Flowers [Import]

Track Listings

 
1. Life Is a Flower
2. Always Have, Always Will
3. Cruel Summer
4. Travel to Romantis
5. Adventures in Paradise
6. Dr. Sun
7. Cecilia
8. He Decides
9. I Pray
10. Tokyo Girl
11. Don't Go Away
12. Captain Nemo
13. Donnie
14. Cruel Summer [Big Bonus Mix]

Editorial Reviews

Product Description
European edition of the hit Swedish pop group's 1998 album featuring four tracks NOT on the U.S. release, 'Life Is A Flower', 'Dr. Sun', 'I Pray' and 'Captain Nemo'. 14 tracks in all. NOTE: the U.S. album is titled 'Cruel Summer'.

Flowers,Ace of Base,Polygram Int'l,Adult Contemporary,Club/Dance,Dance Music,Dance-Pop,Euro-Dance,Euro-Pop,Pop,Swedish Pop/Rock
Sam's Town
Average customer rating: 4 out of 5 stars
  • Not a CC from Hot Fuss
  • A stunning transformation
  • As good as Hot Fuzz... just different
  • doesnt measure up to hot fuss
  • I love it!
Sam's Town
The Killers
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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Similar Items:
  1. Hot Fuss
  2. Eyes Open
  3. The Information
  4. The Black Parade
  5. The Open Door

ASIN: B000GY729M
Release Date: 2006-10-03

Tracks:

  1. Sam's Town
  2. Enterlude
  3. When You Were Young
  4. Bling (Confession of a King)
  5. For Reasons Unknown
  6. Read My Mind
  7. Uncle Jonny
  8. Bones
  9. My List
  10. This River Is Wild
  11. Why Do I Keep Counting?
  12. Exitlude

Amazon.com

The Killers five-million-selling debut, 2004's Hot Fuss, saw the stylish Las Vegas quartet mining inspiration from its favorite '80s British acts Duran Duran, the Cure, and the Smiths. On its follow-up, the group turns its focus homeward. First there's the album title, Sam's Town, which pays tribute to the old-school local casino where the band got its start. Then there's the music inside, a collection of windswept rockers in the vein of Bruce Springsteen that leave the indie-disco vibe of "Mr. Brightside" in the desert dust. Working with producers Alan Moulder and Flood (best known for their work with U2, Depeche Mode and Nine Inch Nails), everything here sounds bigger and shinier, with full-blown strings and choirs coloring epics like "When You Were Young" and "The River Is Wild." Coming soon to a stadium near you. --Aidin Vaziri

Customer Reviews:

4 out of 5 stars Not a CC from Hot Fuss.......2007-07-24

The 2nd album from the killers doesn't dissappoint at all, it has 7 to 8 songs that easily could be picked as single, track 6 "read my mind" being my favorite. Sam's town, When You were young,Bling, For Reasons Unknowned, Uncle Johnny, Bones, This River is Wild, all great songs, and above all this is not a carbon copy from hot fuss.

4 out of 5 stars A stunning transformation.......2007-07-24

SAM'S TOWN immediately hits the listener with a sound that is significantly different from HOT FUSS. If it wasn't for the vocals, it would be fair to say you were listening to a totally different band. This type of change is risky in a new band; the fear being that fans will be alienated. Personally, I love when bands continue to evolve and search for new sounds and themes. It keeps things from becoming boring and it prevents that, "Didn't I hear this before?" feeling.

The question is it successful? The answer is, "Yes."

Hard driving anthems relating to genuine emotions triumph over artifice and The Killers pull it off very well here. Flowers' voice strains for creditability when pushed, but he pulls it off and while lacking the force of many other rockers, his vulnerability makes the songs that much better. While they don't all come off with the same power , the songs hold up in their new settings and the total package comes together. While still not a classic, this is a worthy effort from The Killers and I hope they continue to push themselves to make music worth listening to.

4 out of 5 stars As good as Hot Fuzz... just different.......2007-07-14

The title says the bulk of how I feel. I listen to the album in its entirety whenever I listen to it... I like every song though there are some that I like more than others (which is the same with Hot Fuzz).

The music is a bit bolder, and a bit more grandiose (musically and lyrically), but the synth is still there and after giving the album a listen or 3 you'll be singing along to each track. The lead singer's (Flowers) voice sounds a bit different to me on this album, but not for better or worse, just slightly different. The album definitely seems to be more mature (but I have no idea where the Springsteen analogy came from), the songs and the hooks aren't as poppy (at least not in every song) and it takes more than one listening for some songs to grow on you. (For instance I didn't like 'Sams Town' (track 1) the first couple times I heard it, but now its one of my favorites).

Overall, if you like popular music, or alternative music in general... its worth listening to, but I wouldn't expect a life altering experience.

2 out of 5 stars doesnt measure up to hot fuss.......2007-07-09

sorry to all of you who really like this album, but in my own opinion, it can't measure up to 'hot fuss'

5 out of 5 stars I love it!.......2007-06-27

The only thing that upset me was that there is no Killers c.d that has all my favorite songs by them on it. I do like most of the tracks on this one and on each c.d. that I bought they have great opening songs to start you out.
Flowers
Average customer rating: 4 out of 5 stars
  • It IS a SACD Hybrid if the copyright is 2002 ABKCO
  • Not as advertised
  • Near Classic '66-67 Stones
  • Where The Summer of Love Found The Stones
  • Everybody Should Get Flowers
Flowers
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD

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  1. December's Children (And Everybody's)
  2. Their Satanic Majesties Request
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  4. Between The Buttons
  5. 12 X 5

ASIN: B00006AW2N
Release Date: 2002-08-27

Tracks:

  1. Ruby Tuesday
  2. Have You Seen Your Mother, Baby Standing in the Shadow?
  3. Let's Spend the Night Together
  4. Lady Jane
  5. Out of Time
  6. My Girl
  7. Backstreet Girl
  8. Please Go Home
  9. Mother's Little Helper
  10. Take It or Leave It
  11. Ride on Baby
  12. Sittin' on a Fence

Album Description

This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.

Album Description

Remastered reissue of 1967 album, suitable for standard & 'Super Audio' CD players. Digipak.

Customer Reviews:

5 out of 5 stars It IS a SACD Hybrid if the copyright is 2002 ABKCO.......2007-05-31

I just got mine and thought the same thing the last poster did -- that Amazon screwed up and this isn't a SACD hybrid as advertised. But it IS one. If you look on the disk itself, you will the DSD and Super Audio CD. I was angry at first because I already have the regular CD and wanted the SACD hybrid, but after opening it I am a happy camper. FWIW, it is in a cardboard case and the case says nothing about being a SACD hybrid.

1 out of 5 stars Not as advertised.......2007-05-17

Flowers was advertised as a SACD hybrid, I received the remastered CD. This rating only reflects Amazons incorrect listing on the website.

