| 1. Dance Dance Dance - Vocal |
| 2. Dance Dance Dance - House Mix Instrumental |
Editorial Reviews
Artist: Patti Russo. Has been singing with Meatloaf for the past six years. Toured the world with Meatloaf. Several VH1 specials.
Product Description
Quick paced dance song in the vogue of the seventies with a modern up-beat rythm. House Mix is perfect for dancing and listening. Great vocals, wide range, powerful voice by Patti Russo.
Dance Dance Dance,Patti Russo
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Good Girl Gone Bad
Rihanna Manufacturer: Island / Def-Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OZ2CZW Release Date: 2007-06-05 |
Tracks:
- Umbrella feat. JAY-Z
- Push Up On Me
- Don't Stop The Music
- Breakin' Dishes
- Shut Up and Drive
- Hate That I Love You feat. Ne-Yo
- Say It
- Sell Me Candy
- Lemme Get That
- Rehab
- Question Existing
- Good Girl Gone Bad
Amazon.com
There's a cool new development in summer singles: they no longer need to be sunny. In fact, the wetter the better. "Umbrella," the first single off Rihanna's ragingly good third album, may be her strongest ditty yet, and that's saying something considering her run of past summer chartbusters. More stylish than "S.O.S." (from A Girl Like Me) and more interesting than "Pon de Replay" (from Music of the Sun), "Umbrella" barrels forward with big, brawny drums and a hot but haunted-sounding vocal. From there, the upbeat numbers chug forth like chilled pina colada mix into a blender: "Breakin' Dishes" trades skillfully on a recent vogue for man-directed venom, and "Shut Up and Drive" borrows "S.O.S."-style from the '80s New Order song "Blue Monday." Both are irresistible. So, too, are a couple of late tracks. "Rehab" and "Lemme Get That," both produced by Timbaland, prove that being an island girl is no barrier to holding one's own amid a sizzling stew of urban beats. In fact, it's a boon--one that'll register with pop music fans instantly. -Tammy La GorceAlbum Description
Multi-platinum, award-winning SRP/Def Jam recording artist -and CoverGirl spokesperson - Rihanna has taken over the charts with her # 1 smash single "Umbrella" (featuring JAY-Z) and her chart topping album GOOD GIRL GONE BAD. Rihanna's third album release in less than two years, GOOD GIRL GONE BAD is the follow-up to 2006's platinum A Girl Like Me, with the back-to-back #1 hits, "S.O.S." and "Unfaithful"; and her gold debut from 2005, Music Of the Sun, featuring the worldwide smash, "Pon De Replay." GOOD GIRL GONE BAD boasts the production skills of Timabland, C. "Tricky" Stewart, Stargate, and the team of Evan Rogers and Carl Sturken (responsible for "S.O.S." and "Pon De Replay"), as well as songwriting contributions from Justin Timberlake and Ne-Yo, among others.Customer Reviews:
Surprisingly good........2007-07-30
The good: First, Rihanna's voice has improved tremendously. The annoying nasal quality, present on her last two discs, has almost completely disappeared. Also, her delivery is much more emotionally charge and she finally sounds connected to the music. The production on this album is mostly top notch. Of course the first single, "Umbrella," is excellent, although is may be a little over-produced. "Push Up On Me" is an undeniably catchy piece of 80's-tinged pop. But "Breakin' Dishes" has to be the highlight track, for me at least. The fierce track opens with Rihanna fuming, "I don't know who you think I am!" It is entertaining to hear Rihanna angry and the tongue-in-cheek lyrics are quite humorous. The Timbaland-produced "Sell Me Candy" and "Lemme Get That" are amazingly catchy. "Say It" is a sweet trach with great harmonies, "Question Existing" is touching, and the title track is a great way to end.
The bad: At times, it feels like Rihanna is trying too hard to be different and too much of a people pleaser (i.e. genre hopping, more pop-sounding, unconventional packaging). "Don't Stop the Music" was a terrible choice for a third single and I find the techno-pop track to be rather irritating. "Shut Up and Drive," is a nice rock influenced track, but the lyrics are a bit trashy. However, "Hate That I Love You" with Ne-Yo would have to be the hands down worst track on the album. The song is a lazy carbon copy of the featured artists' hit, "So Sick." It even uses the same shuffling drumbeat. (Also, I'm no huge fan of Ne-Yo and I think his voice is nasally.) I heard a rumor that this will be the fourth single. Um... not a good idea. Lastly, Rihanna tends to sound like Nivea at times. (Not a surprise since Nivea's husband contributed, in some way or another, to four of the album's tracks.)
Although this album is not without flaws like some people claim, the good far outweighs the bad and I'm quite impressed. Good Girl Gone Bad is a huge improvement from Rihanna's past works in many aspects. Now if only they could choose the right singles to release this album could be a big success.
New Look + New Sound = Alright Music.......2007-07-20
This is why it's HOT!!.......2007-07-16
GO RIHANNA!!!.......2007-07-10
Okay, for what it is.......2007-07-09
Some of the song lyrics struck me as being a little silly, but that didn't bother me too much.
