Version 1.0

1. Version 1.0

2. Supastarz

3. Changes

4. Fresh

5. Interlude - DJ Tracy Young

6. Dreamin'

7. Cheatah Cheatah

8. She Drives Me Crazy

9. Rockin' Till It Feels Right

10. Danger Zonne

11. I Will Survive

12. Rockin' Till It Feels Right the Video

Version 1.0,Triple Deep,Phurst Degree,Dance Music,Hip-Hop,Pop,Popular Music,Rock/Pop

Average customer rating: Dope Classic Material DJ Spinbad Came Off On This One...... pure underground goodness this is def. the stuff for my earzs The 'Bomb'

Underground Airplay Version 1.0 Various Artists Manufacturer: Lyricist Lounge ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Turntablists | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music East Coast | Rap & Hip-Hop | Styles | Music Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music West Coast | Rap & Hip-Hop | Styles | Music General | Compilations | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music Similar Items: Lyricist Lounge, Vol. 1 Lyricist Lounge 2 Soundbombing 2 Soundbombing War Zone ASIN: B00005PJCG Release Date: 2001-11-02

Tracks:

1. Intro - DJ Spinbad
2. Heat Of The Moment - Killah Priest
3. Lounge Promo - HOM
4. Nuthin' You Can Do (W.Y.B.) - Skeme Team
5. Return - Self Scientific
6. 54th Regiment - Maspyke
7. Bisexual - Jane Doe
8. Same O.G. - Casual
9. Boom Bip - Zion I
10. Ol' Time Killin' - Kardinal Offishall
11. Jam On It - Mos Def
12. Just You Wait - Boogieman
13. Acknowledge - Masta Ace
14. Let Me Be - Punch & Words
15. It's Time - Hemisphere
16. Clear The Lane - Phil The Agony
17. We Will - Lord Have Mercy
18. Yo! - Obie Trice
19. Truly Unique - Asheru & Blue Black
20. Holiday - Tahir
21. Perfectionists - Invincible
22. Special Forces - Bahamadia
23. Curse On You - Quasimoto
24. The X (Ya'll Know The Name) (D-Prosper Remix) - The X-ecutioners
25. Current Events - Mystic
26. I Love It - Young Zee
27. Blazin' (Stay Building Eternal) - Rise & Shine
28. Smokey - The Bad Seed
29. Roll Out - D-Stroy
30. Good Luck Bad Luck - Richie Balance & Rack-Lo
31. Center Of Attention - San Quinn

Customer Reviews:

Dope Classic Material.......2007-06-04

This cd is a must have for those who know what true Hip-Hop is , This collabo with Echo's UnderGround Airplay & Lyricist Lounge is what true Hip-Hop is about if you dout this cd you dout what true Hip-Hop is so grab a copy and keep it real ! ! !

DJ Spinbad Came Off On This One.............2005-04-19

All folks need to purchase this CD. DJ Spinbad did a very good job. Hottest songs are: Skeme Team--Nuthin' You Can Do, Self Scientific--Return, Zion I--Boom Bip (with that hott backward track), Masta Ace--Acknowledge, LHM--We Will (member of Flipmode Squad) Tahir--Holiday (If you listen to the song, Truly Unique, one them sounds alot like Masta Ace.). Peace.

pure underground goodness.......2002-10-09

Mixtapes tend to be a hit and miss thing/ You have some songs you don't like, but it's usually just snippets, so it's cool. Then you have songs you love, but the snippet factor makes it less appealing. The album starts rightfully with a DJ Spinbad intro, he is a good, underrated DJ. Then it goes into a Killa Priest song, I tend to usually not like him, but out of the WU people he is easily the best. This song is nice, the beat thumps and the lyrics are saying something. Next it goes into this cat HOM, who drops a 16 bar Lyricist Lounge Promo. All I can say is this kid is rediculiously sick on the mic. The track is butter without him, he kills it. I hadn't heard of HOM before this, but I will be checking for him indeed. Scheme Team blesses next, the track is above avarage, and Gean Gray sounds lovely as always. There are simply too many songs on here to break them all down. But it has a lot of definite stand outs, there are some snoozers, but what can you expect? "Rise & Shine" have one of the most buttery songs I've ever heard, too bad it's only a small portion. Mystic's track is incredible, it should have been on her album. Something I found interesting about this release,
it doesn't have too many of the super abstract emcees usually thought of when you think "underground" it's a nice collection of skilled cats. Some you probably never heard of, with 30 tracks you'll find something here you love, probably most of it (I know I did) Marc Ecko is known for having one of the freshest clothing lines ever, and since day one of Ecko Unlimited he has combined urban music to complement his urban cloths. A perfect blend. I can't wait for Underground Airplay version 2.0

this is def. the stuff for my earzs.......2002-06-16

first of all this is fulla too many hot tracks that i am just lovin. rise & shine is on there also with probably my favorite cut that ive heard in years. thats hella hard to find around in the nw... i suggest you buy this cd

The 'Bomb'.......2002-05-23

I live in England and found this c.d in a small record shop.This is without doubt the best Hip-Hop Album I have ever listened to,every tune is spot on, my favourites are the tracks by Mystic,Hieroglyphics and Moss-Def but they all rock...Big time. Every single tune is a party song so without question this is a must have for any Hip-Hop fan.

Average customer rating: Subpar - Bland and often boring Fantastic addition to anyone's collection Welcom to the R2K virus..... DJ Revolution Forever. By Far a Great Album....

R2K Version 1.0 DJ Revolution Manufacturer: Ill Boogie (Car469) ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Turntablists | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: In 12's We Trust Wake Up Show: Mix Archives, Vol. 3-4 Wake Up Show: Mix Archives, Vol. 5 & 6 ASIN: B000028TVH Release Date: 1999-09-28

Tracks:

1. Intro: - DJ Revolution
2. A Part Of My Life: - Bumpy Knuckles
3. Long Awaited - Lootpack/Dilated Peoples
4. Forever - DJ Revolution/Rasheed/Chief Kamachi
5. All Of The These Beats (Kut Masta Kurt Remix) - Planet Asia/427
6. Neva Come Close - DJ Revolution
7. Worst Enemy - Buc Fifty
8. The Heist - Big L
9. Reign - Dr. Oop Capone
10. Some Otherish - Other-Wize
11. Sophisticated Mic Pros - Rasco
12. Housing Authority - Dr. Dooom
13. Love Allah - Self Scientific
14. Scary Movies - Bad Meets Evil/Royce The 5-9/Eminem
15. Get Ya Ass Kicked - DJ Revolution
16. Shroom Vision - Insane Poetry
17. State Of The Art - 7L & Esoteric

Customer Reviews:

Subpar - Bland and often boring.......2002-05-24

I love DJ Revolution. I have ever since I heard him on Sway and Tech's "This or That". Rev's "In 12's We Trust" is one of my all time favorite CDs, yet this work really left me feeling empty. The majority of these songs aren't very good. There's a few shining moments, basically just a few good one liners here and there that made me rewind. Chief Kamachi, Planet Asia, Esoteric & 7L are their usual good selves. Besides the first cut by Bumpy Knucks (Freddie Foxxx for those that don't know) and the song by Big L -- both of which I had heard already on other CDs, no real big name artists had anything to say. Dilated Peoples really disappointed me, as did Kool Keith (Dr. Dooom), Royce and Em, Rasco and Self Scientific.
I expected more from these artists and DJ Revolution than this bland hardcore compilation. The whole CD is rather boring with only a few good bars and even fewer (2) good actual songs. A good example of this, is some cat I had never heard of, Insane Poetry, who dropped the best example of being really tripped up on the hook to his "Shroom Vision", "I can see three of you\ But you can't see me". I'm going to have to check this dude out, he has potential, unlike some of these other artists featured here that sound like carbon copies of the same old stuff.
As I said this CD is average and only worth your money if you have a lot of it.

