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Disc: 1
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1. Ocean Club
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2. Die Sonne - Blixa Bargeld, Gudrun Gut
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3. Yadiyadi - Gudrun Gut, Anita Lane
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4. Pearl - Gudrun Gut,
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5. Drip - Katharina Franck, Gudrun Gut
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6. Tide - Gudrun Gut, Jayney Klimek
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7. Diving - Gudrun Gut,
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8. Butterfly - Gudrun Gut, Inga Humpe
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9. Firething - Gudrun Gut, Anita Lane
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10. Martini
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See all 18 tracks on this disc
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Disc: 2
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1. Woods [Yadiyadi Maxi Track]
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2. Yadiyadi [Yadgirl Good Mix]
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3. Yadiyadi [Yadiland 1 Paul Van Dyk Mix]
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4. Die Sonne [Klaus Schulze Hardcover Mix]
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5. Die Sonne [Thomas Fehimann Flow Mix]
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6. Die Sonne [Effective Force Black Sunset Mix]
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7. Firething [Radio Mix]
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8. Firething [Ian Pooley Mix]
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9. Firething [the Orb Fire Dub Mix]
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10. Butterfly [Spinout Butterfliege Dub Mix]
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See all 12 tracks on this disc
Members of the Oceanclub,Gudrun Gut,Moabit,Dance Music,Pop
Average customer rating:
- Epic sonic landscapes
- Conan the Barbarian...
- One of The All-Time Great Soundtracks
- Great soundtrack
- Tis Good!
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Conan the Barbarian
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD
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ASIN: B00008O89K
Release Date: 2003-03-13 |
Tracks:
- Prologue/Anvil of Crom
- Riddle of Steel/Riders of Doom
- Gift of Fury
- Column of Sadness/Wheel of Pain
- Atlantean Sword
- Theology/Civilization
- Love Theme
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Amazon.com
This early '80s sword-and-steroids epic by writer/director John Milius is notable for making a bankable action-star of Arnold Schwarzenegger and cementing the reputation of film composer Basil Poledouris (Robocop, Hunt For Red October, Free Willy, Starship Troopers). A dream assignment for a young composer eager to showcase the range his skills, the lusty Conan score hearkens back to the '30s heyday of Erich Wolfgang Korngold's unabashed Euro-classicism, but with enough modern rhythmic and percussive flourishes to satisfy the modern listener. Buyer beware--this music is not intended for rush hour commute listening, and Amazon.com will not be held liable for the carnage such exposure might inspire. --Jerry McCulley
Album Description
Basil Poledouris' exciting score to Arnold Schwarzenegger's 1982 barbarian epic. 12 tracks. Warner Music. 2003.
Album Details
The Original Soundtrack the Governor Arnold Schwarzenegger's Motion Picture Debut Film, Written by Basil Pouledouris.
Customer Reviews:
Epic sonic landscapes.......2007-06-30
Aside from the fact that this soundtrack stands on its own as a phenomenal piece of fine art, there is another thing I'd like to add to all above reviews. The score has been written so masterfully that in effect it tells the whole story by itself. Every piece has been written by the composer to reflect current scene in its spirit and with finest storytelling qualities. I have listened to these tracks over and over, and the mind drifts automatically from scene to scene with no need for visuals. You just know which moment of the movie you are in, if you but seen it once. If you haven't, you can likely imagine the scenes, as the music is alive with epic landscapes, tonal adventures, and boundless emotion. This being said, The Anvil of Crom will surely become one of your all time favorites if orchestral scores on par with Flight of Valkyries is your thing.. I have read somewhere that the composer spent close to a year writing all tracks, and tried to make all musical elements closely resemble what people think of being 'medieval' and 'historical' sound. I know of few soundtracks which fit the screenplay so precisely, and it is the only soundtrack CD I have ever bought =)
Conan the Barbarian..........2007-05-08
Among others, I miss Bail Poledouris also. "Conan the Barbarian" is an outstanding soundtrack. I also have the "Varese" edition, I bought it back in the 90's for $11.99.
