After three solo albums exploring the darker side of downbeat, producer Howie B paired up with Naked Funk's Jeremy Shaw for another themed excursion. Horse marks a fuller sound than Bernstein's previous releases: crisp bouncing breaks crosshatch within a framework of 303 tweaks, strings, swells, and atmospherics, at points leaning into the bounds of electronica while concurrently adding a sauntering blues twist. "They Shag Horses Don't They" takes this theme directly, borrowing from John Martyn's Solid Air and smattering it with analog to cause modal distress at 60 bpms. The same effect is achieved with "The Cobbler," a tune that builds and changes like a Fila Brazillia track before whisking you off your feet for the last dance. Horse is less bleary-eyed than previous Howie B albums--and all the better for it. --Amazon.co.uk
Horse,Daddylonglegs,Palm Pictures (Audio,Dance Music,Pop,Popular Music,Rock/Pop
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Live at the Fillmore East
Neil Young and Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000I5X80G Release Date: 2006-11-14 |
Tracks:
- Everybody Knows This Is Nowhere
- Winterlong
- Down By The River
- Wonderin'
- Come On Baby Let's Go Downtown
- Cowgirl In The Sand
Amazon.com
For years, fans of Neil Young and Crazy Horse have been waiting for an official chance to hear Crazy Horse live with original leader Danny Whitten, the insanely talented guitarist who died of a heroin overdose in late 1972, inspiring Tonight's the Night. Tuned-in fans have been awaiting this very set for at least a dozen years, as it was originally to be tacked onto the end of a Decade-style triple CD of outtakes. Thankfully, this well-recorded live set from the infamous Fillmore East was well worth the wait. Here are scorching, extended takes of "Down by the River," "Winterlong," and "Cowgirl in the Sand," each propelled by guitar interplay so delightful you have to keep rewinding to hear it again. In fact, bits of it seem to prefigure the ways that Richard Lloyd and Tom Verlaine would feed off each other in the band Television, only with less of a sweet edge. But the world doesn't need any more arguments that Young was a proto-punk; what the world does need is at least a dozen more releases from Neil's archives! And hopefully, with this awesome live album, the floodgates have truly been opened and there are many more to come, in the vein of Dylan's Bootleg series. This disc is worth it alone for the version of "Wondering," a tune not officially recorded until many years later in Neil's weird '80s rockabilly phase. --Mike McGonigalAlbum Description
The first release of Neil Young's archive performance series.Customer Reviews:
Lower the price or finish the show!.......2007-06-09
Don't question the Master and buy it!.......2007-05-30
Live at the Fillmore East - Classic Crazy Horse.......2007-05-13
Neil Young and Crazy Horse Live at Fillmore East .......2007-05-06
Long Lost Neil Young Live Returns and SHINES!.......2007-04-12
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Horse of a Different Color
Big & Rich Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020H916 Release Date: 2004-05-04 |
Tracks:
- Rollin' (The Ballod Of Big & Rich)
- Wild West Show
- Big Time
- Kick My Ass
- Six Foot Town
- Holy Water
- Saved
- Real World
- Save A Horse (Ride A Cowboy)
- Drinkin' 'Bout You
- Love Train
- Dreadwood Mountain
- Live This Life
Amazon.com
Country music had no bigger story in 2004 than the rise of the Muzik Mafia, a renegade group of Music City misfits led by Big & Rich (Big Kenny Alphin and John Rich, the latter formerly of Lonestar) and Gretchen Wilson. Both acts shook up Nashville's lethargic, formulaic format--Wilson with her take-no-bull brand of redneck chic, and Big & Rich with their eclectic, wild-haired blend of honky-tonk, rock, rap, ballad, and western, the shoot-'em-up motif for their traveling circus, i.e., Wild West show. Their debut, Horse of a Different Color, which showcases the pair's unusual high-low vocal harmony, is both funny and irreverent ("Kick My Ass"), not to mention clever. (They sing "bad word" in place of a rhyming epithet.) Boasting "music without prejudice" in their self-mythologizing "Rollin' (The Ballad of Big & Rich)," they reference Charley Pride as "the man in black," and trot out country music's first African American rapper, Cowboy Troy. Yet race turns to "racy" in the duo's hit single "Save a Horse (Ride a Cowboy)," the disc's least interesting cut. The easy laugh and rapped stanzas overshadow the smarter lyrics on the rest of the record, which concerns itself not only with frontier justice, but, surprisingly, with old-time religion (Jesus, tolerance, and in a song about sexual abuse, "Holy Water"). Like many professional funny men, Big & Rich--accomplished songwriters and (now) producers--are dead serious beneath it all. Even if this horse opera of a novelty act doesn't last, look for them to shape much of what gallops out of Nashville for a good, long run. --Alanna NashCustomer Reviews:
Novelty Not country.......2007-07-05
YeeHaw!.......2007-06-06
From the opening lines of bringing you Country Music Without Prejudice until the final notes waft away, you will be enthralled with this album. This is one of the best albums in my music collection.
