| 1. Intro |
| 2. This Very Moment |
| 3. Special |
| 4. It's Me |
| 5. I Don't Want |
| 6. Say Yes |
| 7. Down for Life |
| 8. Goodbye |
| 9. So Emotional |
| 10. Love Me Carefully |
| 11. I Don't Mind |
| 12. How Can I Trust You? |
| 13. How Long |
| 14. Baby Yeah Yeah (Movin' It) - K-Ci & JoJo, Mr. Cheeks |
Editorial Reviews
The Fourth Album from the Best Selling Duo Includes the Bonus Track "Baby Yeah Yeah (Movin It)".
Emotional,K-Ci & JoJo,Universal Int'l,Contemporary R&B,Hip-Hop,Pop,R&B,R&B/Soul,Urban
Average customer rating:
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Emotional Rescue
The Rolling Stones Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000W5J Release Date: 1994-07-26 |
Tracks:
- Dance (Pt. 1)
- Summer Romance
- Send It To Me
- Let Me Go
- Indian Girl
- Where The Boys Go
- Down In The Hole
- Emotional Rescue
- She's So Cold
- All About You
Customer Reviews:
Emotional Get Up and Go.......2007-07-08
Pretty Good Stuff... 4.5 Stars.......2007-07-08
Pretty decadent album for a 10-year old to listen to on the family Zenith stereo in the basement. Obviously it's not one of the most serious Stones ablums; I think their method of recording in those days was to first, reconvene, then load up on drugs and alka, and then get about he process of recording. Thus, we get a party album with a few heartfelt moments here and there.
I think the album suffers most from the sequencing. Whoever gave the master tapes ordered the songs like he was a cokehead with a plane to catch. Literally, with the exception of the last song, the album seems like the ordering was decided by tossing the titles into the air and seeing where they fell. Unlike Tatto You, which would follow, the song order seems to make no sense whatsoever, so it leaves the listener confused and uncaring, emotionless, which, I guess, is where the Stones come to the Rescue.
The title track needs to be the first song. And I thinnk 'She's So Cold' needs to kick off Side 2. 'Dance' is a horrible lead-off track; while a good groover auto-pilot disco-dance song, I think it needs to be buried on the second side, where it can lead the album out at track 09. In retrospect, 'All About You' is one of the very best Keith songs out there.
Here's how I would have ordered the songs (for what it's worth, it still doesn't change what the songs are--they are what they are):
Side One:
Emotional Rescue
Let Me Go
Where The Boys Go
Indian Girl
Down In The Hole
Side Two:
She's So Cold
Send It To Me
Summer Romance
Dance (Pt. 1)
All About You
At the time (1980), I ended up siding with the classic Stones vs. the Emotional Resuce Stones--at least stylistically as a youngster musician (I was learning to play guitar), and took the retro route--getting into HIgh Tide, Green Grass--and the Stones classic '60s and early '70s albums more-- rather than indulging in any of the mid-to-late '70s Stones (I did get Laid In The Shade, and also Some Girls soon after -- I mean, who could resist the die-cut cover of Some Girls? People used to unwrap the Some Girls album in the store--along with LEd Zep III--just to see what the packaging was like). Yep, I found out the way to learn guitar was the earlier Stones (I think that 'Let Me Go' and 'She's So Cold' were the only ones worth figuring out at the time). The next album, Tatto You was actually a good LP for learning guitar; indeed, Tatto You and the Still Life tour gave the Stones way more of a contemporary clout than Emotional Rescue did. Emotional Rescue was really a holding pattern album--an album for the Stones to figure out how to get up out of the hole! They didn't even want to show their faces on the album. It was the strangest thing--the thermo-video imaging images on the cover and giant poster.
At any rate, has there ever been a more casually despondent and depressing song than 'Down In The Hole'?... I think not. That song used to torment me when I was ten. Now I find it's a pretty great blues.
