| 1. Dare You To Be Happy |
| 2. Soul Mate Number 9 |
| 3. But I Lied |
| 4. God Only Knows |
| 5. Symphony Of Life |
| 6. You Made Me Find Myself |
| 7. If You Ever |
| 8. Tangled |
| 9. Im Gone |
| 10. Somethings Gotta Change |
| 11. Woman |
Editorial Reviews
2001 album and her first studio release in four years, Just Me was written in the US and Europe with the best collaborators in the business, Nile Rodgers (Madonna, David Bowie) and Peter Vetesse (Annie Lennox, Heather Small). With a more mature and worldy electronic sound, the album rivals Dido, Massive Attack and Madonna in terms of musical quality. 11 tracks in all. Includes the first single 'Soul Mate #9'.
Just Me,Tina Arena,Sony,Dance,Rock/Pop
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Just Me
Tiffany Manufacturer: 10 Spot Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000Q364GA Release Date: 2007-06-05 |
Tracks:
- Feels Like Love
- Just Me
- Be Alright
- Hiding Behind the Face
- Calling Out Your Name
- Mind Candy
- Anyone But Me
- Streets Of Gold
- This Love
- Winter's Over
- I Will Not Breakdown (Bonus Track)
Customer Reviews:
Used To The POP vibe and got a ROCK treat!.......2007-07-19
"Hiding Behind The Face" is a country-esque ballad. All of those 'look in the mirror' and "see" yourself type tracks, if you are looking for that, then this is it! Basically, to see yourself for what you are, not just whats on the surface. "Calling Out Your Name" finds our starlet, thinking about that special love, whether he is in her life or not is irrelevant, because there is a part of him that she still holds in her heart. "Mind Candy" goes back to that country vibe. This cut here, is for all you dreamers out there, thinking about that person you are in love with and he/she doesn't even know it.
"Anyone But Me" is a great ballad, about being true to yourself, no matter what people think, especially the media, she gets many opinions, to change her and she reject them all and she now knows to just be the best 'you', you can be! "Streets Of Gold" is old school rock, I mean, Desperado from the Eagles was awesome right, well think of a contemporary version of that and this would be it, Tiffany did an awesome job with this one! Very dark, very prolific. "This Love" sort of goes back to that poetic rock vibe think The Doors, Jim Carroll, that sort of thing, maybe she has some skeletons in her closet with this one, LOL, but don't we all.
"Winter's Over" sees a relationship ending, but there is more nostalgia and heartache in this piece. It is brilliantly written and some would call it a tear jerker, don't believe me, turn out the lights, close your eyes, and listen to the words. "I Will Not Breakdown" finds her going down that road to self preservation. So many trials, so many mountains to climb, it is easy to lose your way, just keep looking ahead and the past will push you along. Amen to that sister!
All in all this is a good CD, I mean, all pop icons mature and all of them have a story to tell and I feel that this one is Tiffany's story, have a listen, you wont be sorry.
Growing as an Artist.......2007-07-10
Tiffany Comes Back and Really Lays Out A Musical Collection!.......2007-06-28
These are my favorite songs:
Winter's Over
Just Me
Feels Like Love
Streets Of Gold
Hiding Behind The Face is a pretty good song, as well as Calling Out Your Name. Mind Candy is a fun song to hear Tiffany sing. And, of course, I Will Not Breakdown from her CD Color Of Silence (2000) is good to hear once again.
My least favorites are:
Be Alright
This Love
Anyone But Me
Overall, this CD is amazing! I have always loved Tiffany's music. This is yet another impressive and well-written CD and I hope that Tiffany continues writing songs and selling records in the future.
Hold An Old Friends Hand.......2007-06-25
Her leadoff single is "Feels Like Love" which is a pretty simplistic melody but with Tiffany's voice she breathes such life into the song. You will be humming and singing it in no time.
Every song just falls into place on this set offering a different glimpse into Tiffany's life right now. Each song offers something different and the lyrics are raw and the hooks are very melodic and radio friendly at the same time. For such an underrated artist Tiffany just keeps coming out with CD after CD and pleases her fans everywhere. `Just Me' is no exception to that rule - it's a very personal CD with a lot of emotion in every song.
Check these out:
"Just Me"
"Hiding Behind the Face"
"Mind Candy" - more of a rock edge to it. A really great song.
"Winter's Over" - genius
A great CD from start to finish. I highly recommend it!!