My only complaint: If you remember the scene just before Conan kills the giant snake, he stumbles onto that jade copy of Thulsa Doom's "two snakes" symbol and freezes for a few seconds (just before the female sacrifice jumps in), that violin passage was the best part of the movie for me (it lasted maybe one minute!). I wish that violin solo was on the soundtrack, but, alas, no such luck!
Still, the soundtrack garners '5' stars from me...
One of The All-Time Great Soundtracks.......2007-03-21
This soundtrack is phenomenal! From the very first cut, the main theme "Anvil of Crom," the Conan The Barbarian soundtrack hooks you with its huge martial sound of heavy percussion and blaring horns.
Basil Poledouris proved that he could capture the essence of the character, and set the moood of each scene, whether it required foreboding, mystery, romance, humor, and especially, combat.
Just as this movie launched Arnold Schwarzenegger as a major movie star, this soundtrack launched Basil Poledouris as a major league composer, conductor, and soundtrack creator. If you love rousing, thrilling, penetrating music, this is the soundtrack for you.
Great soundtrack.......2007-03-18
I love it from beginning to end. I like the soundtrack when I first saw the movie. My favorite part is the beginning. I would recommend it.
Tis Good!.......2007-03-11
If you've seen the movie then you know the music, if you havn't seen the movie... then why the heck are you looking at the soundtrack??? All and all, if you just want good instrumental! Then Boom! There You Go!
Average customer rating:
- Good Music to Sleep By
- Enjoyment
- Best Music to Have on When You Work
- Excellent for Massage!
- MOZART FOR MEDITATION
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Mozart for Meditation
Manufacturer: Philips
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ASIN: B0000041CD
Release Date: 1995-01-17 |
Tracks:
- Flute Concerto No. 1 In G
- Piano Concerto No. 23 in A
- Horn Concerto No. 4 In E-Flat
- Symphony No. 31 In D: Symphony No. 31 In D - Andante
- Piano Concerto No. 15 In B-Flat
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- Concerto For Flute And Harp I - In C - Andatino
- Piano Concerto No. 27 In B-Flat
- Symphony No. 34 In C: Symphony No. 34 In C - Andante Di Molto
- Fantasia In D Minor
Customer Reviews:
Good Music to Sleep By.......2007-06-08
Well, as far as music for meditation goes, I'm not so sure about this product for that purpose. When I meditate, I tend to need more monotonous sounds to do it by - however, this CD is GREAT for relaxation and sleeping. So I still give it 4 out of 5 stars even though I won't be using it for its stated purpose. Still well-worth the money.
Enjoyment.......2007-05-07
All the pieces are the perfect ones for the relaxation. As a collector I am impressed of the selections chosen for this album.
Best Music to Have on When You Work.......2007-01-22
When I am working and I need to block out sounds to concentrate on what I am doing, I always put on this CD. Besides the fact that it is easy to listen to, it doesn't distract me from my work, and I never get bored or tired of the music. I'm reluctant to purchase a similar album in the fear that it won't be as good as the Mozart Meditation.
Excellent for Massage!.......2006-04-06
I'm a licensed massage therapist, and I absolutely adore using this CD during my sessions! It's a great alternative to the new age-y music styles that are so pervasive in the relaxation music scene -- my clients find this CD soothing & relaxing, and not at all "weird". This music suports a "relaxed but focused" atmosphere -- it serves as excellent white noise in the lobby area, and I even use it at home as a soothing backdrop for reading/ sewing/ paperwork/ etc. Excellent arrangements & clarity -- DON'T MISS!
MOZART FOR MEDITATION.......2005-09-07
Excellent CD. Love to have it playing in the background of my daily schedule. Soothing. Gentle. Contemplative. HIghly recommend it.
Average customer rating:
- A Legendary Singer.
- Lorraine Hunt Lieberson's Bach: The mind of God revealed!!
- Glorious singing to treasure for decades
- Lorraine Hunt-Lieberson (1954-2006), supreme Handelian
- The Stellar Hunt Lieberson
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Lorraine Hunt Lieberson: Handel Arias
Manufacturer: Avie
ProductGroup: Music
Binding: Audio CD
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ASIN: B00022LZW8
Release Date: 2004-08-10 |
Tracks:
- Ah! Whither Should We Fly...
- ...As With Rosy Steps The Morn
- O Bright Example Of All Goodness!...