4 out of 5 stars Near Classic '66-67 Stones.......2007-03-12

"Flowers" holds the same place in the Stones' U.S. catalog that "Yesterday...and Today" held in the Beatles' - until the CD era, when the Beatles eliminated those bastardized US Capitol releases with UK editions of all catalog titles up to "Sgt. Pepper's", for it was those UK Parlophone albums that the Beatles and George Martin meticulously prepared and programmed. (This international uniformity lasted until enough time had elapsed to allow for nostalgia and commerce to warrant repackaging those American Beatles titles in expensive boxed sets).
But the Stones' UK catalog was never so clearly superior; the British Deccas are not necessarily superior to their US counterparts. Certainly original Decca vinyl was sonically preferable to London's 'fake stereo' in the '60s. Otherwise, however, the biggest difference was cultural: hit singles have always sold albums in the States. In England their inclusion on LPs was seen as redundant. If the Beatles always produced their albums in England, by 1964 The Stones were recording - in superb stereo - at Chicago's Chess Studios, and soon they stormed the charts and defined their times with 'The Last Time', 'Satisfaction' and other classics recorded at RCA in Hollywood. Partly this may have to do with Andrew Oldham's awareness that his role as producer was limited, and that to make great sounding records the Stones needed terrific engineers like Ron Malo (Chess) and Dave Hassinger (RCA). Which brings us to the rather maligned US-only "Flowers", like "December's Children" a hodge-podge that has steadily gained the status of near-classic, an album that sounds remarkably vital forty years after its release.
Not really, contrary to general assumption, a 'compilation', "Flowers" was issued in June 1967, the same month Brian Jones escorted Nico to the Montery Pop Festival where, still the wizard and true star ahead of the curve, he appeared onstage resplendent in his baubles and singular finery to introduce his friend Jimi Hendrix to America. But it was also a period of stress and crisis in the Stones' world, with the band unable to tour - Mick Jagger, Keith Richards, and Brian Jones (along with various friends and family) had all been busted for drugs during the preceding months, and the completion and release of "Their Satanic Majesties Request" would be delayed until November; radiant doomed Brian Jones was privately in the midst of a free-fall that would lead to his inevitable dismissal from the Stones, followed, just weeks later, by his death July 3, 1969.
At the time of release most of "Flowers" was new to the US audience (which might explain why it was another smash hit, reaching # 3 in "Billboard", during a 35 week chart run), containing tracks from UK versions of "Aftermath" and "Between The Buttons" that were deleted before Stateside release, along with two classic late '66 hit singles previously unavailable in album form. Three tracks had not been released anywhere by the Stones. As such "Flowers" at first sounds somewhat like a cross between the two previous studio albums. (It was, however, oddly flawed by the inclusion of three hits already available on the US editions of those albums - 'Let's Spend The Night Together,' 'Ruby Tuesday,' and 'Lady Jane').
Musically 1966 - 67 was the period during which Brian had lost interest in the guitar, instead coloring each song with an array of different instruments that always seemed to deepen the mood and power of the music. The Stones, with Ian Stewart and Jack Nitzche helping out, were experimenting, moving away from the classic American blues/r&b/soul/country forms that had inspired their first five albums. The music here is detailed and carefully textured, the songwriting sharp and acerbic, though often here with an introspective, late-night ambience that distinguishes it from the more willful "Buttons". "Flowers" does finally establish its own identity disctinct from the the two earlier classics, as exemplified by the English-folk/Appalachian tone of the exquisite closing track ('Sittin' On A Fence'). One is struck by the band's effortlessly great songwriting and ability to create fresh settings for each track. 'Sittin' On A Fence' is a brilliant example of the Stones' ambivilance (remember "Salt Of The Earth" or "Street Fighting Man")as well as a dramatic and effective climax to a great set. Elsewhere, 'Have You Seen Your Mother, Baby' remains a work of blistering power and density, its amphetemine fueled roar of guitar feedback, Wyman's impossibly heavy bass, and otherwordly pop-art horns concealing a dazzling lyric of Freudian sexual repression that demands to "tear through the shadow..." during its bridge. 'Out Of Time,' is both shorter and in a different mix from the UK version. The sole cover, 'My Girl' is lovely but minor, a bit too respectful of the Temptations' original to be considered inspired (compare the band's 1978 re-invention of 'Imagination'). Side two (of the vinyl album) provides one gem after another, from the waltz-time class analysis of 'Backstreet Girl', with Brian's gorgeous accordion and Mick's brutal yet tender vocal; 'Please Come Home' is 'Mona' on on acid, its relentless, hypnotic Diddleybeat transformed by Brian's theremin and what sounds like either synthesizer or mellotron, Keith's virtuosic guitar swirling through the mix atop Charlie Watts' perfect drumming (and, by the way, Shirley Watts makes a singular appearance here on backing vocals). 'Mother's Little Helper' is of course a classic single and another masterful track, with the droning guitar and Brian's sitar(?)providing a sense of dread and foreboding while Mick's vocal projects absolute confidence. 'Take It Or Leave It' is a pensive jewel, 'Ride On Baby' a unique rocker on which Keith's guitars are restrained but trenchant while Charlie's congas and Brian's harpsichord, bells, and harp (not harmonica) stand out as especially inventive.
Why not five stars? As stated, the three re-runs are simply lazy. Let us rewrite history by replacing them: open this album with another non-album single from '66, 'Sad Day'. Replace 'Let's Spend the Night' with 'Mother Baby's' B-side, the psychedelic blues 'Who's Driving Your Plane?' and insert the hotel room insomnia and restlessness of 'What to Do' as track five (in place of 'Lady Jane'). Now we have an album that is thematically and musically a far more cohesive statement. (And of course we use the full 5:37 'Out Of Time')...With the CD format and a multi disc changer anyone can program the album this way, and it's how I now choose to listen to it.
It doesn't matter anymore if this album was put out as stopgap. The 1966-67 Stones made accomplished, frequently startling music that can't be categorized as merely 'transitional', and some of the best appears on "Flowers", in remastering that, since the 2002 catolog upgrade, is superb. Finally, ponder the album jacket - on the front cover, Brian's is the only flower whose stem is without any leaves at all...

