Real Things [Original recording reissued] [Import]

1. Real Thing

2. Do What I Like

3. Here I Go

4. Burning Like Fire

5. Info Superhighway

6. Hypnotised

7. Tuning Into Something Wild

8. Escape In Music

9. Sensuality

10. No One

11. Face To Face

12. What's Mine Is Mine

13. Nothing Like The Rain

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Real Things
Average customer rating:
Real Things
Joe Nichols
Manufacturer: Universal South
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music
New Traditionalist | Contemporary Country | Country | Styles | Music
General | Country | Styles | Music
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5th Gear

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Big Dog Daddy

Relentless

ASIN: B000SM7R7E
Release Date: 2007-08-21

Tracks:

Real Things
Another Side of You
Who are You When I'm Not Looking
Comin Back in a Cadillac
My Whiskey Years
It Ain't No Crime
All Good Things
Let's Get Drunk and Fight
Ain't Nobody Gonna Take That From Me
She's All Lady
The Difference is Night and Day
All I Need is a Heart
If I Could Only Fly (with Lee Ann Womack)

Amazon.com

On his fourth album, Joe Nichols has ample opportunity to showcase his vocal subtlety and soulfulness, which weren't much in evidence on his novelty smash "Tequila Makes Her Clothes Fall Off." The acoustic arrangements and largely midtempo material puts the emphasis throughout on his weathered baritone, as Nichols balances his sensitive side--on the romantic "Another Side of You" and "She's All Lady" and the heartbreak "All Good Things"--with his good-ol'-boy side, on the uptempo "Comin' Back in a Cadillac," the anti-busybody "It Ain't No Crime" and the barroom singalong of "Let's Get Drunk and Fight" (a cut that recalls a notorious early Jimmy Buffett song). The bittersweet balladry of "My Whiskey Years" is reflective of the album's uncommon emotional depth, while the closing "If I Could Only Fly" (by the late Austin cult hero Blaze Foley) shows the artist's range. --Don McLeese

Album Description

It's been five years since Joe Nichols took country music by storm, staking his own unique claim to time-honored tradition with his unforgettable debut single, "The Impossible." Today, Nichols is well established as one of country's most familiar and unforgettable voices.

With his third CD, Real Things, Nichols has outdone himself once again, crafting a record that, song-for-song, performance-for performance, never lets up and never lets go. With the debut single "Another Side Of You" already igniting at radio, Nichols fans are getting a taste of what's to come - a country album full of real songs, sung by a real artist, who's always been and always will be all about nothing but the REAL THINGS.

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating:

Irresistible

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops

Excellent!

Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music
General | Classical | Styles | Music
General | Pop | Styles | Music
General | Easy Listening | Pop | Styles | Music
Orchestral Pop | Easy Listening | Pop | Styles | Music
Movie Scores | Soundtracks | Styles | Music
Movie Soundtracks | Soundtracks | Styles | Music
General | Soundtracks | Styles | Music
General | Musicals | Broadway & Vocalists | Styles | Music
General | Broadway & Vocalists | Styles | Music
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Lerner & Loewe Songbook for Orchestra

Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri

Puttin' on the Ritz: The Great Hollywood Musicals

The Sound Of Music (1987 Studio Cast)

Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

Oklahoma!
Carousel
State Fair
South Pacific
The King And I
Cinderella Waltz
Flower Drum Song
The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating:

Imaginative, thought provoking compositions
Breathtaking
unbold thing
Untold Things
SANCTUS ET BENEDICTUS

Untold Things
Jocelyn Pook
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

Ambient | Dance & DJ | Styles | Music

General | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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ASIN: B000056P0Y
Release Date: 2001-03-27

Tracks:

Dionysus
Red Song
Upon This Rock
Yellow Fever Psalm
Hell, Fire And Damnation
Take Off Your Veil
The Last Day
Saints And Sinners
Butterfly Song
Calls, Cries And Clamours
Saffron

