Long Way Back [Explicit Lyrics]

From URB Magazine
(Astralwerks) T-Love’s long-awaited debut is a brilliantly balanced, intelligent album that not only showcases her sharp verbal daggers but also a range of artistry that’s been kept in hiding. T may switch from torchin’ rapper to torch singer on some songs, notably "Swing Malindy," but it’s no cliché, post-Lauryn Hill grasp at trend-riding. When she integrates her vocal and lyrical chops on the four-part "Oh So Suite," the feel is so natural you barely notice when her style switches. T also shows great chemistry with producers Jay Dee, Ollie Teeba, That Kid Named Miles and others who lace her with an assortment of musical goodies from the rugged percussive barrage of the "Non StopProp Skit" to the melancholy melodies of "Long Way Back" to the slick funk of "Intellectual Proptease." Ever since the mid-’90s, this former Love N’ Props "OG B-Girl" has been teasing us with single after single, but the wait for the full-length is over and T-Love delivers with a vengeance.

Oliver Wang

Tracks:

Overture (Orchestra)
Not for the Life of Me (Sutton Foster)
Thoroughly Modern Millie (Sutton Foster and Ensemble)
Not for the Life of Me (Sutton Foster, JoAnn M. Hunter, Alisa Klein, Jessica Grove, Megan Sikora, Catherine Brunell and Kate Baldwin)
How the Other Half Lives (Angela Christian and Sutton Foster)
Not for the Life of Me (reprise) (Ken Leung and Francis Jue)
The Speed Test (Marc Kudisch, Sutton Foster, Anne L. Nathan and Ensemble)
They Don't Know (Harriet Harris)
The Nuttycracker Suite (Orchestra)
What Do I Need with Love? (Gavin Creel)
Only in New York (Sheryl Lee Ralph)
Jimmy (Sutton Foster)
Back at Work (Orchestra with Sutton Foster, Anne L. Nathan and Ensemble)
Forget About the Boy (Sutton Foster, Anne L. Nathan and Ensemble)
Ah! Sweet Mystery of Life/I'm Falling in Love with Someone (Marc Kudisch and Angela Christian)
I Turned the Corner/I'm Falling in Love with Someone (quartet/reprise) (Gavin Creel and Sutton Foster, Marc Kudisch and Angela Christian)
Muqin (Harriet Harris, Francis Jue and Ken Leung)
Long as I'm Here with You (Sheryl Lee Ralph and Male Ensemble)
Gimme Gimme (Sutton Foster)
Finale (Thoroughly Modern Millie) (Gavin Creel, Angela Christian and Ensemble with Sheryl Lee Ralph and Sutton Foster)
Final Bows (Entire Company)

Amazon.com

Although it's based on the 1967 movie of the same name, Thoroughly Modern Millie is almost thoroughly new. Composer Jeanine Tesori (Violet) and lyricist Dick Scanlan wrote a whole batch of songs, while retaining a couple from the movie--including the Jimmy van Heusen-Sammy Cahn title tune--and recycling even older material (look for Victor Herbert's "I'm Falling in Love with Someone" and the inventively arranged "Nuttycracker Suite"). Miraculously, the show, set during the jazz age, doesn't feel stitched together, and Tesori does a great job cranking out swinging melodies. Sutton Foster is appropriately brassy as Millie, but she can also tone it down, as in the beginning of "Gimme Gimme" (of course, she then proceeds to project up to the last rafters as the song builds to its climax). Harriet Harris, as nasty Mrs. Meers, steals the show with "They Don't Know." Close your eyes, listen to her, and you'll be back in Broadway's golden age. --Elisabeth Vincentelli

Customer Reviews:

Excellent Musical, But Product Quality - Eh.......2007-07-15

I absolutely love the musical so I'm thrilled with the cd.

My problem was not with the quality of the cd, but with the plastic case. The cd cases always come cracked. Although it doesn't affect the quality of the cd itself, it's rather disheartening that Amazon charges customers for its poor shipping.

MODERNIZE your music collection!!!.......2007-07-13

This is an AMAZING musical and great album. It is sure to jazz-up any music collection! BUY THIS ALBUM NOW!

