| 1. Shadows |
| 2. Reflection |
Editorial Reviews
2003 studio album (his fifth solo album in 16 years) for the Asia/Buggles keyboardist, featuring 2 tracks live along the lines of a 'stream of consciousness' sentiment, traveling through many influences with a general ambient feeling. Artwork & mastering supervised by Downes. Blueprint/Voiceprint.
Shadows & Reflections,Geoff Downes,Blueprint UK,Dance,Pop,Rock,Rock/Pop
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Threads of Life
Shadows Fall Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NJLM00 Release Date: 2007-04-03 |
Tracks:
- Redemption
- Burning The Lives
- Storm Winds
- Failure Of The Devout
- Venomous
- Another Hero Lost
- Final Call
- Dread Uprising
- The Great Collapse
- Just Another Nightmare
- Forevermore
- Bonus Track 1
- Bonus Track 2
Customer Reviews:
The Shads shoot for greatness...and succeed!.......2007-07-23
So what are we to make of the new album? Well, here's the thing: It sounds slick. Extremely slick, in fact. Atlantic's big budget and production definitely shine through here, as evidenced by the muted rhythm guitars, crisp lead guitars, punchy drums, big choruses, and multi-tracked vocals that are as smooth as a baby's bottom. Thus, a lot of fans will be immediately turned off that it isn't as raw, intense, or edgy as, say, 1997's debut, "Somber Eyes To The Sky." But there are a couple of advantages of this huge production, including a thicker guitar tone, and hooks that are just spectacular. Thus, your first listen to "Threads of Life" will probably spent dwelling on how glossy it sounds, but after giving it a little time to digest, the album will soon reveal itself as the extremely contagious listen that it really is.
Every band member is at the top of his game here, and they turn out some of their best and most professional, phenomenal, and technical music to date. Paul Romanko is a solidified bassist, and he lays down some of his meatiest and most audible bass lines on this record, and Jason Bittner's drumming is as quick and forceful as ever. But there are really three star performers who take up most of the spotlight. The first of which is longtime frontman Brian Fair -- who proves he is much more than just a "vocalist" - he is an actual, honest-to-goodness singer! And a darn good one, too! Sure, he can still growl when he wants to, but he never sounds remotely one-dimensional or overly angry, because most of the time he opts for a full-throated singing voice which shows off his warm, powerful pipes. The two other stars are Jonathan Donais and Matt Bachand, who are doubtlessly one of modern metal's leading guitar duos. Their riffs are deliciously crunchy, their leads are usually blazing fast (but never out of control), and their solos have gotten more technical and ripping, and now even occasionally border on being melodic.
The songwriting is superb as well. Shads released a great C.D. in 2002 named "The Art of Balance," but that title could have just as well applied to this album, too, because there is variety aplenty here. The result is a superbly exciting, meticulous, contagious, diverse, mature, rich, and well-textured sound. Plus, Brian Fair also chipped in by coming up with some of his smartest and most passionate and personal lyrics. "Threads of Life" has many terrifically memorable songs, and even if some are more so than others, there isn't a single stinker or filler to be found from front to back. In other words, heavy music doesn't get much more consistent, listenable, easy to digest, or flawless than this nowadays.
The propulsive "Redemption" hits the ground running with excellent, bullying guitar leads, deft double bass slamming, and a huge, wonderfully harmonic and infectious chorus that will have everybody in the crowd waving their lighters. "Burning The Lives" works similarly, with a forceful, streamlined chainsaw guitar attack opening the song before giving way to a "Dimebag" Darrell-worthy solo and an open, cleanly sung chorus. "Storm Winds" is the album's first semi-ballad, but not to worry: the fine singing, well-placed bits of guitar crunch, and terrific solo present here make this song another keeper. "Failure Of The Devout" begins with an acoustic intro that evokes Testament before rocketing into a river of blistering, chunked-up guitar shred.
Then, however, things start to get a little more experimental. Three of the next tracks, the hooky "Venomous," "Final Call" (which is highlighted by a grumbling bass line and one of Donais' best solos to date), and the especially hefty and chunky "Dead Uprising," are all muscular yet mid-tempo chug churners which slow down the record's pace significantly. You'll probably grow more and more uncertain as you make your way through surprising tracks like the ultra-melodic "Another Hero Lost," which will instinctively be thought of as a blatant stab at getting radio play. However, after dreamy, ambient acoustic strums, two cool guitar solos (one melodic, the other blazing), and Brian Fair's mindblowing singing voice and touching lyrics (inspired by Fair's cousin, who died while stationed in Iraq), are added to the mix, then "Another Hero Lost" turns out to be a great power ballad which any Eighties thrash band would be glad to call their own. Then comes "The Great Collapse," a gorgeous, piano-based interlude.
