Drum & Bass Arena (with Bonus DVD) [Enhanced]

Track Listings

 
1. MC Tali – All Over Now
2. Resonant Evil – Trouble Shoot
3. EZ Rollers – Crowd Rocker
4. D-Kray – The Martians
5. Karl K & J Kennedy – Soul on Fire
6. Matrix & Danny J – Vertigo
7. Keaton & Hive – Bring It On
8. Fresh – Big Love
9. Moving Fusion – Chilli (Pepper Remix)
10. Ecco & Sabotage – House Music VIP
11. Pendulum – Back To You
12. Concorde Dawn – Morning Light
13. Ed Rush & Optical – Bullitt
14. Total Science – Nosher (Baron Remix)
15. Fresh – All Strung Out
16. Ed Rush & Optical – Goodfoot
17. Wicker Man – Mr Hungry
18. DJ SS – Stress Related
19. HoldTight – Tropez

Drum & Bass Arena (with Bonus DVD),Andy C.,React [Studio K7],Club/Dance,Dance,Dance Music,Drum & Bass,Jazz Music,Jungle/Drum'n'bass,Pop
Missundaztood
Average customer rating: 4 out of 5 stars
  • Latest album is much better
  • understood and admired
  • One of my favorite albums of all time. She is an amazing songwriter.
  • out of the gate and running hard
  • Pink
Missundaztood
Pink
Manufacturer: La Face
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. I'm Not Dead
  2. Can't Take Me Home
  3. Try This
  4. Stripped
  5. Try This [Limited Edition w/ Bonus DVD]

ASIN: B00005RFAI
Release Date: 2001-11-20

Tracks:

  1. M!ssundaztood
  2. Don't Let Me Get Me
  3. Just Like A Pill
  4. Get The Party Started
  5. Respect
  6. 18 Wheeler
  7. Family Portrait
  8. Misery (w/Steven Tyler)
  9. Dear Diary
  10. Eventually
  11. Lonely Girl (w/Linda Perry)
  12. Numb
  13. Gone To California
  14. My Vietnam

Amazon.com

There's a rule in commercial pop: don't bite the hand that feeds you. Translation? If you're getting love on TRL, it's best leaving well enough alone and tinkering only slightly with the sound that pays your bills. So you have to give Pink a whole heap of credit. The Philly-raised songbird may have made her rep with infectious and rugged pop-R&B hits like "There You Go" and the remake of "Lady Marmalade," but like the fuchsia coif she once sported, that sound is gone. In its place is a more driving alt-rock attack, liberally laced with some late-night blues and heartfelt lyrics that, while they sometimes come off like diary entries (the simplistic bon mot "Your pain is painful" in "Family Portrait"), are clearly Pink's thoughts, as opposed to words someone put in her mouth. Helping Pink express her inner Alanis are Dallas Austin, who produced the insistent rocker "18 Wheeler," and former 4 Non Blonde Linda Perry, who Pink has resurrected from one-hit-wonder status. Mixing up thumping beats, ("Get the Party Started"), with folksy confessionals, Pink's potent vocals and her honest determination make this a risk worth hearing. --Amy Linden

Album Description

Asian exclusive limited edition pressing of her sophomore album includes one bonus track, 'Catch 22', along with a bonus CD sized spiral bound 40 page 'Dear Diary' note pad that's housed together with the CD in a special slipcase. Enhanced with photo ogallery and lyrics page. 15 tracks in all. 2002.

Album Details

Features a Track Not on the USA Version, 'catch 22.'

Customer Reviews:

3 out of 5 stars Latest album is much better.......2007-06-28

I LOVE Pink!! The first album I bought was the latest one - "I'm Not Dead", and I love it. So I decided to investigate her earlier work. While I am glad I have "Missundaztood", I didn't find it as compelling as her latest work. Good to see where she has come from though.

5 out of 5 stars understood and admired.......2007-06-12

what a sharp lady...love her latest cd...so thought I'd give her older, breakthrough cd a try...great sound. fresh and original collection. smart, sassy, interesting, sophisticated but fun. love the lyrics. love the variety of different musical styles. pink is cool, and honest and real. and she makes fantastic, memorable tunes....already a classic

5 out of 5 stars One of my favorite albums of all time. She is an amazing songwriter. .......2007-03-26

Not only is Pink an amazing singer, but her lyrics are soo deep and personal. I love people who write about the sad times because a lot of people needs to hear something they can relate to. Family Potrait speaks to a lot of people, including my brother, who overhead the song and keeps requesting me to replay track 7. The whole album is a work of art so it's hard to choose, but if I had to choose, my favorites are Don't let me get me, Just Like a Pill, Family Potrait and Lonely Girl. Pink's voice is soo raw and real that you can actually feel the pain in her voice. Once you listen to this album, you will want hear more. So I will go ahead and let you know that her third album is Try This and her fourth, which is her best thus far is "I'm Not Dead". So please give this album a chance. Pink is a real artist and she will be around for a long time because she is true to herself.

4 out of 5 stars out of the gate and running hard.......2007-03-26

This is Pink's first album to my knowledge. It has some raw studio tape footage that is cute and rough. I loved it. The segments give a good hint of what this ballsy little girl is about, and a preview of the bold, strong woman she became. She has fun with this release and you get to hear it. It is cool to listen to the inside track banter between Pink and the recording engineer. She is a force to be reckoned with; and a sweet lady all in one.

5 out of 5 stars Pink.......2006-12-31

I kind of like this CD. I don't listen to it as much anymore for some reason, but I think I'm overdue to listen to it again. One of my favorite songs on this album is "respect" which talks about how girls should act around guys and how they should not let boys push them around any time the boy thinks it's convenient for them "no freebies in the limosouine that's not what it's about. let 'em know just what to do give it up he won't call you respect is just a minimum, go on girl and get you some" Another song about not letting men push girls around that I really like is "can't get me down". Which talks about getting ready to face the day and anything that might come one's way. I love encouraging songs like that... they really help you face your problems in life. I don't like to many of the songs on here because of the swearing content but I do listen to "Mizundastood" constantly. She only says one swear word in the song but I don't mind. Otherwise I avoid songs on here that have swearing on them. I like this CD otherwise... but if you're under sixteen, I wouldn't recommend it because of the swearing. I forgot to add that another one of my favorite songs is "Don't Let Me Get Me".
Portishead
Average customer rating: 4.5 out of 5 stars
  • In my opinion, better than Dummy.
  • I had higher expectations
  • very impressive sophomore release
  • extremely disappointing at first, now addicted
  • I feel so cold...
Portishead
Portishead
Manufacturer: London / UMGD
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dummy
  2. Mezzanine
  3. Live: Roseland NYC
  4. Glory Times
  5. Blue Lines

ASIN: B000003TSP
Release Date: 1997-09-30

Tracks:

  1. Cowboys
  2. All Mine
  3. Undenied
  4. Half Day Closing
  5. Over
  6. Humming
  7. Mourning Air
  8. Seven Months
  9. Only You
  10. Elysium
  11. Western Eyes

Amazon.com

The bad news is that there is no "Sour Times" to equal the first album's greatness. Lead single "Cowboys" doesn't do the trick, not with its '50s sci-fi dub vibe and the Yma Sumac stylings of Beth Gibbons. The upside is that this bold sophomore release is, even at this late date in trip-hop's evolution, still startling, thanks to the mix of Geoff Barrow's soundscapes and Gibbons's haunting wail. --Jeff Bateman

Customer Reviews:

5 out of 5 stars In my opinion, better than Dummy........2007-04-26

For the sole reason that this album far transcends the poppy undertones of Dummy, I give it a 5/5.