A must to add to your collection.......2007-05-18

I was very fortunate enough to see this on Broadway. It was one of the best shows I've ever seen! The music has just enough jazz and contemporary vive that any musical lover would enjoy! It's also got tapping in it! Sutton is simply awesome in this role and all of the cast can really belt out their songs. Harriet Harris is phenominal in her role as Mrs. Meers. I highly recommend this to all broadway lovers! It's one to add to your collection!

Delightful.......2006-06-12

The music takes a little bit to grow on you, but boy, does it! It's wonderful, charming, romantic, funny--just like the play itself. I loved almost every song and I was really impressed with "Long As I'm Here With You"-- I thought it was an old song written back in the twenties, because it so sounded like one. The cast is absolutely energetic and endearing, and Sutton Foster just *rocks*. Definitely worth the money.

YOU WILL LOVE IT.......2006-02-17

If you like musicals, you will NOT REGRET purchasing this musical soundtrack. JUST DO IT. It's so great, you will be listening to it forever. I also saw the show at the Kennedy Center in D.C. and it's one of the best I've ever seen. (And I've seen A LOT.)

Have Fun!

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Gold: The Definitive Hits Collection
Andrew Lloyd Webber - The Royal Albert Hall Celebration
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
Sunset Boulevard (1993 Original London Cast)

ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

delightful studio "Oliver!"

Oliver!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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ASIN: B000008J3W
Release Date: 1993-07-20

Tracks:

Food, Glorious Food - The Williams Singers
Oliver! - Violet Carson/Leslie Fyson
I Shall Scream - Violet Carson/Leslie Fyson
Boy For Sale - Leslie Fyson
Where Is Love? - Denis Waterman
Consider Yourself - Tony Tanner/Denis Waterman/The Williams Singers
You've Got To Pick A Pocket Or Two - Stanley Holloway
It's A Fine Life - Alma Cogan
Be Back Soon - Stanley Holloway
I'd Do Anything - Tony Tanner/Alma Cogan/Denis Waterman/Stanley Holloway/The Williams Singers
Oom-Pah-Pah - Alma Cogan/Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner...
My Name - Charles Granville
As Long As He Needs Me - Alma Cogan
Who Will Buy? - Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner/Stanley Holloway..
Reviewing The Situation - Stanley Holloway
Finale - Denis Waterman/Violet Carson/Leslie Fyson/Horace Phelps/Rita Williams/Tony Tanner/Stanley Holloway..

Customer Reviews:

delightful studio "Oliver!".......2007-04-28

This is the 1962 London studio cast recording of Lionel Bart's OLIVER! The recording--featuring several famous British celebs--is a fantastic rendition of the score.

Alma Cogan, a famed British songstress, plays the role of Nancy; and the part fits her voice like a glove. Dynamic with "It's a Fine Life" and "I'd Do Anything", she also tugs at the heartstrings with a chill-inducing "As Long As He Needs Me". Ms Cogan could--and should--have been one of the leading singers on the world stage, had she not died of ovarian cancer at the age of 36.

Stanley Holloway, star of the Broadway, London and film incarnations of "My Fair Lady", plays the villainous rogue Fagin. He delivers a comic and sly performance with such numbers as "Be Back Soon", and "Reviewing the Situation".

Playing the title role, Denis Waterman sings a tender "Where is Love?". Tony Tanner ably-delivers as The Artful Dodger with a lusty "Consider Yourself". This recording also features the fondly-remembered character actress Violet Carson (who played Ena Sharples on long-running British soap "Coronation Street"), in the role of vile Widow Corney.

On the whole, this rendition of OLIVER! features enough top-drawer talents to help ensure it becomes an often-played title in your collection. Snap it up today!

[Broadway Angel/EMI ZDM 0777 7 64890 2 5]

Bells Are Ringing (2001 Revival Broadway Cast)

Average customer rating:

1956 recording still wins over 2001
a fine revival
Good only if you saw the show.
Have "Faith" in These Bells
SORRY, WRONG NUMBER!