A terrific pop/rock CD! Tiffany keeps getting better and better!.......2007-06-11
The album's single "Feels Like Love" is a rather misleading track. It's kind of light and fluffy, more along the lines of what people who are familiar with Tiffany's '80s albums would expect. But the album gets more complex from there. Sure, there are love songs. But there are also songs filled with self-examination -- and there's even a highly moving song about homelessness.
The song "Just Me" is nothing short of an anthem. I hum along to it, and I feel better about myself. It's just very uplifting. Most of these songs are. I am also a huge fan of the songs "Hiding Behind The Face" and "Calling Out Your name" -- great rock and roll. But all the songs here are gems. Not a stinker in the bunch. And to the reviewer who did not like "Anyone But Me", are you serious? That is a kickass track!! And it has a powerful message!
All in all, this is a thoroughly satisfying musical experience. I expected it to be good, but I was not prepared for how delicious a collection this is. I recommend this, even to people who are not familiar with Tiffany's other recent work. Oh, and buy "Color of Silence" if you don't have it. That is Tiffany's best album. But this one is a close second!
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Working (Original 1978 Broadway Cast)
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LZSR Release Date: 2001-07-10 |
Tracks:
- All The Livelong Day (Schwartz)
- Lovin' Al (Grant)
- The Mason (Carnelia)
- Neat to Be a Newsboy (Schwarz)
- Nobody Tells Me How (Rodgers-Birkenhead)
- Un mejor Dia Vendra (Taylor-Daniele-Landers)
- Just A Housewife (Carnelia)
- Millwork (Taylor)
- If I Could've Been (Grant)
- Joe (Carnelia)
- It's an Art (Schwartz)
- Brother Trucker (Taylor)
- Fathers & Sons (Schwartz)
- Cleanin' Women (Grant)
- Something to Point To (Carnelia)
- I'm Just Movin' (Schwartz) (from the L.A. Theatre Works complete recording of the 1999 revised version)
- Hots Michael at the Piano (Carnelia) (previously unreleased demo recording performed by the composer)
- The Mason (Carnelia) (previously unreleased demo recording performed by the composer)
- Joe (Carnelia) (previously unreleased demo recording performed by the composer)
- Lovin' Al (Grant) (previously unreleased demo recording performed by the composer)
- Fathers & Sons (Schwartz) (performed by the composer)
Amazon.com
The original 1978 Broadway cast recording of Stephen Schwartz's Working has long been awaited on CD, and this great-sounding 2001 release proves it was worth the wait. Surely one of the more unlikely sources for a musical was Studs Terkel's 1972 book that compiled interviews of American working people discussing their jobs and what they liked and disliked about them. Schwartz transformed these interviews into a series of songs written by himself, Craig Carnelia, Mary Rodgers and Susan Birkenhead, Micki Grant, and pop singer James Taylor, and accordingly the variety of songs is as great as the variety of the workers featured. There's the lyric beauty of "The Mason," the rueful "Just a Housewife," the retiree's wry "Joe," the waitress's lilting "It's an Art," Taylor's pop-country "Brother Trucker," and the powerful emotion of "Fathers and Sons," realized by a compelling cast that features David Patrick Kelly, Joe Mantegna, Bob Gunton, and Lynne Thigpen, among others.Six bonus tracks include a new version of the grocery checker song written for the 1999 L.A. Theatreworks production, Carnelia and Grant performing their own songs (unfortunately, Grant's track comes from a poor-quality audio source), and Schwartz's moving performance of "Fathers and Sons" from 1999's The Stephen Schwartz Album. Also welcome are 2001 notes from Schwartz paired with 1978 notes from Terkel, and a detailed listing of the composers and performers of each song. Working was filmed for American Playhouse in 1982. --David Horiuchi
Customer Reviews:
An underrated musical.......2006-03-16
I saw this show done by my high school years ago, so maybe it holds a bit of nostalgia for me, but it is definitely worth checking out.
Wonderful Lesser Known Gem.......2005-12-26
Keep Working!!!.......2004-06-12
What makes Working so special is that anyone can relate to the lyrics, they are powerful, beautiful, touching, and extremely real. Anyone who has ever worked a day in their life will feel the lyrics hit close to home. Whether you're a housewife, a valet parker, a fireman, a millworker, a teacher, a cleaning woman, or even a hooker, this musical has a place for you, no matter what job you do.The emotion, sincerity, and love expressed in the songs are amazing, and they are all extremely unique and a pure joy to listen to.
