| 1. Human (Single Version) |
| 2. Human (Calexico Vocal) |
| 3. Human (Masseys Cro-magnon Mix) |
Editorial Reviews
Third single off Mute recording act's 2000 album debut, the etheral, 'Felt Mountain'. Includes 3 tracks, all of which are not available on the album. Tracks, (single version, calexico vocal and massey's cro-magnon mix). Digipack. 2001 release.
Human,Goldfrapp,Mute,Dance
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Armchair Apocrypha
Andrew Bird Manufacturer: Fat Possum Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000MV9A1C Release Date: 2007-03-20 |
Tracks:
- Fiery Crash
- Imitosis
- Plasticities
- Heretics
- Armchairs
- Darkmatter
- Simple X
- The Supine
- Cataracts
- Scythian Empires
- Spare-Ohs
- Yawn At The Apocalypse
Amazon.com
Strip away the music of an Andrew Bird song, and you're left with brilliant prose ("across the great chasms and schisms and the sudden aneurysms"), vignettes about mentally fending off plane crashes, infiltrating characters like the kings of Macedonia and Lou Dobbs, and titles such as "Yawny at the Apocalyspe." It's hard to believe that, really, his music reigns, but when Bird adds understated acoustic guitars, Wurlitzer and Rhodes, and his own mesmerizing pizzicato violin, his songs take on a progressive mood all their own. The Chicago Bird's tenth album (and his debut for extraordinary Mississippi blues label Fat Possum) is perhaps his most diverse, expansive, and resourceful yet, catering to a half-dozen genres of music while exploring storylines that are naïve ("Dark Matter"), candid ("Fiery Crash"), and blatantly comical ("Armchairs"). Making no palpable effort to crack the conventional with overflowing melodies and love songs, Bird instead latches up the intellect to create tiny packages of literature that make always leave you thinking--and snapping your fingers at the same time. --Scott HolterCustomer Reviews:
My first Andrew Bird cd but not my last........2007-07-28
polished.......2007-07-26
I wish he would learn to play the freakin' guitar!.......2007-07-20
Secondly, I refuse to join the bandwagon of Andrew Bird worship. Especially around here (the Twin Cities), he gets played very frequently on indie rock stations here (namely, The Current), and the DJs seem to adore him. While I freely admit he's incredibly gifted as a musician, most of his songs seem to boil down to about 2 quite uninteresting chords. And anybody's who's ever plugged in an electric guitar at the music store could sound like his guitar. He seems to have no idea of how to nuance a guitar and amp to really get the richness that is possible. And I'm sorry, but "Fiery Crash" is just plain boring!
He can do better than this, and I hope he does on his next album.
Not to my taste.......2007-07-14
An Antti Keisala Comment: Tales Of The Mysterious Moon.......2007-06-02
I am new to Andrew Bird. This I'm ashamed to confess, but better late than never; I only stumbled on him at the time of the release of this album a few months back, then had to get The Mysterious Production of Eggs, Weather Systems and his work with the Bowl of Fire. I came to him pretty straight through the usual companions, Sufjan Stevens and Jeffrey Foucault, and I don't know how I've managed so far without him: he's a part of the new wave of post-indie rock channeled through self-conscious resurgence of American folk music culture. But that's only part of where he's rooted: there's some of The Arcade Fire and some Jeff Buckley, and yet transcending comparison and forming a recognizable entity on his own.
Bird is a great musician and the live recordings, the three Fingerlings, should give some weight to this argument about his sense of using the instruments; he's like the young Warren Ellis of violin. He's also absolutely hilarious; his humour is witty and ironic, and his lyrics and singing completely complement the mood the song sets musically. The album opener "Fiery Crash" opens like a trashy garage rock song and evolves to an immesurably sophisticated pop song, almost echoing a Belle And Sebastian composition; but this is pop music that isn't pop music; it has twists and turns that continuously shape the direction the song and album are going to. Every time my mind grasps a hook and settles onto it for continuity, Bird changes the direction. I've scarcely had so much fun whilst listening.
A gem that's special. Have fun.