Bells Are Ringing (2001 Revival Broadway Cast)
Faith Prince , Betty Comden , Adolph Green , Jule Styne , Tina Landau , Marc Kudisch , and David Garrison
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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Similar Items:

Bells Are Ringing (1956 Original Broadway Cast)
Grey Gardens - A New Musical (2006 Original Broadway Cast)
Spring Awakening (2006 Original Broadway Cast)
Bells Are Ringing
The Drowsy Chaperone (2006 Original Broadway Cast)

ASIN: B00005LNGT
Release Date: 2001-06-26

Tracks:

Overture
Bells Are ringing
It's A Perfect Relationship
Independent
It's A Simple Little System
Better Than A Dream
Hello, Hello There
I Met A Girl
Is It A Crime?
Long Before I Knew You
Mu-Cha-Cha
Just In Time
Drop That Name
The Party's Over
Salzberg
The Midas Touch
Long Before I Knew You (reprise)
I'm Going Back
Just In Time (reprise)/Finale
The Music And Lyrics Of Dr. Kitchell

Amazon.com

Although she's not averse to doing new material (she appeared in William Finn's Falsettoland, for instance, and let's not forget that brilliant bomb called Nick and Nora), Faith Prince is a living embodiment of Broadway's golden age. From her star-making turn as Miss Adelaide in the 1992 revival of Guys and Dolls to superb performances in the recent revivals of Little Me and The King and I, Prince always is perfectly attuned to classic material. In this short-lived revival of the 1956 musical Bells Are Ringing (directed by Tina Landau, whose previous musical-directing experience was on Floyd Collins), the singer reprises a role created by Judy Holliday and once again proves her versatility. The duet with Marc Kadisch on "Just in Time" is particularly delicious, doing full justice to that beloved song. --Elisabeth Vincentelli

Customer Reviews:

1956 recording still wins over 2001.......2006-08-11

I have always loved the 1956 Original Broadway Cast recording. The orchestrations and singers' musical talent and vocal inflections are brilliant. I was thrilled to see that there was a 2001 revival of this play, and looked forward to hearing the score captured with 2001 recording technology. Unfortunately, where the 1956 cast and orchestra shine, the 2001 version is completely without a soul. The 2001 orchestra sounds as though it must have been one of those "orchestra machines" they are using now in some productions-- there is no warmth or artistic interpretation to the music-- just notes being mechanically played off a page (or computer code I guess).

I also didn't understand, as I did in the Broadway Cast recording, why the female lead would have any attraction for the male lead. In the 2001 recording, answering-service girl Ella Peterson works for Jeff Moss's answering service. The short amount of dialog during the song (changed from the 1950's wording) sounds like he is having her cover for him while he juggles his various girlfriends. He sounds patronizing in his delivery. Then she sings a song about how she's fallen in love with this guy? Then later when pursuing her, he just sounds needy and annoyingly shrill instead of the genuine and confident interpretation by Sydney Chaplin in the 1956 recording.

If you want the soundtrack to this wonderful play, I recommend the Original 1956 Cast Recording with Judy Holliday and Sydney Chaplin (more genuine then the movie's Dean Martin in my opinion) playing the two leads. After hearing the 2001 version, the 1956 CD sounds surprisingly rich and stereophonic.

a fine revival.......2003-01-04

BELLS ARE RINGING was brought back to Broadway in 2001, in an ill-fated revival that only lasted a couple of months due to lukewarm notices.

Tony-winner Faith Prince (GUYS AND DOLLS) gives her all in the lead role of hopeless romantic Ella Peterson. The role is virtually owned by the late Judy Holliday, who starred in the original Broadway run and later the under-rated movie version. Prince gives us a fresh new look at Ella, with glowing readings of "It's a Perfect Relationship", "Just in Time" and the still-delicious "The Party's Over".

Marc Kudisch, in the decidedly-wooden role of Jeff Moss, sings wonderfully in his songs including the frenetic "I Met a Girl" and "Long Before I Knew You".

This cast also includes Beth Fowler as Sue and Martin Moran as Sandor, who share the comical duet "Salzburg".

Most of the criticism in this revival was aimed at Tina Landau's direction, and the age of the book which seemed too old-fashioned for 'modern' theatregoers. Still, a great musical and a great recording for fans.

Highly-recommended

Good only if you saw the show........2002-07-18

I loved the revival of the musical. It's classic! It's so funny and charming and unpretentious. But unfortuneately this album displays the musical as dull and lifeless. Faith Prince comes off as overplayed and "kitschy" and Mark Kudisch comes off as bored. When I saw the show neither seemed that way at all. The song "I'm Going Back" brought the house down on Broadway, but I often skip that track when I listen to the cd, I'm sorry to say. Luckily, the big hit from the show "The Party's Over" is still as beautiful as the first time it was written-- and Thank God. It's a good play... a good cast... and has good music! It just comes off as very poor and dull...