That being said, I'd still like to give a track-by-track review of this product.

SHORTEST TRACK: Half Day Closing (also one of the best)
LONGEST TRACK: Humming (another favorite of mine)

Cowboys: You can't help but feel the eerie opening to this album pulsate in your mind as the first kick drum hits grace your eardrums. Beth sings in a screeching tone of voice, almost scornful, giving this song an intensity unmatched by previous songs. My only gripe is that it loses its bass after those initial drumstrikes. 9/10

All Mine: An enjoyably simple bump, its lyrics are hard-hitting and possessive (Tethered and tied/there's nowhere to hide from me). 9/10

Undenied: Starts with a moody 55-second instrumental (I love it!), then Beth's lyrics come in as a contrast to the last song (this one is about losing love rather than keeping love close). 10/10

Half Day Closing: The confusing beat and heavy distortion on the instruments and lyrics (at one point, Beth's voice sounds like a distorted guitar!) make this one quite dark and heavy. The lyrics are about the changing times, and how innocence has been lost. 10/10

Over: Starts off with a creepy acoustic guitar, then builds into a strange ballad with heavy drums that burst with string hits. The lyrics match the atmosphere; they are equally creepy. 9/10

Humming: My favorite on the album (and luckily, the longest!) It starts off with a cliché UFO-style humming (hence the title) accompanied by what sounds like reversed strings, then the beat blasts in at 1:30 with lyrics that seem to be about sex. 10.5/10!

Mourning Air: Soft and sad, this song is about holding on tight to love, at risk of slipping into depression. A pretty amazing track. 9.5/10

Seven Months: I don't like this one as much as the others, but it still packs a punch. The scornful lyrics accompany its beat well. 9/10

Only You: The most credited samples lie in this track, but are not too noticeable, as samples are in other tracks. The lyrics are stunning, and Beth sings them with passion. 10/10

Elysium: The name of the track means "paradise," but the lyrics are about hate and self-hate, which makes for another one of those title-lyric contrasts that can make or break an album. This one makes it! 9.5/10

Western Eyes: This song is the most friendly on the album, but certainly still darker than those on Dummy. The sample at the end goes well with the beat, but it should have been placed elsewhere in the song, IMO. 10/10

Final verdict: 10/10

I love this album, and it arrived at my house promptly and in excellent condition. Thank you!

3 out of 5 stars I had higher expectations.......2007-04-26

I had seen two music videos for this CD and thought it was going to be great. After listening to all the tracks, I only liked maybe three. I am a heavy trip-hop and acid jazz fan, but this was just psychidelic junk. It was like a whiny, down-beat version of aphex twin. I guess, if thats your thing... buy it NOW!

4 out of 5 stars very impressive sophomore release.......2007-03-22

Portishead's second release comes as a surprise. my first listen to it i felt rather disappointed. beth gibbons' voice was distorted almost the whole time and a much more twisted use of sampling and scratching going on. during my initial listen i was running short on time and could only sample bits of the songs. i guess that is why my disappointment came through. "Dummy" is very much a singles based album that can fulfill the effect it desires through quick listenings. i still love the album and don't take that comment to be anything other than that. this second album is a collection of songs, it is meant to be listened to straight through. each song flows directly into another and gives a seamless tapestry and progression of the trip-hop sound. of course Barrow and crew give us a sampling of singles like "All Mine", "Humming" and "Only You", but seeing where these tracks fit in with the album makes these tunes seem all the more significant. after my first couple of listens (obviously with headphones on) i now "experience" this album rather than listen to it. when recommending portishead i still have to give the nod to "Dummy", but any avid fan of trip-hop needs to have this album in their collection. it makes you want more, but when.....

3 out of 5 stars extremely disappointing at first, now addicted.......2006-08-15

It was like listening to the very few parts of Dummy I didn't like for an entire CD. Way too much gratuitous scratching, and screechy vocals for may taste. Extremely disappointing.

It's now perhaps six months after I wrote the paragraph above and I am completely addicted to this album. Cinematic trip goth at its very very best

5 out of 5 stars I feel so cold..........2006-04-13

There's nothing like Portishead and nothing like their 2nd album. Its darker, creepier, and more haunting than the first. The entire album has an overal similar sound which makes for a more themed and theatrical sonic experience. I like this better than the first album which had the obvious singles and dabblings in various spectrums of trip-hop which now resembles everyone from tricky to morcheeba. However on this 2nd release, Portishead holds their own, establishing their own trademarked sound: an eerie, slow-paced death-orchestra led by a sultry singer with a heart of black-gold. This music will get into your brain and eat away like bad acid. Exquisite production and smart use of turntables. From the intro of eerie high pitched twinklings over a heartbeat that lead into twangy strums of electric guitar and record scratching, to the last song which ends with the sampled vocals of an old bluesman pining about hookers and gin, this is a masterpiece recording. Goes well with a late-night martini and captures the dreary mood of a cool, misty morning in Autumn just after it has rained and the fog is still hanging in the air...
Caribbean Island Steel Drum Favorites
Average customer rating: 4 out of 5 stars
  • Reminds me of trinidad!
  • Could be better
  • Pan Only!
  • The Best of Steel Pan
  • Takes me back to the islands...
Caribbean Island Steel Drum Favorites
Various Artists
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Steel Drum Party
  2. Caribbean Steeldrums: 20 Famous Tropical Melodies- Calypso, Samba
  3. Caribbean Steeldrums: 20 Most Popular Melodies
  4. Steel Band Music of the Caribbean
  5. Sounds of the Carribean

ASIN: B000001VD1
Release Date: 1996-05-21

Tracks:

  1. Marianne
  2. Pass The Dutchie
  3. Red Red Wine
  4. Matilda
  5. St. Thomas
  6. Down Presser Man
  7. Don't Come Back Again
  8. Shake Shake Shake Sonora
  9. Medley: Blue Moon

Customer Reviews:

4 out of 5 stars Reminds me of trinidad!.......2007-01-24

I really like this cd!
All I need is some rum punch and my caribbean breeze!
ALL the songs are nice.

3 out of 5 stars Could be better.......2006-10-20

Although this CD has an interesting lineup of songs, I found the versions of the songs bland and uninspiring. The recording is thin sounding and lacks the rich full sound that makes the steel drums a wonderful instrument.

5 out of 5 stars Pan Only!.......2006-08-17

Good compilation of pan only island "toones." Not sure who the "arteest's" are, but the sounds are just right! Hey waiter, get me another Bacardi!

5 out of 5 stars The Best of Steel Pan.......2005-08-16

We were very pleased with this CD. It was exactly what we were looking for.