Big and Rich.......2007-02-20
What a fun CD!.......2007-01-09
Horse of a different colour-Big and Rich.......2007-01-05
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Everybody Knows This Is Nowhere
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KD7 Release Date: 1990-10-25 |
Tracks:
- Cinnamon Girl
- Everybody Knows This Is Nowhere
- Round And Round (It Won't Be Long)
- Down By The River
- The Losing (When You're On)
- Running Dry (Requiem For The Rockets)
- Cowgirl In The Sand
Amazon.com
Opening with the methodical, hard-rocking "Cinnamon Girl"--still one of the singer-songwriter's most-hollered requests in concert--Young's second solo album introduces the cockeyed harmonies and sloppy, chiming guitars of Crazy Horse. His wide swings from soft-spoken country-folk ("Round & Round [It Won't Be Long]") to menacing metal (the punch line to "Down by the River" is "I shot my baby") indicate the multiple personalities in Young's future. His second album of 1969 broadcasts a sincere passion for the peace-and-love '60s (dig the long guitar solos) but also predicts the dark introspection of "Tonight's the Night." --Steve KnopperCustomer Reviews:
Old enough to change your name.......2007-07-19
The fact that songs like "Round and Round" are present on this album serve as a bit of a legend for the rest of Young's career. On one hand, you have the dark, hard-rocking band frontman, and on the other you have a sensitive song-craftsmen who molds melodies the way a skilled carpenter does cabinets. This dichotomy will become more and more apparent (and more polarizing) on subsequent Young releases, but here, it simply shows two sides to one of the most deservingly celebrated artists in rock history.
sound quality not good.......2007-06-12
a suggestion.......2007-05-30
If they gave this album one of those "Deluxe Edition" jobs like they've
done with so many others such as the first Weezer album and Blind Faith and on and on. Out-takes,demo's,alternate takes/mix's....it would all be catnip to the millions who love this album.
Actually, now that i think of it....if a "Deluxe Edition" job isn't possible, they could make a nice pairing of this along with the Neil and Crazy Horse at The Fillmore 1970 CD. That would be pretty deluxe!
A Classic----Everybody Knows.......2007-05-14
What can one say about this album? Neil Young expanded beyond Buffalo Springfield with this one and, I think, came into his own as a considerable artist in his own right. With Crazy Horse, he examined and extended his creativity with pastoral landscapes, jagged-edged cliffs, outerworldly musings, and just plain country meets city sensibility. Not that it always makes sense, but that people is the magic of music. Interpretation is up to you, not the artist.
Even now, I am awed by the consistency Neil displays so early in his solo career. We are never relaxed, for one moment, that the sequence of songs will resemble sameness in any shape or form. It begins with "Cinnamon Girl" which, in some way, reveals the dilemma that many young people have a problem with. That is the in-between phase of being a child and adult. He wants to spend his life with her, but then again, "Ma, send me money". The need to be free but not quite there yet. This theme reveals itself in many of his tunes. It is a slow rocker but with such a memorable riff. Next up "Everybody Knows", a jumpy, sprightly groove that, again, reveals where he's at - between a dream and reality- essentially nowhere.