With best regards,
AK
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Spiritual Beings on a Human Journey
Anael Manufacturer: Apsis Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000ALFXP Release Date: 2003-09-02 |
Tracks:
- See Another World
- Till the Womb Gives Birth
- This Dawn of an Age
- Led
- Who You Are
- Trace
- Be Still Thy Soul
- Etre Sans e (You Belong)
- They'll Come to Take You Home
- Sky Sent (Disclosure)
Album Description
Beginning and ending in the sky while touching down everywhere in between, Anael's 4th album is an uncompromising personal invitation into the celestial heavens. The innocent and dreamlike "See Another World," opens the senses, and each subsequent song is a brief stop on her flight. "Till the Womb Gives Birth" explores the mindset of a steadfast, faithful creator searching for the truth; "Trace" recounts our ability to connect with God by simply mirroring a higher set of ideals. As the journey progresses, we sense a newfound sense of assuredness in Anael's outlook, the script of a soul who is starting to uncover a fresh perspective. What keeps it all believable is her everpresent deliberation and questioning, well tempered with a healthy dose of humility.Culminating with perhaps her finest studio achievement to date, the 11 minute opus "Sky Sent (Disclosure)" gives us a multi-angle vista of an unprecedented event in human history, the uncovering of hidden technologies that have the power to literally transform life on earth.
Through this constant juxtaposition of earthly concerns and human dreams, Anael reveals the multiple resonances of our universe, using a vast array of vibrations all geared towards heightening the listener's awareness. She leads us into the pure silence of the untouchable, the unexplained, the invisible - all while while charming us with her sense of bewilderment at it all. Finally, as she carries us away on her wings to the next destination, we're inclined to believe. These things of which she sings can truly be our reality.
Customer Reviews:
Swept away to another world.......2007-05-11
My first exposure to Anael was through the CD "Unconditional". In my opinion, "Spiritual Beings..." make the perfect bookend set of CDs for this artist, if one had to chose only two CDs. I am eagerly anticipating hearing her newest release that is beautiful if only for the cover artwork. Put this CD on and you'll be swept away to another world free of the day to day madness. Enjoy this light, cotton candy for the ears!
I LOVE THIS CD!!!.......2007-01-10
A new age masterpiece!.......2003-10-18
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Living Like a Refugee
Sierra Leone's Refugee All Stars Manufacturer: Anti ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000HDRARQ Release Date: 2006-09-26 |
Tracks:
- Living Like A Refugee
- Soda Soap
- Weapon Conflict
- Bull To The Weak
- Big Lesson
- Let We Do We Own
- Smile
- Compliments For The Peace
- Pat Malonthone
- Garbage To The Showglass
- Akera Ka Abonshor
- Kele Mani
- I'm Not A Fool
- Ya N'Digba
- Refugee Rolling
- Monkey Work
- Ma Fo Ya
Amazon.com
Made up of former displaced persons from the killing fields of Sierra Leone, members of the Refugee All Stars (a.k.a. R.A.S.) were forced to flee for their lives during the 1990s, fanning out into nearby West African nations. Through continued hard times, bandmates Reuben M. Koroma, Francis (Franco) Langba, and Abdul Rahim (Arahim) Kamara entertained and heartened their compatriots with truthful, gently satiric, liltingly infectious tunes. Filmmakers Banker White and Zach Niles made a prize-winning documentary about the band's courageous struggle, thereby bringing their story to an international audience. Backed by Keith Richards, Sir Paul McCartney, and other socially conscious celebrities, R.A.S. embarked on a rapturously received world tour and were at long last able to augment their earlier, but nonetheless invaluable, field recordings with professionally engineered studio tracks. The resulting seventeen songs travel through deceptively relaxed Sierra Leonean Palm Wine music, triple-rhythmed gbute vang and reggae-like sounds (complete with toasting), Nigerian Afro-Beat, and even echoes of Congolese soukous. Backed by sweet yet astringent vocal harmonies, sultry guitars, homemade percussion, and playfully retro-sounding organ riffs, each selection reveals still another facet of a bittersweet but ultimately triumphant saga of survival. At long last, Sierra Leone's Refugee All Stars are poised to become the superstars they were always destined to be. --Christina RodenAlbum Description
This is a group of musicians who lived for years as refugees in the West African nation of Guinea. While living in a tent camp, they acquired a couple beat up guitars and a rusted out sound system and began playing. American documentary filmmakers made the band the focus of their movie, which received enthusiastic endorsements from the likes of Keith Richards, Paul McCartney, Angelina Jolie, Joe Perry, and Ice Cube. The film's success has allowed the band to tour internationally to ecstatic audiences. Born in the midst of a violent, decade-long civil war, the group and its music celebrate our ability to sustain hope, inspiration, and creativity - the best in us - even in a climate of rage, loss, and madness.Customer Reviews:
wonderful cd!!.......2007-07-27
Rock to the rhythm of the Refugees.......2007-07-12
But, don't buy it because I'm getting misty eyed. Buy it because the music is inspiring and makes you want to dance. Buy it because you've never heard anything from Sierra Leone. And, when you've bought it, go out (or online) and find the album by Afro National.
