At the End [CD-single] [Import]

Product Description
Followup to the New York based dance act's huge 2001 hit, 'Rapture'. Six tracks, 'At The End' (Midnite Radio Edit, Midnite Extended, Made Edit, Scumfrog Remix, Saeed & Palash Remix & Ultra Sun Remix). Ministry Of Sound. 2002.

At the End,iio,EMI Int'l,5"CD Singles,Club/Dance,Dance Music,Dance-Pop,Pop,Progressive House

Average customer rating: Amazing Pirates of the Caribbean: At World's End Soundtrack Hoist The Colours!!! Wow Movie Soundtrack Review

Pirates Of The Caribbean: At World's End Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pirates Of The Caribbean: Dead Man's Chest Pirates Of The Caribbean: The Curse Of The Black Pearl Harry Potter and the Order of the Phoenix Bring Me That Horizon: (Welcome Book) Art of Pirates of the Caribbean, The ASIN: B000P0J02E Release Date: 2007-05-22

Tracks:

1. Hoist the Colours
2. Singapore
3. At Wit's End
4. Multiple Jacks
5. Up Is Down
6. I See Dead People In Boats
7. The Brethren Court
8. Parlay
9. Calypso
10. What Shall We Die For
11. I Don't Think Now Is the Best Time
12. One Day
13. Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

Amazing.......2007-07-29

Almost as fabulous as Johnny Depp:) Best of the 3 soundtracks but then again I felt this was the best 3 movies as well. The score is inventive and the first still gives me chills.

Pirates of the Caribbean: At World's End Soundtrack.......2007-07-26

The CD came delivered on time and packed well. It has also been very enjoyable and definitely a good buy.

Hoist The Colours!!!.......2007-07-25

I have always been a fan of soundtracks. I really adore the works of Harry Gregson-Williams, Danny Elfman and, of course, John Williams. I now can say I have a new composer that I can add to my list; Hans Zimmer, the composer for Pirates of the Caribbean Dead Man's Chest, At World's End and he also Overproduced the score for The Curse of the Black Pearl. Compared to past "attempts" I believe that Hans Zimmer has hit the jackpot.

The CD "Pirates of the Caribbean: At World's End" is unbelievably the best CD of the three. It contains 13 tracks including, one of my favorites, Hoist the Colours (the song the boy sings at the beginning of the movie, which becomes the back tone of the entire movie). It is a must buy for all soundtrack, movie, Disney and pirate lovers. I have never listened to a soundtrack this much since John Williams Star Wars Episode 1 Special Edition CD.

But there is a draw back for me. The CD is a Digipak. A Digipak is a CD that has cardboard-like outside rather than a plastic cover like most CD's. I don't `hate' them, I just don't like seeing things of mine getting ripped. So if you don't want your case/album art warped, get it on iTunes.

Overall it is a great CD and a must buy! " Pirates of the Caribbean: At World's End" soundtrack gets 5 stars out of 5.

My name is Amone. Adios!

Wow.......2007-07-17

This is the best soundtrack in the "Pirates" series. Hans Zimmer has melded the Eastern sounds with the West and composed an intricate melody which is hard to forget. My favorite soundtrack so far!

Movie Soundtrack Review.......2007-07-16

I love his music. And all the movie soundtracks he has done. I already have two of these,one for my car,and one for my home. This purchase was for my best friend on her birthday. His music for soundtracks,always intenses and blends so well with the movie,which it is all about. He's a wonderful composer.

Average customer rating: The Junkies Just Improve With Age Fantastic What a great CD... Same Talent, Different Direction

At the End of Paths Taken The Cowboy Junkies Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Alt-Country & Americana | Country | Styles | Music Canada | North America | International | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Similar Items: Long Journey Home West The Search Sweet Warrior Easy Tiger ASIN: B000NVIXIW Release Date: 2007-04-17

Tracks:

1. Brand New World
2. Still Lost
3. Cutting Board Blues
4. Spiral Down
5. My Little Basquiat
6. Someday Soon
7. Follower 2
8. It Doesn't Really Matter Anyway
9. Blues Eyed Saviour
10. Mountain
11. My Only Guarantee

Amazon.com

The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John Diliberto

Album Description

Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichés. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.

