To Someone

Track Listings

 
1. Sandu
2. Bossa
3. To Someone
4. Autumn Leaves
5. North Star
6. Tippin'
7. Way You Look Tonight
8. Work Song
9. It's Alright With Me
10. Minor Coated

To Someone,Fred Wesley,Good Hope,Arranger,Dance,Funk,Jazz-Funk,Soul
Someone to Drive You Home
Average customer rating: 5 out of 5 stars
  • well, it looks like the NME got something right
  • For once, the hype is deserved.
  • The last great album I discovered in 2006
  • Have to buy it all over again.
Someone to Drive You Home
The Long Blondes
Manufacturer: Beggars Banquet Us
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Indie RockIndie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music
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ASIN: B000PSJCSI
Release Date: 2007-06-05

Tracks:

  1. Lust In the Movies
  2. Once And Never Again
  3. Only Lovers Left Alive
  4. Giddy Stratospheres
  5. In the Company Of Women
  6. Heaven Help the New Girl
  7. Separated By Motorways
  8. You Could Have Both
  9. Swallow Tattoo
  10. Weekend Without Makeup
  11. Madame Ray
  12. A Knife For the Girls

Tracks:

  1. Fulwood Babylon
  2. Five Ways To End It
  3. Never To Be Repeated
  4. All Bar One Girls

Customer Reviews:

4 out of 5 stars well, it looks like the NME got something right.......2007-06-29

I think this album, and this band, are fantastic. They are the perfect mix of dancy, girly, and British-ness. Having heard a bunch of the singles, I was not disappointed in this at all. This band mixes all sorts of genres together, from post-punk to disco to britpop to 60s girl groups, etc. They mix all these together to make something that works QUITE well in both studio and live setting.

The singles on this LP are all great: once and never again, giddy stratospheres, and separated by motorways. However, I think the songs "Lust in the Movies" and "You Could have Both" are better than any of those songs. I think that is a rarity these days in our Ipod / Youtube music business.

By the way, this band was GREAT at the Subterranean in Chicago. Their singer is a total fox. I eagerly await something else from this band and hope they are not a Northern English amalgamation of some fads. It's really a shame that Jarvis Cocker does not like the singer's voice. I love it...she is one of the few singer currently that sounds better live than on vinyl (or CD).

5 out of 5 stars For once, the hype is deserved........2007-06-09

The Long Blondes' Someone To Drive You Home is consistently catchy and enjoyable all the way through. "Lust In The Movies" starts it off with a kick and things don't let up until the CD ends. The four singles are:

1. Once And Never Again
2. Giddy Stratospheres
3. Separated By Motorways
4. Weekend Without Makeup

These four songs were all previously available on UK singles. The versions on Someone To Drive You Home are all rerecorded. This may come as a frustration to people who fell for the original single versions (as I did). It doesn't take long to appreciate these new versions, though. Either way, the songs are catchy and fun to sing along with. The music is poppy, but there's a lyrical dark streak lurking just beneath the surface.

This CD would be worth it for those four songs alone. My personal favorite song isn't one of the singles, though; it's "You Could Have Both", which features male and female voices singing simultaneously. It's got a very Pulp-y sound to it. (It's also nice to hear a reference to The Apartment in a pop song.) The remaining songs are all highly enjoyable, so what we're left with is a rarity in modern music...a CD that is solid all the way through without any of the duds and throw-away tracks that plague so many releases these days.

For once, the hype is deserved.

5 out of 5 stars The last great album I discovered in 2006.......2007-06-07

This was not only the last great album I discovered in 2006 but it turned out also to be one of the best. This album is not widely known in the US due to it still not being available as anything other than an import. It is not even available on iTunes and other music download services. Hopefully 2007 will see a correction. I have to confess to not knowing a whole lot about the band. Most of the songs are credited to guitarist Dorian Cox and The Long Blondes, which probably means he writes the songs, presents them to the band, and they all hash out the final form. What is surprising about this is that the band has a distinctly feminist slant on things. They seem in many ways to be the English answer to the Riot Girl bands in the U.S. You could easily do a triple bill of Le Tigre, Sleater-Kinney (alas, if only they were still together), and The Long Blondes and have no clash of values or viewpoint. The band has much of the same brassiness of Third Wave inspired feminist rock, yet the songs are written by a guy. Well, perhaps not so bizarre. The turning point in strongly empowered female characters on TV occurred with BUFFY THE VAMPIRE SLAYER, created by a male feminist, Joss Whedon. So why can't a guy write songs that represent a female take on things?

If Dorian Cox writes the songs, Kate Jackson sells them. And man, does she ever sell them. With this album she instantly joins the ranks of the most compelling female frontwomen in rock. She has a great voice, with plenty of power when she needs it, but capable of subtlety as well. They have her voice far forward in the mix, where it belongs. I love the way she manages to do so many things vocally in "Heaven Help the New Girl," and does them all well. If you compare her with, say, Karen O. of the Yeah Yeah Yeahs, Kate doesn't have all the tricks that Karen can pull off, but she has a much more powerful voice and a wider effective range.

But what really puts this band over the top for me is not just that they come with a great set of well-written songs and a phenomenal singer to sing them, but that the Long Blondes are a great band. Screech Louder on drums, Emma Chaplain on guitar (and back up vocals), Reenie Delaney on bass (how refreshing to have a chick on guitar and a guy on bass for a change), and Cox on lead guitar are a tremendously tight, inventive, and skilled. Sometimes when you have someone as good as Kate Jackson, there is a talent gap between singer and band, but that certainly is not the case here. This truly is a band, with everyone contributing enormously to the final project.

