| 1. Crawlspace |
| 2. Chickenwire |
| 3. V1 |
| 4. Magnetic |
| 5. Re-Entry |
| 6. Regret |
| 7. V2 |
| 8. Cowboys and Indians |
| 9. The Traveler |
| 10. Boudoir |
| 11. V3 |
| 12. Down at Larry's |
| 13. The Golden Path |
| 14. Dusk |
| 15. V4 |
Editorial Reviews
OHN formed when a diverse group of musicians from several well known Austin bands found a common musical ground. While recording at Romper Room Studios, a lush mix of downtempo electronics, deep bass rhythms, melodic guitar journeys and vintage key grooves was born and shaped into what is now their debut album, "Lets Get It...". Bildeaux, founding father, programmer and producer, has worked on material for talented artists such as Jarboe from the Swans, Riggs from Rob Zombie, and Laura Scarborough. Bildeaux is also a former member of Los Angeles' 16 Volt, as well as a former member of Austin's Soak. Guitarist Chal Boudreaux also hails from Soak and plays with the band Dexter Freebish. Chris Forshage has played with many acts including Larry, Grass, Groovin Ground and Eden's Plot. Andrew Tachovsky is also a guitar veteran, previously sharing stages with Chris in Pura Vida. Ryan Blum-Kryzstal plays keys and sings with Oceanic, and Sugar has played drums and samples with many Austin bands such as Retarded Elf, House in Orbit, Soak, and Burn.
Product Description
In their debut offering, Ohn crafts a well-rounded sound. Starting with a base of sampled rhythm loops, they gently stir in bass grooves and keyboard sounds, melting it all down in a hot bath of guitar fuzz. In this fresh Austin six-piece, the ingredients are premium. Each member displays seasoned musicianship and has paid his dues with a variety of bands, including 16volt, Soak, Dexter Freebish, Grass, Groovin Ground, Eden's Plot, Oceanic, Retarded Elf, House In Orbit and Burn. The guitar and bass are played live and the keyboard flavors are authentic and diverse. Substituting a laptop for an acoustic drum kit helps fuse their sweet patchouli sensibility with the groovy styling of electronica, broadening their sound. The drum tracks are cut lean and spliced so nice that you'd never know they were digital, (until they bust out with impossible sounds). The result is a collection of instrumental jams that root their influence jazz-fusion while simultaneously sporting a forward thinking sound. This album is not your standard club fare, and though it can inspire one to shake it at times, its downtempo feel promotes an erotic, almost aphrodisiatic effect. Its 15 tracks tell the story in four acts separated by interludes. I found the most rewarding portion in the third section, among tracks such as "Cowboys and Indians" and "The Traveler." Here, the songs seem to come to terms with their wandering nature, and the album finds itself before propelling into a rollicking climax.
Let's Get It,OHN,The Orchard,Dance Music,Electronic,Pop
Average customer rating:
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Let's Get It on
Marvin Gaye Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007FOMQ Release Date: 2003-01-14 |
Tracks:
- Let's Get It On
- Please Stay (Once You Go Away)
- It I Should Die Tonight
- Keep Getting' It On
- Come Get To This
- Distant Lover
- You Sure Love To Ball
- Just To Keep You Satisfied
- Let's Get It On (The Single Version) (Bonus Track)
- You Sure Love To Ball (The Single Version) (Bonus Track)
Amazon.com
Marvin Gaye's 1973 album, Let's Get It On, is a marvel of sexual blandishment every bit the artistic equal of, say, John Donne's best seduction poems. The difference, though, is that the poetry here isn't in the verse--which gets a trifle clichéd--but in the supple pulse of the grooves and in the aching need of Gaye's sensual voice. The marvelous title track, a No. 1 hit, riffs on the earlier hook of Gaye's "What's Going On" to reach a more primal climax, and everything else here--a steamy swirl of sax, strings, and backing voices--is sexy, beautiful, and simply sublime. --David CantwellCustomer Reviews:
Hugely disappointing followup to What's Going On.......2007-06-27
Now this is still Marvin Gaye, and he still can make some very good songs - the best of course being the title track: solid drumming, great overdubbed vocals, subtle strings... classic song. So is Come Get to This, nice sax part even if the beat is a bit wearing. While I prefer the live version, this take on the aching Distant Lover's no slouch either, and as far as sex jams go they don't get much better than You Sure Love to Ball. The three songs I have yet to bring up - If I Should Die Tonight, Just to Keep You Satisfied, Please Stay (Once You've Gone Away) are just sheer fillers, nothing else. And no Funk Brothers? That's a problem.