Emotionally Rescued.......2007-05-08
Old Stones Fan Just Discovered 80s Stuff.......2007-03-30
I thought the other reveiwers over rated this.......2007-03-25
Average customer rating:
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Waking Hour
Vienna Teng Manufacturer: Virt Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006RY7D Release Date: 2002-11-05 |
Tracks:
- The Tower
- Momentum
- Gravity
- Daughter
- Between
- Say Uncle
- Drought
- Enough To Go By
- Unwritten Letter #1
- Eric's Song
- Soon Love Soon
- Lullaby For A Stormy Night
- Decade And One
Customer Reviews:
Vienna Teng- Waking Hour.......2007-05-30
Good times........2007-03-26
Vienna .......2007-02-14
Vienna Teng...Walkng Hour........2007-01-03
Nice piano work.......2006-11-04
Average customer rating:
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Emotional
Carl Thomas Manufacturer: Bad Boy ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SPMV Release Date: 2000-04-18 |
Tracks:
- Intro
- Emotional
- I Wish
- Anything (Interlude)
- My Valentine
- Giving You All My Love
- Cadillac Rap (Interlude)
- Woke Up In The Morning
- Come To Me
- Cold, Cold World
- Trouble Won't Last (Interlude)
- You Ain't Right
- Lady Lay Your Body
- Supastar
- Summer Rain
- Hey Now
- Special Lady
Amazon.com
On his debut album, Carl Thomas offers more of the well-sung, romantic R&B that never seems to fall out of favor. Unfortunately, while the Puffy Combs-executive-produced Emotional is perhaps a must-own for diehard fans of the genre, it seems less than inspired when compared with, say, Brian McKnight's state-of-the-art Back at One. All the elements are in place here--a guest shot by Kelly Price on "Giving You All My Love," a Stevie Wonder sample on "Summer Rain"--but for all its intended late-night aphrodisiacal potential, the music sounds flat in the bright light of day. The hilariously mumbled come-on interlude "Cadillac Rap," though, does hint at what Thomas might be capable of if he dared to buck the formula. --Rickey WrightCustomer Reviews:
Wonderful Album.......2007-04-16
Akinola2.......2007-04-03
This is a MUST have for your R&B collection..........2007-01-19
Carl Thomas Emotional.......2006-11-10
Classic R & B from Carl Thomas & Bad Boy Records.....................2006-09-23
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Real Emotional
Curtis Stigers Manufacturer: Concord Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIEJA Release Date: 2007-05-01 |
Tracks:
- I'll Be Your Baby Tonight
- I Only Want to Be with You
- I Don't Wanna Talk About It Now
- As You Turn to Go
- San Diego Serenade
- Woman Just Like You
- American Tune
- Night Owl
- Your Mind Is on Vacation
- I Need You
- Stardust
- Real Emotional Girl
Album Description
2007 release from the Jazz-influenced singer/songwriter. Real Emotional showcases Curtis's talent as a writer of original material as well as a magnificent interpreter of modern song by some of the most influential songwriters of our time - Bob Dylan, Tom Waits, Hoagy Carmichael and Emmylou Harris to name a few. Once again, Stigers gathers a stellar cast of musicians including Larry Goldings (accordion, vibraphone, Hammond and piano), John Pizzarelli (guitar), John Sneider (trumpet), Matthew Fries (piano), Keith Hall (drums) and Phil Palombi (bass). Concord.Album Details
Returning with his Strongest Work to Date, Curtis Stigers Blazes a Trail as One of the Worlds Most Creative and Distinctive Singer Songwriters. 'real Emotional' Showcases Curtis Stigers's Talent as a Writer of Original Material and as an Interpreter of Modern Standards by Bob Dylan, Emmylou Harris, Tom Waits, Mose Allison, Paul Simon, Randy Newman and Hoagy Carmichael. The Album Will Debut in the United Kingdom on the 26th March on Concord Records, Supported by a 25 Date Concert Hall Tour of the UK and a Special Live Broadcast by BBC Radio 2.Customer Reviews:
Emotional........2007-07-09
His laconic, sandpaper tones are complemented by his funk-sax sound and deft contributions from soloists including trumpeter John Sneider and keys-player and arranger Larry Goldings, the latter transferring a role he has powerfully played for Madeleine Peyroux.
Stigers' eloquence with a heartache song is oddly enhanced by the unexpected accordion on "I Only Want to Be With You"; he follows Goldings' Hammond-funk intro with a performance of haunting inflections and curling high notes on Emmylou Harris's "I Don't Wanna Talk About It Now"; and delivers some effective soul-sax lamenting in Tom Waits' "San Diego Serenade".
The offhand ambiguities of Paul Simon's "American Tune", and Randy Newman's "Real Emotional Girl" show how far Stigers has come.
