VI [Import]

1. Portrait Of A Modern Man

2. Panic

3. Memory

4. The Flash

5. The Time Is Running Down

6. Happiness Pill

7. Rendez-Vous

8. 1982

9. Portrait Of A Modern Man

VI,Cerrone,Unidisc,Dance

Average customer rating: A wonderful Beethoven cycle A LONG TIME COMING AT THIS PRICE What more can be said? With the Best of the Best What sound problems????

Beethoven - The Complete String Quartets / Alban Berg Quartet Ludwig van Beethoven , Alban Berg Quartet , and Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Alban Berg String Quartet | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Beethoven, Ludwig van | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Alban Berg String Quartet | ( A ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Beethoven: The Complete Symphonies and Piano Concertos Beethoven: Complete Piano Sonatas / Daniel Barenboim Mozart: String Quartets Nos. 14 - 23 Shostakovich: The String Quartets Complete String Quartets ASIN: B000026D4J Release Date: 1999-11-16

Tracks:

1. Op. 18 No. 1 In F Major: I: Allegro Con Brio - Alban Berg Quartett
2. Op. 18 No. 1 In F Major: II: Adagio Affettuoso Ed Appassionato - Alban Berg Quartett
3. Op. 18 No. 1 In F Major: III: Scherzo (Allegro Molto) & Trio - Alban Berg Quartett
4. Op. 18 No. 1 In F Major: IV: Allegro - Alban Berg Quartett
5. Op. 59 No. 1 In F Major 'Rasumovsky': I: Allegro - Alban Berg Quartett
6. Op. 59 No. 1 In F Major 'Rasumovsky': II: Allegretto Vivace E Sempre Scherzando - Alban Berg Quartett
7. Op. 59 No. 1 In F Major 'Rasumovsky': III: Adagio molto e mesto : IV: Allegro (Th russe) - Alban Berg Quartett

Tracks:

1. Op. 18 No.2 In G Major: I: Allegro - Alban Berg Quartett
2. Op. 18 No.2 In G Major: II: Adagio cantabile - Alban Berg Quartett
3. Op. 18 No.2 In G Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
4. Op. 18 No.2 In G Major: IV: Allegro molto, quasi presto - Alban Berg Quartett
5. Op. 18 No. 6 In B Flat Major: I: Allegro con brio - Alban Berg Quartett
6. Op. 18 No. 6 In B Flat Major: II: Adagio, ma non troppo - Alban Berg Quartett
7. Op. 18 No. 6 In B Flat Major: III: Scherzo (Allegro) & Trio - Alban Berg Quartett
8. Op. 18 No. 6 In B Flat Major: IV: Adagio (La Malinconia) - Allegretto quasi Allegro - Alban Berg Quartett
9. Op. 135 In F Major: I: Allegretto - Alban Berg Quartett
10. Op. 135 In F Major: II: Vivace - Alban Berg Quartett
11. Op. 135 In F Major: III: Lento assai, cantante e tranquillo - Alban Berg Quartett
12. Op. 135 In F Major: IV: Grave, ma non troppo tratto - Allegro - Alban Berg Quartett

Tracks:

1. Op. 18 No. 3 In D Major: I. Allegro
2. Op. 18 No. 3 In D Major: II. Andante con moto
3. III. Allegro
4. Op. 18 No. 3 In D Major: IV. Presto
5. Op. 18 No. 5 in A Major: I. Allegro
6. Op. 18 No. 5 in A Major: II. Menuetto & Trio
7. Op. 18 No. 5 in A Major: III. Andante cantabile
8. Op. 18 No. 5 in A Major: IV. Allegro
9. Op. 95 In F Minor: I. Allegro con brio
10. Op. 95 In F Minor: II. Allegretto ma non troppo
11. Op. 95 In F Minor: III: Allegro assai vivace, ma serioso

Tracks:

1. Op. 18 No. 4 In C Minor: I. Allegro ma non tanto
2. Op. 18 No. 4 In C Minor: II. Scherzo (Andante scherzoso quasi Allegretto)
3. Op. 18 No. 4 In C Minor: III. Menuetto (Allegretto) & Trio
4. Op. 18 No. 4 In C Minor: IV. Allegro
5. Op. 130 in B flat Major: I. Adagio ma non troppo - Allegro
6. Op. 130 in B flat Major: II. Presto
7. Op. 130 in B flat Major: III. Andante con moto, ma non troppo
8. Op. 130 in B flat Major: IV. Alla danza tedesca (Allegro assai)
9. Op. 130 in B flat Major: V Cavatina (Adagio molto espressivo)
10. Grosse Fuge In B Flat Major, Op. 133
11. Op. 130 in B flat Major: VI. Finale (Allegro)

Tracks:

