Taken from the self-titled 2002 debut album. Three non-LP tracks, 'Ghosts' (Radio Edit, Joeski Vocal & Lexicon Avenue Vocal) & the video.
Ghosts,Dirty Vegas,Emi Int'l,Dance,Dance Music,Pop
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Living With Ghosts
Patty Griffin Manufacturer: Fontana a&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002G4U Release Date: 1996-05-21 |
Tracks:
- Moses
- Let Him Fly
- Every Little Bit
- Time Will Do The Talking
- Mad Mission
- Poor Man's House
- Forgiveness
- You Never Get What You Want
- Sweet Lorraine
- Not Alone
Customer Reviews:
It's okay.......2007-05-14
More soul, less hesitance than in later recordings.......2007-05-02
Living in a song.......2007-02-13
Raw and Brilliant.......2007-01-20
best in a long time.......2006-07-25
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Films About Ghosts: The Best Of...
Counting Crows Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00068NWRE Release Date: 2004-11-02 |
Tracks:
- Rain King
- Hangin Around
- Mrs. Potter's Lullaby
- Mr. Jones
- American Girls
- Big Yellow Taxi
- Omaha
- Friends of the Devil
- Angels of the Silences
- Round Here
- A Long December
- Einstein on the Beach (for an Eggman)
- Recovering the Satellites
- Anna Begins
- Holiday in Spain
- She Don't Want Nobody Near
- Accidentally in Love
Album Description
FILMS ABOUT GHOSTS, a greatest hits package featuring songs from every phase of the band's ten-year recording career. Also includes the hit single from SHREK 2, "Accidentally In Love."Customer Reviews:
It's even better due to the fact that it has the previously unreleased "Einstein On The Beach!".......2007-05-09
This album is worth the dough!.......2007-03-09
Best of Counting Crows.......2007-01-30
I've been Counting Crows since I got this album.......2007-01-30
Buy it now.......2007-01-21
I love that their songs have some point while still being upbeat, for the most part, which is a rare feat- I've found most light songs lack any real depth.
My favorite song on this CD was 'Anna Begins', but they were all amazing.
I also had the chance to see the Counting Crows live in concert, and that was amazing too- I think the live version adds to the depth of the songs, so now I'm planning to buy their live CD as well.
I'd definitely recommend this CD to anyone.
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Halo 2, Vol. 1
Various Artists Manufacturer: Sumthing Else ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00067RF6E Release Date: 2004-11-09 |
Tracks:
- Halo Theme Mjolnir Mix
- Blow Me Away - Breaking Benjamin
- Peril
- Ghosts Of Reach
- Follow (1st Movement Of The Odyssey) - Incubus
- Heretic, Hero
- Flawed Legacy
- Impend
- Never Surrender - Nile Rodgers
- Ancient Machine
- 2nd Movement Of The Odyssey - Incubus
- In Amber Clad
- The Last Spartan
- Orbit Of Glass
- 3rd Movement Of The Odyssey - Incubus
- Heavy Price Paid
- Earth City
- High Charity
- 4th Movement Of The Odyssey - Incubus
- Remembrance
- Connected - Hoobastank
Amazon.com
Further proof that the 15-year-old male is the nexus of contemporary popular entertainment, this anthology of music from and "inspired by" the sequel to the earth-conquering Halo saga also showcases how capably the video game industry can trump even Hollywood's vaunted production values. The original synth-heavy underscore by Martin O'Donnell and Michael Salvatori is filled with enough brooding, mock-Goth atmospherics, and pulsing exotica of indeterminate ethnicity to give the Hans Zimmer stable a run for their money, while a slate of (mostly) worthy rock star guest turns give it a welcome edge. Legendary axe-slinger Steve Vai's sinewy riffing punches up the reworked main theme and "Never Surrender," while alt.metal contenders Breaking Benjamin serve up the suitably dramatic inspired-by cut "Blow Me Away." But it's Incubus' four-part "Odyssey" suite that's the centerpiece, bridging 1970s prog and modern rock with its moody aura and evocative musical dramatics. --Jerry McCulleyCustomer Reviews:
BUY! BUY! BUY!.......2007-03-05
Great game - great music.......2007-01-10
Hug your pillows girls.......2006-08-06
best video game soundtrack ever........2006-08-03
classical music listeners stop complaining.......2006-05-10
