Music and Movement, Vol. 2 [Import]

Editorial Reviews

Product Description
Music & Movement Two is a 21 track collection of the finest nu-jazz and Latin, broken beats and future soul from across the international jazz and house underground. This connoisseur collection features more of the most in-demand and genuinely creative musicians, producers and remixers including highlights from Nu Spirit Helsinki, Da Lata, UFO, John Beltran, Osunlade, Agent K, Natures Plan (4hero) and more. Gatefold digipak. Mumo. 2002.

Music and Movement, Vol. 2,Various Artists,Mumo,Broken Beat,Club/Dance,Dance,Dance Music,House,Jazz Collections,Jazz Music,Jazz-House,Pop
Halo 2, Vol. 1
Average customer rating: 4.5 out of 5 stars
  • BUY! BUY! BUY!
  • Great game - great music
  • Hug your pillows girls
  • best video game soundtrack ever.
  • classical music listeners stop complaining
Halo 2, Vol. 1
Various Artists
Manufacturer: Sumthing Else
ProductGroup: Music
Binding: Audio CD

Movie ScoresMovie Scores | Soundtracks | Styles | Music
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HaloHalo | Game Titles | Specialty Stores | Computer & Video Games
Similar Items:
  1. Halo: Original Soundtrack
  2. Halo 2, Vol. 2
  3. Halo, Books 1-3 (The Flood; First Strike; The Fall of Reach)
  4. Ghosts of Onyx (Halo)
  5. The Art of Halo

ASIN: B00067RF6E
Release Date: 2004-11-09

Tracks:

  1. Halo Theme Mjolnir Mix
  2. Blow Me Away - Breaking Benjamin
  3. Peril
  4. Ghosts Of Reach
  5. Follow (1st Movement Of The Odyssey) - Incubus
  6. Heretic, Hero
  7. Flawed Legacy
  8. Impend
  9. Never Surrender - Nile Rodgers
  10. Ancient Machine
  11. 2nd Movement Of The Odyssey - Incubus
  12. In Amber Clad
  13. The Last Spartan
  14. Orbit Of Glass
  15. 3rd Movement Of The Odyssey - Incubus
  16. Heavy Price Paid
  17. Earth City
  18. High Charity
  19. 4th Movement Of The Odyssey - Incubus
  20. Remembrance
  21. Connected - Hoobastank

Amazon.com

Further proof that the 15-year-old male is the nexus of contemporary popular entertainment, this anthology of music from and "inspired by" the sequel to the earth-conquering Halo saga also showcases how capably the video game industry can trump even Hollywood's vaunted production values. The original synth-heavy underscore by Martin O'Donnell and Michael Salvatori is filled with enough brooding, mock-Goth atmospherics, and pulsing exotica of indeterminate ethnicity to give the Hans Zimmer stable a run for their money, while a slate of (mostly) worthy rock star guest turns give it a welcome edge. Legendary axe-slinger Steve Vai's sinewy riffing punches up the reworked main theme and "Never Surrender," while alt.metal contenders Breaking Benjamin serve up the suitably dramatic inspired-by cut "Blow Me Away." But it's Incubus' four-part "Odyssey" suite that's the centerpiece, bridging 1970s prog and modern rock with its moody aura and evocative musical dramatics. --Jerry McCulley

Customer Reviews:

5 out of 5 stars BUY! BUY! BUY!.......2007-03-05

This CD stayed in my truck's CD player for months before getting tired of it. Enough said.

5 out of 5 stars Great game - great music.......2007-01-10

My son wanted this Cd. I had never sat long enough to listen to the music when he played Halo, so I didn't have a clue what I was buying. He let me listen to some of the tracks once it arrived and I had to "borrow" it from him so I could download the cd onto my pc. Needless to say I bought volume 2 and the original Halo soundtrack cd as well. They may belong to my son, but I love these cds too!

3 out of 5 stars Hug your pillows girls.......2006-08-06

THe only reason I am writing anything about this album is because it contains the Odyssey by Incubus, and its probably some of their best work and will go down as their most unnoticed. While the rest of your nerds are huggin your pillows at night thinking about your video games and the "gnarly instrumentals" on this album you sit there and bash Incubus' work. The first track by them, Follow, is not all that great however it was re-released on an additional cd with their Alive at Red Rocks DVD and it sounds sooooooo much better on that cd (with some real lyrics) But after listening to the Odyssey I was really hoping this to be a new direction for Incubus, a more proggressive/conceptual sound. Whether this is the direction they go on with their new album is yet to be heard. Its a shame that this work will go unnoticed, and the only reason it will be that way because a bunch of losers decide to try and impress people with (what they think) is a sense of music just because its of a classical nature. Yes, the rest of the music on the album is amazing, and I give big ups to its composition, but come on people, show some love to good music when its presented to your faces.

5 out of 5 stars best video game soundtrack ever........2006-08-03

i understand that many people are a bit angry with breaking benjamin and hoobastank being in here. i'm not particularly happy myself with the last track, but i think contemporary music is appropriate here, albeit lyrics may not be the greatest form of expressing the mysterious feeling behind everything. i think o'donnel and salvatori have what it takes to compose a score of music, but it's not a score, it's a soundtrack. i found that if you don't like them you can just skip them. the second to last track is a great way to end the soundtrack.

5 out of 5 stars classical music listeners stop complaining.......2006-05-10

The worst part of this album was songs with lyrics (breaking benjamin, techno, hoobastank)...i dont understand then why people are upset with the incubus - follow has one word the whole song (two if you count "yeah") and their instrumental songs are brilliant, floyd-esque at times. for those of you reading others criticizing this album, ignore them, ignore the three bad songs on this album, and purchase it and enjoy it.
Classical Masterpieces of the Millennium [20 CD Set]
Average customer rating: 4.5 out of 5 stars
  • Mill. Classical review
  • classical music for the unitiated
  • Some little gems there that I had forgotten!
  • A very helpful collection
  • Excellent!
Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