"Round and Round" is a slow acoustic sadness that, I feel at least, is about loss. A loss of yourself? Or perhaps someone close. "Down By the River", aside from allowing Neil to stretch his jagged lead guitar, proposes another dilemma for the astute listener. The protagonist is lead to possibilities with this woman - but is her non-compliance a reason to shoot her? Down by the River? An enigmatic song at best and I dare not ask Neil the meaning.
We then get to "The Losing End" which reveals an easy-going country groove with some electric guitars helping it along. The theme? Good ol' country heartache. A mainstay in that genre - now and always. The mood then changes, into some outerworldly, ethereal regret and deception. This song reveals a darkness of the mind, and this is brought forth so effectively with the inclusion of violins. An eerie offering, but so very different.
"Cowgirl in the Sand", I think, is one of Neil's most potent songs. It can be taken on many levels. It is hard drivin' (but, it takes on a whole new perspective if you heard him do the acoustic version). Neil pleads with her to stay in her company. But, her place of command is the desert. Desolation. And, this song tries, desperately, to make her see her worth. Neil knows she is a beauty. She feels she is "purple words on a gray background". I feel that this song is an aching plea. It also allows Neil to experiment with lead guitar breaks, gritty and rough and insistent on it's purpose. In all, a brilliant conclusion to a brilliant album.
This album (plus the next two- After the Gold Rush and Harvest) complete the superb triumvirate of Neil's early career. As we know now, he was to go on to more creative terrain. Some of it successful, some of it not so. In any event, plain and simple, he is an amazing artist and, I think, one of the greats in popular music.
This one is definitely a classic and well worth the investment.
Now - if only Guido would replenish my bottles!
Your personal roadmap to reflection and music of worth--Metamorpho
an absolute rock and roll classic........2007-03-30
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Bringing Down the Horse
The Wallflowers Manufacturer: Interscope Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001Y1N Release Date: 1996-05-21 |
Tracks:
- One Headlight
- 6th Ave Heartache
- Bleeders
- Three Marlenas
- The Difference
- Invisible City
- Laughing Out Loud
- Josephine
- God Don't Make Lonely Girls
- Angel On My Bike
- I Wish I Felt Nothing
Product Description
Excellent condition, includes the original Cd, case, and paperwork, First Class shipped, ask me for more CD Titles/Artists or my Complete CD List! :DAmazon.com
When people talk about Jakob Dylan these days, they're less likely to refer to his famous father than to his band, the Wallflowers, and their breakthrough album, Bringing Down the Horse. Not only a staggering commercial success, the disc is also a superb example of the folk-rock Jakob's daddy helped pioneer more than 30 years ago. The Wallflowers don't need family relations to command respect.When the Wallflowers recorded their self-titled album in 1992, most of the band's members were 22 and weren't ready for prime time yet. The songs had flashes of inspiration and promise but didn't really hang together. It took four years for the Wallflowers to release a second album, but this time they were ready. The folk-rock melodies were strong; the playing was clear and muscular, and the production by T-Bone Burnett (friend of the family) framed the lyrics' storytelling imaginatively. Jakob will never escape comparisons to his dad, but his new music can stand on its own as some of the decade's best.
In fact, Jakob's voice doesn't resemble his father's so much as Tom Petty's nasal drawl, and the way Wallflower Rami Jaffee soaks nearly every song in Benmont Tench-like B-3 organ makes the Heartbreaker connection unmistakable. Fortunately, Jakob's evocative songwriting and the Wallflowers' high-energy playing reminds one of the early Tom Petty & the Heartbreakers records rather than the desultory, later work. Heartbreaker Mike Campbell even plays on "6th Avenue Heartache," the first single and a gloriously harmonized lament for the victims of America's meanest streets. "The same white line that was drawn on you," Jakob sings, "was drawn on me." He takes a more defiant, more rocking approach later in the album when he proclaims he's "Laughing Out Loud" in the face of everyone who ever tried to push him around. --Geoffrey Himes
Customer Reviews:
Brings down the "house" for sure.......2007-07-19
"I wish I felt nothing" closes the set with almost a stab in the chest. It's not an upbeat end--and very much a C&W type theme--but the kind of music that keeps you going on to listen for the next song.
