| 1. Sandu |
| 2. Bossa |
| 3. To Someone |
| 4. Autumn Leaves |
| 5. North Star |
| 6. Tippin' |
| 7. Way You Look Tonight |
| 8. Work Song |
| 9. It's Alright With Me |
| 10. Minor Coated |
To Someone,Fred Wesley,Good Hope,Arranger,Dance,Funk,Jazz-Funk,Soul
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Someone to Drive You Home
The Long Blondes Manufacturer: Beggars Banquet Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PSJCSI Release Date: 2007-06-05 |
Tracks:
- Lust In the Movies
- Once And Never Again
- Only Lovers Left Alive
- Giddy Stratospheres
- In the Company Of Women
- Heaven Help the New Girl
- Separated By Motorways
- You Could Have Both
- Swallow Tattoo
- Weekend Without Makeup
- Madame Ray
- A Knife For the Girls
Tracks:
- Fulwood Babylon
- Five Ways To End It
- Never To Be Repeated
- All Bar One Girls
Customer Reviews:
well, it looks like the NME got something right.......2007-06-29
The singles on this LP are all great: once and never again, giddy stratospheres, and separated by motorways. However, I think the songs "Lust in the Movies" and "You Could have Both" are better than any of those songs. I think that is a rarity these days in our Ipod / Youtube music business.
By the way, this band was GREAT at the Subterranean in Chicago. Their singer is a total fox. I eagerly await something else from this band and hope they are not a Northern English amalgamation of some fads. It's really a shame that Jarvis Cocker does not like the singer's voice. I love it...she is one of the few singer currently that sounds better live than on vinyl (or CD).
For once, the hype is deserved........2007-06-09
1. Once And Never Again
2. Giddy Stratospheres
3. Separated By Motorways
4. Weekend Without Makeup
These four songs were all previously available on UK singles. The versions on Someone To Drive You Home are all rerecorded. This may come as a frustration to people who fell for the original single versions (as I did). It doesn't take long to appreciate these new versions, though. Either way, the songs are catchy and fun to sing along with. The music is poppy, but there's a lyrical dark streak lurking just beneath the surface.
This CD would be worth it for those four songs alone. My personal favorite song isn't one of the singles, though; it's "You Could Have Both", which features male and female voices singing simultaneously. It's got a very Pulp-y sound to it. (It's also nice to hear a reference to The Apartment in a pop song.) The remaining songs are all highly enjoyable, so what we're left with is a rarity in modern music...a CD that is solid all the way through without any of the duds and throw-away tracks that plague so many releases these days.
For once, the hype is deserved.
The last great album I discovered in 2006.......2007-06-07
If Dorian Cox writes the songs, Kate Jackson sells them. And man, does she ever sell them. With this album she instantly joins the ranks of the most compelling female frontwomen in rock. She has a great voice, with plenty of power when she needs it, but capable of subtlety as well. They have her voice far forward in the mix, where it belongs. I love the way she manages to do so many things vocally in "Heaven Help the New Girl," and does them all well. If you compare her with, say, Karen O. of the Yeah Yeah Yeahs, Kate doesn't have all the tricks that Karen can pull off, but she has a much more powerful voice and a wider effective range.
But what really puts this band over the top for me is not just that they come with a great set of well-written songs and a phenomenal singer to sing them, but that the Long Blondes are a great band. Screech Louder on drums, Emma Chaplain on guitar (and back up vocals), Reenie Delaney on bass (how refreshing to have a chick on guitar and a guy on bass for a change), and Cox on lead guitar are a tremendously tight, inventive, and skilled. Sometimes when you have someone as good as Kate Jackson, there is a talent gap between singer and band, but that certainly is not the case here. This truly is a band, with everyone contributing enormously to the final project.
The highpoint of the album for me is "Weekend without Makeup," in which a woman chronicles how stale her relationship has grown. It is a subject that has been dealt with in countless songs, but it seems so fresh here and the notion of defining a weekend by the fact that she doesn't need to put on any make up really speaks volumes. All in all, though, the album has a number of really strong cuts. "Lust in the Movies," "Once and Never Again" (in which the singer tells a 19-year-old that she really doesn't need a boyfriend but should instead focus on life without the need of one), "Giddy Stratospheres," "In the Company of Women," "Separated by Motorways," and "Heaven Help the New Girl." The album may fade ever so slightly by the end, but these days most bands put their strongest material in the first two-thirds of the disc.