Two final songs round out the set, the first of which is one of the biggest highpoints on hand here. In addition to a guitar solo which will induce vertigo in some listeners, "Just Another Nightmare" boasts an awesome chorus composed of irresistibly sweet, sometimes almost even (dare I say it?) emo-ish crooning that stays in the listener's head for several days. Finally back on familiar ground, "Threads Of Life" ends the same way it began, with "Forevermore," which is an all-out onslaught of scorching riffage.
"Threads of Life" will surely be too mainstream for some fans (especially longtime followers), but fair-minded listeners will find absolutely nothing to dislike here. This is an epic, unquestionably excellent and completely satisfying album which is a frontrunning candidate for album of the year, and is one of the top thrash releases of the new millennium. It even has the potential to go down as of the genre's all time classics, and to say that Shadows Fall are now firing on all cylinders would be a gross understatement. Some would argue that The Shads came close to but did not quite fully achieve true greatness with their first six full-length releases, but there should be little debate over that now, because "TOL" is the kind of stuff that legends are made of.
Shadows Fall - Threads of Life .......2007-07-17
Songs I liked: Redemption is the opening track and is heavy and powerful, with a mix of thrash and repetitive style rock riffs in places. The songwriting is good and I liked the vocal efforts on this song, as well as most songs on the album. The track "Failure of the Devout" has some good changeups within the overall structure of the guitar parts. The track "Another Hero Lost" is one of my favorites and has some catchy riffs as well as definitive melodic guitars throughout. The drifting ballad "Final Call" is a nice change to throw into the mix of hard edged thrash and rock based tunes. The fact they do this shows a little bit of diversity and showcases the bands ability to at least do something different than spit out repeated riffs and angst style vocals, which is a habit many bands of this genre fall into. The track "Forevermore" is fast and furious with high speed guitars and vocals that hit home. The percussion on this song is a little more prevalent and does not take a back seat to any of the other instruments used.
Bottom Line: Normally I don't like to use other bands when comparing music or writing a review, however at times it can be very necessary because it is a better way of conveying a sound or style of music than trying to describe the sounds I hear and feel on the album. If you are looking for a more progressive or math metal style of music, these guys are probably not for you. If you like some of the thrash metal bands from the 1980s then you may find these guys to your liking. They are not Pantera or old Metallica, but the album itself is pretty tight, and although at times I felt there was a lot of repetition within the songs as a collective whole, there is enough strength here to grow, with room to improve. If you like to listen to anything from Disturbed to Dragonforce, you may find room for this album in your collection. This genre of music is heavily saturated right now with bands trying to make their mark, and I think Shadows Fall may have enough shredding and decent songwriting within them to carry on into the next decade. I realize they formed over ten years ago, and do have a strong overall fan base. Vocalist Brian Fair is particularly impressive here and with that said; I look forward to going back and listening to more music by this band.
LOVE IT.......2007-07-06
Thrash and terror!.......2007-07-05
Shadows Fall = Metallica lite.......2007-06-22
3 for effort and i still liked them live
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Standing in the Shadows of Motown: Deluxe Edition
Various Artists Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00021LPLA Release Date: 2004-05-11 |
Tracks:
- Heat Wave
- You've Really Got A Hold On Me
- Do You Love Me
- Bernadette
- Reach Out I'll Be There
- Ain't Too Proud To Beg
- Shotgun
- What Becomes Of The Broken Hearted
- I Heard It Through The Grapevine
- You Keep Me Hanging On
- Cool Jerk
- Cloud Nine
- What's Going On
- Band Introduction / Ain't No Mountain High Enough
- The Flick
- Boom Boom
- (Your Love Keeps Lifting Me) Higher And Higher
- Scorpio
Tracks:
- Funk Brothers In The House
- Standing In The Shadows Of Love
- Dialogue: Joe Hunter
- The One Who Really Loves You
- Pride And Joy
- Dialogue: Robert White
- My Girl
- Love Is Like An Itching In My Heart
- Don't Mess With Bill
- The Hunter Gets Captured By The Game
- Dialogue: Eddie Willis, Uriel Jones & Jack Ashford
- I Second That Emotion
- I Was Made To Love Her
- Dialogue: Richard "Pistol" Allen
- Heard It Through The Grapevine
- Home Cookin'
- For Once In My Life
- Dialogue: Jack Ashford
- I Can't Get Next To You
- It's A Shame
- Ain't No Mountain High Enough
- Dialogue: Eddie WIllis
- Mercy Mercy Me (The Ecology)
- Dialogue: Lamont Dozier
- You're My Everything
Customer Reviews:
Unsung heros of the Motown era.......2007-07-14
You could do like I have done and purchase the documentary film on dvd for your television and the CDs for your ipod.