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My Life in the Bush of Ghosts
Brian Eno , and David Byrne Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E5N634 Release Date: 2006-04-11 |
Tracks:
- America Is Waiting
- Mea Culpa
- Regiment
- Help Me Somebody
- The Jezebel Spirit
- Very, Very Hungry
- Moonlight in Glory
- The Carrier
- A Secret Life
- Come with Us
- Mountain of Needles
- Pitch to Voltage
- Two Against Three
- Vocal Outtakes
- New Feet
- Defiant
- Number 8 Mix
- Solo Guitar with Tin Foil
Amazon.com essential recording
Released in 1981, My Life in the Bush of Ghosts is a collaboration between ambient pioneer Brian Eno and Talking Heads frontman David Byrne. On Ghosts, the two strong-willed musicians manage to come to a meeting of the minds, blending Byrne's herky-jerky funk with Eno's atmospheric sound sculpting. More than anything, this is a large album, intent on pushing itself to the front of the listener's consciousness. Abundant percussion (everything from booming tribal drums to eerie electronics) reverberates in the background while Byrne and Eno toss all manner of found sounds, field recordings, and radio broadcasts into the mix. What results is a groundbreaking album that introduced a generation to the dazzling possibilities offered by electronic recording techniques. Highlights include "The Jezebel Spirit," an electro-funk workout that uses a recording of an exorcism as its focal point, and "Very, Very Hungry," a mysteriously ethereal display of electronic percussion and large-scale sonic architecture. --S. DudaAlbum Description
Brian Eno and David Byrne's My Life in the Bush of Ghosts appears downright visionary. With its "found" vocals, cut-and-paste arrangements, funked-up rhythms and embrace of influences from all around the globe, the duo's controversial work anticipated the creative cross-pollination and technological innovation of contemporary dance music, world music, hip hop and alternative rock. You can hear echoes of My Life in the Bush of Ghosts in the anthems Moby built around vintage vocal samples, in the outrageously exotic beats of Missy Elliot and Timbaland, in the Middle Eastern accented chill-out tracks of Thievery Corporation or Bjork's otherworldly soundscapes.Customer Reviews:
good rerelease of an amazing album.......2007-03-26
You can compare and ponder the point for some time, but what this rerelease has done is made me go back and listen again to what was a truly remarkable record the first time around and remains so to this day. It has held up amazingly well over the years. Way ahead of its time. Imagine Remain in Light with random samples and looped noise and sampled vocals filling up the spaces that David Byrne voice would normally occupy and you have a sense of it. Incredible.
This version also comes with seven bonus tracks. These range from tracks that truly could have made the album to ones that are just out-and-out bizarre. I adore the final number, guitar with tin foil.
If you already have the original version, I recommend getting this. If you don't have any previous version, you should stop reading this right now and go get it. Now. In fact, I'm not going to type anymore, just so you can go do it.
Jittery masterpiece.......2007-02-12
A well-deserved 25th anniversary reissue for the groundbreaking album.......2007-01-21
The 2006 release of "My Life in the Bush of Ghosts" (18 tracks, 60 min.) is more than just a standard reissue. Personally supervised by David Byrne, this is a reworking of the original album, with 7 new tracks and a new tracklisting. The now 18 tracks are now divided up in "3 sides". It bears noting that much of the album was recorded before the Talking Heads' "Remain in Light", but released afterwards (for technical reasons). Listen again to "Remain in Light" and you'll see how much influence "My Life" had on that album. As to this reissue, everthing is done first class: the remastered sound is impeccable, the 28 page booklet is full of interesting information, starting with an excerpt from author Amos Tutuola's 1952 book "My Life in the Bush of Ghosts", from which the album takes its inspiration, to "The Making of" extensive liner notes by Byrne and Eno themselves.
