buckley or who saw her on stage in this role won't be disappointed.

7. "Pie Jesu" is the best known song from Webber's "Requiem", written in 1985 to commemorate the death of his father. I'm not too keen on the version included here, performed by Charlotte Church, because her voice isn't as pretty as Sarah Brightman's on the original recording and the tempo is somewhat faster here.

8. "Don't cry for me Argentina" is among my all-time Lloyd Webber's favourites. I like all the ladies who performed "Evita" on the stage and on the screen (Julie Covington, Elaine Paige, Patti LuPone and Madonna), but on this disc is the version I am most satisfied with, since it is sung by Patti LuPone. Ms. LuPone has a very powerful voice with an amazing range and she deserved her Tony Award for this role. She was able to sound both vulnerable and decisive while singing this, whereas the other leading ladies emphasized one or the other in their interpretation. Mandy Patinkin's "Oh what a circus" is not the best, the orchestration is a little bit weak and his voice sounds thin to me. David Essex on the London cast recording is more suitable.

9. "Aspects of love" boast here with its top song, "Love changes everything", performed wonderfully by Michael Ball. It was his #1 hit and is probably one of the most beautiful love anthems ever written.

10. Three songs come from "Whistle down the wind". The studio release of the same title is one of the reasons I bought this compilation, although I already have the European one. It is performed by Sarah Brightman with Lloyd Webber playing the piano and a symphonic orchestra who nicely takes the lead of the main melody. Sarah voice is angelic; she sings it like a little bird. Very charming. Boyzone's "No matter what" was a huge pop hit in the charts. Again, we have a song with the suitable orchestrations and vocals. And lastly, Tom Jones' deep voice in combination with the back vocals of "The Sounds of Blackness" gives a rocking rendition of the church hymn "The vaults of heaven". It can't be found on the European version and Tom's voice shows it hasn't aged. Way to go.

11. For the 1992 Barcelona Olympics, Webber wrote, together with his long-time lyricist Don Black, this last song, "Amigos para siempre or Friends for life". It's a nice duet between Sarah Brightman and Jose Carreras, their voices sore when bound together. The melody itself is neat, especially when the orchestra takes the lead.

Besides the fact that some of the performers here were not the best for my taste, there is also the fact that some of Lloyd Webber's shows are omitted in this version, most notably, "Tell me on a Sunday". Also, unlike its European counterpart, this compilation isn't aligned chronologically, so we have 1970 Superstar being the first song, 1993 Sunset Blvd comes the second, followed by The Phantom from 1986 and so on. None the less, this CD is excellent as an introduction to Lloyd Webber's music and one can continue with his cast recordings from there. It's also very handy as a single disc compilation for the American fans.

5 out of 5 stars Super good CD.......2004-12-31

The songs on this CD are great. If you also play piano, the book of the same title goes perfectly with the CD. You can following along with the music and learn the songs on the piano.
The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)
Average customer rating: 5 out of 5 stars
  • Musical Pleasure
  • The Premiere Collection
  • beautiful
  • Fair Album with 1 starlight and 0 aspects
  • Superb collection
The Premiere Collection: The Best Of Andrew Lloyd Webber (Original Cast Compilation)

Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002O5W
Release Date: 1990-10-25

Tracks:

  1. Phantom Of The Opera
  2. Take That Look Off Your Face
  3. All I Ask Of You
  4. Don't Cry For Me Argentina
  5. Magical Mr. Mistoffeles
  6. Variations 1-4
  7. Superstar
  8. Memory
  9. Starlight Express
  10. Tell Me On A Sunday
  11. The Music Of The Night
  12. Another Suitcase In Another Hall
  13. I Don't Know How To Love Him
  14. Pie Jesu

