| 1. In My Dreams [Screen Cut] |
| 2. In My Dreams [Kosmonova Radio Edit] |
| 3. In My Dreams [XXL Mix] |
| 4. In My Dreams [Kosmonova Remix] |
| 5. In My Dreams [Clan DJ Team Remix] |
| 6. In My Dreams [Mezziah Remix] |
In My Dreams,Noemi,Robbins,5"CD Singles,Dance Music,Pop
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Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A7XB Release Date: 2001-03-13 |
Tracks:
- Overture - Rodgers & Hammerstein
- Main Title - Rodgers & Hammerstein
- Oh, What A Beautiful Mornin' - Gordon MacRae
- The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
- Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
- Kansas City Ballet - Rodgers & Hammerstein
- I Cain't Say No - Gloria Grahame
- Many A New Day - Shirley Jones/Girls' Chorus
- Many A New Day Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon McaRae/Shirley Jones
- Pore Jud Is Daid - Gordon MacRae/Rod Steiger
- Out Of My Dreams - Shirley Jones/Girls' Chorus
- Out Of My Dreams Ballet - Rodgers & Hammerstein
- Entr' Acte - Rodgers & Hammerstein
- The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
- The Farmer And The Cowman Ballet - Rodgers & Hammerstein
- All Er Nuthin' - Gloria Grahame/Gene Nelson
- All Er Nuthin' Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon MacRae/Shirley Jones
- Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Overture (LP Version) - Rodgers & Hammerstein
Customer Reviews:
Okalahoma.......2007-07-17
MacRae and Jones head a superb and O.K. adaptation.......2007-03-16
Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.
This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.
In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.
Broadway in a movie setting at it's very best!.......2007-03-06
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!
Wonderful.......2007-01-30
Beauiful.......2006-06-05
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
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Harem
Sarah Brightman , and Frank Peterson Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008W2QZ Release Date: 2003-06-10 |
Tracks:
- Harem
- What A Wonderful World
- It's A Beautiful Day
- What You Never Know
- The Journey Home
- Free
- Mysterious Days
- The War Is Over
- Misere Mei
- Beautiful
- Arabian Nights
- Stranger In Paradise
- Until The End Of Time
- You Take My Breathe Away
Amazon.com
If one's notion of "world music" promises a touch of the exotic and indigenous, often overlooked is the fact that the influence of western pop music has seeped into every corner of the globe, creating a hybrid that's often more than merely the sum of its influences. Theater vet Brightman steps into that pan-cultural hall of mirrors here, wedding her fascination with the music and rhythms of the "forbidden places" (the title's Arabic meaning) of the Middle East to her own oft ethereal vocal charms and rock-solid sense of drama. And if the diva's equally sound crossover sensibilities (and that of longtime producer Frank Peterson) sometimes mire it in familiar world-beat pastiche, Brightman's charmed muse manages some transcendent moments nonetheless. Her musical borrowings (Borodin for the title track; Puccini's *Madame Butterfly* for "It's a Beautiful Day") are as compelling as her choice of collaborators: classical violin star Nigel Kennedy and Iraqi vocalist Kadim Al Sahir add compelling touches to the weary timeliness of "The War is Over." The musical influences range from Europe across the Mediterranean and as far East as the Indian roots of "Bollywood" composer A.R. Rahman's "The Journey Home" and Brightman's own "You Take My Breath Away" to evocative recastings of the emblematic standards "Stranger in Paradise" and Louis Armstrong's "What a Wonderful World," while ex-Killing Joke keyboardist Jaz Coleman provides the savory East-meets-West orchestrations that ensure Brightman's star turns the seamless foundations they deserve. --Jerry McCulleyAmazon.com
Sarah Brightman Photos
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
harem .......2007-05-28
New to Sarah Brightman.......2007-03-12
Stranger in Paradise - More Like Stranger in a Lost Cause.......2006-12-30
No voice like hers in the world.......2006-10-01
Brilliant Brightman, Her best CD........2006-09-18
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Gershwin Plays Gershwin: The Piano Rolls
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J1I Release Date: 1993-11-09 |
Tracks:
- Sweet And Lowdown
- Novelette In Fourths
- That Certain Feeling
- So Am I
- Rhapsody In Blue
- Swanee
- When You Want 'Em, You Can't Get 'Em...
