| 1. 3d |
| 2. Quickie |
| 3. Girl Talk |
| 4. Turntable |
| 5. In Your Arms Tonight |
| 6. Over Me |
| 7. Hands Up |
| 8. Damaged |
| 9. Dirty Dirty |
| 10. So So Dumb |
| 11. Good Love |
| 12. Hey Hey Hey Hey |
| 13. Give It To Me While It |
| 14. Girl Talk (Dvd) |
| 15. Hands Up (Dvd) |
| 16. Damaged (Dvd) |
Editorial Reviews
Product Description
Asian Version featuring a Bonus Dvd (Pal/Rc-0) with Three Videos.
THE WHOLE ALBUM
R.I.P.LISA LOPES (L.I.P)
live in peace
p.s. Be on the look out for Chilli's solo debut CD on Akon's Konvict Music.
The album starts out with the "3D Intro", which gives a list of things pertaining to the group that involve the number three, such as "Three trendsetters" or "three personalities". It then goes directly into a short couple of verses. "Quickie" is one of the few songs that has Lisa in it. With T-Boz singing lead, Chilli doing the chorus and Left Eye rapping, the song is one of the most simply entertaining offerings on the album. Lead single "Girl Talk" describes how girls will spread certain information about their men (ie. "Some of y'all been killin' me/thinking you got powers like Austin/But you're more like Mini-Me"). This song also contains one of Lisa's raps, adding another level of sass. The song itself is not that easy to describe, but it becomes clear once you hear it. "Turntable" is one of my favourites on the album. A tribute to Lisa, many have criticized its placement toward the beginning of the album, claiming that it taints the rest by reminding everyone of the element that's missing in most songs. Chilli and T-Boz both sound beautiful in this song, which encourages us to believe that there is always a brighter day no matter how dark things get. This is definitely a hightlight.
I've never particularly liked the Neptunes as producers, as many of the songs they've produced for different artists sound very similar. "In Your Arms Tonight" is one of such songs, where I like nearly everything but the production. The only part I really can't stand is the chorus, as it doesn't seem to fit with the rest of the beat. The production in the rest of the song is average, but fits decently with the vocals, so it's manageable. Chilli and T-Boz sound great, and the song itself is nice but it is far from the best they've done. Produced by Rodney "Darkchild" Jerkins, "Over Me" is a step up from the previous song. Chilli sounds great in the first verse, and it's nice to have her sing lead instead of T-Boz. This is probably one of the standout songs on the album because it showcases everything that we love about TLC: great vocals from both T-Boz and Chilli, sassy lyrics, and a great blend of the vocals and production. Lisa does have a rap in this song, however it sounds somewhat recycled and out of place. Overall, this is definitely one of the better uptempo songs. "Hands Up" describes the girls seeing their man cheating on them at a club, and the initial thoughts that go through their minds. ("I was thinkin' there's no way it could be you/not my baby/he ain't crazy..."). I don't know why, but the whole vibe of this song really appeals to me. Some call it boring, however I think the tone fits perfectly. I also love the way the girls alternate verses because the contrast in vocals keeps interest.
"Damaged" is easily one of my all-time favourite TLC songs. It's so easy to relate to, as it describes a person who is scared to get involved with someone new because they've been hurt in a previous relationship. This is a situation that many people go through, and thus many will find at least a segment of the lyrics that they can relate to. Written by T-Boz and Dallas Austin, it really shows off T-Boz's writing skills. This is definitely both an album and a career highlight. "Dirty Dirty" in contrast is one of the weaker songs. Missy Elliot has always been a hit-and-miss producer, and this song by far falls into the "miss" category. It's not so much that the song is awful, it's just that it really doesn't go anywhere. It seems to be an obligatory club song that has very little lyrical content. With that said, I do like the way the bridge is sung but it is not enough to salvage the song. "So So Dumb" brings them back into highlight territory with a song about telling a male friend he's dumb for cheating on his wife. The instrumentation is beautiful, and sets the tone perfectly. The girls tell him reasons why he shouldn't cheat ("See your wife is beautiful/ the kid is two years old"), and that they'll tell his wife what he's been doing ("I'ma call your wife boy/ And tell her where you've been"). The bridge in particular is beautiful, as they attempt to convey to him the consequences of what he's doing. Another definite highlight.
"Good Love" is not one of those songs that's instantly likeable, but it is the epitome of a grower. It has beautiful vocals, a sweet message, and nice lyrics all of which sound increasingly better with each listen. Many people see this as a fairly sudden switch from the male-bashing anthems TLC used to have (ie. "No Scrubs") however it is a nice change and shows their versatility. "Hey Hey Hey Hey" is the last of three songs to be produced by Darkchild ("Turntable" was also produced by him, although most do not realize it). It straddles the line between good and merely average, depending on the day. There's nothing particularly wrong with it, but there is nothing all that great either. The girls sound good, and the lyrics are decent but there's nothing to scream "standout". "Give It To Me While It's Hot" is an excellent closer simply due to the performances. The lyrics look average on paper, but sound amazing the way they are sung. Lisa's rap here is one of her best on this album ("There's two different dreams/Her thoughts are so pure/His low as the floor"). The production on this one is excellent as well.
Overall Mark: 4/5
Despite losing one of the group members while the album was in progress, TLC provided another high quality album. Reading through other reviews, I noticed one reviewer mention that some of Lisa's raps here were rehashed from her solo album Supernova. This would explain why her raps in a couple of songs sounded out of place, however one in particular sounded amazing nonetheless (in the final track). Chilli and T-Boz sound amazing as always, and I hope this is not their final album as a group. As much as Lisa's presence will be missed, I would love for more albums to come from the remaining members since all of them have been excellent thus far.