Classic Wallflowers Record; A Must Buy.......2007-06-08
This should not be an album remebered for the later tracks, other than the song Angel On My Bike. I do give the tail end of the record credit for setting up the style, edge, and feeling displayed in future strong songs like Letters From The Wasteland and Here He Comes.
I may be the only one out there in my generation that cares to compare the 2 great Dylan singer/songwriters, but I have my opinion. Here, though, I'd rather not say...because the truth of the matter is that I just don't like Bob Dylan music, and I even think I get it. But now the Wallflowers of Jacob Dylan hit the spot for me, that's all--none of this saying flat out who is better in my opinion, just a what I prefer right now so far, that's it.
They need to put out albums more often then every 3-4 years. I know it must be tough to write 20 songs a year for a record but come on, not really, huh? Oh, well, these guys put out good stuff. Word.
f1_nut.......2006-10-06
This band is a long way ahead of the rest.
If you only buy one wallflowers album, buy this one!
I would strongly recommend getting all their albums.
Most people would have heard and like one headlight, 6th avenue heartache is just as good, as is 3 marlenas and god don't make lonely girls.
You won't be dissapointed, get it.
Still a timeless, classic collection of music.......2006-08-26
I purchased Bringing Down The Horse after the oft-overlooked first single, "The Difference" was released. Safe to say, I was one of the first people to own this album. I devoured it, even in my young age of 11.
This album was stolen from me around 8 years ago, and I picked up a used copy in a Hastings on a road trip. Even now, this entire album remains one of the main discs in rotation for me. I found that, with each song, I still remembered the words and, all of a sudden, I was 14 again (the year my copy got stolen, it was an album I got all my friends into around that time as well) and bouncing around my room to the poppy tracks, weeping with the sad songs and contemplating with the intensity that I used to analyze these songs with.
The album opens with "One Headlight," one of the more popular singles off of this album, and ends with "I Wish I Felt Nothing," an intense builder that opens into lush auditory landscapes that really paints a picture.
In between the bookends is the REALLY good stuff. Key tracks on this album include the popular-but-still-wonderful-after-all of these-years "Sixth Avenue Heartache," which is a beautiful duet with Adam Duritz on background vox; the slide guitar is amazing in this song; "Bleeders," an upbeat tune with great guitar sound and finally, my favorite: "Three Marlenas," which, yes, was a single, but still an amazing idea and musically flawless.
Dylan's vocals are shaky, not unlike his father, but it only adds character as a key instrument in The Wallflowers. His lyricism more than balances it with just the right mixture of metaphorical and literal meaning.
Sadly, however, this is the first and last great effort from the boys known as the Wallflowers. Five stars, still wonderful to this day. I will forever be in love with Bringing Down The Horse.
agreed, one of the 90's best.......2006-08-16
Years later and Bob had a son, Jakob. Jakob Dyland has inherited his dad's songwriting skills, but with the bonuses of a great voice, great guitar skills, and of course, this amazing band.
"Bringing Down the Horse" is one of those albums that just ages well. Bought this back late 1997. I was in eighth grade at the time. Now I'm 22, with a momumental collection of discs, and I still carry this one. Everybody who remembers alternative and what it was really supposed to be like remembers this. it doesn't get much better
Something this great deserves a song breakdown:
1. One Headlight-Wallflowers are best know for this one. I was hooked on this song before I even knew the artist who played. Still am.
2. 6th Avenue Hearthache-featuring Adam Duritz from Counting crows, another one of my favorite bands, this another song they scored big with. Loveit
3. Bleeders-Wonderfull. Love it even more today
4. 3 Marlenas-Another hit. Catchiest tune they do.