The highpoint of the album for me is "Weekend without Makeup," in which a woman chronicles how stale her relationship has grown. It is a subject that has been dealt with in countless songs, but it seems so fresh here and the notion of defining a weekend by the fact that she doesn't need to put on any make up really speaks volumes. All in all, though, the album has a number of really strong cuts. "Lust in the Movies," "Once and Never Again" (in which the singer tells a 19-year-old that she really doesn't need a boyfriend but should instead focus on life without the need of one), "Giddy Stratospheres," "In the Company of Women," "Separated by Motorways," and "Heaven Help the New Girl." The album may fade ever so slightly by the end, but these days most bands put their strongest material in the first two-thirds of the disc.

I do want to quibble with a criticism that the previous reviewer made of the album. He or she indicated that this album is "derivative." This is a criticism that is frequently made by people of one album or artist or another. But I have to confess that it is a criticism I've never been able to make any sense of. There are two sides to my perplexity, one general and one specific. Take the specific first, I listened to this album multiple times and not once thought "Wow, this is derivative." Of course there are a host of moments where the album recalls other performers. At various points the band reminds me of outfits as diverse as the Smiths, Pulp, Joy Division, and Blondie, but sometimes even some sixties girl groups. But I absolutely promise any prospective listener: you will not listen to this and think that they are ripping off any other bands' riffs. They certainly are not more "derivative" than any other band at work today. Which leads to the more general side of my perplexity: given the fact that we now have over fifty years of rock and roll informing any rock album today, how is it possible for any band to be anything other than derivative? Even the Beatles were derivative, aping a host of American R&B bands and artists. Later they came under the spell of Bob Dylan, who was himself inspired by a score of American folk, blues, and rock performers. Everyone borrows from everyone else. The question is not whether something is "derivative" but whether their particular derivation is any good. And this stuff here is dynamite. If it were boring, that would be another matter. I really don't intend to jump all over the previous reviewer. Honest, I don't. But this is an instance of aiming a largely irrelevant criticism at an absolutely first rate band. At least he and I can fully agree on one thing: this is one of the best albums of 2006.

5 out of 5 stars Have to buy it all over again........2007-06-07

First Jarvis Cocker's solo CD and now Kate Jackson's band? What is with these Sheffield groups and bonus stuff on domestic releases? Well, I bought this in January thereabouts on the strength of their reviews in the British rags. If you like Alex Turner's ilk, you'll like this. The music is very similar except with Nico/Justine Frischmann (hence a lot of Elastica comparisons, mostly bad, sad to say as I like both groups) vocals. The lyrical content is the same. All in all, if the journos aren't grouping the two in with Jarvis for "The Sheffield Sound," give it time.

Will it be big here? Doubtful. It, like so many previous bands (the Kinks, the Jam, Blur) is way too English and unless you're an Anglophile, it won't be very interesting. If you are though, have a butcher's.

Signed,
epsteinsmutha
Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Average customer rating: Not rated
    Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta

    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003FQQ
    Release Date: 1994-08-16

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    This Is a Long Drive for Someone with Nothing to Think About
    Average customer rating: 4.5 out of 5 stars
    • for anyone who is alive
    • great first LP
    • Really catchy work...arguably Modest Mouse's best
    • Best Modest Mouse album
    • Fantastic album
    This Is a Long Drive for Someone with Nothing to Think About
    Modest Mouse
    Manufacturer: Up.
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
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    ASIN: B000003L1P
    Release Date: 1996-04-09

    Tracks:

    1. Dramamine
    2. Breakthrough
    3. Custom Concern
    4. Might
    5. Lounge
    6. Beach Side Property
    7. She Ionizes & Atomizes
    8. Head South
    9. Dog Paddle
    10. Novocain Stain
    11. Tundra/Desert
    12. Ohio
    13. Exit Does Not Exist
    14. Talking Shit About A Pretty Sunset
    15. Make Everyone Happy/Mechanical Birds
    16. Space Travel Is Boring

    Amazon.com

    Frontman Isaac Brock's claim that he's being stalked by his own alter ego was not the first bit of evidence that Modest Mouse isn't your usual pop band. Witness the entirety of this 1996 indie debut from the Washington trio that inspired a major-label bidding war. This Is a Long Drive for Someone with Nothing to Think About finds Brock cruising with cohorts Eric Judy and Jeremiah Green (plus an occasional cellist) through a landscape of intoxicatingly original lo-fi tunes. Sure, Brock's early vocals make Nikki Sudden sound like one smooth crooner, but their strained quality offset the primitive elegance of his guitar work, giving a passionate vulnerability to "Breakthrough," "Custom Concern," and other treatises on life in the lost lane. --Bill Forman

    Customer Reviews:

    5 out of 5 stars for anyone who is alive.......2007-07-07

    This is, overall, my favorite Mouse album. The first three tracks work together so well, with the looping meandering guitar riffs and the lyrics that sound like the life of every disenchanted teenager or young adult that's ever lived. As always with Mouse there are some tracks that get a little noisy or sound a little incomplete, but that's part of the charm. Brock doesn't write consistently perfect songs, but he writes so many perfect songs that it's almost a relief to realize that he's not flawless. Perhaps the most gifted lyricist in alternative rock, some of the wordplay is pure poetry.

    5 out of 5 stars great first LP.......2007-06-16

    I am a huge modest mouse fan. but i know this record is not for everyone.
    please start with the new modest mouse this stuff might turn you off to them at first listen. I love this CD! it has so many great qualities that dont show up on other modest mouse records.