And this isn't a bad release. "Sunset" starts off rather positively. It actually reminded me a bit of Troubleman's cd, only it's far less electronically twinged. That's followed up with "I'm Ready", where you hear him on guitar, adding a little bit of funk to the sound wihtout the tune being overbearing. But... there wasn't a great deal of adventure in the track. "Follow Her" came afterwards and the music was actually pretty nice, although it was admittedly a bit of a cheesy tune with vocals. That can be a dangerous approach but then again, sometimes that's what made the old Italian bossa soundtracks fun for today (like when you hear the woman say... "You're so groovy"). Other tracks that stood out were "Sintra", "El Alba" and "Eighty Eight". The mood of the cd in general is pretty easy going and low-key. Actually... to be honest... this album reminds me of something that more... *mature*... fans would listen to when they're driving home from work/listening to the 'soft-jazz' radio stations that play a healthy dosage of David Sanborn. Nothing wrong with that at all, mind you... [yeah, I did a bad job sugarcoating it, didn't I? (edited as they sensored my review...)] :)
That's it in a nutshell. While this album didn't necessarily grab me, I would still recommend this to anyone that's a fan of light jazz. I think if you're a fan of Praful, you'll be interested in this and if you haven't heard Praful but love this, you might like Praful even more. You may also like a little known guitarist named Lars Bartkuhn. Sometimes I spin his stuff (Treasure Everything), the sound on it may get dated eventually but there's an energy to his music.
Some of Faithless's best work drags you out of your comfort zone, and makes you ecstatic, angry, sad, passionate, or thoughtful. This CD doesn't do any of that; it just makes you feels good. And you know, there's nothing wrong with that....
Disc 1 highlights include Faithless' "Crazy English Summer" (Brothers On High Remix) and I Giant Leap featuring Maxi Jazz of Faithless- "My Culture".
Disc 2 highlights include Re-Touch's version of Kate Bush's "Running Up That Hill".
Disc 3 has a beautiful song by John Martyn-"Go Down Easy". It wouldn't be out of place on a film soundtrack.
I love listening to all mixes Faithless does, and this one does not disappoint.
Highly recommended.
-EveningOcean CD "The Attraction" Evening Ocean com
THE ATTRACTION
There are beautifully melancholic (and melodic) moments in "2 A.M.," and there's soulful loveliness in a piece like "Cliff Dweller's Slide." Driessen sings Sugarfoot Rag, Country Blues and Footsteps So Near. The equalization of his vocals is minimalist, and that adds to the overall mystery. The latter number, originally done as a waltz by Hot Rize, is actually a rawboned conversation between just Casey's fiddles and vocals. For "Country Blues," the instruments were tuned down for a little extra grit and growl. Darrell Scott provides vocal harmonies on two pieces, and like the lead vocals they are fairly understated.
Most of Casey's offerings have percussion (Jamey Haddad) and bass (Viktor Krauss). A few incorporate Darrell Scott's electric guitar, Tim O'Brien's bouzouki, Jerry Douglas' dobro or lap steel, Bela Fleck's banjo, or Jason Lehring's programming. I kind of missed Bryan Sutton's guitar-playing who was a key component of the touring 2005 trio of Driessen, Fleck and Sutton while back. Linus Nagel-Driessen provides vocals on "Good Boy Blues." That 3-minute one-take closer is indubitably for the dogs ... Linus is a Staffordshire Terrier, and he really howls, in bluesy call-and-response style, to Casey's fiddle and looped mandotar. Linus has a great sense of rhythm and almost steals the show, but Linus and the rest of us won't forget that Casey is the master .... and also becoming truly known as one of the big dogs in Nashville. (Joe Ross, staff writer, Bluegrass Now)
Well, almost all of it.
This three-disc set proposes to introduce you to Satoshi Tomiie, a Japanese DJ who is responsible for the lanky lounge club classic, "Tears." He didn't really get started until he moved to New York and started spinning with the Def Mix crew. Compared to what's out there these days, he's not exactly a Big Name, but if Renaissance is willing to give him his five seconds, he must be worth a shot, right?
Ummmmmm, not exactly.
Disc One ("Club") is supposed to be a representation of Tomiie's live work. Tomiie takes his time massaging the funk into Spirit Catcher's synth-heavy "Polysquasher" before popping the clutch and driving the whole thing into Berkson's bare-boned "People," a weird digital trash ditty that features a looped vocal that sounds an awful lot like a robotic donkey doing its best impersonation of a robotic chicken. Tomiie's style never gets too flashy, and although his restraint means some of his work glimmers with the beauty of clean-lines and uncluttered melodic mosaics (see the raunchily retro "I Love Your Shoes" and the nimble-toed "Somewhere), it also means that his weaker spots are all that easier to see (you might want to skip the exhausting duo of "Wicked Line" and "Big One," two uninspired and grating messes that bog down the entire heart of the set).
Tomiie went to the "Studio" for the second disc to remix some of the old "favorites" that he's played before (I'll have to take the liner notes at their word for this one). The sound is definitely more accomplished, rounder, and cohesive. He lets you know with his opener -- the simple piano of Loop 7's "The Theme" -- that things are going to be low-key this time around. A lazy lounge mood warms up the start of the disc before picking up some energy in Chab's dangerously sexy "Lover" and the psycho-scape of Cass's "Mind Rewind." The first half is far superior, a well-woven and delicately muted chunk of deep house harmonics. There's some faltering near the last half of the album, especially in Ali and Tomiie's "Love In Traffic" (a song that drones so repetitively that you have to wonder if Tomiie didn't leave the studio to grab a sno cone in the middle of recording). He wisely slots Hybrid's "Higher Than A Skyscraper" as the album's finishing touch, a tight, electro-orchestral soul sweeper that's as deliciously dark as it is inspiring.
Disc Three is called "Home." I made the mistake of listening to it before reading about it. "Home," to me, calls up images of even lankier and less tangible mixes, stuff to make the candles burn brighter and to help the shadows float higher. In fact, the word "Home," here, is meant to imply that we are being given a glimpse into Satoshi's own tastes. These aren't club or dance mixes; this is more like a personalized mix tape of all of the songs and tracks that have inspired Tomiie throughout the years. Hence, you have Sneaker Pimps's "6 Underground" dissolving into an overlong recording of Miles Davis's "Solea." You have the almost unbearably peppy jazz muzak of "Palladium" placed right next to Pastorius's annoyingly anorexic "Portrait of Tracy." Thrown in is the way out-dated "Song of the Siren," MFSB's "Mysteries of the World" (a song that sounds like something a store might play over the loudspeakers while you shop for socks), and James Brown. James Brown!