Customer Reviews:

The Junkies Just Improve With Age.......2007-06-21

How anyone could rate this less than five stars is completely beyond me. I have followed the Junkies since their second album, and really got into them with an assigned review of 'Lay It Down', which I still consider a masterpiece. But this recording is something else entirely. I've lived with it now for quite awhile (I think I had it about a month before official release, so add that time to the date of this 'review'), and I'm still awed by its strength in all directions. The writing is superb, Michael's guitar work gets better and better as time goes on, Margo's voice sounds more tuned and better than it did twenty something years ago with 'Whites Off Earth Now', and the arrangements (including strings) are simply amazing. Try listening to 'Brand New World' (the first track), and see if you don't feel optomistic about the world today. By the time the closing track, 'My Only Guarantee' finishes, it's clear that you've reached the end of THIS path taken, but I can't wait to hear where they will go next. I stand up and applaud this grand achievement of the Junkies, quite possibly the finest recording of their long career and one I will treasure for years to come. Now if they would only issue it on vinyl too...

Fantastic.......2007-05-02

I've just listened to this once, so there's probably so much more that I didn't catch yet. But what a fantastic, gorgeous, and enthralling album. This is the Junks 11th studio release - and it's the same band from when they began more than 20 years ago. But this is not the same sound sonically. Michael's guitar playing and approach continues to mature and grow (listen to Cutting Board Blues). Margo's voice has never sounded better, IMO - it's like a fine wine aging to perfection. Peter is here, along with long-time guests Jaro Czerwinec and Jeff Bird. Alan's trademark bass is very under-stated on most of the tracks, though. But the big difference is the presence of strings on nearly all of the songs. It's a great fit with Margo's voice and the tone of the album, which is very oriented towards family. There's a children's choir on the ending song, along with a recording of Father Timmins (which makes up the under-lying element of Mountain).

Highlights of the album are Cutting Board Blues, My Little Basquiat, Follower 2, and It Doesn't Really Matter. The album reminds me of Open in some ways - a big departure in sound from their previous albums. I'd rank it up there with One Soul Now, which is my favourite album of theirs in the last decade (Caution Horses remains my personal favourite).

Buy the album - and don't forget to see the band live if they're coming to your neck of the woods (unfortunately no Texas dates yet - drat).

What a great CD..........2007-04-21

I am a longtime Cowboy Junkies fan. Their sound has taken various twists and turns over their various releases, but overall they still find a way to keep their "signature" sound within each release. "At The End of Paths Taken" is yet another example. They still sound like the Junkies, but again, they have found a way to incorporate something different and new in this release. I love it. The mellowness, the moodiness, the creativity, the complexity. I think it's one of their best. There's something that just grabs you in from the first song, and makes you want to keep listening until the last. It's easy to get lost in this CD. Thanks for more great music, CJ's!

Same Talent, Different Direction.......2007-04-21

This album is very different from the work the Cowboy Junkies did in the nineties and late eighties (I haven't listened to the 2004 One Soul Now, so I'm not sure how it compares). Their characteristic harmonica has taken a vacation, and drums have a much larger role along with several additional instruments (many that I can't even correctly identify). Further, the music is more complex, layered and psychedelic than in their 80's and 90's albums. Finally, their themes have changed, and instead of being about heartbreak, violence and despair and they are now about "family" (using Margo's term).

I have noticed these same changes in other artists' music as they have matured. In most cases, I have found these developments disappointing (Sting, Annie Lennox, Tori Amos, Peter Gabriel) as it seems like the angst and edge that originally drove these artists' creativity later gave way too something over-worked, something more science than art, something more benignly pleasant than engaging. In this case, however, I am not disappointed for the most part. Margo's hauntingly beautiful voice is still entrancing (although its changed a little too). The family themes are real rather than overly sentimental. The Cowboys still have some edge, as shown in Cutting Board Blues. And there's still some of that forlorn feeling of their earlier work in Spiral Down. It Doesn't Really Matter Anyway has a little of each and is a great song. Someday Soon didn't work for me at all, but maybe its just a matter of taste. Also, even though Mountain could be a great song, I don't like the rambling male voice in the background, its too distracting. And I wasn't hip on the kids' voices in My Only Guarantee, even though it would also be an otherwise great song. (Maybe these two songs waded into the "over worked" category just a bit).

Ultimately, while there are selected albums out there that I like better than any of the Cowboy Junkies albums that I have, I think the Cowboy Junkies could easily be characterized as consistently being the best band of the last three decades. They deserve more recognition than they have received in the U.S, but perhaps a lack of commercial success in the U.S. is part of what has kept them so great over the years. Also, Cowboy Junkies, if you read this - thank you for coming to Idaho to play. I never thought I'd get a chance to see you live and it was wonderful.