- Kickin' The Clouds Away
- Idol Dreams
- On My Mind The Whole Night Long
- Scandal Walk
- An American In Paris
Customer Reviews:
Wonderfully American.......2007-05-14
When I listen to this CD now, and which is most surpring to me, I hear a profound pride in America - back "before." I play it when I have people over and we put burgers on the grill. This CD is the song of sitting in my back yard with the clouds blowing by and for the moment things feel OK.
"Before" - OK, there is no old perfect Amercia; but I'm thinking of the time before we learned to distill petroleum into toxic pollution, before pride meant vanity and thuggery, before hate-filled invective became public amusement, and before presidents went to war because it was good for business.
A Gersh-winner.......2007-01-07
The existing films of Gershwin (who died of a brain tumor at age 38 in 1937) show him to be a virtuoso at his instrument. His 1924 acoustic recording of Rhapsody In Blue (with the Paul Whiteman orchestra) is further evidence of this. But no film or recording has what is contained within the album GERSHWIN PLAYS GERSHWIN: THE PIANO ROLLS, and that is-- full fidelity range.
The CD comes in a standard jewel case packaged in a heavy paper slipcover. Biographical liner notes are included along with details on the rolls. The earliest performance in this set is from 1916, made when Gershwin was an 18-year-old song plugger. My favorites here are "Swanee," from 1920, and "An American In Paris," from 1933, which is undoubtedly one of the last significant piano rolls ever made.
Gershwin's dynamic performances are not in the least obscured by the few extra notes added to the piano rolls (such practice was standard in those days). Listening to these recordings is like sitting next to this brilliant man, observing his fingers fly over the keys as he plays some of his best work.
TOTAL RUNNING TIME -- 60:36
Interesting... but I think I'd prefer a good Gershwin interpreter.......2006-05-14
This album is charming in its own way -- a taste of the music and performance style of a bygone era. Someone complained that these rolls were edited. So what? I'm going to review the final product, now how it was made. Do you eat sausage? Ask not what's in it!
I like to listen to this CD in short bits -- a few songs at a time. For some reason I find it to be fatiguing if I listen for more than 20 minutes or so. I'm not absolutely sure why this is so. Possibly the meter is just a little too metronomic on many of the songs. This lends a "mechanical" quality to the performances.
Additionally, I felt that the dynamic range was restricted. The music does get louder and softer, because of the piano rolls themselves and because of the computer programming used to read the piano rolls -- the dynamics were deliberately adjusted by the record producers in some spots, if I read the liner notes correctly. And yet. And yet. Still these songs do not dynamically "breathe" fully in and out the way they ought to. I find this disappointing, but I think it has something to do with inherent limitations in piano roll recording technique. I'm guessing.
Taken for what it is, it is an interesting concept, and the sound quality is very pleasant. The performances are very good for piano rolls, but fall short of what a good interpreter could do. Take, for example, the Rhapsody in Blue from Woody Allen's Manhattan soundtrack. Listen specifically to the piano part -- the dynamics and variations in rhythm. This is not by any means the best performance of Rhapsody, but it is better than the Gershwin rolls.
Gershwin's playing overated.......2006-04-09
transcriptions of Jelly Roll Morton's piano rolls (on the same label) instead because most of those are exactly how he played them and in my opinion Morton was a better musician in every way than Gershwin.