    1.Dramamine- great opening song awesome guitar rift. 5/5
    2.Breakthrough- good song nice odd vocals.BUT THATS WHAT WE LOVE 4/5
    3.Custom Concern- good lyrics slide guitar this one stands out 5/5
    4.Might- short simple song 3/5
    5.Lounge- starts fast pace ends in a slow rock jam. 4/5
    6.Beach Side Property- features some screaming vocals which you dont find often in modest mouse a great song. 5/5
    7.The Ionizes and Atomizes- sounds very bipolar- 3/5
    8.Head South- More screaming in chorus and nicole johnson with backup vocals. really good song. "Struck by being ashamed of your old space" 5/5
    9.Dog Paddle- screaming cool little song with coughs and wheezes through it. 4/5
    10.Novocain Stain- a really really good song! 5/5
    11.Tundra/Desert-One of their hardest hitting songs. 5/5
    12.Ohio- right now im obsessed with the great lyrics in this song. "I'm upset and i leave the door open wide our hearts are used up cracked and dried." Amazing 5/5
    13.Exit does not Exist- cool title blazing drums. 4/5
    14.Talking shit about a pretty Sunset- one of the best songs on the album. 5/5
    15.Make Everyone Happy/Mechanical Birds- starts off kinda sweet then goes full blown guitar jam. 4/5
    16.Space Travel is Boring- nice song but not to special to me. 3/5

    I love this cd but its not their best work.
    i definitely recommend it to anyone likes Building nothing out of Something or Lonesome crowded west.

    4 out of 5 stars Really catchy work...arguably Modest Mouse's best.......2007-02-13

    I really enjoy the overall dry twangyness in this album. The opening tracks are instant indie/alternative classics. Very quirky, laid back material that could easily please any Modest Mouse fan. I also recommend Lonesome Crowded West for more wonderful work.

    5 out of 5 stars Best Modest Mouse album.......2007-01-31

    Here is what I have to say: This is my favorite Modest Mouse album. This album captures to total perfection what it feels like to be sad and cold but at the same time filled with a sweet appreciation for your own existence. There is such a fantastic reality to be found here. This will always be at the top for me. There is a good section of my life in which this is the definitive soundtrack. The music can be so bare but masterfull it makes you want to scream. Like living in a sparse cold room that you still find beautiful. If you want good music then, here, take this.

    5 out of 5 stars Fantastic album.......2007-01-21

    As much as I wanted to diss them for being too heavily indebted to the Pixies, I could not resist the magnificence of this album. It blew me away when I first heard it, and it continues to.

    Modest Mouse has released a slew of great albums, so I can't say this is my favorite, but it might be....
    Broadway - The American Musical (PBS Series)
    Average customer rating: 5 out of 5 stars
    • Fabulous for any Broadway-lover
    • Top Shelf
    • TERRIFIC CD'S
    • Great Collection of Broadways greatest Songs
    • Great Compilation!
    Broadway - The American Musical (PBS Series)

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00064ADMK
    Release Date: 2004-10-19

    Tracks:

    1. Give My Regards To Broadway- Joel Grey
    2. Swanee- Al Jolson
    3. When The Moon Shines On The Moonshine- Bert Williams
    4. A Pretty Girl Is Like A Melody- John Steel
    5. My Man- Fanny Brice
    6. Fascinating Rhythm- Fred Astaire, Adele Astaire
    7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
    8. Someone To Watch Over Me- Gertrude Lawrence
    9. Bill- 78 rpm Version Helen Morgan
    10. Ol' Man River- Paul Robeson
    11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
    12. Ten Cents A Dance- Ruth Etting
    13. Body And Soul- Libby Holman
    14. Brother, Can You Spare A Dime- Bing Crosby
    15. Night And Day- Fred Astaire
    16. Heat Wave- Ethel Waters
    17. Smoke Gets in Your Eyes- Tamara
    18. You're The Top- Ethel Merman
    19. Summertime- Anne Brown
    20. September Song- Walter Huston
    21. My Heart Belongs To Daddy- Mary Martin
    22. It Never Entered My Mind- Shirley Ross
    23. Bewitched, Bothered, Bewildered- Vivienne Segal
    24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
    25. Oh, What a Beautiful Mornin'- Alfred Drake

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    2. If I Loved You- John Raitt,Jan Clayton
    3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
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    5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
    6. Once In Love With Amy- Ray Bolger
    7. Wunderbar- Alfred Drake,Patricia Morison
    8. Some Enchanted Evening- Ezio Pinza
    9. Lost In The Stars- Todd Duncan
    10. Diamonds Are A Girl's Best Friend- Carol Channing
    11. Luck Be A Lady- Robert Alda,Guys
    12. Getting To Know You- Gertrude Lawrence
    13. Who Cares?- Jack Carson,Betty Oakes
    14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
    15. Ballad Of Mack The Knife- Gerald Price
    16. Hey There- from "The Pajama Game" John Raitt
    17. Whatever Lola Wants- Gwen Verdon
    18. I Could Have Danced All Night- Julie Andrews
    19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
    20. The Party's Over- Judy Holliday
    21. Glitter And Be Gay- Barbara Cook
    22. Tonight- Larry Kert, Carol Lawrence

    Tracks:

    1. Seventy-Six Trombones- Robert Preston
    2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
    3. Everything's Coming Up Roses- Ethel Merman
    4. My Favorite Things- from "The Sound Of Music" Mary Martin
    5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
    6. Try To Remember- Jerry Orbach
    7. Camelot- from "Camelot" Richard Burton
    8. Love Makes The World Go 'Round- Anna Maria Alberghetti
    9. I Believe In You- Robert Morse And Co.
    10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
    11. Comedy Tonight- Zero Mostel
    12. What Kind Of Fool Am I?- Anthony Newley
    13. As Long As He Needs Me- Georgia Brown
    14. Hello, Dolly!- Carol Channing,Cast
    15. People- Barbra Streisand
    16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
    17. If I Were A Rich Man- Zero Mostel
    18. Night Song- Sammy Davis, Jr.
    19. The Impossible Dream- Richard Kiley
    20. If My Friends Could See Me Now- Gwen Verdon
    21. Open a New Window- from Mame Voice