I was lucky to live in Sierra Leone and I love this music. Now to try to find the tv program which goes with it...
ABOUT TIME! Bob Marley would be proud!.......2007-06-27
The rapper Black Nature has a lot to teach his American rap counterparts. Keep up the good work brother, your work far outstrips the US rappers who have inspired you!
To Grace, The Emperors, and all the other RAS, God bless you all. ZBob Marely is smiling somewhere.
Living Like a Refugee CD is excellent for both music and content.......2007-05-13
Passionate Sounds.......2007-01-19
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Beautifully Human: Words and Sounds, Vol. 2
Jill Scott Manufacturer: Hidden Beach ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002S94RK Release Date: 2004-08-31 |
Tracks:
- Warm Up
- I'm Not Afraid
- Golden
- The Fact Is (I Need You)
- Spring Summer Feeling
- Cross My Mind
- Bedda At Home
- Talk To Me
- Family Reunion
- Can't Explain (42nd Street Happenstance)
- Whatever
- Not Like Crazy
- Nothing (Interlude)
- Rasool
- My Petition
- I Keep
Amazon.com
While most neo-soulsters crank out albums like their hip-hop counterparts, Jill Scott takes a more traditional approach to her craft. Four years after the release of her debut, Who Is Jill Scott, Words & Sounds Vol. 1, Scott returns with the masterful Beautifully Human: Words & Sounds Vol. 2. The album features a collection of lush and hypnotic songs that will make you want to fall in love, live life, and be a better person all at the same time. Lead single "Golden" is a prime example of this. Set to a midtempo groove made for the dance floor, "Golden" is a shiny, beautifully-written narrative about living life to its fullest. The old-school R&B ballad vibe of "Petition" is reminiscent of Minnie Ripperton or early Chaka Khan. However, "Bedda at Home" is anything but laid back. Combining elements of jazz, soul, and old-school hip-hop breakbeats, Scott extols the greatness of her man with a swagger that can only be described as cool. Other highlights include "Family Reunion" and the socially conscious "Rasool."The album's only flaw may be that it ends too soon, but then again it's always better to leave a listener wanting more. For Scott, being "Beautifully Human" means just that--finding the allure in all that life has to offer and that's well worth the wait. --Rashaun Hall
Customer Reviews:
a little let-down.......2007-06-30
jill scott.......2007-06-30
Just TRY to Justify Your Hatred For This Album.......2007-06-30
It's Jill Scott... of course it's hot.......2007-05-18
Just Beautiful.......2007-05-09
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Human After All
Daft Punk Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007DAZW8 Release Date: 2005-03-15 |
Tracks:
- Human after all
- The prime time of your life
- Robot rock
- Steam machine
- Make love
- The brainwasher
- On/Off
- Television rules the nation
- Technologic
- Emotion
Amazon.com
You'd never guess from Human After All that these are the same guys who came up with the opulent dance grooves of 2001's Discovery. On Human After All it sounds like Daft Punk's robotic alter egos have finally gotten the upper hand and made an album that is defiantly free of emotion and personality. Instead, Thomas Bangalter and Guy-Manuel de Homem-Christo amp up the irony and deliver a set of songs that are maddeningly repetitive, raucous and bound to test the most devoted fan's patience. But even as the French duo short-circuits it manages to captivate--the spoken-word "Technologic" and the digitized "The Prime Of Your Life" are just bananas enough to make its euphoric hit "One More Time" sound positively last century. --Aidin VaziriCustomer Reviews:
Five Stars If You've Seen the ALIVE Tour! Maybe Less if you haven't...........2007-07-22
Really good...considering what it's following.......2007-04-06
The music, while more mechanical in its melodies and rhythm, it's as if the performers are begging to learn what it is to be human. All the tracks are essentially the same, driven by technology and hardware, but all the while, there is that constant desire for life.
