Come to Me (Single & Remixes) [CD-single] [Import]

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Average customer rating: Monsoon Wedding Soundtrack is Terrific Loved it! Just as fabulous as the movie! Love It, Love It, Love It Culture-Happy-Dance-Reflect-Appreciate-Savor-Relax-Laugh

Monsoon Wedding (Score) Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Monsoon Wedding Bend It Like Beckham The Best of Bollywood Bride & Prejudice Bhangra Beatz ASIN: B00005UKLV Release Date: 2002-03-05

Tracks:

1. Feels Like Rain
2. Aaj Mera Jee Kardaa (Today My Heart Desires)
3. Baraat
4. Aaj Mausam Bada Beimann Hai (Today The Weather Plays Tricks On Me)
5. Your Good Name
6. delhi.com
7. Fuse Box
8. Mehndi/Madhorama Pencha
9. Banished
10. Good Indian Girls
11. Fabric/Aaja Savariya (Come To Me, My Beloved)
12. Allah Hoo
13. Hold Me, I'm Falling
14. Love And Marigolds
15. Chunari Chunari
16. Aaja Nachle (Come On Dance!)
17. Aaj Mera Jee Kardaa (Zimpala Remix)
18. Fuse Box (Alexkid's Dub Remix)
19. Fuse Box (Julio Black Remix)

Amazon.com

Monsoon Wedding is Mychael Danna's second collaboration with film director Mira Nair, (Kama Sutra was the first), and he has again compiled a winning soundtrack. Danna explores a wide range of emotions, from solemn to celebratory, through different generations of Indian culture. The contemplative "Good Indian Girls" and "Hold Me, I'm Falling" feature Danna's trademark piano ambience over traditional Indian instrumentation, and the vivacious "Baraat" sounds like a Punjabi variation on Dixieland, while "Delhi.com" ventures into dreamy ethno-techno territory. Sukhwinder Singh's "Today My Heart Desires" serves up lively bhangra rock, and Laxmikant Pyarelal's "Today the Weather Plays Tricks on Me" (performed by Mohammed Rafi) swoons with strings and male vocals. In all, the soundtrack's pleasing variety of Eastern music mirrors the film's old and new worlds living within a singular culture. --Bryan Reesman

Customer Reviews:

Monsoon Wedding Soundtrack is Terrific.......2007-05-18

I really enjoyed the movie and was pleased to find the soundtrack. Great cd if you're a fan of Bollywood!

Loved it!.......2007-03-24

I just saw the movie MONSOON WEDDING and I absolutely loved it! Of course, I just HAD to have the soundtrack, so I bought the Cd recently and loved it too! WOW!

The Cd will leave you in a happy mood... Wonderful up-beat songs, many are so danceable and hipnotic. I've been playing this Cd all week ...I just wish it were longer because I would love to have more Cds like this in my Cd collection.

Just as fabulous as the movie!.......2007-01-31

This is an excellent soundtrack from an excellent movie. The music is fantastic - makes you want get up and move your feet! It's got such a happy, wistful, exotic flavor throughout the CD. I think this will probably be one that I wear out from listening to it so much!

Love It, Love It, Love It.......2007-01-21

I just love this CD. I'm preferential to the work of Mychael Danna and this is another awesome work of his. There is everything from old Indian love ballads to the popular Bollywood music of today, with some very beautiful instrumentals in between.

I'd recommend seeing the movie too. As well, I'd check out Danna's music for another Mira Nair movie, "Kama Sutra: A Tale of Love."

Culture-Happy-Dance-Reflect-Appreciate-Savor-Relax-Laugh.......2006-11-06

Above I listed some words that first came to mind when I thought about this cd.
It is very Culture rich and soaked in Indian flavor. It's colorful and makes you happy with a laugh or two; as it seeks to portray the traditional music typical of a Punjabi wedding in Delhi, India.
You want to dance with most songs and sit quietly to reflect with others. I listed appreciate because we often don't sit back to appreciate the richness that other cultures provide. My 2 year old appreciates this music in her broken wanna be Hindi mimic.
She dances as does my 6 year old to this music. It's really a great CD but I would recommend seeing the movie first.

Average customer rating: Irish at it's best. Irish Magic Just got your Kleenex Wonderful! The Very Best of the Irish Tenors is just that!