Average customer rating: Simply beautiful CD has missing track Disappointed Worth Buying! Great Album

Out Of Africa: Music From The Motion Picture Soundtrack Manufacturer: Mca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Out of Africa Somewhere In Time: Original Motion Picture Soundtrack Dances with Wolves The Mission: Original Soundtrack From The Motion Picture Legends Of The Fall: Original Motion Picture Soundtrack ASIN: B000002O4X Release Date: 1990-10-25

Tracks:

1. Main Title (I Had A Farm In Africa)
2. I'm Better At Hello (Karen's Theme l)
3. Have You Got A Story For Me
4. Concerto For Clarinet and Orhestra
5. Safari
6. Karen's Journey - Siyawe (African Traditional)
7. Flight Over Africa
8. I Had A Compass From Denys (Karen's Theme II)
9. Alone On The Farm
10. Let The Rest Of The World Go By
11. If I Know A Song Of Africa (Karen's Theme III)
12. End Title (You Are Karen)

Amazon.com essential recording

The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulley

Customer Reviews:

Simply beautiful.......2007-01-11

Out of Africa is a CD with beautiful music. When I listen to it, I imagine myself in the nature of Africa. You will enjoy it!

CD has missing track.......2006-12-03

John Barry's compositions are pleasantly sweeping. There's nothing wrong with this album, just not really enough to recommend it.

I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.

Disappointed.......2006-11-10

I absolutely love the music from Out of Africa, but I do not recommend this CD at all. The sound quality is so poor that I could only bear listening to it once.

Worth Buying!.......2006-11-06

Highly recommended for those who love instrumental music. A lot of beautiful flute, strings and some piano and harp. Very contemplative and hauntingly beautiful music.

Great Album.......2006-11-04

For me, one of the best music of last decade. Romantic, full of sense. Please give a listen at least

Average customer rating: AMAZING GRACE! Vintage Vince and Andy - Welcome Back Erasure! STOP! Stand there where you are...and DON'T buy this version of the CD!!!

Light at the End of the World Erasure Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: I Could Fall in Love with You On the Road to Nashville Sunday Girl Union Street Nightbird ASIN: B000OLHGD4 Release Date: 2007-05-22

Tracks:

1. Sunday Girl
2. I Could Fall In Love With You
3. Sucker For Love
4. Storm In A Teacup
5. Fly Away
6. Golden Heart
7. How My Eyes Adore You
8. Darlene
9. When A Lover Leaves You
10. Glass Angel

Album Description

Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".

Customer Reviews:

AMAZING GRACE!.......2007-07-25

I love Erasure and have for over 20 years. I listen to Erasure and Marc Almond exclusively, as I find them full of heart and soul that is profoudly moving. At first I was thrown off by this album since it is so different. It took me about 2 weeks to fall in love with it but now I am hooked! The songs have wonderful music and the words are so sexy! It's great to dance to! The songs are equally profound as in the past and do touch my soul like only Erasure can do. Very highly recommended. Golden Heart and How My Eyes Adore You are my favorites. I love this album and it is one of the best yet!

Vintage Vince and Andy - Welcome Back Erasure!.......2007-05-31

I've been an Erasure fan since the beginning -- unlike many who got on board much later, I actually remember the rare Thomas the Train cover for "Oh L'Amour" -- and I have to say this is a terrific album! After the interesting but ultimately unsatisfying reinvention for "Union Street" and the equally interesting but not terribly original "Other People's Songs" -- and let's not even talk about "Loveboat", this is a much-needed return to their vintage synth-driven sound.

More upbeat and peppy than "Nightbird" (which I also loved), "Light at the End of the World" sounds like a cross between "Cowboy" and "Wild!" to me -- with a little bit of "Chorus" and "I Say I Say I Say" thrown in for good measure. "Sucker For Love" sounds like an updated version of "La Gloria", and it's even more fun. "Sunday Girl" is a perfect synthpop masterpiece. "I Could Fall In Love With You" puts me in mind of "Don't Say Your Love Is Killing Me", and so it goes on with all Vince's vintage bleeps, buzzes, and knob-twiddling. By the way, if you've got quick ears, you'll also here echoes of "Always", "Treasure", "Snappy", "Crown of Thorns", and even "March On Down The Line". Listen closely! :)

It sounds like he's dusted off some of the old analog keyboards and sequencers, to great effect. Andy's vocals are in tip-top shape, only stretched a little on the deepest notes (like the notes he used to lose himself in so beautifully on "You Surround Me"). A fantastic album, and it couldn't come at a better time.

