House...Sweet & Sexy, Vol. 1 [Import]

Disc: 1

1. Feeling Fire [Extended Mix]

2. Sunrize [Original Mix] - Zemya Hamilton

3. Music [Extended Version]

4. Shining Star [Invisible Man's Club Mix] - Arizona, Invisible Man

5. Body Music [Latin Vocal Mix]

6. I'm Comin [Main Mix]

7. Music Awards [Original Mix] - David Kane

8. La [Maurice's Club Mix] - Maurice Joshua, Liquid Soul

9. Rumba Buena [David Vendetta's Remix] - Louis Botella,

10. Pure Emotion [Mojolators Remix] - Linda Newman

See all 15 tracks on this disc

Disc: 2

1. Crystal Beat [Original Beat]

2. Drum from Ibiza [Original Version]

3. Up On [Simply Mix]

4. Feel Brand New [Mike Cruz Remix] - Seduction

5. Break Free [Original Mix] - Inaya Day, ,

6. Feeling [Hardhouse Mix]

7. Start Me Up [Manu from Newcastle Remix]

8. One [Fillers Remix]

9. Together [David Vendetta's Remix]

10. Sexy Lady [Knoxtown Remix] - Deep Koncepts Of New York

See all 15 tracks on this disc

House...Sweet & Sexy, Vol. 1,Mondo,Benny Tourneur,DJ Teeno,Ota Dance,Dance,Dance Collections,Dance Music,Pop,V/a Compilations

Sweet Dreams
Average customer rating:

Part of the soundtrack of my high school years

A cd that makes you dream!

This Is Worth Every Penny!

More Beat For Your Buck (4 Stars)

A CLASSIC EURODANCE.....

Sweet Dreams
La Bouche
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Another Night

Pump Up the Jam: The Album

S.O.S.

Europop

The Sign

ASIN: B000002WVB
Release Date: 1996-01-16

Tracks:

Be My Lover
Sweet Dreams
Fallin' In Love
Where Do You Go
I'll Be There
Do You Still Need Me
I Love To Love
The Heat Is On
Poetry In Motion
Shoo Bee Do Bee Do (I Like That Way)
Nice 'N' Slow
Fallin' In Love (Spike Mix)
Be My Lover (House Mix)
Le Click: Tonight Is The Night

Customer Reviews:

Part of the soundtrack of my high school years.......2006-06-23

I was 15 years old and a sophomore in high school when "Be My Lover" started burning up the U.S. charts toward the end of 1995, and I loved every second of that song: Eurodance-pop perfection, bolstered by the catchy "La-da-da-dee-da-da-da-da" hook and the powerful diva voice of the late Melanie Thornton. As I recall, most radio stations played the edited version without Lane's rap, without which the song seems kind of empty (even though it is cheesy: "Like Boyz II Men I'm on bended knee"... sorry, that line makes me giggle). As much as this song simply smokes, the extended mix which also got some radio play on "mix shows" and the like is even better.
Anyway, when I bought this album I expected an album's worth of songs in the same Eurodance style which I had grown to know and love thanks to Real McCoy, 2 Unlimited, Fun Factory, and (remember "The Rhythm Of The Night?") Corona. To my surprise, there were some slow jams here too! Despite being well-sung by Melanie, as is everything here, the slow jams - especially "I'll Be There" (which is NOT the Jackson Five/Mariah Carey classic) - aren't as memorable as the dancefloor thumpers. "Be My Lover," the title song, "I Love To Love" and "The Heat Is On" are all red-hot, catchy, well-crafted Eurodance classics. And it is the talents of Melanie Thornton that make them really special. In the hands of any other singer these songs wouldn't sound nearly as hot. There's also "Where Do You Go," which is ALMOST the same song that became a hit in 1996 for the Cuban-American trio No Mercy - I say "almost" because the verses are different. Equally fun is Le Click's "Tonight Is The Night," a #89 Hot 100 hit in 1995. (Of course, after Melanie and Lane McCray got together as La Bouche, Le Click continued on with a new singer named Kayo Shekoni who was sort of a soundalike for Melanie, and scored a Top 40 hit in 1997 with "Call Me.")
And there's an oldie here too - that would be "Fallin' In Love," the Hamilton, Joe Frank & Reynolds #1 hit from 1975. The album version is a nice, breezy, mid-tempo pop tune that wouldn't sound out of place on adult contemporary radio. It's certainly far superior to the horrid Eurodance remix that was issued to radio stations after the success of "Be My Lover" and "Sweet Dreams." Actually, "Fallin' In Love" was originally La Bouche's first single in the United States in 1995, but it flopped, getting into the "Bubbling Under the Hot 100" chart for a few weeks and then vanishing. When it was re-promoted to radio the following year, RCA did not re-release the single and CHR stations played it as an album cut (though most of them, unfortunately, played the remix, which was not all that bad on its own, but was horrible compared to the album version).