Amazon.com essential recording

There are many, many Andrew Lloyd Webber albums out there, including cut-and-paste compilations and songbooks from individual artists, most notably Sarah Brightman, Michael Crawford, and even Jose Carreras. The Premiere Collection is probably as authentic as you can get in a hits album, however. In addition to the most popular selections from the original casts of Evita, Cats, and Jesus Christ Superstar, the 57-minute album includes two selections from Tell Me on a Sunday (also recorded by Bernadette Peters as Song and Dance), the title tune from Starlight Express, the "Pie Jesu" from the Requiem, and a snippet from the Paganini Variations, thereby allowing you to hear the good stuff without having to spring for the complete albums. Note that the three selections from Phantom of the Opera are the 1986 pop singles instead of the cast recordings, meaning Steve Harley rather than Crawford sings with Brightman on the title tune and Cliff Richard subs for Steve Barton on "All I Ask of You." (Crawford does sing "The Music of the Night," of course.) This 1989 compilation was too early for Aspects of Love or Sunset Boulevard, and Joseph and the Amazing Technicolor Dreamcoat is ignored, but these omissions are rectified in the follow-up album The Premiere Collection Encore, and the American-slanted version, The Very Best of Andrew Lloyd Webber: The Broadway Collection. --David Horiuchi

Customer Reviews:

4 out of 5 stars Musical Pleasure.......2007-07-03

I enjoy all of this music, listening frequently. Some not original cast members, so less than 5 star. Product exactly as advertised.

5 out of 5 stars The Premiere Collection.......2007-01-17

My sister had this and it got destroyed. She wanted an other, This was the only place I have found it!! Very hard to find! I have been to every music store in my area. She loved it!! And was so happy to have it again. Anyone who loves Andrew Lloyd Webber will love this. As it has many songs from some of his most famous plays with the original cast. Great item.

5 out of 5 stars beautiful.......2006-12-21

This CD is a great compilation of some of Andrew Lloyd Webber's hits. If you are just looking for a "quick fix" for your Broadway craving, this is a great value.

5 out of 5 stars Fair Album with 1 starlight and 0 aspects.......2004-07-09

I think this album is F-A-I-R because it has one starlight express song and zero aspects of love songs. This is why i liked the album The reason i said that this is a fair album is that I like Starlight Express better. Song i like are "The Phantom of the Opera", "Take That Look off Your Face", All I Ask of You", "Don't Cry For Me Argentina", "Mr. Mistofflees," "Superstar," "Memory", "Starlight Express", "Tell Me On A Sunday", "Music of the Night", "Another Suitcase in Another Hall", and "I Don't Know How To Love Him". I dislike the following songs:" Track 6" and the last one because the last one was hard to understand and track 6 is instrumental.

5 out of 5 stars Superb collection.......2003-08-11

... It is a collection of the best of ALW's creative efforts, and a collection of great performances. Anyone who loves "Broadway" should have this disk in their collection.
Renee and Bryn: Under the Stars
Average customer rating: 3.5 out of 5 stars
  • Delightful
  • A Master Class in Singing
  • Bryn is swell, but the bombast is annoying
  • Surprisingly Fine Crossover from Fleming and Terfel
  • BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!
Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
  2. Bryn Terfel - Simple Gifts
  3. Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon)
  4. Bryn Terfel Sings Favorites
  5. Bryn Terfel - Opera Arias / MET, Levine

ASIN: B000088E7D
Release Date: 2003-02-11

Tracks:

  1. "Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
  2. "Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
  3. "I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
  4. "All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
  5. "I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
  6. "Stars" (from Les Misirables by Boublil & Schvnberg)
  7. "All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
  8. "Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
  9. "Pretty Women" (from Sweeney Todd by Stephen Sondheim)
  10. "Aimer" (from Romio et Juliette by Presgurvic)
  11. "All the Wasted Time" (from Parade by J. Brown)
  12. "Seventy-Six Trombones" (from The Music Man by Willson)
  13. "How Could I Ever Know" (from The Secret Garden by Simon and Norman)
  14. "So In Love" (from Kiss Me Kate by Cole Porter)
  15. "Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)

Amazon.com

In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler

Customer Reviews:

4 out of 5 stars Delightful .......2006-07-24

I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)

5 out of 5 stars A Master Class in Singing.......2006-06-20

This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!

4 out of 5 stars Bryn is swell, but the bombast is annoying.......2006-05-03

Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.

It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.

I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.

The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.

5 out of 5 stars Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18

Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.