1. Op. 59 No. 2 In E Minor 'Rasumovsky': I: Allegro
2. Op. 59 No. 2 In E Minor 'Rasumovsky': II: Molto Allegro
3. Op. 59 No. 2 In E Minor 'Rasumovsky': III: Allegretto
4. Op. 59 No. 2 In E Minor 'Rasumovsky': IV: Finale (Presto)
5. Op. 127 In E Flat Major: I: Maaestoso - Allegro
6. Op. 127 In E Flat Major: II: Adagio ma non troppo, molto cantabile
7. Op. 127 In E Flat Major: III: Scherzando vivace
8. Op. 127 In E Flat Major: IV: Finale

Tracks:

1. Op. 59 No. 3 In C Major 'Rasumovsky': I: Introduzione (Andante con moto) - Allegro vivace
2. Op. 59 No. 3 In C Major 'Rasumovsky': II: Andante con moto quasi allegretto
3. Op. 59 No. 3 In C Major 'Rasumovsky': III: Menuetto (Grazioso) & Trio
4. Op. 131 In C Sharp Minor: I: Adagio ma non troppo e molto espressivo
5. Op. 131 In C Sharp Minor: II: Allegro molto vivace
6. Op. 131 In C Sharp Minor: III: Allegro moderato
7. Op. 131 In C Sharp Minor: IV: Andante ma non troppo e molto cantabile
8. Op. 131 In C Sharp Minor: V: Presto
9. Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante
10. Op. 131 In C Sharp Minor: VI: Adagio quasi un poco andante

Tracks:

1. Op. 74 In E Flat Major 'Harp': I Poco adagio - Allegro - Beethoven
2. Op. 74 In E Flat Major 'Harp': II. Adagio ma non troppo - Beethoven
3. Op. 74 In E Flat Major 'Harp': III. Presto - Beethoven
4. Op. 74 In E Flat Major 'Harp': IV: Allegretto con Variazioni - Beethoven
5. Op.132 In A Minor: I: Allegro sostenuto - Allegro - Beethoven
6. Op.132 In A Minor: II: Allegro ma non tanto - Beethoven
7. Op.132 In A Minor: III: Molto adagio - Beethoven
8. Op.132 In A Minor: IV: Alla marcia, assai vivace - Beethoven

Customer Reviews:

A wonderful Beethoven cycle.......2007-06-18

This is a fine recording, remastered for the reissue. Intelligent, driving, finely played. Excellent musicianship. Buy it. You won't be sorry you did.

A LONG TIME COMING AT THIS PRICE .......2007-06-02

On LP I own any number of complete Beethoven String Quartets by the great masters of that genre. I bought them all as a teenager and in college. When I started buying CDs a complete Beethoven set for over $100 by a great quartet became out of my price range at the time. To find the Berg Quartet, (a favorite group of mine), surveying these great works at this price from Amazon is one of the best bargains going.

I went immediately to Op. 135 and found it marvelous in concept, execution and recording. I've now listened to almost all the quartets, and the consistency is wonderful. Because I'm in the business I'm using only high end professional equipment for playback and the sound is truly "You Are There". The recordings capture the upper overtones of all the instruments without the least harhsness, no mean feat. The blend of the group and the hall is articulated in a way that happens on only a very few recordings. Ocassionally one can hear a minor difference in what might be placement of microphones, even from movement to movement. This could, in fact, be the result of a temperature or humidity change in the recording venue. You have to pay very close attention to notice this and it does nothing to diminish these sonic wonders) Worth thrice the price.

What more can be said?.......2007-02-03

There are many wonderful performances of these remarkable pieces. Which is the finest? Only God, in his wisdom, will ever be able to answer such a question, but I'm sure with his celestial headphones on he'll be listening to the Alban Berg Quartet. For me this quartet is able to "read" each individual quartet with such clarity, from the light hearted humor of the Op.18 to the intense and darkly passionate Op.95 through to the strangely happy yet unearthly Op.135, with many other wonderful moments, that I can hardly imagine any better. You won't go wrong buying this.

With the Best of the Best.......2006-12-14

I know it's saying a great deal with the excellent full sets of these quartets to choose from, but these overall are my favorites. The playing is excellent, balanced and perfectly toned. There are unquestionably the deep emotional commitment of the Vegh Quartet, the intelligence of the Juilliard, the parlor intimacy of the Talisch and the muscular intensity of the Italiano. And the serious collector needs to listen to these sets, or selections of, for a rounded understanding of these works. But for a consistency of quality and feeling throughout a traversal of all the quartets I believe the Berg set wins an arguably close contest--at least for me.

