Last Century Modern by DJ-programmer Towa Tei (formerly of Deee-Lite) is a truly cosmopolitan extravaganza, featuring influences, guest artists, and languages from all over the world. Hard-driving programmed beats and bass lines are in full force, but many songs, such as "Let Me Know" and the title track, make extensive use of live musicians and singers. Tei propels "Angel" and "Butterfly" with mercilessly fast rhythms while angelic female vocals provide a joyful contrast. Trumpeter Tom Browne plays on his own "Funkin' for Jamaica," a stylish remake featuring rapper and Beastie Boys collaborator Wizdom Life as well as the French vocal group Les Nubians. Other tracks, such as "Stretch Building Bamboo" and "CHATR," are inventive sound expressions, the latter employing the cutting-edge speech synthesizer of the same name. "A Ring" and "Congratulations!" join exotic jazzy riffs with obscure spoken-word fragments, complementing Tei's trademark quirky sense of humor. --Mark McCleerey
Last Century Modern,Towa Tei,Elektra / Wea,Club/Dance,Dance Music,Electronic,Pop,Popular Music,Techno
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Last Century Modern
Towa Tei Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SSTQ Release Date: 2000-05-23 |
Tracks:
- Last Century Modern
- A Ring
- Angel
- Butterfly
- Chatr
- Stretch Building Bamboo
- Congratulations!
- Funkin' For Jamaica
- Let Me Know
- LCM
- Butterfly (Cornelius Remix)
- Let Me Know (Mighty Bop Remix)
Amazon.com
Last Century Modern by DJ-programmer Towa Tei (formerly of Deee-Lite) is a truly cosmopolitan extravaganza, featuring influences, guest artists, and languages from all over the world. Hard-driving programmed beats and bass lines are in full force, but many songs, such as "Let Me Know" and the title track, make extensive use of live musicians and singers. Tei propels "Angel" and "Butterfly" with mercilessly fast rhythms while angelic female vocals provide a joyful contrast. Trumpeter Tom Browne plays on his own "Funkin' for Jamaica," a stylish remake featuring rapper and Beastie Boys collaborator Wizdom Life as well as the French vocal group Les Nubians. Other tracks, such as "Stretch Building Bamboo" and "CHATR," are inventive sound expressions, the latter employing the cutting-edge speech synthesizer of the same name. "A Ring" and "Congratulations!" join exotic jazzy riffs with obscure spoken-word fragments, complementing Tei's trademark quirky sense of humor. --Mark McCleereyCustomer Reviews:
too disjointed.......2006-03-02
This is an interesting disc but like another reviewer stated, it does get quickly boring and you'll find that only a few tracks will stand out for you.
it's ok.......2005-06-28
8. Congratulations - Cory Daye
12. Let Me Know [Mighty Bop Remix]
are my favorites! #12 especially! Her voice is soothing.
I think 2 and 12 would fall into a category of cafe/restaurant music while 8 would be good for a party.
The other songs in this cd are weird but enjoyable.
Lounge meets Dance meets Funk meets You get the idea.......2002-07-15
Overall, I'm happy with it, and I'm interested in looking into more from Towa Tei.
what Sound Museum couldn't be.......2001-11-23
"Last Century Modern" is a song of accordions and Balanscu Quartet sounds whirring around your head in space. A Brazilian voiced singer only listed as "UA" sings the title over and over with the emphasis on "mo-darn." I must note however that it seems like UA is only a replacement for my beloved Bebel Gilberto, who does not make an appearance on this album. I guess now that she's making her own records, she doesn't have time for Towa. This is quite unfortunate as she can breathe life into even the deadest Towa Tei song.
A breathy French singer is in the spotlight of the glitch/lounge song "A Ring," something that warrants numerous listenings if only for the strangeness and sound effects that you don't expect. Al throughout the record however you can expect Towa's signature filler lyrics. About half the songs feature computer voices, "Last Century Modern" lists various media formats in its lyrics and "Angel's" lyrics are little more than "S-P-E-L-L A-N-G-E-L." He's quite the producer, but hardly ever a great wordsmith, that Towa.
There's also as usual the fair share of female-voiced American pop imitations, though they're more fleshed out and more successful than the posh on Sound Museum. "CHATR" is named after and was made with a new text-to-voice program that's been developed as the most realistic computer voice ever made. They gave Towa exclusive permission to use it for this song before the program was ever released, but that doesn't make it a great song. It's listenable fun though. The finest song may be "Stretch Building Bamboo," something created by Towa completely on his computer. It's pretty much all sound effects flying all around your head that all build into a totally funky psychedelic collage.