Welcome back, Erasure!

STOP! Stand there where you are...and DON'T buy this version of the CD!!!.......2007-05-23

Immediately search for the album again and get the 'limited edition' version with the two bonus tracks. It's less money than this version--and the two bonus tracks are two of Erasure's best!!!

Average customer rating: What's so wrong with the 'classic' label? Have fun for a change! One of their best albums!!!! Not their best and certainly not their worst. Great Effort for the old guys

Light at the End of the World Erasure Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: I Could Fall in Love with You On the Road to Nashville Sunday Girl Union Street Release the Stars ASIN: B000OLHGCU Release Date: 2007-05-22

Tracks:

1. Sunday Girl
2. I Could Fall In Love With You
3. Sucker For Love
4. Storm In A Teacup
5. Fly Away
6. Golden Heart
7. How My Eyes Adore You
8. Darlene
9. When A Lover Leaves You
10. Glass Angel
11. Be My Baby (bonus track)
12. I Don't Know Why (bonus track)

Amazon.com

After something of a departure--two live discs and the unplugged Union Street (2006)--Erasure returns to full electronic form. From the languid opening wash of "Sunday Girl," Andy Bell and Vince Clarke make no bones about wearing old hats. Most of Light at the End of the World works within the familiar confines of the vintage Erasure formula, drunk on everyman synthesizers, listing through painfully vague and obvious rhymes. ("I get really repetitive because I don't read enough!" Bell admits.) Backed a long-studied love of pop, gospel, and the dance floor, Bell and Clarke revel in this stuff. "Sucker for Love" and "Fly Away" dabble most obviously in such pap, but the band still packs a few surprises, if only for the devoted. "Storm in a Teacup" tackles the alcoholism of Bell's mother in a rare confluence of straightforward storytelling and concrete imagery, and despite being an insincerely fictitious character study, "Darlene" moves with a syncopated, driving bounce that Erasure has rarely, if ever, found in 22 years of mid-tempo electro-meandering. If you don't like Erasure already, you probably won't take a shining to Light at the End of the World. If you do, let's hope their world spins on. --Jason Kirk

Product Description

Limited edition version features two bonus tracks.

Customer Reviews:

What's so wrong with the 'classic' label?.......2007-07-24

Erasure have crafted their best album in years, possibly since Chorus in 1991. So many reviewers, professional and amateur, have written off this CD as 'classic' Erasure, scolding them for being, well, Erasure. From the opening synth call of Sunday Girl to the lift that is I Don't Know Why, this album is gloriously exciting, well-written and clever. Each song fits together intricately and while Sunday Girl, I Could Fall in Love with You (with its beautiful video) and Storm in a Teacup, first stood out for me, I keep finding new favorites as I continue listening to the CD. There are no throwaway tracks on this CD. In this age of random-play iPods, it is seldom that I listen to complete CDs in order anymore. Being able to have thousands of songs at one's disposal can make great music disappear into the electronic shuffle. This CD, however, has captured my attention in a way that no other recent pop releases have, whether by Erasure (or Andy Bell) or other artists (Pet Shop Boys, Kelly Clarkson). I will be listening to the CD for a long time. It defines Erasure today, and any obvious nods to their past sound only serve to prove that their sound is strong and enduring, unlike the "top" music of today, which I am very grateful they didn't try to emulate (hello, Robbie Williams and Madonna) just to go to the top of the charts.

Have fun for a change!.......2007-07-21

Every 10 years Erasure produces a very good album. In 1987 it was the "Innocents" with the big top 40 hits. Then in 1997 came "Cowboy", IMHO thier best, now late in the game of pop music-2007 comes "Light" filled with danceable singalongs that still can touch my heart.

A revival of sort back to the day of glitteringly produced synth pop that your granny may tap her feet to. "Sucker for Love" really revives this almost forgotten style. They were the first openly gay band who sold really well. Now,being out, "drags" bands down.(no pun intended)

Most of the songs work really well. Andy Bell keeps it personal, sharing his trials of life. "Fly Away" makes me feel good about my own losses in life.We are all in this together.I love you after all these years, Andy!!! "Glass Angel" has an urgency that gives a dark ending to an upbeat album. I hope these guys have another great album in 2017!

