| Disc: 1 |
| 1. Perfect Moment |
| 2. To Love You More [Unedited Full 12" Mix] |
| 3. I Love Always Forever [Breakbeat Version] |
| 4. You're Still the One [Uneditied Full 12" Mix] |
| 5. Think Twice |
| 6. I Love You |
| 7. If I Were You [Remix] |
| 8. Bring Me to Life |
| 9. (Something Inside) So Strong [Unedited Full 12" Mix] |
| 10. Higher & Higher [Remix] |
| Disc: 2 |
| 1. You're Still the One |
| 2. To Love You More |
| 3. Oops! ... I Did It Again |
| 4. I Love You Always Forever |
| 5. I Am |
| 6. Chains |
| 7. I'm Your Angel |
| 8. Mouth |
| 9. Think Twice |
| 10. If I Were You |
Editorial Reviews
Rochelle's Long Awaited Debut Album 'higher' is Finally Here. And We Think You'll Feel It's Been Well Worth the Wait! this Fabulous Album Spans 10 Years of Memorable Club Classics Including 'i Love You Always Forever', 'chains', 'how Do I Live', 'perfect Moment', 'you're Still the One', 'think Twice'. There Are Many Fabulous Surprises on 'higher', in Fact, this Album Includes Nine Brand New Exclusive Tracks Or Remixes, plus in the Usual Almighty Tradition, There's a Retrospective Continuous Mix CD! Those New Tracks Are 'higher' (A Cover of the Creed Us Hit), 'my Imagination', 'i Am', 'if I were You', 'everything to Me', 'no One Can Touch Us' and the Real Highlight, Rochelle's Sensational Reworking of Labi Siffre's Gorgeous Song '(Something Inside) So Strong'. The Album also features her Cover of the Evanescence Smash Hit, 'bring Me to Life'.
Higher,Rochelle,Almighty Records,Dance,Pop,Rap & Hip-Hop
Average customer rating:
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Today
Raul Malo Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QDAA Release Date: 2001-10-23 |
Tracks:
- Today
- I See You
- Every Little Thing About You
- Ya Tu Veras
- Are We Almost There?
- No Me Preguntes Tanto
- Takes Two to Tango
- De Te Olvidar
- Ocho Versos
- I Said I Love You
- Let's Not Say Goodbye Anymore
- Since When
Amazon.com
Raul Malo's velvety tenor is warm and dirty in all the right ways. As the primary songwriter and frontman for the Mavericks and as a member of all-star band Los Super Seven, Malo's soulful croon has bent round the blue notes of country and spread itself thickly yet pliantly between and on top of the polyrhythms of Latin roots music. A tremendous and far-reaching effort, Today (Malo's solo debut) showcases not only what a genre-blending writer and powerful singer he is, but makes clear just how connected Malo is in his delivery and phrasing, both in Spanish and in English. There's something behind and under every syllable the man utters, from the excitable title cut to "It Takes Two to Tango," a frisky duet with pal and vocal powerhouse in her own right Shelby Lynne. Today, a full-on exploration of roots and rhythm, rocks righteously and rolls with balanced restraint and abandon. --Paige La GroneCustomer Reviews:
N2FINEMUSIC.......2007-06-13
I love it........2007-04-09
Buy 'Today', TODAY!.......2007-01-04
Best living singer.......2006-12-31
This album is great. It shows the range of Raul's vocal talent. I previewed it on Itunes and came here to buy it.
Can't Sit Still Listening to This CD!!.......2006-12-16
It does not matter if you are gringo, mexican, cuban, or other hispanic persuation, I highly recommend this CD AND seeing this man in concert. He shows great humor and a very appreciative manor in his performances.