The Funk Brothers Accompaniment Tracks.......2007-07-08
Get this!!.......2007-07-05
Get it.....it will have you dancin'.
Can't stop dancing.......2007-04-13
Classic Motown.......2007-03-08
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Standing in the Shadows of Motown
Various Artists Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JCGI Release Date: 2002-09-24 |
Tracks:
- (Love Is Like A) Heat Wave - Joan Osborne
- You've Really Got A Hold On Me - Meshell Ndegeocello
- Do You Love Me - Bootsy Collins
- Bernadette (instrumental) - The Funk Brothers
- Reach Out I'll Be There - Gerald Levert
- Ain't Too Proud To Beg - Ben Harper
- Shotgun - Gerald Levert featuring Tom Scott
- What Becomes Of The Brokenhearted - Joan Osborne
- I Heard It Through The Grapevine - Ben Harper
- You Keep Me Hanging On (instrumental) - The Funk Brothers
- Cool Jerk - Bootsy Collins
- Cloud Nine - Meshell Ndegeocello
- What's Going On - Chaka Kahn
- Band Introduction / Ain't No Mountain High Enough - Chaka Kahn & Montell Jordan
- The Flick - Earl Van Dyke
Amazon.com
The phenomenal story of Motown has been told many times--so many in fact, that the notion of an untold part of its legacy seems far-fetched. But as the documentary film Standing in the Shadows of Motown demonstrates, there was more to the success of the Detroit-based label than singing babes in gowns and founder Berry Gordy's business acumen. There was also the self-named Funk Brothers: the session players putting the unforgettable guitar sounds into "You Keep Me Hangin' On" and the creeping bass line behind "I Heard It Through the Grapevine." These guys were a crucial piece of the puzzle but have remained largely anonymous. While the Standing documentary tells the Funk Brothers' story via interviews, stock footage, and still photos, the accompanying soundtrack takes liberties, pairing the surviving musicians with contemporary pop, R&B, and funk artists. Together, they faithfully recast Motown hits. What could have been a disaster--would you want to muck with "Ain't No Mountain High Enough"?--works beautifully, thanks both to the Brothers' chops and the thoughtful artist selection. While enlisting a soul brother like Ben Harper was a no-brainer, the inclusion of Joan Osborne was especially astute. After all, Osborne's deep connection to R&B is why her production of the Holmes Brothers' Speaking in Tongues disc was genius, and she acquits herself beautifully on "(Love Is Like A) Heat Wave" and "What Becomes of the Brokenhearted." Similarly, bass boss Meshell Ndegeocello gives Chaka Khan competition in the gospel diva department. Bootsy Collins, Gerald Levert, and Montell Jordan also contribute. Motown purists may balk at this concept, but they'd have to agree these readings are smart, respectful, and very, very soulful. --Kim HughesCustomer Reviews:
Some songs cant be redone, I'm open-minded but this is sad........2007-06-16
I love this disk!.......2007-05-25
The covers of these classic tunes are, with two exceptions, far superior to the originals in my opinion, not least because the musicianship of the Funk Brothers is a stronger part of the mix and the vocals are much more to my taste. In particular, Joan Osborne and Chaka Kahn blew me away with the raw power and emotion of their interpretations of songs whose original versions didn't do much for me.
In my mind, this is the Motown album for those who think they don't like Motown!!!
best of all motown CD ever!.......2007-04-06
The Deluxe Edition is the version to go for....but this is still mighty fine!!!.......2007-01-22
Some Criticism's have been made regarding "Ben Harper's" contributions here, and I don't feel it's completely justified, just look at the songs that he's tackling ("Marvin Gaye's, legendary "I heard it through the Grapevine"), most artists would baulk at the idea of what is considered one of the greatest songs ever made. And Ben Harpers effort is by any means of fantastic effort, and worthy of praise. Is it comparable to Marvin's effort??.....Of course not!!, It'd be nearly impossible to match (or indeed improve) on the original, and Ben Harper in no way embarrasses himself here. Sure, he can't quite match the depth or emotion of Marvin's version.....but I ask you this "Who can???". Moving on this disk provides many highlights and all the contributions here (especially "Chaka Khan", "Bootsy Collins") are more than worthy of inclusion on this release, with many tracks providing interesting Covers/Spins on the original tracks.
Ultimately what you get here is a superior funk album, that is not only a tremendous document of the Funk Brothers work, but also a fantastic sounding album in it's own right. But as much as I wholeheartedly want to recommend this album (and it is superb), but I beg and implore anyone thinking of purchasing this, to shell out the extra dollars and pick up the `Deluxe' 2-cd edition of this release, for the instrumental disk, with features the tracks stripped of their vocals, and just featuring the instrumental work of the band. As it truly highlights just how sublime this group of musicians were....and just how much you lose by not having that second disk, and seeing how this release was fully intended. but for those that aren't prepared to pick up the deluxe edition, you'll still have a mighty fine edition of what is undoubtedly a great release.
standing in the shadows of motown.......2006-11-11
After hearing Joan Osborne on the one track - What becomes of the broken hearted, I bought 2 of her CDs.