I actually like some of these songs, in their own right. Of course I'm a fan of James Brown, and I dig on Sneaker Pimnps. But hearing them on the same disc grates. I get the idea that we might want to know more about Tomiie's roots (that's debatable, given his status in the clubbing scene isn't what I would call gelled), but I don't think this is the best way to go about it. An interview and a brief list would be enough. Even if you're going to go to the trouble to slap together such an odd track list, at least take the time to give 'em a brush up with the mixing board. Tomiie IS a DJ after all; but he barely touches these songs, presenting them pretty much as is. "Here," he's saying. "This is the kind of music I listen to when I'm not listening to house."
Well, I bought this set expecting to listen to house, which means that the third disc (mockingly called the "home" record) is not just weird and unnecessary and presumptuous, but it's also kind of a slap in the face. Does ANYONE perusing the Renaissance titles want a disc with an unaltered version of Azymuth's high-concept jazz jingle "Fly Over The Horizon"? I doubt it. But, hey, if you do, you know where to find it now.
The rest of you, well, I wouldn't give up on the fine folks at Renaissance. After all, D's one and two, in spite of their various shortcomings, aren't all that bad. If you're a Renaissance die-hard like myself, you could do a lot worse than this triumvirate of Tomiie's. Still, you could do a whole lot better, too.
Disc 1 starts off with Satoshi's latest club gig reminding me of the 2nd disc of Nic Fanciulli's Renaissance Vol. 1, which got high ratings. It took a couple of listens to really get into it, but love it a lot. One of my favorite tracks on the disc is by Cass & Mangan. I would give it 4/5.
Disc 2 is good, but where Satoshi needs to be careful the most. He needs to be careful about using tracks that are too familiar or not giving enough of the 3D sound where they sound almost the same. In other words, the track by Photek or Satoshi's "Up In Flames" does not sound much different from John Digweed: Los Angelos (Global Underground). It sounds fun to listen to, but maybe a little boring. Overall, 3/5.
The third disc I don't mind, exspecially with hearing a track with James Brown. However, I am not to used to hearing stuff I either heard or that is too popular. It is good though. I don't know how I would rate the third disc.
Overall, It may not be what I call Renaissance, but okay. Satoshi needs to be careful about how he mixes tracks and not using tracks that are too old. I would give 3/5 for Satoshi's performance for the beginning of the Renaissance 3D series.
This is still a fun 3CD set to listen too, but could see improvement for Satoshi's release of Renaissance Master Series 10. It is a situation where whoever listens to the disc either likes it or doesn't.
Listen to samples of this 3CD before buying it. See what you think!!
As for CD3, it might be cool to hear if you were trippin off some acid. Otherwise it functions nicely as a coaster.
The song Chi Town reminds me very much to a song written by Simon Phillips on one of his solorecords with Andy Timmons on guitar. As I can say of other songs too. F.i. Hidden treasure has many simularities to SP's work.
Over all it's a nice album to hear but if you're looking for something more original then I would suggest "keep on searching".
When these guys hit it just right, as they do on "Colonel Panic", "Chi Town", "Hidden Treasure" and "Tangled Up", it's phenomenal! Their unique brand of fusion produces a really cool sound that you don't find anywhere else. And Colaiuta's phenomenal drumming is showcased a lot more on this cd.
On the negative side: Even though I love the bluesy tone of Ford's guitar, I'm just not a classic blues lover; so the lengthy "It's Nobody's Fault But Mine" brings that part of the cd right down for me (and that's partly the fault of BOTH of us I guess!). At other times, they seem to get a bit lost in their jamming. I also don't go for some of the near-metal sounds that creep in a couple times on some of the other tracks.
If these guys could have made just one cd that included most of "Jing Chi" and the best parts of "3D", it could have been a CLASSIC in its genre.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 7.7/10; Performance = 8.5/10; Production = 8/10; CD length = 9/10.
Overall score weighted on my proprietary scale = 8.1 ("3-1/2 stars")
'3D' brings together again blues guitarist Robben Ford, bassist Jimmy Haslip of the Yellowjackets and Zappa drummer Vinnie Colaiuta. These three veteran musicians together is just a great musical combination.
Just like Jing Chi's previous releases; their self-titled debut album and their live album, these guys are always putting out an outstanding and distinctive sound.
You can tell that with each CD they release they sound better each time.
This disc in my opinion, is their best to date.
From the opening track 'Colonel Panic' to the final number 'Wires Tangled Up'this disc will blow you away.
There's also a guest vocal by blues great Robert Cray on 'It's Nobody's Fault But Mine'.
This disc has me looking forward for the next one. Check it out!
Asian Version featuring a Bonus Dvd (Pal/Rc-0) with Three Videos.
3d (+ Bonus DVD) (Pal/Rc-0),Tlc,Bmg/Arista,Rap
Average customer rating: 
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Pull the Trigger
Pistol Valve Manufacturer: 3d ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
| Styles
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General
| Rock
| Styles
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Pop Rock
| Pop
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ASIN: B000E6G2FM Release Date: 2006-03-27 |
Tracks:
- Pull The Trigger
- Best House
- Japanese Title
Album Description
Japanese pressing features the title track backed with 'The Best House' & 'Macaroni'. On The Deck. 2006.
Average customer rating: 
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3D
TLC Manufacturer: Arista ProductGroup: Music Binding: Audio CD General
| Dance & DJ
| Styles
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General
| Dance Pop
| Dance & DJ
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General
| Pop
| Styles
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General
| R&B
| Styles
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General
| Soul
| R&B
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General
| Rap & Hip-Hop
| Styles
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Pop Rap
| Rap & Hip-Hop
| Styles
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ASIN: B00006IR5Z Release Date: 2002-11-12 |
Tracks:
- 3D
- Quickie
- Girl Talk
- Turntable
- In Your Arms Tonight
- Over Me
- Hands Up
- Damaged
- Dirty Dirty
- So So Dumb
- Good Love
- Hey Hey Hey Hey
- Give It To Me While It
Amazon.com
Posthumously released albums are always kind of creepy. Certain, probably innocent references suddenly take on prescient overtones. Or, in the case of TLC's fourth, 3D--issued mere months after the accidental death of rapper Lisa "Left Eye" Lopes--we're given a dreary reminder of what might have been. 3D artfully completes TLC's transformation from colorful, freewheeling fashion criminals to confident, elegant R&B divas, albeit divas with attitude and a palpable sense of humor. That's most evident in the sassy, hip-shaking classroom send-up "Quickie," where a droning schoolmarm lectures her pupils on the fine art of pulling a fast one. "Quickie" is a bit of an anomaly, though, as the majority of 3D finds the trio navigating smooth, melodic midtempo songs about love, empowerment, and that rare space in between. The women have never sounded better. As with their classic CrazySexyCool disc, TLC deftly blend soul, hip-hop, faux-gospel, pop, and consistently smart lyrics. "Turntable" is an irresistible ode to positive thinking that should be an anthem for the downtrodden everywhere. That such a hopeful message arrives on the heels of Lopes's untimely death makes 3D that much more compelling. --Kim HughesCustomer Reviews:
R.I.P. lisa "left eye" lopes.......2007-03-22
THE WHOLE ALBUM
R.I.P.LISA LOPES (L.I.P)
live in peace
Left Eye Is Truly Missed But T-Boz & Chilli Pulled It Off.......2007-03-11
p.s. Be on the look out for Chilli's solo debut CD on Akon's Konvict Music.
