| 1. Monument |
| 2. What You Need |
| 3. City of Angels |
| 4. Mind of the Wonderful [Album] |
| 5. Zero Gravity |
| 6. Stars Shine Bright |
| 7. Perfect Silence |
| 8. Flowtation |
| 9. Waiting for the Light |
| 10. Urban Hymn |
| 11. That's Right |
| 12. Forest [Ron van den Beuken Remix Edit][Edit][*][Mix] |
| 13. Forest [Ron van den Beuken Remix][*][Mix] |
| 14. Forest [Exor Remix] [*][Mix] |
Monument,Blank & Jones,Water Music Records,Club/Dance,Dance,Dance Music,Pop,Progressive Trance,Trance
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Boots Randolph - Greatest Hits [Monument]
Boots Randolph Manufacturer: Sony Cmg Mkt Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026LH Release Date: 1990-10-25 |
Tracks:
- Yakety Sax
- Smoke Gets In Your Eyes
- Gentle On My Mind
- Stardust
- Big Daddy
- Hey, Jude
- Charlie Brown
- Proud Mary
- Danny Boy
- Wabash Cannonball
- You've Lost That Loving Feeling
- The Shadow Of Your Smile
Customer Reviews:
Boots will always be king........2007-04-12
A great CD.......2004-08-16
Boots still knocks out the competition........2003-09-28
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Pianist: Original Recordings of Wladyslaw Szpilman
Wladyslaw Szpilman Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007KFRG Release Date: 2002-12-17 |
Tracks:
- Frederik Chopin (1810-1849): Nocturne, No.20 Op.Posthumous in C sharp minor Recorded 1980
- Sergei Rachmaninov (1873-1943)Year Composed: 1916, Daisies Op. 38 Nr.3 Recorded 1954
- Sergei Rachmaninov (1873-1943), Prelude in G-sharp minor op. 32, Recorded 1954
- Robert Schumann (1810-1856) Fantasie C-dur op 17 (Sonata for Beethoven) Part 3 (slowly plangent) Recorded 1960
- Wladyslaw Szpilman Concertino for Piano and Orchestra (1940) Recorded 1969
- Claude Debussy (1888-1905) The Girl with the Flaxen Hair Recorded 1948
- Claude Debussy (1888-1905) Images No 3 - Reflections in the Water Recorded 1948
- Isaac Albiniz, (1860-1909) Cordoba (Cantos de Espaqa No.4, Op. 232) Recorded 1948
- Alfred Gruenfeld, (1852-1924) Paraphrase on theme from Johann Strauss (1825 - 1899) Die Fledermaus Recorded 1948
- Johann Sebastian Bach (1685-1750), Chaconne from Partita No. 2 in D minor, BWV 1004 - Arr. Busoni (1866 - 1924) Recorded 1972
- Fritz Kreisler (1875-1962) Arr. Rachmaninow (1873-1943) Liebesleid Recorded 1948
- Frederik Chopin (1810-1849) Mazurka in A-Flat op. 17 nr. 3 Recorded 1980
- Frederik Chopin (1810-1849): Nocturne, No 20 op. Posthumous in C sharp minor Recorded 1948
Customer Reviews:
A wonderful encore to the movie soundtrack!.......2003-07-20
The highlight of the CD is Szpilman's own composition- Concertino for Piano and Orchestra which he mentions in his book, and which he wrote in 1940- just when the difficult times began.
Szpilman's piano style is different from that of Janusz Olejniczac, whose performances are on the other CD. They both are wonderful in their own way, but it was exciting for me to listen to the real life Pianist. I will look for more works by Wladyslaw Szpilman, including his songs.
The Pianist Original Recordings.......2003-03-26
This classical recording inspired Roman Polanski to direct this great movie about a pianist, Szpilman who survived the war.
Everyone should have this cd in their collection.
Impressive CD by the Pianist.......2003-01-06
Only sorry that I did not get such a good deal as from Amazon. This is a keeper !
