Dream Dance V.19 [Import]

Product Description
19th installment of popular German dance series, includes tracks from Marc Et Claude. York, Blank & Jones and many more. 40 tracks. 2001 release. Slimline double jewel case.

Dream Dance V.19,Various Artists,Sony,Dance,Dance Collections

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating:

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Tracks:

1. Vocalise, Op. 34, No. 4 - Academy of St. Martin in the Fields, Sir Neville Marriner
2. Rrie - James Judd, Julian Lloyd Webber, Royal Philharmonic Orchestra
3. Menuet (Water Music Suite, No. 3 in G Major) - Orpheus Chamber Orchestra
4. Tempo Di Valse (Serenade for Strings in E Major, Op. 22) - Academy of St. Martin in the Fields, Sir Neville Marriner
5. Humming Chorus (Madama Butterfly) - BBC Concert Orchestra, Barry Wordsworth
6. Banks of Green Willow - Academy of St. Martin in the Fields, Sir Neville Marriner
7. My Bonny Boy (English Folk Song Suite) - Academy of St. Martin in the Fields, Sir Neville Marriner
8. Touch Her Soft Lips, and Part (Henry V) - Bournemouth Symphony Orchestra, Andrew Litton
9. Lento Ma Non Troppo (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
10. Gaily But Not Quick (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
11. Corral Nocturne (Rodeo) - Antal Dorati, Minneapolis Symphony Orchestra
12. Lullaby - Riccardo Chailly, Cleveland Orchestra
13. Shenandoah - Mormon Tabernacle Choir, Jerold Ottley
14. To a Wild Rose (Woodland Sketches, Op. 51) - Joseph Cooper
15. Sarabande: For Katharine in April - Eastman Rochester Orchestra, Howard Hanson
16. Simple Gifts (Appalachian Spring) - Los Angeles Philharmonic Orchestra, Zubin Mehta

Tracks:

1. Air on a G String (Orchestra Suite, No. 3 in D, BWV 1068) - Munich Bach Orchestra, Karl Richter
2. Andantino - Arthur Grumiaux,
3. Larghetto (Concerto in a for Oboe, BWV 1055) - Manfred Clement, Munich Bach Orchestra, Karl Richter
4. Bourree 1&2 (Cello Suite, No. 3 in C BWV 1009) - Pepe Romero
5. Contrapunctus, No. 9 (The Art of the Fugue, BWV 1080) - Academy of St. Martin in the Fields, Sir Neville Marriner
6. Adagio (Oboe Concerto, No. 1 in B Flat, HWV 301) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard
7. Siciliana (Ancient Airs and Dances, Suite, No. 3) - Boston Symphony Orchestra, Seiji Ozawa
8. Siciliano (Sonata in E Flat for Flute and Harp, BWV 1031) - Maria Graf, Nicolas Chville
9. Larghetto, Con Sordini (Concerto, No. 6 in G ("La Cetra")) - Camerate Bern, , Heinz Holliger, Louise Pellerin
10. Andante (Sonata A5 in B Flat, HWV 288) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard, Kenneth Sillito
11. Aquarium (The Carnival of the Animals) - Pittsburgh Symphony Orchestra
12. Berceuse (Dolly Suite, Op. 56) - John Lenehan, Julian Lloyd Webber
13. Arabesque, No. 1-Andante Con Moto - Maria Graf
14. Largo (Concerto in D for 2 Violins and 2 Cellos, RV 654) - Academy of Ancient Music, Anner Bijlsma, Christopher Hogwood, Monica Huggett, Catherine Mackintosh, Anthony Pleeth
15. Bells (William Byrd Suite) - Eastman Wind Ensemble, Frederick Fennell
16. Chorale Prelude: "Wir Glauben All an Einen Gott", BWV 680 (Giant Fugue) - Czech Philharmonic Orchestra, Leopold Stokowski
17. Nocturne, Op. 19, No. 4 - Semyon Bychkov, Misha Maisky, , Orchestre de Paris
18. Adagietto-Adagio (L'Arlesienne, Suite, No. 1) - Myung-Whun Chung, Orchestre de la Bastille
19. Larghetto (Concerto Grosso in a Minor, Op. 6, No. 4, HWV 322) - Orpheus Chamber Orchestra

Tracks:

1. Pavane for a Dead Princess - Steve Erquiaga
2. Cavatina (The Deer Hunter)
3. Bachianas Brasileiras, No. 5 - Academy of St. Martin in the Fields, Alexander Lagoya, Kenneth Sillito
4. Sicilienne (Pell et Msande, Op. 80) - Steve Erquiaga
5. Arioso (Cantata, BWV 156) - Steve Erquiaga
6. Prelude (Suite, No. 4 in E Major, BWV 1006a)
7. Largo (Guitar Concerto in D Major, RV 93) - English Chamber Orchestra, , George Malcolm
8. After a Dream (Aprun R) (3 Songs, Op. 7) - Steve Erquiaga
9. Courante (Cello Suite, No. 3 in C Major, BWV 1009) - Pepe Romero
10. Romance d'Amour
11. Caprice, Op. 1, No. 24 - Nicola Hall
12. Concierto de Aranjuez: Allegro Con Spirito - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
13. Concierto de Aranjuez: Adagio - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
14. Concierto de Aranjuez: Allegro Gentile - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo

Tracks:

1. Adagio for Strings, Op. 11 - Baltimore Symphony Orchestra, David Zinman
2. Bel Di [Madame Butterfly] - BBC Concert Orchestra, Barry Wordsworth
3. Ave Maria - Gunther Arndt, Berliner Handel-Chor, Lisa Otto, Radio Symphonie Orchestra Berlin
4. Largo in F [Xerxes] - Edward Brewer, Orpheus Chamber Orchestra, Randy Wolfgang
5. In Paradisum (Requiem, Op. 48) - Carlo Maria Giulini, Philharmonia Chorus and Orchestra
6. Swan (Carnival of the Animals) - Marie Goosens, Jascha Silberstein
7. Be Still My Soul (Based on Finlandia) - Choir of Paisley Abbey, George McPhee
8. Vissi d'Arte [Tosca] - BBC Concert Orchestra, Barry Wordsworth
9. Nocturne [A Midsummer Night's Dream, Op. 61] - Chicago Symphony Orchestra, James Levine
10. Interlude (Po de l'Amour et de la Mer, Op. 19) - Charles Dutoit,
11. Adagio (Concerto in D Minor, Op. 9, No. 2) - Maria Teresa Garatti, Heinz Holliger, I Musici
12. Chacony in G Minor - Richard Hickox, Richard Hickox
13. Ave Maria, D 839 - Arthur Grumiaux,
14. Adagio in G Minor for Strings and Organ - Martin Haselbock, Karl Mger, , Stuttgart Chamber Orchestra

Average customer rating:

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50 Classics for the Quiet Times Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. 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Tracks:

1. Sym No.40: I. Allegro - Virtuosi Saxoniae/Ludwig Guttler
2. Sleeping Beauty: Intro - Berlin RSO/Heinz Rogner
3. Con in C, RV558: II. Andante - Virtuosi Saxoniae/Ludwig Guttler
4. Pno Con No.9: II. Andante - Annerose Schmidt
5. Con in a: II. Largo - New Bach Collegium Musicum/Burkhard Glaetzner
6. Dance No.3: Waltz in B flat - Berlin CO/Helmut Koch
7. Con No.5: II. Adagio - Hans Werner Watzig/Jurgen Abel
8. Orpheus In The Underworld: Ov (Exc) - Dresden PO/Robert Hanell
9. Vars On A Theme By Haydn: I. Andante - Berlin SO/Gunther Herbig
10. Pno And Vc Son in A: III. Andante - Bruno Canino/Jan Vogler
11. Balletti: Amoresca - Virtuosi Saxoniae/Ludwig Guttler
12. Song Without Words - Berlin RSO/Robert Hanell
13. Con Grosso in A: I. Grave - Collegium Instr Lipsiense/Georg Moosdorf
14. The Fair Maid Of Perth: Ser - Berlin RSO/Heinz Rogner
15. Capriccio: VI. Andante - Virtuosi Saxoniae/Ludwig Guttler
16. Brandenburg Con No.1: II. Adagio - Virtuosi Saxoniae/Ludwig Guttler
17. The Damnation Of Faust: Dance Of The Sylphes - Leipzig GO/Gerhard Weisenhutter
18. Lullaby - Jan Vogler/Bruno Canino
19. Minuet - Leipzig RSO/Robert Hanell
20. Ave Verum Corpus - Dresden PO/Herbert Kegel
21. Ser: II. Waltz - Dresden Staatskapelle Orch/Otmar Suitner
22. Fl Con in F, RV433: II. Largo - Eckhart Haupt
23. Water Music Ste 1: IV. Andante - C.P.E. Bach CO/Hartmut Haenchen
24. Vn Con No.2: III. Rondo Allegro - Berlin CO/Katrin Scholz
25. Sym No.1: II. Andante - Dresden Staatskapelle Orch/Herbert Blomstedt