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The Triplets of Belleville
Ben Charest Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000168ACI Release Date: 2004-01-27 |
Tracks:
- Under the Bridge
- Belleville Rendez-Vous (French Version)
- Opening Theme
- Cabaret Opening
- Tour de France
- Attila Marcel
- Bruno's Theme
- Easy, Bruno, Easy
- Belleville Rendez-Vous (Demo)
- French Mafia Theme
- Jazzy Bach
- Cabaret Hoover
- Belleville Jungle
- "Cieco Cieco" Barber
- Pa Pa Pa Palavas
- The Return of the French Mafia
- The Shadowing
- The Chase
- Belleville Rendez-Vous (English Version)
Amazon.com
Taking the cue for its visual conception from sources as diverse as British cartoonist Gerald Scarfe and the antic, rubbery surrealism of Tex Avery's Warner Bros. Cartoons of the 30's, this madcap caper from French writer/director Sylvain Chomet is one of the most delightfully skewed animated films in recent memory. Scoring such a thorough original is no easy task, but composer/musician Benoit Charest has more than risen to the occasion. Charest manages to evoke the loopy musical spirit of legendary Warner and Disney animation legend Carl Stalling in an entirely new context, fusing the score's snappy, predominantly le hot jazz mindset with everything from hip-hop and Bach (credited her as "Jean Sebastien") to the Italian opera farrago "Cieco Cieco Barber" and 1960s proto-surf-rock of "Pa Pa Pa Palavas." But that conceptual stew isn't the least of Charest's delightful surprises, as he giddily infuses it with his own Django-esque guitar stylings and a hodge-podge of "found" rhythmic instruments that include bicycle wheels, refrigerator shelves and a vacuum cleaner; surely there must be a kitchen sink buried in the mix somewhere. The result is a score that uses tradition as but a launching pad for one of the most rewarding and delightfully original animated scores in recent memory. -- Jerry McCulleyCustomer Reviews:
Top notch film.......2007-05-07
Triplets of Belleville - One of the Very Best.......2006-06-30
I would recommend this to anyone that enjoys seeing the fruits of very creative people.
"Allez les filles...!".......2005-10-18
Listening to it alone, I'm immediately reminded of the soundtrack for the Japanese film "Metropolis," which is heavy in jazz. The main theme (presented in both English and French) is the finest example of this, and has to be one of the catchiest themes I've ever heard. (took a month just to get the dang thing out of my head) You'll find several versions of it on this CD, some in its pure form (including a "demo" version) and in its use as background music. But don't worry, there's more than that. You've got stand-on-their-own tracks including "Attila Marcel," (which made me feel like an American soldier in a 1940's French cafe) the two versions of the French mafia theme, a piano version of a Bach piece, and the lighthearted "Cieco Cieco Barber."
Overall the soundtrack is well worth the purchase. If you enjoyed the movie, by all means add this to your collection as soon as possible.
The Triplets of Belleville.......2005-09-12
Delicious!.......2005-05-08
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Princesses Nubiennes
Les Nubians Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000AGDS Release Date: 1998-09-22 |
Tracks:
- Demain (Jazz)
- Les Portes Du Souvenir
- Abbeylude (Interlude)
- Makeda
- Sourire
- Princesse Nubienne
- Tabou
- Mystic (Interlude)
- Embrasse-Moi
- Sugar Cane
- Bebela
- Si Je T'Avais Ecoute
- Hymne Nubien (Interlude)
- Voyager
- Desolee
Amazon.com
This gorgeous pair of African princesses are the latest artists with Mother Continent roots--including Baaba Maal, Ray Lema, Youssou N'Dour, Salif Keita, Zap Mama, and Angelique Kidjo--to infuse French music with the soul it would otherwise lack. Unlike those who cut their deep African funk with the cloying sugar of French pop, Helene and Celia Faussart, sisters from Bordeaux, don't give it all up to La Belle France. In clear, warmly intimate, and, yes, Parisian-sexy voices, they snake in and out of each other's way, often coming together to build glorious harmonies, always singing universally uplifting messages [translations in the CD booklet, except for their American-sounding English in "Sugar Cane"]. It's all set in clean-edged, ultrahip, sensitively calibrated tracks that draw on lush soul, steamy funk, beat-driven hip-hop and cool, flowing jazz. But this album is no pastiche of sounds looking to gobble up many demographics. Recorded in France and London, Princesses Nubiennes plays like an extended single--better yet, like a dreamy musical journey through the sounds of the modern-day African diaspora. --Elena OumanoAlbum Details
The Debut Album from Two French Sisters Les Nubians. Inspired by Public Enemy, De La Soul, Arrested Development, Soul Ii Soul, Les Nubians Are a New Breed of 'Afro-European' Style Hip-Hop and Soul. Features French Rappers MC Solaar and Mel Groove.Customer Reviews:
Empress voices.......2007-05-08
For the price that it is, you've to get it!
Fantastic CD.......2007-01-13
LES NUBIANS TAKE US ON A WONDERFUL, FLOATING MUSICAL TRIP!!.......2006-03-28
The beautiful music floats and spins on wonderful stop-time pedal points and is truly mesmerizing. The 'Pieces De Resistance' are the breathtaking "Makeda", "Tabou", "Princesse Nubienne", and "Si Je T'Avais Ecoute". This is groove music which is perfect for "Quiet Storm"-like smooth radio stations, but it is also works for any other listening occasion. Blessed with wonderful voices, it is just a pure pleasure to listen to these young ladies beguiling us, like they have been beguiling France and the rest of Europe for quite a while now. Highly recommended. Five Wonderful Stars!!
