Dream World [Import]

Track Listings

 
1. Galaxy of Love
2. I Love You
3. Say a Prayer for Two
4. Dream World
5. Things Are Going to Get Better
6. I'm Gonna Love You Forever
7. Cherry
8. I Love You [12" Version]
9. Say a Prayer for Two [12" Version]
10. Galaxy of Love [Radio Version]
11. I Love You [Radio Version]
12. Say a Prayer for Two [Radio Version]
13. Dream World [Radio Version]
14. I'm Gonna Love You Forever [Radio Version]

Dream World,Crown Heights Affair,Unidisc Records,Dance,Dance Music,Disco,Pop,Soul
Broadway, My Way
Average customer rating: 4 out of 5 stars
  • Linda Eder - Great Voice
  • Not a voice.......an instrument
  • the best female singer of the great american standards.
  • The powerful and beautiful voice of Linda Elder
  • Linda Eder shines with her Broadway album
Broadway, My Way
Linda Eder
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. By Myself: The Songs of Judy Garland
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ASIN: B000088E4T
Release Date: 2003-02-18

Tracks:

  1. I Am What I Am (from "La Cage aux Folles")
  2. Anthem (from "Chess")
  3. On The Street Where You Live (from "My Fair Lady")
  4. What Kind of Fool (from "Stop The World I Want to Get Off")
  5. Some People (from "Gypsy")
  6. I'll Be Seeing You (from "Right This Way")
  7. Gold (from "Camille Claudel")
  8. Don't Rain On My Parade (from "Funny Girl")
  9. The Impossible Dream (from "Man of La Mancha")
  10. A New Life (from "Jekyll & Hyde")
  11. Edelweiss (from "The Sound of Music")
  12. Unusual Way (from "Nine")
  13. Man of La Mancha (from "Man of La Mancha")

Amazon.com

The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth Vincentelli

Album Description

On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.

Customer Reviews:

5 out of 5 stars Linda Eder - Great Voice.......2007-07-06

This lady has one great voice. She can certainly sell a song. My only reservation about her is that she's a bit cocky. I think she could use some humility.

5 out of 5 stars Not a voice.......an instrument.......2007-02-17

Unbelievable breath control, phrasing, and style. My 10 yr. old Granddaughter who heretofore has listened and loved the usual rap
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.

5 out of 5 stars the best female singer of the great american standards........2006-07-24

i am turning 60 years old this year. i went to my 1st.broadway
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER

5 out of 5 stars The powerful and beautiful voice of Linda Elder.......2006-02-23

A great selection of songs. Tremendous amount of energy in Linda's voice. I just love it.

5 out of 5 stars Linda Eder shines with her Broadway album.......2006-02-18

Wow! Linda Eder has an outstanding voice. She sells Broadway in the styles of Judy Garland and Barbra Streisand. After hearing this you will want more.
Frida
Average customer rating: 5 out of 5 stars
  • It's good
  • Revolutionary times
  • Black Dove
  • makes me want to dance
  • Enjoy!
Frida

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  2. Border (La Linea)
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ASIN: B00006LLNV
Release Date: 2002-10-22

Tracks:

  1. Benediction and Dream
  2. The Floating Bed
  3. El Conejo
  4. Paloma Negra
  5. Self-Portrait with Hair Down
  6. Alcoba Azul
  7. Carabina 30/30
  8. Solo Tu
  9. El Gusto
  10. The Journey
  11. El Antifaz
  12. The Suicide of Dorothy Hale
  13. La Cavalera
  14. La Bruja
  15. Portrait of Lude
  16. La Llorona
  17. Estrella Oscura
  18. Still Life
  19. Viva La Vida
  20. The Departure
  21. Coyoacan and Variations
  22. La Llorona
  23. Burning Bed
  24. Burn It Blue

Amazon.com

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley

Customer Reviews:

4 out of 5 stars It's good.......2007-07-22

But I don't think it's all it's hyped up to be on the other reviews, but, I do like it to the point of keeping it. It's the perfect 4star rating.

5 out of 5 stars Revolutionary times.......2007-05-14

I absolutely love this soundtrack! Everytime I listen to it, I feel as though I am in Mexico during the revolution and Frida's life. Everyone should choose their own life soundtrack and this one allows us to see into Frida's life more clearly.