Excellent As Always.......2006-06-30
The album starts out with the "3D Intro", which gives a list of things pertaining to the group that involve the number three, such as "Three trendsetters" or "three personalities". It then goes directly into a short couple of verses. "Quickie" is one of the few songs that has Lisa in it. With T-Boz singing lead, Chilli doing the chorus and Left Eye rapping, the song is one of the most simply entertaining offerings on the album. Lead single "Girl Talk" describes how girls will spread certain information about their men (ie. "Some of y'all been killin' me/thinking you got powers like Austin/But you're more like Mini-Me"). This song also contains one of Lisa's raps, adding another level of sass. The song itself is not that easy to describe, but it becomes clear once you hear it. "Turntable" is one of my favourites on the album. A tribute to Lisa, many have criticized its placement toward the beginning of the album, claiming that it taints the rest by reminding everyone of the element that's missing in most songs. Chilli and T-Boz both sound beautiful in this song, which encourages us to believe that there is always a brighter day no matter how dark things get. This is definitely a hightlight.
I've never particularly liked the Neptunes as producers, as many of the songs they've produced for different artists sound very similar. "In Your Arms Tonight" is one of such songs, where I like nearly everything but the production. The only part I really can't stand is the chorus, as it doesn't seem to fit with the rest of the beat. The production in the rest of the song is average, but fits decently with the vocals, so it's manageable. Chilli and T-Boz sound great, and the song itself is nice but it is far from the best they've done. Produced by Rodney "Darkchild" Jerkins, "Over Me" is a step up from the previous song. Chilli sounds great in the first verse, and it's nice to have her sing lead instead of T-Boz. This is probably one of the standout songs on the album because it showcases everything that we love about TLC: great vocals from both T-Boz and Chilli, sassy lyrics, and a great blend of the vocals and production. Lisa does have a rap in this song, however it sounds somewhat recycled and out of place. Overall, this is definitely one of the better uptempo songs. "Hands Up" describes the girls seeing their man cheating on them at a club, and the initial thoughts that go through their minds. ("I was thinkin' there's no way it could be you/not my baby/he ain't crazy..."). I don't know why, but the whole vibe of this song really appeals to me. Some call it boring, however I think the tone fits perfectly. I also love the way the girls alternate verses because the contrast in vocals keeps interest.
"Damaged" is easily one of my all-time favourite TLC songs. It's so easy to relate to, as it describes a person who is scared to get involved with someone new because they've been hurt in a previous relationship. This is a situation that many people go through, and thus many will find at least a segment of the lyrics that they can relate to. Written by T-Boz and Dallas Austin, it really shows off T-Boz's writing skills. This is definitely both an album and a career highlight. "Dirty Dirty" in contrast is one of the weaker songs. Missy Elliot has always been a hit-and-miss producer, and this song by far falls into the "miss" category. It's not so much that the song is awful, it's just that it really doesn't go anywhere. It seems to be an obligatory club song that has very little lyrical content. With that said, I do like the way the bridge is sung but it is not enough to salvage the song. "So So Dumb" brings them back into highlight territory with a song about telling a male friend he's dumb for cheating on his wife. The instrumentation is beautiful, and sets the tone perfectly. The girls tell him reasons why he shouldn't cheat ("See your wife is beautiful/ the kid is two years old"), and that they'll tell his wife what he's been doing ("I'ma call your wife boy/ And tell her where you've been"). The bridge in particular is beautiful, as they attempt to convey to him the consequences of what he's doing. Another definite highlight.
"Good Love" is not one of those songs that's instantly likeable, but it is the epitome of a grower. It has beautiful vocals, a sweet message, and nice lyrics all of which sound increasingly better with each listen. Many people see this as a fairly sudden switch from the male-bashing anthems TLC used to have (ie. "No Scrubs") however it is a nice change and shows their versatility. "Hey Hey Hey Hey" is the last of three songs to be produced by Darkchild ("Turntable" was also produced by him, although most do not realize it). It straddles the line between good and merely average, depending on the day. There's nothing particularly wrong with it, but there is nothing all that great either. The girls sound good, and the lyrics are decent but there's nothing to scream "standout". "Give It To Me While It's Hot" is an excellent closer simply due to the performances. The lyrics look average on paper, but sound amazing the way they are sung. Lisa's rap here is one of her best on this album ("There's two different dreams/Her thoughts are so pure/His low as the floor"). The production on this one is excellent as well.
Overall Mark: 4/5
Despite losing one of the group members while the album was in progress, TLC provided another high quality album. Reading through other reviews, I noticed one reviewer mention that some of Lisa's raps here were rehashed from her solo album Supernova. This would explain why her raps in a couple of songs sounded out of place, however one in particular sounded amazing nonetheless (in the final track). Chilli and T-Boz sound amazing as always, and I hope this is not their final album as a group. As much as Lisa's presence will be missed, I would love for more albums to come from the remaining members since all of them have been excellent thus far.