Amazon.com

If you remember the stark, bare-bones score to Stanley Kubrick's Eyes Wide Shut, then you've heard Jocelyn Pook. A British composer with edgy, avant-garde sensibilities, she nevertheless lures you into her world of sound like a Venus flytrap: pretty on the outside, dangerous once you get in. "Dionysus," the opening track on Untold Things, is a haunting Gothic-style hymn sung by Melanie Pappenheim over minor-key string cycles. On "Red Song," Russian and Tatar vocal samples mix with Verdi's "Te Deum" to create a global choral lament. "Upon This Rock" sets a Middle Eastern ululating vocal sample against a decidedly English chorale and heroic strings. On "Yellow Fever Psalm," Pappenheim's vocal is played backwards in perfect harmony against a droning string arrangement. Pook terrain is one of thwarted expectations and musical puzzle-making whose songs seduce you with their minor-key melancholy. She often works in contrasts and she's particularly enamored of mixing Middle Eastern instruments and voices in western classical settings, building her orchestrations around the melodies of vocal samples, rather than the usual ambient technique of plopping a sample into the middle of an instrumental mix. Untold Things is a challenging album with untold charms that reveal themselves on repeated listening. --John Diliberto

Customer Reviews:

Imaginative, thought provoking compositions.......2006-09-29

Whimsical, pensive and kissed by a variety of world music samples, Jocelyn Pook's style in this recording reminds me a little of Deep Forest without the programmed beats. As with all her music that I'm familiar with, the tone of "Untold Things" is minor and distinctly laid back, yet pregnant with carefully patterned intent. This isn't mindless, repetitive filler, but intelligently crafted modern chamber music tinged with elements of New Age fusion. It could perhaps do with a little more livening up now and then, as in the intense and interesting track #5, "Take Off Your Veil" and the fun, drummy "Calls, Cries and Clamours," but overall, "Untold Things" provides an intriguing and satisfying listening experience. My favorite pieces are the poignant and hypnotically complimentary #8, "Saints and Sinners" and #11, Saffron, with their mix of harmonized vocals and sampled chants over a simple but affecting piano and psaltery ostinato. Joining Pook's vocals and viola are singers Melanie Pappenheim and Parvin Cox, psaltery player and co-arranger Harvey Brough, along with her customary collection of chamber orchestra strings, select world instruments, modest programmings and assiduously documented samplings. Try also Pook's gently elegant soundtrack for "William Shakespeare's `The Merchant of Venice'" and her much darker, more eclectic album "Flood" (the soundtrack for Stanley Kubrick's "Eyes Wide Shut"). For more the way of artful world music fusion, you might enjoy Hans Zimmer's "Millenium" and Paul Winter's "Earthbeat" (the source of the theme song for the "Survivor" reality TV series) as well.

Breathtaking.......2003-02-18

I've listened to this album countless times and it is still my favorite. The music and vocal virtuosity is simply breathtaking.

unbold thing.......2002-05-17

Warning: this record is not avant-garde. Comparisons to Penderecki and even Nyman are misleading. The tracks are all quite simple and downtempo with unchallenging celt/world sonorities which call to mind a dark Enya. Pook's comments on backward singing and invented languages as if these techniques were something radical I find a bit embarrassing - added to which they don't actually create much of an impression. In fact the whole project has something of a precious feel given that it is so lacking in real boldness. That wouldn't matter if the music was as emotionally charged as some have claimed, but it isn't. There's a kind of occultish spookiness seeping through, but I can get that from Sisters Of Mercy - in a more exciting and less roundabout way. My main feeling, having bought it was, and still is, `Oh dear, I don't REALLY need yet more worldy ambient stuff, do I?'. I can't guarantee you'll feel the same but there again I can't help wondering why there is currently such a frisson around this artist.

Untold Things.......2002-02-14

There is a song on this album called "Calls, Cries and Clamors". Well that's about the whole album. Unintelligible "Calls", Weird "Cries" with a background of "Clamor".