4 out of 5 stars Black Dove.......2007-05-13

Fell into the movie trying to avoid study and hang out with a jilted housemate. If I'm honest, Salma Hayek was the main draw. Wafer thin.
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.

5 out of 5 stars makes me want to dance .......2007-05-07

I really enjoyed the CD, the musical selection is great and it seems very authentic.

5 out of 5 stars Enjoy!.......2006-12-30

I purchased this CD after seeing the movie. The music is enjoyable to listen to and passionate as I would think Frida was. I purchased this CD a second time to give to a female Hispanic artist who identifies with the trials and tribulations of Frida. This artist now paints while listening to this CD. Her artwork not only has improved but has become popular. I defiantly recommend its purchase.
Into the Labyrinth
Average customer rating: 4.5 out of 5 stars
  • 5 stars!
  • Their commercial breakthrough, but not their best
  • Dead Can Dance - Labyrinth look-over
  • Superb!
  • Multi-culturalism and Cross-culturalism
Into the Labyrinth
Dead Can Dance
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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  1. Aion
  2. Spiritchaser
  3. Toward the Within
  4. Within the Realm of a Dying Sun
  5. Serpent's Egg

ASIN: B000002MM8
Release Date: 1993-09-14

Tracks:

  1. Yulunga (Spirit Dance)
  2. The Ubiquitous Mr Lovegrove
  3. The Wind That Shakes The Barley
  4. The Carnival Is Over
  5. Ariadne
  6. Saldek
  7. Towards The Within
  8. Tell Me About The Forest (You Once Called Home)
  9. The Spider's Stratagem
  10. Emmeleia
  11. How Fortunate The Man With None

Amazon.com

Their goth-sounding name and dour visual image aside, the prolific duo of Brendan Perry and Lisa Gerrard produce wildly eclectic but utterly unique music. Their painstakingly crafted albums encompass numerous arcane genres, from European classical music to ancient Celtic and Middle Eastern folk styles, often employing authentic antique instruments to achieve their ambitious, emotive soundscapes. The 1993 effort Into the Labyrinth found Dead Can Dance mixing their medieval leanings with more exotic Eastern influences on "Saldek" and "Yulunga," while exploring Celtic balladry on the traditional "The Wind That Shakes the Barley" and theatrical songcraft in their interpretation of Bertolt Brecht's "How Fortunate Is the Man with None." --Scott Schinder

Album Description

Out of print in the U.S.! Import pressing of this classic 1993 album from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. Into The Labyrinth was the first DCD album to gain a major label release in the U.S and features the Alternative radio hit 'The Ubiquitous Mr. Lovegrove'. This was also the first album that Perry and Gerrard completed on their own without the aid of guest musicians. 11 tracks. 4AD.

Customer Reviews:

5 out of 5 stars 5 stars!.......2007-05-22

This is a great CD...go get it if you are into Dead Can Dance! This is their greatest album.

3 out of 5 stars Their commercial breakthrough, but not their best.......2007-04-15

After an absence of three years which saw the release of a best of collection, Dead Can Dance achieved their commercial and U.S. breakthrough as well as yet another stylistic shift with this, their sixth studio album. Unlike previous albums which featured backing musicians, this one saw the DCD duo of Brendan Perry and Lisa Gerrard handling all the instruments and vocals themselves in their new private studio. While this mostly works, occasionally the synthesizers sound a bit thin and one wishes they had employed musicians playing actual instruments for certain passages.

Stylistically, DCD moved on from the medieval arrangements of their previous album, Aion, towards more middle eastern influences alternating with dreamy pop sounds. This album also marks an increasing estrangement of the duo's individual musical styles. Lisa's dramatic opener, Yulunga, sets the tone with her chilling multi-octave wordless singing over building percussion, followed by what was to become one of the unlikelier alternative radio hits, Brendan's The Ubiquitous Mr. Lovegrove, a bitter rebuke to an unfaithful lover delivered over a crisp background of tablas and period bagpipes. Lisa then startles longtime fans by delivering the next track, the Wind That Shakes the Barley, an actual traditional song with lyrics (as opposed to her usual wordless glossolalia). Brendan's song of dreamy nostalgia, The Carnival Is Over, was another minor hit thanks to its being featured as the theme of MTV's Real World, and is as close as the group had come so far to mainstream pop. Less successful is his third original song on the album, Tell Me About The Forest, which lyrically strays into preachiness and musically provides little interest. His closing piece on the album is an arrangement of Berthold Brecht's How Fortunate The Man Who Has None, which achieves a kind of gloomy dignity musically but strains to sustain interest throughout its full nine minute length.