4 out of 5 stars Where The Summer of Love Found The Stones.......2006-11-14

Crippled by drug busts and court appearances, the summer of '67 Stones had little time to come up with new material, much less an answer to the revolutionary pop of the Beatles' just-released Sgt. Pepper. Therefore Decca records was forced to put out this compilation of hits and outtakes dating back as far as Dec. '65 ( those being "My Girl," "Out of Time," "Mother's Little Helper," "Backstreet Girl" and "Sittin' On A Fence"). But that's hardly a raw deal, as the album is in essence a mini-greatest hits of the Stones at the peak of their mid-sixties creativity:
the shimmering Jan '67 single of "Ruby Tuesday"/ "Let's Spend The Night Together" (the latter of which makes its contemporary "Strawberry Fields" sound like a druggy chore by comparison), The anarchic energy of Aug '66's "Have You Seen Your Mother, Baby," the glorious chorus in "Out of Time" from the Aftermath album, and so on. But the true forgotten gems here are "Backstreet Girl," a decadent acoustic waltz with the late multi-instrumentalist Brian Jones on accordian (the fact that his flower on the album cover had no leaves was a band in-joke), with Mick's lyrics pointing the finger at the philandering of his fellow pop stars as much as himself, and "Sittin' On A Fence," Keith and Brian doing some lovely acoustic dueling as Mick ponders his old classmates and the life he could have led. An album released in summer, it's actually perfect for a cold winter's night, talented young men conjuring all kinds of visions for one's own darkness.

5 out of 5 stars Everybody Should Get Flowers.......2006-08-29

OK...To understand Flowers, you have to first realize the context in which it was released. Flowers was released as an American only album of material that was not issued on previous albums, material that was cut from the American versions of albums released in their full 14 track format in Britain, or singles that had not made it into an album yet. Also don't forget that the Stones weren't touring at the time, attempting to find the same refuge that the Beatles had in their studio to try some experimentation a la Sgt. Peppers which became Satanic Majesties. Now that the proper context has been established, this album finds the Rolling Stones at the peak of their mid-60's creative power. Group founder Brian Jones had not yet cashed out on his drug and alcohol binges and he was totally into what has retrospectively been dubbed "flavoring" the albums and tracks that the Stones were putting out. The album is strung together with singles: "Ruby Tuesday" b/w "Let's Spend the Night Together", "Have You Seen Your Mother?", "Mother's Little Helper", and "Lady Jane". This material coupled with the leftovers from the British releases of Aftermath and Between the Buttons helps make this album somewhat eclectic like the other two albums but no less entertaining. The psycho-Bo Diddley "Please Go Home" is great 60's style garage-psyche rock. Anytime the Stones go Bo Diddley is worth listening to, by the way. "Out of Time" is a great companion piece to "Under My Thumb" from Aftermath, as it features much of the same instrumentation, with Brian Jones anchoring the song on his marimbas once again. "Back Street Girl" and "Ride on Baby" both fall into the same vein, with the use of the classical instruments on the rock tracks for that mock-Baroque feel that many of the 60's bands like the Kinks and Yardbirds went for with their use of harpsichords, etc. "Sitting on a Fence" and "Take It or Leave It" are also like songs, with similar feels and good acoustic guitar work. "My Girl" to me is the one oddity on the album but somehow it works with the eclecticness of the finished product.
This album was one of the first albums that I ever bought when I got into the Rolling Stones. It was also the first Stones album that I bought my fiancee when we were 16. We both loved it and I have never regretted that choice. For me, the albums Aftermath and Between the Buttons represent height of the Stones in the 60's before they changed directions forever. This album, Flowers, bridges the two in the same way that Rubber Soul and Revolver were bridged by Yesterday and Today. These albums form critical trilogies of albums at points where two bands were reaching critical mass just as the dream of the 60's was ending for so many.
Now for the disclaimer: as some reviewers have pointed out, this album is not part of the canon of Rolling Stones albums. That may be true but when you compare this album to others such as Exile on Main Street and Sticky Fingers or Beggars Banquet and Let It Bleed, but you are essentially comparing different bands and different times when holding Flowers against these rockers. Flowers is a great album that is completely misunderstood and underestimated. This album came out in 1967 and when compared with other albums of that time and place it shines with the best of them.
Appalachia Waltz / Ma, Meyer, O'Connor
Average customer rating: 4.5 out of 5 stars
  • Welcome to "alternative" classical music!
  • It's Yo-Yo so it's Exquisite
  • Love it- great for weddings
  • Stellar album
  • **Superb**
Appalachia Waltz / Ma, Meyer, O'Connor

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002C0Y
Release Date: 1996-09-24

Tracks:

  1. The Green Groves of Erin - The Flowers Of Red Hill
  2. Appalachia Waltz
  3. Chief Sitting In The Rain
  4. Mama
  5. Butterfly's Day Out
  6. Druid Fluid
  7. First Impressions
  8. Etienne Et Petunia
  9. F.C.'s Jig
  10. College Hornpipe
  11. Pickles
  12. Old Country Fairytale
  13. Schizoozy
  14. Star of the Country Down
  15. Speed The Plow Medley
  16. Fair Dancer Reel

Customer Reviews:

5 out of 5 stars Welcome to "alternative" classical music!.......2007-02-19

It's wonderful to hear three such talented musicians put together a collection of non-classical music on revered instruments. This is not "The Yo-yo Ma Show" with two other guys! The music is varied but the performances are great and -- in some cases, e.g. Appalachia Waltz -- fantastic. I was driving the first time I heard the title piece and immediately started sobbing and had to pull over; it was that beautiful! This would be a good CD choice for children to listen to, as it gives a fine exposure to the amazing sounds that the three instruments can make when in the right hands.

5 out of 5 stars It's Yo-Yo so it's Exquisite.......2007-02-12

Yo-yo Ma has never been content to stick with the standard cello classics. Of course he has recorded the classics - the magnificent Bach Cello Suites (incredible and the visual DVD only enhances the effect), Vivaldi, Beethoven, Faure, Dvorak, etc. His evolution as an artist is an on-going process, thus there's Yo-Yo playing Tango (Astor Piazzolla), Yo-Yo playing Jazz (Claude Boling), Yo-yo playing Brazilian music or John Williams. And now we have the Apalachia Waltz, a beautiful, virtuoso and haunting piece.
I, too, found many of the sounds unique. For a real experience, listen in a darkened room with a pair of superior earphones - the things you pick up will shock. I literally turned my head several times, convinced that the artist was in the room.

As one reviewer noted, this is not supposed to be the rustic sound one might imagine or (the reverse) simply an intellectual exercise. The artist (with able assistance) seems to draw on some kind of inner reserve and literally pour his soul into his newest project. I, for one, applaud this widening of the boundaries between genres and hope that it continues.
Let's not forget the other artists, particularly Meyer. Many times the celebrity saps all the attention leaving a wake of sore feeling in their wake. Ma has always been one to give credit where credit is due and in this case it is due to those who ably assisted him. My grade - A

5 out of 5 stars Love it- great for weddings.......2007-01-24

I used this and Appalachian Journey for my wedding music. I used Track 2 (Appalachian Waltz) as my entry music. The rest I just had playing on a cd player as background music while my guests were waiting on me. It was perfect for our outdoor Fall wedding. Hearing track 2 always brings the memory of our beautiful day flooding back.