In short, this is a more-than-competent survey of the mid-1990s Eurodance sound, with a pair of big hit singles and a few extras as well. La Bouche injected some soul into the Euro beats and came up with a winner. Rest in peace, Melanie, you are still missed.

A cd that makes you dream!.......2005-10-04

Who hasn't danced even once with the big smash hit ''be my lover'' way back in 1995? And who hasn't dreamt by listening to the hit ''sweet dreams''? The unique voice of Melanie Thornton - tragically gone in a plane crash in Zurigh in 2001 - along with the rap rhymes of Lane McCray make a combination of passion, adrenaline and of course ... dancing!! Beautiful melodic songs, such as ''fallinf in love'', ''i'll be there'' and ''nice n' slow'', dance hits like ''where do you go'', ''i love to love'', ''the heat is on'', along with one beautiful ballad - ''do you still need me?''and the 2 smash hits we just talked about. The cd ends with 2 great remixes of ''be my lover'' and ''fallin' in love'', plus another big hit ''tonight is the night'', which mysteriously isn't enclosed in the 2001 compilation ''greatest hits'' of the group. A cd that everybody who loves dance music should have. The group may not exist anymore, but will always be remembered, especially Melanie.

This Is Worth Every Penny!.......2005-08-04

Surely the asking price is not too high for something as good as this. I would have paid double for it. Great for the club or a party scene, and great for driving. Just don't get too into it and speed too much.

More Beat For Your Buck (4 Stars).......2004-09-02

Music like this is usually too corny for me to even come close to giving it a chance, but I showed up to my sister's apartment one day and she was playing this CD. By the time I left her place, I was sweaty from all the dancing I was doing. I am by no means a convert, but I do give credit where credit is due. I don't know much about house/trance/dance music, but from what I've heard on this CD and from what I've been told, this is one of the better dance albums out there. A year ago I saw it at a store and bought it used for $1.00 (what a country). There are a lot of great dance tracks on this album and there are some terrible tracks on this album. When the group tries to do ballads like "I'll Be There" and "Do You Still Need Me", they come off as very cheesy attempts to "get deep". Thankfully, those kinds of songs are kept to a minimum. The strength of this album (obviously) are the dance/house tracks. There are house music staples like "Sweet Dreams", "Where Do You Go", and "Be My Lover" on here that make this CD worth the money on their own. They also follow up these classics with strong dance tracks like "Be My Lover (House Mix)", "I Love To Love", "Fallin' In Love (Spike Mix)", "Le Click: Tonight Is The Night", and "The Heat Is On". Great songs like "Nice N Slow" and "Fallin' In Love" have an R&B flavor to them and they help to even things out. Overall, I'd have to say that this album is pretty good. It's not a classic album by any means, but there are some classic dance joints on this album. It has some obvious holes in it, but it's still worth the money if you can find it at a good price. It's sad that lead singer Melanie died in that plane crash back in 2001, but she left behind some great music that will get your body moving. It's always hard to see people go when so much potential is left unfulfilled.

Standout Tracks: Be My Lover, I Love To Love, Where Do You Go (My Favorite), Le Click: Tonight Is The Night, The Heat Is On, Fallin' In Love, Sweet Dreams, Nice N' Slow, Fallin' In Love (Spike Mix), and Be My Lover (House Mix)

A CLASSIC EURODANCE............2004-08-29

La Bouche was the most played band in Europa in the 90's when i went to nights clubs at this period (I'm 29),Then i was surprised when i hear it recently on a CHR Florida radio Station:It's a gold eurodance band !
E from France

Jane Eyre, the Musical (Original 2000 Broadway Cast)

Average customer rating:

Great Buy!
Perfect Match
Probably the most beautiful musical of all time
Beautiful!
A good musical