The rest of the album is heavier on middle eastern and eastern European influences. Lisa's Ariadne is a brief but lovely piece featuring multitracked vocals over organ, while her even briefer Saldek sounds like it came straight from a National Geographic special on traditional Bulgarian music. The title track is a meandering and ultimately not very interesting set of passages of middle eastern styled singing and drumming with synthesizer; the similar Spider's Strategem features the same musical elements but actually comes together as a more interesting and compelling whole. The medieval a capella choral piece Emmeleia sounds like an outtake from Aion.

This album marked a watershed in several ways for the group, and for many fans was their initial introduction to DCD and hence defined their sense of the duo's musical identity, but I can't give it more than three stars. Though it features some terrific songs, much of it sounds like filler, and the stripped production pales in comparison to their best earlier work. To get a sense of what this duo is really capable of, find a copy of Within the Realm of a Dying Sun, Spleen and Ideal, The Serpent's Egg, or Aion.

5 out of 5 stars Dead Can Dance - Labyrinth look-over.......2007-04-03

Jim morrison did not die - he sings with these guys

5 out of 5 stars Superb!.......2006-10-22

Dead Can Dance "Into the Labyrinth." Beautiful, ethereal, trancendental, hypnotic, an absolutely classic!

4 out of 5 stars Multi-culturalism and Cross-culturalism.......2006-10-15

The work of Dead Can Dance, Brendan Perry and Lisa Gerrard, might be best described as cross-cultural. Some songs sound like Celtic songs from the middle ages while others sound like Islamic chants from the desert countries. On "Into the Labyrinth", I found that The Ubiquitous Mr. Lovegrove; The Wind That Shakes the Barley; The Carnival is Over; Tell Me about the Forest; Ariadne; and HOw Fortunate the Man with None were my favorite 6 selections. Perry's voice has a dreamy quality that is hard to describe, kind of like Dean Martin does Lebanon. I certainly like the multicultural blending of musical traditions that Dead Can Dance offers.
Score: XOX - 20th Anniversary World Tour Live with the Octavarium Orchestra
Average customer rating: 4.5 out of 5 stars
  • I have GOT to see these guys live someday...
  • VERY DISAPPOINTED
  • Blown away
  • A fantastic live recording
  • 10 stars!
Score: XOX - 20th Anniversary World Tour Live with the Octavarium Orchestra
Dream Theater
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000G7PMD2
Release Date: 2006-08-29

Tracks:

  1. The Root Of All Evil [Disc 1]
  2. I Walk Beside You [Disc 1]
  3. Another Won [Disc 1]
  4. Afterlife [Disc 1]
  5. Under A Glass Moon [Disc 1]
  6. Innocence Faded [Disc 1]
  7. Raise The Knife [Disc 1]
  8. The Spirit Carries On [Disc 1]

Tracks:

  1. Six Degrees Of Inner Turbulence: [Disc 2]
  2. I. Overture [Disc 2]
  3. II. About To Crash [Disc 2]
  4. III. War Inside My Head [Disc 2]
  5. IV. The Test That Stumped Them All [Disc 2]
  6. V. Goodnight Kiss [Disc 2]
  7. VI. Solitary Shell [Disc 2]
  8. VII. About To Crash (reprise) [Disc 2]
  9. VIII. Losing Time/Grand Finale [Disc 2]
  10. Vacant [Disc 2]
  11. The Answer Lies Within [Disc 2]
  12. Sacrificed Sons [Disc 2]

Tracks:

  1. Octavarium: [Disc 3]
  2. Intro [Disc 3]
  3. I. Someone Like Him [Disc 3]
  4. II. Medicate Me [Disc 3]
  5. III. Full Circle [Disc 3]
  6. IV. Intervals [Disc 3]
  7. V. Razor's Edge [Disc 3]
  8. Encore: [Disc 3]
  9. Metropolis [Disc 3]

Album Description

This album marks the grand finale of the 20th Anniversary World Tour Live with the Octavarium Orchestra--a tour celebrating the 20th anniversary of the members of Dream Theater meeting at Berklee School of Music. The recording was captured live at Radio City Music Hall on April 1st, 2006.