Let's Get It On is an okay album, but I prefer his more personal works (What's Going On; Here My Dear) hugely.
Marvin the Prophet of Romance..........2007-04-03
Legendary sensual grooves from a music icon revisited. (3.5 stars).......2006-07-04
Soul Supreme.......2006-04-25
Marvin Gaye was a terrible perfectionist and a troubled soul. That shows on this album in a good sense. The songwriting is inspired, the music almost divine. Yet in spite of the lush and sexy arrangements the record is never easy on the ear once you decide to dive deeper into it. The title song suddenly appears to be a strange combination of courting and celebration of God and love, the latter often interchangeable in Marvin's world. This combination of themes suddenly gives the album unsuspected depth. While at first glance it does seem to be simply a bedroom suite the album turns out to be about the destructive and redeeming quality of relationships. Let's is a frank album of longing, ache and guilt. Distant lover is as much about fresh love just out of reach as it is about distant love suddenly emotionally out of reach. The closing track Just To Keep You Satisfied, deals with alienation even more explicitly. Ironically the tune is written in collaboration with his wife and sounds as a goodbye note. Satisfied is at the same time filled tender memories and poisoned love. Marvin and Anna would divorce not long after the release of the album.
The deluxe edition, available elsewhere, does more justice to the album than the deluxe What's Going On did. Where the latter was essentially the same album three times, a rough mix, the final master and a live version. The deluxe Let's shows us the process Marvin went through to get to this album. After What's Going On Marvin was plagued by a writers block. Marvin tried different approaches to a new album, quickly disbanding them all. There are Jazzy outings with Herbie Hancock on piano, first sketches of a second political record and even some material where Marvin chose to put himself under the guidance of a producer again. Almost all of this material is really on the deluxe edition is unreleased and worth while, yet it never reaches the brilliance of the final album. Marvin found his muse in Janis. Sadly it was the last time he would truly shine. The follow-up I Want You is a fine effort but never reaches the heights Let's Get It On did.
One of the top 5 albums of all time.......2006-01-20
Let's refer to this as an album as opposed to a CD. When it was released in 1973, it was a concept album, and if you listen to it start to finish, it takes you through the phases of a relationship that starts out with a bang, and ends with the banging of a gavel.
It begins raw and pleading with "Let's Get It On", moves to declarations of true love with "If I Should Die Tonight" and ends on a sad note with "Just To Keep You Satisfied". The additional tracks don't add to the total enjoyment of the album as it was intended. It's like a going back for a salad after dessert at the end of your 7 course meal.
As a single (with a remake of the Temptations' classic "I Wish It Would Rain" as its B-side), "Let's Get It On" sold over 2 million copies during its first 6 weeks of release, eventually topping 4 million copies sold. The lyrics were originally penned by Ed Townsend, but Marvin changed them to impress his very young girlfriend, who was present at the recording of the song. You can hear an example of what the original lyrics were on "Keep Gettin' It On", which is track 4 here.
Marvin wrote or co-wrote all of the songs on the album. He also arranged and sang background vocals. He got his start in Washington, DC with a doo-wop group called the Moonglows, and that doo-wop influence is evident throughout this album, especially on "Please Stay" and "Distant Lover".
Listening to this album demands that it be dark outside, the lights inside dim, and you have someone with you that you don't mind being real close to.
