| 1. Song For A New Age |
| 2. Lighthouse |
| 3. Generation |
| 4. Passage Sur La Cite Be La Revelation |
| 5. Balke's New Jerusalem |
Editorial Reviews
Product Description
Reissue of 1978 album from the synth star who was in Gong, Crystal Machine and Hawkwind.
Kirkby has a crystalline clear and clean voice. In "Columba aspexit," Kirkby and supporting voices paint a musical tapestry that is hypnotic (a common phrase that can be used across the songs). In "Ave, generosa," Kirkby sings the hymn solo and without any instrumental backing. An enchanting piece. Three tenors from "A Gothic Voice" essay "O ignis spiritus." Their voices meld together well and their take on this has a spiritual element. A final example (no need to mention each of the cuts on the CD). . . . "O Jerusalem" features both Kirkby and some members of "A Gothic Voice." The voices play off one another well. Another nicely done work.
This is a good introduction to ancient but interesting music. Kirkby once again shows her skills off to good effect, with an assist from "A Gothic Voice."
This is an older recording. I first bought the album on vinyl. I bought it again on CD. Now it is in heavy rotation on my ipod. This is simply one of the best pieces of vocal music ever recorded, any age, any genre.
Enjoy.
I have heard two other performances of Hildegard of Bingen compositions and to my amateur ear, these are the best. With soloist Emma Kirkby plus the instrumental backup, they are certainly more interesting than the a capella treatment by the Anononymous 4.
Very highly recommended.
Des louanges grandioses pour adorer le Seigneur tout puissant.
But, like too many recordings of the vespers, it includes gregorian chant antiphons sung between the movements. Now either Monteverdi wrote this piece as a "piece" to be performed, in which case I believe the solo movements were meant to take the place of the traditional chant, or it is a collection of wonderful psalm settings and other sacred movements, in which case what is the point of adding music not written by Monteverdi? The same argument goes for the instrumental sonatas thrown in here. My personal belief is that Monteverdi, the first great opera composer, wrote these psalm settings over a period of time, and then put them together with the other movements to make a unified whole for publication. The other recording I own of this work, Gardiner's first recording of it, has a much nicer flow because there is no chant.
I must say that I love the clarity this version gives with one voice on a line, and I play both cd's often.
I have listened to this version of the Monteverdi Vespers for many years and have always somehow been left feeling partially dissatisfied by it despite the lavish praise heaped upon it by many reviewers over the years. Certainly it has it moments of greatness, yet I wish the reading as a whole would cohere more. Although the singers here are all stars, a star studded legion of singers do not an ensemble make. So I have waited years to find a recording that might surplant it. Years went by and recordings came and went without anything really grabbing my attention. Then recently I discovered a recording that seems to have eluded me: Masaaki Suzuki with the Bach Collegium Japan on the Swedish boutique label Bis (ASIN B00005K2BK).
Of course the virtues of their Bach are well known and many a reviewer has written their story of at first ridiculing the thought of a Japanese period instrument group to then being completely floored by their performances again and again. Suzuki seems to have everything I have every felt was missing in the Parrott, even if here and there Parrott has some altenative insights (the Nisi Dominus is an example where Suzuki seems dangerously over-exuberant!), these moments are rare exceptions. Suzuki fully captures that uninhibited Venetian exuberance of the writing bringing the whole together as a whole rather than just having sporadic moments. Still, the lush modal harmonies seem just that much more succulent and the resultant expressive impact is incomparable. For someone who has tolerated the Parrott for almost ten years the weight of burden being lifted was just huge!
For the price I guess if you need a budget version, then the Parrott is now competitive especially if you prefer your Monteverdi sung one to a part. However, the BIS recording for Suzuki is, as usual from them, just stunning. In the BIS recording there is far greater spaciousness and air around the instruments and voices, with timbre coming through in all its riches without being bleached. The BIS recoridng is fair audiophile quality (it is BIS policy to avoid compression devices or blatant post-production processing), that renders it first choice to anyone for whom recorded sound quality dictates preferences. The EMI recording for Parrott sounds like early 16-bit digital sound at its thinnest and boxiest - a fact exacerbated by the glassiness that comes with Virgin sound transfers (Virgin desperately need to review their remastering and digital transfer equipment/methods). You certainly get what you pay for.
So take your pick - the cheap and easy option of Parrott or the rich fullness of Suzuki's Dionysian exuberance. Also there is always Rinaldo Alessandrino version for those insistent on hearing this sung one to a part - the sound there is even better than on the BIS.
This is, of course, a very British production, and a large number of Britain’s early music stars (at least from the early 80’s) were involved in the production. There are solo passages sung by Emma Kirkby, David Thomas, Nigel Rogers, Tessa Bonner, Evelyn Tubb, Emily Van Evera, Margaret Philpot, Rogers Covey-Crump, Andrew King, Richard Wistreich and others, and the Taverner Players count some of Britain’s most distinguished period instrument players among their ranks: John Holloway, Micaela Comberti, Trevor Jones, Mark Caudle, Susan Sheppard, Jennifer Ward-Clarke, Francis Baines, Bruce Dickey, Lisa Beznosiuk, Rachel Beckett, Anthony Bailes, Nigel North, John Toll … and so the list goes on. If you are a fan of the British early music scene, you will have heard of all these names and will know what a wonderful treat awaits you when you turn your CD player on.
