| 1. Honest with You |
| 2. Truth |
| 3. Empty |
| 4. World Dissapears |
| 5. Sometime |
| 6. This Time |
| 7. Others |
| 8. Hear This |
| 9. Common Sense |
| 10. Details |
| 11. Bring Me Closer |
Details,Richard Davis,Kitty Yo,Alternative Dance,Club/Dance,Dance Music,Electronic,House,Microhouse,Pop
Average customer rating:
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Details
Frou Frou , Imogen Heap , and Guy Sigsworth Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXLQ Release Date: 2002-08-13 |
Tracks:
- Let Go
- Breathe In
- It's Good to Be in Love
- Must Be Dreaming
- Psychobabble
- Only Got One
- Shh
- Hear Me Out
- Maddening Shroud
- Flicks
- The Dumbing Down of Love
Amazon.com
Named after the French word for the rustle of silk, Frou Frou's debut album exudes cool, stylish elegance. Singer Imogene Heap's soft, whispery vocals intone dreamy lyrics of doomed romances and slow recoveries. The songs are penned by Heap and her partner, producer Guy Sigsworth (Björk, Madonna), who manned the board on Heap's 1998 solo album I Megaphone. Even the mighty Brian Eno gets into the act, with a cowriting credit on the soul-bearing "Hear Me Out." In fact, all 11 tracks deal with love and fractured relationships, hauntingly beautiful both in their stark emotional content and the equally sparse arrangements that showcase Heap's ethereal voice, which she uses as a subtle weapon, much like Joni Mitchell circa 1970's Ladies of the Canyon, with the same heart-stopping yet effortless octave leaps. --Jaan UhelszkiAlbum Description
2002 debut album for duo comprised of musician/vocalist Imogen Heap & producer/arranger/songwriter/musician Guy Sigsworth (who's worked with Bjork on 'Homogenic' & 'Vespertine' & Madonna on 'What It Feels Like for a Girl').Customer Reviews:
Passionate, Intimate, and Sensual.......2007-07-06
Not that Frou Frou (Imogen Heap and Guy Sigsworth) are dominating the airwaves (yet), but I was stunned by the depth, precision, and intensity of their music. I very much enjoyed my first exposure to "electronic" music in the early 70s with Walter Carlos's interpretations of classical music on a Moog. But I'll stop there, because I think its a mistake to categorize Frou Frou or Imogen Heap as "electronic." Rather, its a marvelously expressive and sensual audio experience painted largely with two pallettes of nearly infinite range - electronic instrumentation, and Imogen's incredible voice.
Let me try to describe that voice:
-Her inhales and exhales are an important part of the performance and adds to the sensuality.
-Wonderful layering of harmonic and accent tracks.
-The rhythms are perfectly timed.
-Passionate, erotic, angelic.
And the lyrics are worthy of the sounds.
How does someone like Imogen, still in her 20's acquire so much musical ability to write, score, perform and produce music like this? I think probably through long hours studying and experimenting, and a complete commitment to creating music.
I can't know, but it felt to me as though the collaboration between Imogen and Guy allowed each of them the freedom they needed to express themselves, at least during the production of the cd. Men often have the impact of controlling and limiting the creativity of their female partners. But this cd has a very definite feminine quality with an attitude and confidence all its own. Even the cd graphics, with Imogen up front, and Guy almost hidden in the back, or with his face blurred, is a metaphor for what I sense was an unselfish partnership. (Who is the figure in the window?)
You know how cds start of in a certain place, and they can grow on you (grow up or grow down)? I expect this cd will grow into a personal favorite.
NOTE: I have also listened to Imogen's "Speak For Yourself," which she produced, and I enjoyed it very much (5 stars). It has the same precision, harmony and depth as "Details." I have also listened to Imogen's "I Megaphone," which is entirely different. There's less production and discipline, and more free ranging spontineity, consistent, I suppose, with a "megaphone" metaphor; i.e., her opportunity to shout out loud without any commercial constraints. To me, it did not satisfy like "Details," or "Speak," but that's just my old fashined ear. Others like it best, and I respect that. Its fun to compare the two different sounds coming from the same wildly talented woman.
