As the title Unfinished Monkey Business suggests, the results are tentative. Cheesy drum programs, sprawling space rock, awkward bass lines, cheap dubby sonics, and various guitar twangings rub up against cutie pops songs disguised as trippy jams.
Product Description
1997 solo debut by the former Stone Roses leader. Features the single 'My Star'. 12 tracks total. A Polydor release. Brown wrote all tracks & produced the album himself. Fans hoping that a third Stone Roses album would have picked up where 'The Second Coming' left off are sure to be more satisfied with Brown's endeavors here than what Stone Roses guitarist John Squire's band The Seahorses have concocted sofar.
Unfinished Monkey Business,Ian Brown,Polygram Int'l,Alternative Pop/Rock,Britpop,Dance Music,Indie Pop,Pop,Popular Music,Rock/Pop
Average customer rating:
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Unfinished Monkey Business
Ian Brown Manufacturer: Polygram Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000007WJX Release Date: 1998-02-09 |
Tracks:
- Intro Under The Paving Stones: The Beach
- My Star
- Can't See Me
- Ice Cold Cube
- Sunshine
- Lions
- Corpses In Their Mouths
- What Happened To Ya, Part 1
- What Happened To Ya, Part 2
- Nah Nah
- Deep Pile Dreams
- Unfinished Monkey Business
Album Description
1997 solo debut by the former Stone Roses leader. Features the single 'My Star'. 12 tracks total. A Polydor release. Brown wrote all tracks & produced the album himself. Fans hoping that a third Stone Roses album would have picked up where 'The Second Coming' left off are sure to be more satisfied with Brown's endeavors here than what Stone Roses guitarist John Squire's band The Seahorses have concocted sofar.Album Details
Debut Solo CD from Ex-Stone Roses Vocalist. Tracks Include: My Star, Lions, Nah Nah, Sunshine, Ice Cold Cube, Deep Pile Dreams and More.Customer Reviews:
Ian Brown is not God, but he is very close!.......2005-07-31
an extremely erratic, scattershot debut solo album from the former Stone Roses vocalist.......2005-07-23
Many of the tracks here are Brown solo 'compositions' that feature him on all instruments, and none of them fail to get you thinking, "What the hell is this?"--his instrumental skills seem rudimentary at best, his keyboard/ programmed drumming is at times hilarious, and you're left wondering what the hell he's trying to get at. The album opening "Intro Under The Paving Stones: The Beach" is a baffling sound collage. "Sunshine" is a sloppy, dull lo-fi acoustic ballad with a brief tacked-on keyboard 'coda'. "Lions" features an annoyingly, endlessly repeated chorus line and overblown "soulful" vocals from Denise Johnson, and it wasn't exactly a great idea to mix her to the far left channel while Brown's vocals are to the far right; thankfully, much of the track is instrumental, and it does have some entertainment value despite all the annoyances. "Deep Pile Dreams" is half-baked and thinly performed. The baffling instrumental title track features hilariously amateurish keyboard playing over programmed drums. My CD copy also contains a 'bonus' track called "Come Again" which is basically 7 more minutes of Brown horsing around and it makes annoying use of sampling.
As for the remaining tracks, a majority of them find Brown co-writing with Aziz Ibrahim who also handles a large chuck of the instrumental work. The Indian-flavored "My Star" has a neat little guitar solo although it's extremely brief, and the song just kinda drags along in a frustratingly aimless and repetitive fashion. The main song portion of the sludgy, hard-rocking "Ice Cold Cube" is strong with ear-catching guitarwork, but it proceeds to beat you over the head with the never-ending instrumental stuff going on, and when it finally does end, it does so in 'sudden death' fashion and annoyingly segues abruptly into "Sunshine". "What Happened To Ya Part 1" is a nice, catchy ditty with acoustic rhythm and acoustic slide guitars; it's followed by "What Happened To Ya Part 2" which is basically a lengthy instrumental jam with some voiceovers, and although it's not unlistenable and does have nice guitarwork, it reeks of filler. "Nah Nah", a Nigel Ippinson solo composition, is an acoustic guitar-based tune with a singalong chorus--it's pleasantly catchy, though it's rather slight.