And a wonderful treat it is indeed, although the opening Gregorian chant with its empty church echo does sound a little strange. But from Track 2 onwards, the whole begins to sound glorious, a continuous stream of delightful vocal and instrumental passages with all the wonderful typically Monteverdian sounds that early music fans have come to appreciate. Special mention for Nigel Rogers, Andrew King and Joseph Cornwell who offer a superb “Duo seraphim” without the high-voiced contortions of a René Jacobs. Of the female soloists, only Emily Van Evera sounds a little sharp on occasion, but that is something that can be accepted in view of the total quality of the recording. Personally, I have come to love and appreciate this version a little more than Philip Pickett’s 90’s version for Decca’s early music imprint L’Oiseau-Lyre, where the sound is never quite so convincing as here.
If I could only own one recording of this work, the Andrew Parrott would me the one.
The price is killer and you HAVE to buy it, but be warned: these are not the best recordings, you get what you pay for.
First of all, I'm not a Vivaldi expert, but I've heard his compositions throughout my life in so many different places and recordings and have a vague idea of how some have to be played. Secondly, I'm not a classical music connoisseur, but I love it and have over 300 discs of various composers and styles. Third, I know what a good audio recording should sound like and this will influence my critique of some discs in the collection. Finally, it's easy to get lost among all the tracks contained, so in some cases I will give you my favorite tracks in a disc.
I'm sorry, but I've only reached disc 20 of the box-set, as I listen to more this review will be expanded.
DISC 1:
Why would you use an AAD recording as a first impression for a 40 disc box-set and for the "Four Seasons", which is probably Vivaldi's best know work. The concertos are played enthusiastically, but lack any additional virtuosity to put it ahead of other much better recordings out there.
DISC 2:
Same as DISC 1, played and recorded by the same people.
DISC 3:
The pieces in this disc are VERY well played, nonetheless, you can hear heavy breathing from the soloist which can be a bit annoying.
DISC 4:
Very well performed as well, heavy breathing is less present.
DISC 5:
A very good recording, excellent execution by the hapsichord and good by the recorder.
Tracks 4, 6, 7 and the whole "La Notte" are extraordinary.
DISC 6:
Exquisitely recorded and performed by the Budapest Strings.
DISC 7:
Marvelous performance on the whole disc.
Tracks 22 & 24 are non-plus-ultra.
DISC 8:
Great performance too.
Suggested tracks: 7, 12, 15, 24
DISC 9:
To have an original baroque organ playing is a plus.
Solo strings are lacking in quality (for example: tracks 6 & 7).
Suggested tracks: 1, 4, 8, 15
DISC 10:
Despite being and ADD recording, the quality is fairly good. The cello is very well played.
Suggested tracks: 3, 4, 12
Excellent track: 13
DISC 11:
Same musical group and soloist as DISC 10. The contrabass is extremely distorted sometimes, and if you take into consideration that this is an ADD recording, it can get pretty bad. Some background noise is perceived.
Suggested tracks: 3, 6, 9
DISC 12:
The compositions are somewhat boring, either way the performance is plain decent.
Suggested tracks: 10, 12
DISC 13:
Good performance and sound quality.
Suggested tracks: 1, 4, 6, 7
Excellent track: 12
DISC 14:
Good performance and sound quality too.
Suggested tracks: 10, 14, 16
Excellent track: 5
DISC 15:
Badly mixed, the basoon is blocking the whole ensamble by being in the foreground.
The playing precision is lacking.
An AWEFUL thing about this recording is that you can hear the basson key-sticking with the instrument and the saliva. It's horrible.
Such a pity, the sound of the basson with other instruments can be pretty interesting.
DISC 16:
Violins sound a bit off tempo.
Suggested tracks: 4, 8
DISC 17:
Good sound quality and performance.
Suggested tracks: 1, 7, 9
DISC 18:
Despite being an old recording, it is a very welcome one.
The performance is very well above par. Tempo is fantastic.
The quality of the recording could have been better due to some string plucking that is heard and which can become bothersome.
These are some of Vivaldi's best know tunes.
Suggested tracks: 4, 6, 13
Excellent tracks: 1, 3
DISC 19:
Lively recording.
Track 6 is the same piece found in another disc in the collection, but with a better performance.
DISC 20:
By now you've heard all of this pieces before in the other discs. Nothing new here, nor better.
With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are
The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance
This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!
If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me
So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion
But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.
Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.
I know snobs rage against popularizing classical music, but everyone deserves exposure to the beauty of song. I will also mention here "The East Village Opera Company" because they work to popularize opera by setting it to a rock beat. They do a fine job but also get criticized for attempting to popularize classical music.
"The Best Choral Album in the World...Ever" was so popular with my teen-age daughter that it was hard to get it back from her. I give the album as a gift to nephews and nieces.
The peices are well-performed for the most part, but they are hopelessly edited. Beethoven's Ode to Joy is somewhere around twenty four minutes, but this CD only includes an arrangement of about five minutes. The beautiful Miserere is, uncut, almost eleven minutes but is cut down to five and a half minutes here.
Looking back, I should have realized the major editing that would be involved, just by the sheer number of peices on it. I'm familiar with a great many of them and I know they're too long to fit onto a seventy minute disc without some major cutting going on. I just didn't reason that out before I shelled out the money for it.