The Very Best of The Irish Tenors The Irish Tenors Manufacturer: Music Matters ProductGroup: Music Binding: Audio CD All Works by Moore | Moore, Thomas | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Irish Tenors | ( I ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Tenors | Voices | Opera & Vocal | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Ellis Island The Irish Tenors / McNamara, McDermott, Kearns, Tynan Home for Christmas Sacred We Three Kings ASIN: B000069JJ6 Release Date: 2007-01-08

Tracks:

1. Toora Loora Looral
2. Will Ye Go Lassie Go
3. Spanish Lady
4. When Irish Eyes Are Smiling
5. Percy French Medley: Phil The Fluther's Ball, Come Back Paddy Reilly, The Lay Of The West Clare Reailway, Are Ye Right There Michael?
6. Amazing Grace
7. Nearer My God To Thee
8. Danny Boy
9. Fields of Athenry
10. Only The River Runs Free
11. Molly Malone
12. Last Rose of Summer
13. She Moved Through the Fair
14. Maggie
15. New Medley (combination of the 2 medleys

Product Description

1. Toora Loora Looral
2. Will Ye Go Lassie Go
3. Spanish Lady
4. When Irish Eyes Are Smiling
5. Percy French Medley: Phil The Fluther's Ball, Come Back Paddy Reilly, The Lay Of The West Clare Railway - Are Ye Right There Michael?
6. Amazing Grace
7. Nearer My God To Thee
8. Danny Boy
9. Fields Of Athenry
10. Only The River Runs Free
11. Molly Malone
12. Last Rose Of Summer
13. She Moved Through The Fair
14. Maggie
15. New Medley (Combination of the 2 medleys)

Format: CD

Amazon.com

In the short time since they grouped together a few years ago to form their sensationally successful trio, the Irish Tenors have already put out an impressive array of recordings and DVDs, including some bona fide gooseflesh-inducing live concert performances. So, if you still have the enviable pleasure of discovering these amazing vocalists--or want to turn a friend on to their musical charms--this compilation CD will do the trick nicely. It brings together such classics as "Danny Boy," "Toora Loora Looral," "Last Rose of Summer," and "When Irish Eyes Are Smiling" (featuring John McDermott)--all rendered with the kind of passionate, heartfelt, and harmonious crooning that is their signature style, whether they're singing as an ensemble or as highlighted soloists. And even if you have the complete Irish Tenors, this anthology includes several numbers not found on their previously released CDs. Hard to think of a sweeter treat for a fan of singing too good to ever go out of fashion. --Sarah Chin

Customer Reviews:

Irish at it's best........2007-05-07

This album is really the number two album from this trio. It is very good and well worth the investment. The five star album by The Irish Tenors would have to be Heritage. Both albums rate high in my book.

Irish Magic.......2006-08-21

This is my first CD of the Irish Tenors. And what a joy! I played it as soon as it arrived. I like the blend of their voices,the passion and enthusiasm they bring to this CD. What I find is a real treat is the words to all the songs are in the booklet.I love this CD.

Just got your Kleenex.......2005-12-25

I suggest a box of Kleenex for each person in the room when you play this CD or VHS recording. Mom won't let me play it anymore because she...well, you know what I mean.

Wonderful!.......2005-12-12

When it's cold and frightful here, I play The BOYZ!

So wonderful. So much fun.

Up here in backwash Maine, there ain't much, believe me. But these guys are great. Sincere, care about what they're doing, true artists.

Ah, to go to Ireland again. Well, not unless the price of natural gas recedes!

The Very Best of the Irish Tenors is just that!.......2005-01-22

This recording is wonderful. Ronan's "last Rose of summer" is unique, the Percy French medley shows all three in great voice, Finbar's Maggie is wonderful and the laurels have to go to Anthony for his magnificent rendition of "She moved through the fair", wow!!!!

Well worth buying.

Isaac Chute

Average customer rating: Bright Star Anna Netrebko: Opera Arias First DGG album--very promising Remarkable! Beautiful voice, beautiful girl

Anna Netrebko: Opera Arias Anna Netrebko , Elina Garanca , Gianandrea Noseda , Wiener Philharmoniker , and Hector Berlioz Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Sempre Libera Russian Album Violetta: Arias and Duets from Verdi's La Traviata [Includes DVD] Anna Netrebko - The Woman, The Voice Verdi - La Traviata ASIN: B00008MLSH Release Date: 2003-09-09

Tracks:

1. Idomeneo: Recitativo ed Aria "Quando avran fine omai" - Mozart
2. Don Giovanni: Recitativo accompagnato e Rondo "Crudele!" - Mozart
3. Benvenuto Cellini: Cavatine "Entre l'amour et le devoir" - Berlioz
4. La Sonnambula: Recitativo e Cavatina "Care compagne, et voi, ternei amici" - Bellini
5. Manon: Air du Cours-la-Reine "Suis-je gentille ainsi?" - Massenet
6. Lucia di Lammermoor: Scena e Cavatina "Ancor non giunse!" - Donizet
7. Faust: Ricitatif "Les grands seigneurs ont seuls des airs..." - Gounod
8. Rusalka: "Mesicku na nebli hlubokem" - Dvorak
9. La Boheme: "Quando me'n vo' (Musette's Waltz)" - Puccini

Amazon.com

Here, a year after her sensational Metropolitan debut as Prokofiev's Natasha from War and Peace, comes the debut solo recital album of 30-something soprano Anna Netrebko. She hails from southern Russia, and her emergence from the life of a conservatory student has a touch of the Cinderella tale—the bit, that is, about being discovered by Gergiev mopping floors for the Kirov as a part-time job and making her way into the Kirov's ranks. Later she became a favorite at San Francisco Opera, trying on for size a swath of comic and dramatic roles. Opera Arias parades Netrebko's way through a spectrum of vocal styles and characters. This mesmerizing lyric soprano engages--at times thrillingly grips--the listener with an imagination far greater than the disc's title (couldn't someone have dreamt up a less ridiculously bland handle?), but most significantly leaves an impression that the enterprise here isn't merely about singing. Netrebko's Ilia and Donna Anna are flesh-and-blood characters in real situations, as Mozart wanted them to be. The results are a bit more uneven with her bel canto heroines, where the required balance between Netrebko's emotional identification, so obviously a forte, and the musical phrasing thereof is a delicate one. Her shading of Lucia's mood swings, vocal and emotional, isn't consistently compelling. On the other hand, Netrebko uncovers gemlike facets not just in Gounod's "Jewel Song" but particularly in her stunning, passionately realized and beautifully phrased Manon (even if her trills disappoint). A shame that samples of her Russian repertory are missing here, though Netrebko's "Song to the Moon" from Dvorak's Rusalka concentrates and sets a mood with enviable mastery. Netrebko's musical intelligence and theatrical savvy seem destined to ensure her a magnificent career, so it's no surprise that many fans are already clamoring for more than the tease of an aria collection. --Thomas May

Customer Reviews:

Bright Star.......2007-07-13

If you like opera, if you like the lyric soprano, if the vocal range of the colortura causes goose bumps to rise, Anna Netrebko is a must. Roberta Peters, Beverly Sills, Anna Moffo, Joan Southerland, Maria Callas, she takes a back seat to none of them,she sits he front seat with the best of them and guess what? She is beautiful too.

Anna Netrebko: Opera Arias.......2007-03-29

Her voice takes my breath away, I fell in love with her.
I highly reccomend it.

First DGG album--very promising.......2007-02-01

Anna Netrebko has rapidly become a first tier star in opera. This album, her first at DGG, illustrates why some rate her so highly; it also illustrates some of the questions that some have raised about her. All in all, though, a very nice CD.

A few selections illustrate:

Mozart, Idomeneo, "Quando avran fine omai." She displays a rich and clean voice. There is a very attractive quality to her voice manifest in this work.

Mozart, Don Giovanni, "Crudele? Ah no, mio bene!...Non mi dir." This is Donna Anna's poignant aria, given her circumstances. Netrebko displays rich tones. This is a well sung cut. "Non mi dir" shows off some agility in her voice.

Donizetti, Lucia di Lammermoor. "Ancor non giunse!. . .Regnava nel silenzio. . .Quando rapito in estasi" Something of a disappointment. Coloratura is not her forte (and see her "Sempre Libera" CD for further confirmation). She clearly shows off a rich and lush voice. I think that she displays some characterization here that is compelling. She hits high notes cleanly. But her ornamentation is indifferent, and she appears unable to trill. I know, some say that that is irrelevant. But compare Beverly Sills' version of this work, with almost too many trills extraordinarily well sung and her florid technique, and this version simply pales.

Bellini, La Sonnambula. "Care compagna. . .Come per me sereno." Again, Netrebko displays a rich voice. She displays an agile voice and the ability to hit the high notes. Her rendition of "come per sereno" is spirited.

Gounod, Faust. "The Jewel Song." Very smooth singing; animated singing. But the technique does not measure up to Anna Moffo's version--let alone Joan Sutherland's.