5 out of 5 stars Stellar album.......2006-11-10

This disc is top-notch in all respects. The playing is great by Ma and O'Conner for sure, but the bass work is awesome. Meyer is as good a player as there is in the world at the present time in my opinion. I am a cellist and bassist and find it difficult to believe that some of the things he does are possible. If you like top quality string playing, order this album today.

5 out of 5 stars **Superb**.......2006-07-19

I absolutely love this album -- the music resonates with one's soul. Even if you don't have a cello fetish as I, you can't go wrong with this album. It offers a wonderful range from adagio to allegro.....A true musical feast. I especially enjoy Butterfly's Day Out and First Impressions. Dolce...
Classical Music for People Who Hate Classical Music
Average customer rating: 3.5 out of 5 stars
  • CD set is misnamed
  • Do not Buy
  • Classical Music for People Who Hate Classical Music
  • Seek better versions
  • It Is What It Is
Classical Music for People Who Hate Classical Music

Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD

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  1. Best of the Millennium: Top 40 Classical Hits
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  4. The Most Relaxing Classical Album in the World...Ever!
  5. The Most Relaxing Classical Music in the Universe

ASIN: B000003QWH
Release Date: 1994-06-09

Tracks:

  1. Canon In D
  2. 'Brandenburg' Concerto No. 3: Allegro
  3. The Four Seasons - The Winter: Largo And Allegro
  4. Fanfare ('Masterpiece Theatre' Theme)
  5. Camerata Romana: Air For The 'G' String
  6. 'Eine kleine Nachtmusik': Allegro
  7. Piano Concerto No. 21 ('Elvira Madigan' Theme): Andante
  8. Introduction To Symphony No. 5
  9. 'William Tell' Overture: Finale
  10. 'Aida': Triumphal March
  11. On The Beautiful, Blue Danube Waltz
  12. 'The Nutcracker': Waltz Of The Flowers
  13. '1812' Overture: Finale

Tracks:

  1. Sabre Dance
  2. 'Light Cavalry' Overture: Finale
  3. Carmen: The Toreadors
  4. ' Midsummer Night's Dream': Wedding March
  5. Radetzky March
  6. Symphony No. 9, 'Choral': Finale
  7. 'Prince Igor': Polovstian Dance No. 17
  8. Jesu, Joy Of Man's Desiring
  9. Peer Gynt: Solveig's Song
  10. Sleepers, Wake
  11. Water Music: Hornpipe
  12. Symphony No. 9, 'From The New World': Largo
  13. Emperor Waltz
  14. 'Emperor' Quartet: St. Anthony's Chorale
  15. 'The Tales Of Hoffman': Barcarolle
  16. L'Arlesienne: Farandole
  17. 'The Nutcracker': Dance Of The Mirlitons
  18. 'The Nutcracker': Dance Of The Sugar-Plum Fairy
  19. 'Rhapsody In Blue': Highlight
  20. 'Orpheus In The Underworld': Can-Can

Tracks:

  1. Introduction To 'Also sprach Zarathustra'
  2. Symphony No. 4, 'Italian': Saltarello: Presto
  3. Piano Concerto No. 20: Romance
  4. 'The Valkyrie': Ride Of The Valkyries
  5. 'The Four Seasons' - The Spring: Allegro
  6. Toccata and Fugue
  7. Trumpet Voluntary
  8. 'Royal Fireworks Music': la rejouissance: Allegro
  9. 'Moonlight' Sonata: Adagio Sostenuto
  10. London Festival Orchestra: Overture To 'The Barber Of Seville'
  11. Piano Concerto No. 2: Adagio Sostenuto

Tracks:

  1. Carmina Burana: Introduction To 'Carmina Burana'
  2. Peer Gynt: Dawn From 'Peer Gynt'
  3. Lohengrin: Prelude To 'Lohengrin'
  4. 'Lieutenant Kije': Troika From 'Lieutenant Kije'
  5. Adiago For Strings
  6. 'Carmen': Habanera From 'Carmen'
  7. 'Double' Concerto: Allegro From 'Double' Concerto
  8. The Marriage Of Figaro: Overture To 'The Marriage Of Figaro'
  9. (Rondo) Alla Turca
  10. Xerxes: Largo From 'Xerxes'
  11. Symphony No. 5: Allegro vivace From Symphony No. 5
  12. 'Swan Lake': Scene: Enchanted Lake From 'Swan Lake'
  13. Clair De Lune
  14. Bolero

Customer Reviews:

2 out of 5 stars CD set is misnamed.......2007-06-08

They should have titled this "classical music for people who love classical music" because most of the selections are typical classical music. The title suggests it would be lively selections of "light classical" music that is more upbeat, i.e. Sabre Dance, etc. I really don't hate classical music at all and have many classical CDs in my collection but I really wanted to hear more exciting selections. I won't be purchasing any more of this set but if you like traditional classical music these are good one.

1 out of 5 stars Do not Buy.......2007-02-21

I do know it says classical music for people who hate it, but serioulsly you would have better luck never listening to classical music again. The recordings are awfull and do not do justice to any of the composers. Buy something else.

5 out of 5 stars Classical Music for People Who Hate Classical Music.......2007-01-30

We love this set of CD's. I just got a new copy because my kids keeping taking our first copy with them so that they can listen at work or in their bedrooms but then I can never find them.

2 out of 5 stars Seek better versions.......2006-12-09

If you are fairly new to classical purchases then compilation CD's can be useful for deciding what to buy next. Sometimes you only need a small taste of a piece to inspire you to buy a release with the whole performance on. The problem with this compilation however is that most of the versions are poor in performance or recording quality (or both) when compared to the best versions and the fact that the conductors aren't even credited on the track listing made me suspect that this would be the case. One of my favorite classical pieces is Tchaikovsky's 1812 festival overture but if the first CD version I had heard had been the finale excerpt that is on this compilation I may not have gone on to buy the whole thing. Luckily I heard Adrian Leaper's version first and Adrian's version is rather good.
My classical CD buying experience is limited to only a couple of dozen discs but I have found that the Naxos and Deutshe Grammophon releases are fairly safe. Avoid any release which does not name the conductors on the track listing or sleeve notes.

4 out of 5 stars It Is What It Is.......2006-10-27

It's fitting that this page is fraught with the same kind of silly snobbery that turns people off from classical music (and necessitates collections like this) in the first place.

Any criticism of this compilation, which focuses on the quality of the performances or the fact that many tracks are excerpts, misses the point. This is not a collection for people who consider such things, nor does it purport to be. The idea is to package as many ultra-famous classical melodies as possible in one affordable collection and market it to people who have never purchased a classical recording. As such, top-tier performances are likely too expensive to be sold so cheaply and are unnecessary anyway. Those of us who already know and love a piece or two can forgive the compilers the inclusion of sub-par recordings, when we are exposed to so many other beautiful pieces for the first time.

