| 1. Crustomer (Moving to Miami) |
| 2. Face in the Gutter |
| 3. Back Door Blues |
| 4. Skelechairs Remix |
| 5. Ginoism |
| 6. Hairbiz |
| 7. Sing Along Morning Song |
| 8. Infatuated Testicles |
| 9. Anyone Who Names a Track "Anyone Who Names a Track 'So and So Can Kiss |
| 10. Zanzi |
| 11. Tardcore |
| 12. War Pigs |
Method/Freaked Out Mess,Doormouse,Violent Turd,Pop,Punk,Rock
Average customer rating: 
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Method/Freaked Out Mess
Doormouse Manufacturer: Violent Turd ProductGroup: Music Binding: Audio CD  General
| Alternative Rock
| Styles
| Music
Punk
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Dance & DJ
| Styles
| Music
General
| Rock
| Styles
| Music
Similar Items:
ASIN: B0000BV1EL Release Date: 2003-09-16 |
Tracks:
- Crustomer (Moving to Miami)
- Face in the Gutter
- Back Door Blues
- Skelechairs Remix
- Ginoism
- Hairbiz
- Sing Along Morning Song
- Infatuated Testicles
- Anyone Who Names a Track "Anyone Who Names a Track 'So and So Can Kiss
- Zanzi
- Tardcore
- War Pigs
Customer Reviews:
Dan Doormouse must have ADD.......2004-08-03
VALU-PAK!! VALU-PAK!! VALU-PAK!!.......2004-02-03
A 2 CD set. I know the price is low, but it's for two separate CDs, and there's no trick or gimmick. The first CD (The Method: Volume One, The Streets of Miami) involves, and I quote, "fifty five minutes of over forty songs." I honestly didn't expect anything less from Doormouse, and he certainly doesn't disappoint. He also doesn't miss a single musical genre. This mix bounces from Count Basie to The Monkees to Venetian Snares to Squarepusher to Panacea to Wagon Christ to the Apocalypse Now soundtrack to Disney horror sounds to Senor Coconut to Louis Armstrong and that's not even including the 30 other artists plus his own crazy beats. Yup, exactly what I said. It's complete craziness, and yet you'll be glued to your speakers periodically shouting, "I've heard that!" A mix that's more of an experience than a continuous pot luck of songs. You'll love it like you love an enema in your ear. DM and I have agreed to call it an earnema. Love it. Love it hard.
On to the second CD: mind you, this is coming from a guy who fell in love with Doormouse during the first track of his Broken album back in August of 2002. It was a rainy night, his socks were wet, and I needed a good whipping anyways, and yet I digress. The second CD (Freaked Out Mess) is a complimentary copy of the full length album that was released by the Addict record label in August 2003. The first track (Crustomer - moving to Miami) threw me for a loop. I did a quadruple take at the CD player. It's so calm. It's so crisp `n clear. A good song, don't get me wrong, but I thought maybe Doormouse has matured to a funk master. The trumpet samples are so fun and light hearted, and the absence of his hardcore beat made me think I accidentally put my Freddy Fresh album in. The second track brought me back to reality nice and quick. Good old DM didn't lose his insane beats after all. Track 2 (Face in the Gutter) is basically Doormouse 101, tardiness is mandatory. But the first and second track have something in common (other than being produced by the same person, smart***), the crisp nature of the sound. The Broken album seems so muffled compared to this one. The beats are clean and refined (new equipment, DM?) and subsequently the samples seem cleaner too. I grew up on Propellerheads, so I tend to like old sounding talking samples (not necessarily having British accents). These clean sounding samples seem to have all been recorded by DM himself. I quickly get over it since the beats are so riveting and he interlaces new melodies that make the music much more enjoyable, and not so avant garde. There's a cut up Skelechairs remix (track 4) and a funky Zanzi (track 10) all adding variety to this well-made album, 12 tracks total.
The layers of the music have more depth, and the sounds vary a lot more within a single song as well as among separate tracks. DM has matured in more ways than one, and that makes me just want to eat him out. Enjoy it all if you can handle it, sucka!
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