Behind You

Track Listings

 
1. Small Music
2. Behind You
3. Spectral Reach
4. One Size Fits All...
5. What I Have Discovered
6. Arbant
7. At All
8. Tourist Zone
9. Mute Point
10. Spectral Reach [Scannered]
11. Arbant [Scannered]

Behind You,si-{cut}.db,Sprawl,Ambient,Dance Music,Pop
All That You Can't Leave Behind
Average customer rating: 4 out of 5 stars
  • U2 For You If For U2 You Are True
  • I just love this cd
  • All That You Can't Leave Behind unheard
  • THEIR BEST; EVEN BETTER THAN JOSHUA TREE!
  • Released before 9/11....Really?
All That You Can't Leave Behind
U2
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Z0LW
Release Date: 2000-10-31

Tracks:

  1. Beautiful Day
  2. Stuck in a Moment You Can't Get Out Of
  3. Elevation
  4. Walk On
  5. Kite
  6. In a Little While
  7. Wild Honey
  8. Peace on Earth
  9. When I Look at the World
  10. New York
  11. Grace

Amazon.com's Best of 2000

The foursome come roaring out of the blocks with their latest collection. The album's first single, "Beautiful Day," raced to the No. 1 slot on the U.K. singles charts and received a similar rapturous reception stateside. From its shimmering preamble to its sweeping, infectious chorus, it perfectly stakes out the middle ground between the anthemic U2 of the '80s and the more grounded group of the '90s. With Daniel Lanois and Brian Eno sharing production chores again after having taken a break with Pop, the U2 team enters the new millennium with their lineup--and mission--intact. --Steven Stolder

Amazon.com essential recording

If U2 hadn't used the title already, "A Sort of Homecoming" might have suited this, their 10th studio album. All That You Can't Leave Behind sounds, at various points, like any or all of U2's previous albums, as if the band is sending postcards back from a protracted ramble through previously conquered territories. The euphoric opening track, "Beautiful Day," reintroduces Edge's signature delay-laden guitar, which has been pretty much absent since The Unforgettable Fire. Elsewhere, the gospel stylings of Rattle and Hum resurface on "Stuck in a Moment," and the deranged, Prodigy-influenced dance textures that characterized 1997's Pop crop up on "Elevation." None of which suggest that this commendably restless bunch is running out of ideas. Having spent the '90s making three of the most bizarre and adventurous albums ever delivered by a stadium-rock band (the consecutive masterpieces Achtung Baby, Zooropa, and Pop), it's as if they're now trying to figure out what is the one particular thing they've always done best. Based on the evidence presented here, their forte remains a facility for making the epic statement alongside Bono's increasing lyrical intimacy: "Walk On" and "Peace on Earth" are two of the best things he's ever written or sung. All That You Can't Leave Behind confirms that U2's laurels are still making them itch. --Andrew Mueller

Customer Reviews:

5 out of 5 stars U2 For You If For U2 You Are True.......2007-03-27

This won't be one of my typical long reviews. I will simply say that I started buying U2 when they 1st came out with what I call protest songs. I haven't stopped. To me they are the band of the 80s and 90s and even into the 21st. century. I own every cd that U2 ever brought out. I will always buy U2 as long as it consists of Bono, The Edge, Clayton and Mullins Jr. I don't even have to think about it....their music is my music and I will buy them.....this cd is a U2 cd and reason enough for me to buy it...if you love U2 you will buy them all or you are not a true U2 fan...the preceeding was a Joliet Jayke the Bluze Brother Editorial opinion and only reflects my opinion..nuff said.

5 out of 5 stars I just love this cd.......2007-03-25

This cd is one of the top three in U2 catalogue, the other two would be "The joshua Tree" and "Atchung Baby". I can listen to this one many times each week and never get tired of. This is what we can call "A desert Island cd" if you see what I mean. Eleven great songs, the ballads are really good, "Stuck in a moment you can't get out of", "Kite", "In a little while" are incredible, lot of emotion and the voice of Bono is awesome. This band gets better with age.

5 out of 5 stars All That You Can't Leave Behind unheard.......2007-03-09

This is one of the best album of U2. As an album it is number 3 after Joshua Tree, and Achtung Baby. It is one of those records you better not stop at all. Not only for fans.

5 out of 5 stars THEIR BEST; EVEN BETTER THAN JOSHUA TREE!.......2006-12-25

Six years now since the release, and this magnificent grouping of songs is still fresh! Beyond the obvious hits "Beautiful Day", "Elevation", and "Stuck in a Moment You Can't Get Out Of", take a new listen to "In a Little While", "When I Look at the World", and "Grace." Bono's voice never better on these cuts. I never tire of this album!!

5 out of 5 stars Released before 9/11....Really?.......2006-12-06

I have to say that one of the most remarkable things about this CD has nothing to do with its engineering and songwriting. What has always struck me about this CD is that it became such a tribute album to the events of September 11th, but it was released almost a year earlier. The lyrics are uplifting and eerily fore-shadowing all at once. For example:

-As some reviewers have noted "Walk On" has become an anthem to rising above the ashes and carrying on in the face adversity.

-"Beautiful Day" is a tribute to wonderful day that is laid out before us.

-"New York" is an ode to a city that is collectively stronger than anyone thought possible.

-Lastly, "Peace on Earth" has got to be one of the most fore-telling songs in the past twenty years. "They're reading names out over the radio/All the folks the rest of us won't get to know/Sean and Julia, Gaerth, Ann and Breda/Their lives are bigger than any big idea." It's scary, but I think U2 kind of knew where we, as a society were headed.

It's been a point of discussion between my wife and I, becuase she insists that there is no way these songs could have been written before 9/11. But they were and it makes it all the more remarkable.
Death Walks Behind You
Average customer rating: 3.5 out of 5 stars
  • "Sleeping For Years" it is time to shake the foundation
  • Classic Gem
  • An unheralded classic
  • GREAT PROG ROCK
  • Classic Progressive Rock at its Finest
Death Walks Behind You
Atomic Rooster
Manufacturer: Castle Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001XAQ14
Release Date: 2004-04-20

Tracks:

  1. Death Walks Behind You
  2. Vug
  3. Tomorrow Night
  4. Seven Lonely Streets
  5. Sleeping for Years
  6. I Can't Take No More
  7. Nobody Else
  8. Gershatzer
  9. Play the Game [*]
  10. Devil's Answer [*][Demo Version]
  11. Tomorrow Night [BBC Radio Session][*]
  12. Shabooloo [BBC Radio Session][*]
  13. Death Walks Behind You [BBC Radio Session][*]
  14. Devil's Answer [Alternate Version][*]

Customer Reviews:

5 out of 5 stars "Sleeping For Years" it is time to shake the foundation.......2007-06-24

As the author of the Jefferson Airplane book "Take Me To A Circus Tent" and a former radio disc-jockey, I am often asked to write and or discuss various recordings from the 60's and 70's.