Jane Eyre, the Musical (Original 2000 Broadway Cast)
John Caird
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000051Y31
Release Date: 2000-11-21

Tracks:

The Orphan
Children of God
Forgiveness
The Graveyard
Sweet Liberty
Secrets of the House
Act One: Perfectly Nice
Act One: As Good As You
Secret Soul
Finer Things
The Pledge
Sirens
Things Beyond This Earth
Painting Her Portrait
In the Light of the Virgin Morning
The Gypsy
The Proposal
Slip of a Girl
Sirens (Reprise)
Farewell, Good Angel
My Maker
Rain
The Voice Across the Moors
Poor Sister
Brave Enough for Love

Amazon.com

Here's another to join the parade of page-to-stage musicals inspired by 19th-century fiction. This ambitious adaptation of Charlotte Brontë's haunting classic Jane Eyre for the musical theater seems to be part of a trend represented most famously by Les Misérables. It also reflects the increasing pressure to schedule an original cast recording release as close as possible to a new show's Broadway opening: in this case, in fact, the CD was both recorded and released prior to the show's opening in December 2000 at the Brooks Atkinson Theatre. But what's most significant for the artistic character of Jane Eyre: The Musical is found in yet another pattern: like a number of his colleagues, composer-lyricist Paul Gordon comes to the project from a pop music industry background (best known for his hit "Friends and Lovers"). And quite a few of the show's numbers benefit from Gordon's catchy craftwork, weaving melodies that are clearly destined to be whistled long past curtain. Yet the effect is sometimes too facile, not diving as deep as we would like into the emotional predicaments of Brontë's characters. You begin to crave a more deftly defined and imagined variety of sound worlds (especially for the darker aspects of Thornfield Hall) than what is hinted at. Gordon doesn't forge any new paths, but his melodic fluency does have its moments of payoff--especially in the moving final duet "Brave Enough for Love," which is also strong enough to stand on its own.

Gordon's predilections as a would-be son of Sondheim are nevertheless clear, and he's telescoped the story into mostly effective lyrics, with some thoughtful juxtapositions of material. Most importantly, he understands that this is more than a Gothic romance, foregrounding the central message of forgiveness that Jane learns as a girl. He attempts to explore the injured sense of self shared by both Jane and Rochester and sets them on a painful, mutual voyage of discovery.

The creative team also includes the veteran duo John Caird (book and direction) and John Napier (scenic design), who have collaborated on such epics as Les Mis and Nicholas Nickleby (not to mention the Las Vegas Siegfried and Roy extravaganza). And the show's creators seem to share a vision geared toward the more operatic end of the spectrum (it was opera composers, after all, who early on claimed 19th-century Gothic fiction for the stage, as in Donizetti's Lucia di Lammermoor), with an actual parody of coloratura in one showstopper ("The Finer Things") given to Blanche Ingram. Fortunately, the two principals have large, richly expressive voices to encompass the large, complicated emotions of these characters. Marla Schaffel singswith unusual beauty and brings dimension to her Jane, while James Barbour (whose resumé includes Beauty and the Beast) is never really threatening as Rochester, but rather a tortured soul who is sweet-voiced even at his most cynical. Mary Stout is a stitch as the blustery Mrs. Fairfax. While the show has already undergone a lengthy evolution from its very first workshops, the viability of its final, fully staged realization has yet to be determined. But this cast recording conveys an authentic sense of the musical's atmosphere and emotional scope. --Thomas May

Customer Reviews:

Great Buy!.......2007-06-08

Not only was this CD super cheap, it also arrived at my house 3 days later!

Perfect Match.......2007-03-16

The music in this album really gave me the feeling of reading the book. I think the songs were well chosen and well written, except of course for the songs sung by Mrs. Fairfax... I could have done without those. Jane and Mr. Rochester's songs carry the story well and they sound lovely. For any musical lover, or romance fan I definitely recommend this album.

Probably the most beautiful musical of all time.......2007-02-16

This is a hidden gem and if you buy it and listen to it, I don't see how you can not love it. I have bought many, many Broadway cast albums but I still am a popster at heart. With all that said, this is a cast album that soars above the crowd.

I bought this several years ago and have listened to it repeatedly since I got it. Why do I love it so much? First of all, the lyrics are full of heart and emotion and tell the story ably. But it is the music and the performances that are truly remarkable here. The melodies are memorable and absolutely exquisite. The orchestration is lush but not sappy. The performances by the two leads are nothing less than stunning.