SANCTUS ET BENEDICTUS.......2002-01-11

This,the 3rd CD to be issued under Jocelyn Pook's name,is business as usual.Plenty of sampling of ethnic voices amid music which was composed for various other projects.Anyone who bought her other work will not be disappointed.A first time rounder buying out of curiosity in a sale would find it hard going unless that person was already attuned to Gavin Bryars,Michael Nyman,John Tavener.People who buy the so called Popular Classics would find Britten or Penderecki hard going. Music like this deserves to be listened to.In the end its ultimately rewarding as it can lead to so much more,out there on the fringe of what is now called Classical Crossover.
She has a very detailed website on Yahoo's egroups which also covers the work of Audrey Riley,Ann Stephenson,Caroline Lavelle and Sonia Slany

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

An Introduction to Schubert's Piano Quintet "Trout"

Average customer rating:

An Introduction to Schubert's Piano Quintet "Trout"

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Music | Entertainment | Subjects | Books

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music
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ASIN: B000076FX6
Release Date: 2003-01-21

The Real Deal: Country, Alternative and In-between: New Music From Mercury Nashville: Straight As the Crow Flies By Kim Richey, Chance & Circumstance By Neal Coty, It's a Long Way Back By John Anderson, Sending Me Angels By Kathy Mattea, Tired By Toby Keith, Bluegrass State of Mind By Billy Ray Cyrus, Hot Wired By Brent Mason, Jacob's Ladder By Mark Wills, Vidalia By Sammy Kershaw, Better Things to Do By Terri Clark

Average customer rating:

The Real Deal: Country, Alternative and In-between: New Music From Mercury Nashville: Straight As the Crow Flies By Kim Richey, Chance & Circumstance By Neal Coty, It's a Long Way Back By John Anderson, Sending Me Angels By Kathy Mattea, Tired By Toby Keith, Bluegrass State of Mind By Billy Ray Cyrus, Hot Wired By Brent Mason, Jacob's Ladder By Mark Wills, Vidalia By Sammy Kershaw, Better Things to Do By Terri Clark

ProductGroup: Music
Binding: Audio CD
ASIN: B000FUIIAY

Average customer rating:

Simple Fun - 90's Style

Real Things
Two Unlimited
Manufacturer: Golden Dance Class.
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

General | Techno | Dance & DJ | Styles | Music

House | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Euro Dance | Dance Pop | Dance & DJ | Styles | Music

Rave | Dance & DJ | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Dance & DJ | Imports | Stores | Music
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No Limits
Get Ready
Hits Unlimited
Hits & Mixes
Very Best of 2 Unlimited

ASIN: B00005K8KR
Release Date: 2001-07-09

Tracks:

Real Thing
Do What I Like
Here I Go
Burning Like Fire
Info Superhighway
Hypnotised
Tuning into Something Wild
Escape in Music
Sensuality
No-One
Face to Face
What's Mine Is Mine
Nothing Like the Rain

Customer Reviews:

Simple Fun - 90's Style.......2005-06-10

Essential for die-hard 2 Unlimited fans. Everyone else, get Hits Unlimited and you'll have what you need to get everyone at the party back on their feet. The vocalists can be exchanged with any 90's dance-rapper and hot chick - it's the high-energy hooks from the "2" in 2 Unlimited that keep this CD in the rotation.

145 BPM - The Real Thing - 5 stars
147 BPM - Do What I Like - 4 stars
139 BPM - Here I Go - 5 stars
125 BPM - Burning Like Fire - 4 stars
126 BPM - Info Superhighway - 4 stars
133 BPM - Hypnotised - 4 stars
138 BPM - Tuning Into Something Wild - 4 stars
144 BPM - Escape In Music - 4 stars
138 BPM - Sensuality - 4 stars
133 BPM - No One - 5 stars
129 BPM - Face To Face - 4 stars
125 BPM - What's Mine Is Mine - 3 stars
84 BPM - Nothing Like The Rain - 5 stars
128 BPM - The Real Thing (U.S. Remix) - 3 stars