Vincent Cranes greatest contribution to the 2nd Rooster is that there even was a follow-up to the amazing self-titled debut. With Carl Palmer going to Emerson, Lake, & Palmer and Nick Graham heading toward the improvisational outfit "Skin Alley" it seemed a musical death walked behind. Cranes genius should increase a few more points for the replacements. Paul Hammond (First recording session was with Rooster) may not be Palmer but his drumming is tremendous in a demanding album both mentally and physically. John Du Cann from Andromeda (Psychedelic) came aboard as well. Cann walked through the door as a guitar player and singer. Another musician didn't replace Graham's bass. Vincent Crane used the Ray Manzarek (The Doors) idea to cover the bass from the keyboards.

"Death Walks Behind You" The Title track (Fitting as the opener) with the power, conviction, and total gloom is a monsoon. Seeking and destroying everything in its path. A shock to the mind and senses. It is one of the finest tunes from the era and the record was first getting started!

"Vug" already showed the musical diversity. More to the progressive rock sound with all instrumentation, it doesn't need lyrics to engross you every second.

"Tomorrow Night" became the most remembered tune on the album. Catchy, clever, but not common in its construction. There are the Rooster intangibles throughout.

"Seven Streets" brings us back to the darkness. The band keeps us in search for the light. The energy and aggression is an example of why many metal fans of early Black Sabbath and Blue Oyster Cult proudly display this masterpiece in their collections.

"Sleeping For Years" continues the onslaught. The speakers grab you by the throat. The reason Rooster gained such respect (Especially in Europe) they didn't rely on the cliché riffs and simple power chords. There were more complex structures to their compositions.

"I Can't Take It No More" (A John Du Cann penned tune) brings down the altitude only a bit. The words and the music blend as one. Crane stays more in the background, allows the guitar, and drums to be the focal points.

"Nobody Else" Turnabout is fair play. The piano of Crane dominates the spotlight or so we are lead to believe. The first half of the song is Crane solo but then the troops are brought in and it is a full throttle takeover. The pain is evident and we feel it "My whole world has gone away." The most overlooked of the eight original tracks. Give this a couple of listenings to fully appreciate the pain.

"Gershatzer" can be summed up in five words THEY GET RIGHT TO IT. Another instrumental (With a drum-solo to boot) of explosive passion.

Can a five star recording get better? If you get the bonus tracks it does! "The Devil's Answer demo has Carl Palmer and the BBC material will further the destruction (In a good way).

One of the best recordings of its time. The fidelity is fine!

Enjoy the music and be well,
Craig Fenton
Author of the Jefferson Airplane book "Take Me To A Circus Tent"

1 out of 5 stars Classic Gem.......2007-02-12

I had the good fortune to see this band at a festival in the early 70's
The material on this album is as interesting as it was then--My personal favorite is "Tomorrow Night"--Old Hippee music is still enjoyable in this age of digital tunes, and these guys used quite a few gizmos that were available in their day--talk about Jammin' on the Hammond!!!

4 out of 5 stars An unheralded classic.......2005-12-18

There was so much good much in the sixties and early seventies that it's not surprising some wonderful albums and even groups are now largely forgotten. Atomic Rooster is one such group and "Death Walks Behind You" was their best studio album. It was influential in the rise of heavy metal, was one of the best albums for taking advantage of separate stereo channels (listen for the guitars to cross over each other from one end of the room to the other), and is laden with great songs. Highly recommended

5 out of 5 stars GREAT PROG ROCK.......2005-12-14

I agree with Joe completely, especially concerning the alledged 'hiss'. I actually listened to that portion of "Nobody Else" several times even with my eyes closed and heard nothing but the music itself. The sound of the entire disc is fantastic. With the bonus tracks, the length is just over 75 min.

5 out of 5 stars Classic Progressive Rock at its Finest.......2005-11-08

Don't be fooled. The so-called "tape noise" mentioned below is so insignificant in the scope of the album that it's hardly even noticable at all. You can't hear it unless you feel the urge to press your ear against your speaker and count the seconds until it begins. In fact, this noise is so quiet and so subtle, who's to say what it really is. Whatever you do, don't let one person's opinion (which is highly blown out of proportion) affect your decision about buying one of progressive rock's greatest masterpieces. The album has never sounded better than this remaster, and the bonus tracks are the icing on the cake.
From Greece With Love
Average customer rating: 5 out of 5 stars
  • Sheer beauty from Agnes Baltsa
  • A Wonderful Collection
From Greece With Love

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00012ASRC
Release Date: 2004-07-13

Tracks:

  1. Garllo st'aftA carnation behind your ear)
  2. Oniro pediis gitoni(Dream of urban children)
  3. O tahidr (The postman)
  4. M Magioday in May)
  5. To tr fi stis okthe train leaves at eight)
  6. Se pa rodmo (I gave you rose-water to drink)
  7. Stou Othona ta hr (When Otto was king)
  8. pri m ke ya mas (There will be better days, even for us)
  9. Varkar (Barcarolle)
  10. Ta tr pou fn
  11. ,Arhssa (Princess of my heart)

Album Description

This album features Baltsa's unrivalled voice singing folk music that is a basic source of the Greek tradition in song. All tracks feature folk songs arranged by leading contemporary Greek composers.

Customer Reviews:

5 out of 5 stars Sheer beauty from Agnes Baltsa.......2005-06-23

This disc from Agnes Baltsa (Greek opera-singer) containing the most beautiful Greek songs is a real treat. It's recorded in the -80s when she was around 40 and in her prime. The songs are written by famous Greek composers like Theodorakis, Hadjidakis and Tsitsanis. My only complaint is that the cd only contains 11 songs. I wish it had at least 11 more.... But fortunately, my cd-player has a "repeat-button".......(Which I might add, is soon worn-out..)