Unlike Discovery, the "story" in Human After All does not resolve, leaving the listener with the knowledge that humanity is forever being learned.
Not exactly what was expected from the French duo........2007-03-17
Amazing work of art!!.......2007-02-21
Do the robot.......2006-10-19
Disappointment in music is nothing new, especially if you pay too much attention to critics. If an album's too much like the one before it, they're in a rut. Too different and they've lost their way. Daft Punk managed to turn a lot of critics on their heads with "Discovery", most that gave it middle of the road reviews have since changed their tune, thankfully addmitting that Homework Part 2 would have been too simple. But still many were and still are uncomfortable, mislabelling the fleshing out of their sound as going mainstream. I'm sure I would have tired of One More Time if I actually listened to the radio, but if you tune into Top 40 you get what you deserve.
When "Human After All" landed, you could cut the anticipation with a knife. A lot of the negative reviews I've seen branch off from a literal interpretation of the title before it even saw light. People everywhere were looking forward to a more vibrant, living, breathing Daft Punk. We might be treated to that in another few years, we might not. It's not important. Daft Punk did the classy thing and decided not to make another Discovery. They made new fans with that album, and that's great, I can't think of another act that deserved a bigger fan base more than them. When I first heard their latest, I couldn't find the heart. I fell into the trap of assuming they took the easy way out, and cooked some passable beats to get an album out.
But time makes fools of us all, and it didn't take too long for me to fall in love with "Human After All". Like Rollin' & Scratchin' and Short Circuit before them, the songs here have no immediate bells and whistles, and I won't lie; if you don't have patience for good music the slow burn of these songs will mean nothing. That said, this is definately the third album that Daft Punk needed to make. We've all heard the stories by now about how little time was spent crafting them, but that's expectations getting in the way again.
Daft Punk have gone from amazing underground act, to shining stars of French house, and back again; deeper, darker, more subtle. This album grew on me, but I can't promise everyone will feel it. What I do know is that if you want to hear some very nice ideas, with a distinct Daft Punk vibe, then this is an essential album.
Key tracks:
+ Robot Rock
+ The Prime Time Of Your Life
+ The Brainwasher
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Human Clay
Creed Manufacturer: Wind-Up ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00001NFCY Release Date: 1999-09-28 |
Tracks:
- Are You Ready
- What If
- Beautiful
- Say I
- Wrong Way
- Faceless Man
- Never Die
- With Arms Wide Open
- Higher
- Wash Away Those Years
- Inside Us All
Amazon.com
Creed burst out of Florida with 1997's My Own Prison, a dark but commercial debut reminiscent of the early-'90s Seattle sound. Creed's moody guitar grunge and ardent lyrics, coupled with singer Scott Stapp's passionate vocals, helped My Own Prison sell millions. Human Clay demonstrates that this likable quartet hasn't messed with success; they turn in a sophomore outing rife with evocative moodiness, soaring guitars, and a dark, roiling, intense vibe. "Beautiful" is but one of the winners on this strong 11-song CD. Haunting and indeed beautiful, the track is more delicate and seductive than most heard here, as is another lilting and mysterious entry, "Never Die," which boasts some Middle Eastern accents. "Higher" is typical Creed--safe, emotive guitar rock for the masses, but with a slight edge. Memorable hooks, Soundgarden-like guitars, and Vedder-like vocals make Human Clay at once compelling and effectively redundant. --Katherine TurmanCustomer Reviews:
when shadows paint the scenes.......2007-07-28
The musical pieces were coming together for Creed in 1999, that much is true. Things had improved upon the equally promising--though from a lower starting point--MY OWN PRISON cd.
Stapp was singing his heart out, the basis was acquiring a tight, punchy sound, and Scott Phillips drumming was just awaiting its moment to break out.
