Make Me Feel [CD-single] [Enhanced] [Import]

1. Make Me Feel [Radio Edit]

2. Make Me Feel [Extended Mix]

3. Make Me Feel [Extended Instrumental]

4. Make Me Feel [Etienne de Crecy Remix]

5. Make Me Feel [Horny United Remix]

6. Make Me Feel [CD-ROM Track]

Editorial Reviews

Product Description
The First Single Taken from the Italian Brothers' 2005 Full Length Album "Phobia". Includes a Mix by "Super Discount" Etienne De Crecy and the Enhanced Video of the Title Track.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

West Side Story: Something's Coming
West Side Story: Maria
West Side Story: Tonight (Balcony Scene)
West Side Story: One Hand, One Heart
West Side Story: I Feel Pretty
West Side Story: Somewhere
West Side Story: I Have A Love
Wonderful Town: A Quiet Girl
Wonderful Town: A Little Bit in Love
Wonderful Town: It's Love
On The Town: Gabey's Coming - Pickup Song
On The Town: Taxi Number : Come Up To My Place
On The Town: Lonely Town
On The Town: I Can Cook Too
On The Town: Lucky To Be Me
On The Town: Ya Got Me
On The Town: Some Other Time
Candide: Oh, Happy We
Candide: Candide's Lament
Candide: You Were Dead, You Know
Candide: My Love (Governor's Serenade)
Candide: Make Our Garden Grow (Finale)

Customer Reviews:

Not such a great sampling...........2001-01-21

Some of these songs are really stretching for a romantic mood. Especially some of the On the Town songs. It's not that they're not good though....All of this music is from other CDs that have been already been released. Don't limit yourself to just these songs. Go ahead and buy the other recordings. Deutsche Grammophon did the On the Town recording along with West Side Story and Candide. I'd recommend a different recording of West Side Story though. The one of Wonderful Town is the kinda newly released complete version of the musical. It's a good but expensive one. Also, this recording left out some of THE greatest love songs from Peter Pan (Dream of Me, Peter Peter), Trouble in Tahiti (Well of all people, There is A Garden, Finale), 1600 Pennsylvania Avenue (Seena, Lud's Wedding), and Quiet Place (There is so much, too much). I think this recording, though okay, is a stumbling block to finding out about the real Bernstein saga of musicals. And if you are still getting this recording, the sound quality is really good. West Side Story is done by the masters of the opera so they sing it that way. Candide is operetic too, but then again it is an operetta. That's about all I have to say on this recording.

nice but operatic.......2000-02-23

This is a nice collection of Bernstein miscellany. Note however that the West Side Story, On the Town, and Candide are the "operatic" versions, with Te Kanawa and Carreras, Von Stade and Hampson, and Jerry Hadley, respectively. Bernstein conducts WSS and Candide and Tilson Thomas OTT. The surprise is the bits from Wonderful Town, which was recorded on JAY, not DG like the others. Featuring Ron Raines and Rebecca Luker, it's probably the most authentically "Broadway" of this set.

Average customer rating:

The Best of the Stylistics
The Stylistics
Manufacturer: Karussell International
ProductGroup: Music
Binding: Audio CD

Philly Soul | Soul | R&B | Styles | Music
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The Best of the Stylistics

ASIN: B000L9CXZU

Product Description

18 Original recordings including the hits: 1) Can't Give You Anything (But My Love) 2) You Make Me Feel Brand New 3) Let's Put It All Together 4) I'm Stone In Love With You 5) Funky Weekend 6) You'll Never Get To Heaven (If You Break My Heart) 7) Peek-a-Boo 8) Stop, Look, Listen (To Your Heart) 9) Betcha By Golly, Wow 10) Sing Baby Sing 11) Star On A TV Show 12) Na Na Is The Saddest Word 13) 7000 Dollars And You 14) Break Up To Make Up 15) Love At First Sight 16) Only For The Children 17) You're A Big Girl Now 18) You Are Everything.

Average customer rating:

You make me feel like dancing
Leo Sayer
Manufacturer: Rhino Flashback
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

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Eagles : The Very Best of

ASIN: B00000FC6W
Release Date: 2003-10-09

Tracks:

You Make Me Feel Like Dancing
Thunder in My Heart
Living in a Fantasy
Dancing the Night Away
How Much Love
When I Need You
Giving It All Away
Bells of St. Mary's
In My Life
Let It Be

Average customer rating:

reality!
The day we left town
Wow...
Sweetness follows
This album is amazing

You Make Me Feel
Milosh
Manufacturer: Plug Research
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

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Meme
The Grass Is Always Greener
Humbucking Coil
Angel Milk
On Your Side

ASIN: B000228E1S
Release Date: 2004-05-18

Tracks:

You Make Me Feel
Your Taste
Simple People
Push
Creepy
Something Good
Sky Is Grey
Your Voice
Do You Like Me
Time Steals the Day
Frozen Pieces

