Oliver Lieb Is, Without Question, One of the Most Influential and Popular Producers of Electronic Dance Music in Germany. The L.s.g. EP features 'Fragile', which Must have Been Played at Every Techno Club in the World.
Into Deep,L.S.G.,Superstition [St K7],Club/Dance,Dance,Dance Music,Pop,Techno,Trance
Average customer rating:
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John Rutter Collection
Rutter , Cambridge Singers , and London Sinfonia Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LIEZ Release Date: 2002-11-12 |
Tracks:
- For The Beauty Of The Earth
- The Lord Is My Shepherd
- All Things Bright And Beautiful
- Shepherd's Pipe Carol
- The Lord Bless You And Keep You
- Open Thou Mine Eyes
- My True Love Hath My Heart (From Birthday Madrigals)
- Esurientes (From Magnificat)
- Gloria Patri (From Magnificat)
- Out Of The Deep (From Requiem)
- Pie Jesu (From Requiem)
- What Sweeter Music
- A Choral Fanfare
- A Prayer Of St. Patrick
- O Be Joyful In The Lord
- Behold, The Tabernacle Of God
- O Praise The Lord Of Heaven
- A Gaelic Blessing
- Angel's Carol
- Matthew, Mark, Luke And John (From Five Childhood Lyrics)
- Sing A Song Of Sixpence (From Five Childhood Lyrics)
- Go Forth Into The World In Peace
Customer Reviews:
John Rutter Collection is glorious!.......2007-07-23
John Rutter Collection.......2007-02-19
Typically gorgeous Rutter.......2005-12-20
Wonderful!.......2005-12-03
To sample Rutter's best music, this is the one........2005-06-30
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Journey into Deep Relaxation
CHT Doreen Blumenfeld Manufacturer: HeartHill ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JLR9 Release Date: 2002-07-01 |
Tracks:
- Introducton
- The Journey
Album Description
A restful guided imagery CD creating a path towards deep relaxation. Helps to reduce stress and anxiety, achieve restorative sleep, enhance the body's natural healing process and increase balance and focus in your life. Background music especially composed to deepen your state of relaxation.Customer Reviews:
Excellent.......2007-07-09
Try high quality speakers.......2007-07-08
I tried it out recently on a higher quality system with expensive speakers. It may just be me, but it has the effect of percodan or loritab (pain medication).
Something about her voice, on the high end speakers multiplies the effect of relaxing me, even as I'm sitting up with eyes open. On my $100 stereo it's nothing special although still my favorite.
didn't like so don't listen to it.......2006-11-09
It just plain works!!.......2006-10-07
I can still have problems staying asleep (insomnia and mild sleep apnea) but that's another issue.
My wife has a bunch of Wendi Freisen CDs which absolutely do not work for me. Where Wendi's voice grates and annoys, Doreen's voice is, "like buttah".
Highly recommended.
Sweet sleep!.......2006-08-25
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Kiri Sings Berlin
Irving Berlin , Jonathan Tunick , Abbey Road Ensemble , and Dame Kiri Te Kanawa Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RYP Release Date: 1998-01-20 |
Tracks:
- Let's Face The Music And Dance
- I Got The Sun In The Morning
- How Deep Is The Ocean?
- What'll I Do?
- Blue Skies
- It's A Lovely Day Today
- They Say It's Wonderful
- Say It Isn't So
- Cheek To Cheek
- Isn't This A Lovely Day?
- Always
- The Song Is Ended
- I've Got My Love To Keep Me Warm
- It Only Happens When I Dance With You
- Easter Parade
Amazon.com
After several recordings of American popular music, Te Kanawa has become a very effective crooner, phrasing with heretofore missing panache. The easy, jazzy Riddle-like arrangements are bouncy and appealing. But after 15 selections, the mysterious dissatisfaction of eating Chinese food and feeling hungry an hour later remains. Tunick writes in his program notes that "the waltz ballads ... are poignant and moving, but never stray into sentimentality." But why not? A little mushiness would serve this recording well, and also contribute to a desperately lacking variety of interpretation. Still, the voice is consistently gorgeous; it would just be nice to distinguish the happy songs from the sad. --Barbara Eisner BayerCustomer Reviews:
Irving Berlin at his best.......2007-06-26
Get's my vote!.......2004-04-03
And I've heard many of them, and I love their work.
But Kiri Te Kanawa is different. She was given one of the most beautiful instruments in the history of sound recordings. Thank God the recording companies figured out what they had and put her in front of a microphone early and often.
We have had a rare opportunity to experience a great artist from almost the start of her career clear through to what now must be it's final stages.
I, for one, feel privileged.
Thank you, Dame Kiri. The world is a little better place because of you.
Jazzy and Beautiful.......2002-09-01
I love it!.......2002-05-14
I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.
Gatsby would have loved it, and surely would have invited Kiri to all his parties!