The jazzy Gershwin. What a CD!!!!!!!.......2006-02-23
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My Big Fat Greek Wedding
Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AAUC Release Date: 2002-07-16 |
Tracks:
- Stalia, Stalia
- Xekina Mia Psaroboulla
- Orea Pou Ine I Nifi Mas
- Moose Caca
- Kefi In Katavia
- Secret Garden
- Yasoo
- Istanbul Coffee House (Kafe Neio)
- Time With You
- Yiayia
- Generations
- Toula And Ian
- Apples N' Oranges
- All My Only Dremas
- First Date
Amazon.com
Ask anyone who's attended one and they'll tell you: there's nothing quite as colorful--and emotionally melodramatic--as a Greek wedding. Based on Winnipeg actress-comedian Nia Vardalos's one-woman show and brought to the screen by Rita Wilson and husband Tom Hanks, the film tells (with some parallels to Moonstruck) the story of a thirtysomething Greek spinster for whom falling in love with a "Xeno" (non-Greek) is surely the easiest part of a wedding that more than lives up to its billing. The film's soundtrack perfectly captures those swirling clouds of ethnic and romantic tension. Its first half largely sets up the rich cultural atmosphere with a lively sampling of traditional Greek folk music (featuring selections by Alexandros Xenofontos, John Tsifliklis, Eman, Nick Kutsukos, Daghan Baydur, and Richard Thomas), while the score proper from Alexander Janko (with help from Chris Wilson) slyly segues from similar fare ("Moose Caca," "Yasoo," "Yiayia") to more traditional orchestral film music. That sometimes electro-pastoral, compelling music has parallels with Rachel Portman's and offers the collection a sense of emotional completion. --Jerry McCulleyCustomer Reviews:
Great disappointment on amazon's shipping method.......2007-07-07
To be honest, This is the first time i didn't manage to receive my good from E-commerce Portal. I totally didnt expect this happen from reputable Amazon.
Nonetheless. I must admit your friendly customer service, they are always willing to assist me to reprocess or the refund the marchant.
Please kindly review your shipping method. or perhaps let me know what had happened to my shipping address or my goods. so i could still have confident to make purchase on your website again.
The Greek Music-.......2006-02-10
-MICHAELA
Great flick but bad cd.......2004-04-29
http://www.cdbaby.com/cd/taki76
The Greek Music is Great.......2003-05-05
Amazingly Relaxing CD!.......2003-03-08
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Dreams of a World
Manufacturer: Teldec ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002DEUI Release Date: 1999-11-02 |
Tracks:
- Virgillo
- Cancion
- Danza No. 1
- Fantasia
- Black Is The Color Of My True Love's Hair
- Darling Cora
- Putney Hymn
- Finale
- Londonderry Air
- Agua E Vinho
- Romanza
- Brisas Del Torbes
- Canto Siboney
- Preludio No. 6: Dolor
- Recuerdos De La Alhambra
- Four Songs: Of Sting And Honey - Tomorrow - Jerusalem Of Gold - Spy Girl
- One Day In May
- You Have Set My Star
- Varre Vento
- Dedicatoria
Amazon.com
This disc is obviously aimed at the world-music audience, if one judges from its title and the subtitle, "Folk-Inspired Music for Guitar." But that shouldn't dissuade listeners interested in more serious music. Isbin has collected original pieces and arrangements from Spain, Latin America, Appalachia, Ireland, Israel, and Greece--all of them quite lovely. It's really amazing to hear, for example, the "Londonderry Air," better known as "Danny Boy," in such a sympathetic arrangement by the late Japanese composer Toru Takemitsu. She plays with such technical mastery that you wind up taking it for granted, while appreciating her songful delivery of this highly varied program of music, which was mostly first intended for the human voice. The uncommonly attractive booklet, including photos of Isbin as a world traveler, is another asset to this fine program, as is Teldec's realistic recorded sound. --Leslie GerberCustomer Reviews:
"Dreams of a World": A Dialogue..........2005-03-28
Cancion y danza for guitar, Agua E Vinho Mahar and Yerushala'im shel zahav are pieces which can easily be overly sentimental and languorous. Ms. Isbin keeps a pleasant balance between the melancholy in her phrasing, the underlying dynamism of her voice
and the warm character of the pieces. I can only recommend Dreams of a World to anyone in search of high quality music played by an artist, not merely a technician.
Dreams with raw emotions. .......2005-01-24
I highly recommend Dreams of a World.