Better the second time around.......2007-06-01
Happy discovery.......2007-05-30
Great CD.......2007-05-14
Fine electronica.......2007-04-27
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Worship Rock 2 for Kids (Rare)
Manufacturer: Nilsson Media ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000067G1N Release Date: 2002-05-06 |
Album Description
More cutting-edge worshipful fun like Worship Rock 1, but geared for 2-10 year olds.Irresistable songs in a variety of fun rock styles for all ages, played with passion by real, world-famous live band members from D.C. Talk, Stephen Curtis Chapman, & Michael W. Smith. Disc 1 has more sophisticated songs which appeal to all ages, including kids and teens. Vol.2 is for pre-teens.
Customer Reviews:
Better for small kids.......2006-08-06
It's wonderful music for the younger set! Very inspired.
CD won't play in player (CD-R?).......2004-04-07
KING OF THE JUNGLE!! The BEST KID'S SONG EVER!.......2002-10-28
The BEST one is KING OF THE JUNGLE!!
It can't be beat. If you don't have it, get it.
SUPER! Kids LOVE it!.......2002-07-25
Great for Worship!!.......2002-05-22
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Music from the Once Festival 1961-1966
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD ASIN: B0000C7PVT Release Date: 2003-09-23 |
Tracks:
- Sonata - Robert Ashley
- Groups For Piano - Robert Ashley
- String Trio - Edith Perrow
- Epigram And Evolution - Robert Ashley
- Sinfonia For 12 Instruments And Magnetic Tape - Once Chamber Orchestra
- In The Autum Mountains - Shirley Zaft
- Two Pieces For Piano And Chamber Group - Bruce Wise
- The Fourth Of July - Robert Ashley
Tracks:
- Matrix For Clarinetist - John Morgan
- Wedge - Once Chamber Orchestra
- Meanwhile, A Twopiece - Robert Ashley
- Sounds For Eleven - Once Chamber Orchestra
- Gestures II - Robert Ashley
- Bestiary I: Eingang - Once Chamber Orchestra
- Details (2b) - Robert Ashley
- Ballad - Philip Krumm
Tracks:
- Large Size Mograph - Larry Leitch
- Fives - David Maves
- A Quarter Of Fourpiece - Hartt Chamber Players
- Two Worlds - Bob James
- Mosaic - Bob James
- Pianopiece I - Donald Bohlen
- Cassiopeia - Donald Bohlen
- Pianopieces II - Donald Bohlen
- A Portrait For Vanzetti - David Maves
- Greys - Gordon Mumma
Tracks:
- Music For Clocks - Philip Krumm
- Diotima - Anne Aitchison
- 7PTPC - Larry Leitch
- Landscape Journey - John Morgan
- Advance Of The Fungi - William Albright
- In Memoriam...Crazy Horse - ONCE Festival Orchestra
Tracks:
- Music For Three - Robert Ashley
- Time On Time In Miracles - ONCE Chamber Players
- Track - ONCE Chamber Ensemble
- Apple Box Concerto - Pauline Oliveros
- Quartet - William Albright
Album Description
Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformist West Coast. Yet during the 1960s Ann Arbor played host to one of the most extraordinary adventures in American music history: the annual ONCE Festival and its nexus of related activities.The primary aim of ONCE's founders--Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda--was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers--whether little-known or renowned--embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: "Suddenly we could write anything we wanted and have it heard." And they did. The ONCE composers--and many guest artists--wrote a host of new works, some experimental, others more traditional.
What united the ONCE composers was their exploration of sound, whether through the medium of extended techniques on traditional instruments, electronic (or electronically modified) timbres, or the intersection of musical sounds with those of the environment.
A major slice of ONCE's rich musical legacy--35 works constituting six hours of music--is presented here, almost all for the first time. These pieces are as diverse in style as they are compelling in expression. This landmark set, the most comprehensive document ever released of this legendary event, is an opportunity for anyone interested in contemporary music to hear history in the making. Included in the set is a 140-page booklet with a lengthy scholarly essay by musicologist and biographer Leta Miller and numerous rare photos of ONCE personages and performances.