- ...Bane Of Virtue, Nurse Of Passions
- The Clouds Begin To Veil The Hemisphere...
- ...Defend Her Heav'n!
- Lord, To Thee Each Night And Day
- She's Gone, Disdaining Liberty And Life...
- ...New Scenes Of Joy
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Cantata
- Se Bramate D'amar, Chi Vi Sdegna
- Frondi Tenere E Belle...
- ...Ombra Mai Fu
Amazon.com
If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine
Customer Reviews:
A Legendary Singer........2007-03-07
I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.
Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06
These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California
Glorious singing to treasure for decades.......2006-07-11
By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!
Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06
I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.
The Stellar Hunt Lieberson.......2006-03-19
Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.
Average customer rating:
- "Going For Baroque"
- PLEASE BE AWARE
- Bubble Bath Baroque
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Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away
Manufacturer: Philips
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ASIN: B0000041DS
Release Date: 1995-08-15 |
Tracks:
- Guitar Concerto in D: Largo
- Oboe Concerto In D Minor: Adagio
- Oboe Concerto In D Minor: Siciliano
- The Four Seasons ( Winter): Largo
- Flute Concerto No. 3 In D: Cantabile
- Guitar Concerto in A minor: Largo
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- Flute Concerto In G: Arioso
- Concerto No 1 In B Flat For Oboe, Strings & Continuo: Adagio
- Oboe Concerto No 1 In B Flat: Largo
- Concerto In A: Sicilienne
- Concerto In G For Two Guitars: Andante
- Concerto In D For Oboe, Strings & Continuo: Grazioso
- Concerto In C For Oboe, Strings & Continuo: Introduzione (Larghetto)
- Oboe Concerto In C: Siciliana
- Water Music (Suite No 1 In F): Air
- Oboe Concerto No 2 In B Flat: Andante
- Suite No 1: Andante
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Customer Reviews:
"Going For Baroque".......2007-07-30
Whether you have cares you want to banish or not, you will delight in this CD. The album is perfectly balanced, and each piece moves seamlessly into the next, never jarring you to attention, but soothing you and leaving you feeling peaceful and relaxed. The album works well at the end of the day, but I have listened to it at the start of the day too, and it created a nice mood for a day just beginning to unfold.
I recommend this album for anyone wanting to enjoy a lovely, unpretentious, and relaxing interlude.
PLEASE BE AWARE.......2007-02-25
The audio samples given here are from the Vivaldi for Valentines CD in this same Philips series. NOT Bach.
The Vivaldi was great, though.
Bubble Bath Baroque.......2005-09-27
Light some candles, run a bubble bath, put in bath beads, pop this CD into your stereo and indulge in a bath that would mean you've pampered yourself in extremis. This particular recording from the popular Set Your Life To Classical series is a real treat for Bathtime, or in my opinion, anytime. It is indeed, as the title suggests, a relaxing serenade to wash your cares away. It is therapy, a perfect companion to a massage, reading a book, drinking tea, anything you can do alone to pamper yourself and to relax. Iona Brown, a female conductor, takes Sir Neville Marriner's place and conducts the Academy of St Martin In The Fields performing such works as the opening track - the Lute Concerto by Vivaldi as well as Track 4's Largo from the Winter movement in The Four Seasons, track 12's Concerto For Two Guitars by Corelli and the Oboe Concerto in D by Telemann. Also featured on here Oboe Concerti by Handel and Water Music Suite, and other conductors featured on here are Raymond Leppard and his English Chamber Orchestra. The Canon in D has never sounded more radiant than on here as it is conducted by Sir Neville Marriner and closes the CD nicely. A more relaxing way to take a bath you'll be hard-pressed to find. This music is gorgeous, it's affordable (on the Used Item section and the regular price) and is as always, a great intro to classical music and a fun, innovative way to enjoy it.
Cleansing Sounds To Wash Away Tensions.......2003-01-09
This is pleasing, pastoral music picked to relieve that which tenses up our bodies and souls.
Turn on this excellent baroque collection from the likes of Vivaldi, Telemann, Handel and Pachelbel (among others) superbly played by such virtuosos as Rampal, Holliger et al.