In all, this is surely the definitive version of "My Life in the Bush of Ghosts" (even with the regrettable omission of the "Qu'run" track). The album has proven over the years to be not merely enormously influential, but better yet thoroughly enjoyable and sounds as fresh today as it did when this came out 25 years ago. Essential for any music fan.
Great experimental CD from the 80's.......2007-01-18
Zonky and Out of The Ordinary, Even Today.......2006-11-20
There's nothing on this album that says "this should work," and yet, it all coalesces surprisingly well. Given the state of technology in 1980 compared to today, its easy to see why there's a sort of organic vitality in these compositions that's lacking in today's music. Rarely does such a strange work please the pallate so well.
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Road to Perdition (Score)
Thomas Newman Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068D1A Release Date: 2002-06-25 |
Tracks:
- Rock Island, 1931
- Wake
- Just The Feller
- Mr. Rance
- Bit Borrowers
- Murder (In Four Parts)
- Road To Chicago
- Reading Room
- Someday Sweetheart
- Meet Maguire
- Blood Dog
- Finn McGovern
- The Farm
- Dirty Money
- Rain Hammers
- A Blind Eye
- Nothing To Trade
- Queer Notions
- Virgin Mary
- Shoot The Dead
- Grave Drive
- Cathedral
- There'll Be Some Changes Made
- Ghosts
- Lexington Hotel, Room 1432
- Road To Perdition
- Perdition - Piano Duet
Amazon.com
Director Sam Mendes's much-anticipated follow-up to his Academy Award ®-winning American Beauty found him exploring the period gangster film--but with a moral fiber and undercurrent of family tragedy familiar from his Oscar ® triumph. As he did with Beauty, Mendes again wisely entrusts the film's music to Tom Newman, a composer with an instinctive knack for getting inside a film's characters via innovative and often orthodox methods. As many of Newman's preceding scores have been rhythmically driven and rife with improvisation-driven experimentalism, its good to hear his equally distinctive writing for orchestra largely take center stage here again. But Newman's inquisitive musical instincts can't be denied, and his melancholy string writing is leavened first with subtle uilleann pipe flourishes that echo the characters' Irish-American roots, then with savory, yet ever-restrained touches of his own ethnic-defying instrumental color and rhythmic accents. It's another moody and introspective gem, seasoned with some lively period jazz (courtesy of the Charleston Chasers, Fletcher Henderson and his Orchestra, and Chicago Rhythm Kings) and a warm, final surprise: a duet of John M. Williams's autumnal title track performed by none other than stars Tom Hanks and Paul Newman. --Jerry McCulleyCustomer Reviews:
Fathers & Sons.......2007-05-13
Hauntingly Wonderful.......2006-12-18
Tells The Story.......2006-04-12
Road to Excellence!.......2006-03-14
MY MOM !!.......2006-02-27
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The Ghosts That Haunt Me
Crash Test Dummies Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002VHY Release Date: 1991-04-09 |
Tracks:
- Winter Song
- Comin' Back Soon (The Bereft Man's Song)
- Superman's Song
- The Country Life
- Here On Earth (I'll Have My Cake)
- The Ghosts That Haunt Me
- Thick-Necked Man
- Androgynous
- The Voyage
- At My Funeral
Customer Reviews:
What makes them interesting also, ironically, hurts them.......2006-12-25
"Winter Song" is tbe best tune because the band uses harmonizing. The song has nice chord changes and is a well written song.
"Coming Back Soon" is also good and it is the most uptempo song.
I do not know if I like "Superman's Song" because of it's novelty or because it is a good song. The song is a dead serious story about personal issues of Superman set to a drop dead harmony (What if Nick Drake sung a song about the Incredible Hulk? Now you get the idea.)
"Thick Necked Man" has a 17th-18th century vibe to it, it's an enjoyable song but bands like Steeleye Span/Jethro Tull do that kind of stuff better.
I bought this when it first came out but I have not listened to it in a decade. I cannot recommend this for the casual listener. You would be better off getting one of the "Mountain Stages" compilations with a live version of "Superman's song" and you will have all the Crash Test Dummies you will ever need.