With all of that out of the way, we are left with a pair of hands-down gems. "Can't See Me" finds Brown reunited with his old Stone Roses mates Mani and Reni for an infectiously funky looping groove tune--slamming beats, great Brown vocals, uncannily note-perfect lead guitar from Brown, and great lead bass guitar licks; it's a clear attempt at creating another gem along the lines of the Stone Roses' "Fools Gold", and it works big time. Then there's the mellow-yet-creepy "Corpses In Their Mouths", written by Brown and Ibrahim, with terrific moody lead guitar work and hushed Brown vocals; it does have some rather out-of-place harmonica work from Brown, but it's a minor quibble.
If you're a diehard Stone Roses fan, "Unfinished Monkey Business" is worth checking out--there are lots of intriguing ideas floating around on here, but it sure is wildly erratic and very tough to listen to all the way through.
Appropriate title.......2004-05-11
This is a shame too because if Brown wouldn't have gone crazy with the production and arrangements, it might have ended up being one of my favorite CDs. He is definetly on the right track with Corpses In Their Mouths, My Star, and What Happened To Ya? But Lions doesn't know when to end, or if it even wants to end as the artificial sounding drums just drag on making the song a uninviting tizzy as he and a female voice sing "there are no lions in England" over and over and over and over again.
The biggest achievement of this album is also the biggest folly: since Corpses In Their Mouths stands head and shoulders over so much of the material here that it makes you realize what Unfinished Monkey Business COULD'VE been like. The way that the vocal melody line of the chorus weaves in and out of the lead guitar creatives a divine sound that makes one believe that everyone ought to hear this song. Superb.
If anything, Monkey Business shows us that Ian Brown is off to a good start. He just needs to trim a few things here, develop a few sounds there, and he could be unstoppable. I haven't heard his later releases. Hopefully, that is where he went.
The Ressurection Continues...........2004-02-05
Not worth it.......2002-01-09
Average customer rating: |
Unfinished Monkey Business
Ian Brown Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009VBTD2 Release Date: 2005-07-26 |
Tracks:
- Intro Under The Paving Stones: The Beach
- My Star
- Can't See Me
- Ice Cold Cube
- Sunshine
- Lions
- Corpses In Their Mouths
- What Happened To Ya Part 1
- What Happened To Ya Part 2
- Nah Nah
- Deep Pile Dreams
- Unfinished Monkey Business
- Can't See Me (Bacon And Quarmby Mix)
- Can't See Me (Harveys Invisible Mix)
Average customer rating:
|
Unfinished Monkey Business
Ian Brown ProductGroup: Music Binding: Audio CD ASIN: B000009GAJ |
Customer Reviews:
an extremely erratic, scattershot debut solo album from the former Stone Roses vocalist.......2005-07-23
Many of the tracks here are Brown solo 'compositions' that feature him on all instruments, and none of them fail to get you thinking, "What the hell is this?"--his instrumental skills seem rudimentary at best, his keyboard/ programmed drumming is at times hilarious, and you're left wondering what the hell he's trying to get at. The album opening "Intro Under The Paving Stones: The Beach" is a baffling sound collage. "Sunshine" is a sloppy, dull lo-fi acoustic ballad with a brief tacked-on keyboard 'coda'. "Lions" features an annoyingly, endlessly repeated chorus line and overblown "soulful" vocals from Denise Johnson, and it wasn't exactly a great idea to mix her to the far left channel while Brown's vocals are to the far right; thankfully, much of the track is instrumental, and it does have some entertainment value despite all the annoyances. "Deep Pile Dreams" is half-baked and thinly performed. The baffling instrumental title track features hilariously amateurish keyboard playing over programmed drums. My CD copy also contains a 'bonus' track called "Come Again" which is basically 7 more minutes of Brown horsing around and it makes annoying use of sampling.