  1. Brandenbutg Concerto No.3 In G First Movement
  2. Overture No.3 In D Second Movement
  3. Violin Concerto In E First Movement
  4. Prelude In C minor
  5. Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
  6. Overture No.2 In B minor Minuet And Badinerie
  7. Oboe Concerto In D minor Second Movement
  8. Brandenburg Concerto No.4 In G Third Movement
  9. Musical Offering - Fuga canonica
  10. Easter Oratorio - Overture
  11. Minuet In D minor
  12. Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
  13. Brandenburg Concerto No.1 In F Second Movement
  14. Art Of The Fugue - Contrapunctus 9
  15. Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
  16. Overture No.4 In D - Réjouissance
  17. Concerto No. 1 in E: Spring
  18. Concerto No. 1 in E: Spring
  19. Concerto No. 1 in E: Spring
  20. Concerto No. 2 in G minor: Summer
  21. Concerto No. 2 in G minor: Summer
  22. Concerto No. 2 in G minor: Summer
  23. Concerto No. 3 in F: Autumn
  24. Concerto No. 3 in F: Autumn
  25. Concerto No. 3 in F: Autumn
  26. Concerto No. 4 in F minor: Winter
  27. Concerto No. 4 in F minor: Winter
  28. Concerto No. 4 in F minor: Winter
  29. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  30. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  31. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  32. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  33. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  34. Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
  35. Concerto Grosso in A minor, Op. 3, no. 8
  36. Concerto Grosso in A minor, Op. 3, no. 8
  37. Concerto Grosso in A minor, Op. 3, no. 8
  38. Water Music - Alla Hornpipe
  39. Xerxes - Ombra Mai Fu (Largo)
  40. Messiah - And The Glory Of The Lord
  41. Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
  42. Organ Concerto In F, Op. 4, No. 4 Allegro
  43. Water Music - Air
  44. Messiah - For Unto Us A Child Is Born
  45. Concerto Grosso In B flat, Op. 3, No. 2 - Largo
  46. Salomon - Sinfonia, Act 3
  47. The Choice Of Hercules - While For Thy Arms
  48. Water Music - Allegro (Suite No. 1)
  49. Suite No. 5 In E - Air With Variations
  50. Jephtha - How Dark, O Lord
  51. Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
  52. Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
  53. Water Music - Andante Allegro Da Capo
  54. Concerto for Trumpet & Orchestra in E-flat: First Movement
  55. Symphony No. 94 in G: Surprise Symphony-second movement
  56. Concerto for Violin No. 2 in D: Third Movement
  57. Flute Trio No. 31 in G: Second Movement
  58. Symphony No. 31 in D: Hornsignal-First Movement
  59. String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
  60. Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
  61. Concerto for 2 Horns & Orchestra in E-flat: Second Movement
  62. Symphony No. 88 in G: Fourth Movement
  63. String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
  64. Notturno No. 1 in C: Second Movement
  65. Symphony No. 98 in B: Londoner No. 4-Fourth Movement
  66. Eine Kleine Nachtmusik - first movement
  67. Piano Concerto in A - second movement
  68. Flute Concerto in D - Rondeau
  69. Serenade - Minuet
  70. Violin Concerto - first movement
  71. Symphony No. 40 in G minor - first movement
  72. Clarinet Concerto - second movement
  73. Turkish March
  74. Divertimento - Minuet
  75. Horn Concerto No. 3 in E-flat - first movement
  76. Symphony No. 5 in C minor, Op. 67-First Movement
  77. Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
  78. Overture
  79. O welche Lust (Prisoners' Chorus)
  80. Ha, welch ein Augenblick (Pizarros's Aria)
  81. Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
  82. Concerto for Violin and Orchestra in D, Op. 61: Third Movement
  83. Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
  84. Sympony No. 6 in F, Op. 68: Pastorale-First Movement
  85. Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
  86. German Dance No. 1 In C
  87. Impromptu Op. 90, No. 3 In G-Flat
  88. Heidenroslein
  89. Ave Maria
  90. Der Lindenbaum
  91. Quintet In A 'Trout Quintet' - Andante
  92. Mass No. 6 In E-Flat - Kyrie
  93. Die Schone Mullerin Des Mullers Blumen
  94. German Dance No. 2 In G
  95. Piano Sonata In B-Flat
  96. Nachtgesang Im Walde
  97. Winterreise - No. 15: Die Krahe
  98. German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
  99. Symphony No. 8 In B Minor 'Unfinished' - Second Movement
  100. Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
  101. Nocturne in E-flat, Op. 9, no. 2
  102. Etude in G-flat, Op. 10, no. 5
  103. Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
  104. Mazurka in D minor, Op. 33, no. 2
  105. Prelude in D-flat, Op. 28, no. 15 Raindrop
  106. Etude in C, Op. 10, no. 1
  107. Nocturne in D-flat, Op. 27, no. 2
  108. Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
  109. Scherzo in B minor, Op. 20
  110. Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
  111. Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
  112. Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
  113. Violin Concerto - second movement
  114. The Sleeping Beauty - Waltz
  115. Capriccio Italien, Op. 45
  116. Swan Lake - Waltz
  117. Eugene Onegin - Polonaise
  118. The Nutcracker - Waltz of the Flowers
  119. Orchestral Suite No. 4 - Mozartiana - Third Movement
  120. Swan Lake - Dance of the Swans
  121. Symphony No. 6 in B minor - Pathétique - Third Movement
  122. Hungarian Dance No.5
  123. Lullaby
  124. Symphony No.1 in C minor, Op. 68 - Third Movement
  125. Intermezzo in E-flat, Op.117, no. 1
  126. Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
  127. Waltz, Op. 39, no. 15
  128. Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
  129. String Quintet in G, Op. 111 - Second Movement
  130. Symphony No.4 in E minor, Op. 98 - Third Movement
  131. Intermezzo in A minor, Op. 76, no. 7
  132. Hungarian Dance No.1 in G minor
  133. German Requiem Selig sind die Toten (Final Chorus)
  134. Die Fledermaus - Overture
  135. Kaiser Waltz, Op.437
  136. Thunder And Lightning Polka, Op. 324
  137. Roses From The South Waltz, Op. 388
  138. AnnenPolka, Op. 117
  139. Vienna Blood Waltz, Op. 354
  140. Eljen A Magyar Polka, Op. 332
  141. Wine, Women and Song Waltz, Op. 333
  142. On The Beautiful Blue Danube Waltz, Op. 134
  143. Die Meistersinger Von Nurnberg - Overture
  144. Tannhauser - Die Pilger sind's (Pilgims' Chorus)
  145. Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
  146. Lohengrin - Act 3 Prelude and Bridal Chorus
  147. The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
  148. The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
  149. Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
  150. Die Walkure - Ride of the Valkyries
  151. Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
  152. Tristan und Isolde - Liebestod
  153. Thus sprach Zarathustra, Op. 30 (excerpt)
  154. Don Juan, Op. 20
  155. Eine Alpensinfonie, Op. 64, I.Nacht
  156. Don Quixote, Op.35, first movement: Introduction
  157. Salome, Op. 54, Dance Of The Seven Veils
  158. Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
  159. Piano Concerto 2 In C minor, Op. 18 - First Movement
  160. Vocalise, Op.34, No. 14
  161. Prelude In G Sharp minor, Op. 32, No. 12
  162. Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
  163. Symphony No. 2 In E minor, Op. 27 - Third Movement
  164. Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
  165. Rhapsody, Op. 43 On A Theme By Paganini
  166. Hungarian Rhapsody No.2
  167. Liebestraum No.3 in A-flat
  168. Piano Concerto No.1 in E-flat - third movement
  169. Angelus
  170. Mephisto Waltz No.1 (Dance in a Village Tavern)
  171. Prelude and Fugue on B-A-C-H
  172. Dante Symphony - Finale. - Purgatorio - Magnificat
  173. Les Préludes
  174. Boléro
  175. Daphnis et Chloé first movement: Nocturne
  176. Rhapsodie Espagnole
  177. Shéhérazade - first movement: Asie
  178. Ma Mère l'Oye - fourth movement: La Belle et la Bête
  179. Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
  180. La Valse
  181. Slavic Dance No. 1 in C, Op. 46, no.1
  182. Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
  183. Humoresque, Op. 101
  184. Slavic Dance No. 8 in G minor, Op. 46, no. 8
  185. Serenade for String Orchestra, Op. 22 - second movement
  186. Romance for Violin and Orchestra In F minor, Op. 11
  187. Symphony No. 7 in D minor - third movement
  188. Melodie (Songs My Mother Taught Me)
  189. Carneval Overture, Op. 92
  190. Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
  191. Symphony No.4 In A, Op. 90. Italian - First Movement
  192. Frühlingslied In A, Op. 62, No. 6
  193. Wedding March (From A Midsummer Night's Dream, Op.61)
  194. Duetto In F, Op.30, No.6 (From Songs Without Words)
  195. String Symphony No.9 In C. Schweitzer Symphony - Third Movement
  196. Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
  197. Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
  198. Notturno (From A Midsumment Night's Dream, Op. 61)
  199. Rondo Capriccioso, Op.14
  200. String Symphony No. 12 In G minor - First Movement
  201. Venetian Gondola Song In F Sharp minor, Op.30, No.6
  202. Scherzo (From A Midsumment Night's Dream, Op. 61)
  203. Violin Concerto In E minor, Op.64 - Third Movement
  204. Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
  205. Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
  206. Holberg Suite, Op. 40 - IV. Air. Andante religioso
  207. Arietta, Op. 12, no. 1
  208. Homage March from Sigurd Jorsalfar, Op. 56
  209. Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
  210. Wedding Day at Troldhauen, Op. 65, no. 6
  211. The Last Spring, Op. 34, no. 2
  212. Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
  213. Nordic Melody Op. 63
  214. Notturno, Op. 54, no. 4
  215. Elegie, Op. 47, no. 5
  216. Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
  217. Piano Concerto in A minor, Op. 16 - Allegro
  218. Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
  219. Traumerai (from Kinderszenen, Op. 15)
  220. Mondnacht (from Eichendorff-Liederkreis, Op. 39)
  221. Aufschwung (from Fantasietucke, Op. 12)
  222. Triolett, Op. 114, no. 2
  223. Tanzlied (No. 1 from Duets, Op. 78)
  224. Symphony No. 4 in D minor, Op. 120 - second movement
  225. Frühlingsgruss
  226. Abschied (from Waldszenen Op. 82)
  227. Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
  228. Manfred Overture, Op. 115
  229. Romance in F sharp, Op. 28, no. 2
  230. Die Rose stand im Tau
  231. Liebesgarten (from Four Duets, Op. 34)
  232. Warum? (from Fantasiestucke, Op. 12)
  233. Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
  234. Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