I never get bored with this wonderful cast album and it is very, very highly recommended.

Beautiful!.......2007-01-28

I listen to this soundtrack all the time and I never get tired of the songs. If Charlotte Bronte story was written as a musical, then this would definitely be it.

A good musical.......2006-07-20

if you like old-fashioned romantic stuff, this one's for you. Some songs are very inspired, the music is,for the most part, quite beautiful, and the story line keeps the essence of the Bronte novel. I heard this right after "Wuthering Heights: the musical", which is quite good, yet this is superior. Give it a try and you might be nicely surprised. I would highly recommend it to the ones who know the novel and to English Literature students: it offers a different and interesting approach to the novel.

Average customer rating:

Excellent!
hyperdelic
Movement to rock
I would have liked this more when I was 16
This is a great f-cking record!

Hell Is Invisible...Heaven Is Here
Psychic TV
Manufacturer: Sweet Nothing
ProductGroup: Music
Binding: Audio CD

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ASIN: B000Q3644C
Release Date: 2007-06-12

Tracks:

Higher And Higher
In Thee Body
Lies, And Then
Maximum Swing
New York Story
I Don't Think So
Hookah Chalice
Just Because
BB
Milk Baba

Customer Reviews:

Excellent!.......2007-07-28

By far their best album to date! Marcus has been a great addition to this great band!

hyperdelic.......2007-07-21

A more Rock&Roll'n selection from tee third incarnation ov Psychic TV. Introduces some old thematic rhythms from their first albums, along with Genesis's philosophies on polydrogeny ascetics. Best PTV recording out since "Allegory & Self"/"Godstar". Mr. P-orridge tries harder than ever to actually sing-doing a much bettre job than the latest Throbbing Gristle Project "Endless Not".

Movement to rock.......2007-07-20

It seems that Genesis P-Orridge has finished with Acid House for the moment. This album made a shift to rock, with traditional set-up and linear song structure. Makes for great listening, headphones or speakers.

Saw the CD release show, my first time to a Psychic TV event and it blew myself and friends away. Psychic TV made at least two new fans that night. One of the best shows I have been to, the main set went on for nearly three hours.

Douglas Rushkoff also has keyboard credits on this album, so check it out.

(PS: PTV3 has a new lineup and completely different style from PTV's previous incarnations. Embrace the change.)

I would have liked this more when I was 16.......2007-06-28

Let me start by saying that I am a big fan of experimental music of all kinds. I'm always ready and willing to dive into something which is unlike anything I've heard before. I'm also no stranger to Genesis P. Orridge's work, having heard all of Throbbing Gristle's albums, many Psychic TV albums, and having enjoyed his work with Pigface.

TG is a mixed bag for me. I appreciate the dynamic of the group and the balls it took to make and stand by the music when they did... but now it just seems trite. Only very occasionally did they manage to break through the gimmick of banging on things to make noise and create a piece of "musick" that affected me on anything more than a basic visceral level.

What I've heard of Psychic TV affects me the same way, only instead of making noise, they are writing the most obnoxiously meaningless imitations of pop songs imaginable. Whenever I'm reminded of them, I always wonder why so many people who are into underground type experimental music enjoy PTV so much. The only thing I can figure is that it's the corny pseudo-religious aspects of their philosophies. Whatever the case may be, it usually ends up sounding much like everything I've always hated about popular music, but done badly. The only exception is their album Trip/Reset, which I do still listen to on occasion. I really can't tell you why I enjoy that album and not the rest, but I think it has something to do with the consistency of mood throughout it. It's very mellow, and aptly named.

I bought this album anyway. I got it because of the quick sound samples I heard on Amazon. It sounded different from the things I hate about PTV, but some of it also reminded me of the things I liked about Trip/Reset. I thought it might be a new direction for the group.