I do want to quibble with a criticism that the previous reviewer made of the album. He or she indicated that this album is "derivative." This is a criticism that is frequently made by people of one album or artist or another. But I have to confess that it is a criticism I've never been able to make any sense of. There are two sides to my perplexity, one general and one specific. Take the specific first, I listened to this album multiple times and not once thought "Wow, this is derivative." Of course there are a host of moments where the album recalls other performers. At various points the band reminds me of outfits as diverse as the Smiths, Pulp, Joy Division, and Blondie, but sometimes even some sixties girl groups. But I absolutely promise any prospective listener: you will not listen to this and think that they are ripping off any other bands' riffs. They certainly are not more "derivative" than any other band at work today. Which leads to the more general side of my perplexity: given the fact that we now have over fifty years of rock and roll informing any rock album today, how is it possible for any band to be anything other than derivative? Even the Beatles were derivative, aping a host of American R&B bands and artists. Later they came under the spell of Bob Dylan, who was himself inspired by a score of American folk, blues, and rock performers. Everyone borrows from everyone else. The question is not whether something is "derivative" but whether their particular derivation is any good. And this stuff here is dynamite. If it were boring, that would be another matter. I really don't intend to jump all over the previous reviewer. Honest, I don't. But this is an instance of aiming a largely irrelevant criticism at an absolutely first rate band. At least he and I can fully agree on one thing: this is one of the best albums of 2006.
Have to buy it all over again........2007-06-07
Will it be big here? Doubtful. It, like so many previous bands (the Kinks, the Jam, Blur) is way too English and unless you're an Anglophile, it won't be very interesting. If you are though, have a butcher's.
Signed,
epsteinsmutha
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FQQ Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
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This Is a Long Drive for Someone with Nothing to Think About
Modest Mouse Manufacturer: Up. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003L1P Release Date: 1996-04-09 |
Tracks:
- Dramamine
- Breakthrough
- Custom Concern
- Might
- Lounge
- Beach Side Property
- She Ionizes & Atomizes
- Head South
- Dog Paddle
- Novocain Stain
- Tundra/Desert
- Ohio
- Exit Does Not Exist
- Talking Shit About A Pretty Sunset
- Make Everyone Happy/Mechanical Birds
- Space Travel Is Boring
Amazon.com
Frontman Isaac Brock's claim that he's being stalked by his own alter ego was not the first bit of evidence that Modest Mouse isn't your usual pop band. Witness the entirety of this 1996 indie debut from the Washington trio that inspired a major-label bidding war. This Is a Long Drive for Someone with Nothing to Think About finds Brock cruising with cohorts Eric Judy and Jeremiah Green (plus an occasional cellist) through a landscape of intoxicatingly original lo-fi tunes. Sure, Brock's early vocals make Nikki Sudden sound like one smooth crooner, but their strained quality offset the primitive elegance of his guitar work, giving a passionate vulnerability to "Breakthrough," "Custom Concern," and other treatises on life in the lost lane. --Bill FormanCustomer Reviews:
for anyone who is alive.......2007-07-07
great first LP.......2007-06-16
please start with the new modest mouse this stuff might turn you off to them at first listen. I love this CD! it has so many great qualities that dont show up on other modest mouse records.
1.Dramamine- great opening song awesome guitar rift. 5/5
2.Breakthrough- good song nice odd vocals.BUT THATS WHAT WE LOVE 4/5
3.Custom Concern- good lyrics slide guitar this one stands out 5/5
4.Might- short simple song 3/5
5.Lounge- starts fast pace ends in a slow rock jam. 4/5
6.Beach Side Property- features some screaming vocals which you dont find often in modest mouse a great song. 5/5
7.The Ionizes and Atomizes- sounds very bipolar- 3/5
8.Head South- More screaming in chorus and nicole johnson with backup vocals. really good song. "Struck by being ashamed of your old space" 5/5
9.Dog Paddle- screaming cool little song with coughs and wheezes through it. 4/5
10.Novocain Stain- a really really good song! 5/5
11.Tundra/Desert-One of their hardest hitting songs. 5/5
12.Ohio- right now im obsessed with the great lyrics in this song. "I'm upset and i leave the door open wide our hearts are used up cracked and dried." Amazing 5/5
13.Exit does not Exist- cool title blazing drums. 4/5
14.Talking shit about a pretty Sunset- one of the best songs on the album. 5/5
15.Make Everyone Happy/Mechanical Birds- starts off kinda sweet then goes full blown guitar jam. 4/5
16.Space Travel is Boring- nice song but not to special to me. 3/5
I love this cd but its not their best work.