I am not saying that this is bad. It is quality art. It's just that the songs sound the same and it is easy to tire of the cd
2.5 stars.......2006-02-03
Got me hooked on the band..........2005-08-12
Some of the tracks are upbeat folksy tunes that are a satisfying blend of country and rock. This is all the tracks except the third and tenth. Parents be warned that the seventh track is PG-13 rated due to some explisatives. Most of these have to do with the country life with the exception of the eighth track which is a cover of Androgynous. The other two (three and ten) are ballads. The third is an insightful look at Superman, and the tenth is a bit of a surprise compared to the rest of the album, as it deals with Brad Roberts thinking about the day he dies. It's very thought provoking.
There's two other tracks that could have been on this debut album, but didn't make it. They were included on the demo tapes put out by CTD in Canada years ago and are "Fundies Never Have Fun on Sundays" (sung by Ellen Reid), and "Row Bullies Row" (the classic Scottish folk song). Ghosts is a rather short album, at just a little over 37 minutes, but it's a pleasure to listen to.
My favorite CTD album, hands down.......2005-08-04
So what is it about this album? Most of the themes that come up in their later works, the dark melancholy, are there in this album, too...but unlike their later work, that dark melancholy has lighter themes next to it, but even more importantly, their themes are mostly treated to light, engaging, "happy" melodies and instrumentation ("Superman's Song" and "At My Funeral" are the two notable exceptions). That instrumentation, is also one of the joys of this album. Twangy, different string instruments, and just a full light sound mix with the light melodies and contrast with Roberts' awesomely deep voice to make a catchy, unforgettable, and easily-hummed mix that just stays with you.
Think of it as Crash Test Dummies having a great time while thinking some occasional dark thoughts.
That's why I like this CD best. There may be dark thoughts in there, but they're fun and happy and jangly in spite of them. There later ones seemed to progressively lose sight of the happy part.
And though there are times when dark and moody and depressing in music is good... I generally prefer the happy stuff. I could be shallow that way.
:-)
Pretty Good Band.......2005-06-02
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Sleeping with Ghosts
Placebo Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008AWOD Release Date: 2003-04-01 |
Tracks:
- Bulletproof Cupid
- English Summer Rain
- This Picture
- Sleeping With Ghosts
- The Bitter End
- Something Rotten
- Plasticine
- Special Needs
- I'll Be Yours
- Second Sight
- Protect Me From What I Want
- Centrefolds
Amazon.com
Sex and drugs and rock & roll have figured prominently in Placebo's glitterered-up, androgynous music. Sleeping with Ghosts is a little more coy than past recordings, dealing more with the torturous psychological aspects of relationships than with the exchange of body fluids. Not that there isn't any room for fetishism. "This Picture," for example, apparently dwells on sado-masochism and comes over as just the sort of trash-glam pop stomp once associated with Suede. "The Bitter End" ("Since we're feeling so anaesthatized") is a big, bruising, fatalistic rocker. At times it's hard to tell whether Brian Molko is repulsed or perversely inspired by his subject matter, although he's definitely bored with the bloody weather (the cheerless "English Summer Rain" is a subdued pop tune driven by rhythmic electronic jolts) and the waltz- time, Doors-influenced "Protect Me from What I Want" finds him praying to be delivered from his own personal temptations. Sleeping with Ghosts, however, is as much an album for slam-dancing nights out at Goth haunts as it is music for the psychiatrist's couch. --Kevin MaidmentAlbum Description
This is the fourth album from Placebo & the follow up to 'Black Market Music', which was released in 2000. With help from Jim Abbiss (Massive Attack, Bjork & UNCLE), 'Sleeping With Ghosts' sees the band moving into a more experimental, electronic territorCustomer Reviews:
Haunting and Beautiful.......2006-10-26
Everything you need........2006-09-21
The album isn't without its perky points, such as the opening blast of Bulletproof Cupid, or This Picture. However a great deal of the album drives itself into that dark romantic feel that made bands like the Cure and Depeche great. In the USA, its always amazing how the band never became larger then they are, as I find them a very easy hook for friends looking for a new group.