Still a dream ..........2004-12-26
First, let me say, I hope that they are good friends, because they are both landmark musicians and worthy "competitors." Both clearly play with absolute love for both the music and the instrument. In short, I prefer Isbin's recording of the Pipo "Danza," even though, overall, Russell's playing is technically cleaner and more facile (but not by much). (Across his entire CD, I recall barely any string noise from Russell, where as Isbin manages a mere dozen or so clear such imperfections across her entire and ample CD; big deal).
I think the thing that draws me to Isbin in this piece (and her CD, in general) is her incredible variety of rhythm, attack, and tone color, all of which combine to give an impression of near perfect balance between spontaneity and precision. She has a way of taking time without the slightest sense of delay or heaviness. This is probably because her tempo never changes, only the rhythm around it, which is a classic hallmark of rhythmic mastery. This means that she hears and feels, both deeply and objectively, every moment of "sound and space" (notes and rest) from beginning to end, like an unbroken line painted across a master's canvas. Combined with this, she uses the space between her bridge and finger board to elicit the most amazing contrasts in tone color (one of the great contributions of Segovia to the art).
Russell plays with equal mastery of rhythm and attack, perhaps aided by the remarkable sonic depth built into his guitar. While he makes maximum use of that wonderful guitar sound, he is somewhat less dramatic in his changes of volume and tone color between phrases, aiming for a more consistent and lyrical quality, certainly another aim of mastery in itself, but there in lies the difference. Still, his sharp shaping of phrases, especially in his choice of Spanish music on his entire CD, with that impeccable technique behind it, weaves a spell all its own.
So, even though Russell's is among the finest pure Spanish musical CDs available, and one of my favorite in that genre (musical realm), I still have to give my nod to Isbin's multi-national effort for its unmatched ability to conjure, especially today, the most sublime dreams of a better world.
An Elegant Journey Around The World.......2004-07-09
Simply Superb.......2004-07-07
Dreams of a World is the type of CD you come back to over and over again. Each listening reveals a new layer of complexity and mastery. To master an instrument requires a unique blend of disciplined technique and creative emotion. One may aspire to being a perfect technician and yet lack in emotive nuance. One may aspire to evoke emotion and yet lack proper technique. In either case the listener is left wanting. Isbin however, inspires by combining flawless technique with passionate creativity. For example, the works by Neomi Shemer shimmer. Isbin's technique, her emotion, and her versatility shine forth on this CD. This is a beautiful work, and should be in every music lovers collection.
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Dreamgirls in Concert (2001 Concert Cast)
Henry Krieger , Audra McDonald , Brian Stokes Mitchell , Emily Skinner , and Darius de Haas Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005Y4P4 Release Date: 2002-02-26 |
Tracks:
- I'm Looking for Something, Baby
- Goin' Downtown
- Takin' the Long Way Home
- Move (You're Steppin on My Heart)
- Scene: Fifty bucks says the Dreamettes don't win
- Fake Your Way to the Top
- Scene: It ain't working, Marty
- Cadillac Car
- Cadillac Car (On the Road)
- Cadillac Car (Recording Studio)
- Scene: I don't believe they can do that
- Steppin' to the Bad Side
- Scene: I'm working on a long shot
- Party, Party
- I Want You, Baby
- Scene: I'm a woman now
- Family
- Scene: What are you doing to that girl?