Have "Faith" in These Bells.......2002-06-29

Let's face it..."Bells Are Ringing" is hardly a substantive Broadway classic. It's theme is dated, as are its notions of the male/female relationship, and many of its references remain staunchly in the 1950s conventionailty of its genesis. But you know what? These shortcomings are equally some of this shows definite charms. "Bells..." is a quintessential example of the Broadway musical's prime years of the 50s and 60s. It's light, entertaining, funny, hummable, and just plain fun. There's none of the "sterm-and-drang" that would come post-Viet Nam. This new recording, quite frankly, is a vast improvement over the original for one simple reason: the two leads can actually sing. Judy Holliday was a marvel of an actress, and this show was tailored to her abilities, but her raspy voice actually detracted from the cleverness of these songs. And Sidney Chaplin, poor soul, was a hapless singer even at the best of times. This time out, Faith Prince reinvents the role as her own and displays both the musical and comedic flair that make her such a unique presence on the legit stage. If only she received more roles of this stature. Can somebody please tailor a new vehicle worthy of her talents? Mark Kudisch brings a pleasing baritone and an effortless energy to his role, and the two play off one another beautifully on this recording. Although some of these songs have dated somewhat, it's still a thrill to hear them delivered as if they were just composed. Of course, "Just in Time" and "The Party's Over" have justifiable reputations, but there are more goodies behind the hits. "It's a Perfect Relationship", "Hello, Hello There", "Drop a Name" and I'm Going Back" are all lively and delicious musical cotton candy, funny and fun to hear with these performers. What makes this CD so good is that it's one of the best produced original cast recordings in years. The singers sound like they're right next to you, adding to the intimacy and personable nature of their characters. There's none of the bobast and canyon-like distance so typical of the post-Lloyd Webber age. Here, you feel like you're listening to a couple of old chums and you're just aching for them to find each other. Of course, you know they will, but their musical journey is still a hoot. This "Bells Are Ringing" is a simple, direct, joyously ebullient lark from start to finish. It's a great addition to any Broadway collection, and a reminder of why those simple musical-comedy shows were such a treat in their heydey. Enjoy.

SORRY, WRONG NUMBER!.......2002-01-25

Ringing? More like clunking. Way back in '56, Comden and Green sat down and wrote a musical for their chum Judy Holliday. With Jule Stein's help, this trio concocted the classic Bells Are Ringing---a musical marvel about a telephone answering service in New York City. The original recording---recently reissued with bonus tracks by Sony Legacy---is also a classic, and belongs in every show music library. This recording of the recently deceased Broadway revival does not. The music and lyrics are still wonderful and moving and funny, but star Faith Prince is cloying and charmless. Sorry, wrong number.

Average customer rating:

The Long Way Back Again
Barry Adamson
Manufacturer: Central Control
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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ASIN: B000IY0FXA
Release Date: 2007-07-10

Tracks:

The Long Way Back Again
Besides

Album Description

"Catchy pop spilling over with Hammond organ and acoustic strumming, not to mention slide guitar and a big harmonica hook ... a killer song." -- Pitchfork The first and only single taken

Average customer rating:

Gibson Brothers - Long Way Back Home
Long Way Back Home deserves a huge and growing audience
Highly innovative bluegrass pop-folk
full, visceral brand of bluegrass
Gibson Brothers Do It Again!

Long Way Back Home
The Gibson Brothers
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

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Red Letter Day
Bona Fide
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Always Never Enough

ASIN: B0001ENY9O
Release Date: 2004-03-16

Tracks:

Mountain Song
Callie's Reel
Dreams That End Like This
The Way I Feel
Ophelia
Any Man In His Right Mind
Long Way Back Home
It's All Right With Me
Alone With You
I'm Not Wanted Here
I Gotta Get Back To You
Satan's Jeweled Crown
He'd Take Her Back Again
Bonus Track 1

Customer Reviews:

Gibson Brothers - Long Way Back Home.......2007-01-29

I do not regret this purchase. The titles on the CD meet my expectations.
Good country stuff.