All the songs are fantastic but the stand-outs have to be "All the Live Long Day," "Just a Housewife," "If I Could've Been," "It's An Art," "Father's and Sons," "Cleaning Women," and "Something to Point to." I also have a soft spot for "Brother Trucker" and "I'm Just Movin" from the 1999 revival, which I am so grateful is included in this CD. This is a terrific, feel-great album everyone should listen to. Give Working a chance, it's worth it.
a good, if obscure CD.......2003-09-26
off the beaten path.......2003-07-10
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Encore
Russell Watson , and Leonard Bernstein Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JI9W Release Date: 2002-10-01 |
Tracks:
- Va, Pensiero (Verdi)
- Volare
- The Prayer
- 'O Sole Mio
- Ave Maria
- Mattinata (Leoncavallo)
- You Are So Beautiful
- Somewhere
- Che Gelida Manina (Puccini)
- E Lucevan Le Stelle (Puccini)
- Magic Of Love
- Catch The Tears
- Is Nothing Sacred?
- Bohemian Rhapsody
- Celeste Aida (Verdi)
- Where My Heart Will Take Me (from "Enterprise")
Amazon.com
Following up on the release of his debut CD, The Voice, Russell Watson is back with Encore, another mix of opera favorites and popular songs. By now Watson has become virtually a household name--he sells out large concert venues and remains on the top-seller charts. On Encore, we find Puccini and Verdi sharing the billing with Lulu and Lionel Ritchie on the CD's 16 tracks, which range from the much-loved Bach-Gounod "Ave Maria" to "Where My Heart Will Take Me," the theme for Enterprise (the latest Star Trek TV series). Indeed, a more fitting title might have been The Voices, since Watson explores opera, sacred works, film, television themes, and pop songs. The orchestral arrangements on tracks such as "Va, Pensiero" may not win him any fans from the opera contingency, but Watson reveals a captivating sound on pop ballads, including "You Are So Beautiful" and "Somewhere." If you enjoyed The Voice, you're certain to want an encore. --Rebecca AgnewCustomer Reviews:
awsome CD.......2007-06-09
Versatile Singer.......2007-03-30
il divo ancora music.......2006-11-10
Amazing..........2006-05-05
His wrost CD.......2005-01-12
The Classical stuff is great but The pop stuff is some of the wrose pop stuff he has even done.
Average customer rating:
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Pavarotti & Friends - For The Children Of Liberia
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DBVG Release Date: 1998-10-20 |
Tracks:
- Let It Rain
- Stop
- How Do I Live Without You
- I Hate You Then I Love You
- Higher Ground
- 'O Surdato 'Nnammurato
- Se Bastasse Una Canzone
- Betcha Never
- Viva Forever
- Va, Pensiero
- Napule e'
- Une Place Pour Moi
- Non Ti Scordar Di Me
- Tonight
- Dreams
- Adeste Fideles
- Peace Wanted Just To Be Free
Amazon.com
Is music for a good cause a good cause for music? Not really, if you expect artistry. But this smorgasbord of popular international musical stars brings together extreme musical genres for an excellent purpose, and is enjoyable enough for almost anyone. Pavarotti's relaxed and buoyant leadership and still gorgeous tenor add beauty to the rock/pop selections. Trisha Yearwood, Celine Dion, and Stevie Wonder impressively hold their own against Opera Spice; but the other artists pale against the master's presence. The Spice Girls will never be confused with Anonymous 4; Zucchero's growling is scary; Florent Pagny exemplifies French rock; and Pino Daniele's breathy tenor is mellow and soothing. Best for those wanting to experience Pavarotti's vocal beauty in a more popular idiom. --Barbara Eisner BayerCustomer Reviews:
A Superb Collection of Music.......2002-11-14
This is a delightful combination of music talents to enjoy!.......1999-04-01
This will tenderize your heart........1999-03-07
Phenomenal !! A must have for any music library........1998-12-29
Outstanding Music, bringing Pavarotti to new heights........1998-12-06
Average customer rating:
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Classic Julie Classic Broadway
Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005KBBR Release Date: 2001-06-19 |
Tracks:
- On A Clear Day
- A Cock-Eyed Optimist
- Hello, Young Lovers
- Here I'll Stay
- My Fair Lady Shuffle: Overture/Wouldn't It Be Loverly/Let A Woman/Just You Wait/Poor Professional...
- Getting To Know You
- Living In The Shadows
- Bewitched
- I Have Dreamed
- My Funny Valentine
- Camelot Suite: Camelot/The Simple Joys Of Maidenhood/How To Handle A Woman/If Ever I Would...
