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Disc: 1
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1. Megaton
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2. Down Home
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3. Payroll
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4. Dindou N.1
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5. Hot Hells
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6. Time Machine
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7. Smooth and Cool
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8. See the Light
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9. Cool Character
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10. Party People
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See all 17 tracks on this disc
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Disc: 2
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1. Jazz Rule
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2. Gloaming
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3. Funky Spider
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4. Silver Thrust
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5. Swirl
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6. Cool It
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7. Overtone
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8. Resopnse
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9. Forgotten Dream
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10. I'm Feather
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See all 15 tracks on this disc
Sound Book,Various Artists,Irma Records,Dance Collections,Jazz,Pop,Sound Library
Average customer rating:
- Baby loves this music!
- Baby Galileo Review
|
Baby Galileo
Manufacturer: Buena Vista
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Similar Items:
- Baby Neptune
- Baby Mozart
- Baby Einstein: Lullaby Classics
- Baby Bach
- Baby Beethoven
ASIN: B0000A59Z1
Release Date: 2003-07-22 |
Tracks:
- Orchestra Tune-Up
- Symphony, No. 6, (Pastorale), Op. 68, 5th Movement
- Clarinet Concerto in A, K. 662, 3rd Movement
- Piano Concerto, No. 21 in C, K. 467, 2nd Movement
- Symphony, No. 8, (Unfinished), D. 849, 1st Movement
- Clarinet Concerto in A, K. 622, 1st Movement
- Sleeping Beauty Waltz, Op. 66
- Serenade, No. 13 in G, (Eine Kleine Nachtmusik), K. 525
- Serenade No. 13 in G, (Eine Kleine Nachtmusik), K. 525
- Nocturne in Eb, No. 2, Op. 9
- Symphony, No. 41, (Jupiter), K. 551
- Twinkle, Twinkle
- Piano Sonata, No. 14 in C#, (Moonlight), Op. 27, No. 2
- Prelude No. 7 in A, (The Polish Dance), Op. 28
- On the Beautiful Blue Danube, Op. 314
- Variations On (Ah Vous Dirai-Je, Maman), K. 265-300e
- Preludes Book II, (Clair de Lune)
- Symphony, No. 9 in E (New World), 2nd Movement
- Nocturne in F#, No. 2, Op. 15
- Waltz, No. 15, (Lullaby)
Product Description
The Baby Galileo Concert for Little Ears music CD is an enchanting 20-track, 39:53-minute concert celebrating the wonder of your baby's day from the first light of dawn until bedtime with stars twinkling overhead. Engaging scores from classical composers like Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Dvorak and Brahms immerse you and your little one in playful musical portraits. The Baby Galileo Concert for Little Ears music CD features some of the classical scores heard in Baby Galileo Discovering the Sky video. Charming themes from master composers are re-orchestrated for little ears by the Baby Einstein Music Box Orchestra.Musical Selections:The Day Sky Suite* Orchestra tune-up* Symphony No. 6, ?Ç£Pastorale?Ç¥, Op. 68, 5th Movement, Beethoven* Clarinet Concerto in A, K.622, 3rd Movement, Mozart* Piano Concerto No. 21 in C, K.467, 2nd Movement, Mozart* Symphony No. 8, ?Ç£Unfinished?Ç¥, D.849, 1st Movement, Schubert* Clarinet Concerto in A, K.622, 1st Movement, Mozart* Sleeping Beauty, Op. 66, Waltz, Tchaikovsky* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 1st Movement, Mozart* Serenade No. 13 in G, ?Ç£Eine Kleine Nachtmusik?Ç¥, K525, 4th Movement, Mozart* Nocturne In Eb, Op. 9, No. 2, Chopin* Symphony No. 41, ?Ç£Jupiter?Ç¥, K.551, MozartThe Night Sky Suite* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Piano Sonata No. 14 in C#, ?Ç£Moonlight?Ç¥, Op. 27 No. 2, Beethoven* Prelude No. 7 in A, ?Ç£The Polish Dance?Ç¥, Op. 28, Chopin* On the Beautiful Blue Danube, Op. 314, Johann Strauss, Jr.* Variations on ?Ç£Ah vous dirai-je, maman?Ç¥, K.265/300e, ?Ç£Twinkle, Twinkle?Ç¥, Mozart* Preludes Book II, ?Ç£Clair de Lune?Ç¥, DebussyAge: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2003)* iParenting Media Best Products for 2004 (2004)
Customer Reviews:
Baby loves this music!.......2007-02-17
Puts our 6-week old daughter to sleep... what more could you ask for!