'With Arms Wide Open' is the exception, and almost Great Leap Forward into what Creed would become by the time the subsequent WEATHERED album reached the listening public. It is a poignant attempt to articulate grace from within the confines of limited knowledge. 'Arms' greets the birth of a child with an elegance and emotion that one does not often associate with grunge bands. It is an artistic and aesthetic breakthrough of sorts for a band that would sound so good on this album's successor so as to make us almost forget that there was a time when we awaited a breakthrough.
WEATHERED, when it came, would put it all in perspective.
Formulised Abomination.......2007-07-14
It seems like Creed tried to add some grunge elements to their music, and it just didn't come off. Abominable tracks like "Wrong Way", with occassional ventures into real rock, "Say I", that borders on the dismal, and more that truly defy the senses.
The pity is that the lyrical content is actually pretty good and has some substance to it. Sadly, the overall execution just didn't cut it and match that.
Even for fans of hard rock, this would be a CD to avoid. Don't waste your money.
Good, solid rock performance.......2007-07-08
I had to come and review this dreck.......2007-06-23
First Scott Stapp is a total moron. Insulting Fred Durst? To be honest, I hate Scott Stapp more than Fred Durst. He's one of the worst "singers" ever, and only people like Lame Gallagher from _____ band Oasis surpass this hack. Attacking 311 is even worse. 311 will do a lot more than Scott Stapp will ever be.
Anyway, _____ scott, Creed itself is so _________ boring, it's lame, and the music will put you to sleep. IT's like staring at a _________ wall for hours, or something of that nature. Long story short-it's generic, stupid, boring, generic music that sounds like something the cat dragged in. It's not music, plain and simple. It's noise, well there is noise music, and they are worthy, so what is Creed? Calling it noise is a disgrace to respectful noise musicians (which yes, I like). I have no clue, but it's not music, plain and simple.
Pearl Jam owns Creed's sorry little @$$, but that news is way too old. Let this record rot on the shelves. Creed are done for, and Eddie Vedder still lives on. Glad your dead, Kurt. Glad he's burning. Then again, he took his life.
Honestly people, they were sued by their own fans..........2007-03-29
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Human the Death Dance
Sage Francis Manufacturer: Epitaph / Ada ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OMD4D4 Release Date: 2007-05-08 |
Tracks:
- Growing Pains
- Underground For Dummies
- Civil Obedience
- Got Up This Morning
- Good Fashion
- Clickety Clack
- Midgets and Giants
- Broccoli Break
- High Step
- Keep Moving
- Water Line
- Black Out On White Night
- Hell Of A Year
- Call Me Francois
- Hoofprints In The Sand
- Going Back To Rehab
Amazon.com
After cutting his teeth in spoken-word and rap-battle circuits, Sage Francis launched into hip-hop, sort of. On his first handful of nationally visible solo records (Known Unsoldier being the must-have of the bunch), Francis knotted his stylistic roots, mixing his vocal skills in an emcee's equivalent of cracking his knuckles. As Non-Prophets--with DJ Joe Beats--he signaled his hip-hop arrival on Hope, with referential credentials blaring over beat-down backdrops. Of course, he'll tell you all this himself, and more, and does. The first proper track on Human the Death Dance, "Underground for Dummies" brings all comers up to speed on the Francis oeurve. Thus primed, Francis outs with the clearest presentation of his entire, moody, linguistic repertoire. He's had it in him for years, but this time around, he learned to make a mix tape. In one exemplary run, "Got Up This Morning" brings in revenant folkie Jolie Holland for a back-porch jam that rags on the deserving Charles Bukowski, then "Good Fashion" muscles forward, percussion-free, on the strength of a pounding string ensemble. Finally, "Clickety Clack" explodes forward in a thunderous, dungenous groove. It's hip-hop, sort of, but if this is a death dance, good riddance to the deceased. --Jason KirkCustomer Reviews:
Read my reasons before you disagree with me. .......2007-06-28
Now that I said that here is my review.