5. Difference-This isn't my favorite song but since it hit it so big and because it is the wallflowers, I love it just the same.
6. Invisible City-One of the two more weak pts on the disc. Slow, sort of boring, but tolerable and enjoyable if you are in the right mood.
7.Laughing Out Loud-This is one of my favs, should have been single #5
8. Josephine-The other week pt. See #6
9. God Don't Make Lonley Girls-It's true. He told me himself. He drives a Porche.
10. Angel On My Bike-This one is sweet. Intersting idea.
11. I Wish I Felt Nothing-Best Part Of This Song is the climactic surge of volume at the end. Definately influence from his father here.
Okay? Great, buy it
Also recomended from this era-
Counting Crows-August And Everything After
Third Eye Blind (self titled)
Verve-Urban Hymns
Smashing Pumpkins-Mellon Collie + Infinite Sadness
Oasis-Morning Glory
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Comes a Time
Neil Young , and Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KCV Release Date: 1990-10-25 |
Tracks:
- Goin Back
- Comes A Time
- Look Out For My Love
- Lotta Love
- Peace Of Mind
- Human Highway
- Already One
- Field Of Opportunity
- Motorcycle Mama
- Four Strong Winds
Amazon.com
Often overlooked as it comes between Young's career-defining 1977 three-LP set Decade and the decade-ending Rust Never Sleeps, Comes a Time is a gentle album that includes some of Young's most soft-spoken material. "Lotta Love" became a hit for Nicolette Larson, who adds harmonies throughout the album, and tracks such as "Look Out for My Love" and "Human Highway" are indicative of Young's divergent styles. With four producer credits, six studio listings, an orchestra, and Crazy Horse all on the same album, Comes a Time is an interesting pastiche of all the things that make Young tick. Lacking his usual conceptual thrust, you'll just have to settle for some great songs. --Rob O'ConnorCustomer Reviews:
My Second Favorite Neil Young Album.......2007-07-06
I like so much of his work, but Everybody Knows This is Nowhere remains my favorite. Close on its heels, though, is Comes A Time. Brilliant and thoughtful songs that establish a mood and a place, except for the odd "Motorcycle Mama" which is best omitted.
strong neil young release........2007-02-10
There Comes A Time Neil will change again when you least expect it.......2007-01-30
Polished Young.......2006-11-22
It's a Classic .......2006-08-31
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Rust Never Sleeps
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KDG Release Date: 1990-10-25 |
Tracks:
- My My, Hay Hay (Out Of The Blue)
- Thrasher
- Ride My Llama
- Pocahontas
- Sail Away
- Powderfinger
- Welfare Mothers
- Sedan Delivery
- Hey Hey, My My (Into The Black)
Amazon.com essential recording
Young has recorded many live albums, but none capture his two dominant musical personalities with as much power as 1979's Rust Never Sleeps. The acoustic side opens with "My, My, Hey, Hey (Out of the Blue)," a devastating anthem about the state of rock & roll. Comparing the Sex Pistols' Johnny Rotten to the late Elvis Presley, Young delivers perhaps his most famous line: "It's better to burn out than to fade away." Side 2 demonstrates the emotional power of Young's hard-rocking quartet, Crazy Horse, with the scathing political songs "Powderfinger," "Welfare Mothers," and the loud reprise of "My, My, Hey, Hey." --Steve KnopperCustomer Reviews:
so good.......2007-06-22
My review won't be as good, but I want to give a shout out to a very good rock artist- Tom Petty and the Heartbreakers. Whoops, I meant, Neil Young and Crazy Horse. hehe
Rust Never Sleeps was a very popular record for Neil Young back in the late 70's. My dad thinks it was Neil's most popular album, but I can't say whether there's any truth to that.
Anyway, everyone knows track one. It's great. A dark, creepy and interesting tune that one is. "Thrasher" is almost straight-up country, and it's very good. I enjoy it. "Pocahontas" almost brings me to tears with its amazing beauty, along with "Sail Away".