I don't think I'd listen to this album very often, but if I had a lot of guests over for a party, I'd consider playing it if people looked like they may want to dance.
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We Are the Night
The Chemical Brothers Manufacturer: Astralwerks ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OV129I Release Date: 2007-07-17 |
Tracks:
- No Path To Follow
- We Are The Night
- All Rights Reversed (The Klaxons)
- Saturate
- Do It Again (Ali Love)
- Das Spiegal
- The Salmon Dance (Fatlip)
- Burst Generator
- A Modern Midnight Conversation
- Battle Scars (Willie Mason)
- Harpoons
- The Pills Won't Help You Now (Midlake)
Amazon.com
One can never accuse the Chemical Brothers of consistency. We Are the Night continues their eclectic electronica approach even though the big-beat groove of the title track remains their digital calling card. Spotted with a minimalist keyboard pattern, vocal non sequiturs, and sampled sound effects, the infectious groove of "We Are the Night" eventually evolves into the monotone-chanted dance chorus of "We are the night skies/We are the bright lies," recalling Brian Eno circa Here Come the Warm Jets. However, for every catchy electro-dance, there's a tune that leaves you scratching your head. What to make of the novelty song "The Salmon Dance" is anybody's guess, though you might find some illumination in a salmon recipe on their Web site. With fractured nursery-rhyme lyrics that are sung like an off-color Sesame Street rap, it will drive you up the wall--or at least toward the skip button. Then there's Midlake singing the trancey ballad "The Pills Won't Help You Now," making the Chemical Brothers sound like a sci-fi version of Coldplay. Retro-analog synthesizers dominate, with the electro-grooves of "Das Spiegel," "Burst Generator," and "Saturate," which builds on a Kraftwerk-forged metal framework coupled with storming sampled drums. The circuits of '70s techno-pop artist the Normal are re-soldered on "Do It Again." With Ali Love singing the title-track chorus, it's built to be a summertime anthem akin to Tag Team's "Whoomp! (There It Is)," albeit robotically chilled. --John DilibertoCustomer Reviews:
Not old Chemicals, New Chemicals!.......2007-07-29
My favorite work of theirs is actually their DJ mix, "Brother's Gonna Work It Out." Just awesome.
I didn't really like their last album, "Push the Button." I thought it was just ok. The only song I played off that album, was "Rise" and that was actually a b-side to "Galvanize."
I've never loved any of their albums though. I've just thought that certain songs on their albums were mind blowing. The albums usually don't have a very danceable flow to them.
This one does.
This album is the first Chemical Brothers album that I can listen to from beginning to end. There was only one song I thought was slightly mediocre.
"Do It Again" makes a ton more sense now that I've heard it within the context of the album. The sung vocals were questionable to me, but after hearing the album, I think it's brilliant.
And, for the record, I think the "Salmon Dance" is wicked dancefloor material. The funkiest Chemical Brothers track ever.
This album is a bit less in your face then the earlier stuff, but it is quite relevant to the current state of electronic music. It draws influences from the minimal house/berlin techno and nu-rave scene but transcend all of that. They really make some odd-ball decisions and push songs in really strange directions, all the while keeping their familiar sound pallette.
If you want the old (and still great) block rockin' Chemical Brothers, then this is probably not the album for you. But if you want to hear cutting edge dance music, this is it.
Currently my favorite electronic music album. Period.
-The Beat Counselor
[...]
Yes, You Are the Night.......2007-07-28
Don't think I'll buy it!!.......2007-07-27
Joe and Jason do it not to well.......2007-07-26
Lacks Energy.......2007-07-26
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FutureSex / LoveSounds
Justin Timberlake Manufacturer: Jive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000H305U0 Release Date: 2006-09-12 |
Tracks:
- Future Sex/Love Sound
- SexyBack
- Sexy Ladies
- My Love
- Love Stoned
- What Goes Around
- Chop Me Up
- Damn Girl
- Summer Love
- Until The End Of Time
- Losing My Way
- All Over Again (Another Song)
Amazon.com
One spin of FutureSex/LoveSounds and it's hard to believe that Justin Timberlake was ever a boy-band barnstormer--no modern-day male artist beats him when it comes to single-minded self assurance or suavity. "SexyBack," the inescapable summer sizzler of a first single off this short and thrillingly unwholesome disc, makes that clear on its own: If there was ever any question about whether sexy was in need of reviving--a doubtful proposition at best, given the sheer volume of JT's gyrating counterparts--he lays it to rest instantly over a small but insistent Timbaland-concocted beat. On that track, Timberlake's appeal is his sweet but newly thuggish-sounding voice--here's a good kid gone bad, and he's determined to convince us of it not only by tossing a few well-timed mother****ers our way but also with such lyrics as "I'll let you whip me if I misbehave." The rest of FutureSex will feel familiar to anyone who picked up 2002's brilliantly funk-flecked Justified: "Love Stoned/I Think She Knows Me," shifts from Michael Jackson-esque paranoid trilling to pulsating guitar rock; "Chop Me Up," a collaboration with Three 6 Mafia and Timbaland, gives up the grit rap-style but still manages to recall both Prince and Stevie Wonder; "My Love," with T.I., mines classic Timberlake territory with meltaway lyrics like "I can see us holding hands walking on the beach/Our clothes in the sand"; and the straight-up but groovy lament "Losing My Way" asks, searchingly, what may be the silliest question a squeal-inducing pop star has ever posed: "Can anybody out there feel me?" Rest assured, JT: we feel every past-, present-, and future-sexy verse. --Tammy La GorceAmazon.com
Come Along with JT through his own groovin' universe of FutureSex/LoveSounds, co-written by Justin Timberlake and produced by Justin Timberlake, JAWBreakers, Timbaland, will.i.am, and Rick Rubin, among others. Guest artists include TI, Three Six Mafia, and Hezekiah Walker. Obviously, there is no shortage of talent.