Long Way Back Home deserves a huge and growing audience.......2004-11-01

Long Way Back Home is my first Gibson Brothers CD. I unconditionally love their music and lyric. Their "Mountain Song" words and rhythm beautifully inspire my clogging interests. "Callie's Reel" is a magnificent follow up. I am looking forward to choregraphing two dances to go with these two songs. I so love this CD I am going to look into their other CDs. Thanks for writing, playing and using one of Roy Hurd's songs that brought me to your site. Becky

Highly innovative bluegrass pop-folk.......2004-04-10

One of the most refreshingly original and pleasant-sounding new albums in the Americana and bluegrass fields... The Gibsons place solid 'grassy picking inside a warm, good-natured country-folk fusion, refining the efforts made by progressive newgrassers in the 1970s, hitting the magical stride that folks like Earl Scruggs and New Grass Revival were looking for all those years. In addition to a tone of finely-crafted originals, they also have several well-chosen covers, such as a version of The Band's "Ophelia" and "Satan's Jeweled Crown," from the Louvin Brothers catalogue. Bluegrass purists in search of hot picking and drag-race instrumental pyrotechnics won't like this album, but for folks who are interested in hearing new, well-written material and who are open to singer-songwriter influences, this album will be a long-lived favorite. Highly recommended!

full, visceral brand of bluegrass.......2004-04-02

From the town of Ellenburg Depot in the Champlain Valley in upstate New York., The Gibson Brothers emerged on the music scene in 1991 and put out albums on the Big Elm, Hay Holler and Ceili labels early in their music career. Their "traditional music with a twist" has won them many fans and a 1998 award for "Emerging Artist of the Year." In 2002, they signed with Sugar Hill Records and released the highly acclaimed "Bona Fide" in 2003. When not performing, Leigh is a dairy farmer, and Eric is a school teacher.

Their sophomore effort on the Sugar Hill label, "Long Way Back Home," continues their formula of a full, visceral brand of bluegrass built around the brothers' duet singing and songwriting. This disc consists of seven originals. Leigh Gibson contributes Dreams That End Like This, Any Man in His Right Mind, and I Gotta Get Back To You. Eric Gibson composed The Way I Feel, I'm not Wanted Here, and He'd Take Her Back Again. Drawing inspiration from the Adirondacks on a beautiful spring day, Eric collaborated with Roy Hurd to pen "Callie's Reel." In each case, the song's author sings lead with his brother singing harmony. The only number with three-part harmony (courtesy of Alan Bartram) is "I'm not Wanted Here." Although brother duet singing is a large part of their signature sound, I'd encourage them to consider a few more songs with additional harmony on future releases. Maybe even invite their little sis, Erin, back into the vocal mix now and then as they did on the "Bona Fide" album? Besides the traditional "East Bound Train," the band covers of songs by Kieran Kane, Gordon Lightfoot, Jackson Leap, Jaime Robbie Robertson, Chris Jones, and Edgar Edens.

Leigh Gibson plays guitar and sings. Eric Gibson plays banjo, lead guitar, and sings. The brothers are once again joined by their talented bass player Mike Barber and mandolinist Marc MacGlashan. Special guests include Jason Carter (fiddle), Luke Bulla (fiddle), Rob Ickes (dobro), Russ Pahl (steel guitar), Sam Zucchini (percussion), and Alan Bartram (harmony vocal). Another difference from the "Bona Fide"project is the band's increasing use of drums and steel guitar. These three original cuts (Dreams that End Like This, Any Man in his Right Mind, He'd Take Her Back Again) clearly show their distinctive, countrified stamp to some of their contemporary material. Now, with veteran experience to supplement their youthful energy, the Gibson Brothers' fame as bluegrass and country stars continues to grow. (Joe Ross, staff writer, Bluegrass Now)

Gibson Brothers Do It Again!.......2004-03-25

I did not think that 2003's "Bona Fide" could be topped -- I was wrong! The boys' trademark harmonies are in full force, the writing superb, and the musicianship fresh. Do not be surprised when it is nominated for a Grammy -- it is that good.