The original recordings by THE PIANIST W. Szpilman.......2003-01-06
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Horowitz Live and Unedited [includes Bonus DVD]
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CF314 Release Date: 2003-09-30 |
Tracks:
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 I. - J.S. Bach
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 II. - J.S. Bach
- Organ Toccata, Adagio And Fugue In C Major, BWV 564 III. - J.S. Bach
- Fantasy In C Major, Op.17 (I)
- Fantasy In C Major, Op.17 (II)
- Fantasy In C Major, Op.17 (III)
- Piano Sonata No. 9 In F Major, Op. 68 'Black Mass' - Scriabin
- Poeme In F-Sharp Major, Op. 32, No. 1 - Scriabin
Tracks:
- Mazurka In C-Sharp Minor, Op. 30, No.4 - Chopin
- Etude No. 8 In F Major, Op. 10 - Chopin
- Ballade in G Minor, Op. 23, No.1 - Chopin
- Serenade For The Doll No.3 - DeBussy
- Etude In C-Sharp Minor, Op.2, No.1 - Scriabin
- Etude No. 11 In A-Flat Major, Op.72 - Moszkowski
- Traumerei
- Kinderszenen, Op. 15 (1)
- Kinderszenen, Op. 15 (2)
- Kinderszenen, Op. 15 (3)
- Kinderszenen, Op. 15 (4)
- Kinderszenen, Op. 15 (5)
- Kinderszenen, Op. 15 (6)
- Kinderszenen, Op. 15 (7)
- Kinderszenen, Op. 15 (8)
- Kinderszenen, Op. 15 (9)
- Kinderszenen, Op. 15 (10)
- Kinderszenen, Op. 15 (11)
- Kinderszenen, Op. 15 (12)
- Kinderszenen, Op. 15 (13)
Customer Reviews:
A historical legacy!.......2006-03-28
The special distinction around this album is the fresh inspiration and notable musicality emanated in this Recital, that deserves to be catalogued as a cult recording among the impressive and even excellent live recordings in the Sixties.
A bravura performance and a genuine expression make of this album a very special recommendation.
Masterpieces played by the great Horowitz.......2004-12-12
I am confident in saying that Horowitz's mazurka here is the best recording of op. 30 no. 4. Horowitz takes his time and does not rush the tempo, which is soooo easy to do with this piece. The etude is played awesomely, but the real treat is the Ballade no. 1. Horowitz played this piece all his life and played it very different many times, but this ballade is the best, most musical he ever played, mistakes and all.
The encores are also a treat, and the complete Kinderszenen bonus is another reason to buy this cd. The bonus dvd contains Liszt's Au Bord D'une Source, Chopin's Black key etude, and Moszkowski's etude in f major, op. 72, no.6.
This cd is my favorite, and I have a lot...
Insert Here Any Superlative You Can Think Of.......2004-06-10
Horowitz out-did even himself at this concert. Sure, wow, wrong notes, even in the first couple measures. Who cares. You had better not. I noticed two exposed wrong notes in my first listen of this disc. It is by far the best CD set I own.
Toccata, Adagio and Fugue in C Major: Sure, wrong note. Grand. I'm not too large a fan of this piece, but, regardless, if you like Bach, you like Horowitz for this recording.
Fantasy in C Major: True to its title, this performance was indeed fantastic. Horowitz is acclaimed most for his different tones on the piano. Let me tell you, that is for a reason.
Scriaban: I, personally, do not like Scriaban. An acquired taste. If you do like him, however, you will by all means enjoy these two recordings of the Black Mass Sonata and the Poeme in F-sharp Major.
The Chopin: The Mazurka is the greatest mazurka recording I have ever heard, period. The Etude is technically flawless and musically flawless. The Ballade. One of my favorite pieces of all time. This is my favorite recording, simply. It is quite, quite unbelievable. I wept. Every theme Chopin includes, Horowitz includes with care. This piece is one that takes a long long long time to figure out. Musically, it is one of the hardest. Horowitz seems to finally understand it after having played it for almost forty years undoubtedly. I have heard roughly 10 or 12 recordings of this piece, and Horowitz's trumps all.