Although if you plan to buy this album, I would recommend looking for the special edition with the covers disc included. Its almost a full album in itself and very much worth the extra price.
Ambient, soothing beauty........2006-05-25
Many people would be fast to label Placebo as an indie or pop-rock act, but personally I see them as a more progressive band. Their quietly hypnotic quality feels to me closely reminiscient of Pink Floyd. Part of Placebo's capability to really closely connect with the listener actually stems, I feel, from their musical simplicity. The guitar and drum lines on offer are far from being technically complex, but they do have an ambient flow to them which promotes the soothing nature of the music. Brian Molko's voice is also not what would be traditionally considered "beautiful". On the contrary it's actually quite nasal, and if it were used in the wrong way would certainly fall on the wrong side of annoying. However, in the way his vocal lines glide gracefully over the music, they too adopt a quietly ambient hue. A few piano lines thrown in here and there don't hurt either; in fact, they give the album a new layer and serve to magnify the experience.
The song structures too, play a large role in creating "Sleeping With Ghosts'" hypnotic atmosphere. Most often they start out with a normal verse/chorus/verse/chorus structure, but as the song gains momentum, this structure is abandonned for an uninterupted flow at a fixed tempo. However, this transition is managed so smoothly that you'll hardly notice it until the song is nearly finished. You'll often find Brian Molko repeating the same line over and over (not irritating at all, surprisingly). It's easy to lose yourself in the graceful, hypnotic tunes and end up drifting away. What's even more impressive is that this structure never gets old, as is is fitted to each song's individual style.
The production too, plays a small role in creating this work of art. The guitars are in no way produced to be loud or raucous and thus their soothing quality remains untainted, while the drums are just loud enough to give the music backbone, while not so loud as to be obtrusive. If any fault is to be found, I would say that Brian Molko's voice sits too highly in the mix. If his voice was a little quieter and given a bit of reverb, it could have a distant quality (akin to Garm's on Ulver's album "Bergtatt") which would have made the music even more ambient. However, in the grand scheme of things this is a small complaint.
So, if you've read this far you already know what my verdict is: "Sleeping With Ghosts" is a masterwork, possibly the best piece of alternative music to grace our world for years. It offers us something genuinely rare; a chance to sit down for 46 minutes and visit a place inside our own heads where all of our rushed, hectic lifestyle ceases to exist.
So Under-rated,both band and album.......2006-04-23
sleeping with ghosts.......2006-04-13
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Ghosts of the Great Highway
Sun Kil Moon Manufacturer: Caldo Verde ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000LRZ02K Release Date: 2007-02-06 |
Tracks:
- Glenn Tipton
- Carry Me Ohio
- Salvador Sanchez
- Last Tide
- Floating
- Gentle Moon
- Lily and Parrots
- Duk Koo Kim
- SPaloma
- Pancho Villa
Tracks:
- Somewhere [#][*]
- Carry Me Ohio [Alternative Version][#][*]
- Salvador Sanchez [Acoustic][#][*]
- Arrival [#][*]
- Somewhere [Version 2][#][*]
- Gentle Moon [Radio Recording][#][*]
Customer Reviews:
Why do I have to be the bad guy?.......2007-05-19
P.S. I do like three Red House Painters songs.
A Brilliant, Haunting Album (slightly enhanced by the bonus CD).......2007-02-12
Album of the Year, 2003
With his early '90s band, the Red House Painters, San Francisco's Mark Kozelek struck a chord of disquiet and bohemian poignancy that made that band the darling of the scribbling-poems-to-the-pretty-barista-who-will-never-know-my-name set. With lovely, unadorned melodies and Kozelek's angst-ridden tributes to disillusionment, the Red House Painters influenced a score of later bands who lacked his rich melodic imagination and incisive lyrics -- Low is a good example -- resulting in Kozelek himself being typecast as the maestro of "mopecore." Then he did something unforgivable in the minds of some of his fans: he evolved.