Simply Dreadful.......2001-01-17
Her version of "What'll I do" alone earns her a place on the top ten list of abominable recordings of American music.
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Stars & Stripes: America's Greatest Hits
Manufacturer: Compendia ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000BMS Release Date: 1997-02-25 |
Tracks:
- The Star Spangled Banner
- George M. Cohan Medley: Yankee Doodle Dandy/Harrigan/Mary's A Grand Old Name/You're A Grand Old Flag
- American Salute
- The Washington Post
- El Capitan
- Armed Forces Medley: The Army Goes Rolling Along/Anchors Aweigh/Semper paratus/The U.S. Air Force...
- God Bless America
- Colonel Bogey
- National Emblem March
- Americans We
- Manhattan Beach
- Deep In The Heart Of Texas
- The Yellow Rose Of Texas
- Hoe-Down From 'Rodeo'
- Shaker Melody from Appalachian Spring
Tracks:
- Fanfare For The Common Man
- Overture To 'Strike Up The Band'
- America The Beautiful
- 76 Trombones
- Victory At Sea Suite
- America From 'West Side Story'
- Liberty Bell
- Variations On 'America'
- The Stars And Stripes Forever
Customer Reviews:
worth money.......2007-05-24
Great Patriotic Music.......2007-02-21
A good choice of tunes with good quality.......2005-06-30
Brilliant!!!.......2003-08-11
Best Patriotic Music I've Found.......2001-09-20
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Deep Into It
Larry Carlton Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O118 Release Date: 2001-11-13 |
Tracks:
- Put It Where You Want It
- Deep Into It
- Don't Break My Heart
- I Still Believe
- Morning Magic
- It's A Groove Thang
- Closer To Home
- I Can't Tell You Why
- Like Butta'
- Roll With It
- Put It Where You Want It (Extended Version)
Amazon.com
Thirty years ago, when Larry Carlton recorded the original version of "Put It Where You Want It," he was the newest member of the legendary Crusaders. On "Deep into It," featuring a long jamming remake of that classic tune, the guitarist is welcoming a new sax voice into the smooth-jazz fold, Chris Potter, heretofore known for his daring jazz work as a leader and with the Dave Holland Quintet. While Carlton doesn't come close to meeting Potter halfway on the acoustic/smooth-jazz axis, the guitarist, as the title suggests, does dig a bit deeper into the smooth-jazz harmonic and rhythmic framework. Potter sounds as comfortable playing here as he does playing more adventurous music. His tone has a grittier edge than most smooth-jazz players, but it's made palatable by Carlton's familiar warm guitar sound. Programmers Carl Burnett and Rex Rideout sparkle on the title track, "Morning Magic," and "Don't Break My Heart," while the tracks closest to the smooth-jazz center feature sax man Kirk Whalum or coproducer Paul Brown as composer and/or arranger, including a version of the Eagles' beautiful song, "I Can't Tell You Why," featuring vocalist Shai. --Mark RuffinCustomer Reviews:
Was Larry alive when he made this? Terrible!.......2007-05-25
2. Which makes this all the more frustrating--> how can such a great musician turn out such... completely boring music? I don't understand it and I guess I never will. The bottomline is--> if you tend to like neutral, tepid music (ie background music)--> this will be fine. Otherwise, skip this effort via Larry and pray that he comes back to life and puts out a good album.
Boring!!.......2006-12-31
Don't knock it 'til you try it.......2002-12-27
I admit there are things on some of his albums that I don't much care for, but it certainly isn't his guitar playing. I can live without singers and and all that, but considering that only covers maybe 10% of his material, I'd say he has done considerably better than most musicians these days, who churn out album after album that have one or two good songs and the rest is just filler. And I'm being very generous calling it "filler". It's the most polite word I can think of to describe most "music" on sale today.
Underrated album.......2002-10-23
Should put his talent to better use...........2002-09-03
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Welcome to Earth: Explorations in Body Awareness & Relaxation
Scott Gauthier Manufacturer: Scott Gauthier ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008OLDF Release Date: 2003-03-01 |
Tracks:
- Introduction
- Exploration #1 Scanning your body
- Exploration #2 Moving awareness through your body
- Introduction to Exploration #3
- Exploration #3 Deep Relaxation Sequence
Album Description
This work originates out of a wish that all my clients could have an understanding of the power and wonder of awareness in their daily lives. Body awareness is a skill that we lose when we start living in the fantasy worlds of the past and future. The body exists in the here and now, and if we place our awareness in our bodies, then we are reunited with the present moment.This recording offers a way of learning to focus on our bodies, an exploration that brings us into the moment of now. Our bodies have so much to tell us, if only we listen. I offer a path for listening, for creating a dialogue with our bodies, for saying hello, and for moving the focus of our awareness through our bodies.
Join your body on this enlightening exploration of life and consciousness.