The encores: Debussy, Scriaban, Moszkowski are all wonderful in their own right, but Traumerei is practically Horowitz's child. People in the audience were weeping when they heard this piece. I went in with the intention of not weeping, and failed miserably. It is the singly most beautiful performance I have ever heard.
Buy this set. You will absolutely not regret it.
WHAT IS GOING ON?.......2003-12-27
ARE WRONG NOTES ALL YOU PEOPLE LISTEN TO?
HOROWITZ WAS BRILLIANT, YES, BUT HE WAS ALSO HUMAN LIKE ALL OF US. I MAKE MY FAIR SHARE OF WRONG NOTES AND WOULD HATE TO THINK THAT THEY WOULD BE THE ONLY THING THAT AN AUDIENCE WOULD REMEMBER AFTER A CONCERT. WRONG NOTES ARE A PART OF LIFE AND SOMETIMES ITS MORE IMPORTANT TO TAKE RISKS, EVEN IF IT RESULTS IN FAILIURE. ITS WHAT BREATHES LIFE INTO A PERSONS PLAYING, KNOWING THAT ONE SPLIT NOTE OR TWO IS NOT THE END OF THE WORLD. GIVEN THE CHOICE BETWEEN BEING MORE MUSICAL OR MORE TECHNICAL, I WOULD RATHER BE A MUSICIAN AND NOT A ROBOT.
IN HOROWITZ'S PLAYING, THERE ARE MORE IMPORTANT THINGS TO LISTEN TO. SO NEXT TIME YOU SWITCH ON ONE OF HIS RECORDINGS, WHY NOT TRY TO FORGET EVERYTHING YOU HAVE HAD BRAINWASHED INTO YOU ABOUT PERFECTION AND JUST LISTEN WITH YOUR HEART INSTEAD OF YOUR HEAD.
HOROWITZ WOULD HAVE BEEN THE FIRST PERSON TO TELL YOU THAT A PERFECT TECHNIQUE IS A COMPLETE MYTH. EVERYONE MAKES MISTAKES, WE CANT BE PERFECT FOR YOU ALL THE TIME, SO JUST GIVE US A BREAK.
Just the Facts..........2003-11-29
First, the corrections used on the original version of Horowitz at Carnegie Hall were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.
Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as the anonymous reviewer from Baltimore states.
Here is a (mostly) complete list of the patches on the original album, which have been removed from this new edition:
Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.
Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.
Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26
Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.
None of the encores were edited.
Patched or not, the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.
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Inside Monument Valley
Paul Horn & R. Carlos Nakai Manufacturer: Canyon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I17O Release Date: 1999-02-16 |
Tracks:
- Eye Of The Wind
- Spider Web
- Three Sisters
- Full Moon
- North Window
- Holy Ones
- Big Hogan
- Rain God
- East Mitten
- West Mitten
- The Hub
- Alhambra
- Dinetah
- God's Eye
- Totem Pole
- Shinarav
- Cly
- Algathla
- Monument Pass
- Mystery Valley
Product Description
1. Eye of the Winds
2. Spider Web
3. Three Sisters
4. Full Moon
5. North Window
6. Holy Ones
7. Big Hogan
8. Rain God
9. East Mitten
10. West Mitten
11. The Hub
12. Alhambra
13. Dinetah
14. Gods Eye
15. Totem Pole
16. Shinarav
17. Cly
18. Algathla
19. Moument Pass
20. Mystery Valley
Format: CD
Amazon.com essential recording
The sublimity of Inside Monument Valley isn't in the lovely flute music created by jazz musician Paul Horn and Native American flutist R. Carlos Nakai, or in the informative, clear liner notes and crisp photos, but rather in the exquisite interplay between Arizona's Monument Valley (the birds, insects, rain, thunder, and echoing canyon walls) and the highly inspired, all-improv music created by two immensely talented artists. The 1998 release Mythic Dreamer was special for the lyrical, spiritual music Nakai created on his first solo flute album after several years, and Inside Monument Valley picks up where Nakai's inspiration left off, like the inhalation of one breath after the exhalation of the last. Horn adds an interesting texture playing European-style transverse flutes and soprano sax. He complements Nakai's Native American flutes perfectly too, never overwhelming the listener with busy or distracting notes. The two musicians wandered into Monument Valley ready to record whatever their muses gave them, and the field-recording aspect of this CD worked wonderfully--probably because in some instinctual way the two artists knew it would. The power of bubbling thunder makes itself heard on "Rain God"; a fly makes a sizzling cameo past the mic on "Alhambra"; even Horn's doggy has something (quite comical) to say. But the recurring playful duels between the ravens' assertive calls and Nakai's flute are the best highlights--and well typify the beautiful essence of this album: living beings speaking to one another through song. --Karen KarleskiCustomer Reviews:
Ok for Indian flute music, but I've heard better.......2007-01-06
inside monument valley.......2005-07-30
I enjoy listening to it for hours at a time.