i definitely recommend it to anyone likes Building nothing out of Something or Lonesome crowded west.
Really catchy work...arguably Modest Mouse's best.......2007-02-13
Best Modest Mouse album.......2007-01-31
Fantastic album.......2007-01-21
Modest Mouse has released a slew of great albums, so I can't say this is my favorite, but it might be....
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
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Stop the World - I Want to Get Off (Original Broadway Cast)
Anthony Newley , and Leslie Bricusse Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000008L6L Release Date: 2001-05-15 |
Tracks:
- Overture/The A.B.C. Song/I Wanna Be Rich
- Typically English
- Lumbered
- Glorious Russian/Meilinki Meilchick
- Gonna Build A Mountain
- Typische Deutsche
- Family Fugue/Nag! Nag! Nag!
- Once In A Lifetime
- All American
- Mumbo Jumbo
- Someone Nice Like You
- What Kind Of Fool Am I?
Customer Reviews:
Stop the World I Want to Get Off, Broadway cast.......2005-09-04
Dottie Conlon
a classic score of the 60's.......2005-04-27
Rarely has the score been bettered than on the original Broadway cast album, crisply reissued here on the Decca Broadway label. Anthony Newley and his pert leading lady, underrated British performer Anna Quayle, perform the score with flash and verve. The entire score is fantastic though the penultimate number "Someone Nice Like You" must count as one of the most beautiful love songs ever written for the musical stage.
Anna Quayle is a marvellous performer, sadly only really remembered for her role as the Baroness in the movie of CHITTY CHITTY BANG BANG (a role that is great but does not represent all she was capable of), and Anthony Newley, who also headed the London company to perhaps ever greater acclaim, is in his element.
A top cast album.
Great musical with great classic songs.......2003-07-13
NOT ALONE ANYMORE.......2002-10-03
YOU CAN ALMOST SEE THAT VERY EXPESSIVE FACE OF HIS, IT WA SA SHAME HIS PERFORMANCE WAS NOT CAPTURED ON FILM, STILL EVEN WITH OUT SEEING HIM. THE BLENDING OF SONG AND STORY ARE TIME LESS, THAT IT COULD BE ON BROADWAY TODAY WITHOUT BEING DATED.
THE STORY OF LITTLE CHAP AND EVIE , COULD BE ANY ONE OF US GOING THROUGH LIFE'S UP AND DOWNS.
Anthony Newley's Finest Hours!.......2002-09-25
Anthony Newley died in April 1999 after losing his battle with cancer. The battle of fame he never lost and left behind a wonderful collection of musicals, songs, tv and cabaret performances that we can love again and again. But the finest of all of Newley's output was this musical. Co-wrote with Leslie Bricusse, Anthony Newley made the role of Littlechap totally his own. Not even Sammy Davis Jnr, Joel Gray or Tony Tanner in the film version could match that unique quality of style and originality that Newley exudes in this fantastic tour de force role.
For fans of musicals unfamiliar with Newley's work, you will not be sorry when you buy this CD. For Newley fans - why haven't you already bought your copy!!
Enjoy, one and all, Anthony Newley at his very best.
Paul Goodhead - President
Anthony Newley Society Worldwide.