Puccini, La Boheme. "Musetta's Waltz." Yikes! What a version. Brava Netrebko. Her darker voice is very well suited to this. The characterization of Musetta seems on the mark. A wonderful cut.

All in all, this shows the promise of Netrebko. It also indicates where her strengths are and where she does not do so well (coloratura work). However, this is a very nice introduction to her work and her art.

Remarkable!.......2006-11-02

Perhaps her voice is not as candid as some other sopranos, but her rendition of the score and interpretative expression make her and exquisite hearing pleasure. This recording shows a more matured artist capable of capturing the role dynamics and emotions.

Yes, her voice is not as lyric as you might expect, and some roles may sound a little big heavy (sometimes maybe bordering verismo), but definitively at stated before hearing her is a gloriuos pleasure, almost as good as looking at her.

Beautiful voice, beautiful girl.......2005-11-22

When I heard Anna Netrebko singing Quando Men Vo I was stunned by a voice of stunning purity, great power and sheer beauty. The best Musetta I've heard! Her Song to the moon is stunning and I love her Bel Canto! Anna Netrebko has a very bright future ahead of her. Her Mozart is top class!

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Mahler Symphonies: An Owner's Manual (includes 1 CD) The Young Person's Guide to the Orchestra (Book & CD) What to Listen for in Music Study of Orchestration, Third Edition ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Wonderful, but not my first choice THE BEST recording of the BEST oratorio ever... Too bad there are so few recordings of Elijah

Mendelssohn: Elijah Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Franz Joseph Haydn: The Creation Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel Mahler: Das Lied von der Erde Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw Brahms: Ein deutsches Requiem [A German Requiem] ASIN: B0002XV31A Release Date: 2005-02-15

Tracks:

1. Introduction: As God The Lord Of Israel Liveth
2. Overture
3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
4. No.2: Lord! Bow Thine Ear To Our Prayer!
5. No.3: Ye People, Rend Your Hearts
6. No.4: If With All Your Hearts
7. No.5: Yet Doth The Lord See It Not
8. No.6: Elijah! Get Thee Hence
9. No.7: For He Shall Give His Angels Charge Over Thee
10. Recitative: Now Cherith's Brook Is Dried Up
11. No.8: What Have I Do To Do With Thee?
12. No.9: Blessed Are The Men Who Fear Him
13. No.10: As God The Lord Of Sabaoth Liveth
14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
15. No.12: Call Him Louder, For He Is A God!
16. No.13: Call Him Louder! He Heareth Not!
17. No.14: Lord God Of Abraham, Isaac And Israel!
18. No.15: Cast Thy Burden Upon The Lord
19. No.16: O Thou, Who Makest Thine Angels Spirits
20. No.17: Is Not His Word Like A Fire?
21. No.18: Woe Unto Them Who Forsake Him!
22. No.19: O Man Of God, Help Thy People!
23. No.20: Thanks Be To God!

Tracks:

1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
2. No.22: Be Not Afraid, Saith God The Lord
3. No.23: The Lord Hath Exalted Thee
4. No.24: Woe To Him, He Shall Perish
5. No.25: Man Of God, Now Let My Words Be Precious
6. No.26: It Is Enough; O Lord Now Take My Life
7. No.27: See, Now He Sleepeth
8. No.28: Lift Thine Eyes To The Mountains
9. No.29: He, Watching Over Israel, Slumbers Not
10. No.30: Arise, Elijah, For Thou Hast A Long Journey
11. No.31: O Rest In The Lord
12. No.32: He That Shall Endure To The End, Shall Be Saved
13. No.33: Night Falleth Round Me, O Lord!
14. No.34: Behold! God The Lord Passed By!
15. No.35: Above Him Stood The Seraphim
16. No.36: Go, Return Upon Thy Way
17. No.37: For The Mountains Shall Depart
18. No.38: Then Did Elijah The Prophet Break Forth
19. No.39: Then Shall The Righteous Shine Forth
20. No.40: Behold, God Hath Sent Elijah
21. No.41: But The Lord, From The North Hath Raised One
22. No.41a: O Come Everyone That Thirsteth
23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating: Come softly to me: The very best of the fleetwoods Haunting Tunes from my Childhood Satisfied Hard to Find Excellent CD with Fabulous Liner Notes