A great bye to Lisa Left Eye Lopes is all this albums about.......2005-09-04
They ended it the best way they possible could!!.......2005-07-20
Average customer rating: 
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Sunset
Camiel Manufacturer: Rendezvous ProductGroup: Music Binding: Audio CD General
| Dance & DJ
| Styles
| Music
Electronica
| Dance & DJ
| Styles
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General
| Jazz
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Smooth Jazz
| Jazz
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ASIN: B0007OY3K2 Release Date: 2005-03-22 |
Tracks:
- Sunset
- I'm Ready
- Follow Her
- No Fuzz
- You Can Stay
- Maybe
- Interlude 1 - Outside Thatcher's
- I Would
- Sintra
- Interlude 2 - Camiel's Playing
- You're So Right
- El Alba
- Waiting For The Sun
- Sigueme
- Interlude 3 - 2 Track
- Eighty Eight
Customer Reviews:
Camiel, the next thing in chill jazz.......2007-04-06
Solid CD that comes dangerously close to..........2006-04-06
And this isn't a bad release. "Sunset" starts off rather positively. It actually reminded me a bit of Troubleman's cd, only it's far less electronically twinged. That's followed up with "I'm Ready", where you hear him on guitar, adding a little bit of funk to the sound wihtout the tune being overbearing. But... there wasn't a great deal of adventure in the track. "Follow Her" came afterwards and the music was actually pretty nice, although it was admittedly a bit of a cheesy tune with vocals. That can be a dangerous approach but then again, sometimes that's what made the old Italian bossa soundtracks fun for today (like when you hear the woman say... "You're so groovy"). Other tracks that stood out were "Sintra", "El Alba" and "Eighty Eight". The mood of the cd in general is pretty easy going and low-key. Actually... to be honest... this album reminds me of something that more... *mature*... fans would listen to when they're driving home from work/listening to the 'soft-jazz' radio stations that play a healthy dosage of David Sanborn. Nothing wrong with that at all, mind you... [yeah, I did a bad job sugarcoating it, didn't I? (edited as they sensored my review...)] :)
That's it in a nutshell. While this album didn't necessarily grab me, I would still recommend this to anyone that's a fan of light jazz. I think if you're a fan of Praful, you'll be interested in this and if you haven't heard Praful but love this, you might like Praful even more. You may also like a little known guitarist named Lars Bartkuhn. Sometimes I spin his stuff (Treasure Everything), the sound on it may get dated eventually but there's an energy to his music.
ELLIOTT Haworth (Spokane wa).......2006-03-05
FRESH and SMOOTH!!!.......2006-02-23
great album.......2005-11-29
Average customer rating:
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Renaissance Presents 3D
Faithless Manufacturer: Renaissance Dance UK ProductGroup: Music Binding: Audio CD General
| Dance & DJ
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Trance
| Dance & DJ
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Compilations
| Dance & DJ
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| Ambient
| Dance Pop
| Disco
| Drum & Bass
| Electronica
| Freestyle
| Techno-House
| Trance
| Trip Hop
House
| Dance & DJ
| Styles
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General
| Dance Pop
| Dance & DJ
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Britain
| British Isles
| Europe
| International
| Styles
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Dance & DJ
| Imports
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Similar Items:
ASIN: B000F9RAJK Release Date: 2006-08-08 |
Tracks:
- Salva Mea - Faithless
- I Feel Love (Original Radio Edit) - Donna Summer
- Dreamer - Living Joy (Rollo & Sister Bliss Monster mix)
- Woozy - Faithless
- Crazy English Summer (Brothers On High Remix) - Faithless
- For Real (Rollo & Sister Bliss Remix) - Tricky
- Blissy's Groove - Faithless
- Miss U Less See U More (Pete Heller Remix) - Faithless
- Reasons (Pete Heller Mix) - Faithless
- Addicitive - Faithless
- Get Higher (Rollo & Sister Bliss Remix) - Black Grape
- My Culture - I Giant Leap/Maxi Jazz
- Seven Days & One Week (The Rollo & Sister Bliss Remix) - B.B.E.
- Worthless - Dido
- Don't You Want Me? - Maxence Cyrin
Tracks:
- Running Up That Hill - Re-Touch
- Soul Power (Mike Monday Avec Piano Remix) - Mark Flash
- White Horse - Wonderland Avenue
- Popper (Shinici Osawa Distortion Disco Edit) - Christopher
- Carnaval (Hardsoul's Future Latino Mix) - Silver 66
- The Game (Kid's Voodoo Dub) - Kid Creme/Bashiyra
- She's Dancing - Trulz & Robin/Bashiyra
- Hundred Million Light Years - Kato
- Change Works - Oxia
- Dreams (Axwell remix) - Deep Dish/Stevie Nicks
- Seven Hours - D-Nox
- Body Reasonance - Pastaboys
- Cold Drink Hot Girl (Original mix) - Jody Wisternoff
- Live On The Main Stage (Loudeast Remix) - Ib
- Walk A Mile In My Shoes (Tiga Mix) - Coldcut/Robert Owens
- Circles (Kinetic Dub) - Audiofly/Priscilla
- Breakfast - Balazko
- Ha Pardon (DJ Tarkan Remix) - DJ Tarkan
- Give Me Love (Lutzenkirchen Remix) - Coburn
Tracks:
- The Takeover - LSK
- F.E.A.R. - Ian Brown
- Wood Beez (Pray Like Aretha Franklin) - Scritti Politti
- Private Life Drama (Sly & Robbie Dub) - Grace Jones
- Petrol - Ward 21
- Money Money (Aka The Root Of All Evil) - Horace Andy
- Worries In The Dance - Frankie Paul
- Straight Out The Jungle - Jungle Brothers
- Woman To Woman - Joe Cocker
- Grab The Mic - Kool DJ Maxi Jazz
- Children Of The Ghetto - The Real Thing
- Next Type Of Motion - Roots Manuva
- Go Down Easy - John Martyn
- Twuneanunda - Dwele
- Summertime - Jason Rebello/Maxi Jazz
- Time After Time - Cassandra Wilson
- Remember Me - Todd Rundgren
Album Details
This Edition of Renaissance "3D" is Compiled with Love by Sister Bliss, Maxi Jazz and Rollo, who Present an Intimate Insight Into their Influences, Remixes and Productions. The Trio Feature Previously Unreleased Material, Rarities and Personal Favourites Over the Course of Three Discs. You'll Hear an Upfront Selection of (CD1) "Club" Cuts Through the (CD2) "Studio", an Expert Blend of their Own Remixes and Productions and Finally (CD3) "Home', an Array of Chilled, Yet Influential and Formative Cuts. In Both the Dance and Pop Worlds, Faithless Are One of the World's Leading Dance Aggregates, Regularly Filling Arenas and Headlining Festivals. Their "Greatest Hits" Album Has Surpassed the Triple Platinum Mark in Europe, Selling Over 1,000,000 Copies in the UK Alone. In True Renaissance Tradition, this Edition of "3D" is Something Very Special Indeed!Customer Reviews:
Getting to know you, getting to know all about you...........2007-02-11
Some of Faithless's best work drags you out of your comfort zone, and makes you ecstatic, angry, sad, passionate, or thoughtful. This CD doesn't do any of that; it just makes you feels good. And you know, there's nothing wrong with that....