Sweeping instrumental arias are so relaxing! This one will soothe the savage beast as well as those tired bods.
Great Classical Music Series Gorgeous Music.......2002-12-22
The cd series "Set Your Life To Classical Music", composes a variety of baroque, classical and romantic instrumental music that serves the purpose of leisure and background while you engage in the day or evening's activities. The purpose is therapeutic. There are other titles in the series, such as "Bach For Breakfast", "Beethoven For Book Lovers" "Chopin And Champagne", "Baroque For Bedtime", "Puccini and Pasta", "Mozart For The Morning Commute", the series goes on and on. It is a great way to soothe your tensions and provides stress-free, nearly New Age style music that you'd more than likely hear at a masseur's place of business. One can also make the argument that this is the music you'd hear at an elevator. What I like about all these series is that they are also a great introduction to instrumental/classical music. The ensembles performing the classical works are virtuosic and well known in world of classical performance, such as Sir Neville Marriner and St. Martin In The Fields, I Musici and the New Age, Yani-style musician, Zamfir, who specializes in rare instruments such as pan pipes.
On this recording, specifically designed to accompany your bubble bath, there are beautiful, slower-paced movements from Baroque flute, violin and oboe concertos. There are the Sicilian style movements of such composers as Vivaldi, Bach and Telemann. The largo from the Winter movement is a richly melodic and dreamy piece for strings, and the concluding work, Canon In D Major, is an elegant, graceful and heartfelt chamber piece that has become iconic in Baroque music. It was used in the film, Ordinary People and is very popular in classical music for weddings. I strongly recommend all the cds in the series. They are a perfect way to get you into some of the most beautiful classical music ever written, and are a great way to involve music as the wordless, instrumental soundtrack in your life.
Average customer rating:
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA
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ASIN: B000003FQQ
Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
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- Golden Days - Jerry Hadley, Mario Lanza
Average customer rating:
- A blast of brass
- Old school Wynton
- fabulous
- Amazing talent
|
Wynton Marsalis - Baroque Music for Trumpet
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ASIN: B0000025XP
Release Date: 1990-10-25 |
Tracks:
- Trumpet Concerto In D Major - 1. Allegro
- Trumpet Concerto In D Major - 2. Largo
- Trumpet Concerto In D Major - 3. Allegro (moderato)
- 'Let the Bright Seraphim' From Samson
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- 'Sound the Trumpet' from Come Ye Sons Of Art
- 'Chaconne' from Come Ye Sons Of Art
- 'Entrada' from The Indian Queen
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- 'Trumpet Tune' from King Arthur
- 'Trumpet Overture' from The Indian Queen
- Sonata A 5 For Trumpet & Strings, T.V. 7
- 'Eternal Source Of Light Divine'
- For Solo Trumpet And Strings, Concert No. 2 - 1. Allegro
- 2. Adagio
- For Solo Trumpet And Strings, Concert No. 2 - 3. Allegro
Customer Reviews:
A blast of brass.......2005-08-18
I first encountered this on cassette, quite by accident. It later became the background for my work at morning at the easel painting watercolours. But this is no wallpaper music. The technical genius of matching separate recordings of different trumpet parts is surpassed only by Marsalis's bright and lively technique. The masters would be pleased. As for the watercolours, I can now stand before them and see the music's influence on paper. Well worth the listening...
Old school Wynton.......2005-08-12
This cd features a lot of Wynton's earlier piccolo playing, which, while perhaps not as brilliant as you'd hear on his Gabriel's Garden album, is slightly more refined and appropriate to the repertoire. That isn't to say he doesn't embellish; The Fasch concerto has some tastefully inserted ornaments. "Let the Bright Seraphim" is as well played with soprano Edita Gruberova as it is in Wynton's later recording with Kathleen Battle. The Purcell selections on the album are probably the best examples of good piccolo playing I've found, particularly the trills. One only need listen to the "Entrada" to see how delicate and refined the playing on the whole album is.
fabulous.......2003-09-28
Marsalis' prodigious talent coupled with the greatest of Baroque brass composers is a combination that cannot be beat! Of course, Anthony Newman takes everything (less the slow stuff, of course) at his characteristic "lively" pace, but Marsalis keeps up. His execution of the ornamentation is awesome! Gotta have this one!