Come Softly to Me: The Very Best of the Fleetwoods The Fleetwoods Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Pop | Styles | Music Doo Wop | Oldies | Pop | Styles | Music General | Oldies | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Complete Hits of Tommy Edwards Johnny Maestro and the Crests - 20 All-Time Greatest Hits Johnny Tillotson - 25 All-Time Greatest Hits The Very Best of Bobby Vee Duprees - All-Time Greatest Hits ASIN: B00000DRDT Release Date: 1993-08-10

Tracks:

1. Come Softly To Me
2. I Care So Much
3. Graduation's Here
4. Mr. Blue
5. Unchained Melody (A Cappella Version)
6. You Mean Everything To Me
7. Outside My Window
8. Runaround
9. Skylark
10. The Last One To Know
11. Confidential
12. Tragedy
13. Little Miss Sad One
14. (He's) The Great Imposter
15. Lavender Blues
16. One Little Star
17. Lovers By Night, Strangers By Day
18. They Tell Me It's Summer
19. Goodnight My Love
20. My Special Lover
21. Gone
22. What'll I Do
23. Ten Times Blue
24. Before And After (Losing You)
25. Lonely Is As Lonely Does
26. Radio Jingle
27. Come Softly To Me (A Capella Version)
28. Mr. Blue (A Capella Version)

Customer Reviews:

Come softly to me: The very best of the fleetwoods.......2007-05-31

I love listening to the cd especially after a long day from work.

Haunting Tunes from my Childhood.......2007-05-13

The Fleetwoods were popular in the late 50's. I'm 57 and I can recall listening to their music on AM radio when I was less than 10 years old. I recall all of the words to several of their songs and was delighted when I bought this album.

Satisfied.......2007-01-11

This CD showed me a lot of songs I did not know or had forgotten -- plus the three or so big hits. I like it. I'm glad I made the purchase.

Hard to Find.......2006-12-16

Purchased this for my dad. He seems to like it. We couldn't find it in CD stores, but Amazon came to the rescue.

Excellent CD with Fabulous Liner Notes.......2006-05-31

I leave the critic of the music to the other posters, and I agree that the music is excellent. I don't five stars idly, and only for the best of the best. But this is a solid 4 star CD.

But the liner notes are incredible. This is a small book with all their songs and albums listed, dated, with composers, and the album it was on with pictures of the records. Wow.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway - The American Musical (PBS Series) Broadway: The American Musical Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: The best and maybe the last CD of this great musical. Beautiful remastering of historic original cast recording the peerless original cast Who Put The Shake In Shakespeare? TIMELESS BROADWAY SHOW

Kiss Me, Kate (1948 Original Broadway Cast) Cole Porter , Alfred Drake , and Patricia Morison Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Classic Musicals | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Kismet (1953 Original Broadway Cast) South Pacific (Original 1949 Broadway Cast) My Fair Lady (1956 Original Broadway Cast) Guys & Dolls: A Decca Broadway Original Cast Recording (1950 Original Broadway Cast) Gypsy - A Musical Fable (1959 Original Broadway Cast) ASIN: B000007OHT Release Date: 1998-06-02

Tracks:

1. Act I: Overture
2. Act I: Another Op'nin', Another Show
3. Act I: Why Can't You Behave?
4. Act I: Wunderbar
5. Act I: So In Love
6. Act I: We Open In Venice
7. Act I: Tom, Dick Or Harry
8. Act I: I've Come To Wive It Wealthily In Padua
9. Act I: I Hate Men
10. Act I: Were Thine That Special Face
11. Act II: Too Darn Hot
12. Act II: Where Is The Life That Late I Led?
13. Act II: Always True To You (In My Fashion)
14. Act II: Bianca
15. Act II: So In Love (Reprise)
16. Act II: Brush Up Your Shakespeare
17. Act II: I Am Ashamed That Women Are So Simple
18. Act II: Finale: Kiss Me, Kate
19. Kiss Me, Kate Overture

Amazon.com

Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli

Customer Reviews:

The best and maybe the last CD of this great musical........2006-02-20

Now is the perfect time to buy the CD of this.

Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.

The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.

(See also the original broadway CD of Out of This World.)

Beautiful remastering of historic original cast recording.......2004-05-24

Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.

The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.

The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.

The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.

KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.

the peerless original cast.......2004-03-04

KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".

Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.

KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.

A must-own.

Who Put The Shake In Shakespeare?.......2001-04-11

Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!

The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!

The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.

Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!

The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!

There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.

Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!