It probably comes as a shock for some to hear that most people are not familiar with these classics. We may hear snippets on TV or movies, but are left with no idea as to the composer or historical context. With that in mind, it is extremely intimidating to begin buying classical. I suppose those among us, who so thoroughly dismissed the very notion of a boxed set like this, would have us begin by buying full albums by reputable interpreters. Surprisingly enough though, the majority of people would consider that a tad cost-prohibitive.

To conclude, this is a STARTER collection. It will either affirm a listener's feelings about classical music or lead to an interest in purchasing better recordings. Ideally, I suppose the interpretations would be better, but, for reasons mentioned above, that just isn't in the cards for a collection of this nature. If you're familiar with 50 different recordings of "The Ring" series, or have season tickets to the New York Philharmonic, then this probably isn't for you. For us cretins with limited foreknowledge of classical music though, it serves as a succinct introduction with little to complain about.
Broken Flowers: Music from the Film
Average customer rating: 4 out of 5 stars
  • Broken Flowers
  • Great collection
  • Well-themed soundtrack for an easy to watch movie.
  • good, but not as good as Ethiopiques
  • What's Good is GREAT
Broken Flowers: Music from the Film
Original Soundtrack , and Mulatu Astatqe
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-1974
  2. Dual Mono
  3. Truly She Is None Other
  4. Broken Flowers
  5. The Life Aquatic with Steve Zissou

ASIN: B0009XT914
Release Date: 2005-08-02

Tracks:

  1. There Is An End - The Greenhornes
  2. Yegelle Tezeta - Mulatu Astatke
  3. Ride Your Donkey - The Tennors
  4. I Want You - Marvin Gaye
  5. Yedermo Sew - Mulato Astatke
  6. Not If You Were The Last Dandy On Earth - Brian Jonestown Massacre
  7. Tell Me Now So I Know - Holly Golightly
  8. Gubelye - Mulatu Astatke
  9. Dopesmoker - Sleep
  10. Requiem, Op.48 (Pie Jesu) - Oxford Camerata
  11. Ethanopium - Dengue Fever
  12. Unnatural Habitat - The Greenhornes

Amazon.com

Will this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a sample of the song (it actually lasts an hour) but it still sounds awesome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre's "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli

Customer Reviews:

1 out of 5 stars Broken Flowers.......2007-06-19

the movie was good, but the music almost ruined it for me. if this had better music, it would have definatly been a better movie. the times where there was music i couldn't concentrate on the movie, i just wanted to cover my ears. even so, please do see the movie.

5 out of 5 stars Great collection.......2007-02-13

This is an excellent collection.. if you saw the movie Broken Flowers you will recognize some of the music. Very relaxing and inspiring tunes if you can get into this type of music.

3 out of 5 stars Well-themed soundtrack for an easy to watch movie........2007-01-22

I walked into Broken Flowers expecting another low-key performance from Bill Murray like his role in Lost in Translation. Great movie to take in easily without loud distractions or tedious moments... quietly funny.

This mood could have been ruined, however, if the soundtrack did not assist the mood of the movie by providing casual transition music. The great additions of Astatke, Greenhornes, and Golightly have already been mentioned, but Marvin Gaye and Dengue Fever also add a sharp quality to an already wide-ranging soundtrack. Marvin Gaye's "I Want You" is a sensual classic that shows how his later period of work was evolving instrumentally as well as vocally. Dengue Fever's "Ethanopium" provides a jazz-funk background to the movie that fits in well to Broken Flowers' sometimes quirky plot. Although the tune is missing the Khmer style of vocalist Chhom Nimol, the track signifies the eclectic sound of the band.

Both artists, as well as those previously mentioned, make the soundtrack to Broken Flowers enjoyably unique.

4 out of 5 stars good, but not as good as Ethiopiques.......2006-07-27

Great sound track. I loved the movie, mainly because I love watching Bill Murray, but even he couldn't have kept my interest if it wasn't for the music. It led me delightfully from one scene to the next. When I finished watching the movie, I said, "what was that music, and where can I get it."

4 out of 5 stars What's Good is GREAT.......2006-07-23

Movie soundtracks (and anthologies in general) tend to be "hit-and-miss" affairs. The BROKEN FLOWERS soundtrack is no exception, but its "hits" are so good, it's hard to quantify an overall ranking for this CD vis-a-vis the misses.

I see the other reviews here rightly concentrate on the brilliant and haunting Ethiopian jazz of Mulatu Astatke. This is the music that drew me to the CD in the first place, and it is otherworldy in quality and sound. Also noteworthy are the two wonderful tracks featuring Holly Golightly.

That leaves a couple of indifferent tracks, and a couple of unlistenable ones courtesy of the Brian Jonestown Massacre and Sleep. Program these songs out and you have a shorter, 5-star CD. Leave them, and you have, uh, this!
Tchaikovsky: Greatest Hits
Average customer rating: 5 out of 5 stars
  • This is a question
  • What a thrill to find this!
  • Pretty good album.
Tchaikovsky: Greatest Hits

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003F68
Release Date: 1991-09-06

Tracks:

  1. Swan Lake - Waltz
  2. Symphony No. 6 Pathetique - Allegro Con Grazia
  3. Eugene Onegin - Polonaise
  4. Pas De Deux
  5. Waltz Of The Flowers
  6. Andante Cantabile
  7. Serenade For Strings - Waltz
  8. Marche Slave
  9. Swan Lake - Final Scene
  10. 1812 Overture

Customer Reviews:

5 out of 5 stars This is a question .......2006-08-03

I was directed to this CD from an online link is track #8 conducted by Aruther Fiedler????

5 out of 5 stars What a thrill to find this!.......2004-05-27

I have looked and looked for "The Polonaise" from "Eugene Onegin" and began to think I never would find it. It is one of my very favorites. However, sitting through that entire opera for just this one piece was a bit tiring. Although, it really was worth it to be transported for just a few minutes. I don't remember where I even got this CD, but played it and was estatic to hear "The Polonaise"! Beautiful piece, beautifully done. This is not to say that the rest of the CD is not 5 star, too. It is!
I hope you enjoy this CD as much as I.