Baby Galileo Review.......2006-03-18
I love all of the Baby Einstein DVD's, so the music CD has been just as good as the DVD's. I play it all the time when my son is in the car and it seems to calm him and keep his attention. I even listen to it in the car when my son is not with me. It is relaxing and soothing. I definitely recommend the CD's for the car.
Average customer rating:
- Must have!
- an artistic triumph
- Interpretations of Gurdjieff's Music
- Inspired Subjectivity Encounters An Objective Music
- Stunning
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Gurdjieff, Tsabropoulos: Chants, Hymns and Dances
Manufacturer: ECM
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Sacred Hymns
- The Triangle
- Weeping Meadow
- Ojos Negros
- Seekers of the Truth: The Complete Piano Music of Georges I. Gurdjieff and Thomas de Hartmann, Volume One
ASIN: B0002ONC72
Release Date: 2004-09-28 |
Tracks:
- Chant from a Holy Book
- Bayaty
- Prayer
- Duduki
- Interlude I
- Trois Morceaux aprHymnes Byzantins I
- Trois Morceaux aprHymnes Byzantins II
- Trois Morceaux aprHymnes Byzantins III
- Dance
- Chant
- Interlude II
- Assyrian Woman Mourners
- Armenian Song
- (No. 11)
- Womans Prayer
- Chant from a Holy Book, var. 1
Amazon.com
Philosopher, seeker after the truth, reconciler of science and religion, teacher, guru to artists, writers and musicians, Gurdjieff was an enigmatic figure; even his birthdate is uncertain: 1866 or 1877. He taught movements "to alter or heighten consciousness" at his Institute for the Harmonious Development of Man, located outside Paris---a highly improvisatory process for which he composed equally improvisatory music. Technically untrained, he depended on skilled assistants to realize and write down his ideas, and found one in a devoted disciple: Ukranian pianist/composer Thomas de Hartmann, who selflessly suspended his own career and, after Gurdjieff's death in 1948, privately published and recorded some of their collaborations. As a composer, Gurdjieff, born at the border of Armenia and Turkey, was influenced by the region's ethnic and cultural diversity, by his childhood memories of the religious and philosophical songs improvised by his father, a Greek troubadour, by the hymns of the Greek Orthodox Church, and by his extensive travels through Europe and Asia. For this recording, the performers themselves arranged his compositions for cello and piano, adding five pieces by pianist Tsabropoulos, including three based on Byzantine hymns. Both players have been involved with Armenian, Ukranian and Greek Orthodox music; both are expert improvisers. Their strong feeling and affinity for the material allows them to approach it with both reverence and freedom; the playing is primarily subdued and inward. The piano texture ranges from delicate tinkling to full-blooded chords and arpeggios; the cello, playing mostly in the low and middle register, often in unison with the piano, sounds dark, warm and beautiful. The music, except for one lively dance, is slow, solemn, and mournful, in the minor mode. Melodies featuring oriental intervals are elaborated but not developed; based on single-note drones, harmonies are static or move in stepwise progressions but do not modulate. This lack of contrast and variety creates an otherworldly, disembodied atmosphere, despite several buildups of motion, dynamics, and intensity. --Edith Eisler
Customer Reviews:
Must have!.......2006-01-12
This amazingly beautiful album to me is the soundtrack of Anatolia, of an era gone by when Turks, Greeks, Armenians and other ethnic groups shared their lives peacefully and harmoniously. Its sadness inevitably reminds me of millions who unnecessarily died on this soil in many wars fought in early twentieth century, of people forced to leave the only land the knew for unknown destinations and destinies, of the unimaginable hardships endured by its people. And more personally it takes me fom New York and puts me right next to my father's grave in a forgotten Anatolian village, 6000 miles away.
an artistic triumph.......2005-12-28
Peaceful, meditative, sad, introspective, deceptively simple. Classical. Coming from a deep sense of inner peace, like all things from the Work, but NOT New Agey.