4 out of 5 stars Takes me back to the islands..........2005-08-12

Turn this CD up and let the rum punches flow and you shall journey to the Caribbean...All, without having to leave your home. This CD is everything that you would expect it to be.
Ear Drum
Average customer rating: Not rated
    Ear Drum
    Talib Kweli
    Manufacturer: Warner Bros / Wea
    ProductGroup: Music
    Binding: Audio CD

    East CoastEast Coast | Rap & Hip-Hop | Styles | Music
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    Experimental RapExperimental Rap | Rap & Hip-Hop | Styles | Music
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    Similar Items:
    1. Finding Forever
    2. Graduation
    3. Desire
    4. Curtis
    5. True Magic

    ASIN: B000SO7ON4
    Release Date: 2007-08-21

    Tracks:

    1. Everything Man - Talib Kweli, Sonia Sanchez
    2. NY Weather Report - Talib Kweli
    3. Hostile Gospel, Pt. 1 (Deliver Us) - Talib Kweli
    4. Say Something - Jean Grae, Talib Kweli
    5. Country Cousins - Raheem DeVaughn, Talib Kweli, UGK
    6. Holy Moly - Talib Kweli
    7. Eat to Live - Talib Kweli
    8. In the Mood - Roy Ayers, Talib Kweli, Kanye West
    9. Soon the New Day - Norah Jones, Talib Kweli
    10. Give 'Em Hell - Lyfe Jennings, Talib Kweli
    11. More or Less - Dion, Talib Kweli
    12. Stay Around - Talib Kweli
    13. Hot Thing - Talib Kweli
    14. Space Fruit (Interlude) - Talib Kweli
    15. Perfect Beat - KRS-One, Talib Kweli
    16. Oh My Stars - Talib Kweli, Musiq (Soulchild)
    17. Listen!!! - Talib Kweli
    18. Go With Us - Talib Kweli
    19. Hostile Gospel, Pt. 2 (Deliver Me) - Talib Kweli, Sizzla
    20. Nature - Talib Kweli, Justin Timberlake

    Amazon.com

    In the "conscious" rap game, even mid-list mainstreamers tend to get all but shut out of the highest-profile vehicles for hip-hop (BET, MTV, urban radio). Among these, Talib Kweli remains that exemplary liminal artist, one foot in the artistic purity of his underground roots and the other planted firmly in business of popular culture. Recent albums--The Beautiful Struggle and Right About Now--disappointed fans and critics alike, but Ear Drum marks a milestone in the Kweli catalogue. Wisely chosen collaborators (Kanye West, Roy Ayers, Jean Grae, Pete Rock, KRS-One, even Justin Timberlake and Norah Jones), accessible beats, and Kweli's staple of insightful, rhythmically drilling lyrics conspire to create his best outing since 2002's Quality. Blatantly front-loaded, Ear Drum's early tracks clearly outshine its back half. "NY Weather Report," "Say Something," "Holy Moly," and especially "Hostile Gospel Pt. 1" plainly sear, the latter two establishing the repeating theme of Kweli's tenuous relationship to religion. As Kweli himself makes clear in his first line on Ear Drum, "They say you can't please everybody," and plenty of sleepers lurk among Ear Drum's 20 cuts, but the standout tracks suggest that Kweli has bounced back from declining relevance with all cylinders firing. --Jason Kirk
    Caribbean Steeldrums: 20 Famous Tropical Melodies- Calypso, Samba
    Average customer rating: 4 out of 5 stars
    • BEAUTIFUL MUSIC TO MY EARS
    • What's with the organ?
    • So elevator music!
    • Very relaxing
    • TIMES TWO!
    Caribbean Steeldrums: 20 Famous Tropical Melodies- Calypso, Samba
    Steelasophical
    Manufacturer: Arc Music
    ProductGroup: Music
    Binding: Audio CD

    CalypsoCalypso | Caribbean & Cuba | International | Styles | Music
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    1. Caribbean Steeldrums: 20 Most Popular Melodies
    2. Caribbean Island Steel Drum Favorites
    3. Steel Drum Party
    4. Caribbean Party
    5. Calypso

    ASIN: B00004U00V
    Release Date: 2002-03-12

    Tracks:

    1. Tropical Surprise
    2. Girl From Ipanema
    3. Summertime
    4. How Insensitive
    5. Soca Salsa
    6. Let It Be Me
    7. Streets Of London
    8. Perfidia
    9. Girl From Japan
    10. Besame Mucho
    11. Valtatee
    12. I Have A Dream
    13. El Cumbanchero
    14. Carnival Sunday Monday
    15. Hotel California
    16. No Matter What
    17. Tico Tico
    18. Bamboleo
    19. Pan Solo
    20. My Way

    Customer Reviews:

    5 out of 5 stars BEAUTIFUL MUSIC TO MY EARS.......2007-05-14

    THIS IS JUST THE PERFECT CD, TO RELAX TO AND JUST LISTEN TO THE FANTASTIC MELODIES.

    2 out of 5 stars What's with the organ?.......2007-03-21

    Ocean breezes and steel drum music absolutely make my Caribbean vacations, so I was thrilled to find this album to I could bring a taste of the tropics to my own backyard.

    I was so disappointed when I received this album...the sound of the steel drums are completely ruined by the addition of one of those old organs everybody's goofy uncle had in the 60s and 70s. You know the ones...they let you put a samba, bossa nova or fox trot beat over every Billy Joel song you tried to play.

    It's a shame, because it is a nice selection of songs, but it turns the beautiful tropical music into a kitschy tiki lounge experience instead.

    1 out of 5 stars So elevator music!.......2007-01-10

    Bought this CD for a Caribbean themed party I was hosting. The music is great if you want to put everyone to sleep! Its like that background music you hear in the elevator! It wasnt as lively as I was looking for! So if you like it soft and mello... then this is for you! If you want lively...try a different one!

    5 out of 5 stars Very relaxing.......2005-10-20

    I love this cd. It is great to listen to and reminds me of being in a warmer climate!

    5 out of 5 stars TIMES TWO!.......2005-04-24

    If I could give this C.D. 10 stars - I would! This is our favorite summer pool party music. Every track is fabulous! We even play this when it's just the family having hamburgers on the deck. It transports you to a breezy caribbean island with swaying palm trees. Okay, so it's just in your head, but man, this is a fun C.D.
    The Foley Room
    Average customer rating: 4 out of 5 stars
    • I DON'T LIKE IT (It needs a negative review)
    • o.0
    • should appeal to ----
    • 2007? Try 2307
    • Sophisticated Artistry in Electronica Pur
    The Foley Room
    Amon Tobin
    Manufacturer: Ninja Tune
    ProductGroup: Music
    Binding: Audio CD

    Drum & BassDrum & Bass | Dance & DJ | Styles | Music
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    Similar Items:
    1. Pocket Symphony
    2. Supermodified
    3. I'll Sleep When You're Dead
    4. Permutation
    5. Out From Out Where

    ASIN: B000N0QXHQ
    Release Date: 2007-03-06

    Tracks:

    1. Bloodstone
    2. Esther's
    3. Keep Your Distance
    4. The Killer's Vanilla
    5. Kitchen Sink
    6. Horsefish
    7. Foley Room
    8. Big Furry Head
    9. Ever Falling
    10. Always
    11. Straight Psyche
    12. At the End of the Day

    Amazon.com

    With Foley Room, Montreal's Amon Tobin throws his torch in with the blazing tradition of full-length works composed in the majority with found sounds. Having formerly made his name as a craftsman of vinyl samples into towering rhythmic dynamos like his fin-de-siècle LP, Supermodified, Tobin tries sampling the world for himself. With microphone in hand and his tape console slung over his shoulder, he captures the timbre of factories, a massive satellite dish, and local avant-garde improvisers with equal zest. One loping highlight comes early in "Big Furry Head," when during a token trip-hop lead-in--all reverb, squiggle, and over-compressed drumbeat--a tiger's hungry growls tears new life across the frequency spectrum, signaling the abyss-deep thump of Tobin's next new groove. Whether he's wandering through lush, meandering string workouts ("Bloodstone") or more aggressive avenues toward beauty ("Ever Falling"), Tobin's gait is ever informed by the beat. But where some contemporary found-sound sculptures like Matthew Herbert's Plat du Jour keep a more strident sampling ethos in the service of musical politics, Tobin's approach clearly reeks with a love of sound manipulation as its own reward: every process an adventure, each completed work a revelation. --Jason Kirk

    Album Description

    Electronic beatmaking legend Amon Tobin reinvents himself on Foley Room, an album meticulously created from field recordings and other found sounds. Still very much an Amon record, but with fresh new underlying sounds. Includes bonus DVD documenting the process.