- Dreamgirls
- Press Conference
- Heavy
- Walkin' Down the Strip/Scene: Las Vegas
- It's All Over
- And I Am Telling You I'm Not Going
Tracks:
- Opening Act II: Dreams Medley
- Scene: Effie White is the best singer you're gonna find
- I Am Changing
- Vogue Sequence
- When I First Saw You
- Ain't No Party
- I Meant You No Harm
- The Rap
- I Miss You, Old Friend
- One Night Only
- One Night Only (Disco Version)
- I'm Somebody
- Hard to Say Good-bye
- Dreamgirls (Reprise)
Amazon.com
A Chorus Line may be better known, but Dreamgirls was a towering achievement for director Michael Bennett. Loosely based on the Supremes' story, the 1982 musical told a typical show-biz tale of fame, backbiting, and survival. As is often the case for one-night only events, the cast in this concert version (recorded in New York on September 24, 2001) is led by an eye-popping assortment of Broadway powerhouses: Lillias White (The Life), Audra McDonald (Ragtime, Marie Christine), and Heather Headley (Ragtime). McDonald reveals a previously undisclosed comic streak, while Headley confirms her status as a rising star. Reprising the role of Effie Melody White (created by Jennifer Holliday), White belts the classic "And I Am Telling You I'm Not Going." But the beauty of Dreamgirls is that it's so packed with catchy, Motown-influenced R&B numbers that each lead can sink her teeth into some prime material and get a turn in the spotlight. This double-CD set really makes you wish you'd been there when the show was recorded: you can hear the crowd going berserk at times, and the temptation is strong to do the same thing in the comfort of your living room. --Elisabeth VincentelliCustomer Reviews:
Dreamgirls 2001.......2007-06-27
Not the real "DREAM" experience.......2007-04-04
Forget about the film sountrack. Get this CD set. And it's far better than the original cast recording which goes lacking. More songs and more everything that makes a live performance just what it is. Live (compared to film where anything can be done to enhance a performance!) -- the energy, the excitement and the performances make this a rare treat for anyone wanting to share in the real DREAM experience.
Isn't a full Broadway revival long over due. But wait: I've heard rumors that a rvial may be "in the works. I certainly hope so. Maybe this time it will receive the Tony award it deserved in the first place.
Absolutely brilliant!.......2007-01-28
Amazing!!!!!!.......2006-12-04
One Night Only .......2006-07-19
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003CXQ Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
Great Arrangments.......2001-09-02
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Pure
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TCP9A Release Date: 2003-11-10 |
Tracks:
- Across the Universe of Time
- Never Say Goodbye
- Beat of Your Heart
- Pokarekare Ana
- Who Painted the Moon Black?
- River of Dreams
- Benedictus
- Hine E Hine
- Dark Waltz
- Amazing Grace
- My Heart and I
- In Trutina
- Heaven
- Wuthering Heights
- Pokarekare Ana [*] - Russell Watson, Hayley Westenra
Tracks:
- Silent Night [*]
- Away in a Manger [*]
- Mary Did You Know? [*]
- Mummers' Dance [*]
Album Description
A major artist in her native New Zealand, with a performance portfolio that includes the Royal Philharmonic Orchestra & Russell Watson. Hayley's voice so inspired New Zealand opera diva Dame Malvina Major she offered to tutor her. The first edition of this album was one of the fastest selling records in the classical genre of all time, surpassing even Charlotte Church! This limited edition includes one bonus track on disc one, 'Pokareare Ana' (duet with Russell Watson), & a bonus four track Christmas CD featuring, 'Away In A Manger', 'The Mummers' Dance', 'Mary Did You Know?', & 'Silent Night'. 19 tracks in all. Decca. 2003.Album Details
Limited Edition Version of the Debut Album from New Zealand Singer Hayley Westenra Comes with a Bonus Disc featuring Four Christmas Songs, Including a Version of the Loreena Mckennitt Song "The Mummer's Dance". Also Includes "my Heart and I" which Does Not Appear on the USA Version.Customer Reviews:
Pure beauty.......2005-09-06
The result: "Pure," an album that is reminiscent of early Sarah Brightman, back when she did folk songs and showtunes. Westenra sticks close to her classical sound with songs like the delicate "In Trutina" and the traditional New Zealand song "Pokarekare Ana," which is rendered with the backing of a a rather muddled male chorus and some swelling strings.
However, Westenra doesn't neglect more modern songs, and she does well in classical pop as well as straightforward classical. The big difference seems to be a bit of synth and a delicate guitar melody, in songs like the charming "Beat of Your Heart" and dreamy "Why Painted the Moon Black?" It's a smooth, thoroughly sweet crossover effect.
Westenra also eschews the usual round of classical-pop songs, like "Nella Fantasia." I love that song, but it's been done so many times. Instead, she opts for Maori lullabies, Vivaldi ballads, the neglected "Mummer's Dance" and the orchestral cathedral grandeur of "Benedictus." She even covers Kate Bush's "Wuthering Heights," adding a modern feel to the finale.