    Tracks:

    1. Willkommen- from "Cabaret" Joel Grey
    2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
    3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
    4. The Ladies Who Lunch- from "Company" Elaine Stritch
    5. Tea For Two- Roger Rathburn,Susan Watson
    6. I'm Still Here- Yvonne De Carlo
    7. I Don't Know How To Love Him- Yvonne Elliman
    8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
    9. Corner Of The Sky- John Rubinstein
    10. Send In The Clowns- Glynis Johns
    11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
    12. One- from "A Chorus Line" Cast
    13. All That Jazz- Chita Rivera,Ensemble
    14. Tomorrow- Andrea Mcardle
    15. Don't Cry For Me Argentina- Patti Lupone
    16. Come Follow The Band
    17. Lullaby Of Broadway- Jerry Orbach
    18. And I'm Telling You I'm Not Going- Jennifer Holliday
    19. The Bells Of St. Sebastian- Raul Julia

    Tracks:

    1. Memory- Betty Buckley
    2. I Am What I Am- George Hearn
    3. Move On- Bernadette Peters,Mandy Patinkin
    4. Do You Hear The People Sing?- Michael Maguire,Cast
    5. The Music Of The Night- Michael Crawford
    6. You're Nothing Without Me- James Naughton,Gregg Edelman
    7. The American Dream- Jonathan Pryce,Cast
    8. Doctor Jazz- Gregory Hines,Company
    9. With One Look- Glenn Close
    10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
    11. Le Jazz Hot- Julie Andrews,Ensemble
    12. Seasons Of Love-
    13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
    14. I Wanna Be A Producer- Matthew Broderick,Ensemble
    15. Dancing Queen- Louise Plowright,Jenny Galloway
    16. Good Morning Baltimore- Marissa Jaret Winokur
    17. Movin' Out- Michael Cavanaugh,Band
    18. I Go To Rio- Hugh Jackman,Company
    19. Defying Gravity- Kristin Chenoweth,Idina Menzel

    Customer Reviews:

    5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

    Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

    5 out of 5 stars Top Shelf.......2007-01-04

    This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

    5 out of 5 stars TERRIFIC CD'S.......2006-03-23

    THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

    5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

    This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

    5 out of 5 stars Great Compilation!.......2005-01-17

    If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
    Stop the World - I Want to Get Off (Original Broadway Cast)
    Average customer rating: 5 out of 5 stars
    • Stop the World I Want to Get Off, Broadway cast
    • a classic score of the 60's
    • Great musical with great classic songs
    • NOT ALONE ANYMORE
    • Anthony Newley's Finest Hours!
    Stop the World - I Want to Get Off (Original Broadway Cast)
    Anthony Newley , and Leslie Bricusse
    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    Release Date: 2001-05-15

    Tracks:

    1. Overture/The A.B.C. Song/I Wanna Be Rich
    2. Typically English
    3. Lumbered
    4. Glorious Russian/Meilinki Meilchick
    5. Gonna Build A Mountain
    6. Typische Deutsche
    7. Family Fugue/Nag! Nag! Nag!
    8. Once In A Lifetime
    9. All American
    10. Mumbo Jumbo
    11. Someone Nice Like You
    12. What Kind Of Fool Am I?

    Customer Reviews:

    5 out of 5 stars Stop the World I Want to Get Off, Broadway cast.......2005-09-04

    If you are a fan of Anthony Newley you will find this superb C.D. a welcome addition to your collection. It is easy to understand why this musical is considered Newley's finest. In addition to playing the lead role, he wrote, directed and composed many memorable pieces of music including "What Kind of Fool Am I", "Once I In a Lifetime", "Gonna Build a Mountain", and many, many more. His genious is well defined in this piece, it's a joy.

    Dottie Conlon

    4 out of 5 stars a classic score of the 60's.......2005-04-27

    STOP THE WORLD - I WANT TO GET OFF is one of the most fascinating musical theatre scores of the 1960s, the `new-style musical' was written by Leslie Bricusse and Anthony Newley and was largely tailored to Newley's vocal style.

    Rarely has the score been bettered than on the original Broadway cast album, crisply reissued here on the Decca Broadway label. Anthony Newley and his pert leading lady, underrated British performer Anna Quayle, perform the score with flash and verve. The entire score is fantastic though the penultimate number "Someone Nice Like You" must count as one of the most beautiful love songs ever written for the musical stage.

    Anna Quayle is a marvellous performer, sadly only really remembered for her role as the Baroness in the movie of CHITTY CHITTY BANG BANG (a role that is great but does not represent all she was capable of), and Anthony Newley, who also headed the London company to perhaps ever greater acclaim, is in his element.

    A top cast album.

    5 out of 5 stars Great musical with great classic songs.......2003-07-13

    This Bricusse-Newley musical is still fresh today. Some of the songs are classic. They include "What Kind of Fool am I" and "Once in a Lifetime". Newley's voice and vocal range was at its height when this album was recorded. If you like the music in this show then you will also like the music from "Roar of the Greasepaint, Smell of the Crowd".