5 out of 5 stars Pretty good album........1999-08-03

I think that these are my favorite Tchaikovsky songs, but there are much better classical albums out there, so buy others.
The Ultimate Gilbert & Sullivan Collection
Average customer rating: 3.5 out of 5 stars
  • Well worth the price
  • Not Exactly "The Ultimate" Collection...
  • Where's the chicks?!?!
  • Not quite the ultimate....
  • Great Music - Questionable Selection
The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. The Best of Gilbert & Sullivan
  2. Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
  3. Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
  4. Topsy-Turvy
  5. The Complete Annotated Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

  1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
  2. H.M.S. Pinafore: I'm Called Little Buttercup
  3. H.M.S. Pinafore: My Galant Crew, Good Morning
  4. H.M.S. Pinafore: I'm The Monarch Of The Sea
  5. H.M.S. Pinafore: When I Was A Lad
  6. H.M.S. Pinafore: Nevermind The Why And Wherefore
  7. H.M.S. Pinafore: Kind Captain, I've Important Information
  8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
  9. H.M.S. Pinafore: For He Is An Englishman
  10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
  11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
  12. The Pirates Of Penzance: With Cat Like Tread
  13. The Sorcerer: My Name Is John Wellinton Wells
  14. The Gondoliers: Take A Pair Of Sparkling Eyes
  15. Patience: If You're Anxious To Shine
  16. The Mikado: If You Want To Know Who We Are
  17. The Mikado: A Wand'ring Minstrel I
  18. The Mikado: Behold The Lord High Executioner
  19. The Mikado: As Someday It May Happen
  20. The Mikado: Three Little Maids From School Are We
  21. The Mikado: The Sun Whose Rays Are All Ablaze
  22. The Mikado: Here's A How - De - Do!
  23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
  24. The Mikado: A More Humane Mikado Never Did In Japan Exist
  25. The Mikado: The Criminal Cried As He Dropp'd Him Down
  26. The Mikado: The Flowers That Bloom In The Spring, Tra La
  27. The Mikado: On A Tree By A River A Little Tom Tit
  28. The Mikado: There Is Beauty In The Bellow Of The Blast
  29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

4 out of 5 stars Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

3 out of 5 stars Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

2 out of 5 stars Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

5 out of 5 stars Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

4 out of 5 stars Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Bees + Flowers + Things
Average customer rating: 4.5 out of 5 stars
  • i love the sunshine
  • Summer album.
  • Has its moments but is tepid compared to, say, 11
  • Emotion To Spare
  • OK but their traditional style is better
Bees + Flowers + Things
Incognito
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
BritainBritain | British Isles | Europe | International | Styles | Music
Acid JazzAcid Jazz | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
GeneralGeneral | Funk | R&B | Styles | Music
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  1. Eleven
  2. Collaborations
  3. Givin' It Up
  4. Feel the Fire
  5. Interpretations: Celebrating the Music of Earth Wind & Fire

ASIN: B000GYJNNK
Release Date: 2006-12-26

Tracks:

  1. Everybody Loves the Sunshine
  2. Everyday
  3. Summer in the City
  4. Always There
  5. Raise
  6. Still a Friend of Mine
  7. Tin Man
  8. Crave
  9. Deep Waters
  10. You Are Golden
  11. That's the Way of the World

Amazon.com

Jean-Paul Maunick and his Incognito mates have spent the last 30 years refining and boiling down their version of acid jazz to a smoothly textured, immaculately produced sheen. Bees + Things + Flowers has a more retro vibe about it, filled with peaceful soul, stellar vocalists, and a few smartly executed covers. "Summer in the City" is a prime example of the latter, featuring a loopy vocal line, nimbly negotiated by Carleen Anderson, that floats over soft horns and snippets of playful synth. The singers Maunick brings in are often given the spotlight, even on a jazz flight like "Stand;" of course, a singer like Jocelyn Brown isn't exactly easy to upstage. At times, the record sacrifices tight structure for wandering bliss, like on the nine-minute Earth, Wind & Fire closer "That's the Way of the World." On the other hand, it's not like you can't wait for that nine minutes to end. Maunick, as always, makes it sound like there's all the time in the world. --Matthew Cooke

Album Description

The enduring success of Incognito is one of the great stories of UK music. Inspired by the acoustic and soulful-yet-Laidback funk of Bill Withers, the haunting string arrangements of David Axelrod, and the close harmonies of Crosby, Stills, Nash, and Young, bees + thing+flowers was recorded with the 'unplugged' concept in mind. Every instrument is acoustic except the Fender Rhodes electric piano and Fender electric bass. The new album is a mixture of the old ('Deep Waters,' 'Still a Friend of Mine'), the borrowed ('Everybody Loves the Sunshine,' 'Tin Man') and the new ('Crave').

Customer Reviews:

5 out of 5 stars i love the sunshine.......2007-07-30

who is joy rose and where has she been hiding. everybody loves the sunshine is the bomb. talk about a nice cd. to bad the smooth jazz station here in las vegas never played this song on the radio, with all due respect to roy ayers this song was much better, though mary j blidge did it gorgeous also. track 2 everyday is also very smoothing and of course maysa on here makes me smile. glad i bought this one also, buy it folks and get your smile on, trust me

4 out of 5 stars Summer album........2007-05-31

The album starts with song titled "Everybody Loves The Sunshine". That's 100% true. Everyone rates Incognito's "Adventures in Black Sunshine" as the top class and it will be difficult for the band to surpass The Adventure's great musical and commercial success.

"Bees + Flowers + Things" may be targeted at a narrower group of Incognito fans than any of their previous albums. Because of the style chosen for the album: relaxed, tranquil, unhurried summer music. Newcomers to Incognito may feel it to be too mediocre and they may find it appropriate to better start with another Incognito's album, for instance "Adventures in Black Sunshine". For the Incognito fans "Bee + Flowers + Things" may present a difficult load on ear as the initial expectation to hear the Incognito's original style will not match the reality. I stopped playing the CD half way during first listening session. The next day I tried "BFT" again, as background music. And I stopped the CD less than half way through it. The marketers call it "post-purchase dissonance". There will be moments when you expect to finally hear "that deep-low solid boom" and it does not happen... It took me courage to load the CD in my player in two days and... enjoy the album.

The music is very delicate. There are points I found to be of possible importance to enjoy this album. (i) It does not work as background music and requires attention of the listener because the idea is in the detail. (ii) It is more comfortable to listen to this CD at somewhat lower than average loudness level as jumping above breaks the intimacy of music. (iii) The music is better played at the twilight as the song collection does not fit daytime. You may find it different from my experience and that will be fair enough.

As to the repertoire, I would include a couple of more songs a-la "Summer In The City" to pour more energy in music. Anyway the vocals are powerful enough in themselves to deliver that energy. I also found that starting listening to the CD from track 8 "Crave" and then moving to the beginning to track 1 is a good way to set the mood and enjoy the music. You may wish to try this.

The arrangements are perfect. They are subtle and all about the details - this is why the album requires full listener's attention to understand the music.

A star in my rating is eaten by the sound engineering. It could have been better. Such delicate music is about a detail. The sound quality does not deliver that final "dzing" to appreciate the micro-details of wonderful human voice and perfect instrumental play. With a better sound mastering the album would be a top notch for those who is about understanding the music.