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Kiri
Kiri Te Kanawa , Giacomo Puccini , Wolfgang Amadeus Mozart , George Frideric Handel , George Gershwin , Giuseppe Verdi , Paul McCartney , Erich Wolfgang Korngold , Marie-Joseph Canteloube , and Gustave Charpentier Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O83O Release Date: 2001-11-20 |
Tracks:
- Samson: Let The Bright Seraphim - Kiri Te Kanawa/Crispian Steele-Perkins
- Le Nozze Di Figaro: Dove Sono
- Vesperae Solennes De Confessore, K.339: Laudate Dominum - Kiri Te Kanawa/Chor Of St Paul's Cathedral
- Ave Maria
- La Traviata: Attendo, Attendo... Addio Del Passato
- Tosca: Vissi D'arte
- Gianni Schicchi: O Mio Babbino Caro
- Adriana Lecouvreur: Ecco: Respiro Appena. Lo Son L'umile Ancella
- La Rondine: Chi Il Bel Sogno Di Doretta
- Louise: Depuis Le Jour
- Requiem: Pie Jesu
- Chants D'Auvergne: Bailero
- West Side Story: Tonight - Kiri Te Kanawa/Jose Carreras
- Porgy And Bess: Summertime - Kiri Te Kanawa/New York Choral Artists
- Oh, Kay!: Someone To Watch Over Me
- Roberta: Smoke Gets In Your Eyes
- Follow The Fleet: Let's Face The Music And Dance
- High Society: True Love - Kiri Te Kanawa/Jim Hughes
- Liverpool Oratorio: The World You're Coming Into
- World In Union
Customer Reviews:
Great representation of music from a great singer.......2007-01-07
She does a wonderful job on Handel's "Let the bright seraphim," displaying good coloratura technique, as a matter of fact. This cut nicely illustrates the clean sound of her voice. Her version of "Dove sono" (from Mozart's Le Nozze di Figaro) is a reflective rendering of this aria. The smoothness of her vocal line is wonderful to hear. Her version of "Vissi d'arte" (from Puccini's Tosca) also illustrates the art of Dame Kiri.
The popular tunes that follow are very interesting. She and Jose Carreras, at the outset, begin to overwhelm "Tonight" (from "West Side Story," with--by the way--Leonard Bernstein himself conducting this cut), making it appear that this might be one of those dismal pieces where opera singers wreck songs. However, shortly thereafter, the song becomes more Broadway than Metropolitan Opera, and that is to the good. Better still are Te Kanawa's versions of classic songs such as "Summertime" (from Gershwin's Porgy and Bess), where singing in a higher register works nicely and where she treats the song on its own terms; just so, Jerome Kern's "Smoke gets in your eyes" is sung so well. It is a poignant version of this song.
All in all, for those who are curious about Dame Kiri Te Kanawa, this is one interesting entrée. Well worth acquiring and listening to.
Beautiful voice, great collection.......2005-11-21
Magnificent.......2005-02-20
Hearing her voice used as an instrument so beautifully I cannot but fall a little in love with her whenever listening to it.
The selection of tracks is varied; I probably prefer the classical tracks, but all are well performed in my opinion.
Kiri Te Kanawa Is Peerless.......2004-07-11
I stood up also!!.......2003-07-31
Do catch her & the wonderful Julian Reynolds with a similar program at the Royal Festival Hall on november 24th. If you have any money left buy this album from amazon.com. Great cover!
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Pure Gershwin
Michael Feinstein Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002H4W Release Date: 1990-10-25 |
Tracks:
- S' Wonderful
- Our Love Is Here To Stay
- Liza
- The World Is Mine
- They Can't Take That Away From Me
- Isn't It A Pity?
- Let's Call The Whole Thing Off
- Embraceable You
- What Causes That?
- He Loves And She Loves/How Long Has This Been Going On
- They All Laughed
- The Girl I Love
- Someone To Watch Over Me
Amazon.com
Pure Gershwin was Michael Feinstein's first album, and it remains one of his best. It may not have the production values of his later Gershwin tributes, Nice Work if You Can Get It (1996) and Michael & George (1998), but it simply and directly presents Feinstein in his piano-bar days, singing to his own tasteful accompaniments with occasional contributions from bass and drums and a second piano. Establishing the patterns for his later albums, he sings unjustly neglected verses to familiar songs, uncovers some never-before-recorded gems ("The World Is Mine," "What Causes That"), and provides song-by-song notes. Longtime friend Rosemary Clooney guests on "Isn't It a Pity?" --David HoriuchiCustomer Reviews:
you cant beat an Ira lyric........2007-01-05
A Wonderful CD.......2005-05-19
Quiet and elegant.......2003-04-20
Disappointed.......2003-04-10
I was extremely disappointed. Feinstein seems to suck the life out of Gershwin's compositions, a feat I would have previously thought impossible. Though I concede that vocalists are free to reinterpret songs (many to a great success, as in Louis Armstrong's and Ella Fitzgerals's enjoyable versions of Gershwin), I think Feinstein's lazy tempos "loungy" voice make the tracks on this album boring and annoying.