4 out of 5 stars Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

4 out of 5 stars classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

4 out of 5 stars Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

5 out of 5 stars A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

5 out of 5 stars Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Arthur Rubinstein  - Chopin 19 Nocturnes (Vol. 49)
Average customer rating: 4.5 out of 5 stars
  • Food for your Spirit
  • An Antti Keisala Comment: Chopin Divine, Saddest Music In The World
  • Arthur Rubenstein - Chopin 19 Nocturnes (Vol. 49)
  • Hmmm...
  • "A whole set of marvelous miniatures"
Arthur Rubinstein - Chopin 19 Nocturnes (Vol. 49)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. The Rubinstein Collection Vol 47 - Chopin: Waltzes, Impromptus, Bolero
  2. Rubinstein Collection, Vol. 45
  3. Rubinstein Collection, Vol. 48
  4. Rubinstein Collection, Vol. 46
  5. Rubinstein Collection, Vol. 50

ASIN: B000031WBV
Release Date: 2000-08-08

Tracks:

  1. Op. 9, No. 1, In B-Flat Minor
  2. Op. 9, No. 2 In E-Flat
  3. Op. 9, No. 3 In B
  4. Op. 15, No. 1 In F
  5. Op. 15, No.2 In F-Sharp
  6. Op. 15, No. 3 In G Minor
  7. Op. 27, No. 1 In C-Sharp Minor
  8. Op. 27, No. 2 In D-Flat
  9. Op. 32, No. 1 In B
  10. Op. 32, No. 2 In A-Flat

Tracks:

  1. Op. 37, No. 1 In G Minor
  2. Op. 37, No. 2 In G
  3. Op. 48, No. 1 In C Minor
  4. Op. 48, No. 2 In F-Sharp Minor
  5. Op. 55, No. 1 In F Minor
  6. Op. 55, No. 2 In E-Flat
  7. Op. 62, No. 1 In B
  8. Op. 62, No. 2 In E
  9. Op. 72, No. 1 In E Minor

Amazon.com

Despite Arthur Rubinstein's extroverted personality and open-hearted interpretive approach, his performances of Chopin's introspective, half-lit Nocturnes inspired him to some of his greatest recordings, as this, the last of his three traversals of the 19, amply demonstrates. His earlier recordings, from 1936-37 and 1949-50, have their admirers, but this set dating from 1965 and 1967 is superior for its interpretive depth and realistic stereo sound. It's a touch slower than the earlier versions, and Rubinstein's glorious tone color, mastery of shadings, and unerring sense of rubato help make these among his greatest recordings. He makes the music breathe as few others have; the melodies go straight to the heart thanks to subtle phrasing that wrings worlds of emotion without wallowing. That sense of naturalness and inevitability in his playing can be heard in every one of these 19 works. It makes the start of Op. 27, No. 1 deeply moving and inspires awe at the way he brings structural clarity to Op. 48, No. 1 without compromising its mood. Others may have equaled his achievement in one or another of these works, but as a set, this is inspired pianism. --Dan Davis

Customer Reviews:

5 out of 5 stars Food for your Spirit.......2007-02-28

I love, love, love this moving collection! It is divinely inspired, celestial, heavenly, stirring, emotionally filling and guaranteed to transport you to a higher dimension...

5 out of 5 stars An Antti Keisala Comment: Chopin Divine, Saddest Music In The World.......2007-02-09

Sometimes we feel we're unspeakably down: nights when you're exhausted by your daily routines and the dreamer in you wakes up in vain. Some people read romantic short stories. Some go to have long walks on the beach. When I'm blue, I either go running or watch Wong's "Chunking Express", some Tarkovsky or listen to the saddest music. To music most divine. That's this Rubinstein's interpretations of Chopin are high on that list, as they are on every other best-of list I've yet compiled.

Simply put, this is a masterly artist interpreting the most masterly artist of our time.

Chopin is, to me, the epitome of an artist who invests his whole soul to his music. A poet whose own poems start to shape his heart. Others can comment (and have already done so) on the technical aspects of either Chopin or Rubinstein's skill, but I merely wish to articulate how shocking his music is in how it bares the soul, how naked it is. In modern rock music, I've found Peter Gabriel to work this way, at least the Peter Gabriel of the untitled era, up to the album "Us". This is the greatest of commitment, almost a secret made between the composer and listener. The music approaches the listener in such a direct way not from the outside but from within. And this has nothing to do with who's playing the piano. There are simply passages that are larger than either the player or our comprehension. The silences, the rubatos, the relation of the notes to the mood of the thing, to the heart of the matter. Rubinstein just happens the most open-hearted, as one of the editorial reviews points out.

About Chopin. He's not like Bach in my books, whom I've found to appear emotionally majestic yet who's more like the Peter Greenaway of classical music; more showy and mathematical, calculating. Adhering to a certain cosmology rather than inventing and investing straight from and to the soul. Whereas Bach relies on framework in which he fills his music (this is, of course, the Zeitgeist of his time and style of music and in itself nothing remarkably revealing) with the finest of contrapuncts, Chopin's method is to create a free flow of melody, harmony, tempo and dynamics. It's organic and it's fluid. I don't think I should even mention Mozart's badinage. Rubinstein uses the rubato of Chopin to a great extent, which makes for some of the most breathtaking passages ever played on a piano. I play piano so badly I'll never have the possibility to play Chopin properly, but I've done the 'next best thing', that is, I've played him as transcribed for the guitar by Franscisco Tárrega. Those transcriptions, in my mind, contain that bittersweet chance of rubato, and that nakedness translates to the guitar quite well. But that's not the real thing.

This is. Of course, the best thing is to get all of Rubinstein's recordings, but if I was to make the hardest decision and choose only one, this would be it. Very close would be the Preludes as well as the Mazurkas, but this is perhaps the most heavenly music. Only Pärt's "Alina" continually reaches me on such a personal level. These songs made me believe that music can change your life.

Now I'm going to try and sell this item to you. Thus I'll have to ask that particular question: what is it about Rubinstein? We know him as the mastermind, the giant interpreter, who revolutionized how we listen to Chopin. But this isn't just merits, or otherwise he wouldn't be celebrated today for anything else than just showing a different path at the time. And this is a sad destiny some other artists share. Where Rubinstein triumphs is that his playing is much like what Chopin's music is like: it's a rare gift for us to find two artists with the same soul. This is why I think Rubinstein continues to be important and these records even life-altering. That's not in his technical skill, per se, it's in his ability to channel something from within, lift up something from the notes that can only be read between the lines. He's intimate, much like the music, and that's why I let him come close and do his best. Most beautiful music, most uplifting music; the saddest music in the world.

With best regards,
AK

5 out of 5 stars Arthur Rubenstein - Chopin 19 Nocturnes (Vol. 49).......2007-01-21

Arthur Rubenstein interprets Chopin beautifully with great emotion. It would have been interesting, were it possible, to have him play these great works in the presence of Chopin to get his reaction. The "Red Seal" RCA label lives up to it reputation for having made some of the very best quality recordings ever made. The crisp, clear and true to the original sound makes you feel as though you were in the studio while the recording was being made.

3 out of 5 stars Hmmm..........2006-12-04

Well, here's the good: Rubinstein is far more adept than you or I will ever be at interpreting these pieces. His playing is rich, yet rather restrained. A bit too restrained at times. Now then, the bad:

1. sound quality is in dire need of remastery. I can't emphasize that enough. While not as thick with background noise as the Cortot Box set recorded in the 30s and onward... It's still pretty thick, which bothers the hell out of me, making listening straight throughh almost impossible at times.

2: only 8 (!!!) of the minor key Nocturnes are accounted for. I'm sorry, but the minor key pieces are VASTLY more interesting and varied and sensual and full of sturm und drang than the major key pieces. Three are missing, though I'm too lazy to go picking through and find out which 3 they are. Still, that's about 1/4th of the minor key NOcturnes: unaccounted for.

That plus the issue of sound quality: I'll stick with my Claudio Arrau set, hushed breath and all, which I have had to purchase twice and which never fails to take me where I need to go.

I love the Rubins, but still: Buyer Beware.

5 out of 5 stars "A whole set of marvelous miniatures".......2006-05-22

Although most of people tend to consider, Chopin' s Nocturnes as tearful salon pieces, they perhaps retains, with major effervescence than any other genre composed by him, the essential principles that support the Romantic mood. The night conceived as a frame for the febrile imagination, that may originate the most beautiful dreams or on the contrary the most horrid nightmares.