Mystical.
Mr Gurdjieff sang or hummed his songs and Thomas deHartmann "wrote them down and added harmony". Hard to tell where Mr. G stops and deHartmann starts, but we will never know. Mr G speaks of Objective Music and the vast majority pieces of subjective music. This is the former.
I must confess that many other peformances and arrangements of the music of Gurdjieff/de Hartmann, the way it was "supposed to be played", left me cold. Most of the other renditions I heard were played by those Drunk with Orthodoxy, amaturish or just plain lacking in musical ability.
This version is a revelation!
I think G would approve of this.
I like this, I think that the arrangements for cello and piano instead of just piano, as written, is an artistic triumph. The cello played by Anja Lechner expresses the peace and meditative sadness inherent in the music, even if that wasn't the way it's usually played. Composers are often not the best intepreters of their music.
That having been said there are three part to this music, pieces by G/deH, Tsabropoulos and then more G/deH and when the pianist sticks his own works in the middle of Mr G's the quality of composition falls somewhat. His compositions are or similar mood and type to G/deH, but really don't have the same achieve the same heights of depth and soul. (Mr G would say they are not Objective Music, I guess.) Perfomances of all pieces are uniformly good.
I would hope this group will arrange more of Mr G's music in this format in the future.
Recommended.
Interpretations of Gurdjieff's Music.......2005-12-14
You may want to pass this one up if you enjoy Gurdjieff's music as he intended it to be. To me these seem like rambling, flimsy interpretations of strong, articulate works (if you have heard any of the Kremski recordings, you know).
The arrangements do not seem to have captured the spirit of Gurdjieff's music very well. If someone did with Beethoven what has been done with Gurdjieff's music here, I don't think it would be taken seriously.
If you are interested in a new "twist" on Gurdjieff's music, then you may enjoy this. If you enjoy Gurdjieff's music closer to the way which he composed it, then you will want to look for a different recording.
Inspired Subjectivity Encounters An Objective Music.......2005-03-19
Georges Ivanovitch Gurdjieff's music was first given a broad public exposure with Keith Jarrett's recording "Sacred Hymns" in 1980. The public was perhaps already partly prepared for this music in 1979, due to the release of director Peter Brook's beautiful film on the life of G.I. Gurdjieff, "Meetings with Remarkable Men". The closing sequences of "Meetings with Remarkable Men" show the middle-aged Gurdjieff being taught about deep ontological truths through live performances of both music and dance.
In the 1920's, at his Institute for the Harmonious Development of Man, Gurdjieff continued this work by collaborating with Thomas de Hartmann on creating an "objective music". A music that "would work upon all listeners equally, focusing their mental life and bringing them to a new relationship with the living universe". It is probably Keith Jarrett, who has worked closely with the Gurdjieff Societies of both London and New York, that has produced the most "authentic" or "objective" reading of Gurdjieff's music in recent years.
On this ECM New Series disc of 2004, "Chants, Hymns and Dances", Anja Lechner and Vassilis Tsabropoulos decided to take a more liberal, "subjective", approach. Their interest in these compositions is perhaps more "musical than philosophical". Their suitability for this task should be apparent. Lechner's most recent work has involved interpreting the music of both Armenian Composer Tigran Mansurian and the Ukrainian Valentin Silvestrov. While Tsabropoulos, for his part, has worked with ancient Byzantine music and the music of the Greek Orthodox Church.
According to the informative liner notes by Steve Lake, "This music exists for the individual to make of it what he or she will, according to capacity". Lechner and Tsabropoulos both have deep experience with composed music and also with the process of free improvisation. Indeed, these two performers brilliantly interpret Gurdjieff's music with gentle assurance and a bright spontaneity. The five original compositions on this disc by Tsabropoulos even suggest an affinity with the Gurdjieff sensibility that borders on predestination.