More from JT & Friends
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Customer Reviews:
painfull.......2007-07-27
It's okay!.......2007-07-22
So hot!.......2007-07-22
JUSTIN IS HOT AND HIS MUSIC HOTTER!!!.......2007-07-06
Best one yet!.......2007-07-05
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Loose
Nelly Furtado Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FII324 Release Date: 2006-06-20 |
Tracks:
- Afraid
- Maneater
- Promiscuous
- Glow
- Showtime
- No Hay Igual
- Te Busque
- Say It Right
- Do It
- In God's Hands
- Wait For You
- All Good Things (Come To An End)
- Te Busque (Spanish Version)
Amazon.com
The buzz for Nelly Furtado's Loose began before the music was even recorded, with the announcement that legendary hip-hop knob-twirler Timbaland (Missy Elliott, Jay-Z, Justin Timberlake) would act as co-producer. The question on fans' minds: what would it sound like when a hip-hop kingpin collaborated with an artist who culls inspiration not just from pop music, but also her own Portuguese roots?As it turns out, Loose incorporates a number of different styles along its journey, but is--surprisingly--primarily divided between '80s-influenced electronica and latin-infused pop. This disc is very different from Furtado's previous CDs, a fact immediately evident from track one, the new wave-affected "Afraid." A strong opener, the song is the beginning of a 1-2-3 punch of uptempo, infectious dance floor beats. The second cut, "Maneater," also proves to be incredibly catchy, but the verses and keyboard sound too much like they were plucked from electroclash artist Peaches' tree, and originality is lost. The perfect summer pop song follows, the massive hit "Promiscuous," which features clever interplay between Furtado and Timbaland on their sassy duet. From that point, Loose oscillates between the Miami-affected sounds of R&B, Latino pop, and reggaeton ("Showtime," "Te Busque," and "No Hay Igual" respectively) and the aforementioned '80s vibe ("Glow," "Do It"). Fans will hear Furtado at her vocal best on "Say It Right" and "In God's Hands"--two of the most lyrically compelling tracks on the disc. --Denise Sheppard
Album Description
In preparation for her new album, Loose, NELLY FURTADO tried out collaborations with a who's who of producers, and she tried to create a music more of the body than the mind. A prime example of the latter is first single "PROMISCUOUS," a duet with Loose producer TIMBALAND, known far and wide for his groundbreaking work with, among others, MISSY ELLIOTT, JUSTIN TIMBERLAKE and AALIYAH.It stands to reason that gold and multiplatinum certifications (for 2003's Folklore and 2000's Whoa, Nelly!, respectively), a pair of Top 10 singles ("I'm Like a Bird" and "Turn Off the Light"), and a Grammy Award (for Best Female Pop Vocal Performance), to name just a few accomplishments, would afford a certain level of confidence. But nothing has inspired Furtado to throw caution to the wind more than motherhood. "Motherhood makes you fearless," she says. "The album is very youthful-sounding," Furtado continues, "and I think that's partly due to the presence of this two-year-old in my life. I was with her all day every day and then I'd go to the studio at night, and I think that translated into a playful energy I feel onstage but that hasn't really been heard on my records."
Starting with her longtime production team of Track & Field, she also knew she wanted to check out a variety of producers. "Working with new producers," she hazards, "is like trying on new clothes - you never know what you look good in until you try it on. And sometimes they will see something in you that neither you nor anyone else could see." So she traveled with her daughter from Toronto to London to work with NELLEE HOOPER; to Los Angeles to work with LESTER MENDEZ (who produced, "Te Busque," her moving duet with JUANES) and RICK NOWELS (co-writer and producer of the gorgeous ballad "In God's Hands"); and to Miami to work with PHARRELL WILLIAMS and SCOTT STORCH and finally, TIMBALAND.
Indeed, the raw, lighting-in-a-bottle spontaneity of the collaborative process is at the heart of Loose. "This record shows who I am in a jam-type environment, where I really feel the excitement of the creativity flowing," Furtado reveals. "It's who I am at my most artistic. I live for that, and I'm very grateful to be able to share it."