Well.. it is a new direction for them. But unfortunately, hearing the songs in full turned out to be a tedious experience. The albums opener sounds like a dumbed down Johnny Rotten/PIL imitation. The second song was entirely forgettable. The third song sounded like a different version of the first. Maximum Swing, my favorite song off the album, starts out a little bit interesting, but quickly degenerates into an unbearably repetitive waste of bytes. The next two songs have a similar vibe as some of the tracks I liked off of Trip/Reset, but holy crap.. they just drone on and on with no point whatsoever. The rest of the album is entirely throwaway. Hookah Chalice and Just Because sound like retreads of tracks 1 and 5, and BB sounds like The Cult with an even more annoying and whiny singer. The last song is simply a joke. Sitar samples with stilted vocal drones. The song is 7 minutes long, but it sounds like it took less than a minute to "write".

Bottom line:

Most of these songs have some sort of potential, but they have no business being as long as they are, and Genesis sounds younger and more immature as he gets older.

On the other hand, this might be the "punkest" album I've heard in years. I guess I just grew out of the "punk" thing a long time ago.

If they would start focusing on actually writing music and stop trying so hard (and failing so hard) to be scary or edgy, they might be onto something. As it stands now, they are simply laughable to me.

This is a great f-cking record!.......2007-06-23

wonders never cease! First I'll say that this is a cyber glam record, only it's very analogue, with a Ziggy Star Dust 2007 sound. I wouldn't have guessed a sound like this, a sound that I associate as an old rock sound, could sound so fresh, so right so now, i am of the avante guard variety when it comes to music, but some how this works! on glam pop rock estetics as well as pagan occultic modes of expression and also on the poetic museing level, there is no industrial sound here but definately a dose of psychedelic. I might also add that this is a great summer time record.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLI8
Release Date: 2004-11-30

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Average customer rating:

The Price Club
A living legend
not your daddy's old timey spiritual
Immaculate Vocals of Leontyne Price
Great Gospel Stuff

The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About The Mountain - Various Artists
Swing Low , Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy - Leontyne Price
Lead, Kindly Light - Leontyne Price
Blessed Assurance - Leontyne Price
Ave Maria - Leontyne Price
What A Friend We Have In Jesus - Leontyne Price
Amazing Grace - Leontyne Price
The Lord's Prayer - Leontyne Price
Pass Me Not, O Gentle Savior - Leontyne Price
The Church's One Foundation - Leontyne Price
Bless This House - Leontyne Price
I Need Thee Every Hour - Leontyne Price
Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
I Wonder As I Wander - Leontyne Price
Ave Maria - Leontyne Price
Porgy And Bess: Summertime - Leontyne Price
America The Beautiful - Leontyne Price
Lift Ev'ry Voice And Sing - Leontyne Price
A Mighty Fortress Is Our God - Leontyne Price
Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.

Average customer rating:

Modern Rock 1982-1983
1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars various artists , 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country , 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx , 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes , and 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses
ProductGroup: Music
Binding: Audio CD

New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
ASIN: B000NHZHKS

Product Description

Year: 1982 Track Title 1. Down Under -- Men At Work 2. Sweet Dreams (Are Made Of This) -- Eurythmics 3. Come On Eileen -- Dexy's Midnight Runners 4. Hungry Like The Wolf -- Duran Duran 5. Shake It Up -- The Cars 6. She Blinded Me With Science -- Thomas Dolby 7. Too Shy -- Kajagoogoo 8. (She's) Sexy + 17 -- Stray Cats 9. Steppin' Out -- Joe Jackson 10. In A Big Country -- Big Country 11. Love My Way -- The Psychedelic Furs 12. Mexican Radio -- Wall Of Voodoo Track Title 1. True -- Spandau Ballet 2. One Thing Leads To Another -- The Fixx 3. Back On The Chain Gang -- The Pretenders 4. Vacation -- The Go-Go's 5. Love Plus One -- Haircut 100 6. I Want Candy -- Bow Wow Wow 7. Our House -- Madness 8. Always Something There To Remind Me -- Naked Eyes 9. Only The Lonely -- The Motels 10. I Ran (So Far Away) -- A Flock Of Seagulls 11. Goody Two Shoes -- Adam Ant 12. I Know What Boys Like -- Waitresses

Average customer rating:

A fine collection, well recorded, & a bargain, to boot!
Perfect and otherworldly

Vaughan Williams: Poisoned Kiss

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:

Rachmaninov: Complete Operas (Aleko, The Miserly Knight, Francesca di Rimini)
Sibelius: Complete String Quartets
Vaughan Williams: The Shepherds of the Delectable Mountains
Vaughan Williams: Complete Concertos
Vaughan Williams: Over hill, over dale