Average customer rating:

Secrets
Eloise Laws
Manufacturer: Scepterstein
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | Soul | R&B | Styles | Music
ASIN: B0000DETG8
Release Date: 2003-09-16

Tracks:

Tenderness
Listen To The Moonlight
I Fall So Deep
Leave The Light On
A Man Like That
Out On A Limb
Sometimes
More Than You'll Ever Know
In The Thick Of It
I Got My Baby

Average customer rating:

Harvest Box Set: A Fantastic Overview

Harvest Festival { Various Artists }
Pink Floyd
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Post-Punk | New Wave & Post-Punk | Alternative Rock | Styles | Music

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Pop | Styles | Music

Singer-Songwriters | Pop | Styles | Music

Pop Rock | Pop | Styles | Music

Blues Rock | Rock | Styles | Music

Folk Rock | Rock | Styles | Music

General | Rock | Styles | Music

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General | Compilations | Rock | Styles | Music

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Alternative Styles | Alternative Rock | Box Sets | Stores | Music

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Hard Rock & Heavy Metal | Rock | Box Sets | Stores | Music

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Rock | Imports | Stores | Music
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The Best Prog Rock Album in the World...Ever

ASIN: B00000JR4S
Release Date: 1999-07-26

Tracks:

Evil - Edgar Broughton Band
It Didn't Work Out - Michael Chapman
Hard Road (Wring That Neck) - Deep Purple
Morning Call - Pete Brown & His Battered Ornaments
Tom Tiddler's Ground - Roy Harper
Stone Circle - Third Ear Band
Real Cool Word
Octopus - Syd Barrett
Round and Round - Panama Limited Jug Band
Mother Dear - Barclay James Harvest
Maybe My Mind (With Egg) - Tea & Symphony
Postcards of Scarborough - Michael Chapman
Glade Somewhere - Forest
Out Demons Out - Edgar Broughton Band
Living Life Backwards - Pete Brown & Piblokto!
Black Sheep of the Family - Quatermass, Quatermass
Big Bear Ffolly - Bakerloo
Good Mr. Square - The Pretty Things
Lady Rachel - Kevin Ayers
Forsaking -- Our Captain Cried - Shirley & Dolly Collins

Tracks:

Speed King - Deep Purple
Things May Come and Things May Go But the Art School Dance Goes on ... - Pete Brown & Piblokto!
Apache Dropout (Apache Intro Droupout Boogie) - Edgar Broughton Band
Everyday - Climax Blues Band
Butterfly Dance - Kevin Ayers
Mocking Bird - Barclay James Harvest
Kodak Ghosts - Michael Chapman
Words of Aaron - The Move
Fireball - Deep Purple
10538 Overture - Electric Light Orchestra
Breathe - Ron Geesin, Roger Waters
Medicine Man - Barclay James Harvest
Stranger in Blue Suede Shoes - Kevin Ayers & The Whole World
Fennario - Michael Chapman
Same Old Rock (End Section) - Roy Harper
Hotel Room - Edgar Broughton Band
Effervescing Elephant - Syd Barrett
Song from the Bottom of a Well - Kevin Ayers

Tracks:

Money - Pink Floyd
South Africa - Roy Harper
Interview/International Anthem - Kevin Ayers
Mexican - Babe Ruth
Do Ya - The Move
Something Said - Southern Comfort
Adventures in a Yorkshire Landscape - Be Bop Deluxe
Dear Elaine - Roy Wood
Take Me to Tahiti - Kevin Ayers
Things on My Mind - Edgar Broughton Band
Hombre de la Guitarre - Babe Ruth
Another Day [Live] - Roy Harper
Roll Over Beethoven - Electric Light Orchestra
Maid in Heaven - Be Bop Deluxe
You Make Me Sick - Climax Chicago Blues Band
Ball Park Incident - Wizzard
Showdown - Electric Light Orchestra
I'll See You Again - Roy Harper