TIMELESS BROADWAY SHOW.......2001-01-11

COLE PORTER'S most famous musical play hasn't lost none of it's power over the years;it's one of those few shows in which all the elements clicks:cast,songs,libretto, to make a great entertainment product.Without getting to cynical,KISS ME KATE has enough good songs to fill 3 BROADWAY shows of today ,and i am not kidding,it's a fact.While the revival is also of interest,it's always a delight to hear the original with PATRICIA MORRISSON and ALFRED DRAKE, both terrific in their parts.I can assure you that you'll play this record more than twice.It's not only WUNDERBAR ,it's WONDERFUL!You can't actually single out one number because they are all good.All right, if we have to choose one, it's SO IN LOVE.

Average customer rating: She has stolen my heart with this one ! The irresistible rise of Ms. Regina Belle. The VOICE is mesmerizing, and the tracks are stunning ! Music does not get better than this! Outstanding in every way

Baby Come to Me: The Best of Regina Belle Regina Belle Manufacturer: Sony ProductGroup: Music Binding: Audio CD Contemporary Blues | Blues | Styles | Music General | R&B | Styles | Music General | Soul | R&B | Styles | Music General | Adult Contemporary | Pop | Styles | Music Similar Items: Lazy Afternoon The Very Best of Miki Howard Ultimate Collection The Very Best of Shirley Murdock Super Hits ASIN: B000002ALP Release Date: 1997-11-11

Tracks:

1. Didn't I (Blow Your Mind This Time)
2. Baby Come To Me
3. Quiet Time
4. So Many Tears
5. What Goes Around
6. How Could You Do It To Me
7. Love T.K.O.
8. Show Me The Way
9. Someday We'll All Be Free/Save The Children
10. All I Want Is Forever
11. This Is Love
12. If I Could
13. Make It Like It Was
14. A Whole New World (Aladdin's Theme)

Customer Reviews:

She has stolen my heart with this one !.......2007-05-09

Regina Belle shot to fame in 1989 with her single, 'Baby Come To Me' -- from her album Stay with Me -- which was a perfect example of the jazz-tinged soul-pop balladry which she had been recording since the mid 1980's.
The title of this 'best of ' collection was also Belle's worldwide hit single. The material featured here has been selected from her four studio albums which were recorded between 1987 and 1995.
With her own sophisticated brand of romantic soul, the acclaimed vocalist was one of the most popular contemporary singers of the eighties and nineties.
Once hailed as a female Luther Vandross, or as the less commercial side of Anita Baker, besides soul, her singing has roots in jazz and classic pop and she has Oscar and Grammy awards to her name.
This 'Best of' features a collection of the finest songs from all her albums including the platinum award winning smash 'A Whole New World'.
When Regina Belle wraps her velvety voice around a love song, the embrace is everlasting.
From a jazz whisper to a soulful serenade to a gospel shout, the gentle comforts of hope and faith are never far away.
Regina has soothed us with such standards as " Baby Come To Me" and " Make It Like It Was" and "If I Could".
Her dynamic duets with Peabo Bryson, Barry White and James "J.T." Taylor are also featured here.
They are stirring reminders that Regina has always been consistent, engaging, stylish and innovative. Never boring or derivative.
Please, listen also to her latest, unmissable masterpiece Lazy Afternoon.

All by Myself
Passion
Ladies Choice
To Grover, With Love
Reachin' Back

The irresistible rise of Ms. Regina Belle........2007-03-07

Regina Belle is an excellent, solid , always uncompromising , engaging and consistent performer who has churned out some really nice tracks in the last 20 years.
I'm into Rnb/Soul/Hip Hop, but I have no problem saying that I own this really good set of songs.
Her music has always been ground-breaking,adventurous and extremely good.
"Baby Come To Me" is her signature track, and most people's favourite Regina track. It's a perfect track and one which she will always be able to say is a "classic". This track will get played on radio in another 20 years time.
"A whole New World" is a track with that 90's feel which is catchy but it's track # 3 "So Many Tears" which I love. It's a perfect song for someone you love, and the lyrics are what most of us think of in that situation. It's tracks like this that makes Regina a true star and a real woman with something to say.
"Make It Like It Was" and "If I Could" are two soulful tracks. The latter being more hearfelt and deep about a mother and her child. Great stuff.Please,listen to Celine Dion's version from the album 'Miracle' and then form your opinion on it...
"What Goes Around" is classic Regina. It's her sophisticated sound. "Show Me The Way" is a heart wrenching number, which has some fantastic sax riffs, and a track which only her voice could make sound so real.
She does a jazz cover-medley of the classic Marvin Gaye and Donny Hathaway tracks that is "Save The Children/Someday We'll all Be Free". Its a spectacular effort,and unmatched masterpiece and you won't be skipping it.
The song "A Whole New world" was the killer track that went to number one, and really put her firmly on the map. It still gets lots and lots of airplay today and will for many years to come.
I've nearly forgot to mention the absolute classic duet "All I Want Is Forever". This track was superb when it was released all those years ago -and it still is today.
Regina will never have the superstar status that some have (just think about somebody like Janet Jackson or Celine Dion...In my modest opinion,she outclasses them by far !!!), but I think that she really doesn't care and is happy to be making good quality music that people enjoy.
This set is superb listening and pure,sublime delight for your heart and soul.