What sound problems????.......2006-11-14

I am only writing this review in dispute of RB Townsend remarks below.
I have been listening to this mostly Live set for a few years now on high end Audiophile equipment and notice NO problems with sound at all.
It is clear, clean, crisp, transparent and rich with no "glare" at all.
if it is "well lit", this would suit Beethoven's strings perfectly.
An absolutely stunning performance with a Superb sound stage and sound.
All the other reviewers and the buyers who agree with their assessments (a hundred of them) can't be wrong.
With all due respect, Perhaps Mr. Townsend is listening to this on an Aiwa bookshelf System. Perhaps.

Average customer rating: A Legendary Singer. Lorraine Hunt Lieberson's Bach: The mind of God revealed!! Glorious singing to treasure for decades Lorraine Hunt-Lieberson (1954-2006), supreme Handelian The Stellar Hunt Lieberson

Lorraine Hunt Lieberson: Handel Arias Manufacturer: Avie ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Bach: Cantatas BWV 82 and 199 Peter Lieberson: Neruda Songs Music of Peter Lieberson: Rilke Songs, The Six Realms, Horn Concerto Lorraine Hunt - Handel Arias Bach - Anna Magdalena Bach Notebook (highlights) / Hunt-Liberson, McGegan ASIN: B00022LZW8 Release Date: 2004-08-10

Tracks:

1. Ah! Whither Should We Fly...
2. ...As With Rosy Steps The Morn
3. O Bright Example Of All Goodness!...
4. ...Bane Of Virtue, Nurse Of Passions
5. The Clouds Begin To Veil The Hemisphere...
6. ...Defend Her Heav'n!
7. Lord, To Thee Each Night And Day
8. She's Gone, Disdaining Liberty And Life...
9. ...New Scenes Of Joy
10. Cantata
11. Cantata
12. Cantata
13. Cantata
14. Cantata
15. Cantata
16. Cantata
17. Cantata
18. Se Bramate D'amar, Chi Vi Sdegna
19. Frondi Tenere E Belle...
20. ...Ombra Mai Fu

Amazon.com

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time. But that's only four of this disc's 67 minutes---a follow-up to Hunt Lieberson's extraordinarily successful CD of Bach cantatas. There's not a dull or disinterested moment to be heard anywhere. As the violated Lucrezia, Hunt Lieberson alternately rages against the man who raped her and turns her grief inward; the former is terrifying in its intensity, the latter makes us almost feel as if we're eavesdropping. The five arias for Irene, Theodora's friend, confidante, and the upholder of Christian beliefs are all magical prayers or statements of faith, and from Hunt Lieberson, they become real, with each word honestly conveyed and colored. The voice itself is unfailingly beautiful---warm, lush, never forced, agile when necessary---and her breath control is stunning. She is backed ideally by Harry Bicket and The Orchestra of the Age of Enlightenment, and the string soloists in the ensemble---the viola da gamba player, lutenist, etc.---are as gifted as she is. If you want proof that Handel was a great dramatist with a special gift for communicating emotion, all while listening to sublime sounds, this CD is a must. --Robert Levine

Customer Reviews:

A Legendary Singer........2007-03-07

I simply don't have the heart to review Mrs. Lieberson's works.
If we call Ms. Bartoli a 'great' singer, then the description of 'legendary' more aptly depicts Mrs. Lieberson.
If ever a truly good artist lived, Mrs. Lieberson is one such.
The only singer that could be recalled singing in such style is Teresa Berganza; but still, they are different.
This is one of my favourite interpretators of Haendel. Having been 'treated' by those coloraturas of arias of Haendel's period by Ms. Bartoli and others, I find the singing of Lorraine Hunt Lieberson a great relief - at last, this is what Haendel would want it to be. And I equally enjoy the singing of soprano arias by Mrs. Lieberson - the timbre is warmer, but still with all the shimmer - so different from the dark mushy tones of other celebrated 'lyrical soprano' around.
Don't want to say more. Mrs. Lieberson's leaving last year is too heavy a news for me.

Lorraine Hunt Lieberson's Bach: The mind of God revealed!!.......2007-01-06

These deeply felt performances of two of Bach's most moving cantatas show this transcendent singer's combination of emotional honesty and profound musicality, all combined to reveal the very mind of God through divine redemption from suffering. The disc is to be treasured even more in light of the Ms. Lieberson's recent untimely death from cancer. I'm an agnostic, but this music makes me envious of those who can believe. Roy in Pope Valley, California

Glorious singing to treasure for decades.......2006-07-11

By any measure, America's Lorraine Hunt Lieberson is at least the equal of Italy's premier diva, mezzo-soprano Cecilia Bartoli, although she does not have the same superstar status. It is difficult to recall past mezzos with clearer enunciation of English text, (as favoured in nine excerpts from Theodora), the richness of voice, displayed in full-throated fortissimo and sharply contrasted pianissimo of utmost delicacy, evokes fondest memories of the tragically doomed Kathleen Ferrier. Masterfully chosen to display every facet of Hunt Lieberson's consumate command of Handel's dauntingly difficult music, the disc's repertoire - recitatives and linkig arias from the operas Theodora and Serse, and the cantana La Lucrezia - is stunning. An unsung mezzo who makes the senses tingle!