Beautiful Compilation From Faithless.......2007-02-08
Disc 1 highlights include Faithless' "Crazy English Summer" (Brothers On High Remix) and I Giant Leap featuring Maxi Jazz of Faithless- "My Culture".
Disc 2 highlights include Re-Touch's version of Kate Bush's "Running Up That Hill".
Disc 3 has a beautiful song by John Martyn-"Go Down Easy". It wouldn't be out of place on a film soundtrack.
I love listening to all mixes Faithless does, and this one does not disappoint.
Highly recommended.
-EveningOcean CD "The Attraction" Evening Ocean com
THE ATTRACTION
Foundations of Faithless.......2007-01-09
Delectable Ear Candy.......2007-01-03
A Must Have for Faithless Fans.......2006-11-10
Average customer rating:
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Iron Maidens
The Iron Maidens Manufacturer: 3d ProductGroup: Music Binding: Audio CD General
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
ASIN: B000JK9XPE Release Date: 2006-12-18 |
Tracks:
- Number Fo The Beast
- 2 Minutes To Midnight
- Children Of The Damned
- Trooper
- Wasted Years
- Killers
- Aces High
- Phantom Of The Opera
- Run To The Hills
- Hallowed Be Thy Name
- Remember Tomorrow
- Seventh Son Of A Seventh Son
- Genghis Khan
Album Description
Japanese pressing of the 2006 album from the world's only female tribute to Iron Maiden, featuring their unique cover versions of classic tracks and scheduled to include two exclusive BONUS recordings, Great sealed picture sleeve with exclusive artwork by Derek Riggs.Customer Reviews:
They totally rock.......2007-05-11
Average customer rating:
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3D
Casey Driessen Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD Alt-Country & Americana
| Country
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Adult Alternative
| Pop
| Styles
| Music
Similar Items:
ASIN: B000F3UABG Release Date: 2006-05-09 |
Tracks:
- Sally In The Garden
- Gaptooth
- The Confusion Before Dreams
- Sugarfoot Rag/Freedom Jazz Dance
- Jerusalem Ridge
- 2 A.M.
- Snowflake Reel/Done Gone/Cheyenne
- Cliff Dweller's Slide
- Footsteps So Near
- Lady Bowmore
- Country Blues
- Good Boy Blues
Customer Reviews:
Best dang fiddle record in years!.......2007-01-12
...and 1/2 ... Casey's creativity emits plenty of infectious spunk, raw energy, brash attitude, & excellent musicianship .......2006-06-04
There are beautifully melancholic (and melodic) moments in "2 A.M.," and there's soulful loveliness in a piece like "Cliff Dweller's Slide." Driessen sings Sugarfoot Rag, Country Blues and Footsteps So Near. The equalization of his vocals is minimalist, and that adds to the overall mystery. The latter number, originally done as a waltz by Hot Rize, is actually a rawboned conversation between just Casey's fiddles and vocals. For "Country Blues," the instruments were tuned down for a little extra grit and growl. Darrell Scott provides vocal harmonies on two pieces, and like the lead vocals they are fairly understated.
Most of Casey's offerings have percussion (Jamey Haddad) and bass (Viktor Krauss). A few incorporate Darrell Scott's electric guitar, Tim O'Brien's bouzouki, Jerry Douglas' dobro or lap steel, Bela Fleck's banjo, or Jason Lehring's programming. I kind of missed Bryan Sutton's guitar-playing who was a key component of the touring 2005 trio of Driessen, Fleck and Sutton while back. Linus Nagel-Driessen provides vocals on "Good Boy Blues." That 3-minute one-take closer is indubitably for the dogs ... Linus is a Staffordshire Terrier, and he really howls, in bluesy call-and-response style, to Casey's fiddle and looped mandotar. Linus has a great sense of rhythm and almost steals the show, but Linus and the rest of us won't forget that Casey is the master .... and also becoming truly known as one of the big dogs in Nashville. (Joe Ross, staff writer, Bluegrass Now)
Average customer rating: 
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Renaissance Presents 3D: Mixed by Satoshi Tomiie
Various Artists Manufacturer: Renaissance Dance UK ProductGroup: Music Binding: Audio CD General
| Dance & DJ
| Styles
| Music
House
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Compilations
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
ASIN: B000CRSEPY Release Date: 2006-02-28 |
Tracks:
- Polysquasher - Spirit Catcher
- People - Dan Berkson
- Viper Vapour
- Somewhere - Stereo Typerider
- Future - Jim Rivers
- Stolen Goods
- Wicked Line [Original Mix] - Martin Eyerer
- Big One - Electrochemie LK
- Panga
- I Love Your Shoes
- X Factor - Guy Gerber
- Restore - Jim Rivers
Tracks:
- Theme (Reprise)
- Tears [3D Slightly 303 Version] - Satoshi Tomiie
- Lover [Satoshi Tomiie 3D Remix]
- Mind Rewind [Satoshi Tomiie Mind Blister Remix]
- Lesser Man? [Satoshi Tomiie Mix]
- Lonely Child [Satoshi Tomiie 3D Remix] - Slok
- Hungry [Satoshi Tomiie Vocal Remix - 3D Edit] - Kosheen
- Mine to Give [Satoshi Tomiie 3D Private Path] - Photek
- Love in Traffic [3D Private Path] - Kelli Ali, Satoshi Tomiie
- Papua New Guinea [Main Path Mix] - The Future Sound of London
- Higher Than a Skyscaper [Satoshi Tomiie 3D Dub]
Tracks:
- Life on Mars - Dexter Wansel
- 6 Underground - Sneaker Pimps
- Solea - Miles Davis, Gil Evans
- Mysteries of the World - MFSB
- Magic
- Song of the Siren - Aphrodisiac
- Portrait of Tracy - Jaco Pastorius
- Palladium - Weather Report
- Running Away - Roy Ayers
- Give It Up or Turn It a Loose
- Summer Nights - Lonnie Liston Smith & the Cosmic Echoes
- Fly Over the Horizon - Azymuth
Album Details
The 2005 Initial Volume of a New Series from Renaissance! "3D" is a Triple Disc Set, Each Disc Drawing on the Key Musical Aspects of an Artiste's Life: "Club" - a Bang Up-to-date Recording of their Live Sets; "Studio" - a Mixed Collage of Original Work and Remixes and "Home" - Favourite Tracks with a Chilled Edge that Grace the Stereo When the Week Has Come to an End and It's Time to Unwind and Get Away from it All. Satoshi Tomiie is the First to Take Up the Challenge this Set Presents. He Includes Seven Exclusive Remixes/Edits, Recorded Especially for the Set. It Comes in Luxurious Packaging, featuring a Slip-cased Triple CD Super Jewel Box. The Artwork was Created by Insect, Fresh from Handling Design Projects for Dr. Who, Nike and Urban Guerrilla Artist Banksy (Whose First Book was Published with Insect's Art Direction)Customer Reviews:
Flat 3D.......2007-07-19
Well, almost all of it.