Bottom line. This CD has decent singing, but is nothing special. If you're a newcomer to this genre, you might get this as a quick overview of the different types of choral music out there, but if you're any kind of an avid listener, this CD will drive you insane with the severity of the cuts. Beginners, if you're looking for a great collection CD, you'd do better to look at "Choral Moods". It doesn't have the diversity in styles of this one, but it will introduce you to incredibly talented composers. To the old hats out there, steer clear of this one and look to CD's by your preferred individual composers themselves. It's more money, but much less frustration in the long run. The old sayings are sometimes the best: You get what you pay for.
Otherwise, it is pure joy to listen to. The singing is full of that same raw passion that makes it sound so primitive. I've heard other albums where the sound is polished, concert-hall like, and as a result very dead. This is not that way; it moves and stirs as good spiritual music ought to.
This is a new field of music for me, even though I've sung in church choirs for years and listened to all kinds of classical music. Hearing this album makes me want to go find the sheet music and start singing it myself, it is so infectious.
Reissue of 1978 album from the synth star who was in Gong, Crystal Machine and Hawkwind.
Jerusalem,Tim Blake,Voiceprint,Dance,Rock/Pop
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Feather on the Breath of God
Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD  Hildegard of Bingen
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ASIN: B000002ZGD Release Date: 1993-09-01 |
Tracks:
- Sequentia de Sancto Maximo: Columba aspexit
- Ymnus de Sancta Maria: Ave, generosa
- Sequentia de Spiritu Sancto: O ignis spiritus
- De Sancto Ruperto: O ierusalem
- De sancto Euchario sequentia: O Euchari
- De Sancta Maria: O viridissima virga
- Sequentia de Sancto Dysibodo: O presul vere civitatis
- De Undecim Milibus Virginbus: O Ecclesia
Amazon.com essential recording
This is the record that started the Hildegard craze back in 1982--and you need only listen to Emma Kirkby glide and soar through Columba aspexit (the opening hymn) to understand why. Gothic Voices performs the music very simply, either alternating soloists and unison choir over a drone or using a single unaccompanied voice. The singers render Hildegard's extravagant poetic imagery and melody not with the rhythmically fluid, ecstatic approach favored by Sequentia, but with equalist rhythm and a calm, meditative quality. Gothic Voices' straightforward approach is less likely to send you into a rapturous trance than is Sequentia's, but in the hands of such fine singers as Kirkby, Margaret Philpot, and Emily van Evera, Hildegard's extraordinary texts and melodies are captivating--and clear enough to linger in the memory as melodies rather than just sensations. This record is still Hyperion's bestselling title by far--try it and find out why. --Matthew WestphalCustomer Reviews:
Hyponotic music from an early great composer.......2007-03-10
Kirkby has a crystalline clear and clean voice. In "Columba aspexit," Kirkby and supporting voices paint a musical tapestry that is hypnotic (a common phrase that can be used across the songs). In "Ave, generosa," Kirkby sings the hymn solo and without any instrumental backing. An enchanting piece. Three tenors from "A Gothic Voice" essay "O ignis spiritus." Their voices meld together well and their take on this has a spiritual element. A final example (no need to mention each of the cuts on the CD). . . . "O Jerusalem" features both Kirkby and some members of "A Gothic Voice." The voices play off one another well. Another nicely done work.
This is a good introduction to ancient but interesting music. Kirkby once again shows her skills off to good effect, with an assist from "A Gothic Voice."
One of my favorite albums of all time........2007-03-06
This is an older recording. I first bought the album on vinyl. I bought it again on CD. Now it is in heavy rotation on my ipod. This is simply one of the best pieces of vocal music ever recorded, any age, any genre.
Enjoy.
Luminous.......2006-11-27
Heavenly.......2006-11-15
Short, but still the very best of Hildegard of Bingen. Buy It........2005-12-20
I have heard two other performances of Hildegard of Bingen compositions and to my amateur ear, these are the best. With soloist Emma Kirkby plus the instrumental backup, they are certainly more interesting than the a capella treatment by the Anononymous 4.
Very highly recommended.
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Jerusalem Arise
Paul Wilbur Manufacturer: Sony ProductGroup: Music Binding: Audio CD General
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ASIN: B00006DU1K Release Date: 2002-09-17 |
Tracks:
- Jerusalem Arise Overture
- O Jah
- Let God Arise
- It Is Good
- Roni Roni Bat Zion/Let God Arise (Reprise)
- Praise Adonai
- Crowded With Many Crowns
- The Shout Of Shaddai (Reprise)
- We Have Overcome/The Shout Of El Shaddai (Reprise)
- Blessed Are You
- Let The Weight Of Your Glory Fall
- For Your Name Is Holy/Let The Weight Of Your Glory Fall (Reprise)
- Kadosh
- Days Of Elijah/Kadosh (Reprise)
Customer Reviews:
Blessed Music.......2007-06-11
My Spirit soars for Jerusalem with this CD.......2007-03-18
Takes you into the Holy of Holies.......2006-04-22
Genial.......2005-09-17
Des louanges grandioses pour adorer le Seigneur tout puissant.
Incredible Inspirational Music ! Get The Video Too !!!.......2003-05-07
The lyrics, music and atmosphere purveyed during the production are absolutely incredible. Performed live in Jerualem, Israel, this has to be a must-hear for every Christian. Seldom has such music been so moving.
The adoration for the Lord Jesus through the music and lyrics is extremely personal and intimate and is like balm to the soul.