You can not go wrong with this one.
get it, listen, and i know you will like it.
Music that takes you to another place.......2005-05-09
Wonderful for relaxation/meditation.......2000-03-10
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They Threw Us All in a Trench and Stuck a Monument on Top
Liars Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006HCW1 Release Date: 2002-08-20 |
Tracks:
- Grown Men Don't Fall In The River, Just Like That
- Mr Your On Fire Mr
- Loose Nuts On The Veladrome
- The Garden Was Crowded And Outside
- Tumbling Walls Buried Me In The Debris With ESG
- Nothing Is Ever Lost Or Can Be Lost My Science Friend
- We Live NE Of Compton
- Why Midnight Walked But Didn't Ring Her Bell
- This Dust Makes That Mud
Customer Reviews:
Holy crap.......2006-02-16
hooked on this one for over a year now.......2006-01-19
there's nothing technically stellar about any of the instrumentalists, so if you're into virtuosity then obviously you won't like this cd. maybe check out the dave matthews band. however if you like good song writing with that communicates mood and attitude quite effectively, this is a great record for you
it's only original if you know jack about music.......2005-03-02
P.S.: Following your debut album up with a sophmore effort full of noisy ambience and experimental peices is not original. It was done with Sonic Youth's "Bad Moon Rising". Strait-up noise is boring anyway. ARtists like Merzbow have already drained that genre for all it's worth.
Sorry...I tried...I really did............2004-03-05
These guys need to stop mimicing their influences and have an independant thought or two..then give it another go.
No, you're not Gang of Four.......2004-01-30
In one corner of the ring, we have damaged poets Liars. Their debut LP, They Threw Us In A Trench And Stuck A Monument On Top is a career-opening manifesto. Every single barked lyric is a fiery salvo, and likewise every single thrashed drumbeat is phlegm, spat into the face of anyone who doesn't care. Anyone who doesn't understand.
Opening track "Grown Men Don't Fall Into the River, Just Like That" (behold the massively pretentious song titles) begins with a bit of murmuring about how everybody needs a hobby. Or something like that. But this is merely foreplay and the track quickly explodes into a thunderous, pounding rhythm. Then, singer Angus Andrew (who is actually Australian) brings out the bomb - "We've got our fingers on the pulse of America!" he squeals, perhaps overoptimistically considering the recent Republican takeover of our country.
From there on, it just gets better. The record is equal parts earsplitting guitar noise, chunky funky bass and (gasp) danceable drum parts. "We Live NE of Compton" is a startlingly malicious piece of punk which seems to be grabbing the listener by the throat, shoving him against the wall and proceeding to beat the living daylights out of him. Then, it suddenly all ends, and Angus mournfully whispers "the city loves you." Wow.