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Emotional Technology
BT Manufacturer: Nettwerk Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A5A0K Release Date: 2003-12-30 |
Tracks:
- Intro
- Knowledge of Self
- Superfabulous
- Somnambulist
- Force of Gravity
- Dark Heart Dawning
- The Great Escape
- Paris
- Circles
- Last Moment of Clarity
- Communicate
- Animals
- The Only Constant is Change
Album Description
Aussie edition of the electronica/dance star's 2003 album features exclusive artwork. 13 tracks including 'Simply Being Loved (Somnambulist)'. Festival/Mushroom Records.Customer Reviews:
Superb CD that gets better and better.......2006-09-11
I'd never heard of BT before so I can't compare to earlier works so of course this did not disappoint. I love the electronic feel of this, the vocal samples, and the great variation throughout each track. I see other reviews that call this very "pop" but personally it does not feel that "pop" to me (and I like "pop" anyway, so no matter.)
Great, great work.
seriously people.......2006-08-07
but as for the people saying its all about love and whatnot.. Its called EMOTIONAL technology people.. what did you expect.. its based all around emotion. could you be any more DUH.
Really grows on you.......2006-05-23
One thing I have to say is that this version lacks a song called "Love in the Time Of Thieves" ... this is incredible track. Its from the japanese special release CD, and its worth getting that version just for that song. If you can find a clip of it, you will agree with me...
BT = the shiz.......2006-02-05
Very Disappointing!.......2006-01-18
If you want to listen to Drum and Base with a mixture if techno/trance done just right I recommend Pendulums "Hold Your Colour".
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Emotional Landscapes
Erik Wøllo Manufacturer: Spotted Peccary ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008S7YH Release Date: 2003-04-08 |
Tracks:
- In The Picture
- Metaphor
- Prism
- Second Totem
- Sounds Of The Seen, Part I
- Valley
- Virtual World
- Mountain Beach
- Sounds Of The Seen, Part II
- Satellite
- Echo Of Night/Cadence
Amazon.com
The title is underwhelming, but the music is an ecstatic journey traversing aurora borealis spacescapes and quiet ambient moods. Erik Wollo is a Norwegian guitarist and synthesist out of the Mike Oldfield tradition, building a 21st century orchestra layering acoustic, electric, and synthesized guitars. A musician with a delicate touch, Wollo sometimes builds quiet lines out of violin-like sustains that echo in space soliloquies. While his rhythms rarely get above a slow-chill, Wollo's solos often burn with a dark intensity. Tracks like "Second Totem" have a quiet heroism about them, the sound of impending adventure. "Sounds of the Seen, Pt.1," one of the more dynamic tracks, begins as a haunting adagio for cello, before launching into a crushing electronica assault that ends in the sound of humanity moving, with location recordings Wollo made under the World Trade Center a few days prior to 9-11. It's a dose of grounding reality in a music that seems to constantly hover just above the firmament, rooted in imagination. --John DilibertoCustomer Reviews:
You Gotta Love It!!.......2006-02-03
Oh my, this is good!.......2005-05-26
very first listen to this CD and it is awesome!
Only the best of CDs sound this incredible the
first time through! Nice work, Erik!
Sincerely,
Eric of Oakley
Just Chill........2004-04-01
A Love Letter to the Wilderness.......2003-08-20
I like to listen to it while working since it cleanses my mind and opens my creativity in a way few other CDs do. It is also a fantastic CD to use while doing Yoga or meditation if you are looking for a different alternative from Eastern sounds.
If you cannot make it to Alaska, Minnesota's North Woods, Canada, Scandinavia, Northern Russia or any other Boreal forest region, this CD provides a mini vacation using music to stir your senses.