The lyrics are so deep and meaningful and the music is pure worship. The singer appears to be lost in worship and adoration for the Lord, not to mention the Choir and even the audience themselves !
I really am lost for words as how to describe the sheer majesty and praise emanating from this work ! If I could only recommend one Christian CD, then this would be the one. Highly recommended.
There is also a VHS video available of the actual live recording of this event in Jerusalem. It is incredible ! The praise and worship will blow your mind. One of the most amazing spectacles of Christian music that I have ever seen.
Paul Wilbur's other CD's "Shalom Jerusalem", "Pray For The Peace Of Jerusalem" and "Lion Of Judah" are all highly recommended too.
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Rule Britannia and Other Music from Last Night of the Proms
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD All Works by Arnold
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ASIN: B00000AEL9 Release Date: 1998-08-25 |
Tracks:
- Crown Imperial
- Jerusalem
- Enigma Variations, Op 36, Variation No 9 (Nimrod)
- Fantasia on British Sea Songs: The Saucy Arethusa
- Fantasia on British Sea Songs: Tom Bowling
- Fantasia on British Sea Songs: Jack's The Lad
- Fantasia on British Sea Songs: Farewell Ye Spanish Ladies
- Fantasia on British Sea Songs: Home Sweet Home
- Fantasia on British Sea Songs: See The Conquering Hero
- Fantasia on British Sea Songs: Rule Britannia
- Overture: 'Tam O'Shanter', Op. 51
- I Was Glad When They Said Unto Me
- Orb And Sceptre
- Pomp and Circumstance, Op. 39, March No. 1
Customer Reviews:
Music from the empire.......2007-06-01
The British and their music.......2007-05-30
A good choice of tunes.......2005-06-29
A beautiful CD!.......2001-12-16
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Jerusalem
Steve Earle Manufacturer: Artemis Records ProductGroup: Music Binding: Audio CD General
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ASIN: B00006GEX6 Release Date: 2002-09-24 |
Tracks:
- Ashes To Ashes
- Amerika v. 6.0 (The Best We Can Do)
- Conspiracy Theory
- John Walker's Blues
- The Kind
- What's A Simple Man To Do?
- The Truth
- Go Amanda
- I Remember You
- Shadowland
- Jerusalem
Amazon.com
On 1997's El Corazón, Steve Earle wished for the return of Woody Guthrie to a world sorely lacking voices of righteous dissent. Here, Earle stops pining for ghosts and gruffly makes his own claim to the agit-folk crown. The controversial "John Walker's Blues" drew attention to the album and the ire of many who misunderstood it, but it's only one of many topical tunes on a disc that issues a kind of call to arms: over the distorted guitars and garbage-pail drums of "Amerika v. 6.0" and in the spare and creepy satire "Conspiracy Theory," Earle rallies listeners to resist such corrosive cultural forces as consumerism, xenophobia, and apathy. And as Earle's songs often do, several cuts offer sympathetic portrayals of folks on the margins: a busted Mexican migrant writes a letter home as organ chirps and guitars blaze through "What's a Simple Man to Do?" and in "The Truth," Earle's fuzzed-out drawl depicts life behind bars. Though nearly every moment of this ambitious album is laden with meaning, there's room enough for simple beauty--like the velvet voice of Emmylou Harris on "I Remember You"--and, more importantly, hope. "I believe there'll come a day," Earle affirms in the closing track, "when the lion and the lamb will lie down in peace together in Jerusalem." --Anders Smith LindallAlbum Description
Jerusalem is Steve Earle's state of the state address - an insightful overview of our turbulent times, in the vein of classic political albums like Bruce Springsteen's Born In The USA & Marvin Gaye's What's Goin' On. Highlights include, 'Conspiracy Theory', 'Ashes To Ashes', 'John Walker's Blues' & an appearance from Emmylou Harris. 11 tracks. 2002.Customer Reviews:
Great album by a true American patriot..........2007-02-16
Not Under Any Circumstance...........2006-11-02
A CD with a Message.......2005-10-28
My Least Favorite is still pretty good........2005-08-21
Masterpiece.......2005-07-31
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Monteverdi: Vespro della Beata Vergine 1610/Venetian Vespers
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Monteverdi
| Monteverdi, Claudio
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ASIN: B000031WJB Release Date: 2000-04-11 |
Tracks:
- Vespro Della Beata Vergine 1610: Versiculus, Canto Gregoriano: Deus In Adiutorium
- Vespro Della Beata Vergine 1610: Responsorium: Domine Ad Adiuvandum Me Festina
- Vespro Della Beata Vergine 1610: Antiphona, Canto Gregoriano
- Vespro Della Beata Vergine 1610: Psalmus I: Psalmus 109: Dixit Dominus
- Vespro Della Beata Vergine 1610: Con: Nigra Sum
- Vespro Della Beata Vergine 1610: Antiphona II, Canto Gregoriano: Maria Virgo Assumpta Est
- Vespro Della Beata Vergine 1610: Psalmus II: Psalmus 112: Laudate Pueri
- Vespro Della Beata Vergine 1610: Con: Pulchra Es
- Vespro Della Beata Vergine 1610: Antiphona III, Canto Gregoriano: In Odorem Unguentorum Tuorum...