5 out of 5 stars BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11

So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...
Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Average customer rating: 4 out of 5 stars
  • Kunzel's different perspective on ALW's musicals
Erich Kunzel - Andrew Lloyd Webber (Phantom of the Opera, Cats, Evita, Sunset Boulevard, Jesus Christ Superstar, Starlight Express, Joseph and the Amazing Technicolor Dreamcoat) / Cincinnati Pops Orchestra
Andrew Lloyd Webber , Erich Kunzel , Ernest [organ] Hoffman , Randolph Bowman , Timothy Berens , and Cincinnati Pops Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D18
Release Date: 1996-01-23

Tracks:

  1. The Phantom Of The Opera
  2. The Music Of The Night
  3. Think Of Me
  4. Wishing You Were Somehow Here Again
  5. All I Ask Of You
  6. Angel Of Music
  7. As If We Never Said Goodbye
  8. The Greatest Star of All
  9. With One Look
  10. Memory
  11. I Don't Know How To Love Him
  12. Gethsemane (I Only Want To Say)
  13. King Herod's Song
  14. Don't Cry For Me, Argentina
  15. Starlight Express
  16. Any Dream Will Do

Customer Reviews:

4 out of 5 stars Kunzel's different perspective on ALW's musicals.......2005-11-06

Kunzel's offering of Andrew Lloyd Webber suites is a worthwhile tribute to this modern-day titan of globalised musicals. Although this album has a different feel from the original cast albums, Kunzel and the Cincinnati Pops still perform these affectionate arrangements of Lord Lloyd Webber's musicals expertly, superbly and voluptiously. The creative arrangements by Crafton Beck and Steven Reineke are tastefully and, for the most part, faithfully done, and allow Kunzel to offer a fresh perspective to these musicals in their orchestral settings. And as always Telarc provides its trademark audiophile-quality recording - surround sound quality with a sumptuous spatialiser such that you might be overwhelmed by the Phantom's laughter in the Phantom suite.

Kunzel contrasts the dramatic and lyrical sides of the PHANTOM and SUNSET BOULEVARD suites as if they were written for the Pops. The Phantom suite gains from a breathtaking organ introduction of the Phantom's theme, and from the contrasts in Music of the Night that match the lyrics perfectly, even without the cast album. The tender arrangement of Think of Me cleverly weaves the Angel of Music melody as a counterpoint, while All I Ask of You, complete with some of the details of the original orchestrations, makes a calming answer to Christine's Wishing You Were Somehow Here Again. The JESUS CHRIST SUPERSTAR suite depicts the contrasting and conflicting moods of this groundbreaking rock opera, from the contrasts in I Don't Know How to Love Him to the sheer anguish in Gethsemene (I Only Want to Say).

There are some interesting arrangements on this ALW offering, especially the arrangement of Don't Cry for Me Argentina from EVITA. Although some listeners might be offended when it transmorphs itself into the Ravel Bolero after doing an about-turn from its lush, Spanish feel, it still depicts Evita's rise to power and her manipulative trait in her character, well-suiting an orchestral concert arrangement of the tune and fitting in with the spirit of the musical. Another interesting arrangement is the rousing theme-and-variation finale of Any Dream Will Do from JOSEPH, which incorporates many different musical styles throughout the variations, from ballroom waltzing to jazz, movie music (Magnificent Seven) and circus-style music. I know some listeners might be offended, but in their own inimitable and creative way, Kunzel and the Pops still pay tribute to this early ALW musical by evoking the myriad of colours on the coat and the diversity of musical styles in the original JOSEPH musical. This arrangement certainly fits the trademark style of the Pops perfectly.

The only fault with this collection is in the arrangement of Memory from CATS. Here, this song is treated as a flat-out romantic ballad, rather than as the haunting anthem for respect that Grizabella sings. Nevertheless, the arrangement by Tommy Newsom (who wrote this arrangement for a Doc Severinson album) is innofensive to this well-loved ALW melody (this is the only arrangement that Crafton Beck or Steven Reineke didn't write for this album). Also, I wish that Kunzel had included Love Changes Everything and Whistle Down the Wind, but given the fact that this was a 1996 recording, ALW hadn't written Whistle down the Wind as yet. But these are minor caveats, since Kunzel offers much to savour in these infectuous and spirited performances.