"Chopin loved the night and its soft mysteries as much as did Robert Louis Stevenson, and his nocturnes are true night pieces, some with agitated, remorseful countenance, others seen are whispering at dusk." ..."He ennobled the form originated by Field, giving it dramatic breadth, passion and even grandeur." These smart considerations belong to James Huneker (1860--1921) the famed author and music and drama critic.

Under this perspective any analysis around Chopin should be done according the specified genre you consider, due it would explain preconceived attitudes and superficial generalizations that frequently lead to trivial thoughts and originate distorted and deformed opinions around the egregious figure of the beloved Polish composer.

There have been three famed and renowned pianists that have shone with radiant splendor at the moment to play this set of Nocturnes. Of course that Rubinstein was one of them, (the others two are Samson Francois and Alfred Cortot), and the reason why they are above the most, resides in the fact they played every one of these works, with a special connotation and intimate atmosphere. As Huneker previously emphasized, every Nocturne has its particular blaze, texture, color, personality and expression.

So if you want to experiment a true experience listening this set of Nocturnes, don' t think it over and acquire it.
The Rubinstein Collection Vol 47 - Chopin: Waltzes, Impromptus, Bolero
Average customer rating: 4.5 out of 5 stars
  • The engaging poetry!
  • Still beautiful to me
  • barcode piano for barcode lovers everywhere!
  • Artur Rubinstein great recording of Chopinýs Bolero, Waltzes
  • The Great Chopin Master
The Rubinstein Collection Vol 47 - Chopin: Waltzes, Impromptus, Bolero

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
FantasiesFantasies | Forms & Genres | Classical | Styles | Music
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:
  1. Arthur Rubinstein - Chopin 19 Nocturnes (Vol. 49)
  2. Rubinstein Collection, Vol. 46
  3. Rubinstein Collection, Vol. 45
  4. Rubinstein Collection, Vol. 48
  5. Rubinstein Collection, Vol. 50

ASIN: B000031WBU
Release Date: 2001-01-09

Tracks:

  1. Waltz in E flat, Op.18: Grande Valse Brillante
  2. Waltz in A flat, Op.34 No.I: Valse Brillante
  3. Waltz in a, Op.34 No.2: Valse Brillante
  4. Waltz in F, Op.34 No.3: Valse Brillante
  5. Waltz in A flat, Op.34 No.3: Valse Brillante
  6. Waltz in D flat, Op.64 No.I: Minute
  7. Waltz in c#, Op.64 No.2
  8. Waltz in A flat, Op.64 No.3
  9. Waltz in A flat, Op.69 No.I: L'Adieu
  10. Waltz in b, Op.69 No.I
  11. Waltz in G flat, Op.70 No.I
  12. Waltz in f, Op.70 No.2
  13. Waltz in D flat, Op.70 No.3
  14. Waltz in e, Op.posth.
  15. Impromptu No.I in A flat, Op.29
  16. Impromptu No.2 in F#, Op.36
  17. Impromptu No.3 in G flat
  18. Fant-Impromptu in c#, Op.66
  19. Bolero in A, Op.19

Customer Reviews:

5 out of 5 stars The engaging poetry!.......2006-12-19

One of the maxim exponents of Chopin in the first decades of the Century was undeniably Arthur Rubinstein. He knew to create - if I may - the perfect link between image and the Polish sentiment ; although the pioneer in this sense was Ignaz Jan Paderewski. Lodz was his birthplace and if Chopin was a self exiled in his historical moment., Rubinstein must have taken into account in September 1 1939.

He nourished the last traces of a dying romanticism - as well as Rachmaninov did it - after his forced exile from URSS. His golden sound was far from the tragic approach given by of Alfred Cortot, for instance. He played the piano according the canons of the artist of the Century XIX, expression and sentimentality, hovered by an ardent nationalism that still inflamed the poetic imagination in some corners of the world, specially in the enormous immigrant wave who chose different places in America in order to search a promised land.

His direct phrasing without intellectual or philosophical approaches deserved to him a special name in the Western hemisphere.

He is now part of the keyboard's legend as well as one of the Chopin`s champions.

5 out of 5 stars Still beautiful to me.......2005-11-04

As a piano student during the 1950s and early 1960s, I remember that there were "knock down drag out" arguments between the "pro-Rubinstein" factions and the "anti-Rubinstein" factions of the classical piano performing world. I was made keenly aware of the aforesaid because my piano instructor was a "dye-hard" member of the "anti-Rubinstein" faction. Rebelliously, I purchased all of the Rubinstein recordings that I could get my little untalented hands on including this recording of Chopin's Waltzes. I remember loving them at the time as I still do now that I've restored this recording on CD to my collection.
Rubinstein's performance in this recording really touches my very soul. Upon hearing this recording again, I'm reminded of how much I loved them almost 50 years ago. Whatever one may call his playing (eccentric, sentimental, syrupy, etc.) it certainly has retained its appeal to me--as a young person or now as an older person. (Note: Rubinstein particularly plays the "sad little" waltzes in minor keys exquisitely!)
If you want to hear a master (at least to me) of Chopin playing some wonderful works, buy this disc.

1 out of 5 stars barcode piano for barcode lovers everywhere!.......2005-04-23

i must repeat myself over and over again.STAY AWAY FROM RUBINSTEIN.his playing is just too eccentric its as if he was abducted by aliens and had chopins works downloaded into his brain.what you get is a sort of robotic chemistry with a dire attempt to sound artistic.
these high reviews do baffle me to oblivion.

5 out of 5 stars Artur Rubinstein great recording of Chopinýs Bolero, Waltzes.......2004-01-05

Artur Rubinstein great recording of Chopin's Bolero and 14 Waltzes
By Peter Dietrich, president, Chopin Society of New England

Artur Rubinstein's performance of the fourteen waltzes seems to be among the definitive versions. This stereo recording from a one day session in June of 1963, issued on BMG in the Rubinstein collection volume 47, and the earlier version first issued on LP RCA Victor LM-1892 recorded in December, 1953 and issued on BMG Rubinstein collection volume 29, equals in sound and profound understanding the two great versions by Alexander Brailowsky (1896-1976) recorded in the early fifties on LP for RCA Victor LM-1082 as well as the stereo recording from the early sixties issued on Sony Music SBK 46346 in 1990.

The four recordings are milestones of the classical waltzes. Their interpretations have achieved expert fluidity with grace and elegance of nobility. As Robert Schumann remarked "should be danced at least by countesses." To the above recordings I will add Dinu Lipatti's recording issued by EMI in the Great Recordings of the Century series. My opinion is based on hearing a great number of outstanding as well as good performances through more than fifty years. I will just list several additional names from my collection who have recorded fourteen waltzes: 1) Robert Lortat (1930), 2) Alfred Cortot (1934 and 1943), 3) Edward Kilenyi (1952), 4) Moura Lympany (1959), 5) Witold Malcuzynski (1959), 6) Regina Smendzianka (1959 and 1961), 7) Samson Francois (1964), 8) Stefan Askenase (1964), 9) Adam Harasiewicz (1965), 10) Tamas Vassary (1966); pianists who have recorded nineteen waltzes: 1) Augustin Anievas (1970), 2) Geoges Cziffra (1979), 3) Claudio Arrau (1980 - several of the waltzes are played too slow), 4) Vladimir Ashkenazy (1984), 5) Lidia Grychtolowna (1989), 6) Istvan Szekely (1992), 7) Garrick Ohlsson (1996 - 20 waltzes in this recording) 8) Jerzy Sterczynski (1996 - 23 waltzes, which will be discussed in the future).

The famous Polish poet Kazimierz Wierzynski author of the "Life and Death of Chopin" (1949) makes the following observation. "Chopin's Waltzes have little or nothing in common with the atmosphere of the ballroom. Niecks calls them Tanzdichtungen (dance poems). How does Rubinstein play the Chopin Waltzes? Surely, their worldliness and elegance are particularly suited to this worldly and elegant pianist whose incomparable virtuosity goes hand in hand with his unique feeling for Chopin. Without in the least sentimentalizing Chopin, Rubinstein fully renders his warmth: he is the ideal interpreter of the waltzes in which tenderness is so subtly blended with sparkle, playfulness and deep emotion."