"Chants, Hymns and Dances" is worthy of repeated encounter and remains serenely vital with each new audition. This is an ambiguous music that defies easy spiritual classification.
Stunning.......2005-03-02
This is one of the most moving records I have ever heard. It is a must have for any classical music lover or anyone who appreciates deeply emotional music. So simple, so powerful. Wow.
Average customer rating:
- Relive you movie experiences
|
The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Incredible Film Music Box
- Hollywood's Greatest Hits, Vol. 2
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- Simply the Best Movie Themes
- Hollywood's Greatest Hits, Vol. 1
ASIN: B000BFH26Y
Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.
Average customer rating:
|
Essential Hyperion, Vol. 2
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Essential Hyperion (Label Highlight Compilation)
- Essential Purcell
- Beethoven - The Complete String Quartets / Alban Berg Quartet
ASIN: B00004RITB
Release Date: 2001-01-09 |
Customer Reviews:
Nothing but hits.......2001-01-31
As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
Average customer rating:
- Interesting music interestingly sung
- The marriage of skill and magic
- There is no such thing as too much Emma Kirkby
- emma's pure and magical voice.
- Voice of an Angel!
|
The Emma Kirkby Collection
Claudio Monteverdi , George Frideric Handel , Johann Sebastian Bach , Sigismondo D'India , John Dowland , Guillaume de Machaut , Hildegard of Bingen , Thomas Campion , Henry Lawes , Henry Purcell , Michael East , The Consort of Musicke , Taverner Consort Players , Roy Goodman , Anthony Rooley , Emma Kirkby , Christopher Page , Denys Darlow , Andrew Parrott , Parley of Instruments , London Handel Orchestra , Gothic Voices , David Reichenberg , and Instrumental Ensemble
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Emma Kirkby sings Handel, Arne, Haydn & Mozart
- Emma Kirkby - Handel Opera Arias / Goodman, Brandenburg Consort
- A Purcell Songbook [Australia]
- William Byrd: Consort Songs
- The Glories of Handel Opera ~ Kirkby · Sutherland · Tebaldi · Berganza · Horne · Bowman · Pavarotti
ASIN: B000002ZJG
Release Date: 1993-11-12 |
Tracks:
- Confiterbor tibi, Domine (Psalm 110)
- Now Hath Flora Robbed Her Bowers
- Stript Of Their Green Our groves Appear
- Voglio di vita uscir
- Piangono al pianger mio
- Flow Not So Fast, Ye Fountains
- Foy Porter
- Columba aspexit
- Sheep May Safely Graze
- Time Stands Still
- Diana
- Quel squardo sdegnosetto
- Maledetto sia l'aspetto
- The Lark
- Move Now With Measured Sound
- Sharp Thorns Despising
- Sich tiben im Lieben
- You Meaner Beauties Of The Night
Customer Reviews:
Interesting music interestingly sung.......2007-02-01
Much of this vocal music is from an era with which I am unfamiliar. It ranges from the work of Hildegarde of Bergen (1098-1179) to Handel (1685-1759); obviously, this album covers much territory! Emma Kirkby displays her virtuosity on this CD. The notes from the CD say that "One of the favorite adjectives used by critics. . .is the word 'celestial.'" At a later point, the notes speak of Kirkby further: "There is a freshness, an openness, an honesty about her voice. . ."
Some comments on works randomly selected.
Monteverdi's "Confitebor tibi, Domine." Here, Kirkby displays a clean light voice. She exhibits a spirited "Gloria Patri" with some spare but interesting ornamentation.
Campion's "Now hath Flora robbed her bowers." This cut shows off to good effect the agility in her voice.
John Dowland, "Flow not so fast, ye fountains." Here is displayed her smooth voice; her singing flows smoothly from one note to the next. There is a poignancy in her singing on this piece.
Guillaume de Machaut, "Foy porter." She treats the redoubtable de Machaut well; his works are some of the best of his time. This is smoothly song and does his work justice.
Hildegarde of Birgen, "Columba aspexit." This is the oldest composition on this CD by far. The work is spare, but well sung. There is a hypnotic quality to the work and Kirkby sings it well.