Customer Reviews:

5 out of 5 stars I have GOT to see these guys live someday..........2007-07-24

Okay, I'll start with the bad stuff. It sounds like one of the violinists in the orchestra is out of tune. And John Petrucci's backing vocals are simply awful; I've yet to hear a live DT recording where he stayed on key. OTOH, I can live with that because it's one of those little things that markes this album as a live recording. The backing vocals aren't coming from a tape, they're coming from actual humans.

But overall, this is a great set. The live Dream Theater is every bit as tight as the same band in the studio. The second and third discs, with the backing of the orchestra, sound great as well, although "Metropolis Pt. 1" sounds a little cluttered in spots. While I could complain that a few of my favorite tracks are not in this set, I won't; how many live versions of "Pull Me Under" or "A Change of Seasons" do they really need to record? ;)

This is definitely a great set, and one of the best live albums I've heard in years.

1 out of 5 stars VERY DISAPPOINTED.......2007-05-26

3 DISC SET..1 DECENT CD..2 CRAPPY CD'S..THEY COULD HAVE @ SHOULD HAVE BEEN ALOT BETTER !!!!!!!!!!!!

5 out of 5 stars Blown away.......2007-04-29

This is the first Dream Theater record I ever heard and I couldn't believe how blown away I was with it. I popped the first CD in the car and listened to the first 2 songs and couldn't believe the quality of music so I went back and listened to the first 2 songs again. The same thing happened after I listened to 'Afterlife' (track 4) -- I went back to the beginning and listened to the first 4 songs again. It took about a week before I even got to the second CD.

The second CD is the 41 epic tune, 'six degrees of inner turbulence. A song about, well, the inner turbulence of life. There is a spot around the 15 minute mark where I find it too dissonant, and there is an instrument in the orchestra that is flat, but this is a very weak criticism for a absolute work of art including the fantastic 'solitary shell' and powerful climax.

The find the 3rd CD ok but not anywhere near the first 2. Octivarium takes too long to get going and 'Metropolis' starts out so promising but the wonderful keyboard riff that kicks off the song is drowned out in the dissonance.

The keys are great, the guitar playing is great, the percussion is great and the vocals are out of this world outstanding.

One of the top 3 live albums off all time on my list along with Iron Maiden's "Live after Death" and Rush's "All the Worlds a Stage."

5 out of 5 stars A fantastic live recording.......2007-04-06

Simply put, this may be the best collaboration between a heavy metal rock band with an orchestra that has ever been recorded. Separation of sound is very difficult to achieve when you are dealing with high volume but here the engineers manage to pull it off exceedingly well. If you don't know about this group by now then this is as good an introduction as you will find. If you are a fan then you will appreciate the excitement that the live audience adds to the band's performances even if you know most of the songs by heart. If you can't appreciate how incredibly good these musicians are then you have my condolences.

5 out of 5 stars 10 stars!.......2007-04-03

Awsome, great set list. Performance Flawless!

The whole group do a great job (like always) and the orchestra does fantastic following the whole six degrees album (side 2) and octivarium and metropolis and more! They do their classics great! Buy this, and if you dont know about Dream Theater... Your world will change, proceed to buy all their albums :)
Pure Moods, Vol. II
Average customer rating: 4 out of 5 stars
  • No where near as good as the first
  • Another Editorial Review
  • Stunning and extraordinary compilation, a must have!
  • AWESOME!
  • Wonderful
Pure Moods, Vol. II
Various Artists , Adiemus lll , Clannad , Craig Armstrong , Dave Koz , Delerium , Dream Academy , Loreena McKennitt , Massive Attack , and Various Others
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000DMH7
Release Date: 1998-11-17

Tracks:

  1. The Mummers' Dance - Loreena McKennitt
  2. Montezuma
  3. The Cradlesong
  4. Nightingale - Yanni
  5. Life In A Northern Town - Dream Academy
  6. Zarabanda (Saraband) - Adiemus lll
  7. Euphoria (Firefly) - Delerium
  8. Weatherstorm - Craig Armstrong
  9. Teardrop (Edit) - Massive Attack
  10. Theme From Harry's Game - Clannad
  11. Chariots Of Fire
  12. Breezin'
  13. Emily - Dave Koz
  14. 2 The Night - Ottmar Liebert
  15. Beyond The Invisible
  16. The Mystic's Dream - Loreena McKennitt