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Devil in the Details
Saigon Kick Manufacturer: Seag ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000073J3 Release Date: 1996-09-03 |
Tracks:
- Intro
- Russian Girl
- Killing Ground
- Eden
- Going On
- Everybody
- Spanish Rain
- Flesh & Bone
- Sunshine
- Victoria
- Afraid
- So Painfully
- Edgar
- All Around
- Sky Is Fallen
- This One
Customer Reviews:
EXCELLENT.......1999-09-24
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Details
Frou Frou Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000069HGV Release Date: 2002-09-03 |
Tracks:
- Let Go
- Breathe In
- It's Good To Be In Love
- Must Be Dreaming
- Psychobabble
- Only Got One
- Shh
- Hear Me Out
- Maddening Shroud
- Flicks
- Dumbing Down Of Love
- Old Piano
Album Details
Debut Album from Songwriter Producer Guy Sigsworth and Singer Songwriter Imogen HeapCustomer Reviews:
I love FrouFrou.......2005-02-23
It's all in the "Details".......2004-09-17
Catchy trip-hop forms the core of this, especially the solid, fast-paced "Breathe In," which has a slightly fantastical sound. It doesn't get much more fun than the swirling catchy "Must Be Dreaming," bouncy little pop song "Shh," or the delicately pensive "Maddening Shroud." These songs mix pop rhythms with ambient sound, and end up getting the best of both.
There's a softer, less poppy side to Frou Frou as well. "Let Go" is a delicate little song accompanied by piano and little electronic swooshes. So is "The Dumbing Down of Love," a gentle blend of electronica and piano melody, and the minimalist electronica of "Psychobabble," which is mostly Heap's breathy voice against some dark electronic sounds. And a track not included on the American version finishes up this album: A delicate, trippy piano, "Old Piano," with its muffled horns and wispy vocals.
Imogene Heap returns in a big way with producer Guy Sigsworth. And this time around, Heap gets all the attention she deserves. A few of the songs aren't quite top-quality, but each one has its own sweet appeal. And most surprisingly, Frou Frou manages to do ballads and trip-hop equally well, giving a haunted air to the former and a bright one to the latter.
It's virtually impossible to blend pop, electronica and ambient music this seamlessly. But somehow Frou Frou does it. The best qualities of each musical style are all captured and blended together, usually in a blend of slow piano, shimmery synth and low-key guitar. If it doesn't make your ears tingle, then you must be deaf.
Heap's voice is a bit like pop newcomer Jem's -- it's sweet and wispy, yet surprisingly strong. And it has the smooth quality of someone who is completely in tune with the music. And she brings a lot of feeling to the wistful songs about emotional turmoil and losing love: "If love is surrender/Then whose war is it anyway?"
Funky, catchy trip-hop and delicate ballads are what Frou Frou is all about. Sweet, shimmery and catchy, this is a must-have for lovers of good pop.
Ethereal trance pop.......2004-07-11
Fou Frou is Madonna meets Olive.......2002-12-08
Album track rating
Breathe In (5/5) sounds almost carnivalish but perfect
Close Up (5/5) sounds like Madonna's "Candy Perfume Girl"
Flicks (4/5) very beauful vocal collage
Hear Me Out (5/5) best track and most beautiful
Its Good To Be In Love (4/5) beautiful but more raw/less electric
Let Go (5/5) beautiful intertwine of electronica and piano
Maddening Shroud (5/5) a beautiful remake of the old song
Must Be Dreaming (5/5) Beautiful with awsome beats
Only Got One (5/5) Plainly beautiful, very soft
Psychobabble (4/5) Beautiful vocals but very odd and dark music
Shh (4/5) catchy little ditty with beautiful electronic backings
The Dumbing Down Of Love (3/5) kinda boring, but still pretty
Also noted, the import (depending on which country its from)contains bonus tracks:
Old Piano (5/5) gorgeous music and vocals/worth the extra price
Breathe In (Encore Mix) (5/5) absolutley beautiful and very club worthy
If into remixes, get the "Breathe In" remixes:
Aphrodite Remix (3/5) kinda weird garage beats and vocals slow
All the Waiting Mix (5/5) a slow smooth and gogeous mix
Ben Watt Mix (4/5) great for clubs and upbeat
Encore Mix (5/5) best of all the mixes (see above)
Watkins (5/5) best for US radio play and very upbeat
Imogen Does It Again.......2002-10-26
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Details
Richard Davis Manufacturer: Kitty Yo ProductGroup: Music Binding: Audio CD ASIN: B0009NCP7O Release Date: 2005-06-21 |
Tracks:
- Honest with You
- Truth
- Empty
- World Dissapears
- Sometime
- This Time
- Others
- Hear This
- Common Sense
- Details
- Bring Me Closer
Customer Reviews:
Beautiful and brilliant.......2007-06-17
"Details" is electronic music at its best -- smart and intelligent, yet smooth, melodic, and easy to listen to.