Customer Reviews:
Awesome change of pace for Ms. Furtado.......2007-07-30
All around Fun.......2007-07-17
dissapointing.......2007-07-12
good cd though
Very Happy with my Purchase.......2007-06-27
I really like it........2007-06-20
Then one day "Promiscuous" started up and I realized I actually quite liked it. I'm big into 80s music, and the chorus has that 80s synth sound to it which caught my attention.
I own Nelly's first CD, and I enjoy it still, but I, like some other reviewers, had kind of lost interest in her with her change in "image" and turn toward hip-hop. So when I realized I liked one of her new songs I blindly went out and bought the new CD. I popped it in the car player and listened to it all the way home. It has remained in my player since.
I've come to the realization that if I keep turning my nose up at things, I'm gonna miss out on some good music. This CD is very good. Obvious favorites are the singles "Promiscuous" and "Say It Right", but the real jewels for me are "Te Busque" "Afraid" "In God's Hands" and "All Good Things". They are Lyrically beautiful as well as just being plain good.
I seriously recommend anyone with reservations to give it a listen all the way through before rushing to judge.
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Timbaland Presents Shock Value
Timbaland Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NA26ZE Release Date: 2007-04-03 |
Tracks:
- Oh Timbaland
- Give It To Me
- Release
- The Way I Are
- Bounce
- Come & Get Me
- Kill Yourself
- Boardmeeting
- Fantasy
- Scream
- Miscommunication
- Bombay
- Throw It On Me
- Time
- One & Only
- Apologize
- 2 Man Show
Amazon.com
When the most exciting producer in pop music himself puts out a CD, the thrill is in the discovery: The world may have already suspected that Justin Timberlake, Nelly Furtado, and a small army of other singers owed 75% of their fame to the stockpile of skittering beats Timbaland built and then graciously set them upon, but here's a chance to prove it. Or it might have been in less welcoming hands. Shock Value is a far-reaching and ambitious disc; a masterpiece, even, in its own way. But it's not at all self-centered. If there's a point being put across here, it's that Timbaland came by your vote as behind-the-scenes musical man of the hour honestly: pair him with Fall Out Boy or the Strokes, and he will not only provide tracks that surprise you by maintaining their rock 'n' roll integrity, he will also convince you that shimmer's role in rock music has, to now, been tragically misguided and miniscule. Re-team him with Timberlake and Furtado (for the near-flawless track "Give It to Me") and he will again trade vocal bites, but they will still be nibbly, not voracious. In a CD full of experiments and puzzles (why is Elton John just piano-playing, not singing? And how did the L.A. band One Republic end up on this disc?) a single truth emerges: Timbaland's taste is impeccable, but his judgment is even better. Shock Value, by virtue of its swirly beats and mesmerizing rhythms, will bring him a smidge closer to the spotlight. But because it's a disc of collaborations, he'll retain the shadowy-genius reputation that precedes him, and that he so richly deserves. --Tammy La GorceCustomer Reviews:
Tasty beats however.......2007-07-23
As genius as he is in creating beats, he is no lyricist or at least a keen observer of lyrics. Take the first four lines into the song "Miscommunication" which incidentally was not written by him as Timbaland could have suggested better rhymes instead of the ones there.
My favorite among his collaborators in this album is Keri Hilson. Her smooth singing voice provided counterbalance to Timbaland's throaty effort, as evidenced in the track "The Way I Are". Unfortunately I don't feel any chemistry between Timbaland and Hilson as the lyrics would have suggested. Timbaland, as charismatic he can be, just don't have the persona for flirting with a 'co-star'.
Another collaborator worth mentioning is Amar, the British/Indian singer on the track "Bombay". Here I'm particularly fond of Timbaland's accentuation of the upbeats, slight syncopation of the downbeats, added with the otherworldly qualities of Amar's Indian singing style.
The rest of the tracks I'm not really fond of. "2 Man Show" with Elton John for example, feels a bit dry and uninspiring. The tracks with fellow hip-hop collaborators I can't really decide as this is, after all, my first hip-hop album.
One problem.......2007-07-21
There are a lot of good, fun, danceable songs on this CD, it's just that the bad songs really weigh down the good ones. Tracks 6-10 could've been left out quite easily. Since the cd is 17 tracks long, I'm constantly skipping over those songs to get to the good ones. It's just inconvenient.
Other than that, this is pretty good. Like I said before, it's just annoying to have to skip over a bunch of songs.
Favorites: The Way I Are, Bombay, Throw It On Me, Time, One & Only, Apologize
Shocked at shock value.......2007-07-13
I think he is a wild stallion, but it just felt like something was pulling back on the reins, something was MISSING.
I can't put my finger on it, but felt this album was...Too controlled to offer an SHOCK to me.
I wanted a cut loose RAW BEAT album.
I was satisfied, but being satisfied means the content was just satisfactory. I want to be satiated. I hope another album is to follow this, I really do. I'm addicted to the beats, Timbaland is EXCELLENT for those. I can't get enough. BUT, please next time don't just shock me.