(This review is based on a 15 track ITunes download.)
One of my Favorites.......2005-12-04
Mon sweetest tabou!.......2005-10-03
Not only are Celia and Helene great with words, but heck can they sing! ...And furthermore, can they mix music styles! This is African, jazz, soul, pop, hip-hop, and much more all mixed together to create their creative Nubian sound. I can best describe it as "Sade meets Erykah Badu".
The lyrics on this album are quite well-written. 'Babela', one of my most favorite Nubian songs provides such great encouragement for anyone trying to reach a goal in life. I put it on whenever the going gets tough! My only disappointment is that I hadn't discovered this Nubian secret any sooner.
Thank you ladies for writing such great music.
A wonderful debut album!
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Nouveau Flamenco
Ottmar Liebert Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003YYQ Release Date: 1990-05-07 |
Tracks:
- Barcelona Nights
- Heart Still/Beating (4 Berlin)
- 3 Women Walking
- 2 The Night (Fast Cars/4 Frank)
- Passing Storm
- Santa Fe
- Surrender 2 Love
- Waiting 4 Stars 2 Fall
- Road 2 Her/Home (Bulerias)
- After The Rain
- Flowers Of Romance (4 Bok Yun)
- Moon Over Trees
- Shadows
Amazon.com essential recording
Ottmar Liebert's most famous, if not most accomplished, effort gave a new genre its title, the New Age market a new champion, and flamenco purists--like Paco de Lucia, who despite a thank-you on the album, has called Liebert's music "worthless"--a new punching bag. All of which is a little beside the point; Liebert's rhythms may not be complex compas, but he perfectly captures the laid-back, open-space feel of his adopted home of Santa Fe with simple two-chord progressions and piquant nylon-string guitar lines that remain memorable long after listening. The indelible "Heart Still Beating" and the elegaic "Moon over Trees" bear this out. Liebert would up his technical and compositional ante considerably on Sola Para Ti and Borrasca, but there's still something undeniably balmy about this low-key debut--replete with lush New Agey synthesizer washes--that begs one to light the scented votive candles and get cozy. --James RotondiCustomer Reviews:
Catch this one!.......2007-06-09
Ottmar Liebert has contributed notably to a second air of the flamenco a heartfelt and moving Spanish rhthym so enjoyed for many people aropund the world.
This album encloses what we might call the real spirit of the flamenco in its different moods. On the contrary, I think this is a gratyfying album, plenty of inspiration and vibrant emotions.
music from my childhood dance years...........2007-06-04
i like flamenco.......2007-01-09
Easy listening.......2006-09-28
Truly inspiring !!!.......2006-05-24
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Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
Ottmar Liebert Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059T5L Release Date: 2001-02-27 |
Tracks:
- Barcelona Nights
- Santa Fe
- Isla Del Sol
- Bullfighter's Dream
- In The Hands Of Love
- Heart Still/Beating
- Driving 2 Madrid (B4 The Storm)
- August Moon
- Dancing Under The Moon
- Festival (Of 7 Lights)
- La Rosa Negra
- 2 The Night
- Borrasca
- Bajo La Luna Mix
Amazon.com
This compilation project's official title is already long enough, but for true accuracy it should read, The Best of Ottmar Liebert's First Two Recordings, Volume 1. Barcelona Nights strings together the more upbeat and animated selections from his two earliest recordings, Nouveau Flamenco (his famed debut) and Borrasca (plus one track, "Festival," from Poets and Angels). The package serves as the first installment in a two-disc series; the subsequent Surrender to Love will patch together romantically inclined selections of those early 1990s recordings. It's the same music, but with different sequencing and different packaging. As such, it offers graceful and pleasant listening, though the similarity in tempos gives the disc a slightly homogenous feel. Many like-minded guitarists have traveled the path that Liebert originally blazed, and Barcelona Nights offers an appealing reminder of the qualities that elicited such a huge initial reception: nimble, articulate fingerwork; charming, uncomplicated melodies; and just enough flamenco authenticity to convince maturing pop listeners that they had discovered something exotic. Highlights include the beckoning cheer of the well-known title track, and the earnest, uplifting energy of another early hit, "Heart Still/Beating." --Terry WoodCustomer Reviews:
Great High Octave Guitar Jazz.......2006-08-24
If you are looking for new sounds come and get it!.......2006-06-12
Among the most creative and imaginative musicians in the last generations, Liebert must be included in the most representative lists. His creativeness and above all his powerful vision in what it concerns to the necessary oxygen the Flamenco needed, was intuited by him and so dedicated all his energies in search of its renovation, achieving a remarkable success.