Fantastic addition to anyone's collection.......2000-09-15

I was looking around my cd store, found this gem, thought the cover art was cool, and so bought it. On the way back from the store, I remember thinking, "I shouldn't have bought that just for a cool cover...what a waste of money..." Then I got home and gave it a spin on my stereo, just to see what it was like. Since that moment it's been my absolute favorite rap album. The most perfect mix of hip-hop I've ever heard...goes from hardcore and gangsta to just good. If there's a type of rap you like, I guarantee it's on this cd. Get it.

Welcom to the R2K virus............2000-04-17

This cd was sort of an accident for me. I picked it up, thinking it was a techno cd (no offense to DJ revolution), and was a tad surprised at the content. I am however, a fan on hip hop, and this was the first mix I had ever heard. The more I listened to it, the more I liked it, and now it hardly leaves my cd player. DJ Revolution does an amazing job behind the tables, creating is own mix with various sample, both off of vinyl and electronic, and he smoothly mixes each song with effortless ease. This mix has an excelent feel to it, and it displays a bit of the underground style of hip hop. Some of my favorit tracks are track 2 (Part of my Life: Bumpy Knuckles), track 9 (Reign: Dr.oop Capone), and track 14 (Scary Movies: Bad meets evil (Eminem and Royce the 5-9). If you're looking for a good mix, and in the mood for some interesting style, hook this one up. Gauranteed to please.

DJ Revolution Forever........2000-03-25

Got to add this CD into your colletion. A classic underground album. Worth getting for real hip hop fans. Go cop this one.

By Far a Great Album...........2000-02-16

DJ Revolution cuts it up in this constant attack of high octane lyrics from great hip hop artists and magnificent beats off da vinyl. DJ Revolution (also with Wake Up Show) is by far one great dj...one ot be ranked with the best such as Q-Bert, A-Trak, and Kut Masta Kurt.

Average customer rating: Bach is priceless Buy the works you like.... Poor Bach A Treasure Trove 147 out of 153 ain't bad!

Bach 2000: The Complete Bach Edition (Includes Commemorative Book) (Box Set) Nikolaus Harnoncourt , Robin Gritton , Giovanni Antonini , Gustav Leonhardt , Ton Koopman , Alice Harnoncourt , and Zehetmair, Thomas Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Allemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Heinichen | Heinichen, Johann David | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Canons | Forms & Genres | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Canzones | Sonatas | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music Passacaglias | Variations | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music ASIN: B00001IV8B Release Date: 1999-09-14

Tracks:

1. Wie schon leuchtet der Morgenstern
2. Du Wahrer Gottes und Marien Sohn
3. Erfuellet, ihr himmlischen goettlichen Flammen
4. Ein irdscher Glanz, wein leiblich Licht
5. Unser Mund und Ton der Saiten
6. Wie Schon Leuchtet Der Morgenstern, BWV 1: Chor: 'Wie Bin Ich Doch So Herzlich Froh' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
7. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Ach Gott, Vom Himmel Sieh Darein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
8. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Sie Lehren Eitel Falsche List' - Kurt Equiluz
9. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Tilg, O Gott, Die Lehren' - Paul Esswood
10. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Recitativo: 'Die Armen Sind Verstort' - Max Van Egmond
11. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Aria: 'Durchs Feuer Wird Das Silber Rein' - Kurt Equiluz
12. Ach Gott, Vom Himmel Sieh Darein, BWV 2: Chor: 'Das Wollst Du, Gott, Bewahren Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
13. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Ach Gott, Wie Manches Herzeleid' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
14. Ach Gott, Wie Manches Herzeleid, BWV 3: Choral Recitativo: 'Wie Schwerlich Lasst Sich Fleisch Und... - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood/Kurt Equiluz/Max Van Egmond...
15. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Empfind Ich Hollenangst Und Pein' - Max Van Egmond
16. Ach Gott, Wie Manches Herzeleid, BWV 3: Recitativo: 'Es Mag Mir Leib Und Geist Verschmachten' - Kurt Equiluz
17. Ach Gott, Wie Manches Herzeleid, BWV 3: Aria: 'Wenn Sorgen Auf Mich Dringen' - Wiener Sangerknaben/Hans Gillesberger/Paul Esswood
18. Ach Gott, Wie Manches Herzeleid, BWV 3: Chor: 'Erhalt Mein Herz Im Glauben Rein' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger

Tracks:

1. Ich elender Mensch, wer wird mich erloesen
2. O Schmerz, o Elend, so mich trifft
3. Solls ja so sein
4. Ach lege das Sodom der suendlichen Glieder
5. Hier aber tut des Heilands Hand
6. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Aria: 'Vergibt Mir Jesus Meine Sunden' - Kurt Equiluz
7. Ich Elender Mensch, Wer Wird Mich Erlosen, BWV 48: Chor: 'Herr Jesu Christ, Einiger Trost' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
8. Ich Geh Und Suche Mit Verlangen, BWV 49: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
9. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Geh Und Suche Mit Verlangen' - Ruud Van Der Meer
10. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo Ed Arioso: 'Mein Mahl Ist Zubereit'' - Ruud Van Der Meer/Peter Jelosits
11. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria: 'Ich Bin Herrlich, Ich Bin Schon' - Peter Jelosits
12. Ich Geh Und Suche Mit Verlangen, BWV 49: Recitativo: 'Mein Glaube Hat Mich Selbst So Angezogen' - Peter Jelosits/Ruud Van Der Meer
13. Ich Geh Und Suche Mit Verlangen, BWV 49: Aria (Duetto): 'Dich Hab Ich Je Und Je Geliebet' - Peter Jelosits/Ruud Van Der Meer
14. Nun Ist Das Heil Und Die Kraft, BWV 50: Chor: 'Nun Ist Das Heil Und Die Kraft' - Wiener Sangerknaben/Chor Viennensis/Hans Gillesberger
15. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Jauchzet Gott In Allen Landen!' - Marianne Kweksilber
16. Jauchzet Gott In Allen Landen, BWV 51: Recitativo: 'Wir Beten Zu Dem Tempel An' - Marianne Kweksilber
17. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Hochster, Mache Deine Gute' - Marianne Kweksilber
18. Jauchzet Gott In Allen Landen, BWV 51: Chor: 'Sei Lob Und Preis Mit Ehren' - Marianne Kweksilber
19. Jauchzet Gott In Allen Landen, BWV 51: Aria: 'Alleluja!' - Marianne Kweksilber

Tracks:

1. (Caro) Was Gott tut, das ist wohlgetan
2. (Alto, Tenore) Was Gott tut, das ist wohlgetan
3. (Soprano) Was Gott tut, das ist wohlgetan
4. (Basso) Was Gott tut, das ist wohlgetan
5. (Alto) Was Gott tut, das ist wohlgetan
6. Was Gott Tut, Das Ist Wohlgetan, BWV 100: Chor: 'Was Gott Tut, Das Ist Wohlgetan' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
7. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Nimm Von Uns, Herr, Du Treuer Gott' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
8. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Handle Nicht Nach Deinen Rechten' - Kurt Equiluz
9. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Ach! Herr Gott, Durch Die Treue Dein' - Wilhelm Wiedl
10. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria: 'Warum Willst Du So Zornig Sein?' - Philippe Huttenlocher
11. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Recitativo-Chor: 'Die Sund Hat Uns Verderbet Sehr' - Kurt Equiluz
12. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Aria (Duetto): 'Gedenk An Jesu Bittern Tod!' - Wilhelm Wiedl/Paul Esswood
13. Nimm Von Uns, Herr, Du Treuer Gott, BWV 101: Chor: 'Leit Uns Mit Deiner Rechten Hand' - Tolzer Knabenchor/Gerhard Schmidt-Gaden
14. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Chor: 'Herr, Deine Augen Sehen... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
15. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Recitativo: 'Wo Ist Das Ebenbild' - Philippe Huttenlocher
16. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Aria: 'Weh Der Seele' - Paul Esswood
17. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Prima Parte: Arioso: 'Verachtest Du Den... - Philippe Huttenlocher
18. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Aria: 'Erschrecke Doch, Du... - Kurt Equiluz
19. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Recitativo: 'Beim Warten Ist... - Paul Esswood
20. Herr, Deine Augen Sehen Nach Dem Glauben, BWV 102, Seconda Parte: Chor: Heut Lebst Du, Heut... - Tolzer Knabenchor/Gerhard Schmidt-Gaden

Tracks:

1. Sinfonia
2. Nach dir, Herr, verlanget mich
3. Doch bin und bleibe ich vergnuegt
4. Leite mich in deiner Wahrheit
5. Zedern muessen von den Winden
6. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Augen Sehen Stets Zu Dem Herrn' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
7. Nach Dir, Herr, Verlanget Mich, BWV 150: Chor: 'Meine Tage In Dem Leide' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
8. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'Susser Trost, Mein Jesus Kommt' - Sebastian Hennig
9. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Erfreue Dich, Mein Herz' - Max Van Egmond
10. Susser Trost, Mein Jesus Kommt, BWV 151: Aria: 'In Jesu Demut Kann Ich Trost' - Paul Esswood
11. Susser Trost, Mein Jesus Kommt, BWV 151: Recitativo: 'Du Teurer Gottessohn' - Kurt Equiluz
12. Susser Trost, Mein Jesus Kommt, BWV 151: Chor: 'Heut Schleusst Er Wieder Auf Die Tur' - Knabenchor Hannover/Heinz Hennig/Collegium Vocale, Gent/Philippe Herreweghe
13. Tritt Auf Die Glaubensbahn, BWV 152: Con - Concentus Musicus Wien/Nikolaus Harnoncourt
14. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Tritt Auf Die Glaubensbahn' - Thomas Hampson
15. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Der Heiland Ist Gesetzt' - Thomas Hampson
16. Tritt Auf Die Glaubensbahn, BWV 152: Aria: 'Stein, Der Uber Alle Schatze' - Christoph Wegmann
17. Tritt Auf Die Glaubensbahn, BWV 152: Recitativo: 'Es Argre Sich Die Kluge Welt' - Thomas Hampson
18. Tritt Auf Die Glaubensbahn, BWV 152: Duetto: 'Wie Soll Ich Dich, Liebster Der Seelen, Umfassen?' - Christoph Wegmann/Thomas Hampson
19. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Schau, Lieber Gott, Wie Meine Feind' - Tolzer Knabenchor//Gerhard Schmidt-Gaden
20. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Mein Liebster Gott' - Stefan Rampf
21. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Furchte Dich Nicht, Ich Bin Mit Dir' - Thomas Hampson
22. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Du Sprichst Zwar, Lieber Gott' - Kurt Equiluz
23. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Und Ob Gleich Alle Teufel - Tolzer Knabenchor//Gerhard Schmidt-Gaden
24. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Sturmt Nur, Sturmt, Ihr Trubsalswetter' - Kurt Equiluz
25. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Recitativo: 'Getrost! Mein Herz, Erdulde Deinen... - Thomas Hampson
26. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Aria: 'Soll Ich Meinen Lebeslauf' - Stefan Rampf
27. Schau, Lieber Gott, Wie Meine Feind, BWV 153: Chor: 'Drum Will Ich, Weil Ich Lebe Noch' - Tolzer Knabenchor//Gerhard Schmidt-Gaden

Tracks:

1. Die Zeit, die Tag und Jahre macht
2. Auf, Sterbliche, lasset ein Jauchzen ertoenen
3. So bald, als dir die Sternen hold
4. Es streiten, es siegen die kuenftigen Zeiten
5. Bedenke nur, begluecktes Land
6. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Aria: 'Der Zeiten Herr Hat Viel Vergnugte Stunden' - Michael Chance
7. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Recitativo: 'Hilf, Hochster, Hilf' - Michael Chance/Paul Agnew
8. Die Zeit, Die Tag Und Jahre Macht, BWV 134A: Chor: 'Ergetzet Auf Erden' - The Amsterdam Baroque Chor/Ton Koopman
9. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtster Leopold' - Lisa Larsson
10. Durchlauchtster Leopold, BWV 173A: Aria: 'Guldner Sonnen Frohe Stunden' - Lisa Larsson
11. Durchlauchtster Leopold, BWV 173A: Aria: 'Leopolds Vortrefflichkeiten' - Klaus Mertens
12. Durchlauchtster Leopold, BWV 173A: Aria: 'Unter Seinem Purpursaum' - Lisa Larsson/Klaus Mertens
13. Durchlauchtster Leopold, BWV 173A: Recitativo: 'Durchlauchtigster, Den Anhalt Vater Nennt' - Lisa Larsson/Klaus Mertens
14. Durchlauchtster Leopold, BWV 173A: Aria: 'So Schau Des Holden Tages Licht' - Lisa Larsson
15. Durchlauchtster Leopold, BWV 173A: Aria: 'Dein Name Gleich Der Sonnen Geh' - Klaus Mertens
16. Durchlauchtster Leopold, BWV 173A: Chor: 'Nimm Auch, Grosser Furst, Uns Auf' - Lisa Larsson/Klaus Mertens

Tracks:

1. Kyrie eleison
2. Christe eleison
3. Kyrie eleison
4. Gloria in excelsis Deo
5. Laudamus te
6. Mass in b, BWV 232: I. Missa: Gloria: Gratias Agimus Tibi - Arnold Schoenberg Chor/Erwin Ortner
7. Mass in b, BWV 232: I. Missa: Gloria: Domine Deus - Angela Maria Blasi/Kurt Equiluz
8. Mass in b, BWV 232: I. Missa: Gloria: Qui Tollis - Arnold Schoenberg Chor/Erwin Ortner
9. Mass in b, BWV 232: I. Missa: Gloria: Qui Sedes - Jadwiga Rappe
10. Mass in b, BWV 232: I. Missa: Gloria: Quoniam To Solus - Arnold Schoenberg Chor/Erwin Ortner
11. Mass in b, BWV 232: I. Missa: Gloria: Cum Sancto Spiritu - Arnold Schoenberg Chor/Erwin Ortner

Tracks:

1. Singet dem Herrn ein neres Lied
2. Der Geist hilft unser Schwachheit auf
3. Komm, Jesu, komm
4. Jesu, meine Freude
5. Fuerchte dich nicht, ich bin bei dir
6. Lobet Den Herrn, Alle Heiden, BWV 230 - Stockholm Bach Chor/Anders Ohrwall

Tracks:

1. Fantasia et Fuga in g BWV 542
2. Fuga in g BWV 578
3. Canzona in d BWV 588
4. Praeludium et Fuga in h BWV 544
5. Praeludium et Fuga in a BWV 543
6. Fant in c, BWV 562 - Ton Koopman
7. Prld Et Fuga in C, BWV 531 - Ton Koopman
8. Fant in G, BWV 572 - Ton Koopman
9. Fant in C, BWV 570 - Ton Koopman
10. Passacaglia in c, BWV 582 - Ton Koopman

Tracks:

1. Inventio 1 BWV 772
2. Inventio 2 BWV 773
3. Inventio 3 BWV 774
4. Inventio 4 BWV 775
5. Inventio 5 BWV 776
6. Inventio 6 in E, BWV 777 - Zuzana Ruzickova
7. Inventio 7 in e, BWV 778 - Zuzana Ruzickova
8. Inventio 8 in F, BWV 779 - Zuzana Ruzickova
9. Inventio 9 in f, BWV 780 - Zuzana Ruzickova
10. Inventio 10 in G, BWV 781 - Zuzana Ruzickova
11. Inventio 11 in g, BWV 782 - Zuzana Ruzickova
12. Inventio 12 in A, BWV 783 - Zuzana Ruzickova
13. Inventio 13 in a, BWV 784 - Zuzana Ruzickova
14. Inventio 14 in B flat, BWV 785 - Zuzana Ruzickova
15. Inventio 15 in b, BWV 786 - Zuzana Ruzickova
16. Sinf 1 in C, BWV 787 - Zuzana Ruzickova
17. Sinf 2 in c, BWV 788 - Zuzana Ruzickova
18. Sinf 3 in D, BWV 789 - Zuzana Ruzickova
19. Sinf 4 in d, BWV 790 - Zuzana Ruzickova
20. Sinf 5 in E flat, BWV 791 - Zuzana Ruzickova
21. Sinf 6 in E, BWV 792 - Zuzana Ruzickova
22. Sinf 7 in e, BWV 793 - Zuzana Ruzickova
23. Sinf 8 in F, BWV 794 - Zuzana Ruzickova
24. Sinf 9 in f, BWV 795 - Zuzana Ruzickova
25. Sinf 10 in G, BWV 796 - Zuzana Ruzickova
26. Sinf 11 in g, BWV 797 - Zuzana Ruzickova
27. Sinf 12 in A, BWV 798 - Zuzana Ruzickova
28. Sinf 13 in a, BWV 799 - Zuzana Ruzickova
29. Sinf 14 in B flat, BWV 800 - Zuzana Ruzickova
30. Sinf 15 in b, BWV 801 - Zuzana Ruzickova

Tracks:

1. Prelude and Fugue in A minor: Praeludium
2. Prelude and Fugue in A minor: Fuga
3. Prelude and Fughetta in E minor: Praeludium
4. Prelude and Fughetta in E minor: Fuga
5. Prelude in G major BWV 902a
6. Fant And Fugue in a, BWV 904: Fant - Zuzana Ruzickova
7. Fant And Fugue in a, BWV 904: Fuga - Zuzana Ruzickova
8. Clavier-Buchlein Vor W.F. Bach: Prld in C, BWV 924 - Zuzana Ruzickova
9. Clavier-Buchlein Vor W.F. Bach: Prld in D, BWV 925 - Zuzana Ruzickova
10. Clavier-Buchlein Vor W.F. Bach: Prld in d, BWV 926 - Zuzana Ruzickova
11. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 927 - Zuzana Ruzickova
12. Clavier-Buchlein Vor W.F. Bach: Prld in F, BWV 928 - Zuzana Ruzickova
13. Clavier-Buchlein Vor W.F. Bach: Prld in g, BWV 930 - Zuzana Ruzickova
14. Clavier-Buchlein Vor W.F. Bach: Prld in a, BWV 931 - Zuzana Ruzickova
15. Prld in E, BWV 937 - Zuzana Ruzickova
16. Prld in C, BWV 939 - Zuzana Ruzickova
17. Prld in d, BWV 940 - Zuzana Ruzickova
18. Applicatio in C, BWV 994 - Zuzana Ruzickova

Tracks:

1. Suite in G minor BWV 995: Prelude
2. Suite in G minor BWV 995: Allemande
3. Suite in G minor BWV 995: Courante
4. Suite in G minor BWV 995: Sarabande
5. Suite in G minor BWV 995: Gavotte I - Gavotte II en Rondeau
6. Ste in g, BWV 995: Gigue - Luca Pianca
7. Ste in e, BWV 996: Prld (Passagio-Presto) - Michele Barchi
8. Ste in e, BWV 996: Allemande - Michele Barchi
9. Ste in e, BWV 996: Courante - Michele Barchi
10. Ste in e, BWV 996: Sarabande - Michele Barchi
11. Ste in e, BWV 996: Bourree - Michele Barchi
12. Ste in e, BWV 996: Gigue - Michele Barchi
13. Ste in c, BWV 997: Prld - Michele Barchi/Luca Pianca
14. Ste in c, BWV 997: Fuga - Michele Barchi/Luca Pianca
15. Ste in c, BWV 997: Sarabande - Michele Barchi/Luca Pianca
16. Ste in c, BWV 997: Gigue-Double - Michele Barchi/Luca Pianca

Tracks:

1. Concerto for two violins BWV 1043: Vivace
2. Concerto for two violins BWV 1043: Largo, ma non tanto
3. Concerto for two violins BWV 1043: Allegro
4. Concerto BWV 1042: Allegro
5. Concerto BWV 1042: Adagio
6. Con in E, BWV 1042: Allegro Assai - Alice Harnoncourt
7. Con in a, BWV 1041: Allegro - Alice Harnoncourt
8. Con in a, BWV 1041: Andante - Alice Harnoncourt
9. Con in a, BWV 1041: Allegro Assai - Alice Harnoncourt
10. Con in g, BWV 1056R: (Allegro) - Alice Harnoncourt
11. Con in g, BWV 1056R: Largo - Alice Harnoncourt
12. Con in g, BWV 1056R: Presto - Alice Harnoncourt
13. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt
14. Con in g, BWV 1060R: Adagio - Jurg Schaeftlein/Alice Harnoncourt
15. Con in g, BWV 1060R: Allegro - Jurg Schaeftlein/Alice Harnoncourt

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May

Album Description

Volume 1, 15 Discs
Sacred Cantatas Nos. 1-14, 16-47; 15 CDs; Harnoncourt/Leonhardt

Volume 2, 15 Discs
Sacred Cantatas Nos. 48-52, 54-69, 69A, 70-99; 15 CDs; Harnoncourt/Leonhardt

Volume 3, 15 Discs
Sacred Cantatas Nos. 100-117, 119-140,143-149; 15 CDs; Harnoncourt/Leonhardt

Volume 4, 15 Discs
Sacred Cantatas BWV 150-159, 161-188, 192, 194-199; 15 CDs; Harnoncourt/Leonhardt

Volume 5, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 6, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 7
, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 8, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 9, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 10, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 11, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 12, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Customer Reviews:

Bach is priceless.......2006-11-10

I believe, as another reviewer has stated, Bach's music may be the best ever written. Also, I think the cantatas are not where Bach placed his heart and soul. He was, after all, employed as a canter and in a position he did not wish for, but was forced to take to feed his large family. (I recommend "Bach and the High Baroque" lecture series by TTC.) What really stands out on this collection are all works in volumes 8 and above. Some of these works are hard to find and having them all in this collection and preformed on original instruments is great. Bach is priceless and so then is this collection.