I want shock waves, electricty to the veins. Maybe next time.
Can't stop Tim.......2007-07-09
two decent cuts.......2007-06-30
in the mid 90s timbaland sounded fresh - had a new style - and was known for his creative beats. you would never know that from this new cd. theres nothing remarkable about the beats - the melodies dominate. do we buy timbaland albums for the melodies? i dont think so.
timbaland isnt trying to impress anyone - and when artists arent hungry and have no one to impress they slack off and make lame albums like this.
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I'm Not Dead
Pink Manufacturer: La Face ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000EGCITG Release Date: 2006-04-04 |
Tracks:
- Stupid Girls
- Who Knew
- Long Way To Happy
- Nobody Knows
- Dear Mr. President (Featuring Indigo Girls)
- I'm Not Dead
- 'Cuz I Can
- Leave Me Alone (I'm Lonely)
- U + Ur Hand
- Runaway
- The One That Got Away
- I Got Money Now
- Conversations With My 13 Year Old Self
- I Have Seen The Rain (Featuring James T. Moore)
Amazon.com
Some music is celebrated for its elegant subtlety; Pink's slams you over the head. Four albums in, she's not changing her formula. I'm Not Dead touches on bulimia ("Stupid Girls"), war-mongering politicians ("Dear Mr. President"), teen angst ("Conversations With My 13 Year Old Self," "Runaway"), overheated pickup artists ("U + Ur Hand"), and gross materialism ("I Got Money Now"). None of it, in other words, is for featherweight listeners. Then again, none of it suits eggheaded college tastemakers either. Where this translates, then, is with those willing to man up and embrace what makes Pink Pink: her spellbinding ability to render rebelliousness in all the many colors of the rainbow. Neil Young-inspired acoustic guitar is sketched into "The One That Got Away," but it's just as quickly scribbled over by Joan Jett-style ranting (on "Long Way to Happy") and Janis Joplin/Joss Stone-fueled howling (on "Who Knew"). Even R&B gets its turn ("I Got Money Now"). The album also includes appearances from the Indigo Girls, who duet on "Dear Mr. President," and Pink's father, who joins for the hidden track "I Have Seen The Rain." Pink pulls all of this off, and probably without even breathing hard. She's not dead. --Tammy La Gorce
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Customer Reviews:
Pink Rocks It.......2007-07-17
love it, I've played it a lot!.......2007-07-14
Fantastic discovery!.......2007-06-28
I'd like to add that not only is this album awesome, but I finally found out that Pink is an incredible vocalist and performer. Based on that, I ended up buying Misunduztood and there are several songs on that album I loved as well. I just wish I had noticed Pink long before this! Buy the album, you won't be disappointed!
Fantastic.......2007-06-10
AH! SHE OUT DID HERSELF!.......2007-06-06
Intelligent, thoughtful, inspiring!
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The Sweet Escape
Gwen Stefani Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000JJRIN4 Release Date: 2006-12-05 |
Tracks:
- Wind It Up
- The Sweet Escape - featuring Akon
- Orange County Girl
- Early Winter
- Now That You Got It
- 4 In The Morning
- Yummy - featuring Pharrell
- Fluorescent
- Breakin' Up
- Don't Get It Twisted
- U Started It
- Wonderful Life
Amazon.com
There's nothing like a Gwen Stefani disc to rip you from your pop comfort zone and, in the pleasantest way possible, knock you around a bit. On The Sweet Escape, the blows arrive roughly every four minutes: a yodel ("Wind It Up") skitters off ceremoniously before the title track, featuring Akon, catches you off guard with its infectious yelps of "Woo-hoo, YEE-hoo!," and the pouty rap of "Orange County Girl" has barely petered out before we're vectored somewhere back toward the '80s with the indie rock-ish "Early Winter." That the sound of these songs doesn't follow a formula--that they pounce wherever they please, without regard for genres or decades--is no big whoop; this is Gwen Stefani, after all, and her up-for-anything, play-along fans probably wouldn't have it any other way. More surprising is the extent to which Stefani inserts what seems to be her genuine self into the music: "4 in the Morning," a Madonna-reminiscent midtempo groover, drops the wide-eyed Betty Boop pose and basks in a rarely plumbed depth of feeling ("I give you everything that I am / I'm handing over everything that I've got / 'cause I wanna have a really true love," she sings with something like sincerity). A single track later, she's owning up to motherhood in the sexiest, most unapologetic way possible: "I know you've been waiting," she pants, "but I've been off making babies / And like a chef making donuts and pastries / It's time to make you sweat." Lyrics don't get much cleverer than the ones to "Breakin' Up," a kiss-off disguised as a dropped cell phone call, and sounds don't get much swizzier than the ones on "Now That You Got It." Which is to say that Gwen's got game--as much as on Love.Angel.Music.Baby, if not more--and that anytime she's prepared to hollaback, the world will do well to listen. --Tammy La GorceCustomer Reviews:
I really like it .......2007-07-14
Not normally my bag, but..........2007-07-13
Currently, it's in the CD changer and will remain there for awhile. If I were blind, I'd still love Gwen's music. Thank Heavens I can see. Gwen looks like someone who'd be fun to Kiss.
don't listen to the haterz kk.......2007-07-11
Of course it does come across as a bit calculating and jerky. It has plenty of variety. It's just fun, dumb pop music. Excellently done dumb pop music. And it sure beats Fergie.