Amazing talent.......2001-04-22
Without doubt, the birthday ode to Queen Anne (Eternal Source of Light Divine) is one of the loveliest pieces ever. Couple that with two of the most accomplished talents in the world, you have a near spiritual moment. Even those with even a passing interest in the classics will find this a stirring expierence. this is true candy for the ear and food for the soul.
Average customer rating:
- It's Beauty Revealed, At Last
- OK, I'm a sucker for the 1893 version
- Life has been engulfed in time
- Requiem- a masterpiece.
- high quality but lacking emotion
|
Faure: Requiem and other choral music
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000031HB
Release Date: 2000-02-29 |
Tracks:
- Requiem: Introit et Kyrie
- Requiem: Offertoire
- Requiem: Sanctus
- Requiem: Pie Jesu
- Requiem: Agnus Dei
- Requiem: Libera me
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Amazon.com
John Rutter's groundbreaking research and subsequent performing edition of Fauré's beloved Requiem has enabled us to hear the work as the composer originally intended. His first version of the piece included only a chamber orchestra with lower strings, harp, timpani, and organ. Four years later, Fauré added two movements and slightly expanded the orchestration. This is the version that Rutter and his inimitable Cambridge Singers perform here-- and it's a glorious revelation, especially if the only Fauré Requiem you've heard is that for full orchestra, which the composer himself neither created nor approved. Rutter and his singers give us a wonderfully sumptuous yet detailed performance that benefits tremendously from the newly realized clarity of inner lines and from the richly colored orchestral textures. --David Vernier
Customer Reviews:
It's Beauty Revealed, At Last.......2007-01-11
This Collegium COLCD 109 is a later release of the Collegium COLCD 101 which I purchased circa 1985 after reading glowing reviews in Grammophone magazine. COLCD 101 is labeled Stereo/Digital. COLCD 109 is labeled Stereo/DDD. Is it a re-mastering? Liner notes don't say, but the new version provides noticeable improvements in vividness and clarity.
The release of COLCD 101 was a watershed event. John Rutter had questioned conventional performance versions of Faure's Requiem, those which used full symphony orchestras and Wagnerian-like soloists. Yes, it is a requiem, but Faure's ideas are very different than those found in, say, Verdi's Requiem. Instead of hellfire and damnation, Faure evokes serenity, peace and love. Rutter's historical research proved that Faure intended for his work to be performed in small, intimate settings where the orchestra and choir would be minimal and, maybe, use boy sopranos. Rutter's CD of the historical, 1893, version is like an expert restoration of an old painting where a century's grime is wiped away and the work is newly revealed in it's original beauty.
A 1990's CD of the 1893 version exists on Naxos 8.55076S by Jeremy Summerly and the Oxford Camerata. It, too, is beautiful and of similar performance quality, though conducted at a slightly slower tempo. I find Rutter's version more "right", but that's just personal preference.
OK, I'm a sucker for the 1893 version.......2006-01-17
John Rutter made substantial changes to the previously most-performed version of the Faure Requiem when he recorded this. He went back to the version of 1893 to do so, rather than using the more famous, more heavily orchestrated later version. One difference is that the violins in the Sanctus are transposed up an octave on this CD compared to the way in which they were played in the later Requiem. I find this recording to be beautiful and timeless, and definitely not over-orchestrated.
To me, Faure's great contribution with the Requiem was that he showed a firm refusal to judge other people as well as compassion in the face of death. This went against the beliefs of the Catholic church at the time, which emphasized hellfire and brimstone, and Faure was heavily criticized for putting as little mention in as he could get away with regarding the Day of Judgement. This compassion shows in his work and makes it comforting rather than frightening. It has been called a "lullaby of death."
I also enjoy the other vocal pieces, particularly the Ave Maria and the Cantique de Jean Racine, which is probably familiar to many people who are not really aware of Faure's career. These songs have a pure, clear sound which is not ruined through excessive orchestration.
In my opinion, John Rutter did a fantastic job with this material, and it's one of my favorite CDs.