One of their best albums!!!!.......2007-07-10

This is one of their best albums and the two bonus tracks in the Deluxe Edition are better than most of the tracks in the standard edition. Buy it now!!!!

Not their best and certainly not their worst........2007-07-07

This is not a bad album, but it is not their best. I agree that this returns to the dancier pop sounds of Chorus and prior albums. Still, it is missing that that depth and originality that will make these songs classics similar to A Little Respect, Blue Savannah, I Love To Hate You or Always.

What you have here is a polished, enjoyable but somewhat samey sounding album. I love this band, and I really want to love this, but it just seems like an average album to me. I guess all fans will have their favorites. I lean more towards the synthy sweetness of I Say X 3 and the ambient explorations of the Erasure album. Regardless of my thoughts on this album, I am thrilled that Vince and Andy continue to make music and tour the US.

Highlights of this release for me are Storm In A Teacup, Fly Away and When A Lover Leaves You.

Great Effort for the old guys.......2007-07-06

Light at the End of the WOrld is a very, very admirable effort from the Erasure boys. It is very much in the vein of some of their earlier efforts and more upbeat and dancey than recent offerings from the kings (queens?) of europop.

THe single, I could Fall in Love is just stunning in its overproduced, electronic whirlwhind sound and feel. YOu can't sit still when it plays. Several other tracks have "potential hit" markend on them as well...Sunday Girl for instance.

If you loved older Erasure albums, but have been bored by the newer, softer sounds, this is your chance to have some fun with the boys Clarke and Bell once again.

Average customer rating: Sad, Really Sad An excellent movie themes antology by ELMER BERNSTEIN Excellent Great Film Music Fun, Powerfull music

The Essential Elmer Bernstein Film Music Collection Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Classical | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Jerry Goldsmith: 40 Years of Film Music The Wild West: The Essential Western Film Music Collection Varese Sarabande 25th Anniversary Celebration Way Out West: The Essential Western Film Music Collection, Vol. 2 John Barry: The Collection ASIN: B0007XTQ14 Release Date: 2005-06-07

Tracks:

1. The Magnificent Seven
2. To Kill A Mockingbird (Suite)
3. The Buccaneer (Overture)
4. Walk On The Wild Side
5. An American Werewolf In London (Metamorphosis)
6. The Age Of Innocence (End Titles)
7. The Comancheros
8. Ghostbusters
9. Heavy Metal (Taarna's Theme)
10. Johnny Staccato
11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
12. Hollywood And The Stars
13. Zulu Dawn (River Crossing)

Tracks:

1. The Great Escape
2. The Man With The Golden Arm
3. Far From Heaven
4. The Sons Of Katie Elder
5. Airplane (Suite)
6. The Shootist (Main Title)
7. Hawaii (Overture)
8. The Birdman Of Alcatraz (Finale)
9. The Hallelujah Trail (Overture)
10. The Bridge At Remagen
11. Thoroughly Modern Millie (Sky-Hi)
12. The Scalphunters
13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

Sad, Really Sad.......2007-05-13

These CDs don't meet the standards that I expect from Elmer Bernstein's wonderful film music.
*It's just Boring*
The ensemble doesn't have the energy one would expect to play "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).

Average customer rating: Not My Style Rockin' Western Collection Hard to Find Great Western Themes Western Music A great follow-up

Way Out West: The Essential Western Film Music Collection, Vol. 2 Manufacturer: Silva America ProductGroup: Music Binding: Audio CD All Works by Newman | Newman, Alfred | ( N ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: The Wild West: The Essential Western Film Music Collection Songs Of The West, Vol. 4: Movie & Television Themes From Alamo to El Dorado, Vol. 2 The Essential Elmer Bernstein Film Music Collection The Greatest Western Movie Themes ASIN: B000060PBU Release Date: 2002-03-26

Tracks:

1. The Hallejuah Trail-Overture
2. The Alamo-The Green Leaves Of Summer
3. The Alamo-Davy Crocket
4. The Big Country-The Welcoming/Finale
5. The Big Valley-Main Theme
6. Blazing Saddles-Blazing Saddles
7. Bonaza-Main Theme
8. Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
9. The Comancheros-McBain/Main Title
10. Duel In The Sun-Main Title/The Legend/Orizaba
11. A Fistfull Of Dynamite-Duck You Sucker
12. For A Few Dollars More-Main Theme
13. Friendly Persuasion-Thee I Love
14. Giant-Main Theme
15. The Good, The Bad And The Ugly-Main Theme
16. The Good, The Bad And The Ugly-The Ecstasy Of Gold
17. Gunfight At The O.K. Corral-Suite
18. Hang 'Em High-Main Theme
19. The Hanging Tree-Main Title