ASIN: B00000IYN1
Release Date: 1999-05-18

Tracks:

Overture: The Poisoned Kiss
Two Hymn - Tune Preludes: Eventide
Two Hymn-Tune Preludes: Dominus Regeit me
The Running Set
Flos campi: I Lento (senza misura)
Flos campi: II Andante con moto
Flos campi: III Lento (senza misura) - Allegro moderato - Allargando
Flos campi: IV Moderato alla marcia
Flos campi: V Andante quasi lento
Flos campi: VI Moderato tranqillo
Suite For Viola And Orchestra: Group 1: Prelude
Suite For Viola And Orchestra: Group 1: Carol
Suite For Viola And Orchestra: Group 1: Christmas Dance
Suite For Viola And Orchestra: Group 2: Ballad
Suite For Viola And Orchestra: Group 2: Moto perpetuo
Suite For Viola And Orchestra: Group 3: Musette
Suite For Viola And Orchestra: Group 3: Polka mncholique
Suite For Viola And Orchestra: Group 3: Galop
Sea Songs

Tracks:

Overture: The Wasps
The House Of Life: 1 Love-Sight
The House Of Life: 2 Silent Noon
The House Of Life: 3 Heart's Heaven
Six Studies In English Folksong: 1 Adagio
Six Studies In English Folksong: 2 Andante sostenuto
Six Studies In English Folksong: 3 Larghetto
Six Studies In English Folksong: 4 Lento
Six Studies In English Folksong: 5 Andante tranquillo
Six Studies In English Folksong: 6 Allegro vivace
Romance
Linden Lea
Fantasia On Greensleeves
Serenade To Music

Customer Reviews:

A fine collection, well recorded, & a bargain, to boot!.......2005-10-08

This collection of pieces is a real treat for RVW fans. The recordings of Flos campi (surely one of RVW's most unusual and mystical works, somehow managing to capture the elusive emotional/spiritual environment of the Song of Solomon) and the Suite for Viola and Orchestra (rarely recorded, but a delectable mixing of folk-song, Bach, Bartok-like passages, and rich, resonant melodies redolent of autumn) would be enough in themselves. Couple them with the Six Studies in English Folksong for clarinet & piano (a rare piece of Vaughn Williams chamber music) and the ravishing instrumental version of Serenade to Music, and you have a truly admirable set. This is an assemblage of a number of earlier recordings: in this case, I think, the cream has been skimmed and put into one convenient two-disc collection. The recorded sound is good throughout, and the notes well-written and interesting - an excellent Chandos release.

Perfect and otherworldly.......2003-10-06

I am a rock musician but I must say that there is little other music on this green earth that is as gorgeous as that of Vaughan Williams. Some folk and country airs can touch the melancholy that VW can, some of Bach's or Ravel's pieces maybe. But when I hear music like Flos Campi 2nd and 6th movements, or the beautiful short pieces that comprise Six Studies in English Folk Song ... well, they leave me breathless. Parts of Flos Campi sounds like VW has distilled all the tinsel and magic, childlike wonder and true peace of something as hard to define as Christmas and made it into music. Serenade to Music in it's pure orchestral form still remains a glorius composition, even without the vocalists. My, when it hits that early theme in the latter part with full force and orchestra ... And the lovely Linden Lea and that wonderful Suite ... Almost too much. I sometimes program this and some of his major works, such as Tallis, Dives and Lazarus and The Lark Ascending (when I have some time to spare!): it's a big 'wow' factor. VW's music is unashamedly beautiful, capturing the sweetest folk elements and conjuring up the spirit of the wildest and most remote parts of Britain (in my head at least). This music is something else and I can't recommend it highly enough.