The album is emotionally captivating, amazingly beautiful, yet ultra contemporary and at the pulse of the time, without sacrificing timeless beauty and depth of feeling.
Davis' music can best be described as "harmonious, elegantly subdued electronic songs with beautiful vocals".
"Bring Me Closer" is a masterpiece, and the whole album is a must-buy for anyone who likes electronic music, and anyone who loves beautiful, smooth songs that are as romantic and refined as they are cool and danceable.
Amazing and Special Electronic Music.......2007-03-24
AD
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Streetcar Named Desire/Iva Zapata/Spartacus
Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000005J4L Release Date: 1997-07-29 |
Tracks:
- The Bad Seed : Main Title
- The Bad Seed : Our Baby
- The Bad Seed : Confession/Details
- The Bad Seed : At It Again
- The Misfits : Gay And Roselyn
- Viva Zapata ! : Gathering Of Forces
- A Streetcar Named Desire : Main Title/ New Orleans
- A Streetcar Named Desire : Blanche
- A Streetcar Named Desire : Four Deuces
- A Streetcar Named Desire : Mania
- A Streetcar Named Desire : Belle Reve
- Spartacus : Main Title
- Spartacus : Forest Meeting
- Spartacus : Vesuvius Camp
- Spartacus : Camp At Night
- Spartacus : Draba Fight
- Spartacus : Final Farewell
Customer Reviews:
Just a sampling..........2007-06-18
into dramatic film scores. With the exception of musicals, jazz wasn't even a consideration in a field previously dominated by the classically influenced Steiner, Korngold, and Waxman. North ushered in the next generation of soundtrack composers. This is most evident in his Ocar nominated(1951) " A Street Car Named Desire". It opens with a big piece of symphonic jazz. Swing for the piano and brass with undertones of the blues for the strings. Throughout North cleverly disguises his soundtrack. The audience is unsure if the music is coming from a nearby
jazz club or is supporting the sleazy action taking place in the New Orleans slum flat. Interesting concept that only works while viewing the film. The 1961 "Misfits" (Clark Gable's last film by the way)uses a more subtle line of jazz. Romance between the Gable and Monroe characters carried by the soprano sax. For the 1956 "The Bad Seed" North really gets it right in this story of an 8yr. old unredemptioned psychopathic killer. He uses throughout a harrowing dissonant theme entwined with a an off key childlike French folk song for a chilling demented musical experience. Perfectly hiding the evil behind the innocence of a child. The single selection from 1951's "Viva Zapata" is derived from the rhythm of his followers clacking stones. They view the arrested Zapata on horse back, noose around neck, riding to his death, with a typical Mexican folk like theme buildup for full orchestra. North depicts the brutality of Rome in "Spartacus" through the ominous howling of brass, winds, and percussion. He does give us a beautiful love theme for Spartacus and his affection for a slave girl, North never forgetting his roots and gift for melody. The overall performance of the LSO is good, as with the engineers and annotators. Because the selections are generally short one feels the absence of continuity with the program.
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Mozart - Die Entführung aus dem Serail / Y. Kenny · L. Watson · P. Schreier · Gamlich · Salminen · Reichman · Zürich Opera · Harnoncourt
Wolfgang Amadeus Mozart , Nikolaus Harnoncourt , Yvonne Kenny , Lillian Watson , Chor und Mozartorchester des Opernhaus Zürich , Peter Schreier , Wilfried Gamlich , Matti Salminen , Wolfgang Reichman , "Product Details" shows harnoncourt as composer , and mozart as composer, etc. yvonne kenny as conductor Manufacturer: Teldec ProductGroup: Music Binding: Audio CD ASIN: B000000SB6 Release Date: 1989-05-18 |
Tracks:
- Die Entfuhrung Aus Dem Serail: Ouverture
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 1 Aria 'Hier soll ich dich denn sehen'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog 'Aber wie soll ich in den Palast kommen'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 2 Lied und Duett, 'Wer ein Liebchen hat gefunden' - 'Verwunscht seist du samt deinem Liede!'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Konnt' ich mir doch noch so einen Schurken'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 3 Aria, 'Solche hergelauf'ne Laffen'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Geh nur, verwunschter Aufpasser'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 4. Recitativo ed Aria, 'Konstanze! dich wieder zu sehen! - O wie angstlich, o wie feurig'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Geh nur, verwunschter Aufpasser'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 5b Chor der Janitscharen, 'Singt dem grossen Bassa Lieder'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Immer noch traurig, geliebte Konstanze?'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 6 Aria, 'Ach ich liebte, war so glucklich!'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: Dialog, 'Ihr Schmerz, ihre Tranen, ihre Standhaftigkeit'
- Die Entfuhrung Aus Dem Serail: Erster Aufzug: No. 7 Terzett, 'Marsch! Marsch! Marsch! trollt euch fort'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 8 Aria, 'Durch artlichkeit und Schmeicheln'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Zartlichkeit! Schmeicheln!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 9 Duetto, 'Ich gehe, doch rate ich dir'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Wie traurig das gute Madchen daherkommt'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 10 Recitativo ed Aria, 'Welcher Wechsel herrscht in meiner Seele' - 'Traurigkeit ward mir zum Lose'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ach mein bestes Fraulein!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 11 Aria, 'Martern aller Arten'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ist das ein Traum?'