Without rehashing the epic travails and record-biz nightmares that caused RHP's fine album "Old Ramon" to be delayed in release for years after it was finished, the good news is that "Ghosts of the Great Highway" not only continues the evolutionary path Kozelek took on later RHP work like "Songs for a Blue Guitar" and his solo album "Rock and Roll Singer," it's a masterpiece on its own terms, and the most magnificent rock album of 2003.
If you thought they didn't make albums like Neil Young's "Everybody Knows This is Nowhere" anymore, cue up "Ghosts of the Great Highway," and marvel over the fact that Kozelek and company are able to cross-pollinate folk, country, punk, and psychedelic influences without sounding the least bit retro, stealing the purifying flame of Crazy Horse meltdowns like "Cortez the Killer" while sounding like no one but themselves. If you're a Nick Drake fan warming your hands over the ashes of "Pink Moon," consider the fact that at least one song on this album, "Duk Koo Kim," is as beautiful and otherwordly as anything in Drake's oeuvre (particularly the acoustic version, released on a limited edition EP last year), and consider the possibility that Kozelek is as unfairly ignored and marginalized in our time as Drake was in his.
"Glenn Tipton," "Duk Koo Kim," "Carry Me Ohio" and "Gentle Moon" are all instant classics, full of heart, understated grace, and authentic yearning, while avoiding the art-school sentimentality of Kozelek's early work. "Duk Koo Kim" is especially worthy of note, reinvented here as a 14-minute folk-punk-psychedelic apocalypse, with backwards guitars, Portuguese guitars, and bells swirling around Kozelek's aching voice. (I can't praise this track enough, other than to say that if I was a very bright teenager with a set of headphones and a bong, I'd probably decide to become a musician after hearing this song alone.) It's one of the most terrifying love songs ever written, as emotionally naked as the songs on Joni Mitchell's "Blue." (Like several of the songs on this album, "Duk Koo Kim" is the tale of a hero who died young -- in this case, a Korean boxer killed in the ring.) The only misstep on the record is Kozelek's formula-grunge treatment of his gorgeous tune "Lily and Parrots," which appeared as a hidden acoustic track on his "White Christmas Live."
At his best, Kozelek writes and sings like an oracle, and plays feedback-drenched electric guitar with as much intensity as his punk and heavy metal heroes while never descending into mere chaos and noise. If you're a music critic or record reviewer (I happen to be an editor of Wired magazine, and have no connection to Kozelek), entertain the notion that instead of hyping the latest skinny-tie buzz band that no one will care about in 3 years, you might consider running a piece on Kozelek and this album. If you're a music fan who enjoys Wilco, Iron and Wine, and other forward-looking traditionally-influenced bands, give this a listen. It's far beyond what almost everyone is doing these days.
"Ghosts" disc two, 2007
Hearing these bonus tracks (two brilliant, one fine, and two only mediocre), I suggest that what Kozelek should have done was to release "Ghosts" originally with the instrumental "Arrival" inserted somewhere in the running order, and finishing with either version of "Somewhere." Kozelek's reinvention of West Side Story's yearning love song is profound, heart-wrenching, and gorgeous. (The yearning is even more poignant knowing that the song's composers, Stephen Sondheim and Leonard Bernstein, were gay and bisexual respectively, but the feelings expressed are universal.) "Somewhere" would have been an emotionally devastating capper to a magnificent album; at least we have it now. I prefer the slightly punchier second take, which employs the same Portuguese guitar-like instrument as "Duk Koo Kim" on the original album, but the string arrangement on the first version is also lovely. The straightforward folky reading of "Salvador Sanchez" is fine; the other two bonus tracks are merely competent. In my dreams, Kozelek would also have supplemented this bonus disc with the astounding double-tracked acoustic version of "Duk Koo Kim" that appeared only on a vinyl EP -- it's one of the true masterpieces of his career, and is now in danger of being a "lost" track available only to connoisseurs. But enough second-guessing. This is a great album, now made slightly greater.