Grooves "Vol. 10 & 11" {2 CDs, 35 Songs} THE BOGMEN / JOE ELY / SPEED THE PLOUGH / SPEARHEAD / JANE SIBERRY / THE BIG GERANIUMS / ANI DIFRANCO / BOBBY MCFERRIN / THE DELEVANTES / FREDDY JONES BAND / AIMEE MANN / SWALES / HEATHER NOVA / THE BOTTLE ROCKETS / EMMYLOU HARRIS / SON VOLT / THE DELEVANTES / THE FABULOUS THUNDERBIRDS / DRIVIN' N' CRYIN' / HEALTH AND HAPINESS / BOY GEORGE / TRACY CHAPMAN / TEENAGE FANCLUB / JERRY LEE LEWIS / PRETTY & TWISTED / KRIS KRISTOFFERSON / ALLSTARS / SUSAN WERNER / BUTCH HANCOCK / LISA LOEB / BEN FOLDS FIVE / JOHN HIATT & VIN SCELSA

Average customer rating:

Grooves "Vol. 10 & 11" {2 CDs, 35 Songs} THE BOGMEN / JOE ELY / SPEED THE PLOUGH / SPEARHEAD / JANE SIBERRY / THE BIG GERANIUMS / ANI DIFRANCO / BOBBY MCFERRIN / THE DELEVANTES / FREDDY JONES BAND / AIMEE MANN / SWALES / HEATHER NOVA / THE BOTTLE ROCKETS / EMMYLOU HARRIS / SON VOLT / THE DELEVANTES / THE FABULOUS THUNDERBIRDS / DRIVIN' N' CRYIN' / HEALTH AND HAPINESS / BOY GEORGE / TRACY CHAPMAN / TEENAGE FANCLUB / JERRY LEE LEWIS / PRETTY & TWISTED / KRIS KRISTOFFERSON / ALLSTARS / SUSAN WERNER / BUTCH HANCOCK / LISA LOEB / BEN FOLDS FIVE / JOHN HIATT & VIN SCELSA
all just to get to you, said & done, of course you can, light a candle for me , evolution, cradle and all, vivaldi's concerto in G minor: allegro, long about that time, see the child , ray, without her around, maybe an angel, gravity fails, hold on to midnight , windfall, on the way home, here comes the night, light, where will i be , same thing in reverse, the promise, tossed like a stone , crown victoria custom '51, ride, worth fighting for, age of reason, shredding the document, rock with me, don't look back , and eileen, snow day, philosophy, spoken into, walk on last of the good straight girls
ProductGroup: Music
Binding: Audio CD
ASIN: B000OWFGEO

A Room With a View: Complete Recordings, Vol.1

Average customer rating:

The style is the man--and the song

A Room With a View: Complete Recordings, Vol.1

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

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Broadway & Vocalists | Indie Music | Stores | Music

Vocal Jazz | Jazz | Indie Music | Stores | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music

Mad Dogs & Englishmen: Complete Recordings, Vol. 2
Mad About the Boy: Complete Recordings, Vol. 3

ASIN: B000054BF6
Release Date: 2001-04-17

Tracks:

This Year Of Grace: Dance, Little Lady
This Year Of Grace: A Room With A View
This Year Of Grace: Mary Make-Believe
This Year Of Grace: Try To Learn To Love
This Year Of Grace: Lorelei
A Dream Of Youth (The Dream Is Over)
Bitter Sweet: Zigeuner
This Year Of Grace: World Weary
Private Lives, Act 1, Love Scene: Someday I'll Find You
Private Lives, Act 2, Scene: I Never Realised/If You Were The Only Girl In The World
Half-Caste Woman
Any Little Fish
Cavalcade: Lover Of My Dreams (Mirabelle Valse)
Cavalcade Vocal Medley: Soldiers Of The Queen/Goodbye Dolly Gray/Lover Of My Dreams/I Do Like To...
Cavalcade, Epilogue: Toast To England
Noel Coward Medley: Parisian Pierrot/Poor Little Rich Girl/A Room With A View/Dance Little Lady...

Customer Reviews:

The style is the man--and the song.......2001-05-02

Many composers have chosen to perform their own material and commit it to discs, with mixed results. Only with Noel Coward do we feel that a good deal of the charm of his numbers lies in the very way he performs them. For proof, we now have the Naxos Nostalgia (8.120529), which dishes up 16 tracks of the ultra-refined son of W. S.Gilbert, giving us six selections from "This Year of Grace," one from "Bittersweet," a medley of treasures from his "Cavalcade," another from his other works, and a few other trifles that are better than most of what is written today.

Add to all this two classical scenes with Coward and co-star Gertrude Lawrence from his "Private Lives," incredibly valuable for those local drama groups who butcher this work in that this CD can teach them the tone and rhythms that are essential in making this classic succeed.