Yet I still feel that Kunzel's ALW offering is a winner in its lush orchestral suite arrangements of his well-loved and great musicals, far superior to any shopping-mall synthesised arrangement. This would surely count towards another feather in Kunzel's cap and stand pride of place with his rousing offering of Rodgers & Hammerstein. I'm sure Lord Lloyd Webber would have been proud.
Don't Ask
Average customer rating: 4 out of 5 stars
  • angelic
  • The Second Debut Album !!
  • a mellow disc
  • don't ask
  • This CD is one I'll always own!
Don't Ask
Tina Arena
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. In Deep
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ASIN: B000002BGY
Release Date: 1996-04-30

Tracks:

  1. Chains
  2. Heaven Help My Heart
  3. Sorrento Moon (I Remember)
  4. Wasn't It Good
  5. Message
  6. Show Me Heaven
  7. Love Is The Answer
  8. Greatest Gift
  9. That's The Way A Woman Feels
  10. Be A Man
  11. Standing Up

Customer Reviews:

5 out of 5 stars angelic.......2007-06-08

Wonderful album. An angelic voice and a gifted songwriter. One of my favorites.

5 out of 5 stars The Second Debut Album !!.......2007-05-19

Although this is often presented as Tina Arena's debut album, "Don't Ask" is actually the follow-up to her 1990 album, "Strong As Steel". On her second album, Tina Arena became a massive star in Australia having huge hits with "Chains", "Sorrento Moon" and "Wasn't It Good". The songwriting & vocal quality throughout all tracks on "Don't Ask" is outstanding. Arena's cover version of "Show Me Heaven" is absolutely classic & is exceptionally better than the original version of this track. "Don't Ask" should have been the start of a highly successful North American career for Tina Arena...

PS (To AMAZON): It is so frustrating that you have approved abusive one star "reviews" for this CD (2004 - May 2, May 5, June 13, June 2, Oct 24) which are all clearly from the same person who has some kind of personal disliking for this talented artist?? The abusive comments from that "customer" do not constitute "reviews" - they offer NIL musical critique and such comments/ratings (all clearly from the same customer) should not be allowed to tarnish and misrepresent the quality of a listed album. That "reviewer", who can hardly be called that, seems to have some kind of personal disliking for Tina Arena and has posted multiple one star and one line attacks against this great artist across many of her CDs on amazon (across the US, UK & Canadian sites!). Why Amazon publishes such ridiculous comments & allows them to contribute to a CD's rating, I do not know!

4 out of 5 stars a mellow disc.......2007-03-25

This c.d is something of an aquired taste.It is,however,a good disc to dance and sing to whether you are at home or listening to it in your car.There were a few songs I didn't care for,but no one is perfect all the time.

5 out of 5 stars don't ask.......2007-03-08

i found this cd very soothing to listen to. a love cd. very, very good. i would recommend this cd to anyone who loves to dance. right now it is my favourite cd. tina is an amazing singer. i love her music.

5 out of 5 stars This CD is one I'll always own!.......2005-07-21

Everyone has their own taste in music. I have a very very wide range in music and what it takes over all is just pure good songs, the beat, lyric's and hopefully an over all just plain very good whole CD. I Absolutely Love This CD!! And her voice really stands out as pure beauty in my book. I highly urge to sample some of the songs and if you like her style of music, YOU WILL Be Missing Out by not picking up this CD!
Don't Ask, Don't Tell
Average customer rating: 3.5 out of 5 stars
  • ...Don't Remember
  • Terrific collection of songs
  • haiku for don't ask, don't tell
  • A Return to Her Peak of Perfection
  • EXCEPTIONAL EFFORT / A TRUE WORK OF ART / BRAVO
Don't Ask, Don't Tell
Michelle Shocked
Manufacturer: Mighty Sound
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009NCPV0
Release Date: 2005-06-21

Tracks:

  1. Early Morning Saturday
  2. How You Play The Game
  3. Don't Ask
  4. Used Car Lot
  5. Hardly Gonna Miss
  6. Evacuation Route
  7. Fools Like Us
  8. Elaborate Sabotage
  9. Don't Tel
  10. Goodbye
  11. Hi Skool