Woken up from a dream last night, somewhere lost in war..........2007-02-10
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Ghosts
The Strawbs Manufacturer: Polygram Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000G6TP Release Date: 1998-10-12 |
Tracks:
- Ghosts(Medley)
- Lemon Pie
- Starshine/Angel Wine
- Where Do You Go(When You Need A Hole To Crawl In)
- The Life Of The Auction(Medley)
- Don't Try To Cahnge Me
- Remembering
- You And I(When We Were Young)
- Grace Darling
- Changes Are Us
Album Description
Digitally remastered reissue of the group's 1975 A&M album with 'Changes Arrange Us' (the B-side of the 'Grace Darling'single) added as a bonus track, for a total of 11 cuts. 'Ghosts' was the band's first album to break the U.S. top 50. 1998 A&M release.Album Details
Digitally Remastered. Includes a Bonus Track: Changes Arrange Us.Customer Reviews:
One of My Favorites.......2007-04-21
This music is so interesting. Tastefully complex without being overblown and with compelling lyrics. Without a doubt this is one of the best acoustic/electric rock bands of the 70's that nobody today knows about, unless you were a fan back then.
There are some great electric guitar riffs in this and other albums of this period of their recording history, but you often have to wait through lengthy acoustic portions before it rocks. A good example of this is "Starshine/Angel Wine". The first part of this song is almost like a children's lullaby with a great cello mixed with piano and soft drums (the cello, by the way, really pops out on the CD and I don't remember it being as clear on the LP). But what made this band great for me was how they would transition from this to a great electric guitar riff like what happens about 2 minutes into this song. "Don't Try to Change Me" is similar, beginning as a light upbeat acoustic tune, and then introducing a biting electric guitar at the 1 minute mark.
But the real masterpieces of this CD are the long Cousins tunes, "Ghosts" and "The Life Auction" and two very moving acoustic ballads, "You and I" and "Grace Darling". Not much I can say except all four of these songs are stunning. "You and I" starts with a soft electric piano and then has a neat little acoustic guitar addition at about 0:53 that just simply makes the song. It ends with a great lyric that symbolizes the carefree youth of the day:
"The road to nowhere never climbs
we changed direction a dozen times
That was you and I when we were young"
I admit I always wanted Strawbs to rock a little harder. I thought they were very close to the acoustic songs on the Led Zeppelin III album, or "Over The Hills And Far Away" on Led Zeppelin's fifth album, "House of the Holy". But they never would make that transition completely and got swallowed up in the disco and punk movements of the late 70's.
A couple of details about this CD I don't like but I won't knock a star off because of it. The booklet does not include the lyrics even though the original LP did. Also, if you try to rip "And You and I" or "Grace Darling" to the computer as separate songs, you'll find that the point of transition from one song to another is a bit sloppy and a little blip of the previous song can be heard at the beginning of these songs. But other than that, this is a great CD. The bonus track is OK but I don't think as good as the original songs.
This was my favorite album for many years back in my Progressive Rock days.......2006-12-29
After their "Nomadness" album, the Strawbs continued to have band member changes and they drifted further away from both of their Folk and their Progressive influences and started to sound more like a typical pop music group that was already the sound that was saturating the pop music charts. It was all so easily dismissible since the Strawbs were so strong during their A&M days. Only true Strawbs loyalists continued to buy the Strawbs albums (I'm guilty of this too, nowadays) even after A&M gave up on them. Their immediate follow-up albums (from the Oyster label) were "Deep Cuts" and "Burning for You". There are a few good tunes, but these albums are easily and regrettably forgettable.
The album afterwards, called "Deadlines" ended strong. Their songs "Deadly Nightshade" and "Words of Wisdom" are two of Dave Cousins best songs ever.
Strawbs continued to perform and release albums in later years. Dave Cousins still likes to find old band members who probably have nothing better to do, and they've done some shows and released some albums. In 1988, their album "Don't Say Goodbye" and 1991's "Ringing Down the Years" are both pretty good. I think these two albums are better than their albums from the late seventies after "Nomadness".