Tracks:

1. High Caparral-Main Theme
2. How The West Was Won-Prelude/The Land
3. High Noon-Do Not Forsake Me Oh My Darlin'
4. The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
5. The Lone Ranger-William Tell Overture: Finale
6. Nevada Smith-Main Title
7. Old Gringo-Main Themes
8. Once Upon A Time In The West-Man With The Harmonica
9. One Eyed Jacks-Main Title
10. The Proud Rebel-Main Titles
11. The Quick And The Dead-End Titles
12. Quigley Down Under-End Titles
13. Rio Bravo-Rio Bravo/De Guella
14. The Scalphunters-Main Title
15. Shane-Main Theme: The Call Of The Farwaway Hills
16. The Shootist-Main Title
17. The Unforgiven-The Need For Love
18. Viva Zapata-Gathering Forces
19. The Virginian-Main Theme

Customer Reviews:

Not My Style.......2007-05-11

This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!

Rockin' Western Collection.......2006-08-28

For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.

Hard to Find Great Western Themes .......2006-03-16

This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.

Western Music.......2005-07-29

I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."

A great follow-up.......2003-08-29

This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Very meditative and relaxing

At the End of Time: Churchscapes - Live in England & Estonia, 2006 Robert Fripp Manufacturer: Dgm / Inner Knot ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Sweet Warrior We Are the Night Tim Buckley: My Fleeting House Money for All Time on Earth ASIN: B000QGDVUY Release Date: 2007-07-17

Tracks:

1. Threshold Bells: St. Paul's
2. At the End of Time: St. Paul's
3. Evensong: Tallinn
4. Evensong Coda: Tallinn
5. At the End of Time: Broad Chalke
6. Evensong: Viljandi
7. Evensong Coda: Viljandi
8. Future Shift: Haapsalu
9. Evensong: Haapsalu
10. Evensong Coda: Haapsalu

Album Details

Churchscapes, as the Name Implies, is the Performance of Soundscapes in Churches and Cathedrals. The Choice of Venues is Deliberate. The Music is Informed by the Space Provided and Utilizes that Space in Return, the Intent of the Composer to Produce a Form of "Devotional Music" as "Personal Thanksgiving" as Mentioned in the Sleevenotes.

Customer Reviews:

Very meditative and relaxing.......2007-07-18

The perfect CD to relax and unwind to. I like all of Robert Fripp's Soundscapes. However, this "Churchscapes" is very appropriately titled as it has a very spirtual overtone and I find it very peaceful and theraputic. I think it would have been a wonderful experience to hear this live in the settings it was recorded.

I wound up playing this through about three times on the first listen and I have played again since then (all in one day). I highly recommend it and I believe it is a great addition to anyone who appreciates Fripps solo soundscapes.

Average customer rating: Sings to my DNA Pretty Good For the Nordic Soul, an echo across time... Medieval Latin? Music A great tool for learning as well as the musical enjoyment

Edda - An Icelandic Saga - Myths From Medieval Iceland / Sequentia Manufacturer: RCA ProductGroup: Music Binding: Audio CD General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Rheingold Curse: A Germanic Saga of Greed and Revenge from the Medieval Icelandic Edda Aquitania Lost Songs of a Rhineland Harper [Hybrid SACD] Nordisk Sang Nordic Roots: Northside Sampler ASIN: B00000IFOM Release Date: 1999-05-18

Tracks:

1. Myths From Medieval Iceland: Leikr elds ok isa (The Song Of Fire And Ice)
2. Myths From Medieval Iceland: Veit ek at ek hekk (Odinn's Rune-verses)
3. Myths From Medieval Iceland: Hliods bid ek allar (The Prophecy Of The Seeress)
4. Myths From Medieval Iceland: Vreidr var pa Ving-Porr (The Tale Of Prymr)
5. Myths From Medieval Iceland: Nu erum komnar (The Song Of The Mill)
6. Myths From Medieval Iceland: Baldrs minni (In Memory Of Baldr)
7. Myths From Medieval Iceland: Senn voru aesir allir a pingi (Baldr's Dreams)
8. Myths From Medieval Iceland: Pat man hon folkvig (The Prophecy Of The Seeress)
9. Myths From Medieval Iceland: Ragnarok (The End Of The Gods)
10. Myths From Medieval Iceland: A fellr austan um eitrdala (The Prophecy Of The Seeress)