Amazon.com

For listeners with a sincere interest in the broad variety of music loosely aligned under the New Age banner, Pure Moods II will strike your ears as something less than a high-concept showcase for the genre and more as a mulligan stew of easy-listening favorites. This is not necessarily a bad thing; yet a recording marketed to the general public as a comprehensive, current, state-of-the-art overview of atmospheric music shouldn't include such ill-fitting oddities as George Benson's "Breezin'," a lite-funk relic from 1976, or "Emily" from jazz saxophonist Dave Koz. Happily, the 77-minute, 16-track sampler offers far more items of interest than irritation. It reaches back to 1983 to remind us of an ahead-of-its-time display of Celtic mysticism from Clannad ("Theme from Harry's Game"), and it both opens and closes with superb selections from one of the genre's most admired artists, Loreena McKennitt--very appropriate since, one could argue, discussions on the future of New Age should both begin and end with McKennitt's name. Despite its few warts, Pure Moods II is a good listen overall. --Terry Wood

Customer Reviews:

3 out of 5 stars No where near as good as the first.......2007-06-14

I loved the first CD, so got the 2nd one. Quite dissapointed. I thought a handful of the songs on 2 were good, such as Firefly, but overall it just seems like they threw together a bunch of songs to sell a copy of a popular CD.

4 out of 5 stars Another Editorial Review.......2006-11-06

"Pure Moods was such an unexpected success that it launched a number of spinoffs and, eventually (and perhaps somewhat inevitably), Pure Moods II. Although it isn't quite as consistent as its predecessor -- George Benson's 'Breezin`' feels out of place among among these atmospheric cuts, but not nearly as much as Massive Attack's menacing 'Teardrop' -- but fans of the first will still find it to quite enjoyable, especially since it features Vangelis' 'Chariots of Fire,' Loreena McKennitt's 'Mummer's Dance' and Dream Academy's 'Life in a Northern Town,' three major oversights from the first Pure Moods. ~ Stephen Thomas Erlewine, All Music Guide"

5 out of 5 stars Stunning and extraordinary compilation, a must have!.......2006-09-11

What a marvelous collection of mesmerizing music this is. I have been listening to this album all week, as I can't get it out of my head. Pure Moods are one my favorite collections as they bring awareness of similar music that goes together so well. The beauty of this album is the mix of music that evokes a certain mood, while not sounding all too similar.

Starting off with Loreena McKennitt's "The Mummers Dance" a hypnotic song from the first note that sounds like time travel from ancient Byzantium to the mystic Celtic seas followed by Montezuma, one of my favorite Cusco pieces. Cusco is a duet of two German keyboard players Michael Holm and Kristian Schultze who make their enigmatic music sound very original and South American. The music is not traditional; it's a mix of outer space, new age and pan flutes. Very interesting and incredibly likable.

"Nightingale" by Yanni is just incredible, every time I have it on I almost forget I am listening to music, I simply feel it and I am always amazed at how gorgeous it sounds and whenever I hear this song it feel like the first time I am hearing it as it stuns me.

Another favorite of mine, Adiemus makes an appearance, the interesting figment is that
the language is made up by Karl Jenkins, the sounds are not meant to distract the listener from the music. It is a mix of classical and world music with great freedom of movement and is the kind of music they use in breathtaking movie soundtracks.

Delerium's "Euphoria" almost sounds like a Madonna song, is lovely and spirited with a breath of enigma. There is also "The Weather Storm" by Craig Armstrong, another strong musical piece that does sound like an actual storm of music.

"Teardrop" by Massive Attack sounds like song everything knows they heard somewhere but they don't know what it is. My favorite part is the base beat, it sounds like the human heart.

The rest of the performers from Lovely and church like Clannad which make me feel like I am in an ancient monastery listening to the monks, to "Chariots of Fire" a classic from Vangelis to wonderful and earthy "Breezing" that sounds like the first day of spring to Enigma, to me the empress of New Age. This collection is stellar and each song is a 5 star to me.