Good Album.......2007-07-05
Great CD.......2007-07-03
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Insomniac
Enrique Iglesias Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q364M4 Release Date: 2007-06-12 |
Tracks:
- Ring My Bells
- Push
- Do You Know (The Ping Pong Song)
- Somebody's Me
- On Top Of You
- Tired Of Being Sorry
- Miss You
- Wish I Was Your Lover
- Little Girl
- Stay Here Tonight
- Sweet Isabel
- Don't You Forget About Me
- Dimelo
- Alguien Soy Yo
- Amigo Vulnerable
Amazon.com
After three years of tossing and turning in anticipation of a new Enrique Iglesias disc, fans of the Latin superstar may find themselves losing still more sleep over early reviews that take Insomniac to task for straying too far from the sound that launched him to the loverman stratosphere. No need, though. Despite the presence of Lil' Wayne on the ultra-steamy, street-edged "Push" and some unapologetically catchy pop tunes any male singer, ethnicity aside, could have fun with ("Do You Know," for example, and "Tired of Being Sorry," a Ringside re-tread), white-hot machismo and Latin charm permeate Insomniac reliably. "Little Girl" sends out liquid-eyed outpourings of love to the ladies, "Don't You Forget About Me" delivers a sweet lament over a melting guitar line, and three late Spanish-language tracks--though they're just translations of English versions that preceded them--manage to lift the whole thing into a romantic shangri-la. If it's a peppier shangri-la than normal, chalk it up to No-Doz; Iglesias admits in the liner notes that he, himself, is the insomniac the disc was named for. --Tammy La GorceAlbum Description
Enrique Iglesias has sold 40 million albums in a little over a decade, becoming one of the most successful artists in the history of popular music. He has spent the past three years crafting his latest album.Entitled "Insomniac," a humorous nod to Enrique's sleepless nights and obsessive artistic persona, the record is clearly the most ambitious project of his phenomenal career.
Customer Reviews:
Insomniac CD.......2007-07-29
check this stuff from europe.......2007-07-24
great.......2007-07-16
Very happy.......2007-07-15
Excellent.......2007-07-14
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Insomniatic
Aly & AJ Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q9OD5S Release Date: 2007-07-10 |
Tracks:
- Potential BreakUp Song
- Bullseye
- Closure
- ÷
- Like It or Leave It
- Like Whoa
- Insomniatic
- Silence
- If I Could Have You Back
- Flattery
- I'm Here
- Chemicals React (remix)
Amazon.com
Teen titans Aly & AJ don't sound like Heart, the powerhouse sister act whose hall-of-famer footsteps they hope to follow in, but it doesn't feel like an exaggeration to say they have as much talent. With their flowing blond hair, cool clothes, and gift for hitting the hype machine at just the right fame-boosting angles, they could easily carve out a career on somebody else's lyrics and a lame-o delivery. But the sisters Michalka have a lot more integrity than that: If Insomniatic, goes to show the pop-buying world anything, it's that not all youth-targeted acts deserve their featherweight reputations. The title track rocks hard, "Bullseye" borrows a Replacements vibe, and opener "Potential Breakup Song" pumps in pleasingly synth-y rhythms and sweet-heat attitude. Slighter tracks, including "Silence" and "I'm Here," showcase a sympathetic ear for teenage romantic tribulations, but overall Insomniatic is not for the drowsy--Aly & AJ are doing musical No-Doz for a new generation, and they're doing it right. I>--Tammy La GorceCustomer Reviews:
Excellent Title 4 An Excellent Album!!!.......2007-07-28
This is my rating 4 each of the songs in Insomniatic:
1. Potential BreakUp Song (10/10) It's a catchy single, maybe the best choice 2 get a preview of what this record pretends 2 show. Very powerful lyrics. I listen 2 it over & over again.
2. Bullseye (9.5/10) Cool background music. I'm still listening 2 the chorus in my head. "You hit the bullseye!", however there's something in the song that doesn't fits with me but it's worth listening.
3. Closure (10/10) Love the beginning of the lyrics "Yesterday I spotted at u hanging out with some1 new, come on dude I can't believe who!". The song has one of the best chorus' in the album
4. ÷ (11/10) It used 2 be my personal favourite beacause of the creativity of the lyrics and the great combination of music with words, I can call it a word-play song. I think that a lot of people might feel identified with it.
5. Like It or Leave It (10/10) As well as closure, it has got an excellent chorus which u would like 2 hear all the time. Gr8 song.