I have loved to listen to and sing these songs my entire life. I just wanted to warn listeners who perhaps, like myself, enjoy George Gershwin's music for its beautiful clarity and energy (as easily experienced through Gershwin's own recordings, early interpretations by artists such as the Astaires, and even recent broadway "Crazy For You") that they will not experience any feeling of the sort from Michael Feinstein.
Amidst all the gushing that has recently been done over him, I found Michael Feinstein to have attempted to murder "Liza" and the other songs on this album. He merely displays a very unexceptional voice and poor interpretive taste. Fans beware, Feinstein proves that it is possible to make a bad cd of Gershwin songs. I'd recommend listening elsewhere.
they can't take that album away from me.......2002-05-09
the listenability of this album may stem from the fact that it is a bare-bones arrangement, with two pianos, a bass and drums, a la a jazz trio, with no embellishment, so michael feinstein's then sincere and unsophisticated voice is the featured instrument.
i heartily recommend this album, as every song on it is a gem and feinstein's voice is more appealing than on the two later albums, when he jazzed it up with what sounds like an echo chamber and other electronic enhancements and he seems to be doing the songs by the numbers.
feinstein's version of "liza," slowed down to ballad form and plaintively phrased, is the best i have ever heard. the duet with rosemary clooney on "isn't it a pity," again brings out the best of feinstein's then-new voice and shows why george's (clooney) aunt is rightfully considered a jazz legend.
the combined "he loves and she loves/how long has this been going on" is another melodic/poignant highlight, while the album's finale, "someone to watch over me," is a stirring anthem to wanting and needing someone and is done with vocal and instrumental passion; it brings this collection of songs to a fitting crescendo.
for a lawyer's kid from columbus, ohio who started out cataloguing gershwin estate material for the reclusive ira and then began singing the songs for family and friends, michael feinstein has done all right for himself. he has become the recognized interpreter of the gershwin legacy, sort of the same way his pseudo-cousin, john, jr. feinstein, has become the recognized interpreter of the bob knight legacy... .
michael feinstein may have hit a home run his first time up with this album, and it may be his best, as it is the purest and most joyful celebration of gershwin tunes, while the others are fancier, more jazzed up and ponderous and less appealing.
the other albums are certainly not bad, though, and i recommend buying them to fill out a feinstein or gershwin collection, but this one is by far the best one to get if you are only going to get one as a sample of either's work. it is nice work, and you can get it.
Average customer rating:
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A Star Is Born (Expanded 1954 Film Soundtrack)
Judy Garland , Harold Arlen , and Ira Gershwin Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009KU7U Release Date: 2004-05-18 |
Tracks:
- Overture
- Night Of The Stars
- Gotta Have Me Go With You
- Norman At Home
- Pasion Oriental
- The Man That Got Away
- Cheatin' On Me
- 'I'm Quitting The Band...'
- The Man That Got Away (Instrumental Version)
- Esther In The Boarding House
- Oliver Niles Studio
- Esther's Awful Makeup
- First Day In The Studio
- Born In A Trunk (Medley)
- Easy Come, Easy Go
- Here's What I'm Here For
- The Honeymoon
- It's A New World
- Someone At Last
- Lose That Long Face
- Norman Overhears The Conversation
- It's A New World (Alternate Take)
- The Last Swim
- Finale - End Credits
- When My Sugar Walks Down The Street
- The Trinidad Coconut Oil Shampoo Commercial
Customer Reviews:
Forgive the cheesy title, but a star is re-born once again........2007-07-09
In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.
In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.
This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.
The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)
Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.
Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.