That is not to say that every choice is an excellent one. "Wuthering Heights" has Westenra trying to sound more Bush-ian, while "Amazing Grace" is too simple vocally. Aside from those, her choices of song are excellent -- rich, uplifting and beautiful, and backed by a wide range of orchestral musicians, especially the strings.
There is also an accompanying EP, in which Westenra covers four Christmas ballads, and does them all justice. Her vocals are well suited to the dignified lyrics of songs like "The Mummer's Dance" and "Silent Night," although a bit less for the still-lovely "Mary Did You Know" and "Away in a Manger."
Her vocals themselves are not operatic, but they are strong, clear and sweet, without pretensions or dramatic flourishes. The effect is stunning, more given to magic and sweetness than to keeping to classical standards. Since this was recorded when Westenra was only sixteen, one wonders how good she'll be in ten years.
Despite comparisons to Charlotte Church, Hayley Westenra is more like Sarah Brightman -- a sweet-voiced singer, straddling the fence between classical and pop. An enchanting experience.
WHAT A GIFT!.......2004-12-20
Incredible voice - Incredible CD.......2004-04-29
It is an absolutely incredible CD that any music lover should have in their collection. My favorite song is Wuthering Heights.
The Best.......2004-04-27
Charlotte is NO match..........2003-12-15
Average customer rating:
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In My Wildest Dreams
Kenny Chesney Manufacturer: Bna Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002F1G92 Release Date: 2004-07-27 |
Tracks:
- Whatever It Takes
- Somebody's Callin'
- The Tin Man
- High And Dry
- I Finally Found Somebody
- When She Calls Me Baby
- In My Wildest Dreams
- I Want My Rib Back
- Angel Loved The Devil
- I'd Love To Change Your Name
Customer Reviews:
Loved 'When She Calls Me Baby" by Rick Williamson.......2006-10-07
Classic Country With A New Twist.......2006-07-23
GREAT CD!!!.......2006-05-28
Great Cd!.......2004-08-22
Kenny's first cd re-released!.......2004-07-28
Average customer rating:
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Oklahoma!: From The Soundtrack Of The Motion Picture (1955 Film)
Oscar Hammerstein II Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002SNW Release Date: 1993-01-19 |
Tracks:
- Overture - Orchestra
- Oh, What A Beautiful Mornin' - Gordon MacRae
- The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
- Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
- I Cain't Say No - Gloria Grahame
- Many A New Day - Shirley Jones/Girl's Chorus
- People Will Say We're In Love - Gordon MacRae/Shirley Jones
- Pore Jud Is Daid - Gordon MacRae/Rod Steiger
- Out Of My Dreams - Shirley Jones/Girl's Chorus
- The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/Jay Flippen/James Whitmore/Gloria Grahame...
- All Er Nothin' - Gloria Grahame/Gene Nelson
- Oklahoma - Gordon MacRae/Charlotte Greenwood/James Whitmore/Shirley Jones/Jay Flippen/Mixed Chorus
Amazon.com essential recording
In the years before rock (and even for a few years after), the album charts were full of original Broadway cast LPs and soundtracks of the film versions of those Broadway musicals. And the soundtrack to 1955's Oklahoma! was one of the biggest--hitting No. 1 for a month that year--and becoming part of the consciousness of darn near every Baby Boomer whose folks owned a record player over the next five or so years. Gordon MacRae and Shirley Jones (in her film debut) were so good together, they repeated the formula (well, after Frank Sinatra dropped out) in the following year's film version of another Rodgers & Hammerstein classic, Carousel. Every song here--from "Oh! What a Beautiful Morning " to the closing title track--is a gem, and whether it's "People Will Say We're in Love" or "The Farmer and the Cowman," these are the most familiar--and definitive--versions. You even get the rousing overture. --Bill HoldshipCustomer Reviews:
Love it.......2000-05-18
Oklahoma soundtrack.......2000-02-23
Wonderful Romantic Musical.......1999-10-09
OKLAHOMA! st is a classic corner stone to every collection!.......1999-07-04
Wish there was more music from the film.......1999-05-29
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