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Shadows and Light
Joni Mitchell Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002GXI Release Date: 1990-10-25 |
Tracks:
- Introduction
- In France They Kiss On Main Street
- Edith And The Kingpin
- Coyote
- Goodbye Pork Pie Hat
- The Dry Cleaner From Des Moines
- Amelia
- Pat's Solo
- Hejira
Tracks:
- Black Crow
- Don's Solo
- Dreamland
- Free Man In Paris
- Band Introduction
- Furry Sings The Blues
- Why Do Fools Fall In Love
- Shadows And Light
- God Must Be A Boogie Man
- Woodstock
Customer Reviews:
Deeply disappointing.......2007-05-22
Jazz-oriented rock (or rock-oriented jazz?).......2007-05-18
Fans of Pat Metheny's early work will know that Jaco played on his 1976 album Bright Size Life and that Mays joined forces with him on the follow up, Watercolors in 1977 and then on PMG's self-titled Jaco-influenced album in 1978. If, like me, you enjoy the music from any of these CDs or indeed, any of Pat's earlier work, you will probably enjoy this. Fans of Michael Brecker's music will also enjoy the tracks he features on. I'm reminded in places, of Metheny's 80/81, actually, which Brecker also played on.
It goes without saying that Jaco fans will also love this. His bass is right upfront all the way though and it's almost like his sound is the basis of this album.
But most of all, of course, this is about Joni Mitchell. She also plays guitar ("Electric" as opposed to Metheny's "Lead") and her voice is as warm, playful and creative as ever. I simply love it. I'm reluctant to pick out any particular tracks on this CD but her handling of the Mingus classic, "Goodbye Pork Pie Hat" left me in awe. ("Pat's Solo" was another obvious highlight but really, this is a CD I'm enjoying in its entirety.
First, Both Sides Now and now this. I've probably left it much later than most but I'm slowly becoming a Joni Mitchell fan!
Better late then never, I suppose, eh?
Fun for your brain!.......2007-04-20
Well ... er. Even this expanded CD excises the Pastorius solo.
And, of course, contractual exegencies prevented Wayne Shorter, JM's natural 1st choice for sax, from participating. "The Dry Cleaner From Des Moines" suffers accordingly.
I'll also quibble about the set. There's an inexplicable shortage of material from Don Juan's Reckless Daughter. ("Dreamland" doesn't even have JP's bass on it.) Those tunes were the dopest!
OK - what's heavenly? Metheny's solo on "In France They Kiss on Main Street" is a stunner! Also, his slide on "Furry Sings The Blues." Wow! Most versions transcend the originals.
JM, with the band or alone, is singing like a Post-beat Goddess throughout. Totally in control.
So, grumblings aside - here's something very, very healthy for the cranium. "They [really] don't make 'em like they used to."
A Great Live Album.......2006-06-30
Jazz or Rock?.......2006-03-16
inventive re-takes, mostly in a jazz vein, of many of Joni's
more popular songs and some rare ones thrown in for the mix.
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Shadows Collide with People
John Frusciante Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00018TI5E Release Date: 2004-02-24 |
Tracks:
- Carvel
- Omission
- Regret
- Ricky
- Second Walk
- Everyperson
- - 00 Ghost 27
- Wednesday's Song
- This Cold
- Failure 33 Object
- Song To Sing When I'm Lonely
- Time Goes Back
- In Relief
- Water
- Cut Out
- Chances
- 23 Go Into End
- The Slaughter
Amazon.com
It takes a lot to be known as the weird one out of the Red Hot Chili Peppers, but for guitarist John Frusciante the title comes easy. He abruptly quit the band at the height of its popularity in 1992 to become a full-time drug addict, claimed to communicate with the fourth dimension, and released a couple of predictably loopy solo albums before returning in time to record the group's brilliant comeback discs, 1999's Californication and 2001's By The Way. The odd and esoteric music on Shadows Collide With People, his fourth release outside the day job, proves that even drug-free he remains touched. Only now, Frusciante is better able to draw life out of his lo-fi experiments, twisting the shiftless strums and electronic fizzes of songs like "Regret" and "Song to Sing When I'm Lonely" into beautiful explorations reminiscent of Radiohead and the Mars Volta. It's no wonder the Chili Peppers make their best records whenever he's around. --Aidin VaziriCustomer Reviews:
nice.......2007-07-03
genuinely surprised.......2007-04-28
It's not the sheer fact that John makes music this interesting to me. It's the whole story behind his music, where he's come from, how dedicated to his work he is and his ongoing ability to output, maybe not perfect, but truly amazing work consistently. I was very fortunate to pick this album up when I did, it just so happened that The Will to Death came out only two weeks later and I basically was bombarded with John Frusciante for the next six to eight months.