Amazon.com

Sequentia here performs a miracle of musical restoration, bringing to vibrant life medieval Icelandic texts about gods and heroes inhabiting a mythic past. Drawing on oral traditions and informed scholarly speculations about long-dead performing styles, they have come up with a hypnotic disc that startles with its power and beauties. The songs and recitations are interwoven with captivating fiddle tunes, and the singers wrench surprising emotions from the old texts. The late Barbara Thornton shines in her solos and duets, and Benjamin Bagby's mesmerizing chanting, recitation, and singing brings us as close as we're likely to get to sitting at the feet of the bards of old. An extraordinary disc that shouldn't be missed. --Dan Davis

Customer Reviews:

Sings to my DNA.......2007-02-17

While it's not unusual for me to have several different recordings of the same work by different performers, this is the only case in which I have two identical CDs, one for home and one for the car. I have to assume my Scots-Irish ancestry has some Nordic blood, as this music affects me powerfully. I haven't even read the program notes, so it can't be that the text's mesmerizing. This may not be everyone's cup of tea, but if mead is your drink, it's perfect.

Pretty Good.......2007-02-01

There are some really awesome moments on this disc. All of the Voluspa segments, especially the final one describing Ragnarok, and The Song of the Mill are very well done. The stark atmosphere serves to not only enhance the singing portion, but really draw you into the song. The booklet that comes with the CD is essential, with beautiful translations of the poems that put Caroline Larrington's Poetic Edda to shame.

But there are also a lot of weak moments. I can't say that there is anything interesting in the instrumentals, which are fortunately few and far between. The Tale of Thrym is ok the first time through, but loses it's appeal very quickly. Odin's Rune Verses lack emotion compared to the rest of the pieces.

I also found the Italian Opera style singing a bit imposing. The rolling of the r's is sometime distracting, and I wondered the first time I heard it if that's what the language really sounds like. Of course, this is my first exposure to Icelandic, so I really couldn't tell you if its right or wrong, but the male singers do it much more than the females. Perhaps it just comes from their background as opera singers.

Overall, this is a good thing to have if you're at all interested in Norse/Icelandic/Viking mythology. If you're not, I think you can skip it.

For the Nordic Soul, an echo across time..........2006-10-23

I thought nothing like this existed, yet here it is! The Sequentia group sings ancient Nordic mythological poems, in very much the manner of ancient Skalds. The skald was a bard, or troubadour, of ancient Scandinavia. In the Sagas, many of the greatest skalds came from Iceland, a land colonized by Norwegians unwilling to live under the dictatorship of King Harald Harfa-gri (Harald Fairhair). The songs on this album are recited in Icelandic, a language that has changed only slightly from the Old Norse spoken by their ancestors. The style of performance is a specualtion, to a certain degree, but very much like that of most traditional Nordic folk music, traditions that have been passed on for centuries.

Medieval Latin? Music.......2006-10-14

For some reason, it doesn't sound quite nordic to me. Did they really roll their 'R's in the Old Norse, or is Sequentia putting a Latin spin on it? It sounds like Italian opera accompanied by medieval Icelandic instruments.

A great tool for learning as well as the musical enjoyment.......2006-07-11

I am impressed by, actually, the insert book! It has 47 thin pages of history, lyrics, and translation.

I bought this CD because the only foreign language I really retain is from foreign music. The lyrics are decently clear for learning. I didn't expect the insert book to have Icelandic lyrics, but it has that and a translation. There is a summary on each of the poems also.

The music is a bit simple, but the real art is in the song. The singing could even go without instrumentation. The album is 76:52 minutes long.

Album Review:

1. Barlotti
2. Behind You
3. Body Language [Extra tracks] [Limited Edition] [Import]
4. Break n' Bossa: Chapter 4 [Import]
5. Chilled/Disco [Import]
6. Chillout Classics [Import]
7. Circuit Grooves, Vol. 10.1: Pride 2000
8. Cocoon Compilation A
9. Collector's Box
10. Comfort Zone, Vol. 1 [Import]

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Nielsen: Saul & David, Op.25

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