- Crazy World
- If I Loved You
- Edelweiss
- The Sound Of Music
Customer Reviews:
5 STARS AND THEN SOME !!.......2006-02-10
Pretty Sad, .......2005-10-27
I FELL IN LOVE WITH JULIE ALL OVER AGAIN.......2005-06-25
A Great Julie Andrews CD.......2002-01-27
I found the material to be very well put together giving the listener selections from My Fair Lady, Camelot, The Sound of Music, Victor/Victoria and others. What more could you want?
As for Ms. Andrews, she is superb. There is simply no one like her. I have heard comments that prior to the infamous throat surgery she was unable to handle the difficult material and hit those high notes. This is just not true. All you have to do is listen to these songs recorded in the early 90's to know that she still had a marvelous voice. Lets hope that one day she will be able to sing and record again. If not, these may be her last recordings so treasure them.
The My Fair Lady suite is wonderful and Ms. Andrews definitely hit the high note at the end of "I Could Have Danced All Night".
Her version of "Edelweiss" and "The Sound of Music" are lovely.
Also worth listening to is "Living in the Shadows" written for the Broadway production of Victor/Victoria so you won't find it on the movie soundtrack. The lyrics are by Leslie Bricusse who also penned "Crazy World", which is another great selection on this cd.
Overall this is a cd worth having in your collection, so buy it today. Otherwise you are missing out.
Climbing Every Mountain with Mary Poppins.......2002-01-22
every since I stepped into a theater and watched Mary Poppins
(many years ago). I admire her talent and her voice on this CD. I know it is not as clear a voice as she used to have but I still enjoy listening to her. I listen to this CD when I want a "pick me up" and am proud to have it as part of my collection.
Average customer rating:
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The Magical Music of Disney
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D0K Release Date: 1995-04-18 |
Tracks:
- Suite From The Lion King: This Land-Circle Of Life
- Suite From The Lion King: I Just Can't Wait To Be King
- Suite From The Lion King: Hakuna Matata
- Suite From The Lion King: Be Prepared
- Suite From The Lion King: Can You Feel The Love Tonight
- Suite From The Lion King: King Of Pride Rock
- Suite From Aladdin: Arabian Nights
- Suite From Aladdin: One Jump Ahead
- Suite From Aladdin: Friend Like Me
- Suite From Aladdin: A Whole New World
- Suite From Aladdin: Prince Ali
- Suite From The Little Mermaid: Introduction
- Suite From The Little Mermaid: Part Of Your World
- Suite From The Little Mermaid: Under The Sea
- Suite From The Little Mermaid: Poor Unfortunate Souls
- Suite From The Little Mermaid: Les Poissons
- Suite From The Little Mermaid: Kiss The Girl
- Suite From The Little Mermaid: Happy Ending
- Suite From Beauty And The Beast: Prologue
- Suite From Beauty And The Beast: Belle
- Suite From Beauty And The Beast: Be Our Guest
- Suite From Beauty And The Beast: Gaston
- Suite From Beauty And The Beast: Beauty And The Beast
Customer Reviews:
Disney.......2004-11-30
Wonderful Orchestrals.......2002-02-11
under the sea.......2000-04-30
under the sea.......2000-04-30
I believe!.......2000-01-29
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Bea Arthur on Broadway - Just Between Friends
Bea Arthur Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YTRL Release Date: 2002-02-12 |
Tracks:
- Lamb Recipe
- Fun To Be Fooled
- Introduction
- What Can You Get A Nudist For Her Birthday?
- Auditions
- Isn't He Adorable
- Fiddler on the Roof
- Let's Face The Music And Dance
- Bosom Buddies
- Angela Lansbury
- Threepenny Opera/ Pirate Jenny
- It Never Was YOu
- And Then There's Maude
- Some People
- The Soup Ladle
- Where Do You Start
- Bernie Schwartz
- If I Can't Sell It, I'll Keep Sittin' On It!
- Personal Hygiene
- Who Cares
- Fifty Percent
- The Nun's Story
- You're Gonna Hear From Me
- The Chance To Sing
- The Man in the Moon is a Lady
Amazon.com
More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls)."I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi
Customer Reviews:
And Then There's BEA!.......2007-01-20
Golden Girl Shines Brightly.......2005-10-21
Alive and Unforgettable.......2004-11-21
The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.
What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.
I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...
Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.
You really can't be disappointed. I promise.
If only we could have a visual as well!
A trip down memory lane..........2003-10-19
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.
A Truly Remarkable Accomplishment.......2003-06-16
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Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SDR Release Date: 1990-10-25 |
Tracks:
- Cheek To Cheek
- Isn't This A Lovely Day?
- The Piccolino
- Change Partners
- Top Hat
- I've Got My Love To Keep Me Warm
- Heat Wave
- The Way You Look Tonight
- Pick Yourself Up
- A Fine Romance
- All The Things You Are
- Why Do I Love You?