To my mind the most interesting tracks of this valuable album are: Heart still beating, Barcelona nights, Santa Fe, Isla del sol, Bullfighter's dream and La Rosa Negra, but there is not any minor track.
If you really are searching for new inspiration motives and creative sounds, this album is a must for you.
Very nice music, Ottmar is very talented!.......2004-02-09
Don't bother........2004-02-01
Cross-pollination angers Nationalists.......2003-09-30
In my estimation, Flamenco has always been an art form influenced by many different forces and subject to change and evolution. Why is there such a nationalistic pride among many of its fans that ends up precluding such visionaries as Liebert, who have devoted their lives to making wonderful music, from taking part? Is it because he is not 100% Spanish?
The same exclusionary mentality that wants to limit Flamenco works well in Bible music in the South. The irony is that a Latin talent is often more welcome in other genres than a Gringo's is to Flamenco. The entire genre of Flamenco suffers much more from exclusionary thinking than it does from cross-pollination. How sad that such a beautiful art form is tainted by control freaks. Those of you who bash the likes of Liebert bash one who is intensely accomplished and pays such homage and utmost respect (not to mention commercial attention and longevity) to the art form. Very sad, indeed. You should be bashing Ricky and Enrique first!
Those of you who are so close-minded (You're probably ignoring me because of my Gringo status, anyway) should check out a really cool blue grass band I know. You'll be made to feel much more welcome than Liebert has in the wild world of Flamenco "purists."
This album is a wonderful collection of soulful, technically masterful sounds from a true visionary who pays the highest tribute to Spanish guitar by infusing it with fresh blood and vouchsafing its wonders to the masses. And it's better quality Flamenco than lots of other stuff on the market! Oh, sweet blasphemy! This is no dilettante - this man lives and breathes his music.
Other genres should only be so lucky!
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Colma
Buckethead Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000067WV Release Date: 1998-03-24 |
Tracks:
- Whitewash
- For Mom
- Ghost
- Hills Of Eternity
- Big Sur Moon
- Machete
- Wishing Well
- Lone Sal Bug
- Sanctum
- Wondering
- Watching The Boats With My Dad
- Ghost/Part 2
- Colma
Amazon.com
On his third solo album, Colma, Buckethead has refined his fluid, impressively articulate guitar style, exacting a precise and occasionally jazzy tone from his instrument. Encompassing a tremendous range in both tempo and expression, Buckethead is an ideal guitar hero for the year 2000. Melodic, psychotic, and with loads of flash, he has all the burning technique of folks like Joe Satriani and Steve Vai, but remains steadfastly oblivious to any real commercial considerations. Accompanied by bassist Bill Laswell, drummer Brain (Primus), DJ Disc, and cellist Terry Untalan, Buckethead embraces a plaintive, near-ambient sound structure while occasionally unleashing torrid spasms and blinding guitar runs. Alternating between gentle, haunting lyricism and meta-metal explorations, Buckethead engages in instrumental guitar warfare like no other. --Mitch MyersCustomer Reviews:
One extreme side of Buckethea'd range of musical ability.......2007-07-22
Colma is his fourth release, not to be mistaken by his fifth which envelopes the polar opposite of this album. Colma can most easily be "compared" and related to elevator music or music you hear when you want to fall asleep, but to say that would do injustice to what Bucekthead created here.
Like with most album reviews, I tend to point out some of the superior tracks, and where the album may lack. But I have never listened to a more consistently apealing album than Colma. As far as I'm concerned, Colma is one long gorgeous melody of rythmic beauty and excellence in song-writing.
Understandably, it is hard for me to recommend this to Buckethead fans who are used to his heavier offerings. I can't announce Buckethead's talent and incredible music easily with Colma, and I can't attract the average listener now with "For Mom" or "Ghost." I truly think that special open type of listener only can enjoy and truly appreciate what Buckethead has created with his fourth offering.
I can'y say too much more about the album itself, except that I sugguest going at it with an open mind. And I know that line is cliche, but I adore Colma, and I adore Buckethead's riffier and more "metal" albums, but Colma has a niche of its own. One that is filled with wonder and appeal, a niche that may possibly supercede the latter work of his, and remain most prevelant in making this generation realize, with truth, that Buckethead may possibly be the next greatest guitarist to whim the world under his beautiful melodies of pain, happiness, achievement, and oddities.