For people unfamiliar with either Greek music or opera, this is the place to start. To me it seems that Greek music often is a matter of strong likes/dislikes, as is opera. You either love it or you hate it. After listening to this disc you will definitely want to seek out more recordings of Greek music and/or opera-recordings featuring Agnes Baltsa.

I know and love Agnes Baltsa from the opera stage, but even so, this record still amazes me. You will not hear her belt out painfully high notes like an opera-star on this cd - just beautiful singing throughout the whole disc. She also has a clear phrasing which I think is great, because it enables me to understand what the songs are all about. Being a classically trained singer one should perhaps think her voice unsuitable for simple-styled Greek folk songs. You couldn't be more wrong. Her crystal clear voice lends an elegancy to the songs that has to be heard to be believed. I'm a long time fan of Greek music and own a lot of recordings from various Greek artists, but never have I heard these songs so beautifully sung. This is definitely my "desert-island-recording" of Greek songs. I never tire of hearing them played again and again and again....

My favourite tracks from the disc have to be "Oniro pedion tis gitonias", "to treno fevgi stis okto", "O tahidromos" and "Arhontissa" and not to mention "Varkarolla". Her voice is just so hauntingly beautiful in these tracks. Don't be surprised if you end up in tears. But really, all the tracks are real treasures, gift-wrapped in Baltsa's velvet voice. It's a treat to hear Baltsa sing in her native tongue for the first time. It's obvious that she feels perfectly at ease here. She captures the melancholic beauty of the Greek soul so wonderfully. To me it's a mystery why she hasn't recorded more of this sort (at least I haven't been able to find any...)

The Athens Experimental Orchestra which is playing on this disc also deserves some words of praise. They make the Greek instruments sound heavenly and in the instrumental parts of the songs you just want to get up and dance.

This disc is really a proof of Greek supremacy - the music, the lyrics and Agnes Baltsa's singing - so simple and yet so powerful and breathtakingly beautiful. What more can I say? Just buy the cd ASAP!

5 out of 5 stars A Wonderful Collection.......2004-12-10

This album was first released by Deutsche Grammophon (DG) in 1986 under the title "Agnes Baltsa, Songs My Country Taught Me." I have owned it and enjoyed it for probably 15 years. It's a wonderful collection of very melodious Greek folk songs with fine arrangements sung by one of the great mezzo sopranos of our time. It's great that DG has seen fit to re-release it so many of you can also enjoy it. Buy it; you won't regret it.
Steel Pier (1997 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • Kander and Ebbs' Score Stands Alone
  • Great Score, lousy show.
  • Kander and Ebb in a Major Key
  • Weak Plot ... Nice Score
  • WONDERFUL!
Steel Pier (1997 Original Broadway Cast)
Fred Ebb
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003GAQ
Release Date: 1997-07-29

Tracks:

  1. Overture - Orchestra
  2. Prelude - Orchestra/Daniel McDonald
  3. Willing To Ride - Karen Ziemba
  4. Everybody Dance - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Ronn Carroll/Gregory Mitchell...
  5. Second Chance - Daniel McDonald/Karen Ziemba
  6. A Powerful Thing - Gregory Harrison/Ronn Caroll
  7. Dance With Me/The Last Girl - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon/Daniel McDonald/Ensemble
  8. The Shag - Orchestra
  9. Everybody's Girl - Debra Monk
  10. Two Step - Orchestra
  11. Wet - Karen Ziemba/Daniel McDonald
  12. Harmonica Specialty - John C. Havens
  13. Lovebird - Karen Ziemba/Adam Pelty/Gregory Mitchell/Daniel McDonald/Ensemble
  14. The Sprints - Gregory Harrison/Ronn Carroll/Daniel McDonald/Company
  15. Entr'Acte - Orchestra
  16. Leave The World Behind - Daniel McDonald/Karen Ziemba/Ensemble
  17. Somebody Older - Debra Monk/Jim Newman
  18. Running In Place - Karen Ziemba
  19. Two Little Words - Kristin Chenoweth/Gregory Harrison/Daniel McDonald/Karen Ziemba/Adam Pelty/Company
  20. First You Dream - Daniel McDonald/Karen Ziemba
  21. Steel Pier - Gregory Harrison/Mary Illes/Rosa Curry/Sarah Solie Shannon
  22. Steel Pier (Reprise) - Karen Ziemba/Gregory Harrison/Company
  23. Final Dance - Daniel McDonald/Karen Ziemba/John Kander

Customer Reviews:

5 out of 5 stars Kander and Ebbs' Score Stands Alone.......2007-01-21

The biggest criticism of this Broadway musical was the book. It allegedly meandered, bored the audience and included unfocussed or unnecessary sequences such as the "dream sequence". Well, I never saw the show and can only evaluate this score on its own merits. Based on that alone, it's a complete winner. Memorable songs, great performances, and the score itself tell a clear story that might have been muddled by an overly fussy book (again, that's from heresay...I never saw the show, which flopped in its initial presentation -- unfortunately, because there is much to admire and enjoy in this typically complex Kander and Ebb score).

First of all, top-rate performances abound here. Karen Ziemba makes every one of her songs sail into the stratosphere. She is a true wonder and deserved her Tony nomination against incredible competition (Bebe Neuwirth got it for the much more popular "Chicago", but Ziemba's her equal). Debra Monk once again makes her mark as a Broadway character actress, although her song "Everybody's Girl" is easily the worst song in the show and certainly beneath Kander and Ebbs' standard, but she wins you over with her energetic and well-placed rendition. Daniel MacDonald does a suberb job as the ill-fated hero, exposing innocence and wry commentary in his very presence, but he is equalled by Gregory Harrison's slimy and ultimately ferocious performance as Mick, the emcee.

The score evokes the time (the 1930s) without relying on pastiche to put it over. Of note, Ziemba's intro, "Willing to Ride", the ensemble "Everybody Dance" (which gives Harrison his chance to shine), "Two Little Words" (which provides the auspicious debut of a most impressive Kristen Chenowith and augers the great things yet to come for her), the touching "First you Dream" and, finally, the both ferocious and mournful reprises of the title song display a powerful and underrated score that deserves reevaluation.

If the book got it wrong, the composers and actors got it quite right the first time. This Original Cast Recording will always be proof positive of that undeniable fact. Always "dream".