Life has been engulfed in time.......2003-08-06
This requiem represents a complete shift in the general tone of the requiem as a genre. The vision of life and death is impregnated with a feminine light, the light of the ocean softly illuminated by the sunshine of Normandy, of the Graceful Coast. The figure that stands behind the music, that accompanies the dead person into the grave is no longer the masculine Germanic death that punishes man, nor even the furious feminine French death that challenges man, but the soft and comforting figure of the mother Mary, the universal comforter who takes the hand of each one of us, as if we were crying lost children, to make us pass the dangerous door that leads beyond life. This Holy Mary for whom Fauré has written so many Ave Marias, is promising us the end of time and our introduction into an everlasting stormless, painless and noiseless world that represents the very positive vision of a real world that is the negative vision of life. Photography is not far away. Everyday life becomes a life of strife, struggle, noise, violence, war, speed, work, exploitation and alienation, all elements seen as negative, and death is the negation of it all, is the positive virtuality that has to become our reality overthere. It is thus in perfect agreement with the vision the impressionists introduced to defy photography and bring art beyond the blaring image of reality a photographer brings up with his machine. The eye of the artist goes beyond those crude colors and forms to find light and life in the depth of his retina. Fauré is the impressionist painter of death as the real life beyond the surface we have to contemplate and suffer everyday. In other words virtual is beautiful and real is dreadful. Happiness has to be found in virtuality and not in reality. Fauré is bergsonian, who sees eternity beyond the flow of time. Fauré is proustian, who sees life beyond the loss of memory. This explains the erasing of the Dies Irae because there is no anger any more in the ascent to the eternal memory of what does not exist yet. This is a requiem of timelessness and nightlessness.
Dr Jacques COULARDEAU, University of Perpignan
Requiem- a masterpiece........2002-04-21
This exquisite collection has so many gorgeous songs that move me to tears. In Sanctus, the violin is so pure, so beautiful, its wrings my heart. This is real music, real art, crafted with such care, that it is a true privilege to hear it, not to mention sing it (which I have done, and I loved it). It is an encredible CD, and I would encourage anyone to buy it.
Lilly
high quality but lacking emotion.......2001-09-01
One reviewer describes this as "no lack of sadness, bright, not gloomy, filled with sunshine"; another calls it "peaceful". I might go with peaceful. The quality is high and the recording is of interest for being more faithful to Faure's original, non-orchestral version, but I found the performance notably lacking in emotion. I would steer the reader toward the more deeply moving Naxos version (conductor: Jeremy Summerly), which is something of a gem at budget price.
Average customer rating:
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Schubert: Greatest Hits
Manufacturer: Sony
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ASIN: B000002A29
Release Date: 1994-08-09 |
Tracks:
- Symphony No. 8 In B Minor 'Unfinished': Allegro moderato
- Marche Militaire, Op. 51, No.1
- Ave Maria
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The Mozart Effect Music for Babies, Vol. 3: Daytime Playtime
Manufacturer: Children's Group
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ASIN: B00006NSIL
Release Date: 2002-10-22 |
Tracks:
- Rondo Alla Turca, K.331 - R. Lafond
- Clarinet Quartet In B Flat Major, III, K.317 - Jozsef Balogh
- Divertimento In D Major, III, K.205 - Capella Istropolitana
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Average customer rating:
- Lots of Schumann, not much Argerich, plus some real oddities
|
Martha Argerich and Friends: Live from the Lugano Festival, 2006
Manufacturer: EMI Classics
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ASIN: B000PFU9OM
Release Date: 2007-06-05 |
Tracks:
- I: Sostenuto Assai/Allegro Ma Non Troppo
- II: Scherzo: Molto Vivace
- III: Andante Cantabile
- IV: Finale: Vivace
- I: Allegro Assai Vivace
- II: Allegretto Scherzando
- III: Adagio
- IV: Molto Allegro E Vivace