Average customer rating:

songs of experience
One of her Very Best-- which is saying a lot
Smile, Lynn, Smile

Love Sweet Love
Lynn Miles
Manufacturer: Red House
ProductGroup: Music
Binding: Audio CD

General | Contemporary Folk | Folk | Styles | Music

Singer-Songwriters | Contemporary Folk | Folk | Styles | Music

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

Canada | North America | International | Styles | Music
Similar Items:

Night in a Strange Town
Slightly Haunted
All the Roadrunning
Black Cadillac
These Four Walls

ASIN: B000CQO1CK
Release Date: 2006-02-07

Tracks:

Flames Of Love
Love Sweet Love
1000 Lovers
Trying Not To Be So Sad
Never Coming Back
Night Drive
Rainmaker
8 Hour Drive
This Is The Night
Sweet And Tender Heart
Casinos El Camino

Amazon.com

Canadian folkie Lynn Miles has always brought new luminescence to the most familiar topics, and so she does again with an album that maps the thrilling hills, scary back roads, hairpin curves, desolate valleys, and all-flat terrain of love. Picking up where her last record, the Juno Award-winning Unravel, left off, she writes in the lyrical poetry of the wounded ("I've got no strength to move, to breathe, to cry, to scream, to stand and fight"), and moves through the various stages of love, from seduction to paralyzing grief. Miles works in a rootsy style (think Shawn Colvin via Lucinda Williams, especially on the banjo-driven and country-ish "8-Hour Drive"), but she lingers long in the dark reality of the dissolution of romance, most effectively in the elegant pop of "Night Drive," where she attempts to outrun her own racing thoughts. Miles stops on her journey to ponder the complex and mysterious machinations of love's primary organ (the hauntingly melancholy "Sweet and Tender Heart"), and as the most doomed lovers do, finds a hopeful tone and redemption in her pain. Her sadness is our salvation. --Alanna Nash

Album Description

One of Canada's very finest singers and songwriters! Her previous CDs have drawn universal acclaim achieving near-cult status, but this stunning new CD, her fifth album and the follow-up to her 2003 Juno Award-winning "Unravel," is being called her finest, most realized recording ever. With its rich blend of pop, country and folk sounds, great melodies and production, and intelligent yet accessible lyrics, it is at once intensely introspective and universal, a soaring vehicle for Miles' sweet, melodic and powerful voice.

"Love Sweet Love" again finds Miles teaming up with "Unravel" producer and guitarist Ian Lefeuvre and drummer Peter Von Althen, both of Starling, and Chelsea Bridge double-bassist John Geggie to create a record of complex, visceral material. Rounding out the sound are Prairie Oyster guitarist Keith Glass and violinist James Stephens.

Customer Reviews:

songs of experience.......2006-03-02

The confessional singer-songwriter is not ordinarily a performer to my taste, but Lynn Miles, whom I am hearing for the first time on this CD, does the style honorably. These are songs of adult experience -- loneliness, heartbreak, sexuality, escape -- that neither cloy nor collapse into narcissistic obsessiveness. They sound real, as in vividly drawn stories and emotions from recognizable life. Miles is a strong, expressive singer, especially effective on nourish excursions such as "Night Drive," "8 Hour Drive," and "This Is the Night." Though I approached this recording with a certain skepticism, I was pleasantly surprised to discover a significant -- if so far overlooked -- talent. Let's hope this CD gets Miles the attention she deserves south of the Canadian border.

One of her Very Best-- which is saying a lot.......2006-03-01

I like this album even more than "Unravel," and I do like that. In fact, I think it's her best since the beautiful first one, "Slightly Haunted." There are some pop hooks here, but I think that enhances things, and used well, not as filler or a crutch. Her slightly weathered voice (now) is used beautifully, in sync with the lyrics and accompaniment. Miles has pared down some of the complexity of her songs, but if anything they pack just as much, if not more, punch for that. She won two well deserved awards at the Canadian Folk Awards for this album (Including Best Contemporary Songwriter), and you can see why here. The album just moves me a lot with each listen.

Smile, Lynn, Smile.......2006-02-12

The poetess of sadness and North Country chill is back with an album of new songs-her first in four years since the magnificent UNRAVEL. Although not quite up to that high standard (nor that of her equally wonderful second cd, SLIGHTLY HAUNTED), there's lots to love on this new release. In fact, the title cut and a number of others are about the edges of love, the wishes for it, and the walls which keep it out or keep it in. Lynn's way with a melody is as engaging as ever, her almost talking and then singing approach as direct and personal as it ever was, her wistfulness and wishfulness and sadness as palpable as always.

A THOUSAND LOVERS COULD PUT THEIR ARMS AROUND ME
A THOUSAND WISHES COULD FALL LIKE SUMMER RAIN
A THOUSAND MOTHERS COULD SING
"HUSH NOW, DON'T YOU CRY"
THERE IS NOTHING IN THIS WORLD TONIGHT THAT IS GOING TO
TAKE AWAY MY PAIN.