Amazon.com

Of the three simultaneous releases that Michelle Shocked bills as her latest trilogy, Don't Ask Don't Tell is the most seriously ambitious and eclectic, so much so that she might have considered combining the strongest tracks from its companions with the best here to make a single powerhouse release. It's also the least conceptually focused, though the centerpiece of a kiss-off song, "Hardly Gonna Miss Him," suggests a theme of love gone bad, reinforced by titles such as "Elaborate Sabotage," "Fools Like Us," "Evacuation Route," and "Goodbye." Whatever Shocked has lost with the end of a relationship, the song cycle benefits from a creative emancipation. Like a musical chameleon as she adopts various vocal styles, she sounds willing to try anything--from the jazzy sophistication of "Early Morning Saturday" to the hipster spoken-word wisdom of "How You Play the Game" to the rollicking New Orleans spirit of "Don't Tell." Most atmospherically audacious is "Don't Ask," which sounds like a cross between Dr. John in his Night Tripper days and Uncle Remus. Don't miss the unlisted bonus track, which ends Shocked's most diverse collection to date in an explosion of punk-rock fury. --Don McLeese

Recommended Michelle Shocked Discography


Texas Campfire Tapes

Short Sharp Shocked

Captain Swing

Arkansas Traveler

Kind Hearted Woman

Deep Natural

Customer Reviews:

3 out of 5 stars ...Don't Remember.......2007-01-28

Well, the music here is fine. But largely this collection sounds uninspired. Whereas previous albums of hers had me glued to the lyrics and re-listening every chance I got, I have to remind myself to listen to this one. Not that it is awful. It just doesn't go anywhere. She sounds bored, so I guess I'm bored too. I know what she's capable of, so I miss the clever lyrics and brassy sound of CAPTAIN SWING, the passionate and original voice of SHORT SHARP SHOCKED, or the musicianship of ARKANSAS TRAVELER.

I still give this one 3 stars, based on her previous track record and the simple fact that this isn't really a bad album, especially when compared to her peers. Also, she retains a "one of a kind" quality that some singer/songwriters never come close to achieving.

Don't get me started on the *genius* who designed the packaging.

4 out of 5 stars Terrific collection of songs.......2006-09-20

I don't what I like more: the cover or the music. Mind you, the cover is a hoot. I still laugh every time I reda the liner notes. Michelle has a career as a comedy writer if this song thing don't work out.
But the song thing is superb. Not as idio-syncratic as you might expect, but still filled with wry observations, terrific melodies and finely crafted instrumentation: as you would expect, everything is perfectly suited to each tune.
As angry as you can get with W, God bless MS for bringing a much needed smile. Imagine what havoc would be wreaked if she came home as Mary Cheney's new girlfriend? I'd pay hard money to go to that Thanksgiving Dinner.
So, enjoy this CD, it's great craic start to finish, and even if yer tone deaf, you'll find yourself laughing out loud at the humour.

1 out of 5 stars haiku for don't ask, don't tell.......2005-09-05

a pointless album
by an artist whose best days
are well in the past

5 out of 5 stars A Return to Her Peak of Perfection.......2005-08-31

If you are looking for an album with a homogenous theme that will wrap you in its "sameness", giving you a comfortable place to retreat to... this is NOT the album you want. All tracks are extremely well performed, recorded and produced. However, each track could have been done by a different artist. While I doubt it was intended, the first track has somewaht "breathy", yet full vocals akin to early Maria Muldaur. The next track reminds me of several Patti Smith tracks in its direct vocal style, texture and delivery. The third track uses wistful talking/singing to present a story laced with often made-up words delivered in a Laurie Anderson-like style. The list goes on, however, there is no doubt that each of the tracks is genuinely Michelle Shocked. At times playful, always intelligent lyrics are enveloped with and supported by excellent musicianship. Her best work since Arkansas Traveller, her prior "peak of polish & perfection". Definitely worth the "price of admission."