    5 out of 5 stars NOT ALONE ANYMORE.......2002-10-03

    I THOUGHT I WAS THE ONLY ONE WHO LIKE HIM, SILLY ME . THIS WAS MY SECOND ALBUM I BOUGHT OF HIS ,IN A LONG LIST . NEWLEY'S STRONG VOICE AND PERSONALITY ARE THE VERY BEST.

    YOU CAN ALMOST SEE THAT VERY EXPESSIVE FACE OF HIS, IT WA SA SHAME HIS PERFORMANCE WAS NOT CAPTURED ON FILM, STILL EVEN WITH OUT SEEING HIM. THE BLENDING OF SONG AND STORY ARE TIME LESS, THAT IT COULD BE ON BROADWAY TODAY WITHOUT BEING DATED.

    THE STORY OF LITTLE CHAP AND EVIE , COULD BE ANY ONE OF US GOING THROUGH LIFE'S UP AND DOWNS.

    5 out of 5 stars Anthony Newley's Finest Hours!.......2002-09-25

    To say that 'Stop the World' was a revolutionary musical in the days of sugar and spice, nicey-nicey musicals would be an understatement. To suggest that Anthony Newley was one of the finest singer-songwriter-performers of our time would be like saying the Pope is Catholic. To say that Decca has done us all a favour by finally reissuing this tuneful cast recording on CD would however be ACCURATE!
    Anthony Newley died in April 1999 after losing his battle with cancer. The battle of fame he never lost and left behind a wonderful collection of musicals, songs, tv and cabaret performances that we can love again and again. But the finest of all of Newley's output was this musical. Co-wrote with Leslie Bricusse, Anthony Newley made the role of Littlechap totally his own. Not even Sammy Davis Jnr, Joel Gray or Tony Tanner in the film version could match that unique quality of style and originality that Newley exudes in this fantastic tour de force role.
    For fans of musicals unfamiliar with Newley's work, you will not be sorry when you buy this CD. For Newley fans - why haven't you already bought your copy!!
    Enjoy, one and all, Anthony Newley at his very best.
    Paul Goodhead - President
    Anthony Newley Society Worldwide.
    Kiri
    Average customer rating: 5 out of 5 stars
    • Great representation of music from a great singer
    • Beautiful voice, great collection
    • Magnificent
    • Kiri Te Kanawa Is Peerless
    • I stood up also!!
    Kiri
    Kiri Te Kanawa , Giacomo Puccini , Wolfgang Amadeus Mozart , George Frideric Handel , George Gershwin , Giuseppe Verdi , Paul McCartney , Erich Wolfgang Korngold , Marie-Joseph Canteloube , and Gustave Charpentier
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    1. Kiri Te Kanawa - Ave Maria
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    5. Kiri! Her Greatest Hits Live

    ASIN: B00005O83O
    Release Date: 2001-11-20

    Tracks:

    1. Samson: Let The Bright Seraphim - Kiri Te Kanawa/Crispian Steele-Perkins
    2. Le Nozze Di Figaro: Dove Sono
    3. Vesperae Solennes De Confessore, K.339: Laudate Dominum - Kiri Te Kanawa/Chor Of St Paul's Cathedral
    4. Ave Maria
    5. La Traviata: Attendo, Attendo... Addio Del Passato
    6. Tosca: Vissi D'arte
    7. Gianni Schicchi: O Mio Babbino Caro
    8. Adriana Lecouvreur: Ecco: Respiro Appena. Lo Son L'umile Ancella
    9. La Rondine: Chi Il Bel Sogno Di Doretta
    10. Louise: Depuis Le Jour
    11. Requiem: Pie Jesu
    12. Chants D'Auvergne: Bailero
    13. West Side Story: Tonight - Kiri Te Kanawa/Jose Carreras
    14. Porgy And Bess: Summertime - Kiri Te Kanawa/New York Choral Artists
    15. Oh, Kay!: Someone To Watch Over Me
    16. Roberta: Smoke Gets In Your Eyes
    17. Follow The Fleet: Let's Face The Music And Dance
    18. High Society: True Love - Kiri Te Kanawa/Jim Hughes
    19. Liverpool Oratorio: The World You're Coming Into
    20. World In Union

    Customer Reviews:

    5 out of 5 stars Great representation of music from a great singer.......2007-01-07

    A terrific album by a great singer. This album represents the considerable territory that Kiri Te Kanawa covers in here repertoire. She moves easily from Handel to Puccini to Jerome Kern. The insertion of classic show tunes as a part of this CD is a nice little plus. Some opera stars absolutely kill popular music by overwhelming it with operatic technique (listen to Richard Tucker singing "What now my love"; this is a pleasant little tune, but it can't stand up to Tucker's voice of steel, using all the power at his command). Te Kanawa sings these songs, for the most part, nicely and does not overpower them with operatic conventions.

    She does a wonderful job on Handel's "Let the bright seraphim," displaying good coloratura technique, as a matter of fact. This cut nicely illustrates the clean sound of her voice. Her version of "Dove sono" (from Mozart's Le Nozze di Figaro) is a reflective rendering of this aria. The smoothness of her vocal line is wonderful to hear. Her version of "Vissi d'arte" (from Puccini's Tosca) also illustrates the art of Dame Kiri.

    The popular tunes that follow are very interesting. She and Jose Carreras, at the outset, begin to overwhelm "Tonight" (from "West Side Story," with--by the way--Leonard Bernstein himself conducting this cut), making it appear that this might be one of those dismal pieces where opera singers wreck songs. However, shortly thereafter, the song becomes more Broadway than Metropolitan Opera, and that is to the good. Better still are Te Kanawa's versions of classic songs such as "Summertime" (from Gershwin's Porgy and Bess), where singing in a higher register works nicely and where she treats the song on its own terms; just so, Jerome Kern's "Smoke gets in your eyes" is sung so well. It is a poignant version of this song.