Lawes, "The Lark." Again, nice agility of her voice is displayed.
Other compositions on this CD are by Purcell, J. S. Bach, Sigismondo d'India, and Handel.
All in all, a nice sampling of the work of Emma Kirkby. I was not much familiar with her work before listening to this CD, but I am delighted that I did purchase this work.
The marriage of skill and magic.......2007-01-12
Ms. Kirby's voice is limpid, exquisitely pitched, strong, and yet beautifully refined. Her command of her voice is extraordinary, with phrasing, delicate embellishments and what I think are some vocal cadenzas, all showing the skill and craft of an artist who has brought her artistry to its highest state. But she makes her artistry sound so easy, so natural: nothing of bravura, nothing forced here. The selections are wonderfully chosen; together, they give us the whole range of early to late Baroque, in every mood. Each listening refreshes the spirit. What an artist!
There is no such thing as too much Emma Kirkby.......2002-07-16
The only defect in this disk is that it isn't a three or four disk set. Some people don't appreciate her beautiful voice and I feel sorry for them. I first heard her voice live in a concert here in Ann Arbor in December of 1980 and she stunned me. The memory of her beautiful voice still lives in my mind and heart.
Well, this disk gives us 18 selections from a number of different composers from the Baroque. Every one of them is a treasure and has its own charms. I can't pick a favorite, but I can say that each of these pieces show off her voice and singing style in different ways.
Yes, I wish she had included more Purcell and something even nicer than what we have on track 3, but what would I give up? Well, that is where I say we need this to have been a two or three disk collection.
You won't go wrong with this wonderful disk!
emma's pure and magical voice........2000-10-16
This cd shows Emma's versatility as a Baroque and early music performer. Her pure voice matches the music so well. I really enjoy the song "You meaner beauties of the night." This is only one among many cd's which shows Emma's great voice. I highly recommend the Emma Kirkby collection.
Voice of an Angel!.......1999-07-20
One of the most beautiful angelic voice in the world! But I don't think this collection shows her best recording pieces.
Average customer rating:
- Good, not great.
- Incredible!
- overly rich nostalgic pieces and particles of the piano
|
The Piano Album
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00000C2KC
Release Date: 1998-10-20 |
Tracks:
- Hexentanz
- Chant Polonais No. 1 In G 'Maiden's Wish'
- The Crimson Petal
- The Fuchsia tree
- Capriccio In F Minor, Op. 28 No. 6
- Minuet In G, Op. 14 No. 4
- Nocturne, In B Flat, Op. 16 No. 4
- Etude In A-Flat Major, Op. 1 No. 2
- Melodie In E
- Caprice-Burlesque
- My Favorite Things
- Kashmiri Song
- Music Box
- The Swan
- Papillons
- The Gardens Of Buitenzorg- (From 'Java Suite', Book 3)
- Waltz In A, Op. 2
- En route, Op. 9
- Sicilliano, Op. 42 No. 2
- Caprice espagnol, Op. 37
Tracks:
- Variations Brillantes Op. 14
- The Enchanted Nymph
- Der Kontrebandiste
- Melody In F
- Gargoyles, Op. 29: I. Presto
- Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato
- Gargoyles, Op. 29: III. Allegro moderato
- Gargoyles, Op. 29: IV. Presto feroce
- The Musical Snuffbox
- The Musical Snuffbox
- Etude de style, Op. 40 No. 1 'Agilite'
- Till I Wake
- Weep You No More
- March Of The Siamese Children
- Valse mignone
- Serenata, Op. 15 No. 1
- Bourree (From Violin Sonata No. 2)
- Erinnerungen (Triakontameron No. 25)
- Adagietto (From 'L'Arlesienne')
- Ungarishe Zigeunerweisen
Customer Reviews:
Good, not great........2002-05-22
I got this double cd, since a fellow reviewer of Hamelin's Kaleidoscope said he couldn't fully endorse that disc, since this cd would be so much better. Wrong again, sewer boy!