- Vespro Della Beata Vergine 1610: Psalmus III: Psalmus 121: Laetatus Sum
- Vespro Della Beata Vergine 1610: Son
- Vespro Della Beata Vergine 1610: Antiphona IV, Canto Gregoriano: Benedicta Filia Tua Domino
- Vespro Della Beata Vergine 1610: Psalmus IV: Psalmus 126: Nisi Dominus
- Vespro Della Beata Vergine 1610: Con: Audi Coelum
- Vespro Della Beata Vergine 1610: Antiphona V, Canto Gregoriano: Pulchra Es Et Decora, Filia...
- Vespro Della Beata Vergine 1610: Psalmus IV:: Psalmus V: Psalmus 147: Lauda Jerusalem Dominum
- Vespro Della Beata Vergine 1610: Son
- Vespro Della Beata Vergine 1610: Capitulum, Canto Gregoriano: In Omnibus Requiem Quaesivi
- Vespro Della Beata Vergine 1610: Hymnus: Ave Maris Stella
- Vespro Della Beata Vergine 1610: Versus Et Responsorium
- Vespro Della Beata Vergine 1610: Antiphona VI, Canto Gregoriano: Hodie Maria Virgo Caelos Ascendit
- Vespro Della Beata Vergine 1610: Son Sopra Sancta Maria
Tracks:
- Vespro Della Beata Vergine 1610: Magnificat
- Vespro Della Beata Vergine 1610: Oratio, Canto Gregoriano: Dominus Vobiscum
- Vespro Della Beata Vergine 1610: Versus, Canto Gregoriano: Dominus Vobiscum
- Vespro Della Beata Vergine 1610: Con: Duo Seraphim
- Vespro Della Beata Vergine 1610: Antiphona Beatae Mariae Virginis: Salve Regina
- Vespro Della Beata Vergine 1610: Versus Et Responsorium, Canto Gregoriano: Ora Pro Nobis
- Vespro Della Beata Vergine 1610: Oratio, Canto Gregoriano: Domine Vobiscum
- Vespro Della Beata Vergine 1610: Conclusio, Canto Gregoriano: Divinum Auxilium Maneat Semper...
- Selva Morale E Spirituale 1641: Psalmus 109: Dixit Dominus
- Selva Morale E Spirituale 1641: Psalmus 110: Confitebor Tibi Domine
- Selva Morale E Spirituale 1641: Psalmus 111: Beatus Vir
- Selva Morale E Spirituale 1641: Psalmus 112: Laudate Pueri
- Selva Morale E Spirituale 1641: Psalmus 116: Laudate Dominum
- Selva Morale E Spirituale 1641: Salve Regina
Customer Reviews:
Just beautiful.......2007-03-20
wonderful.......2005-09-28
But, like too many recordings of the vespers, it includes gregorian chant antiphons sung between the movements. Now either Monteverdi wrote this piece as a "piece" to be performed, in which case I believe the solo movements were meant to take the place of the traditional chant, or it is a collection of wonderful psalm settings and other sacred movements, in which case what is the point of adding music not written by Monteverdi? The same argument goes for the instrumental sonatas thrown in here. My personal belief is that Monteverdi, the first great opera composer, wrote these psalm settings over a period of time, and then put them together with the other movements to make a unified whole for publication. The other recording I own of this work, Gardiner's first recording of it, has a much nicer flow because there is no chant.
I must say that I love the clarity this version gives with one voice on a line, and I play both cd's often.
A reasonable bargain(?).......2005-07-02
I have listened to this version of the Monteverdi Vespers for many years and have always somehow been left feeling partially dissatisfied by it despite the lavish praise heaped upon it by many reviewers over the years. Certainly it has it moments of greatness, yet I wish the reading as a whole would cohere more. Although the singers here are all stars, a star studded legion of singers do not an ensemble make. So I have waited years to find a recording that might surplant it. Years went by and recordings came and went without anything really grabbing my attention. Then recently I discovered a recording that seems to have eluded me: Masaaki Suzuki with the Bach Collegium Japan on the Swedish boutique label Bis (ASIN B00005K2BK).
Of course the virtues of their Bach are well known and many a reviewer has written their story of at first ridiculing the thought of a Japanese period instrument group to then being completely floored by their performances again and again. Suzuki seems to have everything I have every felt was missing in the Parrott, even if here and there Parrott has some altenative insights (the Nisi Dominus is an example where Suzuki seems dangerously over-exuberant!), these moments are rare exceptions. Suzuki fully captures that uninhibited Venetian exuberance of the writing bringing the whole together as a whole rather than just having sporadic moments. Still, the lush modal harmonies seem just that much more succulent and the resultant expressive impact is incomparable. For someone who has tolerated the Parrott for almost ten years the weight of burden being lifted was just huge!
For the price I guess if you need a budget version, then the Parrott is now competitive especially if you prefer your Monteverdi sung one to a part. However, the BIS recording for Suzuki is, as usual from them, just stunning. In the BIS recording there is far greater spaciousness and air around the instruments and voices, with timbre coming through in all its riches without being bleached. The BIS recoridng is fair audiophile quality (it is BIS policy to avoid compression devices or blatant post-production processing), that renders it first choice to anyone for whom recorded sound quality dictates preferences. The EMI recording for Parrott sounds like early 16-bit digital sound at its thinnest and boxiest - a fact exacerbated by the glassiness that comes with Virgin sound transfers (Virgin desperately need to review their remastering and digital transfer equipment/methods). You certainly get what you pay for.