    All in all, for those who are curious about Dame Kiri Te Kanawa, this is one interesting entrée. Well worth acquiring and listening to.

    5 out of 5 stars Beautiful voice, great collection.......2005-11-21

    I think Kiri has a beuatiful voice, she is never overtly dramatic, but the people who call her the "church soprano" should hear this album. She can sing sacred music better than many other opera stars, but she is so great as Countess in Mozart's Figaro. This is a great collection of many different pieces, from operas, sacred works, musicals, all sung with lots of feeling. Let The Bright Seraphim is the aria she sang at the wedding of Princess Diana and Prince Charles, it is such a splendid performance. My favourite piece on this album is probably Mozart's Laudate Dominum, but there are no disappointing songs here. Her voice is so warm, and she really gets involved with the text. If you are a big fan of Kiri, you should get this collection, it is such a nice selection of her greatest hits, and it is a very good introduction for new fans.

    5 out of 5 stars Magnificent.......2005-02-20

    I admit straightout to know nothing of opera - the cd is my first of its kind. Knowledge, however, is not required to enjoy this cd, only the ability to listen and feel.

    Hearing her voice used as an instrument so beautifully I cannot but fall a little in love with her whenever listening to it.

    The selection of tracks is varied; I probably prefer the classical tracks, but all are well performed in my opinion.


    5 out of 5 stars Kiri Te Kanawa Is Peerless.......2004-07-11

    She looks and sounds so beautiful. The first time I ever heard the inimitable voice of Kiri Te Kanawa was on a recording of Salaambo's aria from CITIZEN KANE for the RCA film classics series on vinyl. It was one of the most haunting and beautiful pieces of music ever composed by Bernard Herrmann. It was Kiri Te Kanawa performance of this piece that was so incredible. I had seen the film several times, but to hear a high fidelity recording of Kiri Te Kanawa on this particular piece really demonstrated not only the raw talent but also a depth of intuitive emotion that she brought to Herrmann's composition. Anyone that could interpret the inner struggle behind Herrmann's music so precisely demonstrated an uncommon ability to become one with the music. Her performance of "Ave Maria" on this CD is referent and exquisite. I love Leonard Bernstein's piece from WEST SIDE STORY that Kiri performs so vibrantly with Jose Carreras. I still can't pronounce her entire name correctly but Kiri Te Kanawa is the epitome of a well-honed talent. The selections on this CD are appreciably diverse demonstrating her phenomenal range and abilities. Kiri Te Kanawa has been and still is a gift to us all. This CD is wonderful.

    5 out of 5 stars I stood up also!!.......2003-07-31

    Yes, Kiri at 59 is something special indeed. The great moment for me in Edinburgh was Reynaldo Hahn's à Chloris - I always thought Susan Graham owned this song, but Kiri's version from that moment on was the one I will always remember.

    Do catch her & the wonderful Julian Reynolds with a similar program at the Royal Festival Hall on november 24th. If you have any money left buy this album from amazon.com. Great cover!
    Pure Gershwin
    Average customer rating: 4.5 out of 5 stars
    • you cant beat an Ira lyric.
    • A Wonderful CD
    • Quiet and elegant
    • Disappointed
    • they can't take that album away from me
    Pure Gershwin
    Michael Feinstein
    Manufacturer: Elektra / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002H4W
    Release Date: 1990-10-25

    Tracks:

    1. S' Wonderful
    2. Our Love Is Here To Stay
    3. Liza
    4. The World Is Mine
    5. They Can't Take That Away From Me
    6. Isn't It A Pity?
    7. Let's Call The Whole Thing Off
    8. Embraceable You
    9. What Causes That?
    10. He Loves And She Loves/How Long Has This Been Going On
    11. They All Laughed
    12. The Girl I Love
    13. Someone To Watch Over Me

    Amazon.com

    Pure Gershwin was Michael Feinstein's first album, and it remains one of his best. It may not have the production values of his later Gershwin tributes, Nice Work if You Can Get It (1996) and Michael & George (1998), but it simply and directly presents Feinstein in his piano-bar days, singing to his own tasteful accompaniments with occasional contributions from bass and drums and a second piano. Establishing the patterns for his later albums, he sings unjustly neglected verses to familiar songs, uncovers some never-before-recorded gems ("The World Is Mine," "What Causes That"), and provides song-by-song notes. Longtime friend Rosemary Clooney guests on "Isn't It a Pity?" --David Horiuchi

    Customer Reviews:

    5 out of 5 stars you cant beat an Ira lyric........2007-01-05

    this is good...and just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. I REPEAT: just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. listen & enjoy some great american music. you cant beat an Ira lyric.

    5 out of 5 stars A Wonderful CD.......2005-05-19

    PURE GERSHWIN is just that, pure!. Feinstein interprets Gershwin the way it was meant to be performed. This is pure delight!

    4 out of 5 stars Quiet and elegant.......2003-04-20

    Michael Feinstein's thin voice is compensated by his apparent enthusiasm for the material and a spare arrangement of piano, bass, and drum that gives this recording the ambiance of an intimate piano bar. Before hearing this disc, I knew only Gershwin's biggest hits, so many of the numbers here were new to me and increase my appreciation of that great American composer.

    2 out of 5 stars Disappointed.......2003-04-10

    I bought this cd because I am a huge Gershwin enthusiast and am always on the lookout for versions of one of my favorite pieces, "Liza". I'd heard a lot of buzz about Feinstein and the supposed wonderfulness of his Gershwin interpretations, so I thought I would give this album a shot.