Thanks to Arthur Schnabel complete recordings of Sonatas, Concertos and Variation Works have become the mainstay of the recorded piano repertoire. Nowadays, it is hard to imagine that this has not always been the case. Yet, just have a look at the complete Rachmaninov recordings on RCA to see that even this giant mostly recorded little trifles, since the record buyers of his time prefered snacks over meals.
This generous and economic double cd contains a compilation of mostly romantic smaller scale works, that Rachmaninov's clientele would have enjoyed. Some are obscure, others e.g. Ljadov's snuff box and Taussig's Gypsy tunes are pretty well known.
Hough-a man from the splendid 1961 vintage, just like Hamelin and your's truly- is a highly accomplished pianist. His playing is good, yet not up to the Hamelin standards. The repertoire, however, started to bore the hell out of me after a while. I admit, that there are true exceptions like the Liebermann Gargoyles, but for me this set was simply too much of a good thing.
The interpretations vary from decent to good. I used to own an lp of the French virtuoso Setrak, that contained both the Ljadov and Taussig mentioned above and believe you me those interpretations dwarfed what we get here.
In conclusion, a generous compilation of smaller scale pianoworks. Good clean piano playing and more than adequate recordings.
Incredible!.......2001-01-12
I am a pianophile and longtime record collector, and this is one of the most awe-inspiring recordings I have ever heard. Stephen Hough's pianism - and I don't mean to be hyperbolic - simply exhausts all adjectives one might try to use to describe it. This is the kind of album to listen to not so much for the music (though these are charming and now-rarely heard pieces) but for the artistry of the performer. For stunning virtuosity, listen to the final measures of the Moszowski piece or to the MacDowell; for rich tone and melting legato listen to Hough's own transcriptions of the two Roger Quilter songs. Out of hundreds of CDs I have heard, this is one of my absolute favorites - and a steal at the price. Stephen Hough is the modern day Cortot, Gieseking, Rachmaninoff, and Joseph Levine, for he has it all - drama, precision, color, intellect, raw strength, and yes - delicacy. I rarely make recommendations like this, but you absolutely must hear this recording.
overly rich nostalgic pieces and particles of the piano.......2001-01-06
This is music that seems to have lapsed into a forgotten time warp, like when you open that old wood truck in the attic to find odd bits and particles,objects,dolls and photographs that immediately transports you into another fantasia place. That's what this music does. Hough has selected for the most part fast filigreed,rapid cascades and ribbons of pieces. Each however has its own narrative,its own special tale to reveal, a special musical texture,an endearing melody. Needless to say most of the composers here are those you've never heard before,like Ignaz Friedman, whose "Music Box" is not what you think, yes it has that timbre of forever moving tickly tones,for a ballerina popping out of a ceramic box. But there is a large pallette of sophistication here as well with the unique timbre of the piano. Every piece does this admirably. The Hexentanz of MacDowell (arr.Liszt) is a helter-skelter piece never stopping,scaling the upper regions of the keyboard,and this would be an encore work. It keeps you on the edge of your upholstered chair.Leoplold Godowsky is not an unfamiliar name,he is a specialist in the art of the arragement trying to capture a timbre, and here in Camille Saint-Saens forever memorable "Swan"the final days of post-romantic Louis Napoleon the Third era is handled with just a few more ripples in the pond than before almost imperceptible.
When played in consecutive order all these works I found myself bored,this music inhabits such a rich timbral world that it's message overspends itself, overspills into the next work. A modernist voice of Lowell Lieberman is here, a postmodern specialist in this genre of the new tonality, or the past revisited. Proust taught us the rich chasms of remembering, and the process of reoccurence of time returning in differnt guises. Lieberman's "Gargoyles" has its own sardonic charm.,equally at home compliasant with his timbral brethren.
Average customer rating:
- What then is taste?
- Why no listing of the songs?
- Lacks that extra drop of refinement
|
What Then Is Love, An Elizabethan Songbook
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000IWRF
Release Date: 1999-05-18 |
Tracks:
- I - Sing A Song Of Joy: Sing A Song Of Joy
- I - Sing A Song Of Joy: Eliza Is the Fairest Queen
- I - Sing A Song Of Joy: The Honeysuckle
- II - What Then Is Love?: What Then Is Love Sings Coridon
- II - What Then Is Love?: What Then Is Love But Mourning
- II - What Then Is Love?: What Thing Is Love?