The VOICE is mesmerizing, and the tracks are stunning !.......2007-01-09

For so long now, Regina Belle has been hanging around just outside the big time, seemingly waiting for a break that has never quite happened. One listening to this album will leave you wondering 'why'.
She has never been commercial. and she will never want to be.

Regina is proof positive that she can provide not only multi-octave vocals but also deliver strong,innovative and diverse interpretations.
Then, of course, there is the voice.
And what a voice it is. You can really hear it develop and grow in maturity over the 8-year span of this album, moving from being an excellent, acclaimed R'n'B voice to one of the best contemporary soul/jazz performers in the world.
It seems there's very little that she's not capable of.

The only downside of this album is that, while it offers a good overview of the most popular offerings of Regina's career and some absolute gems , I don't feel that it really offers the best of her work.
All in one word, you will like this collection of brilliantly produced and performed songs which are classics of our time.
I would highly recommend this album to anyone who knows anything of Regina's work - and to anyone who doesn't.
A 2CD set would be very welcome.

Music does not get better than this!.......2006-08-05

Regina Belle is one of those amazing singers who has been so stellar for so many years, but it was not until the massive success of the song "Baby Come To Me" that a wide audience was exposed to her magic. She never reached that pinacle again because her amazing appeal is not the fast food that most crave.

If you are a fan, I need not say anymore as I am preaching to the choir. If you happen to find this listing by error or because you were guided to it based on another purchase that you have made think of Regina as the very best of Anita, Patti (both LaBelle and Austin), Gladys but entirely original. Regina has a powerhouse vocal range that is so powerful yet equally stunning when quiet and controlled. She is a child of interpretative singers so that when she sings you listen as she tells you what she feels.

This package is the best that you'll find if you only want one release as it has all her most known/popular songs. I have bought most of her releases as her voice, like say a Luther Vandross, can move you and remind you of the power of music. While most who may not even have heard "Baby Come To Me" must have heard it least "A Whole New World" fromDisney's "Alladin" which is a great song but only skims the surface as songs like "If I Could", "This Is Love", "Make It Like It Was" and great remakes of "Didn't I" and Teddy's "Love TKO" really show you Regina's range. Many others have tried to tackle "Love TKO" (even Hall & Oates, who I really like) but Regina's version is the only one that I heard that stands out among the many who have taken a shot at it.

If you like big voices with masterful control, buy this without hesitation. 5 easily earned stars. Keep on singing Regina!

Outstanding in every way.......2006-06-02

Ah yes the soulful, jazzy sounds of Regina Belle

I happened to come across this cd on Amazon.com quite by accident. Having never heard of Regina Belle i did play some of the sound samples and loved everyone of them. After that I decided to purchase the CD. Every time I play it I like it just that much more.

Her voice reminds me a little of Billie Holiday with a helping of Dinah Washington, Roberta Flack, Gladys Knight and Patti La belle thrown in. Soulful, powerful and beautiful vocal styling's all in one voice, amazing. It is very easy to get caught up in the emotion of the song that she is singing because she makes the songs so personal.

"Didn't I blow your mind". This is one of my favorite songs by the Stylistics and I didn't think that anyone could do it better and then I heard Regina Belle sing it and I was totally blown away, what an incredible voice and style.

Another one of my favorite songs is "Baby come to me" that is every bit as good as the Patti Austin/James Ingram version.

"Love TKO", Originally a Tedd Pendegrass composition, truly brought to life by Regina with the amazing power in her sweet voice.

My Favorite Aladdins Theme with Peabo Bryson, What a song what a voice what a duet. Absolutely astounding and beautiful.