    Customer Reviews:

    1 out of 5 stars I DON'T LIKE IT (It needs a negative review).......2007-07-12

    I don't like this album, it is extremely boring. I'm not holding it to comparison to anything prior by Amon Tobin. I don't like it because I found myself fast fowarding through parts in search for something more.

    I wanted the grass to get greener and this was never the case. I also search for something in music that I might enjoy, or even a singular sound that I can sample and exploit.

    This album failed to entertain me, or make me feel energized. Even with the hope of discovering some cool sounds it is a total let down.

    5 out of 5 stars o.0.......2007-07-08

    I wonder if he played all those random instruments. The percussion sounds very natural, I would find it hard to believe they were all from a computer program, it would probably be easier to just record the drums and edit them afterwards. There's lots of stuff you miss listening to this the first few times around, lots of little details in the sound.
    There's some symphony stuff going on as well, guitars too, chimes, synthesizers, vocals, pretty much everything... and none of it sounds familiar. Once all this settles in you have a very replayable CD.

    When I first heard Amon Tobin I listened to Out From Out Where and then bought his others. They were all good, but this one stands out a little because the structures of the songs are pretty random, but they make sense somehow. I barely notice any repetition on Foley Room. If I listen to Permutation or Bricolage it is very noticable by comparison.

    Electronic music is a genre with a lot of sub-genres and is expanding all the time. It's difficult because like computers themselves, electronic music is always getting updated and you have to keep up with the times. However some people are continually able to bring something fresh that has a new sound. This is one of those cds that actually gets better the 4th or 5th time around.

    5 out of 5 stars should appeal to ----.......2007-05-18

    conceptual work combining manmade and natural found sounds with conventional music,if this project was just a experiment I hope that the artist was keeping notes,we need more !!

    5 out of 5 stars 2007? Try 2307.......2007-05-09

    Foley Room is an industrial breakbeat / drum-n-bass symphony. Amon Tobin not only improves but he vastly raises the bar every single time he releases an album. You know this is the man who made Out from Outwhere and Permutation right away but what you cannot prepare for is the epic nature in which he rings in 2007 with music that is 2307.

    I have a deep love for the album format and 'Foley Room' further defines this affection. It allows for structure and limitations to encourage discipline and creativity. The music here is like the intensity of a beautifully emotional 500 lb. beast trapped within a metal cage where he barely fits and has only one small air hole. He is angry and dents the structure while trying to free himself. He becomes hopeless realizing this is impossible. He ponders his life, becomes bitter and angry again. Somehow, we feel like he got himself into this.

    Take that for what you will, but the only album I can compare this to is 'Endtroducing...' and that is a stretch because this is much more intense and the songs are mostly shorter in length (my only gripe because these songs could be of brilliantly epic length to match the mood). But the darkness and emotion is evident and delves deeper into actual human psyche than I'd say nearly ALL of, at least, electronic music.

    Amon Tobin has officially been ordained into the vanguard of music's elite.

    5 out of 5 stars Sophisticated Artistry in Electronica Pur.......2007-04-17

    Having been a fan of the Art of Noise in the 80's, it is a very high bar that reaches my ears these days, and Amon Tobin has done it. His incidental style, combined with crafty rhythms and a high degree of acoustic precision create something between acid jazz and techno, a very listenable, wordless play on the human spirit.
    Instruments of the Orchestra
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    Instruments of the Orchestra
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    1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
    2. The Mahler Symphonies: An Owner's Manual (includes 1 CD)
    3. The Young Person's Guide to the Orchestra (Book & CD)
    4. What to Listen for in Music
    5. Study of Orchestration, Third Edition

    ASIN: B00006O0NT
    Release Date: 2002-12-03

    Tracks:

    1. Overture To 'Tannhauser'
    2. Domna, Pos Vos Ay Chausida
    3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
    4. Hungarian Dance No.7
    5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
    6. Violin Concerto In D Major (Adagio)
    7. But For A Long Time It Was Seen As The Instrument Of The Devil.
    8. The Soldier's Tale: Triumphal March Of The Devil
    9. The Manipulative Seductiveness Of The Gypsy Violin.
    10. Csardas Music
    11. The Violin And The Initiation Of Nature
    12. The Four Seasons (Spring, Mvt 1)
    13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
    14. The Four Seasons (Summer, Mvt 1)
    15. Like The Devil, The Violin Is A Master Of Disguise.
    16. Old Viennese Dance No.3 'Schon Rosmarin'
    17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
    18. Tzigane
    19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
    20. Caprice No.24
    21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
    22. Variations On A Theme Of Frank Bridge (No.7)
    23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
    24. Romeo And Juliet: Act IV
    25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
    26. The Four Seasons (Winter, Mvt 1)
    27. The Violin Muted
    28. Clair De Lune
    29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
    30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
    31. The Pizzicato Violin
    32. Pizzicato Polka
    33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
    34. Violin Concerto No.2 In G Minor (Slow Mvt)
    35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
    36. The Planets (Mars - The Bringer Of War)
    37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
    38. Hungarian Dance No.4
    39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
    40. The Four Seasons (Autumn, Mvt 1)
    41. Now The Same Technique, But The Sound Might Have Come From Another World.
    42. Bolero
    43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
    44. Cadenza To The Violin Concerto By Brahms
    45. Now Compare That With A Real Violin Duet.
    46. Forty-Four Duos (No. 1: Teasing Song)
    47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
    48. Forty-Four Duos (No.2: Maypole Dance)
    49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
    50. Concerto In D Minor For Two Violins (Largo)
    51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
    52. Violin Concerto No.1 In D Major (Mvt 2)
    53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
    54. Symphony No.1 'Titan' (Mvt 1, Opening)
    55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
    56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
    57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
    58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
    60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
    61. Also Sprach Zarathustra (Of The Afterworldsmen)
    62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
    63. Variations On A Theme Of Frank Bridge (No. 4)
    64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
    65. Four Sea Interludes (Dawn) From 'Peter Grimes'
    66. To End This Outing With The Violins, A Charming Little Elfin Dance
    67. Elfenreigen

    Tracks:

    1. Introduction To The Viola
    2. Viola Concerto (Mvt 1)
    3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
    4. Gayane Suite No.1 (Armen's Solo)
    5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
    6. Passacaglia, Op.33b From 'Peter Grimes'
    7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
    8. Harold In Italy (Mvt 4)
    9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
    10. Cypresses (No.9)
    11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
    12. Symphony No.4 (Mvt 3)
    13. The 'Period' Viola In Bach
    14. Brandenburg Concerto No.6 (Last Mvt)
    15. The Cello: A Voice Of Unique Nobility
    16. Suite No.1 For Unaccompanied Cello (Prelude)
    17. Brahms And The 'Soul' Of The Cello
    18. Piano Concerto No.2 In B Flat Major (Mvt 3)
    19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
    20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
    21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
    22. Symphony No.3 'Eroica' (Finale)
    23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
    24. Elfentanz, Op.39
    25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
    26. The Protecting Veil (Opening)
    27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
    28. Flamenco
    29. Double-Stopping In The Lower Reaches Of The Cello's Range
    30. Solo Suiet For Cello And Piano (Sardana)
    31. It's In The Middle Register That The Cello Really Comes Into Its Own.
    32. Oriental Dance, Op.2 No.2
    33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
    34. Symphony No.9 (Finale)
    35. Introduction To The Double-Bass
    36. The Carnival Of The Animals (The Elephant)
    37. But The Double-Bass Can Be Intensely Expressive And Graceful.
    38. Elegy No.1 In D Major
    39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
    40. Capriccio Di Bravura
    41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
    42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
    43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

    Tracks:

    1. The Antiquity And Magic Of The Flute
    2. Prelude A L'Apres-Midi D'Un Faune
    3. The Versatility And Agility Of The Flute
    4. Orchestral Suite No.2 In B Minor (Badinerie)
    5. The Flute In Fifteenth-Century Spain
    6. Sa'Dawi
    7. Other Flutes: The Bass And Alto
    8. Chamber Music No.II
    9. The Piccolo - Aptly Named
    10. La Naissance D'Osiris (Mvt 6)
    11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
    12. Suite No.1 For Small Orchestra (Valse)
    13. A Variety Of Techniques
    14. Chamber Music No.II
    15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
    16. The Nutcracker (Act II, No.2: Scene)
    17. From The Transverse To The Vertical: The Baroque Recorder
    18. Recorded Suite In A Minor (Menuet II)
    19. An Unfamiliar, Early Vision Of The Instrument
    20. Naelden, Naelden
    21. The Bachian Oboe
    22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
    23. Introduction To The Cor Anglais Or 'English Born'
    24. Symphony No.9 'From The New World' (Mvt 2)
    25. The Loneliness Of The Cor Anglais
    26. The Swan Of Tuonela
    27. The Cor Anglais Joins The French Horn In Haydn.
    28. Symphony No.22 'The Philosopher' (Opening)
    29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
    30. Bolero
    31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
    32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
    33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
    34. Gayane Suite No. 1 (Mvt 5)
    35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
    36. The Range Of The Normal Clarinet Parts Goes Quite High...
    37. The Snow Maiden (Scene 5: Melodrama)
    38. ...And Quite Low.
    39. Peter And The Wolf (The Cat)
    40. The Clarinet As Concerto Soloist
    41. Clarinet Concerto In A Major (Rondo)
    42. But That's Not The Instrument Mozart Wrote It For; This Is:
    43. Clarinet Concerto In A Major (Rondo)
    44. Introduction To The Saxophone
    45. Hary Janos Suite (Mvt 4)
    46. The Soprano Saxophone Has Quite A Different Feel To It.
    47. L'Arlesienne Suite No.1 (Minuet)
    48. The Little Sopranino Sax Goes Even Higher.
    49. Bolero
    50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
    51. Pictures At An Exhibition (The Old Castle)
    52. The Saxophone Can Be Quite Contagiously Good-Humoured.
    53. Sax-O-Phun
    54. The Puffa-Puffa Image Of The Bassoon
    55. Peter And The Wolf (Grandfather)
    56. The Bachian Bassoon, In Accompanimental Mode
    57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
    58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
    59. And Ravel, Also In Spanish Mode, Does Likewise.
    60. Bolero
    61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
    62. Symphony No.3 (Opening)
    63. The Eerie Bassoon In Its Highest Register
    64. The Rite Of Spring (Opening)
    65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
    66. The Firebird Suite (1919, Berceuse)
    67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
    68. Bassoon Concerto In G Minor (Finale)
    69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
    70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
    71. The French Horn Under Its Woodwind Hat
    72. Wind Quintet, Op.43 (Last Mvt)
    73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
    74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
    75. The Horn In Harmonious Blend With Strings In Another Quintet
    76. Horn Quintet, K.407 (Finale)

    Tracks:

    1. The Trumpet As Virtuoso Soloist
    2. Brandenburg Concerto No.2 (Last Mvt)
    3. The Special Brillance Of Paired Trumpets
    4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
    5. The Ceremonial Trumpet
    6. Fanfare For The Common Man
    7. Trumpets And Drums - An Incomparable Alliance
    8. Messiah (The Trumpet Shall Sound)
    9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
    10. Piano Concerto In F (Slow Mvt)
    11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
    12. Carmen Suite No.2 (Habanera)
    13. The Trumpet As The Voice Of Strength And Courage
    14. Carmet Suite No.2 (Toreador's Song)
    15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
    16. Billy The Kid
    17. The Trumpet As Character Actor
    18. Pictures At An Exhibition (No.6)
    19. The Trumpet As The Voice Of God
    20. Mass In B Minor ('Et Exspecto')
    21. The Birth Of The Trombone
    22. Aenmerckt Nu Hier
    23. The Birth Of The Brass As A Family
    24. Canzon 12 In Double Echo
    25. The Trombone In The Eighteenth Century
    26. Trombone Concerto In B Flat Major (Finale)
    27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
    28. Hosannah
    29. The Trombones Become Part Of The Orchestra.
    30. Symphony No.5 (Finale)
    31. The Wagnerian Trombone:/Overture To 'Tannhauser'
    32. The Trombone As Caricaturist
    33. Pulcinella (No.19: Vivo)
    34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
    35. The Horn And The Hunt
    36. Horn Concerto No.4 In E Flat, K.495 (Finale)
    37. The Challenging Horn Of The Baroque
    38. Abaris Ou Les Boreades (Menuet)
    39. The Scarcity Of First-Rate Players In Handel's Time
    40. Walter Music (Minuet 1)
    41. The Horn As Magician/The Firebird Suite (1919, Finale)
    42. Horns And The Sound Of Nobility
    43. Overture To 'Tannhauser' (Opening)
    44. The Special Sound Of The Horn In Its Higher Register
    45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
    46. The Trumpet-Like Sound Of Massed Horns
    47. Symphony No.3 (Mvt 1, Opening)
    48. The Tuba - Unfairly Maligned?
    49. Symphony No.6 (Mvt 3)
    50. The Tuba Perfectly Cast By Ravel
    51. Pictures At An Exhibition (Bydlo)

    Tracks:

    1. Introduction. And We Begin With A Bang.
    2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
    3. At The Opposite Extreme Is The Triangle.
    4. Piano Concerto No.1 In E Flat (Scherzo)
    5. Categories Of Percussion: Tuned And Untuned. The Side Drum
    6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
    7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
    8. The Tambourine. One Of The Oldest Instruments In The World
    9. Den Hoboecken Dans
    10. Even Older Is The Originally Oriental Gong.
    11. Ma Mere L'Oye - Mother Goose (Laideronette)
    12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
    13. Gymnopedie No.2
    14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
    15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
    16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
    17. Rodeo (Hoe-Down)
    18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
    19. Scherzi Musicali (Damigella Tutta Belle)
    20. A Still Earlier Example From Fifteenth-Century Spain
    21. Yo M'Enamori D'Un Aire
    22. The Birth Of The Bongo
    23. Symphonic Dances From 'West Side Story'
    24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
    25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
    26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
    27. Onwards To The Tuned Percussion. First, The Timpani
    28. Also Sprach Zarathustra (Introduction)
    29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
    30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
    31. Taking Advantage Of Tunability
    32. Music For Strings, Percussion And Celeste (Mvt 2)
    33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
    34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
    35. Saint-Saens And The Xylophone
    36. The Carnival Of The Animals (Fossils)
    37. Ravel And The Xylophone
    38. Ma Mere L'Oye - Mother Goose (Laideronette)
    39. Introducing The Marimba/Carmen Suite (First Intermezzo)
    40. Introducing The Vibraphone
    41. The Treasure Of The Sierra Madre (Narange Dolce)
    42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
    43. Introducing The Hungarian Cimbalom
    44. Folk Dances
    45. The Cimbalom And The Symphony Orchestra
    46. Hary Janos Suite (Mvt 3)
    47. Introducing The Tubular Bells
    48. Hary Janos Suite (Viennese Musical Clock)
    49. A More 'Up-Front' Approach From Rodion Shchedrin
    50. Carmen Suite (Introduction)
    51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    52. Introducing The Celeste
    53. The Nutcracker (Dance Of The Sugar Plum Fairy)
    54. Magic, In The Use Of Collective Percussion
    55. Miroirs (La Vallee Des Cloches)
    56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
    57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
    58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
    59. Brandenburg Concerto No.2 (Slow Mvt)
    60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
    61. Petrushka (Russian Dance)
    62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
    63. Music For Strings, Percussion And Celeste (Last Mvt)

    Tracks:

    1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
    2. Symphony No.3 'Organ' (Finale)
    3. But Things In Handel's Day Were Very Different.
    4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
    5. The Organ Is Difficult To Classify.
    6. An Unexpected, Organ-related Guest
    7. Concerto Pour Zampogna (Last Mvt)
    8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
    9. Les Miserables (Drink With Me)
    10. Outside Artefacts And The Power Of Association
    11. Mahler's Sleighbells
    12. Symphony No.4 (Opening)
    13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
    14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
    15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
    16. Don Quixote (Variation VIII)
    17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
    18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
    19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
    20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
    21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
    22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
    23. The Sitar Of India/Evening Raga: Bhapoli
    24. The Accordion For France (Especially Paris)/Paris Canaille
    25. The Zither For Vienna/The Third Man (Theme)
    26. The Cimbalom For Hungary/Folk Dances
    27. The Guitar As An Integral Part Of The Orchestra/Rondena
    28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
    29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
    30. Nocturnes
    31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
    32. The Carnival Of The Animals (The Cuckoo)
    33. The Flute As An All-purpose Aviary
    34. The Carnival Of The Animals (The Aviary)
    35. The Oboe As Duck
    36. Peter And The Wolf (The Duck)
    37. The Recording Of Reality. Does It Work As Well?
    38. The Pines Of Rome (The Pines Of The Janiculum)
    39. The Recording Of Reality Electronically Reborn In New Guises
    40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
    41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
    42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
    43. Some Improbable Casting: The Violin As Braying Donkey
    44. The Carnival Of The Animals (Persons With Long Ears)
    45. A Truly Orchestral Hee-haw To Be Reckoned With
    46. Overture To 'A Midsummer Night's Dream'
    47. A Thunderstorm In A Million
    48. Symphony No.6 'Pastoral (Allegro-Allegretto)
    49. the Instrumental Depiction Of A Silent World
    50. The Carnival Of The Animals (The Aquarium)
    51. Saint-Saens' Menagerie Takes A Curtain Call.
    52. The Carnival Of The Animals (Finale)

    Tracks:

    1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
    2. Forty-Four Duos (No.4)
    3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
    4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
    5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
    6. String Trio In B Flat (Menuetto)
    7. The String Quartet: Two Violins, Viola, And Cello
    8. String Quartet In F, Op.18 No.1 (Mvt 3)
    9. The String Quintet - When The Extra Instrument Is A Second Viola
    10. String Quartet No.5 In D, K.593 (Adagio)
    11. The String Quintet - When The Extra Instrument Is A Second Cello
    12. String Quintet In C (Mvt 3)
    13. The String Sextet: Two Violins, Two Violas, And Two Cellos
    14. String Sextet In B Flat (Mvt 2)
    15. The String Octet: The Standard String Quaret Times Two
    16. Octet In E Flat, Op.20 (Mvt 1)
    17. Double The String Octet: A Fully Fledged String Orchestra
    18. String Symphony No.2 (Finale)
    19. The Massed Strings Of A Symphony Orchestra
    20. Fantasia On A Theme Of Thomas Tallis
    21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
    22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
    23. In The First Variation It's The Horn That Gets The Lion's Share.
    24. Wind Quintet In A Minor, Variation 1
    25. In Variation Two The Torch Is Handed To The Bassoon.
    26. Wind Quintet In A Minor, Variation 2
    27. In Variation Three The Oboe Leads.
    28. Wind Quintet In A Minor, Variation 3
    29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
    30. Wind Quintet In A Minor, Variation 4
    31. And Variation Five is Dominated By The Clarinet.
    32. Wind Quintet In A Minor, Variation 5
    33. The Next To Be Featured Is The Virtuoso Flute.
    34. Wind Quintet In A Minor, Variation 6
    35. Individual Farewells And A Closing Chorus
    36. Wind Quintet In A Minor, Variation 7
    37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
    38. Octet In F (Mvt 3)
    39. The Early Classical Symphony Orchestra Of Haydn And Mozart
    40. Symphony No.29 In A, K.201 (Finale)
    41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
    42. Canzon 28
    43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
    44. Symphony No.5 (Finale)
    45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
    46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
    47. Symphoy No.6 'Tragic' (Mvt 1)
    48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
    49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
    50. When Large Doesn't Necessarily Mean Loud: Debussy
    51. Images (Gigues)
    52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
    53. Turangalila Symphony (Chant D'amour 1)
    54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
    55. Balle De Xerxes (Gavotte En Rondeau)
    56. Computer And Synthesiser: Friends Or Foes?
    57. Concerto In D Minor For Two Violins (Largo)
    58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

    Customer Reviews:

    5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

    This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

    5 out of 5 stars Beginner or Expert.......2007-03-12

    This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

    5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

    Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

    3 out of 5 stars Frank's view.......2006-08-19

    This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

    5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

    I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

    The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

    I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

    The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
    Speak
    Average customer rating: 3.5 out of 5 stars
    • Not Bad
    • why does everyone not like this CD?
    • Come on and let it out!
    • Light leisure listening
    • Pay no attention to the other reviews!!!
    Speak
    Lindsay Lohan , and Lindsay Lohan
    Manufacturer: Casablanca
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    Teen PopTeen Pop | Pop | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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    1. A Little More Personal (Raw)
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    3. Most Wanted
    4. Autobiography
    5. Metamorphosis