Customer Reviews:

reality!.......2006-01-16

The importance of this album will not be felt for some time, which being unfortunate is the reality. Some say that the R&B vocals are not meant for electronic. This is a farce; hip-hop studio producers and DJ's have been laying down similar tracks for years. This album seems to push the envelope just a little further. While I find this album to be a breath of fresh air, the tracks under the vocals are by all means not ground breaking. That stated, I do look forward to more from this gentleman

The day we left town.......2005-07-03

If this were an all instrumental album, it would be nearly a 5 star disc. The downtempo/IDM beats are superb... but then he sings R&B over top of it!??? His voice sounds a bit like Sade, which is an amazing voice, but it does not go with this music very well (in my opinion, of course). I guess I was just disappointed because of all the glowing reviews, but I can only listen to the couple intrumentals on this cd. It's frustrating because I can hear a fantastic album that is sadly drowned by the vocals. If Sade-esqu R&B vocals over glitchy downtempo IDM sounds great to you, then this is your record.

Wow..........2004-12-15

This album is transcendent. The beauty and the soul of this boy's music will have you floating. Although this album is phenomenal (yes, and transcendent...go figure) I really think this album points towards even better things to come. I see him one day making an album that will be very special. I really want to see him in concert. And apparently he and his entourage are super hot!!! (Bonus!) I plan on taking some of my girlfriends to see his show when he visits. You should too!

Sweetness follows.......2004-09-01

Milosh has made a beautiful thing. The influences are eclectic, from R&B to electronica, but the album doesn't veer from one style to another. It's all integrated. Somewhere in the space between Cocteau Twins, Barbara Morgenstern, and D'Angelo, there's this beguiling flow that's Milosh's own. As Brian Eno said in an interview once, I like albums that go into a mood and just stay there, rather than the old rock tradition of fast, slow, fast, etc. The mood here is love, there's no other word for it. I could of course be mistaken, but my impression is of total, adorable sincerity. If I were a girl I'd really want to meet this guy. I'd be dreaming about him... though it's obvious he's already in love with someone else.

This album is amazing.......2004-07-09

i think this is one of the most original albums I have heard since, well, since ever!

Average customer rating:

A little messy
Effective and atmospheric
There is a boo boo on this cd!
An interesting soundtrack for an interesting movie.
Finally Its here!!!

Creepshow
Michael Abelson , Peter Hiidall , and Ron Foster
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Creepshow III

ASIN: B0000C3ID5
Release Date: 2003-10-21

Tracks:

Prologue - Welcome To Creepshow
Father's Day
The Lonesome Death Of Jordy Verrill
Something To Tide You Over
The Crate
They're Creeping Up On You
Epilogue
Until The Next Time (End Title)
Satanic Piano
Everybody Needs A Little Love
Sorry Right Number
Overture From 'Mansions Of The Moon'
Main Title Song
You Make Me Feel Like A Monster

Album Description

Presenting composer John Harrison's (DAY OF THE DEAD, TALES FROM THE DARKSIDE, EFFECTS) score to George A. Romero's (NIGHT OF THE LIVING DEAD, THE DARK HALF) and Stephen King's (CARRIE, SALEM'S LOT, DREAMCATCHER, THE SHINING) timeless horror classic CREEPSHOW. This digitally re-mastered album features special, never-before-released BONUS TRACKS including Harrison's music from the famed George A. Romero television series TALES FROM THE DARKSIDE, a never-before-heard overture Harrison composed for MANSIONS OF THE MOON (an unproduced sci-fi version of the Opera TALES OF HOFFMAN), and two songs from an outrageous send up of 1950's musicals and Horror Films called SHOOBIE DOOBIE MOON -- both Romero projects that were never filmed!!! The 12-Page, full color, comic book style booklet includes exclusive liner notes from the composer and director, along with an in-depth essay on the making of all the projects by Film Music Historian Randall D. Larson!

Customer Reviews:

A little messy.......2006-08-06

While I'm certainly glad this soundtrack is finally available for fans of CREEPSHOW, George Romero and Stephen King, I'm a little disappointed at the way it seems to be thrown together. Basically all the music for each of the individual stories in CREEPSHOW have been mashed together into its own track. So, music cues fade in and out of each other instead allowing one to fully appreciate each cues on its own merit. The track for "Something To Tide You Over" doesn't even have the music in the right order, and it's a very strange flow. And the track for "The Lonesome Death Of Jordy Verrill" is truncated, missing some of the creepier music from that particular story. The additional/bonus music from other productions included here are not very fitting with "Sorry, Right Number" perhaps being the only exception.

Despite the criticism I am glad to have added this to my soundtrack collection. I do like the sound f/x from the movie that are mixed in with the music cues, and I will especially especially enjoy this CD every October from now until who knows when.

Effective and atmospheric.......2005-10-07

Good soundtrack to a classic 80s film, though not as accomplished as his DAY OF THE DEAD effort.