Despite all this, easily the best moment on the record is when they unleash the synthesizers and go into full-blown Gang of Four style with "Mr. You're On Fire Mr." It's ridiculously catchy, computerized drum beats and silly "ooo--weee-oooh" sounds popping up where it sounds like guitar should be. In what is perhaps a nod to Nirvana, it begins with the soon to be immortal line "Do the twist!" before dissolving into an incredible call-and-response chorus.
However, all is not well in Liars' world. The record at times falls into self-indulgence - witness the 20 minute repeated loop that closes out final track "This Dust Makes That Mud." Also, while Angus and crew have agitprop grooves down-pat, they have not yet mastered the art of song writing. "Loose Nuts on the Veladrome," while powerful, holds the promise of highs that it does not attain due to the lack of nuance throughout the song.
These quibbles aside however, They Threw Us In A Trench And Stuck A Monument On Top is a promising document from a band that you know will keep on getting better. For now, it's enough to make us dance and think at the same time - and in these troubled times, what more could you ask for?
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Complete Columbia & Monument Hits
Sonny James Manufacturer: Collector's Choice ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006BCNX Release Date: 2002-09-10 |
Tracks:
- When The Snow Is On The Roses
- White Silver Sands
- I Love You More And More Everyday
- If She Just Helps Me Get Over You
- Is It Wrong (For Loving You)
- A Mi Esposa Con Amor (To My Wife With Love)
- A Little Bit South Of Saskatoon
- Little Band Of Gold
- What In The World's Come Over You
- Eres Tu (Touch The Wind)
- The Prisoner's Song
- Back In The Saddle Again
- When Something Is Wrong With My Baby
- Come On In
- You're Free To Go
- In The Jailhouse Now
- Abilene
- This Is The Love
- Carribean
- Building Memories
- Hold What You've Got
- Lorelei
Album Description
Full title - The Complete Columbia & Monument Hits. This is the first serious anthology to examine this missing chapter in the career of one of Nashville's great singers. Offering every hit, most of which have never been on CD, along with notes and pictures. Collectors' Choice Music. 2002.Customer Reviews:
Sonny James is now in the Hall of fame!!.......2007-01-11
Ron Pruitt.......2005-09-30
the complete columbia & monument hits.......2005-08-14
Brings back lots of good memories
70's and 80's recordings.......2003-10-03
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Monument to the Masses
Ima Robot Manufacturer: Virgin Records Us ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GUK2XE Release Date: 2006-09-12 |
Tracks:
- Disconnect
- Creeps Me Out
- Cool Cool Universe
- The Beat
- Eskimo Ride
- Chip Off The Block
- Happy Annie
- Pouring Pain
- Stick It To The Man
- What Comes Tomorrow
- Lovers In Captivity
- Dangerous Life
Customer Reviews:
Jello Biafra wants his vocal style back.......2007-07-06
The only gripe I have is w/ Alex's lyrics. You've heard of the hip-hop rhyming dictionary? Somebody must have published the indie/dance rock version, because some of the couplets here are truly cringe-worthy. "Hmmm...what rhymes with insane? Pain? Brilliant!!!"
A little more effort w/ the lyrics, and this would be a near perfect sophmore release.
Great, but play it more than once to notice........2006-12-01
This one sneaks up on you.......2006-11-13
Ima Robot continues to surprise and delight.......2006-10-05
The first 3 tracks, 'Disconnected', 'Creeps Me Out', and 'Cool Cool Universe' really set the tone for the album, but doesnt set the standard, since tracks like 'Happy Annie' and 'Lovers in Captivity' push towards the more abstract side. Tracks like 'The Beat' and 'Dangerous Life' remind veteran Ima Robot fans of the signature sound that got them hooked on the band in the first place. There isn't a dull moment amongst the 12 tracks. My personal favorite on the album is 'What Comes Tomorrow'.
Ultimately, "Monument to the Masses" really shows how Ima Robot has matured as a band. There are subtle things on this album that a trained ear can pick up, such as the use of shaker percussions on alot of the tracks, something different from the debute album 3 years ago. David Blendeth was the head producer on this album (different from Josh Abraham on the debute album), so obviously a new sound was going to be brought to the table. The lyrics on "Monument To The Masses" also possess more political undertones, which again is either a turn-on or turn-off for the listeners, but I truthfully dig it.