Other Chopin works included in this compilation are the four impromptus recorded in 1964 and the Bolero recorded in 1962. Harvey Sachs, author of Rubinstein's biography published by Grove Press, New York, 1995, wrote the following notes for this compilation: "The 1964 version of the Impromptus, heard here is typical of the beautifully poised, yet deeply poetic Chopin recordings that Rubinstein made in his seventies as a sort of summa of his interpretations of the music of his great compatriot." However, the glory of this compilation is the Bolero in A Major, Op. 19. Until the Rubinstein recording in 1962 when he was almost 75 years old, this work was "obscure" Chopin, almost completely forgotten and recorded very seldom as well as terribly underrated. Despite the obscurity of the work for such a long time, there are several recordings of it in existence. I will list the notable recordings from my collection according to their release:
1) Adam Harasiewicz, Philips (1972); 2) Arnaldo Cohen, Dischi Ricordi, LP (1978); 3) Nikita Magaloff, Philips (1979); 4) Vladimir Ashkenazy, London/Decca (1987); 5) Georges Cziffra, EMI (1987); 6) Nelly Ben-Or, Meridian Records (1989); 7) Idil Biret, Naxos (1993); 8) Garrick Ohlsson, Arabesque, vol. 8 (1997); 9) Emil von Saur (recorded 1940) Arbiter (1998); 10) Anatol Ugorski, Chopin Complete Edition DG, vol. 7 (1999).

All the above recordings, although inspired performances and technically excellent, do not reveal the hidden beauty of the dance, as does Artur Rubinstein in his performance. Mr. Rubinstein unhurried tempos and magical play with the pedal plus his affinity for Spanish music brings this work to interpretative splendid heights unknown until his recording and since. These five star performances are highly recommended for every music lover.

5 out of 5 stars The Great Chopin Master.......2003-07-26

This CD is superb. It shows the best of Rubinstein's Chopin.He did this CD with so much clearness and feeling. Rubinstein ends the CD with the little known Bolero. I reccomend it a lot.
Bartok: Complete Solo Piano Music
Average customer rating: 4.5 out of 5 stars
  • Microcosmos
  • Great value with a few flaws
  • eeh, I guess I don't like Bartok that much
  • Best classical value out there
  • 5 Stars for the music and performance
Bartok: Complete Solo Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
ImprovisationImprovisation | Forms & Genres | Classical | Styles | Music
ElegiesElegies | Requiems, Elegies & Tombeau | Forms & Genres | Classical | Styles | Music
RondosRondos | Forms & Genres | Classical | Styles | Music
BagatellesBagatelles | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SonatasSonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Similar Items:
  1. Bartok: The Piano Concertos
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  3. Complete Piano Works of Scriabin
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  5. Brahms: Works for Solo Piano

ASIN: B00008X5AY
Release Date: 2003-05-27

Amazon.com

Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and "Out of Doors," but he also retains the romantic element heard in the composer's own playing which tempers the harsher qualities of the music. While this collection isn't quite as complete as advertised (some early, insignificant piano music by Bartók is omitted), it includes all of Bartók's significant piano music, including such relatively obscure gems as the Bagatelles, eight Improvisations, and many delectable folk arrangements which will appeal even to listeners who think Bartók is too challenging for them. Vox's recorded sound, superbly remastered, resists obsolescence as effectively as Sàndor's performances. Even with the inclusion of the early books of "Mikrokosmos," which will appeal mostly to piano students, this set is worth several times the asking price. --Leslie Gerber

Customer Reviews:

4 out of 5 stars Microcosmos.......2007-03-08

Sándor was a champion not only of Bartók's music but also of Bartók's style of playing. He often complained that people were too quick to see Bartók as ultra-modern, and to fail to appreciate the rich seam of lyricism that also runs through his music.

The piano music is dominated by short pieces, many of them written for piano students, notably the collections "Microcosmos" and "For Children". These, together with suites of folk dance arrangements, make up the bulk of the solo piano output.

Sandór plays these short, and often simple pieces, with neither too much nor too little art. As a gifted teacher, he knew unerringly how much music each of these small vessels held. The result is beguiling - but be warned: no-one can listen to the 153 short pieces of Microcosmos end-to-end. This is an anthology to be dipped into, not swallowed whole.

The remastering is pretty successful (fortunately - some of Vox's CD reissues are plagued by severe deterioration of the original tapes). And it's for half nothing-what's not to like?

4 out of 5 stars Great value with a few flaws.......2006-07-28

I am not a Bartok expert by any scale, but I do like the way these pieces, without exception, are played. There are, however, a couple of other problems.

As mentioned by an earlier reviewer, very few of the works are split into tracks - Mikrokosmos is divided into 7 for each of its six volumes, and to accomodate for a full CD. In these seven tracks there are 121 songs. I would have much preferred if the songs had been split into tracks. Almost the entire CD set is this way - Fifteen Hungarian Songs is one track, Fourteen Bagatelles, etc. It is very annoying when one wants to hear a particular song in those tracks and not the others.

Another detriment to the collection is the recording quality. It is decent most of the time, but in loud sections the piano buzzes. One might be able to ignore it, but I think that it detracts from the passion of the forte quite a bit.

Overall, for $18 it is pretty decent, but if you are like me and like to keep your music library neatly organized (and aren't extremely cheap), I would not recommend this set.

3 out of 5 stars eeh, I guess I don't like Bartok that much.......2006-07-25

I like the fact that Bartok is into the folk tradition and all, but he just tends to forget the fact that melody has to be SOMEWHERE in the music. I'm all for creative expression when you're sitting alone at the piano, but abstract music should be reserved for performance art. I like playing some of your stuff Bela, but I just don't want to listen to you.

5 out of 5 stars Best classical value out there.......2005-10-05

To put this set in perspective, for months I would go to my local Tower Records fishing for worthwhile classical CDs at least once a week. One of the discs that sat in the bins the longest was a single CD of Bartok piano music, played by Zoltan Kocsis. It was Volume 7 of a complete series. This CD listed for $17.99, and as long as I went to that Tower Records, it did not budge an inch, nor was its price amended.

Now, Kocsis is one of the greatest pianists alive, and if anyone is worthy of commanding a premium, it is him. And to be fair, that CD is going to be re-released on October 11 as part of a Collector's Edition - eight CDs, $63.97 MSRP. But it's already going up against this little gem, which contains five CDs with all of the truly great solo-piano works by an internationally recognized Bartok specialist for $21 - not much more than the cost of one CD from the other set. This kind of value is not to be taken lightly.

I came to this set with my impression of Sandor informed by his complete Prokofiev - ultra-hard, sometimes rhythmically slack, always melodically lacking in some way or another. But he held a very special feeling for Bartok, and saved his best playing for the great Hungarian. In passages like the first of the Three Csik Dances, the opening of the Improvisations Op. 20, or in the Ten Easy Pieces, there is a simplicity, charm and wistful homesickness that is quite touching. In pieces like the Out of Doors suite, the Sonata, or the Burlesques, there is a vicious, impulsive energy, a wicked sense of humor and an overabundance of overtones. It is never mindless, inappropriate or even overly harsh - it's just very, very loud.

In this set I like best the endless landscape of the Sonatina, the unusual colors and fragrances in the Etudes, the brilliantly conceived Bear Dance (the last of the Ten Easy Pieces), and the multifaceted, complex, gorgeous Improvisations. Any fan of Bartok should hear these.

4 out of 5 stars 5 Stars for the music and performance.......2005-04-04

This is a fantastic deal, but the problem with this Collection stems from the fact that the pieces are often not separated by tracks. This is especially annoying for the Children's Pieces and Mikrokosmos. There are so many pieces, one wears out the fast forward button and still may miss the particular piece one is looking for. The booklet is fairly insightful, and the performer is widely hailed as the supreme interpreter of Bartok's piano music. So aside from this slightly annoying at times and ridiculously annoying at other times flaw, this is one of the best deals in Classical music. Don't hesitate. Add it to the cart.
Lute Music, Vol. 2
Average customer rating: 4.5 out of 5 stars
  • Good, but not great
  • Pure Renaissance Lute Music Delight !
  • Pure Renaissance Delight
Lute Music, Vol. 2

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Baroque Lute Music, Vol. 1
  2. Early Venetian Lute Music
  3. Portrait
  4. Weiss: Sonatas for Lute, Volume 1
  5. Italian Renaissance Dances

ASIN: B00005MNIY
Release Date: 2001-09-11

Customer Reviews:

3 out of 5 stars Good, but not great.......2005-08-07

The playing is very good. But, the music itself leaves something to be desired. The pieces lack variety, and after listening to a few many amongst us would be able to see the same tonal structures appearing over and over again.