    ASIN: B00065JTB0
    Release Date: 2004-12-07

    Tracks:

    1. First
    2. Nobody 'Til You
    3. Symptoms Of You
    4. Speak
    5. Over
    6. Something I Never Had
    7. Anything But Me
    8. Disconnected
    9. To Know Your Name
    10. Very Last Moment In Time
    11. Rumors
    12. Bonus Track 1

    Amazon.com

    Lindsay Lohan leaps into her much anticipated debut CD with a blast of something that simulates warmed-over Led Zeppelin (the lyrically ferocious "First") and from there finesses it into a stylish experiment in pounding away at teen pop's predictability. Influences--not all of whom her 8-to-14-year-old fans will flip to, or even find, in their pinup mags--loom large: While the Ashlee Simpson-like rocker "Nobody 'Til You" winds into the Jessica Simpson-y "Symptoms of You," the lovelorn "Something I Never Had," taps a sweetly unself-conscious vocal vein that owes gratitude to the otherwise highly un-Lohan-like Lisa Loeb. Though Lohan might balk at the comparison--she is, after all, the "Ultimate"-spawning original teenage drama queen--fellow tween queen Hilary Duff's stamp is pressed firmly into stormy self-explorers like "Disconnected" and "Anything But Me." Where "Speak" intones loudest, though, is in its least-rocking, most beat-propelled songs: The title track dips and bounces tantalizingly, begging hands-in-the-air listeners to "c'mon and let it out"; "To Know Your Name" digitizes a sexy hip-hop inflected dance number; and "Rumors," a J. Lo-like thumper (and one in a trifecta of pouts over the pitfalls of stardom) ends this disc on a don't-stop, bound-for-diva-dom note. -Tammy La Gorce

    Customer Reviews:

    4 out of 5 stars Not Bad.......2007-03-24

    This album was pretty good. I'm not a fan of Lindsay Lohan, but her music is pretty upbeat. I had all the albums to another singer I love, and thought maybe I'll try Lindsay, and see what she's like. It's not bad, but it's not the best either. The songs I like are First, Speak, and Rumors.

    4 out of 5 stars why does everyone not like this CD?.......2007-03-22

    I got this CD in forth grade. I was sick one day, so my momma got me this CD. I was already happy because i loved (and still do!) ''Rumors.''



    i recomend.

    5 out of 5 stars Come on and let it out!.......2007-03-16

    Lindsay Lohan has succeeded in producing a fantastic album. Though not in the finesse of stars like Jessica Simpson or Delta Goodrem, Lindsay brings her own attitude and attributes to a new and refreshing album. Lyrics are well done, and most songs are co-written by Kara DioGaurdi, who has written many songs for other musicians and film soundtracks.
    There are rock tracks such as Disconnected and Rumours, to the more heartfelt tracks such as Something I Never Had and Very Last Moment in Time.
    Although other reviewers have critized Lindsays work, saying its terrible, they may not realise she hasn't been dropped from her label and has even released a second album A Little More Personal. How bad can it be if she has two albums under her belt??

    4 out of 5 stars Light leisure listening.......2007-02-27

    Lindsay Lohan's "Speak" is not a deep, meaningful album, whatever that might be. And Lindsay should concentrate more on acting than singing. Nevertheless, "Speak" is an enjoyable pop album. It's got bouncy, catchy tunes and Lohan's voice is actually kind of interesting. "Speak" is a good album to throw on while doing stuff around the house or as background music to reading. You'll catch yourself tapping your foot. Overall, a pleasant surprise. The record has genuine merit to it and is not just something put out by a celebrity for the purpose of doing a "project" in another art form than the one they're already established in, which is the criticism from other reviewers. Solid job by Lindsay. Now if she just works at cleaning up her life.

    5 out of 5 stars Pay no attention to the other reviews!!!.......2007-02-11

    What can i say I LOVE this album. It's a little edgy, somewhat pop, but real good listen. It's more Lindsay Lohan in freaky friday type music than the pop music in Confessions of a Teenage Drama Queen. If you are expecting more songs like "Rumors" than this is not the album for you. If you are into Kelly Clarkson's "Breakaway" album then this is a good buy. Def worth the money.
    Planet Drum
    Average customer rating: 4.5 out of 5 stars
    • FABULOUS
    • Really Different.
    • Pretty Boring
    • Mickey's Classic!
    • Some Successful Experiments, But Not a Cohesive Album
    Planet Drum
    Mickey Hart
    Manufacturer: Rykodisc
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | International | Styles | Music
    GeneralGeneral | New Age | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Rock Jam BandsRock Jam Bands | Jam Bands | Rock | Styles | Music
    World DanceWorld Dance | Dance & DJ | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
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    World DanceWorld Dance | New Age | Indie Music | Stores | Music
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    5. Planet Drum: A Celebration of Percussion and Rhythm

    ASIN: B0000009O6
    Release Date: 1991-09-25

    Tracks:

    1. Udu Chant
    2. Island Groove
    3. Light Over Shadow
    4. Dance Of The Hunter's Fire
    5. Jewe 'You Are The One'
    6. The Hunt
    7. Temple Caves
    8. The Dancing Sorcerer
    9. Bones
    10. Lost River
    11. Evening Samba
    12. Iyanu 'Surprises'
    13. Mysterious Island

    Customer Reviews:

    5 out of 5 stars FABULOUS.......2007-05-07

    I used this to do an African dance workout & everyone asked me for the music. It takes you to another place, and every song is different and wonderful in its own way. Mickey Hart definitely deserved a Grammy for this one!

    4 out of 5 stars Really Different........2005-09-25

    This album is cool, but if you don't try to get in and create a mood for it you won't get it. Dim the lights, read the song titles and imagine you're right there with the natives, you'll dig it.

    2 out of 5 stars Pretty Boring.......2003-07-23

    This is the first CD of all percussion I have ever bought, and it'll prolly be my last. An album of all percussion is, frankly, pretty boring. Much more interesting to hear percussion-heavy *music* such as, say, Peter Gabriel. "The Hunt" and "The Dancing Sorcerer" are ok, but even at its best, this album is background noise.

    5 out of 5 stars Mickey's Classic!.......2002-08-12

    All I can say is awesome album! Goes well with the previous effort "At The Edge".

    Mickey gathers up percussion players from all over the world to create a mass drum/percussive ensemble with pieces that will go to your soul.

    Great headphone album. Sit back and let Mickey & Co. take you on a percussive trip around the world.

    Planet Drum is the way to go if you're looking for some good Mickey Hart.