This cd makes me happy; it's relaxing, lovely, and addictive and provides great inspiration when I need it to concentrate while I work on my art. Each song has been carefully hand picked to hit the listener with a magnitude of emotion and I cannot recommend it enough to anyone who needs to sit back and be transported. The songs feel like caresses of ancient wind on the face and make me feel like I have been meditating for hours. Pure Moods is an excellent cd to pick up by someone who needs an introduction to new Age and relaxing music. So far this has been my favorite disc, but they are all lovely.

- Kasia S.

5 out of 5 stars AWESOME!.......2006-09-06

If you are looking for meditation or tranquility from daily stress I recommend not only this CD, but the entire collection. I have all the Pure Moods collection and keep buying more New Age music. I feel I've invested my money in good music. I listen to pretty much anything from soft music, Rock, Salsa, Calypso to Dance-Techno music, but when I don't feel like listening to loud music, I listen to these CD collection, specially on a Sunday to reconnect with relaxation to start another heavy woking week. Also, if you like gospel, I'm sure you'll love these even though is not quite gospel music. You just reconnect yourself spiritually in this material world.

4 out of 5 stars Wonderful.......2006-05-31

I bought this based on the cover, I was at a flea market and loved the purple and intersting artwork. Now I have lost the cover but know where the cd is at all times, only 4 songs are songs I could live without (11-14) the rest are wonderful, amazing and truly a joy to listen to. I will be checking out the samples of the other pure moods, to see which one I will make my own, next. A great way to relax after a stress filled day, or start the day listening on the drive to work.
Best of the Millennium: Top 40 Classical Hits
Average customer rating: 4 out of 5 stars
  • Waste of money
  • Great Music Compilation
  • If you like classical music don't buy this CD.
  • A must for anyone wanting the staples of classical music
  • A great compilation
Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
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  1. The Most Relaxing Classical Album in the World...Ever!
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  5. The Most Relaxing Classical Album In the World Ever, Volume II

ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

  1. Adagio In G Minor
  2. Jesu, Joy OF Man's Desiring
  3. Moonlight Sonata - Adagio sostenuto
  4. March Of The Toreadors (Carmen)
  5. Celebrated Minuet
  6. Polovtsian Dance No. 1 (Prince Igor)
  7. Cradle Song
  8. 'Minute' Waltz
  9. Suite Bergamasque: Clair de Lune
  10. Largo
  11. Pomp And Circumstance March No. 1
  12. Rhapsody In Blue - Andante And Finale
  13. Peer Gynt Suite: Morning
  14. Messiah: Hallelujah Chorus
  15. Liebestraum
  16. Cavalleria Rusticana: Intermezzo
  17. A Midsummer Night's Dream: Wedding March
  18. 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
  19. The Great Gate Of Kiev

Tracks:

  1. Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
  2. Orpheus In The Underworld: Cancan
  3. Carmina Burana - O Fortuna
  4. Canon In D
  5. Lietenant Kije Suite - Troika
  6. Turandot: Nessun dorma
  7. Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
  8. Bolero - Conclusion
  9. The Tale Of Czar Sultan: Flight Of The Bumblebee
  10. William Tell Overture - Finale
  11. Carnival Of The Animals: The Swan
  12. Gymnopedie No. 3
  13. Ave Maria
  14. Blue Danube Waltz
  15. Thus Spake Zarathustra - Sunrise
  16. Firebird Suite - Finale
  17. 1812 Overture - Finale: 1812 Overtune - Finale
  18. Fantasia On 'Greensleeves'
  19. Anvil Chorus (II Trovatore)
  20. The Four Seasons - Largo From 'Winter'
  21. Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

1 out of 5 stars Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

5 out of 5 stars Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

1 out of 5 stars If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

5 out of 5 stars A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

5 out of 5 stars A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
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Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
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  4. What to Listen for in Music
  5. Study of Orchestration, Third Edition

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
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EnglishEnglish | Languages | Opera & Vocal | Styles | Music
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Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
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Similar Items:
  1. The Best of Broadway - The American Musical (PBS Series)
  2. Broadway: The American Musical
  3. Broadway: The American Musical
  4. Broadway - The American Musical (PBS Series)
  5. Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Classical Music for People Who Hate Classical Music
Average customer rating: 3.5 out of 5 stars
  • CD set is misnamed
  • Do not Buy
  • Classical Music for People Who Hate Classical Music
  • Seek better versions
  • It Is What It Is
Classical Music for People Who Hate Classical Music

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Compose