But joy breaks through sometimes or will soon-particularly in "This is the Night" and "Sweet and Tender Heart." You wish that for Lynn. You want the down-turned sides of her sensitive mouth to lift. This beautiful Canadian has done it again. Lovely.

Complete Grammophone Recordings, Vol. 4: The Hayes and London Recordings, 1921-26

Average customer rating:

Rare glimpse of Melba unfettered by the acoustic horn.
Fare thee well!

Complete Grammophone Recordings, Vol. 4: The Hayes and London Recordings, 1921-26

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music
ASIN: B0001Z65IK
Release Date: 2004-06-15

Tracks:

Sadko: Les Diamants Chez-Nous Sont Innombrables
Away On The Hills There Runs A Stream - Landon Ronald
Down In The Forest - Landon Ronald
By The Waters Of Minnetonka - Landon Ronald
Annie Laurie
Home, Sweet Home
Act IV: Piangea Cantando (Willow Song)
Act IV: Ave Maria
Entrate...C'e Rodolfo?
Donde Lieta Usci
Addio Dolce Svegliare Alla Mattina
Gavotta, Minuetto
Sono Andati?
Io Musetta...Oh Come E Bello E Morbido
Address by Lord Stanley of Alderley - Lord Stanley of Alderley
Dame Nellie Melba's Farewell Speech - Dame Nellie Melba's
La Traviata: Dita All Giovine
Un Ange Est Venu
Clair De Lune, Op. 83, No. 1
Swing Low, Sweet Chariot

Customer Reviews:

Rare glimpse of Melba unfettered by the acoustic horn. .......2007-04-15

Several of these selections give modern opera lovers their only clear vocal image of Melba. Collectors of ancient opera recordings are, through years of familiarity, capable of making allowances for the sounds on the acoustic records. However; most listeners cannot: because of this the few electrical recordings on this CD offer the only viable chance for most of us to hear Melba in something like her natural sound. Of special interest is her haunting singing of the Willow Song - Melba's style founded on the Marchesi method of breath support gives a supernatural quality, an eerie and haunting other-worldliness to this most affecting of simple melodies. People claimed Melba was not a great actress but this gives the lie to that. Listen in particular to the non-pareil pianissimo, the beautiful tone projected and sustained without any apparent effort. No one living can sing like this. Moreover, Melba achieves her effects on a listener through a living melody rather than the declamatory or push and pull vocalism we hear today from even our best vocalists. Melba's extraordinary aliveness, kept on leash and which she flaunts like a Goddess snapping off bolts of lightning, suggests an undaunted will and irrepresible energy . She was certainly a true Queen of Opera.
The Naxos issue is the fourth and last in a series, the others are all from acoustic horns, and should be purchased only by knowledgeable collectors. Melba was born the year the American Civil War began - thus these recordings made in the twenties when she was in her sixties offer further proof of just how remarkably well-schooled a singer she was.

Fare thee well!.......2004-07-07

Thanks to splendid reissues such as this, Dame Nellie Melba, once the most celebrated soprano in the world, is still a presence for C21st century listeners.

Collected here, and completing the Naxos series reissuing her EMI recordings, is everything she recorded between 1921 and 1926. As is well known, the opportunity was taken, soon after the introduction of the electrical recording process, to record her farewell appearance at Covent Garden in June 1926. Two acts of "La Boheme"and the last act of "Otello" were performed. Of the many 78 sides made on location that proved to be technically acceptable, Melba would allow only three to be issued in her lifetime - one of which was her farewell speech. Well, they are all assembled here, allowing us to hear her with some of her younger compatriot Australians whose careers she promoted.

Six months later, she initiated a final recording session to help forward the career of one of them, the 26 year old baritone John Brownlee. "It was for her a trying afternoon," wrote producer Fred Gaiberg in his memoirs.

These final four sides are here too, Melba's only studio electrically recorded items, two of them in duet with John Brownlee. I urge all readers, even those who might have written Melba off as a famous singer stunning in performance but luckless in recording studios to go first to Track 17 on this CD. Hear the voice, rock steady, still able to provide dynamic contrasts and with an occasional gleam on it, in perfect ensemble with John Brownlee, and unimpeded by fierce surface hiss. For some reason the other three items from this final recording session are not nearly as vivid.