6. Like Whoa (10/10) There are a lot of rock/pop sounds inside this track, it's maybe the most commercial song in the album but that doesn't mean that it's sort of a cliché or anything like that. It also has a little bit of listening-at-all-times beats.
7. Insomniatic (8/10) Originial lyrics although the music it's not as gr8 as other tracks in the album, but it's cool after all.
8. Silence (9/10) Slow ballad in the album with very powerful lyrics. Silence is everything.
9. If I Could Have You Back (9.5/10) Strong voices in the song. It's a shame this one results 2 be a cliché. U all had already hear this type of song, however it's cool music.
10. Flattery (16/10) MY PERSONAL FAVORITE!!! THIS SONG IS A GR8 REASON 2 BUY THE ALBUM. THE MIXTURE BETWEEN LYRICS AND MUSIC IS JUST PERFECT! MAYBE PEOPLE WOULDN'T LIKE THE SONG AS THEIR FAVORITE BECAUSE MOST OF THE TIMES I LIKE SONGS THAT ARE NOT ALWAYS THE MOST COMMERCIAL ONES IN AN ALBUM BUT IF U LIKE ALY & AJ, U'LL LOVE THIS ONE!!!
11. I'm Here (9/10) Good ballad. I don't have much 2 say about it.
12. Chemicals React (remix) (9/10) Cool, I din't give a 10 just because it's not very different from the original version.
HOPE U FIND THIS REVIEW HELPFUL, I KNOW I DO, LOL.
IF U LOVE REAL POP, U R GONNA LOVE THIS RECORD!
A Wonderful Sophomore Album.......2007-07-26
In most cases, bubblegum pop has long been completely disregarded by the serious bulk of the music world. No one wants to listen to the lip sink melodies of the Ashley Simpsons of the pop world. Neither do we want to hear the next Britney Spears clone, bringing shallow lyrics and tired hooks to the table over and over again. Even further, let's be honest with ourselves. The majority of radio play now is trash. Mass media music and MTV hype has taken over and there seems to be no end in sight. But this is besides the point, and has been talked about too much already. My fellow music enthusiasts reading this will all agree I'm beating a dead horse.
By late 2005 I had lost most faith in the bubblegum pop genre and its ability to produce catchy yet thoughtful albums. Even breakout artists like Hilary Duff seemed to be careening into pools of market garbage and catering to a seemingly dumber audience than when they started. My doubts we're relieved when I heard a new single from a breakout duo Aly and AJ. After some short research, I recognized the former sister as a minor Disney Channel star. So it warranted little question why they had achieved popularity in the music scene. Curiosity killed the cat and I simply had to buy these two sister's album to see what could be in store. It should be said, my expectations weren't very high. But the duo floored me. What ensued was a well produced, thoughtful, musically sensible, and surprisingly mature pop album. What can I say? The hooks were smart. The songs were uncontrived. Clearly Disney had found a double sided gem. But the question still remained. We're these girls a one shot success at an attempt for Disney to score some quick cash? The absence of Lip Sinking gave promise. I hoped.
Flash forward to 2007. "Potential Breakup Song" is released and I am unimpressed. It was immature, overly poppy, and cheap...like all singles of its kind. Still, I had a feeling the rest of the coming album would be gold. My feeling was right. I picked Insomniatic up immediately, and devoured its contents. The Michalka sisters had struck again.
It's evident from first listen that the duo has obviously grown up a bit. The musical styles have become more diverse since Into The Rush. The instrumentation being more mature, and the lyrics slightly more thought out, being mostly about typical teenage girl problems...being boys. But not to worry. They are sincere. And it shows.
The first track, Potential Breakup song, is a weak cookie cutter single...probably the most contrived and uneventful song on the album. I won't dwell on it however. The later is brilliant.
"Bullseye" is a fast paced rocker reminiscent of a softened John 5 riff. Complete with a catchy chorus. This song does a great job of getting us pumped for the rest of the album. "Closure" is one of the first great songs on Insomniatic. The lyrics remain thoughtful with a backdrop of sad yet upbeat hooks. The song ends with a soothing backwards spoken melody easing us into the next song. "Division" may well be my favorite track off Insomniatic. It retains originality, innovation, fine melody, and great lyrics. Everything about this song is just great. The instrumentation especially is genius. Cuddos to the sessioneers. I can't say enough good things about this track.
"Like it or Leave It" starts the album back up with some fast paced pop-rock fervor. The melodies and beats in this song really have a way of blending against each other to make for a nice overall feeling.
The next three track on the CD could be called filler, but that's not to say they're bad at all. "Like-Whoah" is sure to be an instant radio success. While "Insomniatic" and "Silence" refuse to be picked over by using catchy hooks and ear pleasing melodies. You can't help but admire the consistency here. "If I could Have You Back" takes a turn for the more techno heavy, electronic influenced side of the sisters, sounding half rave, half rock song. Which brings forth another of the album's stellar qualities: genre mixing.
"Blush" suddenly turns the table and opens up a whole new sound for sister Alyson Michalka. The slow but sweet piano crooning along with the lyrics about a secret love proves to be one of the best and most unique tracks on the CD.