5 out of 5 stars EXCEPTIONAL EFFORT / A TRUE WORK OF ART / BRAVO.......2005-06-23

This CD is composed of strong, diverse and intelligent songs that come straight from the artists heart. The music explores a variety of musical genres from rock, soul, folk, to jazz all with her unique signature fusion of styles. The listener is engaged from the outset with a full range of emotions from empathy to humor. It reminds me of the Kinks at their best in the 80's. Each song has a unique flavor and after the CD is over you have no difficulty remembering the tunes. You only are disappointed it has come to an end. If you have a brain... you should not be bored or untouched by this collection.

The sound quality is excellent. The arrangements are done with care and tenderness. The accompanying musicians and vocalists are used wonderfully and they clearly have a stong connection to the project.

I will not bore you with a song by song description. Anyone who has ever appreciated Michelle Shocked in the past will find their own favorites... which will likely change over time with your mood and circumstances.
Julian Lloyd Webber plays Andrew Lloyd Webber
Average customer rating: 4 out of 5 stars
  • Awful and Tacky!
  • Julian Lloyd Weber Plays Andrew Lloyd Weber
  • Too much of a good thing and I prefer the originals
  • Lloyd Webber Plays Lloyd Webber
  • Absolutely excellent!
Julian Lloyd Webber plays Andrew Lloyd Webber

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005BJNF
Release Date: 2001-05-08

Tracks:

  1. Whistle Down The Wind: No Matter What
  2. The Phantom Of The Opera: The Phantom Of The Opera
  3. The Phantom Of The Opera: Music Of The Night
  4. Cats: Memory
  5. Evita: Don't Cry For Me Argentina
  6. The Beautiful Game: Our Kind Of Love
  7. Sunset Boulevard: With One Look
  8. Jesus Christ Superstar: I Don't Know How To Love Him
  9. Starlight Express: Starlight Express
  10. Evita: Buenos Aires
  11. Aspects Of Love: Love Changes Everything
  12. Sunset Boulevard: The Perfect Year
  13. The Phantom Of The Opera: All I Ask Of You
  14. The Beautiful Game: God's Own Country
  15. Song And Dance: Tell Me On A Sunday
  16. Vars: Vars 1-4
  17. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door
  18. Jesus Christ Superstar: John
  19. Requiem: Pie Jesu
  20. Whistle Down The Wind: Whistle Down The Wind - Julian Lloyd Webber/Andrew Lloyd Webber

Amazon.com

Apparently, Julian and Andrew Lloyd Webber's first collaboration occurred when the latter was 9 and the former 6. It took place on the stage of a toy theater, and Julian's role was then limited to operating the collection of tiny plastic soldiers that made up the cast of Andrew's latest musical. More than 40 years have passed since then but, as this disc proves, the brothers still enjoy a remarkable familial and musical relationship. Julian first recorded a series of cello arrangements of hits from Andrew's musicals in 1990, and this disc updates the enterprise with six new tracks from Whistle Down the Wind, The Beautiful Game , and Sunset Boulevard. The orchestral arrangements are deliciously soupy (especially "All I Ask of You" from Phantom of the Opera, "Love Changes Everything" from Aspects of Love, and the Riverdance-esque "God's Own Country" from The Beautiful Game) and suit Julian's appropriately swoony and uninhibited approach to the music. Fans of the Lloyd Webbers shouldn't be disappointed. --Warwick Thompson

Customer Reviews:

1 out of 5 stars Awful and Tacky!.......2005-05-11

The reason I checked out this CD from local library is because I just watched the disappointing movie version of `Phantom of the Opera' and hoped Andrew Lloyd Webber who appears suffering from `over-esteem' would redeem himself in this format of presentation. It really would have worked, considered the similar quality of cello and human voice and the already famous melodies.

But it didn't! This is a tacky and totally forgettable presentation only suitable for elevators and ... well, you know, some public facilities. It makes the critically panned 'Phantom of the Opera' movie like a masterpiece! It's not so much the music's or musician's faults. There just isn't any thought process in the music making at all. If the cello is just going to play by the numbers, what's the point then? And the music arrangements on the orchestra side are just as shameful and insulting.

Compare to 'Yo-Yo Ma Plays Ennio Morricone', it's a clear example how a good taste of music adaptation can make a difference between Heaven and Hell.


It should be a minus star!

5 out of 5 stars Julian Lloyd Weber Plays Andrew Lloyd Weber.......2001-07-14

Fantastic collection for true Andrew Lloyd Weber fans. A perfect gift for you or your friends. Everyone who hears mine wants a copy.