This three-disc set proposes to introduce you to Satoshi Tomiie, a Japanese DJ who is responsible for the lanky lounge club classic, "Tears." He didn't really get started until he moved to New York and started spinning with the Def Mix crew. Compared to what's out there these days, he's not exactly a Big Name, but if Renaissance is willing to give him his five seconds, he must be worth a shot, right?
Ummmmmm, not exactly.
Disc One ("Club") is supposed to be a representation of Tomiie's live work. Tomiie takes his time massaging the funk into Spirit Catcher's synth-heavy "Polysquasher" before popping the clutch and driving the whole thing into Berkson's bare-boned "People," a weird digital trash ditty that features a looped vocal that sounds an awful lot like a robotic donkey doing its best impersonation of a robotic chicken. Tomiie's style never gets too flashy, and although his restraint means some of his work glimmers with the beauty of clean-lines and uncluttered melodic mosaics (see the raunchily retro "I Love Your Shoes" and the nimble-toed "Somewhere), it also means that his weaker spots are all that easier to see (you might want to skip the exhausting duo of "Wicked Line" and "Big One," two uninspired and grating messes that bog down the entire heart of the set).
Tomiie went to the "Studio" for the second disc to remix some of the old "favorites" that he's played before (I'll have to take the liner notes at their word for this one). The sound is definitely more accomplished, rounder, and cohesive. He lets you know with his opener -- the simple piano of Loop 7's "The Theme" -- that things are going to be low-key this time around. A lazy lounge mood warms up the start of the disc before picking up some energy in Chab's dangerously sexy "Lover" and the psycho-scape of Cass's "Mind Rewind." The first half is far superior, a well-woven and delicately muted chunk of deep house harmonics. There's some faltering near the last half of the album, especially in Ali and Tomiie's "Love In Traffic" (a song that drones so repetitively that you have to wonder if Tomiie didn't leave the studio to grab a sno cone in the middle of recording). He wisely slots Hybrid's "Higher Than A Skyscraper" as the album's finishing touch, a tight, electro-orchestral soul sweeper that's as deliciously dark as it is inspiring.
Disc Three is called "Home." I made the mistake of listening to it before reading about it. "Home," to me, calls up images of even lankier and less tangible mixes, stuff to make the candles burn brighter and to help the shadows float higher. In fact, the word "Home," here, is meant to imply that we are being given a glimpse into Satoshi's own tastes. These aren't club or dance mixes; this is more like a personalized mix tape of all of the songs and tracks that have inspired Tomiie throughout the years. Hence, you have Sneaker Pimps's "6 Underground" dissolving into an overlong recording of Miles Davis's "Solea." You have the almost unbearably peppy jazz muzak of "Palladium" placed right next to Pastorius's annoyingly anorexic "Portrait of Tracy." Thrown in is the way out-dated "Song of the Siren," MFSB's "Mysteries of the World" (a song that sounds like something a store might play over the loudspeakers while you shop for socks), and James Brown. James Brown!
I actually like some of these songs, in their own right. Of course I'm a fan of James Brown, and I dig on Sneaker Pimnps. But hearing them on the same disc grates. I get the idea that we might want to know more about Tomiie's roots (that's debatable, given his status in the clubbing scene isn't what I would call gelled), but I don't think this is the best way to go about it. An interview and a brief list would be enough. Even if you're going to go to the trouble to slap together such an odd track list, at least take the time to give 'em a brush up with the mixing board. Tomiie IS a DJ after all; but he barely touches these songs, presenting them pretty much as is. "Here," he's saying. "This is the kind of music I listen to when I'm not listening to house."
Well, I bought this set expecting to listen to house, which means that the third disc (mockingly called the "home" record) is not just weird and unnecessary and presumptuous, but it's also kind of a slap in the face. Does ANYONE perusing the Renaissance titles want a disc with an unaltered version of Azymuth's high-concept jazz jingle "Fly Over The Horizon"? I doubt it. But, hey, if you do, you know where to find it now.
The rest of you, well, I wouldn't give up on the fine folks at Renaissance. After all, D's one and two, in spite of their various shortcomings, aren't all that bad. If you're a Renaissance die-hard like myself, you could do a lot worse than this triumvirate of Tomiie's. Still, you could do a whole lot better, too.
Good for 3D series; could see improvement!!.......2006-12-28
Disc 1 starts off with Satoshi's latest club gig reminding me of the 2nd disc of Nic Fanciulli's Renaissance Vol. 1, which got high ratings. It took a couple of listens to really get into it, but love it a lot. One of my favorite tracks on the disc is by Cass & Mangan. I would give it 4/5.
Disc 2 is good, but where Satoshi needs to be careful the most. He needs to be careful about using tracks that are too familiar or not giving enough of the 3D sound where they sound almost the same. In other words, the track by Photek or Satoshi's "Up In Flames" does not sound much different from John Digweed: Los Angelos (Global Underground). It sounds fun to listen to, but maybe a little boring. Overall, 3/5.
The third disc I don't mind, exspecially with hearing a track with James Brown. However, I am not to used to hearing stuff I either heard or that is too popular. It is good though. I don't know how I would rate the third disc.