- I: Zart Und Mit Ausdruck
- II: Lebhaft, Leicht
- III: Rasch Und Mit Feuer
Tracks:
- I: Mit Energie Und Leidenschaft
- II: Lebhaf, Doch Nicht Zu Rasch
- III: Langsam, Mit Inniger Empfindung
- IV: Mit Feuer
- I: Introduzione: Adagio Mest/Allegro
- II: Scherzo
- III: Largo
- IV: Finale: Allegro Vivace
Tracks:
- I: Nauges
- II: Fetes
- I: Andante
- II: Allegretto
- III: Largo
- IV: Allegretto Scherzando
- I: Overture
- II: Idylie
- III: Cadenza
- IV: Menuet
- V: Finale Alla Marcia
Amazon.com
This inexpensively priced 3-CD set of music from the 2006 Lugano Festival with pianist Martha Argerich at its center presents a fascinating cross-section of chamber music, expertly performed. In addition to Argerich, we hear from 15 other instrumentalists - pianists, cellists, violinists, violists, a flugelhorn player (who plays along with Argerich in three of Schumann's Fantasiestücke, to very strange and not very welcome effect), and a wind ensemble made up of members of the Orchestra della Svizzera Italiana that plays with cellist Gautier Caupcon in Friedrich Gulda's Concerto for Cello and Wind Orchestra: a jazzy, definitely eclectic, and playful finale to the third CD. The infrequently played but rapturous Schumann Piano Quartet is a particular treat. Ravel's transcriptions of two Debussy Nocturnes for two pianos played by Sergio Tiempo and Karin Lechner are a delight as well. This is an off-the-beaten-track collection that will fascinate true devotees of chamber music. --Robert Levine
Customer Reviews:
Lots of Schumann, not much Argerich, plus some real oddities.......2007-06-08
EMI has gotten into the pleasanat habit of issuing a 3-CD bargain box of Martha Argerich's summer music from Lugano, and they are caviar for chamber music lovers, mixing familiar and unfamiliar works in sterling live performances. It's hard to think of any comparable series meeting such high standards since the heyday of the Marlboro Festival under Rudolf Serkin in the Fifties and Sixties. This 2006 edition is no exception, my only disappointment being the absence of Argerich herself in so many works. She even gives up her place in the two-piano arrangement of Debussy's Nocturnes to her protege Sergio Tiempo (she has been a long-time devotee, if not addict, of two-piano arrangements that almost every other serious musician eschews).
The dominance of works by Schumann reflects Ms. Argerich's personal fondness for him, and she appears in the Piano Quartet, which has enjoyed a wonderful, highly personal reading by Glenn Gould and the Juilliard Qt. (Sony), among others. This one displays every virtue of live musicmaking, with Argerich's fervent, spontaneous playing leading the way. Compared to earlier sets, the 2006 collection contains more rarities and because of all the sSchumann, less representation by great composers. The flugelhorn arrangement of Schumann's Fantasiestucke for clarinet sounds like a joke. The once unknown Tanayev Piano Quintet gets a committed reading that should help to boost its popularity. The Debbusy Nocturnes actually bring pleasure in the two-piano arrangement. You won't be prepared for Gulda's concerto for Cello and Piano, which sounds like three-beer night at your local German jazz club. But its worth a smile and a listen.
In the end, however, this installment might be best left to connoisseurs while newcomers to Argerich's summer festivities should begin with the earlier, more conventional editions.
Here's the listing of works and personnel since Amazon doesn't supply it:
Martha Argerich / Renaud Capucon / Lida Chen / Gautier Capucon - Piano Quartet in Eb op.47 (Schumann).
Gautier Capucon / Gabriela Montero - Sonata for cello and piano No.2 in D op.58 (Mendelssohn).
Sergei Nakariakov / Martha Argerich - Fantasiestucke op.73 - version for flugelhorn and piano (Schumann).
Nicholas Angelich / Renaud Capucon / Gautier Capucon - Piano Trio in D minor op.63 (Schumann).
Lilya Zilberstein / Dora Schwarzberg / Lucy Hall / Nora Romanoff-Schwarzberg / Jorge Bosso - Piano Quintet in G minor op.30 (Taneyev).
Sergio Tiempo / Karin Lechner - Three Nocturnes : Nuages / Fetes (Debussy transcribed for two piano Ravel).
Alissa Margulis / Polina Leschenko - Sonata for violin and piano No.1 (Schnittke).
Gautier Capucon / Alexander Rabinovich-Barakovsky - Concerto for cello and windband (Gulda).
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