3 out of 5 stars Has its moments but is tepid compared to, say, 11.......2007-05-05

I love Incognito and the usual suspects are all here: great performances and amazing vintage sounds married to Steely Dan quality production. This album was supposed to be a change for them and I totally applaud their choice to try to mix it up. Unfortunately, the album just doesn't have the burn of other Incognito albums, leading to an overall so-so performance for them. The covers of their own material---some of their best material, like "Still a Friend of Mine"---just never seem to make it off the runway for me. Other tracks where they're covering other people actually work better. Tin Man and, especially, That's the Way of the World groove. On That's the Way of the World Incognito manages to channel EWF in their heyday (no small feat and I bet they're one of the few bands who could manage it given the vocal talent they have) and sound like they're having an amazing time doing it. In short, it might grow on me so I'm not writing it off right yet, but I don't anticipate this would be anything like 11, 100 Degrees and Rising, Adventures in Black Sunshine, or No Time Like the Future in terms of rotation on my player.

5 out of 5 stars Emotion To Spare.......2007-04-02

Jean Paul 'Bluey' Maunik has always been a great assembler of talent,much in the same way Quincy Jones and Normman Connors were in past years.So it's only fitting a CD like 'Bees + Things + Flowers' has a guest list for the ages;it is after all something of a tribute to the songs that inspired this group in the beginning.Strangely enough I am not familier with all of these songs,even though I love them all.The Axlerodish orchestrations and Chicago style horns (the band Chicago I mean) really combine well.As far as originallity "Everybody Loves The Sunshine" and "Tin Man" seem to stick too closely to the originals,except maybe in vocal arrangement on the latter and the abundance of fender rhodes piano soloing,which is omnipresent throughout.On the other hand "Summer In The City" sounds very nice;it's similar only to BB Kings 70's version in that it's reduced to a slower crawl tempo but this version is heavy on the groove,not the blues.And Incognito fans will be especially shocked by "Alway There" because,for one the band have done this song in the traditional dance style ad infinitum and because here it's dropped right down to slow jam pace,almost unrecognizable.The most incredible thing about this is how the CD closes-a nine minute version of "That's The Way Of The World".Now here's a song that's been covered by so many people and always sticks close to the original.This keeps only the melody and basic arrangement,but the production is very spare and the overall mood very loving;the heavy gospel/cinematic melodrama Maurcie White and Philip Bailey baught to the terrific original is absent from it.You can say this is the "no drama" version of the song and I am not being unfair because the original is a classic and I love both versions.It's just a great song whoever's doing it.One thing that Incognito fans will not find on this,as you would on CD's such as No Time Like the Future , Eleven or even the earliest effort Jazz Funk is uptempo dance and funk tunes;everything here is very soft and mellow and is perfect accompanyment to a beautiful,sunny summer afternoon.If you like your musically incredibly well done this will interest you.

3 out of 5 stars OK but their traditional style is better.......2007-03-08

I am a huge Incognito fan, having all their CDs and having seen them in person several times. This CD is a remake of many of Incognito's previous works. It is "acoustical," not the big band party sound we are used to. Too bad -- that's what Incognito does best. It is like Incognito made into elevator music -- a watered down version of their work. Go for the other CD's; much better. Incognito go back to your roots!
Classical Masterpieces of the Millennium [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • Mill. Classical review
  • classical music for the unitiated
  • Some little gems there that I had forgotten!
  • A very helpful collection
  • Excellent!
Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
QuintetsQuintets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrahmsAll Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Ravel, MauriceRavel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
FantasiesFantasies | Forms & Genres | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
RondosRondos | Forms & Genres | Classical | Styles | Music
Serenades & DivertimentosSerenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
Sinfonia ConcertanteSinfonia Concertante | Symphonies | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
IntermezzosIntermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
French HornFrench Horn | Brass | Instruments | Classical | Styles | Music
TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
OboeOboe | Reeds & Winds | Instruments | Classical | Styles | Music
CelloCello | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AirsAirs | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Box Sets | Stores | Music
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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