I think the music of Weiss (recorded by Robert Barto on Naxos) is a far better example of well played and truly well written lute music.

5 out of 5 stars Pure Renaissance Lute Music Delight !.......2002-03-20

O'Dette's interpretation of this wonderful set of songs is amazing and delightful. Pieces such as Fantasia ( Castelfranco MS ), Pourquoy Allez-Vous Seullette, La Tradittora - only to quote a few-, are simply unbelievable experiences of the refined and high sense of art which emanates from O'Dette's ability to touch his instrument.

I strongly recommend this recording to everyone interested in lute music ! Enjoy it !

5 out of 5 stars Pure Renaissance Delight.......2002-03-18

O'Dette's interpretation of this set of carefully chosen pieces is quite amazing and delightful. Piece's such the virtuoso Fantasia - Castelfranco MS, Pourquoy Allez-Vous Seullette and La Tradittora - among others-, are only a few examples of the "clearest case of genius ever to touch his instrument ", as O'Dette is known among the specialized musicians of the highest level of technique and feeling.

This true opus must be listened in a wide room, with the lights turned off. Just light a stick of opium incense, taste a hot cup of mint tea, and you'll travel in time. To that time when music wasn't played loud, 'cause it's essence relied upon it's delicacy and sweetness.

That's what this set of really pure early renaissance lute music brings to you, listener. Enjoy it !
Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1
Average customer rating: 4.5 out of 5 stars
  • mixed feelings, 3 stars.
  • Jean-Yves Fan
  • Superior recordings and performances
  • Another installment of great by Thibaudet
Jean-Yves Thibaudet ~ Debussy - complete piano works, vol. 1

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
PreludesPreludes | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. Jean-Yves Thibaudet - Debussy · images, études ~ complete works for piano, vol. 2
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  5. Satie: The Complete Solo Piano Music

ASIN: B000004294
Release Date: 1996-08-13

Tracks:

  1. Preludes - livre I.: I. Danseuses de Delphes - C. Debussy
  2. Preludes - livre I.: II. Voiles - C. Debussy
  3. Preludes - livre I.: III. Le vent dans la plaine - C. Debussy
  4. Preludes - livre I.: IV. 'Les sons et les parfums tornent dans l'air du soir' - C. Debussy
  5. Preludes - livre I.: V. Les collines d'Anacapri - C. Debussy
  6. Preludes - livre I.: VI. Des pas sur la neige - C. Debussy
  7. Preludes - livre I.: VII. Ce qu'a vu le vent d'ouest - C. Debussy
  8. Preludes - livre I.: VIII. La fille aux cheveux de lin - C. Debussy
  9. Preludes - livre I.: IX. La serenade interrompue - C. Debussy
  10. Preludes - livre I.: X. La catedrale engloutie - C. Debussy
  11. Preludes - livre I.: XI. La danse de Puck - C. Debussy
  12. Preludes - livre I.: XII. Minstrels - C. Debussy
  13. Estampes: Pagodes - C. Debussy
  14. Estampes: La soiree dans Grenade - C. Debussy
  15. Estampes: Jardins sous la pluie - C. Debussy
  16. Deux Arabesques: I. Andante con moto - C. Debussy
  17. Deux Arabesques: II. Allegretto scherzando - C. Debussy
  18. Reverie - C. Debussy
  19. Masques - C. Debussy
  20. L'isle joyeuse - C. Debussy

Tracks:

  1. Preludes - livre II.: I. Brouillards - C. Debussy
  2. Preludes - livre II.: II. Feuiles mortes - C. Debussy
  3. Preludes - livre II.: III. La puerta del Vino - C. Debussy
  4. Preludes - livre II.: IV. 'Les fees sont d'exquises danseuses' - C. Debussy
  5. Preludes - livre II.: V. Bruyeres - C. Debussy
  6. Preludes - livre II.: VI. 'General Lavine' - excentric - C. Debussy
  7. Preludes - livre II.: VII. La terrasse des audiences du clair de lune - C. Debussy
  8. Preludes - livre II.: VIII. Ondine - C. Debussy
  9. Preludes - livre II.: IX. Hommage a Sanuel Pickwick Esq. P.P.M.P.C. - C. Debussy
  10. Preludes - livre II.: X. Canope - C. Debussy
  11. Preludes - livre II.: XI. Les tierces alternees - C. Debussy
  12. Preludes - livre II.: XII. Feux d'artifice - C. Debussy
  13. D'un cahier d'esquisses - C. Debussy
  14. Morceau de concours - C. Debussy
  15. Danse bohemienne - C. Debussy
  16. Nocturne - C. Debussy
  17. Images: Lent - C. Debussy
  18. Images: Tres vite - C. Debussy
  19. Pour le piano: Prelude - C. Debussy
  20. Pour le piano: Sarabande - C. Debussy
  21. Pour le piano: Toccata - C. Debussy

Tracks:

  1. Preludes -- Livre I - Jean-Yves Thibaudet
  2. Preludes -- Livre I - Jean-Yves Thibaudet
  3. Preludes -- Livre I - Jean-Yves Thibaudet
  4. Preludes -- Livre I - Jean-Yves Thibaudet
  5. Preludes -- Livre I - Jean-Yves Thibaudet
  6. Preludes -- Livre I - Jean-Yves Thibaudet
  7. Preludes -- Livre I - Jean-Yves Thibaudet
  8. Preludes -- Livre I - Jean-Yves Thibaudet
  9. Preludes -- Livre I - Jean-Yves Thibaudet
  10. Preludes -- Livre I - Jean-Yves Thibaudet
  11. Preludes -- Livre I - Jean-Yves Thibaudet
  12. Preludes -- Livre I - Jean-Yves Thibaudet
  13. Estampes - Jean-Yves Thibaudet
  14. Estampes - Jean-Yves Thibaudet
  15. Estampes - Jean-Yves Thibaudet
  16. Deux Arabesques - Jean-Yves Thibaudet
  17. Deux Arabesques - Jean-Yves Thibaudet
  18. Reverie - Jean-Yves Thibaudet
  19. Masques - Jean-Yves Thibaudet
  20. L'isle Joyeuse - Jean-Yves Thibaudet

Customer Reviews:

3 out of 5 stars mixed feelings, 3 stars........2007-07-05

There are quite a few of Debussy's piano pieces that immediately ring a bell in the mind - Clair de Lune, Gollowog's Cake Walk, La Petite Negre, En Bateau, La Fille aux Cheveux de Lin, La Catedrale Engloutie, etc. These pieces are not, in my opinion, where Thibaudet shines, and make me wish I had a different set (but who's?) The Sunken Cathedral is quite nice, I admit. I will also say that he is quite listenable, whereas Geiseking (sp?) made me so angry I had spent $60 that I stopped buying classical cds for about 10 years.

On the other hand, Thibaudet does have technical mastery - the pieces with which I am less familiar, etudes especially (referring to vol. 2 of the set) are played, to my ears at least, very well, and in fact bring a smile to the face. There is no 'bad' playing anywhere, but the pieces in which I would have liked more musicality lead me to think that the others which I haven't developed an opinion on will sound better in other sets as well. The search continues. At least this set is a good bar.



5 out of 5 stars Jean-Yves Fan.......2007-03-21

I am a big fan of Jean-Yves playing(and a Debussy fan) so I enjoyed this recording. Piano style is a personal preference. (as a musician and pianist I know what I like and what I don't like and it is often not the same as what others prefer) If you enjoyed any other recordings by Jean-Yves or have seen him and concert and loved him you will enjoy this recording.

5 out of 5 stars Superior recordings and performances.......2005-09-18

The Penguin Guide to CDs and DVDs has Thibaudet's sets of the complete Debussy solo piano music at the top of the digital recordings, and this is certainly high quality.

We have several recordings of the Preludes and some other works, but there is nothing to come close to Thibaudet for great performances and superior recording quality.

The liner notes are very helpful, and in the first set you get different articles in English, French, German and Italian. Great if you are multilingual, but only of marginal interest to me. The second set has one article and translations, not separate articles.

Well worth purchasing.