However, out of all the albums that he's made, Shadows Collide with People has always seemed to me to be the most genuine John. Combine the earlier self-depreciating, drug-ridden works of Smile from the Streets you Hold and Niandra Lades and Usually just a T-shirt, the original vision and creativity of to Record Only Water for Ten Days, the output quantity and variety of his six albums in six months campaign and polish it up just a little, and that's Shadows Collide With People. It's really the sum of all the parts coming together.
There are some very clever depictions of John's past in this album as well. "Wednesday's Song", which depicts his favoring of one specific prostitue once a week around the time of BSSM, is a great example of this. I would certainly classify this album as the one to introduce others to his solo works, it's certainly his most accessible but doesn't sacrifice too much to that fact either. The electronic influence of other of his works is evident too in tracks such as "Double-0Ghost27", "Failure 33 Object", and "23 Go In To End". For some reason, "Chances" throws me back to the Beatles in some aspects and is always a nice fun, quick listen. And "The Slaughter" is just a song I could listen to over and over again, the absolute perfect way to end the album.
In short, Shadows Collide with People currently is and likely will be my favorite John Frusciante album. It does truly have "something for all his fans." Tracking John's growth as a musician both solo and with the chili peppers is something I continue to enjoy day after day and this is certainly, in my opinion, the best place to start.
Sorry guy but this isn't that great.......2007-03-15
1)the drums sound like a metronome
2)everything has been so overly produced and digitalized that for most of the songs you can barely hear the music
this sound like something John Frusciante threw together late at night on his computer and decided to produce it
there are however 3 very good songs (but ONLY 3!) and they are
1)Carvel
2)Song To Sing When Im Lonly
3)The Slaughter
Amazing.......2007-02-09
To Drew.......2007-02-09
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Book of Shadows
Zakk Wylde Manufacturer: Spitfire ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JCDD Release Date: 1999-07-20 |
Tracks:
- Between Heaven And Hell
- Sold My Soul
- Road Back Home
- Way Beyond Empty
- Throwin' It All Away
- What You're Look'n For
- Dead As Yesterday
- Too Numb To Cry
- The Things You Do
- 1,000,000 Miles Away
- I Thank You Child
Tracks:
- Evil Ways
- The Color Green
- Peddlers Of Death
Album Description
Reissue of Wylde's 1996 & first solo album after leaving Ozzy's band and fronting Pride & Glory. Contains all 11 of the original cuts, plus a three track bonus CD comprised of new & unreleased tunes, 'Evil Ways', 'The Color Green' and 'Peddlers Of Death'. Double slimline jewel case. 1999 release.Customer Reviews:
loved it!.......2007-07-16
Truely a wonderful body of music.......2007-06-15
One of the Best Recrods I Have Come Across in a Long Time.......2007-04-10
WYLDE'S MAGNUM OPUS AND A GENUINE FIVE STAR ALBUM.......2007-01-26
A COMPLETE ROCK MASTERPIECE !!!.......2006-09-07
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Deep Shadows and Brilliant Highlights
H.I.M. Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002ZMIY4 Release Date: 2004-09-28 |
Tracks:
- Salt In Your Wounds
- Heartache Every Moment
- Lose You Tonight
- In Joy And Sorrow
- Pretending
- Close To The Flame
- Please Don't Let It Go
- Beautiful
- Don't Close Your Heart
- Love You Like I Do
Customer Reviews:
An Amazing HIM CD.......2007-05-29
It all went downhill from this one on........2007-03-18
"Deep Shadows and Brilliant Highlights" marks the beginning of HIM's descent into mellower, less moody, wasted-potential music, which they later described as "love metal" when it had lost all connection with what it used to be. This album also marks the start of "Ten Songs Per Album" rule of HIM, guaranteeing what will most likely be a short and catastrophic listen.
"Heartache Every Moment", "Pretending", "Love You Like I Do". That's it. The rest of the album sounds like it has been taken out of some dreamy pop album with electric guitar and overall too much acoustic and cheery melodies, complete with all songs regarding love or loss thereof, as usual, however, without the edge they delivered in Greatest Lovesongs and Razorblade Romance.
This album takes a lot of getting used to, simply because it takes for you to get used to the idea HIM could have gotten this dreamy and cheerful. Like I said, after this, the band went downhill, with the brief interruption of "Love Metal".