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
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Let's Get It: Thug Motivation 101
Young Jeezy Manufacturer: Def Jam ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VJWQS Release Date: 2005-07-26 |
Tracks:
- Thug Motivation 101
- Standing Ovation
- Gangsta Music
- Let's Get It/Sky's The Limit
- And Then What
- Go Crazy
- Last Of A Dying Breed
- My Hood
- Bottom Of The Map
- Get Ya Mind Right
- Trapstar
- Bang
- Don't Get Caught
- Soul Survivor
- Trap Or Die
- Tear It Up
- That's How Ya Feel
- Talk To Em
- Air Forces
Amazon.com
Young Jeezy is hardly breaking new ground in rapping endlessly about the similarities between the trap game and the rap game. He joins a distinguished line of former 'caine slangers turned MC--Scarface, Jay-Z, the Clipse, Biggie, etc. However, despite the familiarity of Jeezy's topics, this Atlanta rapper has managed to make a bi-coastal splash through the strength of his mic presence and charisma. As the stand-out member of ATL's Boyz N Tha Hood, Jeezy has distinguished himself against the field of contemporary rappers. More rugged than the Game, though not as charming as Cam'ron, Jeezy's work-horse flow and lyrics are draped into evocative street-level realism. Though the Southern influence is obvious in many of the album's bounce and crunk-influenced beats, he shows an impressive diversity of sound selection including on his current street anthems for this summer like"Trap Star," "My Hood," and the sublimely melancholy "Go Crazy." -- Oliver WangCustomer Reviews:
I luv it.......2006-12-14
Top 10 Rap Album of 2005.......2006-10-26
Something about this release.........2006-10-10
I'm a large fan of east coast hip-hop, and when it comes to subject matter, Jeezy appears to fit in with the first coast moreso than the second and third, even if it's not where he actually hails from. The majority of this album shows you exactly where Jeezy's Snowman alias comes from; it's about moving the white stuff. No, I don't mean the powdered sugar you sprinkle over your pancakes on Christmas morning, although it is something else with a powderary substance.
When it comes to hip-hop, although New York's my home for the music, I also find great comfort in good Southern albums. I'm actually quite affectionate of them; I understand that most of the south isn't full of profound lyricists, but they do the best with what God gave them. Houston's my number one spot for hot Southern artists, but Atlanta's a place I visit quite often; before Jeezy, for OutKast, Goodie Mobb, and T.I. It looks like I'll have to stop at Young Jeezy's during my time there now, too.
But what is it that seperates Jeezy from the rest of the gangstas today? What seperates him from the 50 Cents, Tony Yayos, Jim Jones, and Rick Rosses of hip-hop, and where does he succeed where these artists fail?
Personality. Charisma. Microphone presence. Things that rappers better than him lyrically don't always possess. He also has one hell of an ear for beats, and no matter how cheesy his continuous "Yeeeeeeeeeeeahs" and "Riiiiiiiiiiiights" may get, they contribute to the infectiousness of Jeezy's music.
This isn't a classic release. There are a few mishaps here and there on the album, and no matter how oddly charming Jeezy maybe, he can get on your nerves after a long period of time. Tracks that never get old(in my opinion) are cuts like "Soul Survivor," the title track, "Standing Ovation," "Trap Star," "And Then What," and "Go Crazy." This is Southern fried hip-hop with a heavy east coast influence. Jeezy isn't getting it crunk, and Jeezy isn't getting metaphysical; he's just rapping about what he knows, and that's enough to make this a quality release. Recommended to those with an open-mind.
Its alright.......2006-10-02
Terrible garbage........2006-09-04
Meanwhile, the only "music" provided is a backing track cued by some dude backstage. It makes for the most dull, predictable "concert" you'll ever see.
I can't wait until all this nonsense just disappears. In a world of common sense, these idiots would still be flipping burgers at McDonald's.
Average customer rating:
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000004CYV Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
The greatest songs ever?.......2007-07-26
Please buy it.
A musical treasure-box.......2006-09-10
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
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Kiri Sings Berlin
Irving Berlin , Jonathan Tunick , Abbey Road Ensemble , and Dame Kiri Te Kanawa Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002RYP Release Date: 1998-01-20 |
Tracks:
- Let's Face The Music And Dance
- I Got The Sun In The Morning
- How Deep Is The Ocean?
- What'll I Do?
- Blue Skies
- It's A Lovely Day Today
- They Say It's Wonderful
- Say It Isn't So
- Cheek To Cheek
- Isn't This A Lovely Day?
- Always
- The Song Is Ended
- I've Got My Love To Keep Me Warm
- It Only Happens When I Dance With You
- Easter Parade
Amazon.com
After several recordings of American popular music, Te Kanawa has become a very effective crooner, phrasing with heretofore missing panache. The easy, jazzy Riddle-like arrangements are bouncy and appealing. But after 15 selections, the mysterious dissatisfaction of eating Chinese food and feeling hungry an hour later remains. Tunick writes in his program notes that "the waltz ballads ... are poignant and moving, but never stray into sentimentality." But why not? A little mushiness would serve this recording well, and also contribute to a desperately lacking variety of interpretation. Still, the voice is consistently gorgeous; it would just be nice to distinguish the happy songs from the sad. --Barbara Eisner BayerCustomer Reviews:
Irving Berlin at his best.......2007-06-26
Get's my vote!.......2004-04-03
And I've heard many of them, and I love their work.