5 out of 5 stars Another installment of great by Thibaudet.......2000-06-13

Thibaudet certainly has a great knack for playing French music. Perhaps it is because he is French himself, or perhaps it is because he has been blessed with a wonderful insight to piano music in general. I say this, because he brings such great musicianship to whatever he puts to record or performance. This two CD set of Debussy's Preludes exudes the personalities of both the composer and the pianist. Debussy, known as the great impressionist composer, delicately has painted numerous portraits in his preludes and this recording certainly does well at bringing them out. Technically, these pieces are played with virtuosity and clear attention to precision, clarity, and musicality. One of the best parts of this set is the a bonus CD of short interviews with Thibaudet in various languages where he himself explains what he has brought to the table in playing these pieces and what insights he had in mind when approaching these pieces.
Greatest Hits: Harpsichord
Average customer rating: 4.5 out of 5 stars
  • "Best Harpsichord Recording"
  • Great
  • a must-have for harpsichord lovers
  • keeno
  • The Most Superb Harpsichord Sampler
Greatest Hits: Harpsichord

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
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  2. Essential Baroque
  3. Complete Harpsichord Concertos
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  5. Greatest Hits ~ Baroque

ASIN: B000002C0U
Release Date: 1995-08-22

Tracks:

  1. Air And Variations In E Major From Harpsicord Suite No. 5: The Harmonious Blacksmith
  2. Keyboard Suite No. 11 In D Minor: Sarabande
  3. Greensleeves (16th Century)
  4. Lavolta
  5. The Earl Of Salisbury: Pavan, The Earl Of Salisbury
  6. Ut re mi fa sol la, In F
  7. The King's Hunt
  8. The Nightingale (17th Century)
  9. For Two Virginals
  10. The Prince Of Denmark's March
  11. The 18th Order (3rd Book Of Pieces For Harpsicord): Le tic-toc-choc, No. 6
  12. The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Choisi, No. 4
  13. Le Tambourin
  14. La poule
  15. Le Coucou
  16. Sonata In D Minor, 'Pastorale'
  17. Sonata In E Major, 'Capriccio'
  18. Sonata in D Major
  19. Goldberg Variations, BWV 988: Aria
  20. The Well-Tempered Clavier, Book 1, BWV 846: Prelude and Fugue No. 1 In C Major
  21. Italian Concerto In F Major, BWV 971: III. Presto
  22. The Anna Magdalena Notebook: Minuet In G Major, BWV Anh. 114
  23. Sonata No. 11 In A Major, K. 331: III. (Rondo) Alla Turca
  24. Wo0 10, No. 2: Minuet in G Major
  25. Trumpet Tune 'Martial Air'
  26. Round O (Rondo)
  27. The 6th Order (2nd Book Of Pieces For Harpsichord): Les baricades misterieuses, No. 5
  28. The 15th Order (3rd Book Of Pieces For Harpsicord): Musete de Taverni, No. 5
  29. Cuckoo Toccata

Customer Reviews:

5 out of 5 stars "Best Harpsichord Recording".......2005-11-05

I have always loved the sound of the Harpsichord and for many years hearing poorly recorded or played Harpsichord this treasure is a must have. From the fine compositions to the good sound quality this CD is definately a keeper.
Plenty of music for a moderate price as well.

5 out of 5 stars Great.......2005-08-09

This CD is very very good just what I was looking for. I highly recommend this CD if you are planning on purchasing a Harpsicord CD, this one is the best.

4 out of 5 stars a must-have for harpsichord lovers.......2004-04-30

I love the sound of this most unusual instrument, the harpsichord. Especially the fast intricately melodic songs. Very enjoyable. This "Greatest Hits" includes many compositions perfectly suited to this wonderful old predecessor to the piano. There's even a little funny trivia thrown in: on the song sheet is written: Q:"what did the famous conductor Sir Thomas say that the harpsichord sounds like? A: "Like two skeletons screwing on a hot tin roof" :)

David Rehak
author of "Love and Madness"

5 out of 5 stars keeno.......2001-01-08

This is a fun cd. BYRD, BULL, BACH ETC come through great Scarlatti bits sound like a flock of unhappy cows running of a field of burnt popcorn but those bits generally do unless played on the African Kalimba [or thumb piano] in Africa where I need not hear them.

This is a well engineered CD. Many featuring the harpsichord demand a level of equipment beyond that of any regular person with bills, which means this disk sounds just fine on a boom box. Everybody in the family will like some part of this disk `cept for the 13 year old whose lost to punk rock or hip hop.

5 out of 5 stars The Most Superb Harpsichord Sampler.......2000-07-27

I can't imagine a better sampler of harpsichord 'hits' played by one of the great stereo-era masters. A full complement of emotions is displayed here, from the most delicate and sparing texture to the most rip-roaring martial roar. If you're wondering what the harpsichord is about, or if you're already a fan and want a great sampler to play for your own delight and amusement, you cannot go wrong with this recording.
Bartók Plays Bartók
Average customer rating: 4.5 out of 5 stars
  • A fascinating glimpse into Barokian style
  • Bela Bartok, The pianist.
Bartók Plays Bartók

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
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  2. Bartok: Complete Solo Piano Music
  3. Maurice Ravel: The Composer as Pianist and Conductor
  4. The Composer as Pianist
  5. Prokofiev Plays Prokofiev

ASIN: B000000WPP
Release Date: 1995-11-14

Tracks:

  1. Ste, Op.14 Allegretto: Scherzo: Allegro Molto: Sostenuto
  2. Two Rumanian Dances Op.8a: No.1, Allegro Vivace
  3. 10 Easy Pieces: No.5, Evening In Transylvania; No.10: Bear Dance
  4. Allegro Barbaro
  5. 14 Bagatelles Op.6 No.2: Allegro Giocoso; 3 Burlesques Op.8c: No.2, A Bit Drunk
  6. 9 Little Piano Pieces: No.6, Air, No.8, Tambourne, Petite Ste; V, Bagpipes
  7. 3 Rondos On Folk Melodies: No.1, Andante
  8. 15 Hungarian Peasant Songs: Nos. 7-10, 12, 14, 15 (Old Dance Tunes)
  9. Sursum Corda No.7 From Annees De Pelerinage, Book 3
  10. Mikrokosmos: No.124: Staccato; No.146: Ostinato
  11. Petite Ste Ia. Slow Melody: , Ib. Walachian Dance; II. Whirling Dance; III. Quasi Pizzicato...
  12. 9 Little Piano Pieces: No.9, Prld All'ungherese
  13. 3 Rondos On Folk Tunes: No.1, Andante; 14 Bagatelles: No.2, Allegro Giocoso
  14. 3 Rondos On Folk Melodies: No.1, Andante
  15. 15 Hungarian Peasant Songs: Nos.7-10, 12, 14, 15; Old Dance Tunes
  16. Annees De Peleringe, Book III: No.7 Sursum Corda - Bela Bartok/Ditta Pasztory-Bartok
  17. Mikrokosmos: No.124: Staccato
  18. Mikrokosmos: No.146: Ostinato
  19. Petite Ste: Ia. Slow Melody
  20. Petite Ste: Ib. Walachian Dance
  21. Petite Ste: II. Whirling Dance
  22. Petite Ste: III. Quasi Pizzicato
  23. Petite Ste: IV. Ukrainian Song
  24. Petite Ste: V. Bagpipes
  25. 9 Little Pno Pieces: No.9: Prld-All'ungherese
  26. 3 Rondos On Folk Melodies: No.1, Andante
  27. 14 Bagatelles: No.2, Allegro Giocoso
  28. Improvisions On Hungarian Peasant Songs: No.1, Molto Moderato
  29. Improvisions On Hungarian Peasant Songs: No.2, Molto Capriccioso
  30. Improvisions On Hungarian Peasant Songs: No.6, Allegro Moderato, Molto Capriccioso
  31. Improvisions On Hungarian Peasant Songs: No.7, Sostenuto, Rubato
  32. Improvisions On Hungarian Peasant Songs: No.8, Allegro
  33. 3 Hungarian Folk Tunes: No.1
  34. 3 Hungarian Folk Tunes: No.2
  35. 3 Hungarian Folk Tunes: No.3
  36. 7 Pieces From Mikrokosmos: I. Chord And Trill Study
  37. 7 Pieces From Mikrokosmos: II. New Hungarian Folk Song
  38. 7 Pieces From Mikrokosmos: III. Chromatic Invention

Customer Reviews:

4 out of 5 stars A fascinating glimpse into Barokian style.......2007-04-20

I will be brief. These recordings, made between the late 1920s and 1940, are technically deficient in showing Bartok's fabled tone (though a little of it comes through) but musically fascinating in showing how much more lyrical and gentle his playing of his own music was than that of most pianists today. Based on this evidence, then, pianists like Annie Fischer are much closer to Bartok's musical concept than Gyorgy Lehel or many of the others who have recorded his concerti in recent decades. A major resource for students of Bartok's music. (Only four stars given because of the scratchy discs and boxy sound, not because of intrinsic musical value.)