The three explorations on this recording are best done at separate times. Each exploration is complete in itself. You will need time to rest and integrate after each .
Introduction
Exploration #1: Scanning your body for information, reawakening your body's ability to sense and feel, beginning a conversation with your body, saying Hello.
Exploration #2: Moving awareness intentionally through your body. Reuniting the body's sense of wholeness.
Introduction to Exploration #3: About affirmations.
Exploration #3: Deep Relaxation Sequence. Deep relaxation, letting go of stress, being in a state of mental clarity and total relaxation, and returning to an alert, aware and awake state.
Customer Reviews:
BEST BODY AWARENESS & RELAXATION CD I'VE HEARD IN YEARS!!.......2003-11-06
IF YOU ARE LOOKING FOR A GREAT RELAXATION AND BODY AWARENESS CD, I HIGHLY RECOMMEND THIS ONE!
Extend body work from the table to daily life.......2003-04-02
So good it will put you to sleep.......2003-03-28
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Gambling Eden
Rani Arbo & Daisy Mayhem Manufacturer: Signature Sounds ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009IB26 Release Date: 2003-06-10 |
Tracks:
- Stewball
- Finland
- Turtle Dove
- Closer
- Oh Death
- Big Black Bird
- Sparrow
- Eve
- The Farmer Is The Man
- Red Rocking Chair
- Road to Heaven
- Farewell To Saint Dolores
Customer Reviews:
Eden Regained.......2004-07-10
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On a Good Day
Jude Johnstone Manufacturer: Bojak Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007LLPW4 Release Date: 2005-02-22 |
Tracks:
- On A Good Day
- 20 Years
- Hard Lessons
- Hold On
- In This House
- Old And Gray
- Evelyn
- Pen And Paper
- Deep Water
- Long Way Back
- The Hereafter
Amazon.com
If an artist can be judged by the company she keeps, the vocal harmonies of Bonnie Raitt, Jackson Browne, Rodney Crowell, and Julie Miller on Jude Johnstone's second release attest to the esteem she enjoys from fellow singer-songwriters. Though Johnstone's songs have been recorded by singers from Bette Midler to Johnny Cash, the confessional conviction she invests in the title track, "Hard Lessons," and "Pen and Paper" makes her material seem as personal as a diary. As a narrative of marital breakup, "20 Years" has a melodic bounce at odds with its lyrical despair, yet most of the settings for these older-but-wiser reflections are as somber as Johnstone's writing is poetic. Some listeners might find the results a little precious, self-consciously so--as if musical maturity mainly involves the morose acceptance of painful truths--but fans of artists from Jackson Browne to Nanci Griffith should recognize a kindred spirit here. --Don McLeeseCustomer Reviews:
Yet another original fighting to get through............2005-06-19
performer named Karla Bonoff was a "hot" songwriter and established artists took notice and covered her song catalogue
until she to finally got her own recognition. I see the same thing happening to Jude. She writes some wonderful stuff and the
likes of Bette Midler to Bonnie Raitt have covered her emotional
turf. This collection has some outstanding songwriting and
open hearted Joni Mitchell like realism injected into the mix,
very moving material.
Well worth owning. Jude is one of our NEW & BEST songwriters.
Leaves you wanting more.......2005-03-13
By the time the last track begins, I'm already wishing it was a double album or, better yet, a box-set with 100 tracks of new and old material, demos, covers, Christmas songs, commercial jingles, and Jude singing phone book listings. I just don't want the music to end.
I first heard Jude perform when she opened for Shawn Colvin last year at a show in California, and I truly can't remember the last time I've had such a strong initial reaction to a performer. I remember specifically being floored by her performance of "Doesn't Anybody Know But Me" from her first CD, Coming of Age, and "Old and Gray" from this CD. Although I was there to see Shawn Colvin, I must admit that Jude stole the show that evening with her performance and gained a life-long fan in me.
It seems that every review written about Jude's CDs makes note of the fact that Jude has written hits for many top artists like Johnny Cash, Bonnie Raitt, Trisha Yearwood, and Stevie Nicks. While that does bear repeating here as further testimony to Jude's talent and reputation as a top-notch songwriter, it shouldn't overshadow Jude's talent as the exceptional performer she has proven herself to be on stage and on both her albums.
Jude's second CD, like her first, is filled with highly emotional and intelligent music which will appeal to music lovers who demand substance in their music-listening experience. Jude's music requires "active listening" and is not, as Jude terms it, "music to cook by." Although the instrumentation on this CD is beautiful in and of itself, it is not by any means merely pleasant background music. To fully appreciate the CD (and Jude's complete body of work for that matter) one must really listen to the lyrics as well. All the tracks on this CD tell interesting stories of life's everyday occurrences--of "busted heart[s]" and watching "friends go one by one"--all told through Jude's use of vivid imagery and storytelling.