But Kiri Te Kanawa is different. She was given one of the most beautiful instruments in the history of sound recordings. Thank God the recording companies figured out what they had and put her in front of a microphone early and often.
We have had a rare opportunity to experience a great artist from almost the start of her career clear through to what now must be it's final stages.
I, for one, feel privileged.
Thank you, Dame Kiri. The world is a little better place because of you.
Jazzy and Beautiful.......2002-09-01
I love it!.......2002-05-14
I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.
Gatsby would have loved it, and surely would have invited Kiri to all his parties!
Simply Dreadful.......2001-01-17
Her version of "What'll I do" alone earns her a place on the top ten list of abominable recordings of American music.
Average customer rating:
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Let's Get It On
Prata Lucas Manufacturer: Ultra Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000CQO0WG Release Date: 2007-01-08 |
Tracks:
- It's Time (Interlude)
- And She Said
- Never Be Alone (Valentin Radio Edit)
- Love Of My Life w/Reina
- We Got It Going On
- Wanna Be
- Sorry Mary
- Let's Get It On
- I Think I'm Falling In Love
- Feel The Love Again
- Dan Balan and Lucas Prata- The Ma Ya Hi Song
- The Best Of Me Feat. Elliot Sloan
- Alright
- More Than Words Can Say
- Y Dices Feat Adassa (English Reggaeton Mix)
- And She Said...Val Sunset Mix
- Never Be Alone- Spanglish Mix
Customer Reviews:
WOW!, IT'S SO COOL, I'M DANCING!.......2007-05-31
HI-NRG, Euro, Italo dance fans pick this up!.......2006-09-06
Great CD from unknown singer.......2006-06-03
Lucas Prata - "Let's Get It On".......2006-03-17
The interludes between the songs are incredible and make the album a smooth journey. Definitely a excellent buy.
Average customer rating:
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Bea Arthur on Broadway - Just Between Friends
Bea Arthur Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YTRL Release Date: 2002-02-12 |
Tracks:
- Lamb Recipe
- Fun To Be Fooled
- Introduction
- What Can You Get A Nudist For Her Birthday?
- Auditions
- Isn't He Adorable
- Fiddler on the Roof
- Let's Face The Music And Dance
- Bosom Buddies
- Angela Lansbury
- Threepenny Opera/ Pirate Jenny
- It Never Was YOu
- And Then There's Maude
- Some People
- The Soup Ladle
- Where Do You Start
- Bernie Schwartz
- If I Can't Sell It, I'll Keep Sittin' On It!
- Personal Hygiene
- Who Cares
- Fifty Percent
- The Nun's Story
- You're Gonna Hear From Me
- The Chance To Sing
- The Man in the Moon is a Lady
Amazon.com
More comedy monologue than musical performance, Bea Arthur's one-woman show Bea Arthur on Broadway: Just Between Friends collects memories from the silver-haired star's life on Broadway (Fiddler on the Roof, Mame, The Threepenny Opera) and television (Maude, The Golden Girls)."I wanted to see if I had the guts to just come and be myself," Arthur says in this performance recorded in front of a live audience in December 2001. Alongside co-creator and pianist Billy Goldenberg, she offers wry and often funny anecdotes about her career and the people she's worked with (Angela Lansbury, Pia Zadora). When she does sing ... well, even decades ago Arthur didn't have a beautiful voice, but she's well-suited to the comedy songs. And her versions of Kurt Weill's "Pirate Jenny" and Goldenberg's own "Fifty Percent"--while they won't make anyone forget Lotte Lenya or Dorothy Loudon--are effective in their own right. Bea Arthur on Broadway is definitely more Bea than Broadway, but it's a career well worth remembering. --David Horiuchi
Customer Reviews:
And Then There's BEA!.......2007-01-20
Golden Girl Shines Brightly.......2005-10-21
Alive and Unforgettable.......2004-11-21
The simple truth was that I was stunned. Completely stunned. Again, this sounds as the same, alive, malicious woman who portrayed those "affirmative women" on TV (per her own words). She mocks her own voice, recalling the humiliation of being mistaken for the man of the house through the phone ... and some--who buy this disk with the intent of getting a faultless musical performance--might agree (and according to some reviews her, HAVE agreed) that her voice is perhaps too deep, too cutting, not pure enough. But this is NOT (and I stress it) a musical performance per se, it is not a perfectly rounded voice singing perfect standards.