So take your pick - the cheap and easy option of Parrott or the rich fullness of Suzuki's Dionysian exuberance. Also there is always Rinaldo Alessandrino version for those insistent on hearing this sung one to a part - the sound there is even better than on the BIS.
Punctilious Research and Performance Practice.......2004-12-29
This is, of course, a very British production, and a large number of Britain’s early music stars (at least from the early 80’s) were involved in the production. There are solo passages sung by Emma Kirkby, David Thomas, Nigel Rogers, Tessa Bonner, Evelyn Tubb, Emily Van Evera, Margaret Philpot, Rogers Covey-Crump, Andrew King, Richard Wistreich and others, and the Taverner Players count some of Britain’s most distinguished period instrument players among their ranks: John Holloway, Micaela Comberti, Trevor Jones, Mark Caudle, Susan Sheppard, Jennifer Ward-Clarke, Francis Baines, Bruce Dickey, Lisa Beznosiuk, Rachel Beckett, Anthony Bailes, Nigel North, John Toll … and so the list goes on. If you are a fan of the British early music scene, you will have heard of all these names and will know what a wonderful treat awaits you when you turn your CD player on.
And a wonderful treat it is indeed, although the opening Gregorian chant with its empty church echo does sound a little strange. But from Track 2 onwards, the whole begins to sound glorious, a continuous stream of delightful vocal and instrumental passages with all the wonderful typically Monteverdian sounds that early music fans have come to appreciate. Special mention for Nigel Rogers, Andrew King and Joseph Cornwell who offer a superb “Duo seraphim” without the high-voiced contortions of a René Jacobs. Of the female soloists, only Emily Van Evera sounds a little sharp on occasion, but that is something that can be accepted in view of the total quality of the recording. Personally, I have come to love and appreciate this version a little more than Philip Pickett’s 90’s version for Decca’s early music imprint L’Oiseau-Lyre, where the sound is never quite so convincing as here.
Easily the best recording of the Vespers.......2004-03-13
If I could only own one recording of this work, the Andrew Parrott would me the one.
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Vivaldi: The Masterworks (Box Set)
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ASIN: B00062FLHY Release Date: 2004-11-30 |
Customer Reviews:
Focus on the Recordings.......2007-07-23
The price is killer and you HAVE to buy it, but be warned: these are not the best recordings, you get what you pay for.
First of all, I'm not a Vivaldi expert, but I've heard his compositions throughout my life in so many different places and recordings and have a vague idea of how some have to be played. Secondly, I'm not a classical music connoisseur, but I love it and have over 300 discs of various composers and styles. Third, I know what a good audio recording should sound like and this will influence my critique of some discs in the collection. Finally, it's easy to get lost among all the tracks contained, so in some cases I will give you my favorite tracks in a disc.
I'm sorry, but I've only reached disc 20 of the box-set, as I listen to more this review will be expanded.
DISC 1:
Why would you use an AAD recording as a first impression for a 40 disc box-set and for the "Four Seasons", which is probably Vivaldi's best know work. The concertos are played enthusiastically, but lack any additional virtuosity to put it ahead of other much better recordings out there.
DISC 2:
Same as DISC 1, played and recorded by the same people.
DISC 3:
The pieces in this disc are VERY well played, nonetheless, you can hear heavy breathing from the soloist which can be a bit annoying.
DISC 4:
Very well performed as well, heavy breathing is less present.
DISC 5:
A very good recording, excellent execution by the hapsichord and good by the recorder.
Tracks 4, 6, 7 and the whole "La Notte" are extraordinary.
DISC 6:
Exquisitely recorded and performed by the Budapest Strings.
DISC 7:
Marvelous performance on the whole disc.
Tracks 22 & 24 are non-plus-ultra.
DISC 8:
Great performance too.
Suggested tracks: 7, 12, 15, 24
DISC 9:
To have an original baroque organ playing is a plus.
Solo strings are lacking in quality (for example: tracks 6 & 7).
Suggested tracks: 1, 4, 8, 15
DISC 10:
Despite being and ADD recording, the quality is fairly good. The cello is very well played.
Suggested tracks: 3, 4, 12
Excellent track: 13
DISC 11:
Same musical group and soloist as DISC 10. The contrabass is extremely distorted sometimes, and if you take into consideration that this is an ADD recording, it can get pretty bad. Some background noise is perceived.
Suggested tracks: 3, 6, 9
DISC 12:
The compositions are somewhat boring, either way the performance is plain decent.
Suggested tracks: 10, 12
DISC 13:
Good performance and sound quality.
Suggested tracks: 1, 4, 6, 7
Excellent track: 12
DISC 14:
Good performance and sound quality too.
Suggested tracks: 10, 14, 16
Excellent track: 5
DISC 15:
Badly mixed, the basoon is blocking the whole ensamble by being in the foreground.
The playing precision is lacking.
An AWEFUL thing about this recording is that you can hear the basson key-sticking with the instrument and the saliva. It's horrible.
Such a pity, the sound of the basson with other instruments can be pretty interesting.
DISC 16:
Violins sound a bit off tempo.
Suggested tracks: 4, 8
DISC 17:
Good sound quality and performance.
Suggested tracks: 1, 7, 9
DISC 18:
Despite being an old recording, it is a very welcome one.
The performance is very well above par. Tempo is fantastic.
The quality of the recording could have been better due to some string plucking that is heard and which can become bothersome.
These are some of Vivaldi's best know tunes.