Overall, It may not be what I call Renaissance, but okay. Satoshi needs to be careful about how he mixes tracks and not using tracks that are too old. I would give 3/5 for Satoshi's performance for the beginning of the Renaissance 3D series.
This is still a fun 3CD set to listen too, but could see improvement for Satoshi's release of Renaissance Master Series 10. It is a situation where whoever listens to the disc either likes it or doesn't.
Listen to samples of this 3CD before buying it. See what you think!!
highs and lows.......2006-09-29
As for CD3, it might be cool to hear if you were trippin off some acid. Otherwise it functions nicely as a coaster.
studio mix is the best i've heard in years.......2006-07-15
Club Mix is my fav.......2006-06-15
Average customer rating:
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Infinite Possibility
Manufacturer: 3d ProductGroup: Music Binding: Audio CD General
| International
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
International
| Imports
| Stores
| Music
Similar Items:
ASIN: B000MQ4YAY Release Date: 2007-04-02 |
Tracks:
- Still Love Me
- Save The World
- Bullying
- Mr Joe
- Can You See?
- My Way
- Sands Of Theater
- Day Break
- Drunk Monster K
- Thank You,Unknown You
- Light For Tomorrow
Album Description
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.
Average customer rating:
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Winter Sonata
Original Soundtrack Manufacturer: 3d ProductGroup: Music Binding: Audio CD General
| Soundtracks
| Styles
| Music
Soundtracks
| Imports
| Stores
| Music
Similar Items:
ASIN: B0000CAOKG Release Date: 2004-10-05 |
Tracks:
- Japanese Tittle
- My Memory
- Japanese Tittle
- Japaense Tittle
- My Memory (Piano&Violin Ver.)
- Japanese Tittle
- Japanese Tittle
- Japanese Tittle (Piano&Violin Ver.)
- My Memory (Piano Ver.)
- Japanese Tittle
- Japanese Tittle (Instrumental)
- Japanese Tittle (Chinese Version)
- Japaense Tittle
- Japanese Tittle (Piano Ver.)
- Japanese Tittle (Piano Ver.)
- Japanese Tittle (Instrumental)
- Japanese Tittle
Album Description
Japanese soundtrack album to the popular Korean TV drama serial 'Winter Love Song', with an addition of a Japanese-language version of the theme song, 'Haime Kara Ima Made'.Customer Reviews:
IT'S A GREAT CD!.......2006-08-05
Average customer rating:
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3D
Jing Chi Manufacturer: Tone Center ProductGroup: Music Binding: Audio CD General
| Jazz
| Styles
| Music
Jazz Fusion
| Jazz
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
ASIN: B0002ABTIK Release Date: 2004-06-29 |
Tracks:
- Colonel Panic
- Chi Town
- Move On
- Hidden Treasure
- Time Is A Magazine
- Mezzanine Blues
- Blues Alley
- It's Nobody's Fault But Mine
- Tangled Up
Album Description
Jing Chi's 3rd album is their finest work to date as these three musician's musicians reach uncharted musical territories. Master drummer Vinnie Colaiuta, Bass phenom Jimmy Haslip and Guitar legend Robben Ford combine their musical genius for another blistering set fueled by unbelievable ensemble and solo instrumental sections and extended jams that push the outer limits of jazz/blues/fusion.Customer Reviews:
Well what should I say?.......2006-08-10
The song Chi Town reminds me very much to a song written by Simon Phillips on one of his solorecords with Andy Timmons on guitar. As I can say of other songs too. F.i. Hidden treasure has many simularities to SP's work.
Over all it's a nice album to hear but if you're looking for something more original then I would suggest "keep on searching".
solid electric jazz to twist your ear.......2005-09-30
Decent but not what I expected.......2005-07-18
An unusual mix of "superb" and "sub-par".......2005-05-17
When these guys hit it just right, as they do on "Colonel Panic", "Chi Town", "Hidden Treasure" and "Tangled Up", it's phenomenal! Their unique brand of fusion produces a really cool sound that you don't find anywhere else. And Colaiuta's phenomenal drumming is showcased a lot more on this cd.
On the negative side: Even though I love the bluesy tone of Ford's guitar, I'm just not a classic blues lover; so the lengthy "It's Nobody's Fault But Mine" brings that part of the cd right down for me (and that's partly the fault of BOTH of us I guess!). At other times, they seem to get a bit lost in their jamming. I also don't go for some of the near-metal sounds that creep in a couple times on some of the other tracks.
If these guys could have made just one cd that included most of "Jing Chi" and the best parts of "3D", it could have been a CLASSIC in its genre.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 7.7/10; Performance = 8.5/10; Production = 8/10; CD length = 9/10.
Overall score weighted on my proprietary scale = 8.1 ("3-1/2 stars")
Supergroup Jing Chi's '3D' is another triumph.......2004-07-07
'3D' brings together again blues guitarist Robben Ford, bassist Jimmy Haslip of the Yellowjackets and Zappa drummer Vinnie Colaiuta. These three veteran musicians together is just a great musical combination.
Just like Jing Chi's previous releases; their self-titled debut album and their live album, these guys are always putting out an outstanding and distinctive sound.
You can tell that with each CD they release they sound better each time.
This disc in my opinion, is their best to date.
From the opening track 'Colonel Panic' to the final number 'Wires Tangled Up'this disc will blow you away.
There's also a guest vocal by blues great Robert Cray on 'It's Nobody's Fault But Mine'.
This disc has me looking forward for the next one. Check it out!
Album Review:
- After FG: DJ Radio, Vol. 2 [Import]
- Almighty 1's: 30 Pop'd Up No. 1 Hits [Import]
- Archiv 1.1
- At the Club [CD-single]
- Beats as Politics
- Black Cherry, Pt. 2 [CD-single] [Enhanced] [Import]
- Black Wire [Import]
- Bollywood Flashback, Pt. II [Import]
- Breakin'
- Buddha Chillout
Album Review
African Icons Of Power Vol. 1: Defeat The Enemy
Franz Schubert: Piano Music for Four Hands, Volume II
Music: Sings Burt Bacharach [Import]
Music Track: Aerosmith Tribute: Not The Same Old Song & Dance
germanbooks88.com Music: Alarm Call #1 [CD-single]
For Book Lovers Only [Box set] [Enhanced]
Ghetto Confessions [Explicit Lyrics]