Her most obvious "story" song is "Evelyn." The lyrics tell of Jude's arty (for lack of a better word) great-aunt who was expected to become the next "Clara Bowe or...Harlow" until a fire left her disfigured and relegated to "playing piano for the silent shows." Jude's impeccable word choice makes the young girl's heartache palpable to the listener while completely avoiding the maudlin tone a less-talented writer would likely have set in telling such a story.
Jude uses some wry humor in "20 Years," to recount the story of the decay of a marriage. Jude tells of a wife who, when dealing with her husband, cannot "connect the dots on his page" and the husband who sardonically states, "Go ahead and take the kids/ I'll see them twice a year." The potentially depressing topic of divorce becomes almost deceptively lighthearted in the adept hands of the songwriter.
A personal favorite is the last track, "The Hereafter." Written about the death of a family member, the song manages to be inspirational without being preachy or precious. This track contains two of the most poignant and affective uses of imagery on the album: "...the sky up above us/ Is filled with red wings/ As they welcome you/ In the hereafter" and the CD's last line, "Now the wind's at your back/ And whatever you lack/ You will find it/ Out in the hereafter." Pure lyrical perfection like this, coupled with a beautiful and memorable melody, makes this track a standout while also representing ALL the tracks on this CD.
In the title track Jude sings of being left "wanting more." After listening to this CD you will feel the same way.
a real jewel.......2005-02-27
First, her instrumentalists. Jude accompanies herself with piano on virtually every song--recalling the noble tradition of the singer/songwriter performing from the piano. She knows just how to accompany herself and does it beautifully. Mary Ramsay's violin and viola are superb. Didn't she do the same for Patty Loveless? Co-producer Charles Duncan acquits himself finely on guitar, organ, slide guitar, bass and poignantly on pennywhistle. He also does some backing vocals, along with an amazingly talented group of others--most especially Bonnie Raitt, Jackson Browne, Rodney Crowell and Julie Miller. Jude certainly knows how to use these voices to particular advantage in each song.
What can I say about the songs? They are all good, many are great...from the fine title tune which opens the cd to the amazing simple chorus of "Hold On," the sad and lovely "In This House," the poetic and image-filled "Old and Gray" (sung with Julie Miller), "Evelyn"--a wonderful, autobiographical song, the plaintive yet somehow hopeful "Pen and Paper," the sharp imagery and moving chorus of "Deep Water," the painful dilemma expressed so well in "Long Way Back," and the final song--a stellar, lovely tribute to a lost comrade--"The Hereafter" (with an amazing pennywhistle being played). It's a grand, impressive collection. What's amazing, as well, is how Jude--with a dusty, low, narrow-range of a voice--can sing so well and so rightly the emotions expressed in these songs. She's terrific.
In spite of the darkness and sadness in many of these songs, Jude finds reason for light and hope in many of them. I hope the talented Lori McKenna is listening and can find similar light and hope in future songs. She didn't in those on BITTERTOWN.
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Sing Irving Berlin
Manufacturer: Import [Generic] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008YGWJ Release Date: 2003-07-28 |
Tracks:
- Top Hat, White Tie and Tails
- How Deep Is the Ocean?
- It's a Lovely Day/Isn't It a Lovely Day
- Blue Skies
- Always
- They Say It's Wonderful
- No Strings
- Song Is Ended
- Stepping Out With My Baby
- Let Yourself Go
- Cheek to Cheek/Let's Face the Music and Dance
- Marrying for Love/The Girl That I Marry
- What'll I Do
- Puttin' on the Ritz
- Abraham
- Change Partners
- Heatwave
- I've Got My Love to Keep Me Warm
- Count Your Blessings
- White Christmas
Album Description
Quality music at a great price, this collection features 20 tracks including 'How Deep Is The Ocean', 'No Strings', 'Puttin' On The Ritz' & 'Heatwave'. The Swingles have, unusually, incorporated electric keyboards, horns and drums into their usually acappella approach, resulting in some thoroughly modern interpretations of Berlin's classics. Castle Pulse. 2003.Customer Reviews:
Doesn't work for me........2006-05-04
Album Review:
- Ladytom: Hardstyle Queen V.2 [Import]
- Lately [CD-single] [Import]
- Let Us Replay
- Love the Machines
- Ministry of Sound: Annual Spring 2004 [Import] [Limited Edition]
- Ministry of Sound: Breaks 04 Mixed by Kid Kenobi [Import]
- Ministry of Sound: Sessions V.8 - mixed by Todd Terry [Import]
- Mix Inc V.2: Antoine Clamaran [Import] [Limited Edition]
- New York Underground Club Traxx, Vol. 3
- Nite:Life 010
Album Review
Strauss: Early Orchestral Works, Vol.2
Sonata for Cello and Piano, Opus 11, Works for Cello and Piano