Lorraine Hunt-Lieberson (1954-2006), supreme Handelian.......2006-07-06

I have never heard a voice purer of tone, more flexible in phrasing, and so gorgeously produced in a homogeneous column of sound such as this artist in Handel's repertoire. It is very tastefully sung (unlike a certain person whose name begins with R and ends with enaaay Fleming) and so dramatically touching that one could not help but feel that this repertoire finally has found its instrument. And how sad it is to know that this instrument has passed away two days ago. Lorraine Hunt-Lieberson died two days ago in her home in Santa Fe, New Mexico of breast cancer. It is such a huge loss to the opera world, as she is an artist who is still experiencing the prime of her career. The voice is just so beautiful, the tone so pure, that I lament that we can no longer hear any great roles from this artist. She will be missed.

The Stellar Hunt Lieberson.......2006-03-19

Simply put, Lorraine Hunt Lieberson is one of the very best classical singers alive. She combines vocal elegance and purity with an emotional delivery that raises her above the crowd of technically proficient singers who just don't possess her depth of musical understanding or emotional commitment. Hunt Lieberson is a true artist who resists easy classfication except to say she is perfect in what she does.

Average customer rating: Star Wars: A Musical Journey (2005) (V) Not one of his bests, but very close John Williams' finest work A Great Conclusion to the Prequel Trilogy Williams is slumming it

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack Manufacturer: Sony ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Soundtracks | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack Music from the Star Wars Saga Star Wars Trilogy Star Wars: Episode IV - A New Hope ASIN: B000850IS6 Release Date: 2005-05-03

Tracks:

1. Star Wars and The Revenge Of The Sith
2. Anakin's Dream
3. Battle Of The Heroes
4. Anakin's Betrayal
5. General Grievous
6. Palpatine's Teachings
7. Grievous and the Droids
8. Padme's Ruminations
9. Anakin vs. Obi-Wan
10. Anakin's Dark Deeds
11. Enter Lord Vader
12. The Immolation Scene
13. Grievous Speaks to Lord Sidious
14. The Birth Of The Twins and Padme's Destiny
15. A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:

Star Wars Trilogy soundtrack box set	Star Wars Episode II sountrack	Star Wars Episode II, Attack of the Clones
Star Wars Episode I, The Phantom Menace	Star Wars Trilogy on DVD	Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.

Average customer rating: A Long Time Ago... Spectacular! Star Wars Tunes My son loves it Star Wars Saga

Music from the Star Wars Saga John Williams Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack The Ultimate Visual Guide to Star Wars The Complete Visual Dictionary of Star Wars: The Ultimate Guide to Characters and Creatures from the Entire Star Wars Saga Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack ASIN: B0002OOUTG Release Date: 2004-09-07

Tracks:

1. Main Theme
2. The Asteroid Field
3. Princess Leia
4. The Imperial March
5. Yoda's Theme
6. Forest Battle
7. Han Solo And The Princess
8. The Flag Parade
9. Anakin's Theme
10. The Adventures Of Jar Jar
11. Duel Of The Fates
12. Across The Stars
13. The Throne Room - Finale

Customer Reviews:

A Long Time Ago..........2007-01-12

I bought this CD to play at work for background music and it's great for that. The only thing missing is the usually obligatory 20th Century Fox theme before the main Star Wars theme. Other than that, the City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus do a very fine job with Maestro Williams' music, indeed.

Spectacular!.......2007-01-12

I thought this cd was excellent! I bought it as a gift for my brother, who is a huge Star Wars fan, and he loved it. The music reminds me of the best parts of the movies. I think anyone who is a fan should get a copy.

Star Wars Tunes.......2007-01-09

My kids love the Star Wars movies so I bought this hoping we would have something new to listen to in the car. They love it and I love listening to something different. John Williams is genius.

My son loves it.......2005-09-11

My six-year old has become a huge fan of Star Wars and enjoys listening to this disc. It has the best tracks of each episode.

Star Wars Saga.......2005-07-20

Wonderful music. Best from all the movies. How can you go wrong?