A Star Is Born Soundtrack Review.......2007-01-10
Judy at her peak!.......2006-05-30
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.
a "Star" shines like never before..........2005-04-27
The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.
"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.
Musical perfection of the highest magnitude!!!.......2005-02-25
And her instrument was showcased at its best in the music from her triumphant "A Star is Born".
This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.
The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.
Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.
Average customer rating:
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The London Trombone Sound
Manufacturer: Cala ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000FDDB Release Date: 2006-11-20 |
Tracks:
- Fanfare For CALA
- Theme From 'The Pink Panther'
- Someone To Watch Over Me
- Domine Ad Adinuandum From Vespers
- Intermezzo
- Galop From Eight Aphorisms
- Sonata Pian e Forte
- Adagio
- Layla
- 76 Trombones
Product Description
Cala once again brings you some of the finest orchestral musicians in London; this time the focus is on the trombone section. With outstanding arrangements by Eric Crees, principal trombone of the London Symphony Orchestra, this disc represents the ultimate showcase for this versatile instrument. In a blistering finale featuring 76 trombones -- yes 76! - playing Meredith Wilson's classic 76 Trombones this has got to be the most trombone players ever assembled for a recording, and the sound has to be heard to be believed. From the cheeky jazz treatment of the Pink Panther theme tune, via recognised classics, to a roof-raising interpretation of Eric Clapton's Layla this disc is great fun...indulge yourself!Customer Reviews:
This is a must for any trombone player.......2005-06-24
this is my FAVOURITE trombone cd..........2004-04-14
you just can't beat those smooth solos in 'the pink panther' and 'someone to watch over me' and you'll be humming the bass trombone lines from 'layla' for a long while to come.
fantastic.
Umm, WOW!.......2004-01-10
way cool.......2003-10-03
Like trombones?.......2002-04-08
The music chosen is a great mix of classical / chorale pieces as well as some more jazzy tunes. Composers such as Gershwin, Brahms, Mancini and Monteverdi are all represented. My favorite track is Gabrieli's SONATA PIAN e FORTE. Performed by a trombone ensemble, the effect is truly captivating.
One of the most innovative pieces is an arrangement of Barber's Adagio for Strings. Yup, that's right: it's performed by trombonists & the results are very impressive. Something I would have never thought of, but the gracefull & brassy sounds of the trombone add a dimension to the brooding Adagio that most people would not have imagined possible.
For diversity, the album also contains the theme from the PINK PANTHER as well as an Eric Clapton tune (LAYLA) jazzed up for maximum entertainment. Then, to top off the album, an additonal 60 trombones are brought in to perform (of course) 76 TROMBONES.
I would highly recommend this CD to all persons who can't help but smile @ the sound of a well played trombone. I would even surmise the people who have never thought much of the instrument would get hours & hours of enjoyment from listening to this album. It's that good. Trust me.
Average customer rating:
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Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FDW Release Date: 1993-02-23 |
Tracks:
- Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
- Evening Introduction--Bill Irwin
- Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
- Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
- Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
- Being Alive--Patti LuPone
- Good Thing Going--The Tonics
- Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
- Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
- Anyone Can Whistle--Billy Stritch
- Water Under the Bridge--Liza Minnellli, Billy Stritch
- Back in Business--Liza Minnellli, Billy Stritch, Ensemble
Tracks:
- Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
- Sooner or Later--Karen Ziemba
- Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
- Green Finch and Linnet Bird--Harolyn Blackwell
- The Ballad of Booth--Patrick Cassidy, Victor Garber
- Broadway Baby--Daisy Eagan
- I Never Do Anything Twice--BETTY
- With So Little to Be Sure Of--Jerry Hadley, Carolann Page
- Not a Day Goes By--Bernadette Peters
- Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
- Send in the Clowns--Glenn Close
- Old Friends--Liza Minnelli
- Sunday--Bernadette Peters, Broadway Chorus
Customer Reviews:
Great CD.......2006-08-06
Simply the Best.......2005-06-29
In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.
In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.
If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.
Inconsistent, but mostly excellent.......2004-03-21
"Celebration" is not strong enough a word.......2003-04-30
I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.
There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.
I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.
A maginificent evening, a magnificent album.......2001-12-16
This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.
My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
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