Suggested tracks: 4, 6, 13
Excellent tracks: 1, 3
DISC 19:
Lively recording.
Track 6 is the same piece found in another disc in the collection, but with a better performance.
DISC 20:
By now you've heard all of this pieces before in the other discs. Nothing new here, nor better.
This is a fantastic deal!.......2007-02-25
With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are
The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance
This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!
If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me
So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion
Excellent, Broad Selection.......2007-01-25
But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.
Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.
$70....when was this???.......2006-11-25
$70/40... you do the math........2006-04-07
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The Best Choral Album in the World...Ever!
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ASIN: B00002ZZH6 Release Date: 2005-06-07 |
Tracks:
- Gloria In Excelsis Deo - Academy And Chorus Of St Martin In The Fields
- Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
- Zadok The Priest - Ambrosian Singers
- Miserere Mei, Deus - Gerald Finley
- Veni Creator Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
- Lacrimosa - London Philharmonic Choir
- For Unto Us A Child Is Born - Ambrosian Singers
- The Heavens Are Telling - John Shirley-Quirk
- Panis Angelicus - Halle Choir
- Ave Maria - Groupe Vocal De France
- Ode To Joy - The Westminster Choir
- Va, Pensiero - Chorus Of the Royal Opera House
- Chorus Of Slave Girls - Chorus Of The National Theatre Of Sophia
- Coro De Romanticos - Coro Cantores De Madrid
- In Paradisum - Choir Of Kings College, Cambridge
- Totus Tuus - Choir Of King's College, Cambridge
- Song For Athene - Winchester Cathedral Choir
- Celebration - London Symphony Chorus
- Jerusalem - Royal Choral Society
Tracks:
- Zion Hort Die Wachter - South German Madrigal Choir
- Pleni Sunt Coeli Et Terra - Charles Brett
- Hallelujah Chorus - Ambrosian Singers
- Thou Knowest, Lord - Choir Of King's College, Cambridge
- Veni Sancte Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
- Awake The Harp - City Of Birmingham Symphony Chorus
- And Then Shall Your Light Break Forth - New Philharmonia Chorus
- L'Adieu Des Bergers - Choeurs Rene Duclos
- Agnus Dei - Peter Barley
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- Ave Verum Corpus - Schutz Consort
- Begluckt Darf Nun Dich, O Heimat - Bavarian State Opera Chorus, Munich
- Vedi! Le Fosche Notturne Spoglie - Chorus Of the Royal Opera House
- Laudamus Te - Radio France Chorus
- Chichester Psalms - Rachel Masters
- The Lamb - Vasari Singers
- Agnus Dei - Winchester Cathedral Choir
- Requiem Aeternam - Choir Of Kings College, Cambridge
- Dies Irae - Philharmonia Chorus
- O Fortuna - London Philharmonic Choir
- Pomp And Circumstance March No. 1 (Land Of Hope Glory) - Royal Choral Society
Customer Reviews:
I love it and I give it as a gift.......2006-12-11
I know snobs rage against popularizing classical music, but everyone deserves exposure to the beauty of song. I will also mention here "The East Village Opera Company" because they work to popularize opera by setting it to a rock beat. They do a fine job but also get criticized for attempting to popularize classical music.
"The Best Choral Album in the World...Ever" was so popular with my teen-age daughter that it was hard to get it back from her. I give the album as a gift to nephews and nieces.
MarMSED.......2005-08-27
Diverse range but the songs are butchered..........2005-07-24
The peices are well-performed for the most part, but they are hopelessly edited. Beethoven's Ode to Joy is somewhere around twenty four minutes, but this CD only includes an arrangement of about five minutes. The beautiful Miserere is, uncut, almost eleven minutes but is cut down to five and a half minutes here.
Looking back, I should have realized the major editing that would be involved, just by the sheer number of peices on it. I'm familiar with a great many of them and I know they're too long to fit onto a seventy minute disc without some major cutting going on. I just didn't reason that out before I shelled out the money for it.
Bottom line. This CD has decent singing, but is nothing special. If you're a newcomer to this genre, you might get this as a quick overview of the different types of choral music out there, but if you're any kind of an avid listener, this CD will drive you insane with the severity of the cuts. Beginners, if you're looking for a great collection CD, you'd do better to look at "Choral Moods". It doesn't have the diversity in styles of this one, but it will introduce you to incredibly talented composers. To the old hats out there, steer clear of this one and look to CD's by your preferred individual composers themselves. It's more money, but much less frustration in the long run. The old sayings are sometimes the best: You get what you pay for.
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The Shapenote Album
John P. Reese , Stephen Jenks , C. Dingley , William Billings , Seaborn McDaniel Denson , Jeremiah Ingalls , Lucius Chapin , Paine Denson , Nehemiah Shumway , The Tudor Choir , and Doug Fullington Manufacturer: Loft Recordings ProductGroup: Music Binding: Audio CD General
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ASIN: B00005NHNL Release Date: 2001-09-04 |
Tracks:
- Montgomery
- Windham
- Sweet Prospect
- China
- Soar Away
- The Better Land
- Weeping Mary
- White
- Mortality
- Eternal Day
- Heavenly Union
- Expression
- Evening Shade
- Kedron
- Love The Lord
- Condescension
- All Is Well
- Africa
- Traveling On
- Happy Land
- New Jerusalem
- Primrose
- Hallelujah
- Peace And Joy
- Schenectady
Customer Reviews:
American Music of Hope and Glory.......2007-04-09
Unbridled spiritual energy.......2005-01-01
Otherwise, it is pure joy to listen to. The singing is full of that same raw passion that makes it sound so primitive. I've heard other albums where the sound is polished, concert-hall like, and as a result very dead. This is not that way; it moves and stirs as good spiritual music ought to.