Loved it!.......2006-11-11
It was not their best!.......2006-07-08
Deep Shadows & Brilliant Highlights.......2006-06-20
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Lake of Shadows
Phil Coulter Manufacturer: Windham Hill Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O6HN Release Date: 2001-09-25 |
Tracks:
- Lake Of Shadows
- Sunlight On The Water
- Farewell To Inishowen
- The Flight Of The Earls
- The Star Of The Sea
- The Lough Swilly Railway
- For Those In Peril On The Sea
- The Lonesome Boatman
- The Year Of The French
- The Shores Of The Swilly
- Vive La Hoche
- Back To The Island
- Prayer For The Fisherman
- Take Me Home
Customer Reviews:
Just right!.......2006-06-20
best album I have.......2005-01-27
A Wonderful CD of a Very Personal Nature.......2004-01-06
"Lake of Shadows" is the local name given to a stretch of water called Lough Swilly in Ireland. This is an area close to the composer's heart- a scene of both happiness and absolute tragedy.On this CD, Phil Coulter uses music to capture some of these memories, and what an outstandingly good job he makes of it.
The music here is beautiful, reflecting the natural wonder of the country I have been fortunate enough to visit on many occasions. Coulter plays the piano, but he is joined by a whole host of guest musicians, each of whom contributes wonderfully to the success of this disc in their own unique way. From Frank Gallagher's fiddle, viola and whistle, to Ivan Gilliland's guitars, to Catherine Mary Clancy's Harp, right through to The Ballyclare Male Choir and the Coolea Choir, this is a real team effort.
A special mention must call to the gorgeous voices of Sinead O'Connor, Liam Neelson and Roma Downey. What a display of talent.
It is the very personal nature of this CD that makes it such a success. Each composition comes from the heart, and this comes through very clearly to the listener.
The compositions themselves are exquisite. They are a delight to listen to and are wonderfully melodic and memorable. Be prepared to be whistling the tunes for days on end.
This is the sort of CD which will get many listens in your CD player. It really is that good. The notes from the composer are comprehensive and track the history of each piece.
Full marks to Phil Coulter here. A superb CD from start to finish, and one that I recommend very highly.
Lake of Shadowa.......2003-03-01
All of the reviews I read were right on. Buy this CD!!
it's very beautiful........2003-01-06
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Shadows On The Sun
Brother Ali Manufacturer: Rhymesayers ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009W2IX Release Date: 2003-05-27 |
Tracks:
- Room With A View
- Champion
- Star Quality
- Prince Charming
- Win Some Lose Some
- Pay Them Back
- Blah Blah Blah feat. Slug
- Shadows On The Sun
- Prelude
- Forest Whitiker
- Bitchslap!
- Back Stage Pacin'
- When The Beat Comes In
- Missing Teeth
- Dorian
- Soul Whisper
- Picket Fence
- Victory! (Come Forward)
Product Description
1. Room With A View
2. Champion
3. Star Quality
4. Prince Charming
5. Win Some Lose Some
6. Pay Them Back
7. Blah Blah Blah - (featuring Slug)
8. Shadows On The Sun
9. Prelude
10. Forest Whitiker
11. Bitchslap!
12. Back Stage Pacin'
13. When The Beat Comes In
14. Missing Teeth
15. Dorian
16. Soul Whisper
17. Picket Fence
18. Victory! (Come Forward)
Format: CD
Customer Reviews:
ONE OF THE BEST ALBUMS....EVER.......2007-03-13
We have the best rappers in the nation and its easy to see that with this CLASSIC release from "BIG..BAD" Brother Ali. This is one of the best debut albums ever. Every song on this album is full of feeling and emotion and pure skill.
Ali can spit with ferociousness and he can come soft on a serious tip. Its early to put him up there with Rakim and L but the man is on track to become one of the best rappers of all time. Ive actually met the man a few times now and all i can say is the man is humble as hell. I talked with him about his new album and he told me the "UNDISPUTED TRUTH" is completely done by ANT once again and it would come out soon( I gave him some crap about the long break in between LP's)
I could say a million words about this album but ill only say a few
BUY THIS ALBUM, YOU WILL NOT BE ABLE TO PUT IT DOWN
I bow down to Brother Ali...........2006-12-13
Water" to be exact. I was floored. I could'nt get "Rain Water" out of my
head. I was like a crack fiend. I purchased "Shadows on the Sun" and my
respect for Ali only grew. He has crazy flow and some deep lyrics. If you
want to hear about spinners and bling you'll be dissappointed. Brother Ali is like nothing you've ever heard before. Buy the damn cd and give
props to the one and only, BROTHER ALI
WOW.......2006-09-14
VICTORY.......2006-08-09
4 stars............2006-05-07
In 2003, a new star arose from the Rhymesayers, white-emcee Brother Ali. After releasing a variety of EPs and appearing on other albums by Rhymesayers emcees, he finally released his long-awaited debut album Shadows on the Sun. The real question is, would this album be yet another LP in the string of hits given to us by the Rhymesayers? Or would this be their first flop? Patience, the answers are coming...