After that, the album starts rocking out. Funny how it's a gradual build. "Powderfinger" shows what's straight ahead- hard rock dominated by none other than guitars. "Welfare Mothers" is catchy and "Sedan Delivery" is an acquired taste, but numerous plays reveals a highly enjoyable song. It's strangely written, which might turn people off at first. "Hey Hey My My (Into the Black)" is like the first song but with heavy guitars thrown in, painting a darker image.
Neil at his best? Maybe.
Rust Never Sleeps.......2007-05-07
Captain Crunch.......2007-03-02
"Hey, whaddaya think you're doing?"
"Oh, John, for God's sakes it's only Neil Young..."
The hackles on my neck immediately began to raise and my face got three shades redder, "Only Neil Young? I will have you know that this particular CD is a classic."
"Classic garbage..."
I grabbed the CD out of her hand and ripped out the Best of Abba (my wife's idea of classic music) out of the boom box and put this baby in. She sat there patiently listening to all the songs and after it was over all she could say was, "He's quite a whiner, isn't he?"
I took the CD out of the player and went inside and like a sulky teenager went in my room and put it in my CD player in the bedroom and put my headphones on and put on Hey Hey, My My on repeat and just let the King of the Fuzz guitar take me to deeper and deeper levels. Neil Young was crunching cords and distorting notes long before Nirvanna, Pearl Jam, or any other "grunge" group came on the scene. Neil Young needs his backup band Crazy Horse just like Crazy Horse needs him.
After the 12th listen my wife gently knocked on the bedroom door. "I want to apologize to you, John. I really didn't think you liked Neil Young that much. As a truce I made you a banana split."
I accepted the apology, the banana split and I got to keep my CD, but the next day I went looking for my Blue Oyster Cult CDs only to find out that they got tossed along with my favorite Hawaiin shirt...
Does anyone know of a good divorce lawyer?
Picks up right where Zuma left off! .......2007-01-30
No rust on these songs.......2007-01-07
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Blue Horse
The Be Good Tanyas Manufacturer: Nettwerk Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OAGD Release Date: 2001-09-25 |
Tracks:
- The Little Birds
- Broken Telephone
- Rain And Snow
- Lakes Of Pontchartrain
- Only In The Past
- The Coo Coo Bird
- Dogsong aka Sleep Dog Lullaby
- Momsong
- Don't You Fall
- Up Against The Wall
- Oh Susanna
- Light Enough To Travel
Amazon.com
On their debut CD, three young Canadian songbirds (Frazey Ford, Samantha Parton, and Trish Klein) join the neo-trad movement that has given us such notable voices as Iris DeMent and Gillian Welch. But where Welch finds inspiration in the dark hollows and tragic tales of Appalachian music, the Be Good Tanyas seek out sweetness and light, reveling in the interplay of their beautifully trilling voices. Blue Horse is deeply rooted but is not an exercise in old-time purism; originals outnumber traditional songs, and the core accompaniment of guitar and banjo is often supplemented by bass and drums, creating a Rickie Lee Jones-esque lilt in "The Littlest Birds" and a reggae-tinged groove on the haunting old ballad "Rain and Snow." The band name may be a bit tough to get your lips around, but the music of this talented trio is a refreshing drink from a clear mountain stream. --Jeffrey Pepper RodgersCustomer Reviews:
Nobody like 'em and.......2007-05-04
Too good to miss.......2007-04-20
They have some beautiful original songs, and in each of their covers, whether a traditional song or one penned by Jolie Holland or Townes Van Zandt, they offer a fresh, unique interpretation.
The Tanyas are too good to miss. Start with this album.
Fabulous.......2007-01-10
The Be Good Tanyas Rock!.......2007-01-09
Refreshing and new........2006-01-21
I especially like the non-synthesized sound they have, with mandolin, violin, acoustic guitar and unique vocal harmonies. Lead singer has a unique mid-range voice that is unlike anything I have heard before. To describe them better, take a dash of Bob Dylan, Lucinda Williams, Alison Krauss and Tracy Chapman and then stir well.