Average customer rating: Raising spirits Feeds the Spirit Perfect for relaxation sound healers dream! Melt Away Stress

Liquid Mind VI: Spirit Liquid Mind Manufacturer: Real Music / Chuck Wild Records ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music Minimal Techno | Techno | Dance & DJ | Styles | Music General | New Age | Styles | Music Meditation | New Age | Styles | Music Relaxation | New Age | Styles | Music General | New Age | Indie Music | Stores | Music Similar Items: Liquid Mind VII: Reflection Liquid Mind V:Serenity Liquid Mind IV : Unity Liquid Mind VIII: Sleep Liquid Mind III: Balance ASIN: B00008BR0V Release Date: 2003-01-23

Tracks:

1. Warm In You
2. My Silent Knowing
3. Through My Eyes
4. Teach Me To Whisper
5. In The Spirit
6. Velvet Morning

Album Description

Liquid Mind VI: Spirit, the sixth in Liquid Mind's tranquil series of deep relaxation music, is ideal for Yoga, massage, meditation, anxiety management, and all healing activities. Like the other Liquid Mind albums, this gentle album is used by people everywhere to relieve stress, by parents and teachers to help quiet hyperactive children, by insomniacs to assist themselves in going back to sleep in the middle of a difficult night, and by just about anyone to relieve the stress of a busy day at work. This music was designed originally to assist in anxiety management, and is useful in any setting where anxiety or stress is an issue.

Composer and synthesist Chuck Wild has crafted another beautiful calming and healing album, a wonderful antidote for the stresses and strains of frenetic life in our fast-moving world. This is deep relaxation music at its finest. Liquid Mind's best-selling series continues its healing tradition of tranquility and peace.

Customer Reviews:

Raising spirits.......2007-06-27

This Liquid Mind album is one of three that I currently own. When I put it on with the intent to "lift my Spirit," it does. I relax, sort out my thoughts, relfect upon positive aspects in my life, and that rejuvenates my spirit and mood. I intend for that to happen when I play this album, and the music definately provides an atmosphere of, and not a distraction to what I choose to think about. I think that "Spirit" is aptly named.

Feeds the Spirit.......2006-11-03

This is a great way to begin the day! I can put this on and have my cup of tea, and get in touch with my inner spirit.

Perfect for relaxation.......2006-05-26

Just what I was looking for. Perfect for massage, calming down or just relaxing before bed. Something about it helps me breathe better.

sound healers dream!.......2005-10-19

This review may only speak to a very few people, but nonetheless, I would have liked to seen a review like this somewhere in my neverending search for sound healing music. I use many forms of music in my healing sessions, and the LIquid Mind series are hands down the best. I primarily use these CD's through a vibroacoustic soundtable, and the overtones are just right. Constant and not too jarring. The music penetrates into the body in a mellow and flowing way. The vibration of the music is subtle yet powerful. If you are looking for good sound table music, this collection is what you are looking for, as well as anything by Klaus Wiese or Crystal Voices crystal bowl cd's.

Melt Away Stress.......2005-09-03

This is the first cd I've bought in the Liquid Mind series, but after hearing this one, I'll buy more. The music is calming and soothing; great to fall asleep by which I often do. It lulls you into a peaceful state of relaxation, letting your mind drift away from the cares of the day. It makes me think of floating on a cloud. I would highly recommend this cd for anyone with a busy, stressed-out life.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Clerveaux Monks Hauntingly Beautiful Meditate as you listen........ What a Magnificat! Soothing

Salve Regina: Gregorian Chant Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music Similar Items: Lost in Meditation: Meditative Gregorian Chants Lost in Meditation: Meditative Gregorian Chants, Vol. 1 Gregorian Chants: The Best of the Benedictine Monks of St. Michael's Catholic Latin Classics Chant II ASIN: B0000040ZC Release Date: 1990-10-25

Tracks:

1. Gregorian Chant: Magnificat - Tu es pastor ovium
2. Gregorian Chant: Stabat Mater
3. Gregorian Chant: Lauda Sion
4. Gregorian Chant: Te deum (tonus monasticus)
5. Gregorian Chant: Adoro te
6. Gregorian Chant: O sacrum convivium (tonus monasticus)
7. Gregorian Chant: Ave, verum Corpus
8. Gregorian Chant: Tantum ergo
9. Gregorian Chant: O salutaris Hostia (tonus monasticus)
10. Gregorian Chant: Salve Regina (tonus monasticus)
11. Gregorian Chant: Ave Maria
12. Gregorian Chant: Sub tuum praesidium (tonus monasticus)
13. Gregorian Chant: Alma Redemptoris Mater (tonus monasticus)
14. Gregorian Chant: Inviolata
15. Gregorian Chant: Regina caeli (tonus monasticus)
16. Gregorian Chant: Victimae paschali laudes
17. Gregorian Chant: Veni, Creator Spiritus (tonus monasticus)

Customer Reviews:

Clerveaux Monks.......2007-07-11

It was quite wonderful to find this as the monks had none for sale at the Abbey.