Track List & Rating
1. Room With A View (5 Stars)
2. Champion (4 Stars)
3. Star Quality (4 Stars)
4. Prince Charming (5 Stars)
5. Win Some Lose Some (3 1/2 Stars)
6. Pay Them Back (5 Stars)
7. Blah Blah Blah f/ Slug (3 Stars)
8. Shadows On The Sun (5 Stars)
9. Prelude (NOT RATED)
10. Forest Whitiker (5 Stars)
11. B*tchslap! (3 Stars)
12. Back Stage Pacin' (4 Stars)
13. When The Beat Comes In (5 Stars)
14. Missing Teeth (5 Stars)
15. Dorian (5 Stars)
16. Soul Whisper (4 Stars)
17. Picket Fence (5 Stars)
18. Victory! (Come Forward) (5 Stars)
Shadows on the Sun is kicked off properly with the debut track "Room with a View", and excellent opening album. The production is a hammering and thumping beat, giving the song an epic feel, thus giving the album an epic beginning. Featuring some soul background vocals, thumping bass, and slamming trumpets are perfect for the lyrics of Brother Ali. Brother Ali begins by telling us about his childhood, his father's abandonment, his neighborhood, and his former friends, and growing up. Brother Ali speaks in an angry tone of voice, loudly stating that he sees all of this from the desk where he writes his rhymes, spitting lines like "I try to block it out with a bed sheet the moonlight's as a curtain, 'Cause I'm not comforted by red and blue lights when I'm hurtin', Mommy loves you yeah I knew but I wasn't certain, 'Cause the lenses through which she views life wasn't workin'". This is an epic, and excellent way to start out Shadows of the Sun.
Skipping past the venomous battle raps "Champion" and "Star Quality", we get to the one of the most unique tracks from this album: "Prince Charming".
On this track, Brother Ali switches his flow a bit, taking a more pimp-ed style of lyricism, rapping to a female the variety of reasons why she should go out with him. He gives us a successful attempt at a love song, but sort of switches it up on the third verse, talking about the girl leaving him. His lyrics are tight, but nothing groundbreaking. Then again, his lines are what makes the song interesting. The chorus is catchy, and the beat is nice, featuring a variety of memorable guitar licks. Brother Ali's voice goes to a more southern tone, i guess to match with the country-styled instrumental supplied for the song. Still, its a great track.
Skipping ahead we get to "Pay Them Back".
This track is an introspective view into the mind of Brother Ali as he gives us his opinion on coming up in hip-hop music, sort of laying down some disses towards rookie rappers who immediately decide to sell-out to commercialism, then rips them down, telling them to respect the past and the underground. The track, though short, is excellent. Besides the excellent, complex lyricism that Brother Ali injects into the fold, the production is a unique melancholy beat with violins, R&B samples, and a completely slamming bassline, pretty much stripped down and simplistic, but very nice to listen to.
"Blah Blah Blah" with Slug has a lot of potential, due to Slug and Ali's lyrical skills, but over-done, over-produced and unlistenable production takes down the track heavily. Not to mention the fact that the track is completely out of order. This is one of those songs youd have to listen to yourself to see if you like it. I just think its average.
The title track "Shadows of the Sun", is next, and a great improvement. Brother Ali spits very well-written punchline-driven rhymes about a variety of subjects, including introspective street poetry, some classic old-school braggadiocio, and some opinions on hip-hop music and the direction that its heading to. Brother Ali's lyrics are very well-written on here, loaded with a good vocabulary. The production is equally good, featuring a keyboard / piano medley, drums, and some synthesized steel drums, giving it a speedy sort of feel to it, with some jazz influences.
"Forest Whitiker" is a unique view from Brother Ali about himself. Brother Ali describes the fact that he is overweight and his albinism. He somewhat disses himself, sort of taking himself and comparing himself to what commercial rap sees to sell, which is some muscular idiot who can only rhyme "cat" and "bat" on his lines. Brother Ali speaks deeply with amazing lyrics, as he raps about looking deep within yourself and not letting anybody call you ugly, and that he doesn't care what people think because he is a beautiful person. Brother Ali's intelligent and choice of topic is excellent on here, and it makes me smile proudly. Check out these lines: "You might think I'm depressed as can be, But when I look in the mirror I see sexy-a** me, And if that's somethin that you cant respect then that's peace, My life's better without you actually, To everyone out there, who's a little different
I say damn a magazine, these are gods fingerprints, You can call me ugly but cant take nothing from me, I am what I am doctor you ain't gotta love me". The production is also excellent, with a very gospel feel, giving us drums, bass, and some synthesized church organ music.