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Zuma
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KCI Release Date: 1990-10-25 |
Tracks:
- Don't Cry No Tears
- Danger Bird
- Pardon My Heart
- Lookin' For A Love
- Barstool Blues
- Stupid Girl
- Drive Back
- Cortez The Killer
- Through My Sails
Amazon.com
If Everybody Knows This Is Nowhere and Ragged Glory are the two finest studio albums Neil Young recorded with Crazy Horse, Zuma certainly qualifies as a close third. Recorded in 1975, Zuma exudes both a sense of focus and a tentative optimism, two qualities that were completely MIA from the bleak Time Fades Away/Tonight's the Night/On the Beach trilogy that preceded it. "Barstool Blues," "Don't Cry No Tears," and "Drive Back" are terse, punchy rockers, while "Danger Bird" and "Cortez the Killer" are extended guitar workouts in the grand Crazy Horse tradition. And the two acoustic entries--"Pardon My Heart" and "Through My Sails" (the latter was recorded with Crosby, Stills & Nash)--are absolutely gorgeous. Ignore the crappy cover art, and treat yourself to one of Young's most underrated records. --Dan EpsteinCustomer Reviews:
Quintessential Neil Young..........2007-07-25
Four stars then? Well yes, but not enough, because in here is a hidden gem... an outstanding, perfectly formed track that sums up what makes Neil Young worth the effort. Rarely played and missing from virtually all of the "Best of" lists of his songs it is, for me at least, one of the most quietly beautiful, ecstatically reflective and unforgettable pieces of acoustic music ever made. "Pardon My Heart"... worth the price of the album on its own.
Zuma my review.......2007-02-14
Don't cry no tears around Neil, this is his BEST!.......2007-01-30
Highlights are...
Danger Bird- epic guitar song, dark!
Barstool Blues- great song that no one has heard
Stupid Girl-About Joni Mitchell?
Drive Back- Punk attitude song
Cortez The Killer- The Best Neil song, period.
Through My Sails- druggy CSNY outake from the disaster 1974 Hawaii sessions, great.
Like Everybody Knows This Is Nowhere's little brother.......2006-10-21
First, the good. Cortez the Killer is my favorite here, the song friggin' rocks, a lengthy guitar jam a la Down By the River, Cowgirl in the Sand and the then-upcoming Like a Hurricane. I've heard some people don't like Neil's guitar playing, I say listen to this one and you'll get blown away. If the three-and-a-half minute intro doesn't grab you, you're not a Neil Young fan. What else is good? My second favorite song is Barstool Blues, another great rock song. Plus I like Don't Cry No Tears and the other long guitar showpiece, Danger Bird.
But the rest isn't quite up to the Neil Young Standard. He often settles for generic love songs (a la Pardon My Heart and Lookin' for a Love). Either that, or he suddenly becomes immature (Stupid Girl, which is, well... stupid). Through My Sails has some nice harmonies, being CSN related, but it's not much outside of that, and Drive Back is a generic rocker saved only by Neil's guitar fireworks.
It's a respectable album, far better than the vastly overrated Harvest and spotty debut. But compared to On the Beach, After the Gold Rush, Everybody Knows This Is Nowhere or Tonight's the Night, it falls apart. I suppose you should buy it, just don't expect anything near a masterpiece.