- III - Sorrow, Come: Galliard 'Shall I Strive'
- III - Sorrow, Come: I Sigh, As Sure to Wear the Fruit
- III - Sorrow, Come: Sorrow, Come
- IV - Shall I Sue?: Heigh-Ho Holiday
- IV - Shall I Sue?: Shall I Sue
- IV - Shall I Sue?: Breake Now My Heart And Dye
- IV - Shall I Sue?: Woo Her And Win Her
- V - Witty Wanton: The Peaceful Western Wind
- V - Witty Wanton: Sweet Philomel
- V - Witty Wanton: I Care Not For These Ladies
- V - Witty Wanton: Courante On 'I Care Not For These Ladies'
- V - Witty Wanton: A Pretty Duck There Was
- V - Witty Wanton: Witty Wanton
- VI - Faine Would I Wed: Faine Would I Wed
- VI - Faine Would I Wed: Mother, I Will Have A Husband
- VI - Faine Would I Wed: Now Hath Flora Robb'd Her Bow'rs
- VII - Sing We And Chant It: Move Now With Measured Sound
- VII - Sing We And Chant It: Rest, Sweet Nymphs
- VII - Sing We And Chant It: Sing We And Chant It
Customer Reviews:
What then is taste?.......2000-04-10
The very reason I purchased this CD was the fact that it used reconstructed Elizabethan accents; attempts at accuracy are always preferable to bowing to popular misconceptions (like in Shakespeare in Love--ack). I found this recording both aesthetically pleasing and intellectually stimulating--one can clearly see through this recording the branch-off point between the modern British and American accents, something which had always mystified me before.
Musically, this recording is full of little-known gems of the English Renaissance. This is a sample of what's on it, for Kenneth Melia: Sing a song of joy; Eliza is the fairest Queen; What then is love but mourning; Shall I sue; Heigh-ho holiday; I care not for these ladies; Mother, I will have a husband; Rest, sweet nymphs (a beautiful rendition with soaring harmonies on the chorus); and Sing we and chant it. Kenneth, if you still want a more complete list, just e-mail me (mitsuo@uclink4.berkeley.edu). But I insist that if you buy it now, without knowing all the songs, you will not be disappointed. They are subdued and genteel, with that hint of playfulness which one could say characterized the court under Elizabeth I. The vocalists are excellent, never succumbing to the operatic vocal style so popular with renditions of this repertoire, and, I think, the least authentic. Once again, Anne Azema charms with her supple, almost serpentine stylizations, and you also get a wealth of other talented vocalists who speak the Elizabethan tongue with convincing fluency. The instrumentalists play with passion and a feline subtlety that will catch you and never let go.
Why no listing of the songs?.......1999-12-04
I'll admit, right away, that I haven't heard the music on this CD. What I want to comment about is the fact that it is impossible to FIND OUT WHAT MUSIC IS ACTUALLY ON IT! I thought Amazon would have the list of songs, because I couldn't find out what they were at the local music shop. I already have a good number of Boston Camerata CD's and I wanted to find out what was on this one before I purchased it. The local store even has a software program which normally allows customers to find out what's contained on a CD if it isn't on the cover. The only listing for this CD was "songs." This isn't the first time that a Boston Camerata CD has not had the musical selections listed on the outside. Why not ALWAYS have a listing of the music on the cover? Even if it's in small font it would still be worth it. So, as of yet I haven't purchased it. How does one find out what's on it? K.Melia
Lacks that extra drop of refinement.......1999-05-23
This is a hard one to call. Brought up as I was on the ultra-modulated renditions of this and like material on Vanguard LPs by Alfred Deller and his consort, I find this Erato effort lacks that extra drop of refinement that is needed for the courtly music of the Elizabethan period. (The street and theater music might be another story, but beside the point here.) I know it is Anglophilic bias working here, but I found (for example) tenor William Hite's East Coast accent distracting. The women have accents that, while not all that appropriate, at least do not jar. It is of course true that Elizabethan English was closer to what Ringo Starr sounded like than Laurence Oliver. Play the track that contains "I care not for these ladies," which is indeed sung with a regional accent and you will see what I mean. However, in general "an Elizabetan Songbook" should sound at least what we accept today as British-sounding, if you follow. This said, I cannot fault the vocalizing or the playing. But I will still return to my Vanguard sets before playing this again. Still--who can dispute taste?