Hauntingly Beautiful.......2007-01-19

This is an excellent cd. The emotion present in the monks' voices, espcially in the "Salve Regina" is deeply moving and beautiful. Highly recommended for anyone who is a fan of Gregorian chant, and a great first buy for someone who just wants to know what Gregorian chant sounds like.

Meditate as you listen...............2007-01-04

This lifts your heart to God as you listen. Beautifully done.

What a Magnificat!.......2006-09-01

I have listened to this recording since it was on a cassette tape and I always come back to it. What a gentle and sincere recording. The Magnificat is especially beautiful.

Soothing.......2006-02-21

I bought this disk while feeling depressed and not being able to focus. The chanting soothed me and gave me some piece of mind. Why then not 5 stars, you ask? Because the sound lacks a bit of clarity despite the remastering and the performance is good, but not exceptional.

Average customer rating: Good popular music. Still great! Great Performances as well as Music De Williams los Boston lo mejor... Williams at His Finest....as of 1987

By Request: The Best Of John Williams And The Boston Pops Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Similar Items: John Williams - Greatest Hits 1969 - 1999 The Very Best Of The Boston Pops Summon the Heroes Salute to America The Spielberg/Williams Collaboration (Film Score Anthology) ASIN: B0000040YP Release Date: 1990-10-25

Tracks:

1. Olympic Fanfare And Theme
2. The Cowboys Overture
3. Close Encounters Of The Third Kind: Excerpts From Close Encounters Of The Third Kind
4. March From Midway
5. Flying Theme From 'E.T.'
6. Return Of The Jedi: Luke And Leia Theme From Return Of The Jedi
7. SUPERMAN: March From Superman
8. Liberty Fanfare
9. Raiders Of The Lost Ark: March From Raiders Of The Lost Ark
10. The Empire Strikes Back: Yoda's Theme From The Empire Strikes Back
11. '1941': March From '1941'
12. Jaws: Theme From Jaws
13. The Empire Strikes Back: Imperial March From The Empire Strikes Back
14. Mission Theme (Theme For NBC News)
15. Star Wars: Main Theme From Star Wars

Customer Reviews:

Good popular music........2005-08-14

The interesting issue about this recording is that Williams himself directs. It is always a plus to listen to music played by its author. Average performance by the orchestra.

Still great!.......2005-07-23

John Williams has the magic of translating music from movies. Even not watching the movies themselves, you can still understand what's happening because of the music that comes with it.

I'm happy the music industry compiled this marvellous CD together. It has all the greatest hits like Luke and Leia, Indiana Jones march and the star wars main theme. These songs are really some of the great examples of Williams' finest.

Even if the music isn't really that clear in movies, it's still gives a great impact on the stories. If you watch a movie made up of only dialogues and fights, what's the thrill, we can see fights anytime anywhere. So the element that makes the movies really attractive and interesting is the music itself.

Kirstie Mabitad

Great Performances as well as Music.......2005-04-06

When I picked up this CD I was amazed. I am a big Williams fan and love the Boston Pops. All the pieces are well done and flawless (except for some small tempo issues in "1941") Though all the peices stand out the handsdown best is "The Cowboys" Overture. The ritch sound as well as the great musicmanship make this a joy to here. Another good highlight is the "Midway" March. Midway was a relitivley underated score being in the middle of "Jaws" and "Star Wars" (Both of witch are also on the CD but, Jaws could have had solid feeling but is otherwise performed rather great) The rousing March in my opinion is as rousing as "Raiders of the Lost Ark" or "Superman" (Both yet again are on the CD and Superman's opening is absolutly breathtaking even better than the actual soundtrack. The Trumpet and French Horn fanfare makes you yourself visualize the might of the man of steel himself. But the Midway march is given a stunning representaion with the ritch, lush sound of the Boston Pop's brass section. The CD also has some of John Williams music for the concert stage such as the well known Olympic Fanfare (1984 Los Angeles), The Liberty Fanfare as well as the Mission Theme (The NBC news anthem) all offer a nice break from the movie scores. The only down side to the CD is that because it was made in 1987 it doesn't have music from Hook, Far and Away, Schindler's List and of course Jurassic Park. But even though it lacks Williams' early 90's scores its always a Joy to listen to as well as a treat for the ears. So i give it two thumbs up and *****.
I advise any John Williams/Boston Pops fan not to let this gem slip through their fingers! ;)

De Williams los Boston lo mejor..........2004-12-14

John Williams ademas ser un compositor sin igual es un extraordinario director es asi como en conjunto con Los Boston Pops logra grabaciones espectaculares.
Entonces lo mejor de Williams a cargo de Williams junto con los POps es sorprendente, la obertura de "Cowboys" es grandiosa, Encuentros cercanos es fantastica, asi igual lo son la marcha para superman, Indiana Jones, de Darth Vader y la menos conocida para Midway. En resumen lo mejor de Williams en unas interpretaciones increibles, y nadie que se queje que no son las originales porque suenan incluso como la Sinfonica de Londres, y eso es mas de lo que uno espera. Grandioso.