Buy the works you like...........2006-01-11

If you love Bach, which you must if you are looking at this particular item, you probably own a couple of his works already. Perhaps some of them are on the Teldec label. There is nothing wrong with Teldec if you are just getting into "classical" music. You will probably enjoy the music thoroughly. I know I did, as one of the first "classical" releases I bought was on Teldec, and it was Bach. I was amazed how great Bach was. Then my brother showed me the same recording, performed by another group, on another label. It had a lot more passion, and the instrumentalists were obviously of a higher level. Pardon my rambling, but what I'm trying to say is, the recordings found in this boxset are not the "cream of the crop." They are perfectly acceptable, easily listenable renditions of what many consider the greatest music...EVER. Take it from me, someone who has leapt into boxset land one too many times: Save your money, buy the individual albums. Take your time, talk to record store clerks (read Amazon reviews), do your research. If you are lucky enough to have a decent record store around, listen to multiple versions of the same work. No one said you had to buy it all at once. It can take a lifetime to fully realize the potency of this music, so enjoy the discovery as long as possible.

Poor Bach.......2005-11-26

In Antony & Cleopatra, Shakespeare wrote: "I shall see some squeaking Cleopatra boy my greatness...."

I am 99% in favor of original instrument performances, but there are limits. Just imagine if we had the same sort of thing going on with Shakespeare's plays -- men and boys playing all of the women's parts. And if we *really* wanted to be original, they would be squeaking boys "I' th' posture of a whore" (Shakespeare's words). Such performances would knock Monty Python
right out of business.

The Cantatas, which are the lion's share of this collection, are sung by boys, boys, boys. If you want to ruin boy choirs for yourself, then go for it. It might still be a novelty by the fifth CD but by the fiftieth, you will want to throw your &*%$ wig at the squeaking speakers, just as the exasperated Bach famously did with his own wig and his own boy choir. (For which he was reprimanded.)

Does Harnoncourt really, honestly think that Bach would have picked a boy choir if he could have had women? Does anyone seriously believe that Shakespeare would have preferred his parts played by boys instead of women?

If you buy this set, don't buy it for the Cantatas, unless (unlike Bach) you can tolerate immature voices with "wig-tossingly" inconsistent intonation. Hold out for Suzuki or Koopman. Stay away from the Rifkin perfomances, mostly because the recording quality is second and third rate by today's standards. Not that historical performances should be shunned, but you might want to think twice about 60 odd CDs worth of second rate sound.

A Treasure Trove.......2004-03-07

This set is the culmination of several decades of work on the part of the West German record label Teldec (formerly known as Telefunken-Decca). With their early-music subdivision Das Alte Werk (similar to DG's Archiv or Decca's L'Oiseau-Lyre), Teldec have been in the forefront of exploring the world of period instruments and authentic performance practice, with special emphasis on the works of J.S.Bach. The lion's share of recordings here was originally made for Das Alte Werk, with the odd exception here and there licensed from other labels in order to fill in the gaps. The centerpiece of the set is the famous recording of the 199 church cantatas by Nikolaus Harnoncourt and Gustav Leonhardt. If you're not familiar with the cantatas, there's a whole world of drama, color and expression right here waiting for you. You'll also be surprised to learn how many of the "tunes" you know from popular arrangements, like "Jesu, Joy of Man's Desiring" and "Sleepers Awake" are actually movements from cantatas. The names of Harnoncourt and Leonhardt pop up again and again; they were both mainstays of the Teldec roster. Leonhardt gives us his 1965 Goldberg Variations on a Dulcken harpsichord whose every tone is like a bell, and Harnoncourt's "home" recording of the Cello Suites (never intended for general release) shows the ferment of a great musical mind. Ton Koopman gives us his provocative and controversial re-thinkings of the organ works, and Thomas Zehetmair's performances of the unaccompanied violin sonatas and partitas are like dramatic scenes spoken by a solo violin. Here are the uniquely bizarre Brandenburg Concertos by Il Giardino Armonico; the rhetorical and transparent performance of the motets conducted by Harnoncourt (perhaps his best-ever recording); Leonhardt's relaxed and smiling versions of the harpsichord concertos; Alice Harnoncourt's tawny, leonine performances of the sonatas for violin and harpsichord; Harnoncourt's chiaroscuro-filled performance of the Christmas Oratorio, and so on. This set is one of the most worthwhile CD buys you could make. You will never be bored with this to dip into over the years.

147 out of 153 ain't bad!.......2001-04-29

Having listened to the complete set, I can confidently recommend it, if you would use a complete set of Bach's works.

If you really like Bach, it is well worth getting. You will read disparaging reviews which will tell you that there are better performances of individual works. But this is a great opportunity for a Bach lover to get very good versions of his entire oeuvre.

In the set of 60 CDs of sacred cantatas, there are about 6 duds, which feature out of tune boy sopranos! If you are not crazy about sacred cantatas, you can buy a set which omits them, which may be advised!

I love the version of the Mass in B minor, though it is very different from our set by Munchinger [which we really enjoy].

The Brandenburgs are great. THe first movement of the first concerto is a knock out! Very brassy and bombastic: quite different from the 3 or 4 other versions I have previously enjoyed.

We are a piano family and have many CDs of Bach keyboard works played on piano [though we also have the Well Tempered Clavier on harpsichord and clavichord] The keyboard performances in the set are all on harpsichord and are lively and very enjoyable.

It takes some getting used to the authentic Baroque flute performances: especially occasional out-of-tuneness. But these are also interesting and musically played.

If you would use a set of all of Bach's extant works, it is a great choice. It is competitively priced and I love the packaging.

Average customer rating: A great find for a DJ.. Old Skool Fisher-Price: My First Techno Album Good, as far as intro compilations go Electronica's Best Compilation

Y2K: Beat the Clock Version 1.0 Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Big Beat | Dance & DJ | Styles | Music Trip-Hop | Dance & DJ | Styles | Music Drum & Bass | Compilations | Dance & DJ | Styles | Music House | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music IDM | Dance & DJ | Styles | Music General | Rock | Styles | Music General | Compilations | Rock | Styles | Music ASIN: B00000JH1R Release Date: 1999-07-06

Tracks:

1. The Rockafeller Skank (Full Version) - Fatboy Slim
2. Renegade Master (Fatboy Slim Old Skool Mix) - Wildchild
3. Out Of Space - The Prodigy
4. Blisters On My Brain - Lo Fidelity Allstars
5. Elektrobank (Full Length) - The Chemical Brothers
6. Busy Child - The Crystal Method
7. Bang On! - Propellerheads
8. Lost In Space: Theme (Single Version) - Apollo Four Forty
9. Joga (Alec Empire 'Empire State Of Emergency' Remix) - Bjork
10. Toxygene (Edit) - Orb
11. Born Slippy (NUXX) - Underworld
12. Beat The Clock - Sparks

Amazon.com

With the exception of the title track, "Beat the Clock," these songs have absolutely nothing thematically to do with the impending millennium, nor is this compilation a particularly good choice if you are looking for music that is going to whip your New Year's party into a dance-floor frenzy. Too many of these tracks are blockbuster dance hits that have saturated mainstream media, from soundtracks to commercials ("Rockafeller Skank," "Busy Child," "Born Slippy"), and when 11:59 p.m. on December 31, 1999, rolls around, you'll most likely want to be listening to something a little more meaningful, or at least a little fresher. If the Y2K bug actually does cause your CD player to glitch out on the eve of the new millennium, do you really want the last song you hear to be the background music for a Gap ad? --Beth Massa

Customer Reviews:

A great find for a DJ.........2000-12-27

As a DJ, I was happy to find these rare tracks (rare on vinyl at least). I'm not sure what these other people's problem is. Though these tracks have been collaborated together before and played out in the mainstream, they are nearly all classics..