My personal favorite stuff from him is the Sick series. Personal Journals was very good but different (just like the song says) Healthy Distrust I needed to listen and listen again to actually catch on. But I love that CD too. Now Human the Death Dance...I hate to say it but I am not feeling this one. Every cd is totally different from the last one. Which is not a bad thing but this cd is really out there and is nothing even close to the intial Sage I heard that made me a life ling fan (The Sick Series). If you have never heard any of those CDS please find a way to check those out...great great stuff. My favorite track on this cd is Keep Moving that song is the best on this cd. When the next cd comes out I will get that one too. I buy the CDs of people I really like and regardless of what I think of this cd I bought and will keep it.
pick it up!! you won't be sorry.......2007-06-23
Sage, Human Death Dance.......2007-06-12
I Wanted To Like This.......2007-05-31
Perhaps my hopes were just set too high. After a dissapointing Healthy Distrust album I was ready for Sage to come back and reel me into his world again. It is hard to be critical about something that someone obviously put his heart into but i was unable to find myself being "caught" by this album like i have been with so much of his past work. While it is definatly leaps and bounds above A Healthy Distrust, this album is no where near as good as Personal Journals or any of his ..Sick albums
Sage's Best Album - .......2007-05-26
Before I got this album, I had only heard about 8 songs of his from several years ago (Majority Rule, Hey Bobby, etc.). I thought that his stuff was great, but like my expectations of a lot of independent artists, I thought that it was probably just a fluke. You know, the artist fades into obscurity, never advancing.
Well, Sage proved me wrong on this one. He's advancing by leaps and bounds.
This album, Human Death Dance, brought back everything I learned to love about hip hop: Braking the mold, Love of fresh word & rhyme, beats and music that make you realize what you are hearing is totally new.
It starts off with a cool little montage of old recordings he had of himself rapping when he was a kid - then the next track "Underground for Dummies" is a summary of his experiences starting out, his naivete as his strength, managers, etc... his influences (very cool). The background music sounds like nostalgic memories (hints of 80's pop music?) with the end result being a sound in hiphop I've never heard before. It's timeless and an instant classic.
I could go on for every song on this album ("Clickety Clack" blew me away!) but I recommend you get this album, open the lyrics book that comes with it, strap on your headphones, and enjoy the ride.
It's one of those albums that will remind of you of this summer, years into the future.
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The Very Best of the Human League
The Human League Manufacturer: Blue Plate Caroline ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007X9U7Y Release Date: 2005-03-22 |
Tracks:
- Don't You Want Me
- Love Action (I Believe in Love)
- Open Your Heart
- The Sound of the Crowd
- Mirror Man
- (Keep Feeling) Fascination
- The Lebanon
- Life on Your Own
- Together in Electric Dreams
- Louise
- Human
- Heart Like a Wheel
- Tell Me When
- One Man In My Heart
- All I Ever Wanted (original version)
- Being Boiled (fast label version]
- Empire State Human
Album Description
The ONLY Human League best-of available in the US! Definitive collection, with ELEVEN previously unavailable cuts! 17 tracks total!Customer Reviews:
Good for Human Ears.......2007-07-06
Don't You Want Me
Love Action
Fascination
Lebanon - poignant song about that war-torn country
Human
Heart Like a Wheel
Tell Me When - really energetic
All I Ever Wanted - ditto
Empire State Human
As you can tell from the list, there's a bunch of goodies.
Very Good.......2007-03-22
Brings back good memories.
WOULD GIVE IT 5 STARS BUT IT IS MISSING ONE KEY SONG.......2006-07-26
Though it wasn't a big hit in the US it is up there with "Human" as the best in pop synthesized confection.
"Love is All That Matters" is on other compilations, I am just so surprised they left it out.