3 out of 5 stars Great Score, lousy show........2006-07-22

I think it's one of Kander and Ebbs best, better than Chicago and close to Cabaret. Sadly, the book ruined the show, it bored people. Yet, listening to the ravishing music on the CD, it's hard to realize that it all didn't come together. Maybe someday, someone will revise the book and make it work. Till then, enjoy the CD, it's absolutly gorgeous, had great character numbers, spirited dance numbers and dazzling ballads. The performances are wonderful, with Gregory Harrison (who knew Trapper John could sing?) , Daniel MacDonald and Karen Ziemba shining through on every song. The opening and closing theme is haunting.

5 out of 5 stars Kander and Ebb in a Major Key.......2006-02-09

I first heard excerpts from this on Accuradio.com, and thought it sounded great. It is. In the Kander and Ebb canon, Steel Pier may not rank with Chicago, but I enjoy listening to it as much as to Cabaret. It's sweeter and less dark than either of those, but set in the same period (1933) and just as evocative of that period.

First, the performances of the leads are excellent. Karen Ziemba is superb. Daniel McDonald has a wonderful light baritone, and who knew Gregory Harrison (Trapper John, M.D.) could sing, let alone sing well. Debra Monk performs an excellent comic turn. Kristen Chenoweth's Broadway debut number was corny as can be, but did show off her talent and range well.

The music is just wonderful. Willing to Ride is a spirited waltz. Everybody Dance is a near-perfect Charleston opener top the dance marathon that forms the backbone of the plot. Power is a Powerful Thing may be a little weak in the lyrics, but its set to a spirited and charming ragtime melody. Dance with Me and The Last Girl are sung in a medley format. This is almost a shame because both numbers are excellent in their own right. In fact, The Last Girl is as gorgeous a ballad as you can find anywhere.

Wet is a tinkling, sparkling number in which Ms. Ziemba charms, and Mr. McDonald has a teriffic counterpoint melody. Ms. Monk has a showstopper in Everybody's Girl and a torchy number with Somebody Older. The Shag is a dance piece that may be the best number of all. It seems to alternate between twenties hot jazz and the swing that was just starting to be heard around then. There's also a great bluesy harmonica specialty number, whose only flaw is that it's too short. All in all, the score is a gem, especially compared to most of what we've heard in the last twenty years or so.

This is one of those recordings that makes you wonder why the show was a flop. I went back and read the reviews. Basically they didn't like the plot and felt the production strained too hard to be likeable, but lacked energy at the same time. The show also suffered from comparison to the stunning revival of Chicago that opened in the same season. The critics even managed to be lukewarm on the score. The show closed shortly after being nominated for eleven Tony's and winning none - that was the year Titanic swept the boards. With all that, I'd still say the score is marvelous when heard on its own merits. And I'd go to see a revival if someone would do it. Buy it. I recommend it without reservation.

4 out of 5 stars Weak Plot ... Nice Score.......2005-08-06

The overall plot for Kander & Ebb's 1997 "Steel Pier" is fairly weak, but the score is actually quite good and sung by a terrific cast (Karen Ziemba, Daniel McDonald, Debra Monk, Gregory Harrison, and Kristin Chenowith). Not in the same league as their brilliant "Chicago", "Cabaret" or "Kiss Of The Spider Woman", but a worthy effort with several nice tunes.

Best tracks:

Willing To Ride
Second Chance
Running In Place
First You Dream

Unfortunately, "Steel Pier" was overshadowed by that season's remarkable revival of "Chicago" and dreadful "Titanic". A fine addition, however, to a theatre-lover's collection!

5 out of 5 stars WONDERFUL!.......2005-04-28

I love this album! I bought it a few weeks ago and from the moment I listened to "Two Little Words" I knew this was going to be one of my favorites! The music absolutely gorgeous! I reccomend it!
Songs Of Old Russia
Average customer rating: 5 out of 5 stars
  • Drop dead gorgeous
  • Brilliant !
Songs Of Old Russia
Anatoly Grindenko , Anonymous , Russian Traditional , Andrei Yuralev , Igor Puchkin , Oleg Kovalev , Valentin Kulebiakin , Victor Balkarov , Yuri Vishniakov , and The Moscow Male Voice Choir
Manufacturer: Opus 111
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005W4Y
Release Date: 1996-09-17

Tracks:

  1. Snow, The Time Has Come
  2. Through The Thick, Mysterious Taiga
  3. Song Of The Noble Regiment
  4. Monotonously Rings The Little Bell
  5. On The Wild Steppes Beyond The Baikal
  6. See Our Peasants
  7. Nothing But The Steppe All Around
  8. Hymn of The Slav Peoples
  9. My Little Birch Torch
  10. Behind The Clouds
  11. I Cannot But Think Back
  12. Splendid Sea
  13. The Seperation
  14. Upstream, On The Volga
  15. Glory Be To You, Cossacks Of The Kuban
  16. The Fog Is Coming Down
  17. The Twelve Brigands
  18. He Alone Deserves To Live
  19. Driving The Waves Of The Volga

Customer Reviews:

5 out of 5 stars Drop dead gorgeous.......2005-07-04

Every now and then you get a CD come along where some really outstanding artist allows themself to just let their hair down for a moment. Of course it has to be done with aplomb and thorough good taste adding their unique touch of brilliance while sucessfully avoiding any hint of kitch. Russian Early Music pioneer Anatoly Grindenko here records songs from the time of Tsarist Russia. These are songs that transient political regimens would have tried to replace in the popular affection with political songs. Yet somehow these songs have survived in the hearts and affections of the Russian people and this peasant tradition of folk song that refused to die is presented with Grindenko's usual expertise and sung expertly with the utmost affection. In fact the songs were always sung by this choir for their own private fun but excluded from 'serious' concert performances. The quality of singing, as can be expected under Grindenko's expert choral direction, is superb througout. The end result is a lovely CD that can be highly recommended to anybody who just loves to listen to beautiful singing. After all the works of Tchaikovsky, Borodin and Stravinsky draw heavily on Russian folk song as a rich source of thematic material but any serious music lover would enjoy this CD just as much with its range of songs ranging from boisterous to charming to melancholy. Opus 111, as usual, provide expertly engineered sound to match. The end result is a drop dead gorgeous CD that will delight anyone lucky enough to discover this secret gem.