Williams at His Finest....as of 1987.......2003-07-13

For fans looking for a sampler of John Williams' music circa 1987, this CD is a treasure trove of selected movie and special occasion themes. While not as comprehensive as Sony Classical's Greatest Hits 1969-1999 collection, there is enough variety to satisfy even the most casual Williams fan. Included here among his famous themes (Star Wars, ET, Superman, and Raiders of the Lost Ark) are his 1984 Olympic Fanfare, "The Mission" (NBC News theme), and the rousing Overture to the John Wayne film The Cowboys. As always, the Boston Pops Orchestra shines under the baton of Hollywood's -- and America's -- favorite composer!

Average customer rating: Cornucopia of Pavarotti's works Don't...!!! Great Tenor - Poor CD Quality Great Music......Horrible Mastering Surely I am proud to be an Italian-American!!

Pavarotti: Greatest Hits Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Italy | Continental Europe | Europe | International | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Romantica: The Very Best Of Luciano Pavarotti The Best of the Three Tenors Luciano Pavrotti: The Best (Farewell Tour) Amore: Romantic Italian Love Songs Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta ASIN: B0000042HZ Release Date: 1997-09-30

Tracks:

1. Turandot: Nessun dorma
2. La Boheme: Che gelida manina
3. La Traviata: Brindisi
4. Aida: Se quel guerrier io foss ... Celeste Aida
5. L'Elisir d'Amore: Una furtiva lagrima
6. Rigoletto: Questa o quella
7. Martha: M'appari
8. TOSCA: E lucevan le stelle
9. Fedora: Amor ti vieta
10. Pagliaccci: Recitar!... Vesti la guibba
11. Manon Lescaut: Donna non vidi mai
12. Rigoletto: La donna e mobile
13. L'africana: Mi batte il cuor ... O paradiso
14. Werther: Pourquoi me reveiller
15. Carmen: La fleur que tu m'avais jetee
16. Manon Lescaut: Ma se vi talenta ... Tra voi, belle
17. La Gioconda: Cielo e mar!
18. TOSCA: Recondita armonia
19. La Favorita: Spirito gentil
20. II torvatore: Di quella pira
21. L'amico Fritz: Suzel, buon di

Tracks:

1. O sole mio
2. Torna a Surriento
3. Orchestra del Teatro Comunale di Bologna: Core 'ngrato
4. Orchestra del Teatro Comunale di Bologna: Funiculi Funicul
5. Notte 'e piscatore
6. O Holy Night (Cantique de Noel)
7. Panis angelicus
8. Ave Marie: Ave Maria
9. Mattinata
10. La danza
11. Caro mio ben
12. Caruso
13. My Way
14. Santa Lucia
15. Tu che m'hai preso il cuor
16. Mamma
17. La mai canzone al vento: La mia canzone al vento
18. Volare
19. Passione
20. Granda: Granada

Customer Reviews:

Cornucopia of Pavarotti's works.......2007-03-01

This is a "Super hits" CD, with over forty different cuts (quite a few of which have appeared elsewhere, of course). For those who are aficionados of Pavarotti, this is what might be called "hog heaven."

Disc 1 features estimable works such as "Nessun dorma" (well done, with his voice showing to good effect), "Che gelida manina" (excellently done, with good characterization), ""Celeste Aida" (elegantly sung), "Di quella pira" (a much better than average version), "E lucevan le stelle" (Pavarotti does a nice job in the Puccini-Verdi repertoire), "La donna e mobile" (sung with aplomb), "Recondita armonia" (the other aria from Tosca, which also shows Pavarotti's voice off to good effect), and so on.

Disc 2 is especially interesting, because it features a more popular set of works, from the redoubtable "O sole mio" (richly orchestrated and nicely sung, not overpowered by Pavarotti's operatic voice), "Core n'grato" (compare with Caruso's version), "Oh, holy night," "La danza" (spritely sung with excellent breath control in a treacherous song), "Santa Lucia" (again, smoothly sung), "Ave Maria" (seemingly sung with respect and affection).

A cornucopia of Pavarottiana. For those fans of Pavarotti, this "greatest hits" collection will be welcome. For those who may not be aware of this tenor when his voice was still fresh, this is a fine entrée to his work.

Don't...!!!.......2005-01-24

To combine a voice as beautiful as Pavarotti's with some of the world's greatest music and outstanding orchestras, and end up with this...`thing'...is unforgivable. After buying and listening to it, it brought to mind those painful words "A fool, a fool. I saw a fool today. I saw him in the mirror."