  1. Brandenbutg Concerto No.3 In G First Movement
  2. Overture No.3 In D Second Movement
  3. Violin Concerto In E First Movement
  4. Prelude In C minor
  5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
  6. Overture No.2 In B minor Minuet And Badinerie
  7. Oboe Concerto In D minor Second Movement
  8. Brandenburg Concerto No.4 In G Third Movement
  9. Musical Offering - Fuga canonica
  10. Easter Oratorio - Overture
  11. Minuet In D minor
  12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
  13. Brandenburg Concerto No.1 In F Second Movement
  14. Art Of The Fugue - Contrapunctus 9
  15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
  16. Overture No.4 In D - Réjouissance
  17. Concerto No. 1 in E: Spring
  18. Concerto No. 1 in E: Spring
  19. Concerto No. 1 in E: Spring
  20. Concerto No. 2 in G minor: Summer
  21. Concerto No. 2 in G minor: Summer
  22. Concerto No. 2 in G minor: Summer
  23. Concerto No. 3 in F: Autumn
  24. Concerto No. 3 in F: Autumn
  25. Concerto No. 3 in F: Autumn
  26. Concerto No. 4 in F minor: Winter
  27. Concerto No. 4 in F minor: Winter
  28. Concerto No. 4 in F minor: Winter
  29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  35. Concerto Grosso in A minor, Op. 3, no. 8
  36. Concerto Grosso in A minor, Op. 3, no. 8
  37. Concerto Grosso in A minor, Op. 3, no. 8
  38. Water Music - Alla Hornpipe
  39. Xerxes - Ombra Mai Fu (Largo)
  40. Messiah - And The Glory Of The Lord
  41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
  42. Organ Concerto In F, Op. 4, No. 4 Allegro
  43. Water Music - Air
  44. Messiah - For Unto Us A Child Is Born
  45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
  46. Salomon - Sinfonia, Act 3
  47. The Choice Of Hercules - While For Thy Arms
  48. Water Music - Allegro (Suite No. 1)
  49. Suite No. 5 In E - Air With Variations
  50. Jephtha - How Dark, O Lord
  51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
  52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
  53. Water Music - Andante Allegro Da Capo
  54. Concerto for Trumpet & Orchestra in E-flat: First Movement
  55. Symphony No. 94 in G: Surprise Symphony-second movement
  56. Concerto for Violin No. 2 in D: Third Movement
  57. Flute Trio No. 31 in G: Second Movement
  58. Symphony No. 31 in D: Hornsignal-First Movement
  59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
  60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
  61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
  62. Symphony No. 88 in G: Fourth Movement
  63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
  64. Notturno No. 1 in C: Second Movement
  65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
  66. Eine Kleine Nachtmusik - first movement
  67. Piano Concerto in A - second movement
  68. Flute Concerto in D - Rondeau
  69. Serenade - Minuet
  70. Violin Concerto - first movement
  71. Symphony No. 40 in G minor - first movement
  72. Clarinet Concerto - second movement
  73. Turkish March
  74. Divertimento - Minuet
  75. Horn Concerto No. 3 in E-flat - first movement
  76. Symphony No. 5 in C minor, Op. 67-First Movement
  77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
  78. Overture
  79. O welche Lust (Prisoners' Chorus)
  80. Ha, welch ein Augenblick (Pizarros's Aria)
  81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
  82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
  83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
  84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
  85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
  86. German Dance No. 1 In C
  87. Impromptu Op. 90, No. 3 In G-Flat
  88. Heidenroslein
  89. Ave Maria
  90. Der Lindenbaum
  91. Quintet In A 'Trout Quintet' - Andante
  92. Mass No. 6 In E-Flat - Kyrie
  93. Die Schone Mullerin Des Mullers Blumen
  94. German Dance No. 2 In G
  95. Piano Sonata In B-Flat
  96. Nachtgesang Im Walde
  97. Winterreise - No. 15: Die Krahe
  98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
  99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
  100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
  101. Nocturne in E-flat, Op. 9, no. 2
  102. Etude in G-flat, Op. 10, no. 5
  103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
  104. Mazurka in D minor, Op. 33, no. 2
  105. Prelude in D-flat, Op. 28, no. 15 Raindrop
  106. Etude in C, Op. 10, no. 1
  107. Nocturne in D-flat, Op. 27, no. 2
  108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
  109. Scherzo in B minor, Op. 20
  110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
  111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
  112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
  113. Violin Concerto - second movement
  114. The Sleeping Beauty - Waltz
  115. Capriccio Italien, Op. 45
  116. Swan Lake - Waltz
  117. Eugene Onegin - Polonaise
  118. The Nutcracker - Waltz of the Flowers
  119. Orchestral Suite No. 4 - Mozartiana - Third Movement
  120. Swan Lake - Dance of the Swans
  121. Symphony No. 6 in B minor - Pathétique - Third Movement
  122. Hungarian Dance No.5
  123. Lullaby
  124. Symphony No.1 in C minor, Op. 68 - Third Movement
  125. Intermezzo in E-flat, Op.117, no. 1
  126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
  127. Waltz, Op. 39, no. 15
  128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
  129. String Quintet in G, Op. 111 - Second Movement
  130. Symphony No.4 in E minor, Op. 98 - Third Movement
  131. Intermezzo in A minor, Op. 76, no. 7
  132. Hungarian Dance No.1 in G minor
  133. German Requiem Selig sind die Toten (Final Chorus)
  134. Die Fledermaus - Overture
  135. Kaiser Waltz, Op.437
  136. Thunder And Lightning Polka, Op. 324
  137. Roses From The South Waltz, Op. 388
  138. AnnenPolka, Op. 117
  139. Vienna Blood Waltz, Op. 354
  140. Eljen A Magyar Polka, Op. 332
  141. Wine, Women and Song Waltz, Op. 333
  142. On The Beautiful Blue Danube Waltz, Op. 134
  143. Die Meistersinger Von Nurnberg - Overture
  144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
  145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
  146. Lohengrin - Act 3 Prelude and Bridal Chorus
  147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
  148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
  149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
  150. Die Walkure - Ride of the Valkyries
  151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
  152. Tristan und Isolde - Liebestod
  153. Thus sprach Zarathustra, Op. 30 (excerpt)
  154. Don Juan, Op. 20
  155. Eine Alpensinfonie, Op. 64, I.Nacht
  156. Don Quixote, Op.35, first movement: Introduction
  157. Salome, Op. 54, Dance Of The Seven Veils
  158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
  159. Piano Concerto 2 In C minor, Op. 18 - First Movement
  160. Vocalise, Op.34, No. 14
  161. Prelude In G Sharp minor, Op. 32, No. 12
  162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
  163. Symphony No. 2 In E minor, Op. 27 - Third Movement
  164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
  165. Rhapsody, Op. 43 On A Theme By Paganini
  166. Hungarian Rhapsody No.2
  167. Liebestraum No.3 in A-flat
  168. Piano Concerto No.1 in E-flat - third movement
  169. Angelus
  170. Mephisto Waltz No.1 (Dance in a Village Tavern)
  171. Prelude and Fugue on B-A-C-H
  172. Dante Symphony - Finale. - Purgatorio - Magnificat
  173. Les Préludes
  174. Boléro
  175. Daphnis et Chloé first movement: Nocturne
  176. Rhapsodie Espagnole
  177. Shéhérazade - first movement: Asie
  178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
  179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
  180. La Valse
  181. Slavic Dance No. 1 in C, Op. 46, no.1
  182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
  183. Humoresque, Op. 101
  184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
  185. Serenade for String Orchestra, Op. 22 - second movement
  186. Romance for Violin and Orchestra In F minor, Op. 11
  187. Symphony No. 7 in D minor - third movement
  188. Melodie (Songs My Mother Taught Me)
  189. Carneval Overture, Op. 92
  190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
  191. Symphony No.4 In A, Op. 90. Italian - First Movement
  192. Frühlingslied In A, Op. 62, No. 6
  193. Wedding March (From A Midsummer Night's Dream, Op.61)
  194. Duetto In F, Op.30, No.6 (From Songs Without Words)
  195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
  196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
  197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
  198. Notturno (From A Midsumment Night's Dream, Op. 61)
  199. Rondo Capriccioso, Op.14
  200. String Symphony No. 12 In G minor - First Movement
  201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
  202. Scherzo (From A Midsumment Night's Dream, Op. 61)
  203. Violin Concerto In E minor, Op.64 - Third Movement
  204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
  205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
  206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
  207. Arietta, Op. 12, no. 1
  208. Homage March from Sigurd Jorsalfar, Op. 56
  209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
  210. Wedding Day at Troldhauen, Op. 65, no. 6
  211. The Last Spring, Op. 34, no. 2
  212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
  213. Nordic Melody Op. 63
  214. Notturno, Op. 54, no. 4
  215. Elegie, Op. 47, no. 5
  216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
  217. Piano Concerto in A minor, Op. 16 - Allegro
  218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
  219. Traumerai (from Kinderszenen, Op. 15)
  220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
  221. Aufschwung (from Fantasietucke, Op. 12)
  222. Triolett, Op. 114, no. 2
  223. Tanzlied (No. 1 from Duets, Op. 78)
  224. Symphony No. 4 in D minor, Op. 120 - second movement
  225. Frühlingsgruss
  226. Abschied (from Waldszenen Op. 82)
  227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
  228. Manfred Overture, Op. 115
  229. Romance in F sharp, Op. 28, no. 2
  230. Die Rose stand im Tau
  231. Liebesgarten (from Four Duets, Op. 34)
  232. Warum? (from Fantasiestucke, Op. 12)
  233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
  234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.