Old Skool.......1999-12-04

These were great tracks when they came out, but what is the point in bringing a compilation out of 2 year old tracks? None of which are obscure remixes. Totally pointless album, unless you've been in outer mongolia for the last 3 years!

Fisher-Price: My First Techno Album.......1999-10-21

What is the point of ever making this CD? I've had most of these songs for at least a year. Columbia, what are you thinking?

Good, as far as intro compilations go.......1999-10-11

Yes, a terribly obvious collection of songs, and I pretty much program out Fatboy Slim (and the awful title track) when I play this CD. But the pacing and selection of the remaining songs are better than most comps, with Lo-Fidelity, Prodigy, Orb, Chem Bros, Crystal Method and Propellerheads all flowing together nicely. I prefer this to the other compilations with which this overlaps heavily, like MTV's Amp2. Nothing earthshattering, but decent and very danceable.

Electronica's Best Compilation.......1999-08-09

I don't know why Amazon.Com gave this album such a negative review. All the songs kick lots of a**, especially the Propellerheads', the most underrated band in existence. Granted, it may not be the best for parties. It might not have the dance-able beats. But, sh**, who cares? And what's wrong with Gap commercials?

Average customer rating:

Underground Airplay Version 1.0 Various Artists Manufacturer: Lyricist Lounge ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Turntablists | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music East Coast | Rap & Hip-Hop | Styles | Music Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music West Coast | Rap & Hip-Hop | Styles | Music General | Compilations | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music ASIN: B00005PJCH Release Date: 2001-10-30

Tracks:

1. Intro - DJ Spinbad
2. Heat Of The Moment - Killah Priest
3. Lounge Promo - HOM
4. Nuthin' You Can Do (W.Y.B.) - Skeme Team
5. Return - Self Scientific
6. 54th Regiment - Maspyke
7. Bisexual - Jane Doe
8. Same O.G. - Casual
9. Boom Bip - Zion I
10. Ol' Time Killin' - Kardinal Offishall
11. Jam On It - Mos Def
12. Just You Wait - Boogieman
13. Acknowledge - Masta Ace
14. Let Me Be - Punch & Words
15. It's Time - Hemisphere
16. Clear The Lane - Phil The Agony
17. We Will - Lord Have Mercy
18. Yo! - Obie Trice
19. Truly Unique - Asheru & Blue Black
20. Holiday - Tahir
21. Perfectionists - Invincible
22. Special Forces - Bahamadia
23. Curse On You - Quasimoto
24. The X (Y'all Know The Name) (D-Prosper Remix) - The X-excutioners
25. Current Events - Mystic
26. I Love It - Young Zee
27. Blazin' (Stay Building Eternal) - Rise & Shine
28. Smokey - The Bad Seed
29. Roll Out - D-Stroy
30. Good Luck Bad Luck - Richie Balance & Rack-Lo
31. Center Of Attention - San Quinn

Average customer rating: Weapons for Peace - Version 1.0

Version 1.0 Weapons for Peace Manufacturer: All Indie/Chrome Dreams ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music ASIN: B00005O7VG Release Date: 2001-08-28

Tracks:

1. You Said
2. Don't Ever
3. Tendencies of Me
4. Paradise

Customer Reviews:

Weapons for Peace - Version 1.0.......2001-10-19

This is a 4-song debut EP from a new band in the Harrisburg PA area. These guys play gigs from Philly to Baltimore, and have played a headlining gig at the Hard Rock in Baltimore.

Upon first listen, I got the impression that these guys are not screwing around. Jimmy's banging style of drumming is reminiscent of the John Bonham school, but still has lots of dynamics and extended fills. As for the two-guitar line-up, Jason's "tricky stuff" (with lots of cool effects) layers perfectly with Phil's gutteral, raunchy riffs, and when they play riffs in unison, it creates a definite wall of sound. Rick's vocals are mostly sung (rather than screamed), and are full of the angst and joy that make rock music what it is. Tony T's bass supplies the rumbly, thick rock foundation upon which the structure is built.

All four songs on Version 1.0 are pretty much straight-ahead rock tunes, but each one has its own twist. The lead-off cut, "You Said", is a no-nonsense 4/4 jam with lots of grand pauses and rhythm guitar cadenzas. The last tune, "Paradise", starts with a 4/4 intro and switches to triplet feel for the verse, goes back to 4/4 for the chorus, and the bridge before the last chorus features some killer extended drum fills. The middle two tunes, "Don't ever" and "Tendencies of Me" are triplet feel songs with thick guitars that build and release dynamically throughout. "Don't Ever" has some nicely placed vocal filters, and tasty guitar work that all leads up to the full-on chorus. "Tendencies of Me" lets Rick's crystal clear vocals cut right through, and features a quiet, spooky bridge that brings everything down for the final wallop.

I have seen these guys live, and if you get a chance to see them, take it. You will be witness to a finely-tuned, all-business show that is hard to find at a club-type venue.

Average customer rating:

Bach 2000 Light (Without Sacred Cantatas) Various Conductors , Various Performers , and Various Ensembles Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Allemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Heinichen | Heinichen, Johann David | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Canons | Forms & Genres | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Inventions | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Canzones | Sonatas | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Sinfonia | Symphonies | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music Passacaglias | Variations | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Academy of Ancient Music | ( A ) | Featured Performers, A-Z | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Caprices | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music ASIN: B00001IV8C Release Date: 1999-09-21

Amazon.com

The Bach renaissance--which began in earnest in the early 19th century thanks to the efforts of Felix Mendelssohn and others--inspired an endeavor of far-reaching significance. It led to the founding of the Bach Society in 1850, with the goal of gathering and publishing the composer's complete works, and thus set into motion one of the great projects of musical scholarship. That effort has continued and been refined throughout the 20th century, ultimately influencing not only our perception of how to perform early music but fundamental ideas of musical history, evolution, and reception as well.

Teldec's mammoth Bach 2000 box set represents a kind of culmination of that original attempt to come to terms with Johann Sebastian Bach's unparalleled legacy. This set brings together performances recorded over the last several decades--a small percentage of the recordings are previously unreleased--of all the extant works determined by modern scholarship to be authentic. There are also some pieces the authorship of which is still in question and a few now deemed "inauthentic" but familiarly associated with the composer. Bach was a prodigious reviser of his compositions, and alternate versions of a particular work have been included "where the changes seemed sufficiently important," such as the glorious Magnificat. No doubt manuscripts will continue to be unearthed here and there in various archives (Bach 2000 contains, for example, the "Neumeister chorales," which were rediscovered in 1984), but the set does not represent the many fragments of music that consist of just a few bars; however, there are some reconstructions of lost concertos (such as one for three violins reconstructed by Christopher Hogwood from an extant concerto for harpsichords).