5 out of 5 stars Brilliant !.......2001-12-26

This recording is a fantastic example of the russian choral tradition. Wonderful selections sung with obvious passion .The rousing patriotic tunes will make you want to march to the front, the romantic ballads will make you wish you never left and the songs of hearth and homeland will make you inch closer to your loved ones. If you have a passion for things "russian" this one just might keep you occupied for a while.
The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical
Average customer rating: 5 out of 5 stars
  • A Collection of the Original Oz Stage Productions
  • Ain't it a Shame!
  • Why the 1903 "Wizard" was forgotten
  • A long overdue revisit to a classic American musical
  • Long-Forgotten Broadway Hit Gets First Rate Revival
The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Broadway & VocalistsBroadway & Vocalists | Indie Music | Stores | Music
GeneralGeneral | Soundtracks | Indie Music | Stores | Music
Similar Items:
  1. The Shirley Temple Storybook Collection: Land of Oz/The Reluctant Dragon
  2. The Wizard of Oz (1988 London Cast)
  3. The Wizard Of Oz In Concert: A Benefit Performance For The Children's Defense Fund (1996 Lincoln Center Cast)
  4. Shock Treatment (1981)
  5. The Wizard Of Oz: Original Motion Picture Soundtrack - The Deluxe Edition

ASIN: B00009MPYQ

Tracks:

  1. Wizard of OzSelection (Arthur Pryor's Band)
  2. The Bullfrog and the Coon (Ada Jones)
  3. Pocahontas (Edward M. Favor)
  4. Daisy Donohue (Harry Tally)
  5. Down on the Brandywine (Collins & Harlan)
  6. Come Take a Skate with Me Sung (Collins & Harlan)
  7. I Love You All the Time (Harry Macdonough)
  8. The Moon Has His Eyes on You (Ada Jones)
  9. When You Love, Love, Love (Thomas E. Whitbred)
  10. When We Get Whats a-Comin to Us
  11. Mister Dooley Sung (Edward M. Favor)
  12. Julie Dooley (J. W. Myers)
  13. Meet Me Down at the Corner (Jones & Spencer)
  14. Budweisers a Friend of Mine (Billy Murray)
  15. Theres a Lot of Things You Never Learn at School (Bob Roberts)
  16. Under a Panama (Billy Murray)
  17. Good Bye Fedora (Collins & Harlan)
  18. Sitting Bull (Collins & Harlan)
  19. I Love Only One Girl in this Wide Wide World (Harry Macdonough)
  20. Sammy (Harry Macdonough)
  21. The Tale of a Stroll (Morgan & Stanley)
  22. Cant You See Im Lonely? (Ada Jones)
  23. Are You Sincere? (Byron G. Harlan)
  24. Hurrah for Baffins Bay (Collins & Harlan)
  25. Football (Dan W. Quinn)
  26. Id Like to Go Halves in That (Burt Shepard)
  27. Rejoice!The Wizard is No Longer King
  28. The Traveler and the Pie
  29. Must You? (Dan W. Quinn)
  30. Thats Where She Sits All Day (Dan W. Quinn)
  31. The Sweetest Girl in Dixie (Henry Burr)
  32. Scarecrow Laugh (Fred Stone)

Tracks:

  1. Sammy Mira (Music Box Disc)
  2. Must You? (Mira Music Box Disc)
  3. Opening Prayer
  4. Phantom Patrol
  5. Just a Simple Girl from the Prairie
  6. Poppy Song
  7. Love is Love
  8. When We Get What's A-Comin' to Us
  9. The Traveler and the Pie
  10. When You Love, Love, Love
  11. Rejoice! The Wizard is No Longer King
  12. Phantom Patrol (Aeolian Piano Roll)
  13. My Little Maid of Oz Aeolian Piano Roll
  14. The Tik-Tok Man of OzSelection (Rythmodik Piano Roll)
  15. The Tik-Tok Man of OzSelection (Piano Roll)
  16. Ask the Flowers to Tell You (Macdonough & Dunlap)
  17. My Beautiful Dream Girl (John Barnes Wells)
  18. My Pretty Little Piece of Dresden China (Bessie Wynn)
  19. Gay Paree (Montgomery & Stone)
  20. Travel Travel Little Star (Montgomery & Stone)
  21. A Scotch Moriah (Montgomery & Stone)
  22. Hurrah for Baffins Bay (Dan W. Quinn)
  23. Daisy Donohue (Trombone Solo by Arthur Pryor)
  24. Mr. DooleyMedley (Xylophone Solo J. Frank Hopkins)
  25. Down on the BrandywineMedley (Edison Military Band)
  26. The Bullfrog and the CoonMedley (Six Brown Brothers)
  27. Ill Take You Back to Italy (Ada Jones & Billy Murray)
  28. Father Goose Songs (Sallie Osbourne)

Album Description

The Wizard of Oz a musical with book and lyrics by L. Frank Baum and music by Paul Tietjens premiered on June 16, 1902, at the Grand Opera House in Chicago. It was an instant hit and made stars of David Montgomery (the Tin Woodman) and Fred Stone (the Scarecrow). On January 21, 1903 the show opened at the Majestic Theatre in New York. It ran for nine months and set out on the road with a second company right on its heels. The show toured, came back to New York, toured, and returned to New York again many times until finally disbanding around 1911. Stock and amateur companies continued to present it into the 1930s when it was overshadowed by the classic MGM film starring Judy Garland.

The show was legendary for its success and its impact on American culture. It was the Cats or Les Mis of the early 1900s--but the show has been swallowed by history. What made audiences of the early 1900s devour the show and return for more again and again? In this unprecedented 2-CD set—featuring over 145 minutes of vintage recordings and 64 pages of lyrics, photos, notes and synopsis—you can discover how The Wizard of Oz entertained the American public for the first two decades of the 20th century. And like the audiences of nearly a hundred years ago, you can hum along to "Budweiser," "Sammy," and "Hurrah for Baffin's Bay"—everyone's favorite songs from The Wizard of Oz! Also included in this comprehensive collection are recordings from later Oz musicals, The Woggle-Bug and The Tik-Tok Man of Oz written by Oz creator L. Frank Baum, as well as vintage non-Oz recordings by original "Wizard of Oz stars" Montgomery & Stone and Bessie Wynn

Customer Reviews:

5 out of 5 stars A Collection of the Original Oz Stage Productions.......2006-12-07