What this disc is? A drama performance. The songs are intermissed with speech interludes, during which Bea narrates anecdotes from her past experience as an actress--and that's is PRECISELY what is MAGIC. You feel as though she's inviting you to witness the high points of her life, and it's a very nice place. The songs, seem alive as rarely before, because they are performed. She renders them with life, and make the most of her abilities.
I really appreciated some of the smaller things. You get to recognize her trademark, slightly embarassed, `You know' ... She'll make you laugh with good natured reminiscence ("A Mother's Ingenuity"!); some of the songs are delightfully imperfect, (I learned to love the half-sung/half-spoken "What Do You Start" ...), some others are wonderfully dynamic ("What Can You Get a Nudist For Her Birthday?", "Threepenny Opera/Pirate Jenny" ...), but all are very enjoyable ...
Be it "Isn't He Adorable?" or "If I Can't Sell It, I'll Keep Sittin' on It" ... every track on this disc will have you fondly reminisce or curiously discover the career of one helluva woman.
You really can't be disappointed. I promise.
If only we could have a visual as well!
A trip down memory lane..........2003-10-19
Bea is most known for her role on the sitcoms Golden Girls and Maude, but she's done so much theater work as well.
She was in the cast of the original U.S production of "Threepenny Opera" starring Lotta Lenya, and in the original cast of "Fiddler On The Roof" and "Mame". But Bea started her theater career in a show called "The Shoestring Revue".
Bea stoled the scene every night when she performed as yente the Matcmaker on "Fiddler On The Roof" and she also got a hole lot of response as Vera Charles on "Mame", starring Angela Lansbury. In this live performence Bea performs a collection of songs chosen by herself, such as, "Let's Face The Music And Dance", "Isn't He Adorable", "Fifty Percent" and her theme song from Mame "The Man In The Moon". Bea is absolutely one of our time finest performers, with her witty sence of knowledge and her indefiable voice she has establised herself as a broadway legend, alongside Judy Garland, Elaine Stritch, Mary Martin. She is one of the last broadway female legends alive. And still going strong, Bea is rounding 80, but you wouldn't notice.
Do yourself a favour and take a trip down down memory lane, it's your chance to hang out with the last female broadway legend around.
A Truly Remarkable Accomplishment.......2003-06-16
Average customer rating:
|
Let's Get It On [Deluxe Edition]
Manufacturer: Motown ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005O02R Release Date: 2001-09-18 |
Tracks:
- Let's Get It On
- Please Stay (Once You Go Away)
- If I Should Die Tonight
- Keep Gettin' It On
- Come Get To This
- Distant Lover
- You Sure Love To Ball
- Just To Keep You Satisfied
- Song #3 (Instrumental)
- My Love Is Growing
- Cakes (Instrumental)
- Symphony - Undubbed Version
- I'd Give My Life For You - Alternate Version
- I Love You Secretly/The Miracles
- You're the Man - Alternate Version
- You're The Man - Alternate Version 2
- Symphony - Demo vocal
Tracks:
- Let's Get It On - Demo
- Let's Get It On (Part III) A.K.A. Keep Gettin' It On - Complete
- Please Stay (Once You Go Away) - Alternate Mix
- If I Should Die Tonight - Demo
- Come Get To This - Alternate Mix
- Distant Lover - Alternate Vocal
- You Sure Love To Ball - Alternate Mix
- Just To Keep You Satisfied - A Cappella w/Alternate Vocal
- Just To Keep You Satisfied/The Originals (1970)
- Just To Keep You Satisfied/The Monitors (1968)
- Where Are We Going? Alternate Mix
- The World Is Rated X - Alternate Mix
- I'm Gonna Give You Respect
- Try It, You'll Like It
- You Are That Special One
- We Can Make It Baby
- Running From Love (Instrumental Version)
- Mondata (Instrumental)
- Running From Love (Instrumental) - Version 2
- Come Get To This - Live From Oakland
Amazon.com
Marvin Gaye's 1973 album, Let's Get It On, is a marvel of sexual blandishment every bit the artistic equal of, say, John Donne's best seduction poems. The difference, though, is that the poetry here isn't in the verse--which gets a trifle clichéd--but in the supple pulse of the grooves and in the aching need of Gaye's sensual vo