Loyal fans of Ima Robot can aruge some of their best stuff is the 'lesser-known' work, such as the PrinceHouse Records release "Search And Destroy E.P" (which includes stellar tracks such as 'Paint The Town Red', 'Tumbling Down', 'Good Girl'), or the B-Sides (such as 'STD Dance', 'I'm Your Bitch', 'The Beat Goes On' ect)...but the title of "Monument to the Masses" says it all. Ima Robot pulls off cross-over appeal, something fans of both the electro/rock clash movement (that seems to be present in both LA {Ima Robot's hometown} and the UK oddly enough) and fans of the present emo/punk/pop movement can appreciate. You can only push the envelope so far musically before its becomes a turn-off on either end of the spectrum, and Ima Robot falls right in the middle.
Some side notes: members of the band, such as the keyboardist/bass player Filip Nikolic and guitarist Timmy The Terror have side-projects in which they produce electro dance/rock music that has gained popularity internationally on the dancefloors under the pseudonym of "The Hammers". The former bass player Justin Meldal-Johnsen (who is the bass player for Beck and is also a producer/song-writer/session musician for numerous musical groups: Macy Grey, Garbage, Tori Amos, ect) was involved with the production of "Monument to the Masses", but is no longer touring with the group.
This album is a must own, not only for fans of Ima Robot, but also for anybody who claims to be a fan of the current punk/pop movement that is dominating the radiowaves and MTV.
Great!!!!!!.......2006-09-26
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Works for Solo Piano
Schumann , and Ashkenazy Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006IU8T Release Date: 2003-03-11 |
Tracks:
- Arabeske In C, Op.18
- Papillons, Op.2
- Symphonic Studies, Op.13
- Carnaval, Op.9
- Humoreske, Op.20
- Noveletten, Op.21
- Waldszenen, Op.82
- Kinderszenen, Op.15
- Piano Sonata No.1 In F Sharp Minor, Op.11
- 8 Fantasiestke, Op.12
- Blumenstk, Op.19
- Davidsbdlertze, Op.6
- Kreisleriana, Op.16
- Noveletten, Op.21
- Piano Sonata No.2 In G Minor, Op.22
- Abegg Variations, Op.1
- Fantasie In C, Op.17
- Faschingsschwank Aus Wien, Op.26
- Bunte Blter, Op.99
- Nachtstke, Op.23
- 3 Romanzen, Op.28
Amazon.com
For less than $60, this seven-CD set brings the buyer almost all of Schumann's important works for solo piano performed by one of the great pianists of the last 50 years. Ashkenazy is nearly as insightful an interpreter of Schumann as he is of Chopin and the quality of these performances, which were recorded between 1984 and 1995, is generally high. The gnarled F-sharp Minor Sonata is beautifully organized, as well as emotionally compelling; "Papillons" has style, color, and flexibility; "Waldszenen" displays poetry, strength, and simplicity; the G-Minor Sonata is clearly outlined and impeccably delivered; "Kinderszenen" is played with fluidity and nuance; and "Carnaval" is delivered with bigness of conception, virility, and authority that make it among the finest ever recorded. Even on those occasions when Ashkenazy fails to reach such heights--as he does, for example, in a "Davidsbundlertanze" that is a mite too solemn and deliberate for the music's helter-skelter whimsy--his performances still achieve a distinguished standard. Nevertheless, it is Ashkenazy's misfortune that he must compete against his younger self. The readings in this set of the Symphonic Etudes, the Fantasy in C Major, "Kreisleriana," and the "Humoresque" fall short compared to those Ashkenazy recorded in the 1960s and early 1970s. In those earlier performance--reissued on a Double Decca set--the notes roll off the pianist's fingers in a dazzling and melting manner, with a singing tone and a sense of rapture, that he was unable to match 20 years later. --Stephen WiglerAlbum Details