This Double-Disk Collection contains music from the original and varied Oz Stage Productions: "the Wizard of Oz", "the Woggle-Bug" (based on 'Marvelous Land of Oz) and "the Tik-Tok Man of Oz" (based on 'Ozma of Oz'). There are plenty of "Wizard" songs and music, but there isn't a lot of "Woggle-Bug" and/or "Tik-Tok Man".
I often wondered how different the 1st & Original Production of 'Oz Wizard' was different to the book, and thanks to Mark Evan Schwartz's book "Oz: Before the Rainbow" I found out for myself (WORTH A READ!!). Later I got this CD to go along with the book's stage telling (more or less) and I listened in interest to the songs which, I read, were entirely different to the future Musicals of Oz. The songs are good, but not all of them are actually completely restored to perfection, so the singing may/will sound somewhat muffled. Also, due to the time it was made (for some reason), the songs don't actually fit into the story (even the stage's rewritten story) and sound distant/unrelated. But there are songs that sound similar to the original story ("Rejoice! The Wizard is No Longer King"). CD 2's Track 3 has music played during Silent Oz Film "His Majesty, Scarecrow" on the MGM 3-Disk DVD.
The best thing about this CD Collection is the two booklets packaged along with the disks: the first (entitled "The Records") has writing on "What the Wizard Was" with a synopsis of the stage production story and "About the Recordings", a listing of all the songs on CD 1 (which are helpful for "Selection" Tracks not specifically named on the back) and notes on the songs like their origins and background. Booklet 2 (entitled "The Lyrics") has the words to the songs (in case you can't make out the words/want to sing-along). BOTH CDs include b&w photos of the actors, performance (few of which can be seen in "Oz: Before the Rainbow" book) and even reprints of a few illustrations made for the stage. The pictures are the best part of this purchase.
The Entirely Different Songs may not fit with the story, original or rewritten, but there's nothing really wrong with the music when one enjoys to what they're listening to.
I know that there is also another 'Oz on Stage' CD Collection called "Before the Rainbow" . . . hmmm, I wonder if I should get that too?

5 out of 5 stars Ain't it a Shame!.......2006-05-20

I think that this is a wonderful album of HISTORICAL value. Not too many people know this, but "the wizard of oz" was made into a smash hit in 1903, but because all the history was BARELY in obscurity, hungry tiger press wanted to educate the blockheads in the world about this remarkable piece of history. that being said, david maxine collected all of the old material, such as Piano rolls (my especial favorite of all of them is "the poppy song", i LOVE the bass notes: "nnn-ded-deh mmmm-ded-deh"), and music boxes, and cylinders, and records!
however, it is quite a shame that that CRAPPY movie with judy garland pushed this lovely musical into obscurity. i would have liked to see it in my day, but it was already lost in darkness, but thanks to the highly DIGNIFIED people in the world, this cd is available!! BUY IT!!!! I *ORDER* YOU!!! YOU CANNOT BE DIGNIFIED WITHOUT THIS REPLACING YOUR "RAP" GARBAGE WITH THIS JEWEL!!!!

4 out of 5 stars Why the 1903 "Wizard" was forgotten.......2004-03-20

This truly remarkable 2-disc collection of old cylinders, discs, music boxes and piano rolls explains why the 1903 musical version of "The Wizard of Oz" did not survive the early thirties. It wasn't because it was before its time or even of its time, but simply because it was way behind the times. Its producers resisted composer's Paul Tietjens' attempts to write plot-driven numbers. His contribution survives only in the incidental music preserved on piano rolls (and the most interesting element on this collection) linking very disparate and even incongruous vaudeville acts by various authors and performers that graced the stage during the musical's multi-decade run. In other words, Baum was telling a story and the songs were telling another... As fascinating as they are for historical reasons, those numbers are commonplace, mostly uninspired flash-in-the-tin-pan ditties, with timid syncopation and a stong reliance on musical clichés. There is not a single standard among them and not even a decent lyric where "fine" doesn't rhyme with "mine" and "love you" doesn't rhyme with "I do"- or even "I know you know I know you do", as happens more than once. As an assemblage of shtick pieces and ephemeral sentimental or nonsensical ditties, this collection cannot be topped and it represents a monumental effort. Without it and its very generous and informative liner notes, I would not have the same appreciation for the absolute genius of Victor Herbert's operettas ("Babes in Toyland" came out the same year) where the more memorable songs are plot-driven and introduced and linked by the most luscious, inventive and varied incidental music ever heard outside an opera house. This sort of unified concept would culminate in Jerome Kern's "Show Boat" and it remains a truth today that the integration of plot and music - reminiscent of opera - is the true secret of successful and perennial musicals, whatever the current idiom. This collection also makes one appreciate the complete originality of the Hollywood film for actually going back to Baum's books, entrusting the songs, lyrics and music to Harold Arlen, Yip Harburg and Herbert Stothart and scrapping the musical's colourful but checkered history (except for casting ex-vaudevillians as the main characters, of course!). Highly recommended for its nostalgia value, its irreplaceable rarities and a better understanding of the history of American popular music.

5 out of 5 stars A long overdue revisit to a classic American musical.......2003-09-30

Although it was one of the most financially successful stage musicals of the early 1900's, very little information is presently available on the 1903 production of THE WIZARD OF OZ. In what was obviously a labor of love, David Maxine has done much to correct this oversight by releasing a 2-CD set with over 145 minutes worth of extremely rare recordings of music from this and other OZ-themed musicals dating back to before World War I. Recorded materials include vintage acoustical disc and cylinder phonograph records, piano rolls, and music box discs, many of which go back almost a century. In addition, he has included two booklets worth of historical background information on the 1903 WIZARD OF OZ production, its stars, the individual musical numbers, and lyrics for the songs included on the CDs. (Lavishly illustrated with rare old black and white photos and artwork, these booklets, and the information they contain, are themselves worth the price of the set!) Several bonus CD tracks are included that offer rare recordings by Montgomery & Stone (the original Tin Woodsman and Scarecrow) and Bessie Wynn, who was also in the 1903 cast. Not just for dedicated Oz fans, this set is a "must have" for anyone interested in the history of American musical theater and American popular culture of the early 1900's.