Tracks:

Poor Old Horse - The Albion Band
Old Hog or None - Martin Carthy
Hopping Down in Kent - The Albion Band
Postman's Knock - The Albion Band
Spring Song - Gryphon
Have You Ever Seen the Rain? - Unicorn
Fair Exchange - Be Bop Deluxe
Ballad of a Salesman Who Sold Himself - Kevin Ayers
Electrical Language - Be Bop Deluxe
Short and Sweet - David Gilmour
When an Old Cricketer Leaves the Crease - Roy Harper
Erotic Neurotic - The Saints
Reuters - Wire
(This) Perfect Day - The Saints
Lonely Android - Shirts
Little Girl - The Banned
I Am the Fly - Wire
Swing for the Crime - The Saints
Revolt into Style - Bill Nelson's Red Noise
Touching Display - Wire

Tracks:

Black Night - Deep Purple
Flying Hero Sandwich - Pete Brown & Piblokto!
California Man - The Move
Magic Woman Touch - Greatest Show on Earth
Caribbean Moon - Kevin Ayers
Calendar Song - Trinidad Oil Company
Rock, Pt. 1 - Matumbi
I Should Have Known Better - Wire
Life in a Scotch Sitting Room [Excerpt] - Ivor Cutler
Young Ones - Viv Stanshall
Sabre Dance - Spontaneous Combustion
Ships in the Night - Be Bop Deluxe
Breathless
Dancing in the City - Marshall H
Radar in My Heart - Bill Nelson's Red Noise
Child of the City - Strapps
Hallelujah - Deep Purple
Wells Fargo - Babe Ruth
Mess Around - Professor Longhair
Golden Hair - Syd Barrett
Up Yours! - Edgar Broughton Band

Album Description

Five disc set celebrating the 30th Anniversary of the Harvest label. Spanning its' 1969-79 heyday, it comes packaged in a full color 12 inch x 12 inch hardback 'coffeetable' book with each CD stored safely inside of the front & back cover. Also contains a 120 page book with full color photos, interviews with some of the artists, producers, engineers, managers and record company employees involved, plus full color reproductions of advertisements & memorabilia. Musically, it contains 99 tracks from artists signed to the label's roster during t

Album Details

Deluxe Five CD Box Set Housed in Glossy 100 Page Hard Back 12x12 Coffee Table Book on the History of the Harvest Label. Includes Exclusive Interviews and Exclusive Photos.

Customer Reviews:

Harvest Box Set: A Fantastic Overview.......1999-08-08

Anyone looking to explore the early years of progressive music need look no farther then this fine 5CD box set. Representing the years 1969-1976 this set is one of the most well put together sets attempted by a major label to put into perspective it's own history. Housed in an oversized book format, the 120 page booklet enclosed features many rare photos of the Harvest rouster as well as an extensive overview. The music inside speaks for itself with many fine moments from Kevin Ayers, Roy Harper, Sid Barrett,Barclay James Harvest, Pete Brown, ELO, The Pretty Things, Deep Purple,Babe Ruth, Gryphon and many more. Highly recomended for all those interested in the formative years of progressive music and it's evolving influance on future music, popular and otherwise.

Album Review:

Album Review

album review

Album Review

Rock Ya [CD-single]

Three American Concertos

VIENNA BOYS' CHOIR: Sacred Highlights (SACD Hybrid)

Music: Samba De Brazil [Import]

True Colors

Teaser [Import]

The Nu Millennium...Dance

Wrong Number [CD-single]

Un Buco Nella Sabbia [Import]

The Hyperion Schubert Edition 35 - Schubert, 1822-1825 / Dawson, McGreevy, Langridge, Hampson, Koningsberger, Maltman, Davies, G. Johnson

Together

Surica [Import]

Variations by Soul Ascendants

Cadillac Daddy: Memphis Recordings, 1952

Inolvidable