5 out of 5 stars Bela Bartok, The pianist........2007-03-15

Hungarian composer Bela Bartok (born in Romania) was an innovative composer in his day and along with Gyorgy Ligeti is highly regarded as one of the greatest composers to come out of Hungary in the 20th century.
While a majority of Bartok's works are timeless classics in modern Classical repertoire, recordings are Bartok performing his own music are extremely rare to find these days. This is what makes the "Bartok Plays Bartok" disc from Pearl Records such a treat to listen to.
The recordings on this disc date from between 1929 and 1941 and display Bartok's gifts as a solid pianist in their fullest. His pianistic attack and full command of the instrument comes through in every piece included here.
Standouts include the opening piano "Suite", Bartok's own rendition of his famous "Allegro Barbaro" and the "Petite Suite". The 2-piano arrangement of three of Bartok's "Mikrokosmos" pieces is also a standout and features Bartok's wife Ditta as second pianist.
Indeed, there is plenty of history and lessons heard in these historic performances. For a pianist studying on how Bartok's music ought to be played, "Bartok Plays Bartok" is an ideal CD to have. We get to hear a master composer prove himself to be a master pianist.
Definitely a must have for any Bartok fan.
Rubinstein Collection, Vol. 50
Average customer rating: 4 out of 5 stars
  • piano for the suburbanite
  • This would be the greatest exce[pt....
  • Who Better than to Record the Mazurkas?
  • Arthur Rubinstein: Chopin's 51 Mazurkas
  • The unsurpassable Rubinstein
Rubinstein Collection, Vol. 50

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

MazurkasMazurkas | Ballets & Dances | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Rubinstein Collection, Vol. 48
  2. Arthur Rubinstein - Chopin 19 Nocturnes (Vol. 49)
  3. Rubinstein Collection, Vol. 46
  4. The Rubinstein Collection Vol 47 - Chopin: Waltzes, Impromptus, Bolero
  5. Rubinstein Collection, Vol. 45

ASIN: B00004ZD5E
Release Date: 2001-03-06

Tracks:

  1. Mazurka No.1 in f#, Op.6
  2. Mazurka No.2 in c#, Op.6
  3. Mazurka No.3 in E, Op.6
  4. Mazurka No.4 in e flat, Op.6
  5. Mazurka No.1 in B flat, Op.7
  6. Mazurka No.2 in a, Op.7
  7. Mazurka No.3 in f, Op.7
  8. Mazurka No.4 in A flat, Op.7
  9. Mazurka No.5 in C, Op.7
  10. Mazurka No.1 in B flat, Op.17
  11. Mazurka No.2 in e, Op.17
  12. Mazurka No.3 in A flat, Op.17
  13. Mazurka No.4 in a, Op.17
  14. Mazurka No.1 in g, Op.24
  15. Mazurka No.2 in C, Op.24
  16. Mazurka No.3 in A flat, Op.24
  17. Mazurka No.4 in b flat, Op.24
  18. Mazurka No.1 in c, Op.30
  19. Mazurka No.2 in b, Op.30
  20. Mazurka No.3 in D flat, Op.30
  21. Mazurka No.4 in C#, Op.30
  22. Mazurka No.1 in G#, Op.33
  23. Mazurka No.2 in D, Op.33
  24. Mazurka No.3 in C, Op.33
  25. Mazurka No.4 in b, Op.33

Tracks:

  1. Mazurka No.1 in c#, Op.41
  2. Mazurka No.2 in e, Op.41
  3. Mazurka No.3 in B, Op.41
  4. Mazurka No.4 in A flat, Op.41
  5. Mazurka No.1 in G, Op.50
  6. Mazurka No.2 in A flat, Op.50
  7. Mazurka No.3 in C#, Op.50
  8. Mazurka No.1 in B, Op.56
  9. Mazurka No.2 in C, Op.56
  10. Mazurka No.3 in c, Op.56
  11. Mazurka No.1 in a, Op.59
  12. Mazurka No.2 in A flat, Op.59
  13. Mazurka No.3 in f#, Op.59
  14. Mazurka No.1 in B, Op.63
  15. Mazurka No.2 in f, Op.63
  16. Mazurka No.3 in C#, Op.63
  17. Mazurka No.1 in G, Op.67
  18. Mazurka No.2 in g, Op.67
  19. Mazurka No.3 in C, Op.67
  20. Mazurka No.4 in a, Op.67
  21. Mazurka No.1 in C, Op.68
  22. Mazurka No.2 in a, Op.68
  23. Mazurka No.3 in F, Op.68
  24. Mazurka No.4 in f, Op.68
  25. Mazurka 'A'Emile Gaillard' in a
  26. Mazurka 'Notre Temps' in a

Amazon.com

Chopin wrote mazurkas throughout his all-too-brief life, using this Polish dance as the basis for short pieces that encompass a world of harmonic explorations and varied emotions, from the subtly comic to the intensely sad. Rubinstein plays the 51 in the standard canon, skipping the unpublished youthful ones. Of his three recordings of the set, connoisseurs tend to prefer his first, from 1938-1939 (available on RCA, EMI, and Naxos) for their spontaneity. But these 1965-1966 stereo recordings in refreshingly alive transfers can't fail to please most listeners. They're a bit weightier than the early ones, but the added depth and Rubinstein's characterization of each piece yield big dividends. In the great C sharp minor Mazurka, Op. 50, No. 3, for example, he plays the beautiful opening theme with disarming simplicity that invests it with mournful regret, manages the transitions to bolder statements flawlessly, and turns a charming dance into a dramatic tone poem that says in five minutes what some composers need a full symphony to say. That miracle is repeated often in this set, as Rubinstein appears at first to be underplaying a piece until you realize the sophistication of his carefully modulated dynamics, gentle rubato, and varied tone. His was an outward simplicity that hid complex art. Throughout, he plays with a wonderful, singing tone, rhythmic life, and an aristocratic authority few have matched. --Dan Davis

Customer Reviews:

1 out of 5 stars piano for the suburbanite.......2005-04-23

nothing artistic here.
plays like a student.
pass it up...

5 out of 5 stars This would be the greatest exce[pt...........2002-01-08

This would be the greatest of all Rubinstein Chopin recordings except...there are the Polonaises (Volumte 28!), and the Nocturnes (Volume 46!). Count this one tied for 3rd, with the Ballades, the Waltzes, the.... Hey, wait -- you might as well get them all.

My only problem with this recording is that the repeat button on my CD player isn't working. I listen to one and say, "That's gotta be the best Rubinstein/Chopin Mazurka there could possibly be," but no sooner than I think that, that another one comes on, EVEN BETTER.

Okay, I have my fav. The great B Minor Opus 33 Number 4. This is mid-period Chopin at his finest, and Rubinstein at his finest, and we are privileged to be alive so that we can rehear it.

5 out of 5 stars Who Better than to Record the Mazurkas?.......2001-12-01

Chopin. Rubinstein. Mazurkas. Perfection. The impeccable Rubinstein rubato shines most when he plays the works which invite overindulgence, like the dance forms, or the easily sentimentalized nocturnes. Especially in these mazurkas where his rhythmic restraint is admirable. These recordings are quirky yet authoritative enough to make me wonder whether only a fellow Pole can play Chopin with such multifariousness (16 letters!) of movement within the staff. I've heard other recordings of the mazurkas, mainly Ashkenazy (boring... where's the life?) and individual performance pieces in compiliations, but none sparkle like the way Rubinstein makes them sparkle. Sublime.

5 out of 5 stars Arthur Rubinstein: Chopin's 51 Mazurkas.......2001-04-07

Fabulous! Polish music at its best!

5 out of 5 stars The unsurpassable Rubinstein.......2001-03-29

While his recordings of other composers is somewhat uneven, Rubinstein is the absolute master of Chopin. Noone else captures the beauty, nuance, depth, poetry, and feel of his music in quite the same way, and the Mazurkas (which by the way sound wonderful in their new remastering) are no exception. Even the very familiar ones sound fresh in Rubinstein's hands, and whether you listen to these a few at a time (as I usually do) or straight through, I highly recommend this recording as well as the other reissues in this series.

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