Tracks:

1. The Four Seasons 'Winter': II. Largo - Camerata Bern/Thomas Zehetmair
2. Fant No.2, Op.116 - Peter Rosel
3. Prld No.1 - Siegfried Stockigt
4. Sym No.33: II. Andante Moderato - Virtuosi Saxoniae/Ludwig Guttler
5. Iberia: III. Triana - Dresden PO/Jorg-Peter Weigle
6. Pno Con No.2: II. Adagio - Peter Rosel
7. Ste No.3: II. Air - Virtuosi Saxoniae/Ludwig Guttler
8. Nocture No.2 'Murmurs' - Egon Morbitzer
9. Son No.1: I. Larghetto - Christian Funke/Jurgen Rost
10. Vn Con in a, RV356: II. Largo - Manfred Scherzer
11. Str Qt in G: I. Adagio - Mirring Qt
12. Pictures At An Exhibition: Promenade - Leipzig GO/Igor Markevitch
13. Con in F: IV. Adagio - Virtuosi Saxoniae/Ludwig Guttler
14. Meditation - Dresden PO/Kurt Masur
15. Guardame Las Vacas - Monika Rost
16. Goldberg Var No.2 - Hans Pischner
17. Congratulations Minuet - Weimar Staatskapelle CO/Friedemann Balzel
18. Var On A Theme By Mozart - Dresden PO/Heinz Bongartz
19. The Nutcracker: Waltz Of The Flowers - Berlin RSO/Heinz Rogner
20. Ser No.2: Waltz - Dresden Staatskapelle Orch/Otmar Suitner
21. Andante Cantabile in B - Reante Scholrer
22. Con No.8: II. Largo - Hans Werner Watzig/Jurgen Abel
23. Lohengrin: Prld To Act 3 - Dresden Staatskapelle Orch/Hiroshi Wakasugi
24. Holberg Ste: II. Sarabande - Berlin Staatskapelle Orch/Otmar Suitner
25. A Midsummer Nights Dream: V. Intermezzo - Leipzig GO/Kurt Masur

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Campark Records: The Vocal Groups, Volume 5 Bobby and the Masters , The Turbans , The Jaynells , Pookie Hudson and the Spaniels , Neil Brian , Billy Abbott and the Jewels , The Cameos AKA Quadrells , Tootie and the Bouquets , The Fashions , and Jimmy Jones with Little Eva Manufacturer: Campark Records ProductGroup: Music Binding: Audio CD ASIN: B000TYYI9Q

Product Description

Keep a good thing going with volume 5 of Campark Records: The Vocal Groups! Features Pete Antell & Group, Defenders, Fashions, Sequins, Dream Girls & many others. 29 songs total! Song list: 1. A Thousand Stars - Chants, 2. I'll Stay Home - Jaynells, 3. Night Time - Pete Antell & Group, 4. Two Happy People - Candy & Kisses, 5. I Can See Me Dancing With You - The Boys Next Door, 6. At the Hop - Chubby Checker & Group, 7. Just One Chance - Sparkletones, 8. Merry Christmas - Cameos aka Quadrells, 9. I Laughed So Hard - Defenders, 10. The Conqueror - Tootie & Bouquets, 11. Over the Weekend - Johnny Maestro & Masters, 12. Baby That's Me - Fashions, 13. Remember Then - Bobby & Masters, 14. Oh This Is Why - Dream Girls, 15. Golden Rings - Turbans, 16. Afternoon Slow Dance - Dina Raye & Group, 17. I'll Just Close My Eyes - Skyliners, 18. Looking Back - Lee Andrews & Group, 19. Three Rows Over - Neil Brian & Group, 20. Mama Let the Bell Ring - Little Cheryl & Group, 21. Hey Good Lookin' - Billy Abbott & Jewels, 22. Jimmy's Girl - Matt Stevens & Group, 23. Don't You Just Know It - Jimmy Jones with Little Eva, 24. John Brown - Pookie Hudson & Spaniels, 25. To Be Young - Sequins, 26. Sweet Sweet - Tony Orlando, 27. That Lonely Night - George Jackson & Group, 28. It's the Talk of the Town - Bobby Ellis & Group, and 29. Marlene - Billy Barette & Group

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7. From Stockholm With Love [Import]
8. Frontier Psychiatrist [CD-single] [Import]
9. Harder Better Faster Stronger [CD-single] [Import]
10. Hardstyle Sessions, Vol. 3 [Import]

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