4 out of 5 stars Too much of a good thing and I prefer the originals.......2001-06-02

Certainly Andrew Lloyd Webber wrote some superb melodies and certainly his brother Julian is an accomplished, outstanding cellist. That said, while it is fine to listen to a couple of these songs at a time played in this format, the real greatness of Andrew was in his collaboration with his lyricists like Tim Rice, and the songs just work better in my opinion as Broadway/theatre, with the rich diversity of soloists who have sung them.

5 out of 5 stars Lloyd Webber Plays Lloyd Webber.......2001-05-22

I got an e-mail recommending this CD....Being the Andrew Lloyd Webber fan that I was, I just decided to buy it thinking it was his greatest hits by the original casts of his Play.

Boy was I wrong...but pleassantly so. Julian Lloyd Weber does a brilliant job of his brothers work...Purely instrumentational and incredibly beautiful... definately worth buying if your are ALW fan

5 out of 5 stars Absolutely excellent!.......2001-05-14

An updated and improved version of Lloyd Webber plays Lloyd Webber. The original was great; and this new one is even better. The old songs have been enhanced, and there are six new selections from Sunset Boulevard, Whistle Down the Wind (the title song featuring Andrew on piano) and the two best Andrew songs brother Julian has ever done: "Our Kind of Love" and "God's Own Country" from the Beautiful Game. Even if you aren't into the Lloyd Webber brothers, any fan of classical and/or show music would absolutely love this CD.
Genesis: A Classical Tribute
Average customer rating: Not rated
    Genesis: A Classical Tribute

    Manufacturer: Classic Rock Legends
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Compilations | Rock | Styles | Music
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    ASIN: B0002NRS14
    Release Date: 2004-10-05

    Tracks:

    1. Looking For Someone
    2. White Mountain
    3. Musical Box (Abridged)
    4. Suppers Ready (Abridged)
    5. Ripples
    6. Entangled
    7. Mad Mad Moon
    8. Afterglow
    9. One For The Vine
    10. Follow You Follow Me
    11. The Lady Lies
    12. Please Don't Ask
    13. Los Endos

    Product Description

    1. Looking For Someone
    2. White Mountain
    3. Musical Box
    4. Suppers Ready
    5. Ripples
    6. Entangled
    7. Mad Mad Moon
    8. Afterglow
    9. One For The Vine
    10. Follow You Follow Me
    11. The Lady Lies
    12. Please Don't Ask
    13. Los Endos

    Format: CD
    Andrew Lloyd Webber: Now & Forever
    Average customer rating: 4.5 out of 5 stars
    • I waited for this for five years
    • Excellent collection but BIG PUBLISHING MISTAKE!
    • ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
    • SUCH MAGICAL MUSIC OF THE NIGHT!
    • A Must Have for Sir Andrew fans
    Andrew Lloyd Webber: Now & Forever
    Various Artists
    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
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    3. The Very Best Of Andrew Lloyd Webber: The Broadway Collection
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    5. Sunset Boulevard (1993 Original London Cast)

    ASIN: B00005R5UJ
    Release Date: 2001-11-20

    Tracks:

    1. Jesus Christ Superstar: Overture - Andrew Lloyd Webber
    2. Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
    3. Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
    4. Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
    5. Jesus Christ Superstar: Superstar - Murray Head
    6. Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
    7. Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
    8. Evita: Another Suitcase In Another Hall - Barbara Dickson
    9. Evita: Don't Cry For Me Argentina - Julie Covington
    10. Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
    11. Cats: The Jellicle Ball - Andrew Lloyd Weber
    12. Cats: Memory - Elaine Paige
    13. Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
    14. Cats: Mr Mistoffelees - Paul Nicholas
    15. Song And Dance: Take That Look Off Your Face - Marti Webb
    16. Song And Dance: Tell Me On A Sunday - Marti Webb
    17. Song And Dance: Unexpected Song - Sarah Brightman
    18. Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
    19. Song And Dance: Introduction - Andrew Lloyd Webber
    20. Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

    Tracks:

    1. Starlight Express: Starlight Express - El Debarge
    2. Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
    3. Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
    4. Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
    5. Starlight Express: Light At The End Of The Tunnel - The Company
    6. Requiem: Hosanna - Placido Domingo
    7. Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
    8. The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
    9. The Phantom Of The Opera: The Music Of The Night - Michael Crawford
    10. The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
    11. The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
    12. The Phantom Of The Opera: Masquerade - The Company
    13. The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
    14. Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
    15. Aspects Of Love: Love Changes Everything - Michael Ball
    16. Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
    17. Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
    18. Aspects Of Love: Anything But Lonely - Sarah Brightman
    19. Aspects Of Love: Chanson D'Enfance - Sarah Brightman

    Tracks:

    1. Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
    2. Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
    3. Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
    4. By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
    5. By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
    6. By Jeeves: Half A Moment - Sarah Brightman
    7. Sunset Boulevard: With One Look - Glenn Close
    8. Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
    9. Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
    10. Sunset Boulevard: Sunser Boulevard - Alan Campbell
    11. Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
    12. Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
    13. Whistle Down The Wind: Cold - Everly Brothers
    14. Whistle Down The Wind: No Matter What - Children/Adult Chorus
    15. Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
    16. The Beautiful Game: Overture - Andrew Lloyd Webber
    17. The Beautiful Game: The Beautiful Game - The Company
    18. The Beautiful Game: Our Kind Of Love - Hannah Waddingham
    19. The Beautiful Game: Dont Like You - Josie Walker/David Shannon
    20. The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

    Tracks:

    1. Oh What A Circus - David Essex
    2. Memory - Betty Buckley
    3. The Phantom Of The Opera - Sarah Brightman/Steve Harley
    4. All I Ask Of You - Sarah Brightman/Cliff Richard
    5. Love Changes Everything - Michael Ball
    6. Any Dream Will Do - Donny Osmond
    7. Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
    8. As If We Never Said Goodbye - Barbra Streisand
    9. The Perfect Year - Dina Carroll
    10. With One Look - Petula Clark
    11. You Must Love Me - Madonna
    12. The Heart Is Slow To Learn - Kiri Te Kanawa
    13. A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
    14. Whistle Down The Wind - Tina Arena
    15. No Matter What - Boyzone
    16. The Vaults Of Heaven - Tom Jones
    17. Try Not To Be Afraid - Boy George
    18. Pie Jesu - Charlotte Church

    Tracks:

    1. Make Believe Love - Wes Sands
    2. Down Thru' Summer - Ross Hannaman
    3. I'll Give All My Love To Southend - Ross Hannaman
    4. Believe Me I Will - Sacha Distel
    5. Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
    6. Try It And See - Rita Pavone
    7. Come Back Richard Your Country Needs You - Time Rice And The Webber Group
    8. Goodbye Seattle - Paul Raven
    9. John 19:41 - The Andrew Lloyd Webber Orchestra
    10. What A Line To Go Out On - Yvonne Elliman
    11. Disillusion Me - Gary Band
    12. The Ballad Of Robert And Peter - Tim Rice
    13. Christmas Dream - Maynard Williams
    14. It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
    15. It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
    16. Magdalena - Tony Christie
    17. Buenos Aires - The Roja Rockers
    18. Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
    19. Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
    20. I Could Have Given You More - Petula Clark
    21. I've Been In Love Too Long - Marti Webb
    22. Benedicite - The Stephen Hill Singers

    Album Description

    Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

    Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

    Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

    CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

    Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

    Customer Reviews:

    3 out of 5 stars I waited for this for five years.......2006-06-30

    Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
    It was worth the wait.

    The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
    I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
    The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

    I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

    There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

    But the selections on CDs 1-3 don't make sense.

    First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

    Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

    On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
    So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

    The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

    There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

    With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

    Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

    In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

    5 out of 5 stars Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

    Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

    4 out of 5 stars ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

    Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

    Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

    Here are my basic impressions and comments regarding the material on the discs:

    * Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

    * Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

    * ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

    * Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

    * The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.


    Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

    5 out of 5 stars SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

    "Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
    Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
    ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
    Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

    4 out of 5 stars A Must Have for Sir Andrew fans.......2002-05-21

    This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
    The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
    My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
    A great collection but too much Sarah Brightman!

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