Tracks:
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Kein Bassa, keine Konstanze mehr da?'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 12 Aria, 'Welche Wonne, welche Lust'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog 'Ah, dass es schon vorbei ware!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 13 Aria, 'Frisch zum Kampfe! Frisch zum Streite!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ha! Geht's hier so lustig zu?'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 14 Duetto, 'Vivat Bacchus! Bacchus lebe!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Wahrhaftig, es geht doch nichts uber den Wein!'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 15 Aria, 'Wenn der Freude Tranen fliessen'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: Dialog, 'Ich hab' hier ein Schiff in Bereitschaft'
- Die Entfuhrung Aus Dem Serail: Zweiter Aufzug: No. 16 Quartetto, 'Ach Belmonte! ach mein Leben!'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'O Konstanze! Wie schlagt mir das Herz!'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 17 Aria, 'Ich baue ganz auf deine Starke'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Alles liegt auf dem Ohr'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 18 Romance, 'In Mohrenland gefangen war'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Sie macht auf Herr!'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Gift und Dolch! Was ist das?'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 19 Aria, 'O, wie will ich triumphieren'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Was gibt's, Osmin, was gibt's?'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 20 Recitativo e Duetto, 'Welch ein Geschick!' - 'Meinetwegen sollst du sterben!'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: Dialog, 'Zitterst du?'
- Die Entfuhrung Aus Dem Serail: Dritter Aufzug: No. 21a Vaudeville, 'Nie werd' ich deine Huld Verkennen'
Customer Reviews:
Highly Enjoyable.......2005-12-19
A Recording that is original, authentic, and enjoyable.......2005-07-17
In some respects the opera was revolutionary as is the case in so many Mozart works. The music has what is called a "Turkish" flair which was quite popular in Mozart's day. The Arabic world was seen as mysterious and exotic and anything Arabic was all the rage. Mozart does his best to give the music of the opera what was believed to be an authentic Arabic sound and used a wide variety of instruments to achieve this effect. It was also one of the first masterful scores for the German opera form known as singspiel where the arias are separated by spoken dialogue rather than musical recitative. The music worked for the stage, was loved by the audience, and sets a higher standard for music of the stage.
Many times recordings from "period instruments" can sound strange to the modern ear because we are used to a fuller symphony orchestra than would have been the case in Mozart's day. Nikolaus Harnoncourt is able to use period instruments to make this recording sound as authentically Mozartarian (I'm not sure there is such a word but I'm using it anyway) and pleasing to the modern listener. The soloists do a great job, the spoken dialogue is not jarring as it can be in some recordings, and it is an overall appealing set.
There are a number of good solid recordings of this work available. Two of the standards are the set under the direction of Ferenc Fricsay and another set directed by Sir Geog Solti. Both are highly praised and can provide an enjoyable listening experience, but if you are a Mozart buff, or want to hear a fresh recording of a great yet often neglected work, the Harnoncourt set is just for you.
Singspiel as it should be done.......2000-07-10
Finally ! die Entfurung treated seriously !.......2000-01-11
Sterile conducting; some interesting singing.......1999-11-27
Matti Salminen's Osmin is very interesting, in that it is the most Wagnerian-sounding available Osmin on record. Matti Salminen puts Hagen-like murder into every syllable, even the coloratura sections. It's awesome, but the phrase "bull in a china shop" keeps coming to mind.