Normally this is the part where most albums of this caliber start to lose their luster, but the last 3 tracks go out with a bang.
"Flattery" could well be the best composed song here, with wonderful instrumentation and yet another amazing vocal performance from the sisters. "I'm Here" takes another slow sad turn, but instead proves to be a heart moving ballad with one of the catchiest choruses on the album. The bass line warrants compliment too. Finally, the remix of "Chemicals React" winds up the CD, delivering another version of the already great single. You almost wish it wasn't over.
So why 4 stars? Obviously most everything I've said so far has been resoundingly positive in most respects, which goes to show, there are many great things to be said about this album. It's consistent, innovative, heartfelt, mature, and well produced to say the least. However, while "Insomniatic" does break a lot of original barriers for the pop realm, it isn't exactly reinventing the term. There are of course, a few parts in some songs I felt could have been done slightly better...but those are minor annoyances. I should probably tag this a 4 and 1/2. It really comes close to perfection. I'll be eager to hear more from the sisters in the future.
Why is the song "Blush" not listed on the listed tracks online?.......2007-07-24
Aly & Aj -- awesome.......2007-07-23
I especially love "potential break up song". I am always singing it whereever I am.
"This is the potential break up song. our album needs just one. oh baby pleeasse."
Great for a roadtrip, reccomend it for the younger teeny bopper kids though. VS. older teens..
Erm.. If you just want a new cd, buy it?
No Sophomore Jinx here!.......2007-07-20
Average customer rating:
|
Volta
Björk Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXFA Release Date: 2007-05-08 |
Tracks:
- Earth Intruders
- Wanderlust
- The Dull Flame Of Desire
- Innocence
- I See Who You Are
- Vertebrae By Vertebrae
- Pneumonia
- Hope
- Declare Independence
- My Juvenile
Amazon.com
Björk's main asset as a musician is her fearlessness. Since the end of The Sugarcubes and the pop-dance of Debut, she has released progressively more experimental records. But after well over a decade of going further and further out, Volta steps back. Make no mistake; this is Björk, and so it's still fabulously weird. Like 2004's mesmerizing Medúlla and the 2005 soundtrack for Drawing Restraint 9, the songs are blissfully peculiar, with narratives about love, offspring, aliens...you name it. Yet melodically and philosophically, Volta recycles more than it innovates; the driving pulse of "Declare Independence," for instance, reminds us of Homogenic's "Pluto," and the lead single "Earth Intruders" sounds like Post's "Army of Me" on steroids. And just as Medúlla oriented itself around a certain instrument--the human voice--this one concentrates on horns.Still, the transition between her early work and the avant-garde bender she's been on since Vespertine is pretty harrowing, and it's satisfying to hear Björk revisit her more accessible self. Uber-producer Timbaland pitches in here and there, most successfully on "Innocence," which uses a fat, disjointed pulse to drive the euphoric vocals forward. Elsewhere, the hyperactive sitar sample on "I See Who You Are" provides texture for the song's theme of enjoying each other while there's still "flesh on our bones." And "Pneumonia" makes fantastic use of the horn section with a soft arrangement that compliments the song's lyrical melody.
So while it's a bit of a stall, Volta is a lovely pause. It reminds us how much we appreciate the laboratory of Björk's imagination, but also how much we missed her back when she was just goofing around. -Matthew Cooke
Album Description
Bjork returns to her iconic, innovative and rhythmic roots with Volta. Featuring her own infamous beats and collaborations with Timbaland, Antony Hegarty, Brian Chippendale and an all-female Icelandic brass section, the end result is an explosion of beats and an amalgamtion of sound and visuals that give Volta a life of its own, like the world hasn't seen from Bjork in years.Customer Reviews:
great for fans.......2007-07-25
Adding to the unusual sound is the reoccurring nautical theme on the album, with its foghorn interludes mixed with seagull noises and the sound of boats. Bjork's distinctive vocals tell a story that's both personal and political, singing about her children, feminism and the current global climate. My favorite track on this record is "Declare Independence," an anarchistic track that inspires us to "Start your own currency/Make your own stamp/Protect your language." Overall, this funky record makes for an interesting listen, although it might be a bit hard to get through if you're not a die-hard Bjork fan.
A fun album--.......2007-07-21
Bjork goes back to her roots.......2007-07-21
Enter "Volta" in 2007. Though Bjork is still considered a wacko by many (not that she's a typical artist by any stretch of the mind, but...) in this album, in spite of a handful of musical "departures", for the most part she goes back to her roots. There's a lot of material in here reminiscent of her sound back from Debut, Post and Homogenic times.
While my favorite song is "Wanderlust" without a doubt, with upbeat tracks ("Earth Intruders") and quiet tracks ("Pneumonia" and "My Juvenile") across the album, for the first time in a while, consciously or not, Bjork doesn't seem to want to leave anybody out. For the first time in a while, I feel like listening to her music... again.
fearless original.......2007-07-19
Confused?.......2007-07-18
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