5 out of 5 stars Long-Forgotten Broadway Hit Gets First Rate Revival.......2003-09-17

One hundred and three years ago, author L. Frank Baum published the best-selling children's book of the 20th century, THE WIZARD OF OZ. Although the book was adapted several times as plays, silent motion pictures, animated cartoons, and radio shows in the next few decades, it is the 1939 MGM film that most people think of as THE WIZARD OF OZ. The success and popularity of that film completely eclipsed the memories of previous incarnations and even the book itself in popular culture. However, prior to the film's release, there was a successful stage version which premiered on Broadway in 1903 and delighted audiences for many years, making stars of Fred Stone and David Montgomery, the original Scarecrow and Tinman. As with the MGM film, chilren who saw THE WIZARD OF OZ on stage carried fond memories of the production into adulthood. Ray Bolger was so impressed with the Fred Stone's Scarecrow, that he remembered it vividly as an adult and based his own protrayal of the character in the movie on Mr. Stone's stage version.

Unfortunately, time and Judy Garland have pushed the once popular Broadway Smash into history. It has been all but forgotten...until now.

As the show moved from theater to theater and casts changed, so did the songs. Many of these were recorded on the primative equipment of the day: Wax cylinders, 78-RPM records, piano rolls, and music Boxes, and surprisingly many of these still exist. Now, thanks to those hard-working gents at HUNGRY TIGER PRESS, you can own these historic recordings on this awesome 2-CD set. THE WIZARD OF OZ: Vintage Recordings From The 1903 Broadway Musical contains over 145 minutes of terrific early 20th century music. You won't find "Over the Rainbow" or "Ding! Dong! The Witch Is Dead!" here. Instead, this WIZARD OF OZ contains tracks like "Budweiser's a Friend of Mine", "Sammy", "Hurrah for Baffin's Bay", and "Rejoice! The Wizard is No Longer King", each one a portal over the rainbow to the Broadway stage of a century ago.

Obviously the play was quite different in plot from the movie--Dorothy travelled to Oz with her cow Imogene instead of Toto, for starters--, but the songs represent the style of popular music of 100 years ago and are collected here in a beautiful compilation. The set contains two booklets of liner notes which contain credits, lyrics, a written history of the production, and are extensively illustrated with photos and illustrations. Although the sound quality of the source material is not always up to today's standards, the songs are presented in the best versions possible, and the music is highly enjoyable. With 60 tracks and the wealth of information contained here, both written and photographic, this 2-CD set is good value for the money. A must-have for all collectors of WIZARD OF OZ memorabilia, an insightful look at popular music and Broadway history from a century ago, a glimpse into ethnic and racial stereotypes that were accepted at the time, and a curiosity for fans of the 1939 film, this set is big on appeal. Kudos to the Hungry Tiger Press for rescuing this treasure trove of musical history from obscurity!
(Not) Your Standard Spike Jones Collection
Average customer rating: 4.5 out of 5 stars
  • Great set of wartime rarities
  • Cure for the Blues
  • Standard Transcription Collection
(Not) Your Standard Spike Jones Collection
Spike Jones
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
GeneralGeneral | Miscellaneous | Styles | Music
GeneralGeneral | Comedy | Miscellaneous | Styles | Music
Contemporary ComedyContemporary Comedy | Comedy | Miscellaneous | Styles | Music
Novelty MusicNovelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music
GeneralGeneral | Comedic Music | Comedy | Miscellaneous | Styles | Music
Similar Items:
  1. Strictly for Music Lovers
  2. Spike Jones - Greatest Hits
  3. Fonk
  4. Spiked!: The Music of Spike Jones
  5. The Spike Jones Story

ASIN: B00007JR3K
Release Date: 2003-04-08

Album Description

Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Customer Reviews:

5 out of 5 stars Great set of wartime rarities.......2003-05-14

Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

5 out of 5 stars Cure for the Blues.......2003-04-25

Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

4 out of 5 stars Standard Transcription Collection.......2003-04-12

This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.
Sneakin' Up Behind You: The Very Best of the Brecker Brothers
Average customer rating: 4.5 out of 5 stars
  • If you love funk and fusion, this is a must
  • The Brecker Bros
  • Brotherly Love
Sneakin' Up Behind You: The Very Best of the Brecker Brothers
Brecker Brothers
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
Smooth JazzSmooth Jazz | Jazz | Styles | Music
GeneralGeneral | Funk | R&B | Styles | Music
Similar Items:
  1. Some Skunk Funk
  2. Out of the Loop
  3. Pilgrimage
  4. Return of the Brecker Brothers
  5. Now You See It...Now You Don't

ASIN: B000G7PNFO
Release Date: 2006-08-01

Tracks:

  1. Sneakin' Up Behind You
  2. Some Skunk Funk
  3. Funky Sea, Funky Dew
  4. Tabula Rasa
  5. Threesome
  6. Squish
  7. Baffled
  8. Straphangin'
  9. Jacknife
  10. Inside Out (Live)

Customer Reviews:

5 out of 5 stars If you love funk and fusion, this is a must.......2007-07-08

I have been so fortunate to have been turned onto Jazz while in high school during the 70's. It was the time when so called fusion and jazz rock took the world by storm. It was also during a time when you can get into bars without being id'd and when the drinking age in NYC was 18. The jazz club scene was hot and the cover to get into the jazz clubs in the village were almost all free. I was so lucky to be turned onto the Breckers back then because they owned a club called "Seventh Avenue South" where they booked jazz and jazz fusion bands. Obviously the Breckers themselves played their frequently. This was a club where about 8 bandmembers where tightly squeezed together on a stage that was level with the floor! I saw the Breckers with Will Lee, Steve Gadd, Hiram Bullock or Steve Kahn, Paul Shafer on keyboards. They cooked. Their solos were out of this world! I was so saddened to hear about Michael. What a loss of a great legend. I recommend all of their recordings. The interplay between both brothers was incomparable and cant be duplicated.

5 out of 5 stars The Brecker Bros.......2007-03-08

I had the album,Now the CD,There will never be a group like the B Brothers
I bought this becouse of the passin of Michael Brecker.
Buy this Cd,It Is The Bomb

3 out of 5 stars Brotherly Love.......2006-08-16

Randy and Michael Brecker are jazz royalty, two of the most respected and most honored instrumentalists of the last three decades. Philly born and bred, their father was an attorney who also played piano. As Randy reminisced to me three years ago, "He had a piano he played as soon as he got home from work, and he had jam sessions. A lot of great musicians came over on weekends and played."

Randy himself became a teenaged local legend, playing in all kinds of settings, backing up American Bandstand teen idols and playing in jazz combos and R&B bands. He was an original member of Blood, Sweat & Tears in the late `60s and later joined his younger brother Michael in the jazz-rock horn band, Dreams.