Of course a truly comprehensive recorded edition of every note Bach wrote remains a utopian impossibility--about one-third of his cantatas, for example, have not survived. Even so, the dimensions of Bach 2000 are staggering. With its 12 boxes comprising 153 CDs, the set can be compressed into fewer boxes to save shelf space yet is still about ten times as long as the Ring cycle. (It should be noted that the packaging--using thin cardboard sleeves for the CDs--is distinctively unattractive.) That adds up to just under 160 hours of music--but a lifetime of discovery. Each box (grouped according to genre) contains a booklet with excellent notes on individual works and--for all the choral works--texts and translations. Tracking indexes are useful and thorough. Also included is a profusely illustrated hardbound volume of 24 Inventions, in which journalist Wolfgang Sandberger uses the composer's biography as a peg for some enigmatic and fascinating musings on the meaning of Bach today.

The presiding philosophy behind this project and its approach to musical interpretation can be largely ascribed to Nikolaus Harnoncourt, a true musical pioneer and galvanizing force of the "period performance" movement. Harnoncourt's epoch-making recordings of the sacred cantatas (using, for instance, boy sopranos and choristers according to the practice in Bach's time) with the Concentus musicus Wien and colleague Gustav Leonhardt comprise the first four volumes here (those who already own them can turn to the Bach 2000 Light edition, which contains everything sans the cantatas). These recordings--which were not remastered for this set--have long been controversial and are notably uneven, embracing some magnificent accounts as well as others that lack fire and seem clearly underrehearsed. But Harnoncourt is one of the most fascinating conductors of our era, and his interpretations amply bear out his assertion: "I have never felt that Bach worked in a routine manner, that he repeated himself in his works." Harnoncourt--who has articulated many of his ideas in his book The Musical Dialogue--displays his gifts as a cellist in a remarkably probing performance of the Cello Suites (originally recorded in 1965) and in his concertizing for a number of chamber works. For\ the St. Matthew Passion, you get Harnoncourt's groundbreaking earlier account from 1970, while his 1986 recording of the sublime B Minor Mass is also represented here (the St. John Passion included is Harnoncourt's 1995 acount).

Other artists included are colleague Gustav Leonhardt, whose thoughtful if occasionally dry harpsichord artistry is heard in the Goldberg Variations as well as in the concertos and chamber music. The harpsichord is in fact used throughout in preference to piano for the keyboard works. Ton Koopman (himself the conductor of an ongoing complete cantata series and of the Easter Oratorio included here) performs the organ works, including some newly recorded offerings, while Il Giardino Armonico's well-known high-energy account represents the Brandenburg Concertos. Violinist Thomas Zehetmair is exceptionally compelling in the unaccompanied sonatas and partitas, and the Concentus musicus Wien--again under Harnoncourt--perform a superb Musical Offering that richly repays frequent listening.

The result of Bach 2000 as a whole is an aptly encyclopedic grappling with the infinite legacy of this most compendious of composers, whose works are on one level a summation of all the styles available to him. Bach was once thought to represent a "terminal point" (to use Albert Schweitzer's famous formulation), the end of an era; today he is at least equally recognized as a fertile source of inspiration for composers since. To be sure, individual recordings of particular works will be found to be preferable, and it would be misguided to consider Bach 2000 any kind of "final" or "definitive" word. Instead, it's an indispensable starting point that represents a monumental achievement for our own contemporary understanding of Bach. --Thomas May --This text refers to the complete edition of this title

Album Description

Volume 1, 11 Discs
Secular Cantatas App. Sacred Cantatas; 11 CDs; Koopman, Harnoncourt, Koopman, Goebel and others

Volume 2, 14 Discs
The Sacred Vocal Works Masses,Magnificat, Passions, Oratorios; 14 CDs; Harnoncourt, Koopman, Corboz and others

Volume 3, 7 Discs
The Motets, Chorales & Songs Kirnberger Chorales,Schemelli Songs, Quodlibet

Volume 4, 16 Discs
The Organ Works; 16 CDs; Ton Koopman

Volume 5, 11 Discs
The Keyboard Works (I) The Well-Tempered Clavier, English & French Suites, Partitas etc; 11 CDs; Curtis, Ross, Wilson, Ruzickova

Volume 6, 11 Discs
The Keyboard Works (II) Goldberg Variations, Toccatas, Fugues, Italian Concerto, etc; 11 CDs; Staier, Barchi, Leonhardt, von Asperen, Baumont, and others

Volume 7, 13 Discs
The Chamber Music Violin Sonatas & Partitas, Flute Sonatas, Works for Lute, Art of Fugue, Musical Offering, etc; 13 CDs; Harnoncourt, Pianca, Tachezi, Brggen, Zehetmair, and others

Volume 8, 10 Discs
The Orchestral Works The Concertos & Orchestral Suite; 10 CDs; Il Giardino Armonico, Harnoncourt, Leonhardt

Average customer rating: Click-hop heaven Electric Ladyland under the influence of Idiology. Dirty Pop from Mille Plateaux's Finest boy bands.

Electric Ladyland: Clickhop Version 1.0 Various Artists Manufacturer: Efa Imports ProductGroup: Music Binding: Audio CD Ambient | Dance & DJ | Styles | Music General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Compilations | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Experimental Music | Miscellaneous | Styles | Music General | Rap & Hip-Hop | Indie Music | Stores | Music ASIN: B00005Q680 Release Date: 2001-10-30

Tracks:

1. The Return Of Us (Edit) - AGF/DLAY
2. Mr. Blister Is Connected To My Fingers - Safety Scissors
3. As A Child I Could Fly Without Wings - MRI3
4. Rogue - Monophace
5. Chin-Chin Stroaker - Captain Comatose
6. Infra-Red (Dance Of The Dead Pt. 2) - Spectre
7. Soma - High Priest Of The Antipop Consortium
8. Hastjobb - Andreas Tilliander
9. Data-Party - Jetone
10. Five-11-West - Graphit.E
11. Dax Att Sticka Ut - Deltidseskapism
12. Out 1 - Log
13. Fullclip - Open Source
14. Little Hop Of Horror - Akufen

Tracks:

1. M 06 Short - Alva Noto
2. R U IN IT (Circuit Burners RMX) - Kid606 Vs. Dalek
3. Don't Follow - Sophie Rimheden
4. Hydrocracking - The Rip-Off Artist
5. Runkelrube Blau - Beige
6. Holt - Frank Bretschneider
7. All That Pretty Horses - Auch
8. Another Forensic Charade - DJ Spooky/Yasunao Tone
9. Super-Mercato-Digits - Kerosene
10. Rubbercement - Errorsmith
11. Press On - I-Sound
12. Step Back - DSP
13. Ghost Breaks - M. Singe
14. Fabulous - M2