Few Pianists have Explored and Recorded Such a Wealth of Keyboard Literature as Vladimir Ashkenazy. During an Association with Decca which Stretches Back Almost 40 Years Now, Ashkenazy Has Completed Cycles of Some of the Most Important Concertos (Mozart, Beethoven, Prokofiev, Bartók and Rachmaninov), as Well as an Extensive Amount of Solo Literature.two Of the Greatest Figures in 19th-century Piano Music Are Chopin and Schumann, and Music by Both Composers Has Featured, and Continues to Feature, in Ashkenazy's Recitals. He Has Recorded Almost all of Chopin Solo Works and During the Years 1984-95 Undertook a Major Survey of Schumann's Solo Literature (Some Works Including the Sinfonische Etüden, Fantasie, Kreisleriana and Humoreske) Ashkenazy Had Recorded Earlier in his Career). These Digital Recordings Are Now Presented as a Box Set for the First Time and Are an Invaluable Collection of the Composer's Most Important Keyboard Works, Performed by One of the Greatest Pianists of his GeCustomer Reviews:
Wonderful music, great playing, even better price.......2007-07-03
I may not have heard every version of these Schumann pieces played by every pianist in the 20th century, but I can say that Ashkenazy plays these pieces absolutely wonderfully- with both technical virtuosity and emotional depth. If you really want to cobble together a collection of the "absolute best" Schumann pieces, and spend a couple hundred dollars in the process, that's certainly your prerogative.
I just can't see how anyone can fault Ashkenazy's playing of these pieces as being lesser than others. To my ears, he plays them faultlessly. There are times during the recording where I want to stand up and applaud, others when I want to weep.
For about $5-$8 per disc (depending on who you purchase it from) you can have this wonderful music. Buy it now, and listen often!
This is well worth the price.......2005-12-03
But what every piece does give you, what ash himself seems to offer now, is a high standard of playing, though little over the top. But dont take that the wrong way, this set is a perfect way for anyone, even those pianophiles, to imburse or reimburse themselves in Schumann's wonderful world.
1.Wald-ash,haskil, richter, kempff
2.Kinder-moise, cortot, horsz, kempff
3.Davids-Giese, Pollini
4.Carnaval-Rach, Arrau
5.Sonata 1-Gilels, Ash
6. Symph Etudes- Richter, Richter, Richter, anda
7. Fant in C-Moise, Backhaus, Cohen, Richter
8. Humoreske-Richter-56 moscow, kempf. F
Not Ashkenazy's forte (pun on forte intended).......2004-11-21
I much prefer the more introspective approach of Arrau, or the wild and intriguing Pollini. Even Barenboim comes closer to the heart of Schumann than Ashkenazy.
The recorded sound is often disappointing also. The sound on some pieces is so muddy I thought the microphone was behind a wall.
beautifully played, wonderful and overlooked pieces.......2003-04-29
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Schubert: Wanderer-Fantasie; Schumann / Clifford Curzon
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004NK2A Release Date: 2000-04-11 |
Tracks:
- Fantasie in C Major, Op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen
- Fantasie in C Major, Op. 17: II. Massig. Durchaus energisch
- Fantasie in C Major, Op. 17: III. Langsam getragen. Durchweg leise zu halten
- Kinderszenen, Op. 15: Von fremden Landern und Menschen
- Kinderszenen, Op. 15: Kuriose Geschichte
- Kinderszenen, Op. 15: Hasche-Mann
- Kinderszenen, Op. 15: Bittendes Kind
- Kinderszenen, Op. 15: Gluckes genug
- Kinderszenen, Op. 15: Wichtige Begebenheit
- Kinderszenen, Op. 15: Traumerei
- Kinderszenen, Op. 15: Am Kamin
- Kinderszenen, Op. 15: Ritter vom Steckenpferd
- Kinderszenen, Op. 15: Fast zu ernst
- Kinderszenen, Op. 15: Furchtenmachen
- Kinderszenen, Op. 15: Kind im Einschlummern
- Kinderszenen, Op. 15: Der Dichter spricht
- Wanderer-Fantasie, D760: Allegro con fuoco ma non troppo
- Wanderer-Fantasie, D760: Adagio
- Wanderer-Fantasie, D760: Presto
- Wanderer-Fantasie, D760: Allegro
Amazon.com