The next track, "B*tchslap" has unlistenable production, so loud that its impossible to hear the lyrics at times, which is a shame cause the lyrics are tight. Therefore i usually skip it.
"Back Stage Pacin", though an excellent battle rap, is only a preview of the even better "When the Beat Comes In". The lyrics are venomous on this track, as Brother Ali gives us highly advanced and complex braggadiocio, mixed with some well-timed disses towards weak emcees. Brother Ali's delivery is angrier and more forward on this track, as he perfecty adapts a multi-syllable flow, and hits us with heavy punchlines after punchlines of witty and clever rhymes, in which he plays with his voice a lot more and gives us a more Eminem-esque track, with comedy and vocal trickery. The production is a banging synthesized track with some keyboard, drums, and bass. This is one of my favorite tracks on the album and makes it very good. "Missing Teeth" continues this idea with harsh, hardcore lyricism. Definetely two bangers, back-to-back.
Brother Ali gives us a patented storyteling track with "Dorian", as he raps about a young kid who abuses women, fights people, and is completely out of control. He tells the tale of the kid being abused all his life, until he reaches to Brother Ali when he takes him off face-to-face, leading into a fist-fight which is described by Brother Ali in a tight narrative. The saxophone-driven track is perfect for the introspective, sort of light-hearted encounter with the twist ending. It teaches a lesson about doing the right things, at the wrong time, which is a genius idea.
Retrospection and Intelligent are the key-words for "Picket Fence".
Brother Ali gives us a trip back in memory lane as he describes his troubling childhood, including verbal and physical abuse, touching on the fact that he was abandoned by his natural father and how his father abused his childhood, including his sadness. Brother Ali's well-written, retrospective lyrics give sympathy, warning parents about this problem that is occuring constantly, with the lack of love in a person's childhood and the lack of a loving family. Brother Ali's metaphors are as clever and passionate as his delivery, which is on-point. The production is sad and fitting for the track, giving us a mix of high-key and low-key pianos, with bass, drums, and some background R&B vocals.
"Victory (Come Forward)" is an awesome way to end Shadows on the Sun, with a display of Brother Ali's skill.
Shadows on the Sun is a tad-bit overrated. Ive heard from many hip-hop fans and assiosiates that this is the best album of 2003 thus-far, however id have to doubt that due to the fact that it has some bad production on more than one song. However, the album is still an excellent release from Rhymesayers this year. Brother Ali has impacted hip-hop, or at least, me, with his great potential, giving us a great debut. I look forward to seeing much more music from this artist, as well as the rest of the Rhymesayers crew, but until then, ill enjoy Shadows on the Sun, and suggest you do too.
4 Stars...
Average customer rating:
|
Shadows Are Security
As I Lay Dying Manufacturer: Metal Blade ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009FHKPO Release Date: 2005-06-14 |
Tracks:
- Meaning in Tragedy
- Confined
- Losing Sight
- The Darkest Nights
- Empty Hearts
- Reflection
- Repeating Yesteday
- Through Struggle
- The Truth of My Perception
- Control is Dead
- Morning Waits
- Illusions
Customer Reviews:
their best album.......2007-07-22
Ehh???.......2007-07-09
Sick rythemic pulverizing music with a subtle touch of melody.......2007-06-13
Every song on this album is done well. The overall tone here is pulverizing rythemic guitars with change over melodic riffs which still sound aggressive. The vocals are in line with everything and add value to each song..
Outstanding Christian Metal Band.......2007-05-24
There is no reason to buy this CD.......2007-05-20
All the musicians are competent, but none of them are exceptional. The drummer can play pretty fast and very accurately, but his drum patterns have no variety at all, and the vocalist really doesn't seem to have any idea how to come up with a memorable vocal part. The bassist has the decency to play nothing but root notes so that you don't have to go to the trouble of actually hearing what he's playing. The guitarists are, really, the low point of the band, with the rhythm guitarist seeming to only know one chord (the open C power chord) and the lead guitarist seeming unwilling to write more than four or five riffs per song. The solos are precisely what you'd expect, with the lead guitarist going from note to note at top speed in the most unimaginative way possible.
I don't know if I should call AILD's release `bad,' per se, but there's no reason to call it `good,' either. If you've listened to any metalcore at all, there won't be anything new or fresh for you in this release. If you haven't listened to any metalcore, start with a more competent band. (Zao would be a good choice, but even some less exceptional bands like Bloodlined Calligraphy and Nodes of Ranvier would top this.)
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