Incredible northern soundscapes.......2003-06-11
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Mixed Emotional Features
Mocean Worker Manufacturer: Palm Pictures (Audio ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I5E8 Release Date: 1999-02-23 |
Tracks:
- Rene M
- Detonator
- Jello Dart
- Counts, Dukes & Strays
- Mycroft
- Heaven @ 12:07
- Wonderland
- Motion Booty
- Times of Danger
- Boba Fett
Amazon.com
Anyone who caught Mocean Worker's previous release, Home Movies from the Brainforest, will no doubt be more than willing to take part in this action-packed sonic adventure teeming with impenetrable rhythms, mesmerizing loops, and out-of-the-blue musical scene changes. Adam Dorn does more than build some of the grooviest drum & bass into a blatantly jazz-era soundscape; the New York based artist pushes analog and digital-powered synths into the mix, along with some highly effective and masterfully understated samples. Midway into "Detonator," the second track on this his debut release on the Palm Pictures label, Dorn decides to throw a hyperspeed big-band section into a groove dominated by a controlling monotone. Equally unexpected, but from the other end of the spectrum, is a plaintive line that effectively halts the progress of a highly percussive and strings-laden song. The delightfully resonant "Boba Fett" closes out this much-anticipated work. --Paul ClarkCustomer Reviews:
One of the very few drum and bass CDs I like........2000-05-20
It starts well with the dark, melancholy "Rene M," and then goes to "Detonator," the cut he made a music video for. "Detonator" starts off as typical d'n'b (distorted drums and snaky baseline,), then kicks into this 60's chase scene horn-frenzy about two minutes in to cool effect. Track 3 "Jello Dart" is pretty good,. "Counts, Dukes & Strays" follows and is excellent, using concise, sparse jazz samples to a laid back hipster beat. "Mycroft," track 5, is the first track I don't like- that squiggly, deep baseline sound of d'n'b is grating, and this has it. "Heaven" is blues to a beat that made Beastie Boys' Check Your Head come to mind. "Motion Booty" despite its title is really a companion piece to "Rene M," and "Times of Danger" brings back the same car chase vibe s "Detonator." The last track is pretty bad, but at least this is the place to put it.
There you have it, 8 of 10 are good, it's got 4-5 strong hits, and it's one of the drum and bass CDs I like enough to keep. One last note, the packaging is first rate and classy; it's nice to see an artist who takes pride in these little details.
could this be my new theme music.. ?.......1999-11-19
Yeah, its good.......1999-08-11
Brilliant.......1999-04-13
in a word...dreamy.......1999-03-19
Average customer rating:
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Disconnect
Iris Manufacturer: A Different Drum ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002EPJT Release Date: 2000-12-01 |
Tracks:
- Lose In Wanting
- Saving Time
- Endless
- Twilight
- The Way I Live My Life
- Annie, Would I Lie to You
- Danger is the Shame
- Waves Crash In
- Loom
- The Picture
Album Description
This album features many of Iris' underground club hits like "Annie, Would I Lie to You", "Danger is the Shame", and "Lose in Wanting". This being the band's debut CD, it is surprising to see how quickly it has become a synthpop hit and will go down in history as one of the albums that belongs in the collection of any synthpop, electronic pop music, or neo- new wave collection.Customer Reviews:
Before Your Time is Gone Away..........2006-03-18
To the person who wrote to skip this album and go somewhere else... how can you even compare Iris to Wolfsheim and Depeche Mode?
Iris holds a lot more EBM than either of the aforementioned bands. This is clubbing music; pure to the scene.
wowwwwww.......2005-10-29
Excellent synthpop >.......2005-10-28
Highly recommended for any fans of synthpop and for those who appriciate good music. Just listen to "Endless" / "Loom" / "Saving Time" and you'll understand.
Buy it now !
Great music.......2005-08-16
Average.......2004-03-03
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Wrath
Iris Manufacturer: Diffusion Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B5UL9O Release Date: 2005-08-23 |
Tracks:
- Lands Of Fire
- It Generates
- Imposter
- Appetite
- Guide On Raging Stars
- 68
- No One Left TO Lose
- Hell's Coming With Me
- Intercede Light
- You're The Delivered One
Product Description
Taking elements of rock, glitch, retro-flavored-synth music, and coloring it with a decidedly melodic worldview, Iris is a band that's hard to classify. The new album, "Wrath", is the latest signpost in the Iris story - a record which is energetic, complex, and emotional.Customer Reviews:
disappointing!.......2007-07-08
I wish Iris all the success in the world, they have the potential to be an amazing band, and an important one to boot, but this direction just seems wrong- they went from being really special and unique to "just another synthrock band" in the space of an album.
Very good album.......2006-05-31
Excellent........2006-04-18
Getting a bit too familiar, though the guitars help.......2006-04-10
On the downside, just as an Everclear song is instantly recognizable as an Everclear song, an Iris song remains instantly identifiable as an Iris song. If you were to strip out the lyrics, you'd never know that "No One Left To Lose" wasn't a remix of "Hell's Coming With Me," or vice versa. Iris have their hands firmly wrapped around the throats of a select few chord changes and apparently can't be pried away from them for love or money. This is not necessarily a bad thing: if you like those chord changes, as I do, this album will be pleasant to your ears, and maybe a very good thing to crank up and sing along with on a late-night drive. What it isn't is groundbreaking, especially compared to what, say, Mesh are doing these days.
wrong direction.......2006-03-17
Album Review:
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Album Review
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