Curzon's performance of Schumann's Fantasy in C, initially released in 1954, remains among the greatest ever recorded. Instead of the stormy theatricality usually heard, the composer's direction that the first movement "be performed very imaginatively and passionately" makes the British pianist respond with a sense of chivalric ardor, no less passionate for all its nobility. Sonorousness is combined with tenderness; attention to detail with grandeur of proportion; and dramatic urgency with meditative lyricism. The majestic second movement march unfolds with unobtrusive power and unflagging rhythm. The Elysian final movement can sound repetitious in less-than-loving hands. But Curzon uses his command of shading, variety of touch, and knowledge of bel canto phrasing to create a sense of rapturous intoxication. He was as happy in miniatures as in large structures. Curzon's magical performance of the same composer's "Kinderszenen" suggests--in its delicacy of color, its exquisite textures, and its heartfelt (and difficult to achieve) simplicity of expression--the best Mozart. His distinguished reading of Schubert's "Wanderer" Fantasy is heard here in a better-sounding transfer than on the volume dedicated to him in Philips's "Great Pianists" series. --Stephen WiglerCustomer Reviews:
A classic recording from Curzon.......2005-11-19
The Fantasie in C major is played with a passion and sensitivity all Curzon's own - it is as though the music was written especially for him; and with the Kinderszenen, he perfectly brings out the crystaline beauty in their apparent, lullabyesque simplicity.
Curzon's performance of Schubert's Wanderer-Fantasie is equally mesmerising. As a pianist, there are few who can match his talent and these recordings have rightly been included in Decca's Legendary Legend series. This comes highly recommended.
Few Great Pianists Sound like Him, If At All.......2005-01-22
Inspiring.......2002-04-11
Average customer rating:
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Charlie McCoy - Greatest Hits [Monument]
Charlie McCoy Manufacturer: Sony Cmg Mkt Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026LF Release Date: 1990-10-25 |
Tracks:
- Today I Started Loving You Again
- Wabash Cannonball
- Release Me
- I Really Don't Want To Know
- Silver Threads And Golden Needles
- I'm So Lonesome I Could Cry
- Boogie Woogie
- I Can't Help It (If I'm Still In Love With You)
- Shenandoah (Featuring Mary Alice Hoepfinger)
- Orange Blossom Special
Customer Reviews:
Relaxing, entertaining and foot tapping good!!!.......2007-02-14
I was actually looking for Charlie McCiy's The Real McCoy album, but this is great to listen to too!!!
I'll keep looking for the other as well.
Michael Scott.......2003-09-02
Michael Scott.......2003-09-02
Great Expectations Dashed.......2002-11-20
Charlie McCoy - Nashville's Bset Kept Secret.......2002-11-09
McCoy began making his own recordings in the late 1960's. First with the band Area Code 615, then as a solo artist. His "Greatest Hits" CD gives us a taste of his immense talent. Charlie spend most of this album showing his sweet side, showcasing the lilting, lyrical tone that has made so many of nashville's greatest sound good. The highlight of this album is his trademark "Orange Blossom Special". Normally a showcase for fiddlers, Charlie handles "Orange Blossom Special" like it was written for the harmonica. In fact, many rising Bluegrass harmonica players use the song to show how well they compare to Charlie.
This is an excellent CD to start your collection of Charlie McCoy recordings.
Album Review:
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- Music to Download Pornography By
- New York Lounge [Import]
- No Shoes No Cake
- Paloma Blanca [CD-single] [Import]
- Peppered With Spastic Magic
- Plug Me In [CD-single] [Import]
- Quango World Groove
- Quantum Transposition
- Raccolta N. 3
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Stravinsky/Bartók: Violin Concertos