Amazon.com

This extraordinary comp dizzies with its sonic riches. Clickhop Version 1.0, part of Mille Plateaux's Electric Ladyland series, contains over two hours of crazily inventive IDM. Hip-hop, house, R&B, and other dance genres get gobbled up by clicks and cuts only to be spit out in myriad and mutant funky forms. Unlikely things happen here. Archconservative Phillip Larkin's notorious poem "This Be the Verse" provides haunting lyrics for MRI3's "As a Child I Could Fly Without Wings." Track tempos vary wildly, ranging from the superslow "Rubbercement" by Errorsmith to the insanely fast "Ghost Breaks" by M. Singe. Unpredictable shifts occur. This is the sort of CD where riffs emerge out of thickets of noise, or seriously tweaked hip-hop dissolves into ambient industrial gloom. Well-known figures such as Vladislav Delay, DJ Spooky, and Kid606 contribute to the comp, but don't let the big names distract you from the album's other selections. Clickhop Version 1.0 is a perfect marriage of experimentation and wack-funky. --Fred Cisterna

Customer Reviews:

Click-hop heaven.......2005-07-23

Possibly not recommended to serious hip-hop fans, largely because what rapping there is (not much) is pretty lame. But if you enjoy anything else on Mille Plateaux and aren't anti-hip-hop (I know some glitch diehards weren't happy with the preponderance of hip-hop/breakbeats on the last Clicks 'n' Cuts comp), this is for you. IDM/glitch can often seem - or actually be - overly academic and experimental, so it's great to hear tracks that prove you can do this style AND rock. Some of this even makes you want to dance - surely this can't be Mille Plateaux?!

With some of this stuff you'll wonder where the hip-hop influence is; I have a feeling it's really a repository for anything too funky for the Clicks 'n' Cuts series. As I said above, some purists prefer the crisp, cold, clipped sounds of early glitch; personally, I just think the greater warmth and looseness here is a sign of technology advancing and a group of musicians (yes, I do class them as musicians) technically maturing.

The glitch sound has gone beyond a few arid experiments; you can hear it throughout mainstream dance music now. This album is a collection of some of its greatest achievements, and one you'll come back to for more than historical interest. It rocks! Check out Geeez 'n' Gosh's 'Nobody Knows' for another classic of the genre.

Electric Ladyland under the influence of Idiology........2001-11-03

Really, the more I listen to it, it's hard not to feel the ghost of Idiology possessing most of the artists here. Two discs of artists reeling from the genius of a new Idiology. This is an album refining the Mouse on Mars musical etiquette: get funky, foolish, and richly layered.
But my mistake about the Alvo.Noto track. Mr Noto Nicolai still hasn't loosened his tie, which is maybe to his credit. He's still as stiff and mathematical as ever. Alvo Noto is quick to becoming the Isaac Babel of electronic music, where the key to creating strong art is not when you can't add any more, but rather when you can't remove any thing else.

The truth is: The best track on the album is by a French Canadian (Akufen), which is maybe the first time that has ever happened in the history of music. Alors, c'est bon ca.

Dirty Pop from Mille Plateaux's Finest boy bands........2001-11-02

Fast on the clicking heels of Mille Plateaux's controversial second installment of the Clicks & Cuts series (controversial, I say, because people are so polarized by the seeming listenability of said album, and how upsetting this is to certain types of listeners who prefer their music to be painful and tragic to most other people. Like in the world of couture, it's safe to call these people Music Victims) here comes a new volume of the much lauded Electric Ladyland series. Not, as to be expected, vol. 7, but vol 0--clickhop version.

And so it goes that what we have here is the new underground of pop music. Mille Plateaux has fed its artists so much Deleuzian philosophy that they've ran flailing into the arms of NSync's 'Pop' -- and, strangely, thank god.

I liked both the Clicks & Cuts things. I liked the Electric Ladyland's that I heard. I like music. Whether or not this new clickhop EL v.O will appeal to those particular peoples who turn their nose up at anything that resembles a beat, the music here is insatiably good.

Vladislav Delay turns in a great track with vocals, Safety Scissors are amazing. M.Singe and High Priest are massive, deep-hop kings, where they tread, beware.

Thanks to an influx of money, I've been able to spend an obnoxious amount on music, and the Mille Plateaux label has continued to make me and Visa happy.

This 2 cd set is more rambunctious than maybe people expect, considering the seriousness of most of their label's output. For instance, the usually affected Alvo.Noto has a delicious track that could suit the jazzercise routines of a Mouse on Mars fan.

The only other label that is really turning my head around these days is Pole's Scape records. All their releases have been so dang interesting, especially the newest Pole, R, and Jan Jelenik's album. And then, on the Warp label, I think Brothomstates has really been an impressive debut.

But that's sort of beside the point. What I'm saying is that this newest Mille Plateaux comp. is another sweet fall release. A major Wish List item, if I ever saw one. If I wasn't a favorite client of three or four major credit card companies, and a sad boy in a cold climate, I would still be waiting to buy this baby, but as it is, I'm lucky enough to be able to tell you that it's worth your post 9/11 fluctuating world dollar.

Average customer rating:

Elektro U.K. Version 1.0.1 Various Artists Manufacturer: VRG ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music General | Techno | Dance & DJ | Styles | Music General | International | Styles | Music ASIN: B00000I189 Release Date: 1999-02-19

Tracks:

1. 150% - Al People
2. This Is What Funk Is For - The Experiment
3. Mercedes Bends - Chamber
4. Kill Pussy Kill - Girl Eats Boy
5. B Boy Of Tomorrow - Si Begg
6. Smack Dab - Chamber
7. Funked Up Kid (Rennie Pilgrem Mix) - SLAB
8. Drive It - Al People
9. RetroTechnoAcidElectro - Omnivore Vs. Gadget Girl
10. Time Bomb - Bionic Dog
11. Chicken Little - Si Da
12. Eager Beaver (You Got The Moves) - Al People
13. Bohemia (Dub Pistols Mix) - Girl Eats Boy
14. Are You Ready? - Kumagai

Average customer rating:

Power Play - Version 1.0 Manufacturer: Customflix ProductGroup: Music Binding: Audio CD ASIN: B000OYCP14 Release Date: 2007-03-30

Tracks:

1. Yeh Zameen (Logical Remix)
2. Mein Teri Hoon Janam (Velvet Lounge Mix 1)
3. Pehla Nasha (Vox Dub Mix)
4. Ishq Meri Bandagi (Crazy Man Mix)
5. Tu Rootha (Velvet Lounge Mix 2)
6. Yeh Sama Hai (Sweet Groovy Mix)
7. Mausam Hai (G-9) (Vocal Club Mix)
8. Medley

Album Review:

1. Voices [Import]
2. Where Are You Now [CD-single] [Import]
3. Wild Life Documentaries
4. You Think You Know [Import]
5. 3 Generations Walking
6. A Night Like: A Tribute to the Cure [Import]
7. Absencen
8. Afrodesia, Vol. 2: The Afro House of Irma
9. Amplified
10. Appreciate Me [CD-single]

Album Review

album review

Album Review

Universal Trance, Vol. 6

Chopin: Polonaises

Cassation in F / Divertissement in B Flat

Music: Afuredasubakari [Import]

Boston Blues

Doomsday Machine [Import]

God Is Real

Conclusion

Best of Hyper Music from Lennon & McCartney [Import]

Beethoven: The Complete Violin Sonatas

Blue Guitar

Best of Yiddish Folk Songs

Coastal Acces

Guitar on My Back

My Brother Me: The Best of Dave McMurray