This is a new field of music for me, even though I've sung in church choirs for years and listened to all kinds of classical music. Hearing this album makes me want to go find the sheet music and start singing it myself, it is so infectious.
Average customer rating: 
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The Only Choral CD You'll Ever Need
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ASIN: B000059SUZ Release Date: 2001-03-06 |
Tracks:
- Agnus Dei - Chor Of Trinity College, Cambridge/Richard Marlow
- I Pagliacci: Bell Chor - Bavarian Radio Chor
- Cavalleria Rusticana: Easter Hymn - Lesley Garrett
- Jerusalem - Chor Of Trinity College, Cambridge/Richard Marlow/Philip Rushforth
- Carmen: March Of The Toreadors - Vienna State Opr Chor
- Requiem: In Paradisum - Chor Of Trinity College, Cambridge
- Requiem: Requiem Aeternam/Kyrie - Angela Maria Blasi/Bavarian Radio Sym Chor
- Miserere - Louisa Keily/Rebecca Daldorph/Reiner Schneider-Waterberg/James Elias/Chor Of Trinity College...
- Madama Butterfly: Humming Chor - Bavarian Radio Chor
- The Flying Dutchman: Sailors' Chor - Orch And Chor Of The German Opr, Berlin/Wilhelm Schuchter
- Aida: Grand March - Royal Liverpool PO And Chor
- Credo: Crucifixus - Balthasar-Neumann Chor And Ens/Thomas Hengelbrock
- The Lamb - Chor Of Trinity College, Cambridge/Richard Marlow
- Requiem: Dies Irae/Tuba Mirum - Bavarian Radio Sym Chor
- Messiah: Hallelujah Chor - London Musici And Chm Chor/Mark Stephenson
Average customer rating:
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The #1 Choral Album
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ASIN: B000060P5G Release Date: 2002-03-12 |
Tracks:
- Nabucco: Chorus Of The Hebrew Slaves: Va, Pensiero - Chicago Symphony Chorus
- Madama Butterfly: Humming Chorus - Vienna State Opera Choir
- Lohengrin: Bridal Chorus: Treulich Gefuhrt Ziehet Dahin - Walter Hagen-Groll
- Miserere: Miserere (Abridged) - Sir David Willcocks
- Cantata No. 147: Jesu Bleibet Meine Freunde (Jesu, Joy Of Man's Desiring) - Kantorei Der Dreikonigskirche
- Ave Verum Corpus, K 618 - Stephen Cleobury
- Cantique De Jean Racine - Stephen Cleobury
- L'Enfance Du Christ: Shepherds' Farewell: Il S'en Va Loin De La Terre - St. Anthony Singers
- Pavane - Choeur Symphonique De Montreal
- Totus Tuus (Excerpt) - John Nelson
- Ein Deutsches Requiem: Wie Lieblich Sind Deine Wohnungen - Chicago Symphony Chorus
- Tannhauser: Pilgrims' Chorus: Begluckt Darf Nun Dich - Vienna State Opera Chorus
- Requiem: Sanctus - Charles Dutoit
- Requiem: Lacrimosa - Konzertvereinigung Wiener Staatsoperchor
- Song For Athene - Stephen Cleobury
- La Damnation De Faust: Laus! Laus! Hosanna! Hosanna! - Chicago Symphony Chorus
Tracks:
- Requiem: Dies Irae... Tuba Mirum - Vienna State Opera Chorus
- Il Trovatore: Anvil Chorus: Vedi! Le Fosche - Chicago Symphony Chorus
- Judas Maccabaeus: See The Conquering Hero Comes - Handel Opera Society Chorus
- Mass In B Minor: Sanctus - Chicago Symphony Chorus
- Zadok The Priest - The Choir Of King's College
- Symphony No.9 'Choral' - Ode To Joy (Fourth Movement - Excerpt) - Jessye Norman
- Requiem: Dies Irae - Konzertvereinigung Wiener Staatsopernchor
- Die Schopfung: Die Himmel Erzahlen (The Heavens Are Telling) - Norma Burrowes
- Carmen: Toreador Chorus: Les Voici, Les Voici - John Alldis Choir
- Elijah: Thanks Be To God - Bryn Terfel
- Weihnachtsoratorium: Jauchzet, Frohlocket! - Lubecker Kantorei
- Matthaus-Passion (Final Chorus): Wir Setzen Uns Mit Tranen Nieder - Chicago Symphony Chorus
- Mefistofele (Prologue): Ave, Signor Degli Angeli E Dei Santi! - London Opera Chorus
- Messiah: Hallelujah - Chicago Symphony Chorus
- Rule Britannia - London Philharmonic Choir
- Jerusalem - London Philharmonic Choir
- Carmina Burana: O Fortuna - Choeur Symphonique De Montreal
- Faust: Soldiers' Chorus: Gloire Immortelle - John McCarthy
- Faust: Apotheosis - John McCarthy
Customer Reviews:
Utterly disapointing.......2006-12-12
Great!.......2006-02-25
charming.......2005-05-25
Something for everyone!.......2004-01-11
Album Review:
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