    3 out of 5 stars Some Successful Experiments, But Not a Cohesive Album.......2000-10-08

    In this concept album, Hart brings great drummers from around the world to participate. The result is wholly new works that are without question novel, but this record has not fared well in my collection since I bought it four years ago. I find myself choosing traditional Brazilian or Latin American or Indian or Middle Eastern performances rather than Planet Drum. I would especially warn potential buyers that Planet Drum is not a survey of percussion styles that will help you decide what you do and do not like. It is instead outside all the mainstream styles and I would consider it the kind of album that would augment a percussion collection rather than start one.
    Emotions
    Average customer rating: 4.5 out of 5 stars
    • 'Emotions' Runs High and Shows Mariah's Vocal Range To Great Effect
    • This hasn't aged at all
    • Mariah Carey Causes Emotions: 4-4½ stars
    • Emotions Album by Mariah Carey
    • Fantastic
    Emotions
    Mariah Carey
    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
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    Contemporary R&BContemporary R&B | R&B | Styles | Music
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    CDs $7 - $10CDs $7 - $10 | Dance General | Dance & DJ | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Dance General | Dance & DJ | Today's Deals in Music | Formats | Music
    CDs $7 - $10CDs $7 - $10 | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music
    All Bargain TitlesAll Bargain Titles | Adult Contemporary | Pop | Today's Deals in Music | Formats | Music
    4-for-3 Dance & DJ4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music
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    ASIN: B0000027SV
    Release Date: 1991-09-17

    Tracks:

    1. Emotions
    2. And You Don't Remember
    3. Can't Let Go
    4. Make It Happen
    5. If It's Over
    6. You're So Cold
    7. So Blessed
    8. To Be Around You
    9. Till The End Of Time
    10. The Wind

    Customer Reviews:

    4 out of 5 stars 'Emotions' Runs High and Shows Mariah's Vocal Range To Great Effect.......2007-07-07

    Not one to contently bask in the glow of her burning fame in the early 1990's, Mariah Carey grabbed her lunch pail and quickly churned out a very enjoyable follow-up to her debut smash 'Mariah Carey'. With the enormous success of her first CD, it was an intimidating act for any artist to follow it up. But she succeeds admirably with 'Emotions'.

    It shows Mariah was no fluke, displaying notes and pitch-perfect vocals that even today very few female singers can match. But not all the songs are keepers. I usually play only the first 5 songs and skip the last 5. My favorite is still 'Make It Happen'. The power and range Mariah displays on this track is remarkable. She pierces the heavens with her high notes and enormous lung power. I think Mariah really sings this song like she means it because she's writing the song from personal experience to not give up on her dreams of 'Making It'.

    I think Tommy Mottola used 'Emotions' as a follow-up CD to spotlight Mariah's voice more so than the songs themselves. You can hear every part of Mariah's vocal range in the choice of songs on this CD. Obviously her upper range gets more of a workout on this CD than any other one in her entire Sony/Virgin/Island catalog. I think 'Emotions' was released as a vehicle to show her vocal chops and it succeeded in every way.

    I wouldn't say the quality of songs is right up there compared with her debut CD or later ones (especially 'Daydreams'), but her vocal high register has never sounded better. Keep that tea kettle whistling, Mariah !

    5 out of 5 stars This hasn't aged at all.......2007-01-21

    While never a mega-fan of Mariah's, I was bowled over by her voice, the fact that she wrote her own songs, and that she released another album full of strong material just a little over a year after her debut. Some folks would have suffered creative burnout, but Mariah was just getting started.

    I bought a copy of her self-titled 1990 debut, but I never did get around to owning a copy of "Emotions" (something that's going to change very soon). I don't why because I remember "Emotions," "Can't Let Go" (which, as much as I roll my eyes over love songs, has one of the prettiest melodies I've ever heard with a love song), and "Make It Happen" getting constant radio airplay in 1991 - and I enjoyed those songs each and every time.

    Her lyrics were poetic and struck a chord with the then-teenager me, and her sound, while pop, had strong soulful overtones. She helped continue breathing life into a stale music scene and that feeling still resonates with me a little over 15 years after its release.

    It can't be said enough that "Emotions" is classic 90s, is a great addition to the CD collection, and is Mariah at the top of her game.

    And, best of all, the album's sound doesn't sound aged. - Donna Di Giacomo

    4 out of 5 stars Mariah Carey Causes Emotions: 4-4½ stars.......2006-07-26

    As Mariah Carey released her second album in 1991, an enormous pressure laid on her shoulders to follow up the success of her debut album. Despite the fact that sales of Emotions did not reach the same level as Mariah Carey, it still manage to do extremely well, selling over a whopping 10 million copies. Not bad for a sophomore album!

    The title-track Emotions was released to audience as the lead single, providing listeners with a contagious pop beat. The song displays Mariah's high pitch notes and awesome background vocals which include Trez Lorenz and David Cole. And You Don't Remember is a superb ballad where Mariah's pleading voice belts out how her lover does not remember the love, they shared. The chorus is a delight to listen too - simply wonderful. My favourite song on the album is up next; the splendid Can't Let Go. It is no wonder that many consider it among Mariah's best ballads to date. Released as a single, the groovy Make It Happen got stuck at the no.2 position, I recall. However, the teasingly song is a wonderful treat. The overall message of the song: You should never give up, work hard and your dreams will come true in the end. If It's Over, a collaboration between Mariah and Carole King, has a taunt of a jazzy mood to it. Mariah Carey belts out the chorus powerfully. Once again, I prefer the Unplugged version - however, this is purely a matter of taste.

    You're So Cold starts of with Mariah's praticing her vocal cords, functioning as a build-up to the actual song. The lyrics are a tad annoying, yet the song is still quite joyous. Albums tend to get weaker at the end, which is also the case with Emotions. To Be Around You, Till The End of Time and The Wind are likeable songs, however they do not hold up well against the rest of the album's excellent songs. The ballad-like So Blessed is another highlight of mine. The dreamy melody culminates with the more aggressive chorus especially the belting of the words ''You are my heart'' followed by the softer ''My everthing'''.

    Emotions is one of Mariah Carey's best studio-albums, in my opinion. The combination of brilliant pop ballads and excellent up-tempo songs are clearly present on the album. If you are a big fan of Mariah's poppier songs or crafted pop songs in general, Emotions will surely be a safe bet. The only complaint I have with the album is that some of the material is a tad weak compared to the brilliant songs, which are to be found on Emotions; however, this is hardly abnormal. Emotions is a very solid effort and a better album than Mariah's debut.

    Overall Rating: 8.5/10

    5 out of 5 stars Emotions Album by Mariah Carey.......2006-05-22

    my fave song is "Emotions" my other one is "Make it Happen". my mom jams to emotions in the car,also Fantasy,Open Arms,and Always be my baby from "Daydream - Mariah's cd in 1995", she also sings WE BELONG TOGETHER (2005). My mom only likes mariah's old songs. mostly open arms and vision of love.
    and half of the songs 1998-present

    5 out of 5 stars Fantastic.......2006-02-18

    Mariah Carey burst onto the music scene with her fantastic self-titled debut album, and followed it up with her second album "Emotions". Essentially "Emotions" is in the same mould as her first album - beautiful vocals, heartfelt lyrics and an emotional connection with every songs.
    Standouts in this album include:
    "Emotions" - a good dancing track that features Mariah's piercing vocals.
    "Can't Let go" - a beautiful ballad. One of Mariah's best songs
    "Make it Happen" - A description of Mariah's life prior to becoming a superstar. Very catchy and uplifting
    "The wind" - Very last track of the album. Mournful, breathtaking vocals combined with Mariah's sombre voice. Truly Phenomenal
    Emotions is a truly magnificent album, featuring a wonderful collection of songs, each one a true delight to listen to.

    Album Review:

    1. Eccentrix Remixes [Import]
    2. Euphoria, Vol. 1 [Import]
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