When record mogul Clive Davis formed Arista Records in the mid `70s, the Brecker Brothers were among his first signings. Their first album quickly established them in the top tier of the funk/disco/jazz fusion market. Their single, "Sneakin' Up Behind You" placed them on the radio and on the pop charts in 1975, and Randy's frenetic rave up, "Some Skunk Funk," became a favorite among young jazz rockers.

The new compilation, Sneaking Up Behind You: The Very Best of The Brecker Brothers, kicks off with those two tunes, then winds through a brief history of the band, in the process stirring up fond memories of the latter days of the attempted jazz/rock marriage. It's an exhilarating trip, at times dated (cheesy clavinets and disco high-hat patterns) but always fiery and musically impressive. On that first album, Randy's trumpet and Michael's tenor sax were augmented in the front line by future superstar David Sanborn's distinctive alto saxophonics. Other musicians passing through the band included bassists Will Lee and Marcus Miller, drummers Harvey Mason, Lenny White and Terry Bozzio, and keysmen George Duke and Don Grolnick.

The writing was strong, the soloing incredible (Michael in particular showing the facility for which he would be come renown), the funk relentless. These guys followed in the steps of Herbie Hancock, Chick Corea and Weather Report to lead fusion's second wave.

Originally published in Port Folio Weekly, 8/8/06.
Copyright 2006 Port Folio Weekly/Jim Newsom. All Rights Reserved. Used by Permission.
Tchaikovsky: Songs
Average customer rating: Not rated
    Tchaikovsky: Songs

    Manufacturer: Hyperion UK
    ProductGroup: Music
    Binding: Audio CD

    All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    ASIN: B000002ZRV
    Release Date: 1993-03-04

    Tracks:

    1. Last Night, Op.60 No.1
    2. To Forget So Soon
    3. The Nightingale, Op.60 No.4
    4. It Was In The Early Spring, Op.38 No.2
    5. Amid The Din Of The Ball, Op.38 No.3
    6. The Fearful Minute, Op.28 No.6
    7. Do Not Believe, My Friend, Op.6 No.1
    8. The Cuckoo, Op.54 No.8
    9. Was I Not A Little Blade Of Grass?, Op.47 No.7
    10. Cradle Song, Op.16 No.1
    11. Behind The Window, Op.60 No.10
    12. Ser, Op.63 No.6
    13. The Canary, Op.25 No.4
    14. Not A Word, O My Friend, Op.6 No.2
    15. Lullaby In A Storm, Op.54 No.10
    16. Spring, Op.54 No.9
    17. Why Did I Dream Of You?, Op.28 No.3
    18. None But The Lonely Heart, Op.6 No.6
    19. Does The Day Reign?, Op.47 No.6
    20. If Only I Had Known, Op.47 No.1
    21. Why?, Op.6 No.5
    What You Leave Behind
    Average customer rating: 4.5 out of 5 stars
    • The best blend of voices in the industry
    • Best Of All Albums
    • What you leave behind
    What You Leave Behind
    Ricochet
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Contemporary Country | Country | Styles | Music
    GeneralGeneral | Country | Styles | Music
    ContemporaryContemporary | Bluegrass | Country | Styles | Music
    Similar Items:
    1. Ricochet
    2. Blink of an Eye
    3. The Live Album
    4. Home to You
    5. Jolie & the Wanted

    ASIN: B00004XSX4
    Release Date: 2000-09-12

    Tracks:

    1. She's Gone
    2. Do I Love You Enough
    3. What You Leave Behind
    4. I Can't Believe (You Let Her Go)
    5. Baby Hold On
    6. Seven Bridges Road
    7. Why You Been Gone So Long
    8. Fall Of The Year
    9. Love Is A Serious Thing
    10. You Beat All I've Ever Seen

    Customer Reviews:

    5 out of 5 stars The best blend of voices in the industry.......2000-09-23

    Two years was a long time to wait, but "What you Leave Behind," was absolutely worth it! Every song on this disk could be a single. The lyrics of the title song touched me very deeply. Having come from a family of law enforcement officers, the words the man spoke to his son in the song about the love you give in this world lasting even after you are gone, gave me chills. Police officers are not often given much tribute, but hundreds of them die every year trying to protect people who for the most part, scorn them. Thank You Ricochet for including this powerful song on your CD. Maybe it comfort those who have lost people they care about, and honor those who work so hard to keep us safe.

    5 out of 5 stars Best Of All Albums.......2000-09-17

    Ricochet has proven that time is on their side with this new album "What You Leave Behind". Well produced and a great number of songs. Ricochet proves there acopolla is the best in the biz with, "Seven Bridges Road" and belts out the hamonies in all there songs and shows the tightness of this 6 person group.

    4 out of 5 stars What you leave behind.......2000-09-16

    this new release should put ricochet back in the top of the game many great hits, especially #6- seven bridges road. for a remake they did a great job. great harmony. very impressed with this!

    Album Review:

    1. Body Language [Extra tracks] [Limited Edition] [Import]
    2. Break n' Bossa: Chapter 4 [Import]
    3. Chilled/Disco [Import]
    4. Chillout Classics [Import]
    5. Circuit Grooves, Vol. 10.1: Pride 2000
    6. Cocoon Compilation A
    7. Collector's Box
    8. Comfort Zone, Vol. 1 [Import]
    9. Deeply Faulted Area Resembling An Upright Deck of Cards
    10. Derbattack [Import]

    Album Review

    album review

    Album Review

    Live at Budokan [Import] [Live]

    Ludwig Güttler: Trompete/Corno da caccia

    Mass: Pizzetti Masse Di Requiem

    Music CD: Smoky Dawn

    Scream 3 (2000 Film) [Soundtrack]

    Soundtrack to Your Escape [Extra tracks] [Import]

    Singles Collection: The London Years

    Outlandos D'amour [Enhanced] [Import] [Original recording remastered]

    Luna Sea [Import]

    Original Classical Album [Import]

    Redlands Concert [Live]

    Las 32 Mas Grandes De...

    Silent Weapons for Quiet Wars [Explicit Lyrics]

    Johann Christian Bach: 4 Clavier Concertos (Op. 7, Nos. 5 & 6 / Op. 13, Nos. 1 & 2) - Ingrid Haebler / Capella Academica Wien / Eduard Melkus

    One Day It'll All Make Sense