Average customer rating: |
Details
David Kikoski Manufacturer: Criss Cross ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001HAIZ4 Release Date: 2004-04-27 |
Tracks:
- In Your Own Sweet Way
- Detachment
- 7/4 Ballad
- Inner Urge
- Juriki
- Adorable You
- K's Blues
- Presage
- Tag Blues
Average customer rating:
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Devil in the Details
Saigon Kick Manufacturer: Cmc International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006MG3 Release Date: 1998-10-13 |
Tracks:
- Intro
- Russian Girl
- Killing Ground
- Eden
- Going On
- Everybody
- Spanish Rain
- Flesh And Bone
- Sunshine
- Victoria
- Afraid
- So Painfully
- Edgar
- All Around
Customer Reviews:
A 3.9 From the Russian Judge.......2007-06-05
Matt was/is fantastic, but should that be the end? If so, apply that same passionate thought to the Beatles, Rolling Stones, The Who, Thin Lizzy, The Church... heck, even Van Halen.
What the boys pull off is something a bit different from the pack, and thank goodness for that. Pete 2nd guitar is another axe in the shield wall and Jason's voice is compelling and also fitting.
For potential shoppers. this album loses a bit of the steam and punch that surrounded the first two albums, but it gains a sort of majestic and elevated touch. Like Love/ Hate and Devin Townsend, Saigon Kick dared to make music that skewed the formula. Water is an album that is marked by high peaks and a couple of valleys (not too low, mind you). Devil in the Details plants it's flag off the peak, yet only a half-day's hike away. Much further down the mountain, you'll find most of the offerings from the 90's. Partake and be glad.
The Most Underated Band of All Time!.......2004-04-01
My only regret is that Matt Kramer is no longer with the band.
"Devil in the Details" is the slightly better of the two "Kramer-less" CDs. (The other CD being "Water")
If you have never heard this band, I strongly suggest you give them a listen...........
Bring back the REAL Saigon Kick.......2003-09-16
The best thing on Water was the cover of the Bowie song, "Space Oddity." Shouldn't that have told us something? And now we have Devil in the Details, an album that tries really hard to get the radio play that will always elude it -- not because musical merit has anything to do with airplay, but rather because these guys don't have the money or label backing to promote or bribe themselves onto playlists. It's just as well -- the Backstreet Boys fill the niche that Saigon Kick's attempting.
Avoid this band until Matt Kramer comes back. If he never does, get the first two albums and revel in the true brilliance that this band once represented.
To Everything, A Winter's Sadness.......2003-02-11
Within Devil in the Details, there are many flavors to keep the mind entertained as all of the realms the needy listener is normally accustomed to hearing are displayed. There is a poetic beginning in the small introduction exclaiming, "I believe there is no sun today, I believe there is no sun. Miles from where I live today, I can see no sun," that then drifts into a love song that combines a beat into its ballad about a certain "Russian Girl" and the proposition of staying with the singer. Still, there is more as well, from the very beautiful, almost hauntingly sad "Spanish Rain" and the likewise saddened beats and depressive make-up of "Going On" to the violence and murder floating in the swing sounds of "Victoria" and the up/down teetering in the song about suicide, "Edgar." Also dwelling in the album more punkish sounds of "All Around," the two lover's embracing death together spectrum of "flesh of Bone," and the testimonials about feelings seething within "killing Grounds."
Everything in this album comes together so well, making me glad I have a copy of it and always pulling it out to listen to even years after its release. Its rare that one finds a band that can keep the attention as well as Saigon Kick knows how to do, and rarer still to find someone that knows how to place four albums into circulation that all work at a level worthy of praise. Therefore, I recommend this album and all the other sounds of Saigon Kick to anyone wanting something with staying power and a little bit of everything. Its simply sad that, like all seasons, winter seems to have come and no more releases have followed in suite.
Very powerful disc.......2000-11-11
Album Review:
- Dirty Diamonds
- Disco Remixed
- Don't Call Me Baby [CD-single] [Import]
- Driven
- Dubplate Killaz
- Everyday [CD-single]
- Eyes of Truth [CD-single] [Import]
- Fabriclive.15 [Live]
- Fabriclive.18 [Live]
- Gatecrasher: Disco Tech [Limited Edition] [Import]
Album Review
Absolute Almighty V.10 [Import]
Famous Piano Music (Box Set) [Box set]
Fight Song, Pt. 1 [CD-single] [Import]
Club 60: I Numeri Uno V.4 [Import]
Dennis O'Neill: Great Operatic Arias