But, alas, they were running out of creative ideas yet again, and started to lose their appeal once again. What's frustrating about the Strawbs is that Dave Cousins likes to keep re-recording earlier songs, like he thinks he's improving on them. I wish he wouldn't do this. In 2002, Dave Cousins got together with Rick Wakeman and recorded another album together. Rick Wakeman left the Strawbs back in 1971 to join Yes and to do solo projects. And even on this Cousins and Wakeman album, Cousins still did some re-recordings that Rick Wakeman had nothing to do with back in their heyday.
Dave Cousins seems to be the only member of the Strawbs that was on every Strawbs album. All the other members just came and went over the years. But, I'm sure that every Strawbs fan will agree that the Strawbs best albums were the albums of the A&M years (1969-1975). If you can find it, look for their double CD called "Halcyon Days" (the US version). It is the very best of the Strawbs put together all in one great double CD package. In fact, it was done so well that it is very obvious that A&M have no intentions of releasing their albums separately. You'd have to buy their expensive imports as I have.
I hope someday they will release the Hudson-Ford albums on CD. These two guys contributed to what made the folk side of the Strawbs so strong back in their earlier days.
Emerson, Lake, and Palmer, the Strawbs, Yes, Pink Floyd, Triumvirat, King Crimson, The Moody Blues, Rick Wakeman, and Monty Python's Flying Circus. These were the strongest influences in my life as a kid. The Strawbs are still performing shows throughout England. They have a following just like the Grateful Dead had here in America. I'd like to see them come do a show here in California. Perhaps they could do a double billing with maybe Blackmore's Night. That would be a great show where they would actually compliment each other being seen together. What do you think? Strawbs fan's should check out Blackmore's Night.
Pass the Jam Please...........2005-01-12
One Of Their Best.......2003-05-05
Starshine/Angel Wine is Chas Cronk's contribution and it's a good one. I've always thought the first part must be about his daughter though I'm not sure.
The Life Auction is the high point of the CD. The dreary poem Impressions of Southall from the Train is full of imagery that will stay with you. You can picture exactly what Cousins was looking at. This leads into The Auction which is a pretty rocking tune but has a very progressive feel to it. I used to listen to this one 10 or 12 times in a row.
Remembering shows the genius of Mr. Hawken again and leads into the beautiful You and I. This will make you very nostalgic, especially if you are married. Once again very powerful imagery.
Grace Darling is a unique song. On the surface it is a love song to Grace with a wonderful backing choir. The cleverness lies in the fact that it was based on a true incident involving a lighthouse keeper's daughter named Grace Darling. She bravely helped rescue doomed sailors during a storm off England's Northumberland coast. The lyrics make more sense when taken literally but work very well figuratively as a love song.
You definitely need to get this CD!
Last of four epic albums.......2002-05-03
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World Is Outside
Ghosts Manufacturer: Wea International ProductGroup: Music Binding: Audio CD ASIN: B000OHZKFO Release Date: 2007-06-25 |
Tracks:
- Stay The Night
- Musical Chairs
- World Is Outside
- Ghosts
- Mind Games
- Something Hilarious
- Stop
- Over-Analysis
- Further And Further Away
- Wrapped Up In
- Temporary
Album Description
2007 debut album by Ghosts is packed with radio-friendly hits, such as the toe-tapping first single, 'Stay The Night'. Ghosts first met at school and have been together, in one guise or another, ever since. It is little wonder, then, that the music sounds so self-assured, and so very accomplished - ecstatic melodies, sugar-spun choruses and a precise understanding of pop music and all its infinite nuances. Warner.Album Details
2007 Release of the Debut Album from a Group that First Met at School and have Been Together, in One Guise Or Another, Ever Since. It is Little Wonder that their Music Sounds So Self-assured and So Very Accomplished. It's Punctuated by Ecstatic Melodies, Sugar-spun Choruses and a Precise Understanding of Pop Music and all Its Infinite Nuances. They were in the Top 10 of the BBC'S "Sound of 2007" Poll and have Been a Regular Fixtures on UK Radio Airwaves.Album Review:
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