As for the remaining tracks, a majority of them find Brown co-writing with Aziz Ibrahim who also handles a large chuck of the instrumental work. The Indian-flavored "My Star" has a neat little guitar solo although it's extremely brief, and the song just kinda drags along in a frustratingly aimless and repetitive fashion. The main song portion of the sludgy, hard-rocking "Ice Cold Cube" is strong with ear-catching guitarwork, but it proceeds to beat you over the head with the never-ending instrumental stuff going on, and when it finally does end, it does so in 'sudden death' fashion and annoyingly segues abruptly into "Sunshine". "What Happened To Ya Part 1" is a nice, catchy ditty with acoustic rhythm and acoustic slide guitars; it's followed by "What Happened To Ya Part 2" which is basically a lengthy instrumental jam with some voiceovers, and although it's not unlistenable and does have nice guitarwork, it reeks of filler. "Nah Nah", a Nigel Ippinson solo composition, is an acoustic guitar-based tune with a singalong chorus--it's pleasantly catchy, though it's rather slight.
With all of that out of the way, we are left with a pair of hands-down gems. "Can't See Me" finds Brown reunited with his old Stone Roses mates Mani and Reni for an infectiously funky looping groove tune--slamming beats, great Brown vocals, uncannily note-perfect lead guitar from Brown, and great lead bass guitar licks; it's a clear attempt at creating another gem along the lines of the Stone Roses' "Fools Gold", and it works big time. Then there's the mellow-yet-creepy "Corpses In Their Mouths", written by Brown and Ibrahim, with terrific moody lead guitar work and hushed Brown vocals; it does have some rather out-of-place harmonica work from Brown, but it's a minor quibble.
If you're a diehard Stone Roses fan, "Unfinished Monkey Business" is worth checking out--there are lots of intriguing ideas floating around on here, but it sure is wildly erratic and very tough to listen to all the way through.
Average customer rating:
|
Unfinished Monkey Business
Ian Brown Manufacturer: Universal Japan ProductGroup: Music Binding: Audio CD ASIN: B000007WQU Release Date: 1998-02-10 |
Tracks:
- Intro Under the Paving Stones: The Beach
- My Star
- Can't See Me
- Ice Cold Cube
- Sunshine
- Lions
- Corpses in Their Mouths
- What Happened to Ya, Pt. 1
- What Happened to Ya, Pt. 2
- Nah Nah
- Deep Pile Dreams
- Unfinished Monkey Business
- Come Again
Album Description
Japanese edition of the Stone Roses vocalist's solo debut with 'Come Again' added as a hidden bonus track. 13 tracks total, also featuring the single 'My Star'. 'Come Again' is exclusive to this Japanese release, as it's not on the import single for 'My Star' or the U.K. edition of the album! 1997 Polydor release.Album Details
Japanese Release featuring a Bonus Track: Come Again.Customer Reviews:
an extremely erratic, scattershot debut solo album from the former Stone Roses vocalist.......2005-07-23
Many of the tracks here are Brown solo 'compositions' that feature him on all instruments, and none of them fail to get you thinking, "What the hell is this?"--his instrumental skills seem rudimentary at best, his keyboard/ programmed drumming is at times hilarious, and you're left wondering what the hell he's trying to get at. The album opening "Intro Under The Paving Stones: The Beach" is a baffling sound collage. "Sunshine" is a sloppy, dull lo-fi acoustic ballad with a brief tacked-on keyboard 'coda'. "Lions" features an annoyingly, endlessly repeated chorus line and overblown "soulful" vocals from Denise Johnson, and it wasn't exactly a great idea to mix her to the far left channel while Brown's vocals are to the far right; thankfully, much of the track is instrumental, and it does have some entertainment value despite all the annoyances. "Deep Pile Dreams" is half-baked and thinly performed. The baffling instrumental title track features hilariously amateurish keyboard playing over programmed drums. My CD copy also contains a 'bonus' track called "Come Again" which is basically 7 more minutes of Brown horsing around and it makes annoying use of sampling.