Mellow Bucket.......2007-07-04
A great album, one of his best.......2007-06-27
I wish i could give it 4.5 stars, but i am only given a choice of integers. The reason that i didn't give it 5 was that it could use a little more variety in choice of songs.
Ambient and heartful.......2007-06-09
Wouldn't expect this from such a guitarist, oh wait, yes I would.......2007-03-26
Average customer rating:
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Spiritual Spiritual
B-Tribe Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Q3BD Release Date: 2001-10-09 |
Tracks:
- Intro
- Adagio In G-Minor
- La Guitara
- Sketches Of St. Antoni
- Las Salinas
- Spiritual! Spiritual!
- Sa Verde
- Matador De Sa Pena
- Reprise: Spiritual!
- Sunset In St. Carlos
- She Moves Through The Fair
- The Sun
Album Description
Dramatic flamenco guitar, ambient synthesizer tonalities, and moody, wordless vocals evoke a windswept plain, or the ocean at dusk. It's music as mood. Mood as music. It's the aural atmospher that will soon be providing the soundtrack to your life. It is B-Tribe.Customer Reviews:
Lives up to it's title "Spiritual, Spiritual".......2007-03-15
Breathtaking.......2006-07-17
A must have for Yoga and Driving.......2006-05-16
Spiritual, Spiritual.......2005-10-03
ANYTHING BY B-TRIBE IS FANTASTIC.......2005-07-13
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Winged Migration
Various Artists Manufacturer: Higher Octave ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008V5TE Release Date: 2003-04-22 |
Tracks:
- To Be By Your Side - Nick Cave
- Masters Of The Field - Robert Wyatt
- Northern Bound
- The Crossing
- The Highest Gander - Robert Wyatt
- Beating Drums
- The Return Of The Cranes
- The Blue Thread
- The Red Forest - Robert Wyatt
- Like A Breath Of Air - A Filetta
- The Takeoff
- Amidst The Factory Smoke
- The Glider
- After The Hunt
- The Paper Parrot
- The Swans Flight
- Feathers
- The Wounded Dove - Gabriel Yacoub
- Off Camera
Customer Reviews:
Beautiful!.......2007-04-24
Winged Migration CD.......2007-02-08
Beautiful Soundtrack.......2007-01-06
WINGED MIGRATION.......2006-08-29
THE RIGHT MUSIC FOR THE RIGHT MOVIE.......2006-06-22
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On Fire
Higher Manufacturer: Epitaph / Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MR9ER6 Release Date: 2007-03-06 |
Tracks:
- Insurance
- Guts
- Rock My Body
- Weapons Wired
- Histronics
- Movement
- Can Anyone Really LoveYoung
- Darkpop
- DARE
- 31 Floors
- Our Movie Rules
- Pace Yourself (Patrick Stumpremix)
Album Description
From Las Vegas, Nevada, a literal hotbed of disaffected young bands, comes The Higher, the new sound of emo, pop and R&B colliding in a dance party explosion. The new album, On Fire, overflows with hooks and harmonies of tooth-numbing sweetness, matched with dark tales of young adulthood gone awry. Signed by Epitaph founder Brett Gurewitz on the strength of their acclaimed 2005 full-length Histrionics and an incendiary live performance at the Roxy in L.A. in early 2006, The Higher have been described as Saves The Day meets Justin Timberlake. With a tour history that includes stints with fellow Las Vegans Panic! At the Disco, The Higher are ready to make the daredevil leap through the flaming hoop of pop stardom.Customer Reviews:
The Higher CD.......2007-05-07
Apparently you CAN write the same song over again........2007-03-08
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Album Review:
- I Begin to Wonder [CD-single] [Enhanced] [Import]
- I'm Still Awake [CD-single]
- In Blue [Import]
- In Gorbachev We Trust [Import]
- In Person [Original recording remastered] [Import] [Live]
- Internal Combustion
- Into Your Eyes [CD-single] [Import]
- Journey: the Very Best of [Box set] [Import]
- Karma Lounge V.2 [Import]
- Keokiclash
Album Review
Music Fashion: Mixed By Corti [Import]
Rossini: Il barbiere di Siviglia / Larmore, Giménez, Ramey [Highlights]
Music CD: One Night Stand [Live]
The Lost Boys: Original Motion Picture Soundtrack [Soundtrack]
Shostakovich: String Quartets (Complete), Vol. 4
Street Artillery [Explicit Lyrics]