    I was extremely disappointed. Feinstein seems to suck the life out of Gershwin's compositions, a feat I would have previously thought impossible. Though I concede that vocalists are free to reinterpret songs (many to a great success, as in Louis Armstrong's and Ella Fitzgerals's enjoyable versions of Gershwin), I think Feinstein's lazy tempos "loungy" voice make the tracks on this album boring and annoying.

    I have loved to listen to and sing these songs my entire life. I just wanted to warn listeners who perhaps, like myself, enjoy George Gershwin's music for its beautiful clarity and energy (as easily experienced through Gershwin's own recordings, early interpretations by artists such as the Astaires, and even recent broadway "Crazy For You") that they will not experience any feeling of the sort from Michael Feinstein.

    Amidst all the gushing that has recently been done over him, I found Michael Feinstein to have attempted to murder "Liza" and the other songs on this album. He merely displays a very unexceptional voice and poor interpretive taste. Fans beware, Feinstein proves that it is possible to make a bad cd of Gershwin songs. I'd recommend listening elsewhere.

    5 out of 5 stars they can't take that album away from me.......2002-05-09

    they say the third time's a charm, but in this instance, it is the first time -- michael feinstein's first gershwin album -- that is the charm. this album is by far better and more listenable than the next two -- "feinstein sings gershwin" and "nice work if you can get it".

    the listenability of this album may stem from the fact that it is a bare-bones arrangement, with two pianos, a bass and drums, a la a jazz trio, with no embellishment, so michael feinstein's then sincere and unsophisticated voice is the featured instrument.

    i heartily recommend this album, as every song on it is a gem and feinstein's voice is more appealing than on the two later albums, when he jazzed it up with what sounds like an echo chamber and other electronic enhancements and he seems to be doing the songs by the numbers.

    feinstein's version of "liza," slowed down to ballad form and plaintively phrased, is the best i have ever heard. the duet with rosemary clooney on "isn't it a pity," again brings out the best of feinstein's then-new voice and shows why george's (clooney) aunt is rightfully considered a jazz legend.

    the combined "he loves and she loves/how long has this been going on" is another melodic/poignant highlight, while the album's finale, "someone to watch over me," is a stirring anthem to wanting and needing someone and is done with vocal and instrumental passion; it brings this collection of songs to a fitting crescendo.

    for a lawyer's kid from columbus, ohio who started out cataloguing gershwin estate material for the reclusive ira and then began singing the songs for family and friends, michael feinstein has done all right for himself. he has become the recognized interpreter of the gershwin legacy, sort of the same way his pseudo-cousin, john, jr. feinstein, has become the recognized interpreter of the bob knight legacy... .

    michael feinstein may have hit a home run his first time up with this album, and it may be his best, as it is the purest and most joyful celebration of gershwin tunes, while the others are fancier, more jazzed up and ponderous and less appealing.

    the other albums are certainly not bad, though, and i recommend buying them to fill out a feinstein or gershwin collection, but this one is by far the best one to get if you are only going to get one as a sample of either's work. it is nice work, and you can get it.
    A Star Is Born (Expanded 1954 Film Soundtrack)
    Average customer rating: 5 out of 5 stars
    • Forgive the cheesy title, but a star is re-born once again.
    • A Star Is Born Soundtrack Review
    • Judy at her peak!
    • a "Star" shines like never before...
    • Musical perfection of the highest magnitude!!!
    A Star Is Born (Expanded 1954 Film Soundtrack)
    Judy Garland , Harold Arlen , and Ira Gershwin
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00009KU7U
    Release Date: 2004-05-18

    Tracks:

    1. Overture
    2. Night Of The Stars
    3. Gotta Have Me Go With You
    4. Norman At Home
    5. Pasion Oriental
    6. The Man That Got Away
    7. Cheatin' On Me
    8. 'I'm Quitting The Band...'
    9. The Man That Got Away (Instrumental Version)
    10. Esther In The Boarding House
    11. Oliver Niles Studio
    12. Esther's Awful Makeup
    13. First Day In The Studio
    14. Born In A Trunk (Medley)
    15. Easy Come, Easy Go
    16. Here's What I'm Here For
    17. The Honeymoon
    18. It's A New World
    19. Someone At Last
    20. Lose That Long Face
    21. Norman Overhears The Conversation
    22. It's A New World (Alternate Take)
    23. The Last Swim
    24. Finale - End Credits
    25. When My Sugar Walks Down The Street
    26. The Trinidad Coconut Oil Shampoo Commercial

    Customer Reviews:

    5 out of 5 stars Forgive the cheesy title, but a star is re-born once again........2007-07-09

    In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)

    In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.

    In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.

    This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.

    The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)

    Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.

    Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.

    5 out of 5 stars A Star Is Born Soundtrack Review.......2007-01-10

    A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.

    5 out of 5 stars Judy at her peak!.......2006-05-30

    Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
    The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
    A must-have for every serious Garland collector.

    5 out of 5 stars a "Star" shines like never before..........2005-04-27

    This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.

    The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.

    "When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.

    5 out of 5 stars Musical perfection of the highest magnitude!!!.......2005-02-25

    Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!

    And her instrument was showcased at its best in the music from her triumphant "A Star is Born".

    This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.

    The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.

    Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.
    The London Trombone Sound
    Average customer rating: 5 out of 5 stars
    • This is a must for any trombone player
    • this is my FAVOURITE trombone cd...
    • Umm, WOW!
    • way cool
    • Like trombones?
    The London Trombone Sound

    Manufacturer: Cala
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Trombonastics
    2. Four of a Kind, Music for Trombone Quartet
    3. Cream of the Crop
    4. The Virtuoso Trombone
    5. The London Horn Sound

    ASIN: B00000FDDB
    Release Date: 2006-11-20

    Tracks:

    1. Fanfare For CALA
    2. Theme From 'The Pink Panther'
    3. Someone To Watch Over Me
    4. Domine Ad Adinuandum From Vespers
    5. Intermezzo
    6. Galop From Eight Aphorisms
    7. Sonata Pian e Forte
    8. Adagio
    9. Layla
    10. 76 Trombones

    Product Description

    Cala once again brings you some of the finest orchestral musicians in London; this time the focus is on the trombone section. With outstanding arrangements by Eric Crees, principal trombone of the London Symphony Orchestra, this disc represents the ultimate showcase for this versatile instrument. In a blistering finale featuring 76 trombones -- yes 76! - playing Meredith Wilson's classic 76 Trombones this has got to be the most trombone players ever assembled for a recording, and the sound has to be heard to be believed. From the cheeky jazz treatment of the Pink Panther theme tune, via recognised classics, to a roof-raising interpretation of Eric Clapton's Layla this disc is great fun...indulge yourself!

    Customer Reviews:

    5 out of 5 stars This is a must for any trombone player.......2005-06-24

    I listened to just a couple of the clips that were presented on this page and...wow...these guys are hard-core-bad-to-the-bone. I am an avid trombone player and I love this CD. To me it shows off just how capable and versatile the instrument that we all love is.

    5 out of 5 stars this is my FAVOURITE trombone cd..........2004-04-14

    ...and I've got 'em all!

    you just can't beat those smooth solos in 'the pink panther' and 'someone to watch over me' and you'll be humming the bass trombone lines from 'layla' for a long while to come.

    fantastic.

    5 out of 5 stars Umm, WOW!.......2004-01-10

    Wow is the only way to describe this CD. 76 trombones playing 76 trombones in a big cathedral, doesn't get any better than that. It also has a ton of really great arrangements of great songs. Trombones doing Claptons Layla, oh yeah!

    5 out of 5 stars way cool.......2003-10-03

    This is one of the most exciting, most musical brass recordings you will find. These bone players obviously had a terrific time making the recording - just wait until you hear their version of Clapton's Layla!

    5 out of 5 stars Like trombones?.......2002-04-08

    If the sound of trombones stirs your heart, here is just the CD for you. 16 trombonists from various British orchestras ban together in this compilation. The result? Wow! That's all I can say!

    The music chosen is a great mix of classical / chorale pieces as well as some more jazzy tunes. Composers such as Gershwin, Brahms, Mancini and Monteverdi are all represented. My favorite track is Gabrieli's SONATA PIAN e FORTE. Performed by a trombone ensemble, the effect is truly captivating.

    One of the most innovative pieces is an arrangement of Barber's Adagio for Strings. Yup, that's right: it's performed by trombonists & the results are very impressive. Something I would have never thought of, but the gracefull & brassy sounds of the trombone add a dimension to the brooding Adagio that most people would not have imagined possible.

    For diversity, the album also contains the theme from the PINK PANTHER as well as an Eric Clapton tune (LAYLA) jazzed up for maximum entertainment. Then, to top off the album, an additonal 60 trombones are brought in to perform (of course) 76 TROMBONES.

    I would highly recommend this CD to all persons who can't help but smile @ the sound of a well played trombone. I would even surmise the people who have never thought much of the instrument would get hours & hours of enjoyment from listening to this album. It's that good. Trust me.
    Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
    Average customer rating: 5 out of 5 stars
    • Great CD
    • Simply the Best
    • Inconsistent, but mostly excellent
    • "Celebration" is not strong enough a word
    • A maginificent evening, a magnificent album
    Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
    Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
    Manufacturer: RCA Victor Broadway
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Sondheim Evening: A Musical Tribute (1973 Concert Cast)
    2. Side By Side By Sondheim (1976 Original London Cast)
    3. Send in the Clowns: The Ballads of Stephen Sondheim
    4. Sondheim: A Celebration at Carnegie Hall / Liza Minnelli, Patti LuPone, Bernadette Peters, Glenn Close
    5. Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

    ASIN: B000003FDW
    Release Date: 1993-02-23

    Tracks:

    1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
    2. Evening Introduction--Bill Irwin
    3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
    4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
    5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
    6. Being Alive--Patti LuPone
    7. Good Thing Going--The Tonics
    8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
    9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
    10. Anyone Can Whistle--Billy Stritch
    11. Water Under the Bridge--Liza Minnellli, Billy Stritch
    12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

    Tracks:

    1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
    2. Sooner or Later--Karen Ziemba
    3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
    4. Green Finch and Linnet Bird--Harolyn Blackwell
    5. The Ballad of Booth--Patrick Cassidy, Victor Garber
    6. Broadway Baby--Daisy Eagan
    7. I Never Do Anything Twice--BETTY
    8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
    9. Not a Day Goes By--Bernadette Peters
    10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
    11. Send in the Clowns--Glenn Close
    12. Old Friends--Liza Minnelli
    13. Sunday--Bernadette Peters, Broadway Chorus

    Customer Reviews:

    4 out of 5 stars Great CD.......2006-08-06

    This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

    5 out of 5 stars Simply the Best.......2005-06-29

    First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

    In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

    In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

    If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

    4 out of 5 stars Inconsistent, but mostly excellent.......2004-03-21

    I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

    5 out of 5 stars "Celebration" is not strong enough a word.......2003-04-30

    This review is by Crosley.

    I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

    There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

    I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

    5 out of 5 stars A maginificent evening, a magnificent album.......2001-12-16

    There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

    This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

    My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."

    Album Review:

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