Average customer rating:
- The golden voice of song
- One of Her Best
- Why forcing?
- One of My Favorite Kiri Recordings
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Kiri Te Kanawa - Songs of Inspiration / Julius Rudel, Mormon Tabernacle Choir
Giuseppe Verdi , Ludwig van Beethoven , Charles Gounod , Felix Mendelssohn , Johann Strauss II , Pietro Mascagni , Cesar Franck , Anonymous , Richard Rodgers , Sir Henry Rowley Bishop , Julius Rudel , Kiri Te Kanawa , Utah Symphony Orchestra , and Mormon Tabernacle Choir
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000041VM
Release Date: 1989-10-23 |
Tracks:
- Casanova: Nonnenchor (Nuns' Chorus)
- Redemption: O Divine Redeemer
- Nabucco: Va, pensiero (Chorus of the Hebrew slaves)
- Responsorium et Hymnus: Hear My Prayer
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- Ave Maria
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- Psalm 150
- Auf Flugeln des Gesanges (On Wings of Song)
- Come, Come, Ye Saints
- Carousel: You'll Never Walk Alone
- Home Sweet Home (Sung in Maori)
- The Sound Of Music: Climb Every Mountain
Customer Reviews:
The golden voice of song.......2007-01-09
A wonderful recording which I purchased years ago in cassette form, and wore out! So happy to be able to buy in CD form, and well worth listening to. Kiri Te Kanawa has a glorious soprano voice, full of warmth and colour, and her interpretation of song is in my opinion second to none."Songs of inspiration"
really does inspire and feed the soul. As a music lover, and singer myself I love all of the pieces on this album with a passion.
One of Her Best.......2002-05-06
This is one of the best performances of an operatic artist with the Morman Tabernacle choir in existance. Kiri's poise, music selections, and execution are flawless. The ending of "You'll Never Walk Alone" which would be forced for other artists is effortless for Kiri.
For anyone who enjoys choir music with guest artists, this recording is a "must buy".
Why forcing?.......2002-03-21
I bought the cassette (not the CD), and found one of my favorite songs there: You'll Never Walk Alone. This song was one that once encouraged me to walk with 'my head up high' during the (most) difficult time of my life.
What I don't understand from Dame Tekanawa is that at the end of the song, she forced a "show-off" ending with the unnecessary high note. I don't know what that had given impact to when doing it in front of an audience, but in the recording, it sure was not beautiful.
Other numbers were marvellous. I've always liked Dame Tekanawa.
One of My Favorite Kiri Recordings.......2000-02-27
I brought this after watching (And taping) her 1989 Mormon Tabernacle Temple concert on PBS in 1992, and I have to said, this is one of my favorite Kiri recordings ever. It's still is!
There's some great selections on there that Kiri fans will enjoy, such as the Cavalleria Easter Hymn, Auf Flugeln Des Gesanges, Home Sweet Home sung in her native Maori (Dame Kiri herself is half-Maori), as well as some that doesn't appear on PBS (Such as the rarely-heard Nuns' Chorus, the Nabucco Va Pensiero, and Hear My Prayer sung in English).
Althrough the CD is recorded live, as the booklet notes stated, portions are topped and tailed in a separated studio session, to give the CD a studio-like recording.
I do enjoy it so often. Now, only if the video of that concert is released commerically, so we can pleased it a lot.
Average customer rating:
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The Number One Classical Album 2006
Manufacturer: Universal
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ASIN: B000BP2VJW
Release Date: 2005-11-21 |
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- Heroe
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- Deer Hunter/She Was Beautiful (Cavatina)
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Visions of Heaven
Manufacturer: Delos Records
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Binding: Audio CD
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ASIN: B000000717
Release Date: 1997-07-22 |
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