There's more to Human League than "Human" and "Don't You Want Me".......2005-11-22
All their hits!.......2005-10-25
SJ
Best Playlists
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
Stay Human
Michael Franti & Spearhead , and Michael Franti Manufacturer: Six Degrees ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005BGUT Release Date: 2001-05-15 |
Tracks:
- Oh My God
- radio segment
- Stay Human (all the freaky people)
- radio segment
- Rock The Nation
- Sometimes
- radio segment
- Do Ya Love
- radio segment
- Soulshine
- Every Single Soul
- radio segment
- Love'll Set Me Free
- Thank You
- radio segment
- We Don't Mind
- radio segment
- Speaking Of Tongues
- radio segment
- Listener Supported
- radio segment
- Skin On The Drum
Amazon.com
There aren't many hip-hop artists out there today who give a damn about putting positive messages in their music, but Michael Franti is one of them. Ever since his days with seminal group Disposable Heroes of Hiphoprisy, Franti has infused his sounds with insightful and thought-provoking lyricism, and this latest Spearhead joint is no exception. Stay Human tackles, among other things, the subject of capital punishment. Through a make-believe community radio station, Franti tells the tale of Sister Fatima, a healer and activist who is being put to death for a crime that her community believes she didn't commit. The "live" broadcasts act as elaborate skits between Franti's insouciant, soul-rap hybrids and help to expose the arrogant nature of America's judicial system and the brutal finality of the death sentence. Musically, Franti has created a richer, more string-laden backdrop for his tracks, creating some of his best idiosyncratic, feel-good vibes to date. But while the funkadelic edge of "Rock the Nation" and laid-back ballad style of "Do Ya Love" are worthy in their own right, Franti's real genius lies in his ability to weave opinions into compelling narratives so that we don't feel we're being battered over the head with someone else's ideas. Emotive, soulful, and opinionated, Spearhead are almost single-handedly keeping alive a tradition epitomized by Curtis Mayfield, Marvin Gaye, and Bill Withers. Don't sleep. --Paul SullivanCustomer Reviews:
Mostly great.......2006-05-25
Unfortunately I found the radio broadcast segments to be ill-conceived and intrusive, but they are easily skipped.
The "music fan" who praised Stay Human but only gave it 1 star because of objections to who Franti chooses to give political support to needs to learn more about the Mumia Abu-Jamal case, which is nowhere near as cut & dried as their post suggests. The trial transcripts don't tell the whole story - the whole point is that this was considered an unfair and biased trial. Dig a little deeper and you'll find plenty to question.
So good!.......2005-08-06
"Stay Human"--One of my top 10.......2005-05-07
The music: the band is very musical and pulls in lots of different influences that combine together in a completely original way: hip-hop, jazz, african, rock, spoken word, etc. Every time I listen I hear something new.
The lyrics: As I was an English major, lyrics are very important to me. Franti writes great lyrics-- he is an intellectual poet as far as I am concerned, and you can hear his skill in lyricism come through on tracks like "Speaking of Tongues" and "Skin on the Drum."
Political Message: Franti's political message is to spread tolerance and love. Some of the tracks are explicitly political, such as "Oh My God," while others are just a wonderful celebration of life. It's a good balance.
The only thing that gets a little annoying after you listen to the album several times is the radio show that shows up between most of the tracks. It's a great political message, but sometimes you just want to listen to music and not get preached at. That shouldn't deter you from buying this great album, though.
Great CD!!!
Music with heart.......2005-04-25
Nothing could be further from the truth - this is a wonderful CD. Yes, there is a message but Franti manages to get his point across while making an excellent CD. Great songs in a variety of styles are interspersed with radio segments describing the lead up to and the aftermath of the execution of an innocent woman. There are no duff tracks or off-key moments.
Recommended.
Franti's Great American Opera.......2004-10-20
Woven between scenes at the radio station Spearhead's songs are brought to life that emphasizes Franti's message in a manner which could only be hinted it without the dramatic structure surrounding it.
The first time I heard this album was late on a hot summer night, on the back deck of a friend's house. He didn't prepare me for what I was about to experience and at the end of "Skin on the drum" I was emotionally exhausted with chills down my back and the hair on the back of my neck standing on edge. I'm not ashamed to say I also cried. This is music presented in such a powerhouse of a theatrical production it should be staged or filmed. As it stands, its effectiveness is not diminished one iota by being "audio only."
While some may eschew the socio/politico commentary embedded into the work, no one who listens and experiences it in its entirety will go unmoved, or turn it off free from thought. For these very reasons "Stay Human" is one of the most important works and deserves a wide audience. A truly remarkable achievement from Franti and Spearhead.
Album Review:
- I Like It, Vol. 1
- Jammin' [Import]
- Jazz in the House V.6 [Import]
- Joey Beltram
- Kalimba de Luna [Import]
- Keshia Chanté [Enhanced] [Import]
- La Nouvelle Pauvreté
- Latitude 40
- Love and Kisses
- Me, Myself and I [CD-single] [Enhanced] [Import]
Album Review
Music CD: Live At Carnegie Hall [Live]
St Anger [Box set] [Limited Edition] [Import]
Strength that Endures: Integrity Music's Scripture Memory Songs