Every song on this cd is a great listen. Both the production and engineering are done very well and serve to highlight Regina's style.

What we have here is fourteen great songs made better by the fact that Regina Belle is singing them. If you like the sound of a stunning female voice singing then this is for you.

Average customer rating: Absolutely Pure & Beautiful Symphonic Rock pleasant easy listening Excellent CD luke

Symphonic Rock Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Music of ABBA, Beatles & Queen Kashmir: The Symphonic Led Zeppelin Us and Them: Symphonic Pink Floyd Riders on the Storm: The Doors Concerto The Royal Philharmonic Orchestra Plays the Hits of Pink Floyd ASIN: B0002T7ZM0 Release Date: 2004-09-07

Tracks:

1. Come Away With Me (originally by Norah Jones)
2. Yellow (originally by Coldplay)
3. Here With Me (originally by Dido)
4. Millennium (originally by Robbie Williams)
5. Hero (originally by Enrique Iglesius)
6. What Can I Do (originally by The Corrs)
7. Flying Without Wings (originally by Westlife)
8. Everybody Hurts (originally by REM)
9. Every Breath You Take (originally by The Police)
10. Let It Be (originally by The Beatles)
11. A Whiter Shade Of Pale (originally by Procol Harum)
12. Nights In White Satin (originally by The Moody Blues)
13. Candle In The Wind (originally by Elton John)
14. Imagine (originally by John Lennon)

Tracks:

1. Beautiful Day (originally by U2)
2. Champagne Supernova (originally by Oasis)
3. Handbags & Gladrags (originally by Stereophonics)
4. Why Does It Always Rain On Me (originally by Travis)
5. Livin' On A Prayer (originally by Bon Jovi)
6. Layla (originally by Derek & The Dominos)
7. Stairway To Heaven (originally by Led Zeppelin)
8. Bat Out Of Hell (originally by Meat Loaf)
9. Run To You (originally by Bryan Adams)
10. China In Your Hand (originally by T'Pau)
11. Torn (originally by Natalie Imbruglia)
12. Bittersweet Symphony (originally by The Verve)
13. Good Vibrations (originally by The Beach Boys)
14. Bohemian Rhapsody (originally by Queen)

Customer Reviews:

Absolutely Pure & Beautiful.......2005-10-31

If you buy no other classical music, buy this collection. CD 1 (Relax) is perfect for dinner, quiet entertaining or just soft music while you're working. From "Come Away With Me", to "Whiter Shade of Pale" to "Knights in White Satin"... each piece is it's own movement - and moved you will be... Perfect for a romantic evening. CD2 is more robust, but equally entertaining. "Layla", "Livin On A Prayer", Stairway to Heaven", "Run to You" and "Bohemian Rhapsody" - you owe it to yourself to hear these licks performed by the RPO.

Symphonic Rock.......2005-07-25

It really isn't rock, but it is a very pleasant presentation of popular music, rendered in creative ways by a full symphony orchestra. It sounds like the orchestra had a great time making these CD's.

pleasant easy listening.......2005-07-19

It's not extremely interesting music, but nice background, relaxing and pleasant with full orchestra. Not a bad buy at all!

Excellent CD.......2005-03-20

I received this as a present and at first I wasn't sure if I would like it because I don't like some of the original songs, but there's something about hearing the orchestra play that makes me like all of them. Just try it out.

luke.......2004-12-12

well, if you like elevator music then you should get this cd. if not then dont waste your time, its lame. big time lame. just listen to the audio samples im so glad i didn't waste my money on this piece of crap.

Album Review:

1. Dance Commander [CD-single]
2. Different Day [Enhanced]
3. Diva Brazil
4. Dream On: The Very Best Of
5. Drumming up a Storm [CD-single]
6. Dubnobasswithmyhead [Import]
7. Electro Jazz Divas, Vol. 2 [Import]
8. Electrosexual
9. Emmanuelle: the Private Collection [Enhanced] [Import]
10. Face the Fear

Album Review

album review

Album Review

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George Sand & Chopin

Dvorak: Trio No4; Brahms: Piano Trio in C No2, Op87

Music: Moratorium [CD-single] [Import]

Guitar Trouble

Feel the Rage

Give God Thanks

Diesel & Dust

Fench Love Songs [Import]

Classical Treasures: Best of Classic Violin

Good 'Nuff

Celele E Relala [Import]

Have You Ever [CD-single] [Import]

Lone Star Shootout

Requiem: The Holocaust