There is a boo boo on this cd!.......2005-07-22

I agree with every one here about how great the album is. I still own the original lp and just got the cd. There is one thing that they didn't know is that the cd has a error made by the label LA LA LAND Records. The music for the segment of THE CRATE is actually 13 mins long. If those of you still have the original lp like I do, you will see what I'm talking about. On the cd tracks 5 and 6 are The Crate. Add both tracks 5 and 6's time frame up and you will get 13:04 like The Crate is on the lp.

I don't know why they divided the track into two and messed up the line up on the insert? The lp's last track is titled Epilogue/Until The Next Time (End Title), the cd has the title separated, like one track says Epilogue and the next one says Until The Next Time (End Title). There is really only 13 tracks, if you look at by the error for The Crate being split into two. Track 7 is really They're Creeping Up On You and track 8 is really Epilogue/Until The Next Time(End Title).

An interesting soundtrack for an interesting movie........2005-07-06

Creepshow was probably, and still is, one of the most entertaining horror movies to ever be committed to celluloid. Its humor, terror, and acting is spot on, and it is my all-time favorite movie ever. I saw it when I was only two years old, and it left an everlasting impression.

Imagine the joy I felt when, at four years of age, I found the soundtrack on vinyl at a mom-and-pop record store. I hurried home with my parents and threw the record in the turntable. I started it up, then promptly turned it off, screaming. All I could hear was Warner Shook screaming about his father's day cake, and that scared the stuffing out of me. Fast forward ten years, and I find it again in my collection. I throw it on and enjoy the soothing synth-strings and dulcet piano tones that I couldn't listen to before.

Now, the reason I subjected you to this story is that I needed you to know how much this CD means to me. It brings back a time when I was able to get scared by a movie. The soundtrack, composed entirely on two grand pianos and a Prophet V synthesizer, is incredibly evocative of a horror movie, but could easily be mistaken as a classical composition of the highest degree. The furious cacaphony of "The Crate" which threatens to boil over to a screaming head, to the quiet buildup of "The Lonesome Death Of Jordy Verrill", in which space sounds take place besides a low rumble of a piano, are all integral parts of this CD, and I would recommend it to anyone... Anyone.

Finally Its here!!!.......2004-08-18

I have waited for years for this soundtrack to come out and its every bit as exciting and enjoyable as I would have imagined. It keeps perfect pace with the storys in the film and reminds you of all those funny and scary moments.

Having said that, since I am bias toward this soundtrack and think its the greatest thing since sliced bread, (well pretty close,) my problem with it is the fact that several portions of the small bits of music used in the film were left out. I.E. any classical music or odd sounding small pieces of music used to give a certain mood. I felt these could have been spliced into the individual tracks. However having thought about it later on I realize that the producer of this soundtrack might not have gotten the rights to put out a record with ALL the music from the cd, as is the case in my film soundtracks. I certainly thought the rest of this album past the first eight tracks were nothing exciting but I am sure if I was sentenced to prison I could let them grow on me. If you are a big Creepshow fan this cd is a must for you, stop second guessing yourself, do ya self a fava go out buy this record and enjoy ya ya !

Average customer rating:

The Voice of Bernstein

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Peter Pan (2005 Studio Cast) - Leonard Bernstein

ASIN: B0009K8LKC
Release Date: 2005-06-14

Tracks:

Something's Coming - Jose Carreras
Maria - Jose Carreras
Tonight - Jose Carreras
America - Tatiana Troyanos
One Hand, One Heart - Jose Carreras
I Feel Pretty - Kiri Te Kanawa
Gee, Officer Krupke - Marty Nelson
Somewhere - Marilyn Horne
New York, New York - Thomas Hampson
Come Up To My Place (Taxi Number) - Kurt Ollmann
Carried Away - Frederica Von Stade
Pitkin's Song - Samuel Ramey
Some Other Time - Kurt Ollmann
Lucky To Be Me - Thomas Hampson
Oh, Happy We - Jerry Hadley
Glitter And Be Gay - June Anderson
Nothing More Than This - Jerry Hadley
Make Our Garden Grow (Finale) - London Symphony Chorus

Tracks:

A Quiet Girl - George Gaynes
A Little Bit In Love - Edith Adams
It's Love - Edith Adams
'Big Stuff' Blues - Ruth Mense
You're Late (Sam) - Chester Ludgin
The President Jefferson Sunday Lucheon March - Thomas Hampson
Take Care Of This House - June Anderson
Love Duet - Thomas Hampson
The Love Of My Life - Thomas Hampson
Mr. And Mrs. Webb Say Goodnight - Thomas Hampson
The Pennycandystore Beyond The El - John Reardon
Storyette H.M. - Donald Gramm
What Lips My Lips Have Kissed - Nancy Williams
Psalm 108 (Verse 2)/Psalm 100 (Complete) - Wiener Jeunesse-Chor
Psalm 23 (Complete)/Psalm 2 (Verses 1-4) - Wiener Jeunesse-Chor
Psalm 131 (Complete)/Psalm 133 (Verse 1) - Wiener Jeunesse-Chor

Average customer rating:

Faust (Sung in English)
Gounod , Clarke , Miles , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

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