cuando lo sencillo no deja de ser grandioso............2006-10-14
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Live Rust
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002KDI Release Date: 1990-10-25 |
Tracks:
- Sugar Mountain
- I Am A Child
- Comes A Time
- After The Gold Rush
- My My, Hey Hey (Out Of The Blue)
- When You Dance I Can Really Love
- The Loner
- The Needle And The Damage Done
- Lotta Love
- Sedan Delivery
- Powderfinger
- Cortez The Killer
- Cinnamon Girl
- Like A Hurricane
- Hey Hey, My My (Into The Black)
- Tonight's The Night
Amazon.com
Mere months passed between the release of Neil Young's mid-career milestone Rust Never Sleeps and this 1979 tour recording, which documents a late-'78 San Francisco performance. Indeed, Live Rust boasts four songs from the album that gave it its name. It's also sequenced in the same spirit as its studio sibling. As with Rust Never Sleeps, Live Rust opens with steady-flowing acoustic numbers before swirling into an electric vortex. What was side 4 off the original two-record version--"Like a Hurricane," "Hey, Hey, My, My," and "Tonight's the Night"--is arguably Young and Crazy Horse at their peak as a live unit, with all due respect to 1991's estimable Weld and 1997's desultory Year of the Horse. Few rock bands rank with Young and his stalwart electric trio, and Live Rust presents them in all their raging glory. --Steven StolderCustomer Reviews:
Consider the DVD.......2007-02-26
I haven't heard the CD: I give it 3 stars because Amazon requires some sort of rating, the DVD gets 5 stars, and the truncated Cortez would be sufficient to take away two stars for me.
Live rust my review.......2007-02-02
Awesome.......2006-07-20
But the music is awesome. It's pure angry beauty, Hurricane sounds better here than anywhere else, ever, except MAYBE Weld. (Weld's great too!) I Am A Child...Sugar Mountain...Needle and the Damage Done (his perf at the Grammies a while back of this was great)...all amazing songs.
Young is the genius.
Greatest Live Ever.......2006-04-28
fade away so young, with so much left undone.......2006-04-14
Average customer rating:
|
Weld (2 disc set)
Neil Young & Crazy Horse Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002LQM Release Date: 1991-10-22 |
Tracks:
- Hey Hey, My My (Into The Black)
- Crime In The City
- Blowin' In The Wind
- Welfare Mothers
- Love To Burn
- Cinnamon Girl
- Mansion On The Hill
- F*!#in' Up
Tracks:
- Cortez The Killer
- Powderfinger
- Love And Only Love
- Rockin' In The Free World
- Like A Hurricane
- Farmer John
- Tonight's The Night
- Roll Another Number
Amazon.com
Live Rust gets the most props, but if you're looking for a live document of Neil Young and Crazy Horse at their speaker-shredding, stage-scorching best, Weld is an absolute must-own. Fired up by the success of 1990's Ragged Glory, and outraged by the eruption of the Gulf War, Young and his cohorts attacked their 1991 tour like men on a suicide mission. An angry, gunshot-laced version of Dylan's "Blowin' in the Wind" is the closest thing here to an acoustic reverie; the rest of the album offers up staggeringly intense electric versions of Neil songs both current ("Crime in the City," "Love to Burn," "Rockin' in the Free World") and classic ("Cortez the Killer," "Cinnamon Girl," "Powderfinger"). The back-cover photo of a disheveled Young cradling a broken-stringed guitar pretty much says it all--no one could have unleashed a sonic onslaught this brutal, and emerged unscathed from the experience. --Dan EpsteinCustomer Reviews:
Distorted, deranged pulchritude.......2007-06-29
Urban dystopia inflicted. "Welfare Mothers" and "Crime In The City" (the latter among Young's most barbed, and lucid, storytelling) drag the listener into fierce noise and despairing nihilism. Then, the humanism erupts with "Blowin' In The Wind," a sure Hendrix phantasm. Hippie frisson abounds on "Cortez The Killer" and "Roll Another Number" - succumb.
It's also "grunge." Jad Fair might have written "Like A Hurricane" - if he possessed the endorphins. To the point, it's all about Crazy Horse; they can play Madison Square Garden like a St. Louis bowling alley. Every fuzztoned note is blood, telepathy, exorcism. A cluster of unfortunate observations, made euphoric.
Ferocious...and better than "Live Rust".......2007-05-05
Good, but not as good as Live Rust.......2007-02-08
I'm the guy who yells "POWDERFINGER!" at the beginning of Disc 2.......2006-04-28
A Showcase of Grunge.......2006-02-12
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