As for the remaining tracks, a majority of them find Brown co-writing with Aziz Ibrahim who also handles a large chuck of the instrumental work. The Indian-flavored "My Star" has a neat little guitar solo although it's extremely brief, and the song just kinda drags along in a frustratingly aimless and repetitive fashion. The main song portion of the sludgy, hard-rocking "Ice Cold Cube" is strong with ear-catching guitarwork, but it proceeds to beat you over the head with the never-ending instrumental stuff going on, and when it finally does end, it does so in 'sudden death' fashion and annoyingly segues abruptly into "Sunshine". "What Happened To Ya Part 1" is a nice, catchy ditty with acoustic rhythm and acoustic slide guitars; it's followed by "What Happened To Ya Part 2" which is basically a lengthy instrumental jam with some voiceovers, and although it's not unlistenable and does have nice guitarwork, it reeks of filler. "Nah Nah", a Nigel Ippinson solo composition, is an acoustic guitar-based tune with a singalong chorus--it's pleasantly catchy, though it's rather slight.
With all of that out of the way, we are left with a pair of hands-down gems. "Can't See Me" finds Brown reunited with his old Stone Roses mates Mani and Reni for an infectiously funky looping groove tune--slamming beats, great Brown vocals, uncannily note-perfect lead guitar from Brown, and great lead bass guitar licks; it's a clear attempt at creating another gem along the lines of the Stone Roses' "Fools Gold", and it works big time. Then there's the mellow-yet-creepy "Corpses In Their Mouths", written by Brown and Ibrahim, with terrific moody lead guitar work and hushed Brown vocals; it does have some rather out-of-place harmonica work from Brown, but it's a minor quibble.
If you're a diehard Stone Roses fan, "Unfinished Monkey Business" is worth checking out--there are lots of intriguing ideas floating around on here, but it sure is wildly erratic and very tough to listen to all the way through.
AS GOOD AS IT GETS.......2000-01-03
An Excellent Album.......1999-11-05
The 3 stand out tracks on this album are "My Star", "Can't See Me", and "Corpses In Their Mouths". The first of these is an excellent take on the "Dear Prudence" riff, with military drumming and neo-asian guitar riffs. Ian voice is on top form, gruff but melodic. His lyrics, too, display a keen intelligence. "Can't See Me" is a loose limbed, monkeyed up jam in the vein of "Fools Gold" from almost 10 years previously. Ian scats a great lyric and joins 2 of his ex band mates for this highlight. "Corpses" is probably the best, one of the most menacing sounding songs for a long time. Ian's lyric is a veiled threat against someone (I wouldn't want to be that someone!), while the music flows around him with Spanish guitar motifs and an extended harmonica solo.
These highlights are well spaced apart on the album, giving room for more experiments. "Sunshine" sounds like an acoustic demo, and although is very basic, shows a man learning his craft and getting there. "Deep Pile Dreams" is a stoned, meandering electronic track, a soundtrack for late-night philosophising. The 2 parts of "What Happened To Ya" are acoustic/electric jams, with long guitar workouts. "Nah Nah" is another albeit minor highlight, if only to hear Ian sing the word "gosh".
All in all, "Unfinished Monkey Business" has a great lo-fi, stoned appeal that reveals more levels on repeated listenings. Ian's voice is on top form, the `pop' songs are great, the experiments are so way out yet so appealing, and he looks great on the cover. Definitely worth investigating. King Monkey Rules OK.
A poor effort from greatness........1999-10-18
Ian Brown continues the Roses legend in a new direction........1999-05-10
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