R. J. Rogers

Great Tenor - Poor CD Quality.......2004-10-11

I have never been a huge fan of Maestro Pavarotti but I must admit that this compilation is a masterful collection of his operatic highlights.

I particularily enjoy the first disc which contains just about all the major tenor arias. The singing is superb and listening to this CD it becomes obvious what the fuss over the pre-3 Tenors Pavarotti was all about - the man really did have one of the greatest tenor voices of all time.
His diction was flawless, his line perfect and his interpretation in keeping with the greatest of the Italian tenors of days gone by.

The second disc is interesting in that it is a bit uneven. It contains a few neapolitan standards, a x-mas song, a duet with Frank Sinatra and some other random selections.

Overall this is a 5 star CD but due to the extremely low volume, particularily on the first and most important disc I can only give it a 4 star rating.

On a final note, anyone puzzeled by the current hype over the now againg and commercially over-blown Pavarotti should purchase this CD. This is the great tenor in his prime and as such a CD well worth having...even if you're not a Pavarotti fan.
I'm still not, but I recognize greatness when I hear it.

Great Music......Horrible Mastering.......2004-07-24

Pavarotti has a voice that can take hold of you and change your entire mood...even if you don't know Italian. The problem with this set is the mastering (mastering evens out the volumes and signal to noise ratio on an album). The first CD in this collection is so quiet that you literally have to crank your player to get any kind of volume. For a professional CD this is absolutely unacceptable.
The song choices are good with the exception of "My Way" with Frank Sinatra. Both singers sound ....ummm...let's just say less than their best on the recording. It sits out like a boil on a pretty girl's face.

Surely I am proud to be an Italian-American!!.......2004-06-26

With his wondrous soaring vocals and the humble demeanor within his strong body, Pavarotti is an inspiration to Italian- Americans everywhere - Italian-Americans like me. My family plays his beautiful operas on vinyl nearly every day in me Papa's little wine and cheese shop on 18th and Broadway. The customers compliment the music with glee, pinching my plump cheeks with merriment and wishing me well on their way out the door. Ah, how I love this land of America!!

Oops, I am sorry, Nana.

My Nana has shushed me to "pipe down, little bambino."

I must go down to the dark cellar to count our day's earnings, for it is almost night, and stern Papa will be back soon to close shop and make sure all is well.

Average customer rating:

The Mozart Effect Music for Babies, Vol. 3: Daytime Playtime Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Leopold Mozart | Mozart, Leopold | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Classical | Symphonies | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | New Age | Styles | Music General | Children's Music | Styles | Music Compilations | Children's Music | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Mozart Effect: Music For Babies: Nighty Night The Mozart Effect - Music for Babies - Playtime to Sleepytime The Mozart Effect: Music for Newborns - A Bright Beginning The Mozart Effect: Music For Moms and Moms-To-Be The Mozart Effect Music for Children, Volume 2: Relax, Daydream, & Draw ASIN: B00006NSIL Release Date: 2002-10-22

Tracks:

1. Rondo Alla Turca, K.331 - R. Lafond
2. Clarinet Quartet In B Flat Major, III, K.317 - Jozsef Balogh
3. Divertimento In D Major, III, K.205 - Capella Istropolitana
4. L. Mozart, The Toy Symphony, I - Capella Istropolitana
5. Flute Concerto No.1 In G Major, III, K.313 - Capella Istropolitana
6. Cassation In B Flat Major, I, K.99 - Harald Nerat
7. Clarinet Quartet In F Major, III, K.496 - Jozsef Balogh
8. Flute Concerto No.2 In D Major, III, K.314 - Harald Nerat
9. Cassation In D Major, VI, K.100 - Harald Nerat
10. Rondo In D Major, K.382 - Jeno Jando

Album Review:

1. Vogue [CD-single]
2. Wish I Pt.2 [CD-single] [Import]
3. Yinglish (Rmxs)
4. 2 Unlimited - Greatest Hits: Remixes [Import]
5. A Little Louder [CD-single]
6. Ambient Lounge, Vol. 8 [Import]
7. Amrita... All These And the Japanese Soup Warriors
8. Artist Collection: TLC [Import]
9. Autoditacker
10. Best of Ryuichi Sakamoto: Soundtracks [Import] [Soundtrack]

Album Review

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Here Comes a Close Up [CD-single] [Import]

Heartwork

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Happy Sad [CD-single]

Este Arbol Que Sembramos [Import]

Françaix: L'heure du berger; Octet

Genius

Cuba Y Su Musica

Heavy Hitters: Hip-Hop [Import]

Santana

The Tradition Years: An Evening with John Jacob Niles