- I Get A Kick Out Of You
- Night And Day
- Looking At You
- Just One Of Those Things
- My Funny Valentine
- Thou Swell
- The Lady Is A Tramp
- Blue Room
Customer Reviews:
A really Fine Romance.......2007-07-05
A Musical Treat.......2006-01-08
Yehudi Menuhin and Stéphane Grapelli together had made some of the most beautiful music ever-recorded. And I believe that this is one of the many successful albums they recorded together. In this recording, both violinists have showed their excellent musicianship and interpretative eloquence as well, making it one of my most cherished CDs from my collection.
These are the main ingredients of a perfectly-made CD for your listening pleasure: mix violins, piano, bass and drums together, combine two terrific violinists, season with the best melodies in the 20s, 30s and 40s from Irving Berlin, Jerome Kern, Cole Porter and Rodgers & Hart. Add the musical talents of Nelson Riddle, Max Harris, Martin Taylor, Eddie Tripp, Alan Clare and the rest of the studio musicians. Now all you have to do is to sit back, relax and savor these stunning melodies coming from your CD player. Listen to it in full-volume and fill your music room with the sheer beauty of these classics.
One of my favorite musical instruments is violin. With its four strings, it gives a whole wide range of musical versatility and I simply love the fascinating sound it produces.
My personal highlights are the best tunes from Jerome Kern - "The Way You Look Tonight" (Nelson Riddle arranged this particular track and conducted the Woodwind and Brass section), "A Fine Romance," "Pick Yourself Up," "Why Do I Love You?" and "All The Things You Are."
My choices from Irving Berlin's gems are - "Isn't It A Lovely Day?" featuring the great artistry of Nelson Riddle in arranging and conducting, "Cheek To Cheek" and "I've Got My Love To Keep Me Warm."
The Cole Porter repertoire represented his musical sophistication in "Night And Day," "I Get A Kick Out Of You" and "Just One Of Those Things."
The choice cuts from the talented and creative team of Richard Rodgers and Lorenz Hart are "My Funny Valentine" and "Thou Swell."
Listening to this CD is so delectable and equivalent to having my favorite dessert - be it Tiramisu, New York Cheesecake, Black Forest Cake, Chocolate Soufflé, Créme Brulee, Chocolate Mousse or Chocolate-Coated Strawberries! ;)
A musical treat.
Average customer rating:
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Judy in Love & Alone
Judy Garland Manufacturer: S&P Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000641C8 Release Date: 2002-04-23 |
Tracks:
- Zing! Went The Strings Of My Heart
- I Can't Give You Anything But Love
- This Is It
- More Than You Know
- I Am Loved
- I Hadn't Anyone Till You
- I Concentrate On You
- I'm Confessin' (That I Love You)
- Do I Love You?
- Do It Again
- Day In-Day Out
- By Myself
- Little Girl Blue
- Me And My Shadow
- Among My Souvenirs
- I Gotta Right To Sing The Blues
- I Get The Blues When It Rains
- Mean To Me
- How About Me
- Just A Memory
- Blue Prelude
- Happy New Year
- Then You've Never Been Blue (bonus track)
Customer Reviews:
Perfect Release of a two-fer.......2004-11-20
The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.
Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.
Get this new and improved disc, and you'll love it.
Finally "Alone" on CD!.......2003-10-01
So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!
Terrible sound and terrible packaging.......2003-06-27
JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.
The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.
Garland the Great.......2002-05-02
Album Review:
- K.C. & The Sunshine Band - Vol. 1-Greatest Hits
- Kitsuné Maison
- Last Night in Tokyo, Live 1996 [Live] [Import]
- Layover
- Like This [CD-single] [Import]
- LSI (Love Sex Intelligence) [CD-single]
- Mama Mia [Import] [Special Edition]
- Mashed Two: Mixed By the Bang Gang Djs [Import]
- Me Against Myself [Import]
- Michael Zager Dance Collection
Album Review
Godskitchen: Journeys [Box set] [Import]
Paderewski: Pianist & Composer
Power: Missa Alma redemptoris mater; Motets
Rick Wakeman [Limited Edition] [Import]
Rewired: A Tribute to Jeff Beck [Enhanced]
Sacred Steel, Vol. 2: Live! [Live]
Short Skirt Long Jacket [CD-single] [Import]
Onkel Toms Hotte Von Harriet [Import]
Straight from the Streets Presents Houston Hard Hitters, Vol. 1 [Explicit Lyrics] [Limited Edition]