"LCM" brings back the sweet melody from "Last Century Modern" and leaves it up to the Balanscu Quartet and a children's chorus. It would make a sweet final track, but then we get two remixes. One is by Towa's rock-n-roll counterpart wizard, Cornelius. He doesn't do anything too magical to "Butterfly." I would think he'd be more cut-out to re-do "Stretch Building Bamboo" maybe. In the end, Last Century Modern hits all the points that Sound Museum tried to hit but couldn't. Even the rap works. It's funny when wants to be, poppy when it wants to be, and always smart.
I feel so fine!.......2001-06-20
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The Complete Songs, Vol. 4
Manufacturer: Albany Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000049MN Release Date: 1995-08-10 |
Tracks:
- The Innate
- The Collection
- Premonitions
- Grantchester
- Thoreau
- West London
- Serenity
- On The Counter
- Hymn
- August
- September
- December
- Cradle Song
- 'Paracelsus': Excerpt
- Disclosure
- Maple Leaves
- La Fede
- The Indians
- Two Slants: Duty
- Two Slants: Vita
- 'The Incantation': Excerpt
- An Election
- At Sea
- The Last Reader
- The Greatest Man
- The Housatonic At Stockbridge
- Resolution
- Two Little Flowers
- Evening
- Immortality
- Yellow Leaves
- Ann Street
- Peaks
- The White Gulls
- 1, 2, 3
- Majority
- Remembrance
- The One Way
- The Rainbow (So May It Be!)
- The Side Show
- A Sea Dirge
- In The Mornin'
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Last Century Modern
Towa Tei Manufacturer: Wea International ProductGroup: Music Binding: Audio CD ASIN: B00000K21T Release Date: 1999-09-14 |
Tracks:
- Last Century Modern
- A Ring
- Angel
- Butterfly
- Contact
- Chair
- Stretch Building Bamboo
- Congratulations
- Funkin' For Jamaica
- Let Me Know
- Lcm
Album Details
New 1999 Release.Customer Reviews:
Hit and miss.......2000-07-05
"Last Century Modern" gets even more risky, and winds up being very hit-or-miss. It starts out with accordians, harps, and strings to create a sort of wierded out lounge music with French lyrics. You sit there liking it and wondering why! Great stuff! Then Tei adds beats, keyboards, and Speak and Spell (yes, the toy) with "Angel" and "Butterfly" to create some smooth grooves with obvious remix potential.
Unfortunately, Tei's experimentation overtakes his songwriting for the next four tracks. A big deal is made out of the use of a speech synthesizer (on "CHATR"), and I'm not sure why. Who hasn't used one? "Contact" (with Die) overstays its welcome by about five minutes, not unlike all the cuts on Reprazent's "New Forms". These four tracks sound like Tei's just goofing around. With his whimsical grafting of musical styles absent, that's not very interesting.
The last several tracks work well by merging trumpets, beats, funk, retro, and vocals in French, English, and Japanese.
I couldn't classify Towa Tei to save my life, but whatever he is - he's good. Although "Last Century Modern" has great moments and thrills just by being so daring, "Sound Museum" is the more consistent and enjoyable offering. If Tei can manage to take "LCM"'s wild experimentation and mix it with the control of "Sound Museum", he'd have an instant classic!
Last Century Modern...IT"S COOL.......2000-02-23
i wanna dance!.......2000-01-22
Progressive Garage.......1999-11-17
Towa Tei returns to form with this elegant century-closer........1999-08-15
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Love
Manufacturer: Explore the Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006DJ2 Release Date: 1998-03-31 |
Tracks:
- Fanfare For The Common Man
- The Planets, Suite For Orchestra, Op. 32 Mars, Bringer Of War
- Fantasie In G Minor, BWV 542
- The Fountains Of Rome: The Fountain Of Trevi At Mid-Day
- Toccata & Fugue In D Minor, BWV 565
- Symphony No. 10 In E Minor, BWV 565: Allegro
- String Quartet In F Major, Op. 96: Finale
- Apres une lecture du Dante
- Romanian Rhapsody No. 1 In A Major
- Te Duem: Tibi omnes Angeli
- Estancia: Danza final
- Symphony No. 2 In D, Op. 43: Finale
- Symphony No. 3 In C Minor, Op. 78: Maestoso
- Carmina Burana: Ave formosissima, O fortuna
Amazon.com
Like Allegro's "Power" album, this is apparently intended as a vehicle to sell other discs, on the Nimbus, Vanguard Classics, Carlton Classics, Dorian Recordings, and Collins Classics labels. Sure wish we could find out who the performers are, but they are not listed anywhere. All we see are teeny reductions of the album covers from which these cuts are recycled. We get Vaughan Williams's "Lark Ascending," of course, and the Adagietto from Mahler's Fifth Symphony, of course. The high point of the album is the Larghetto from Mozart's Clarinet Quintet in A Minor, featuring the legendary Karl Leister of the Berlin Philharmonic. This we know not because we can find any credits, but because Leister's distinctive sound is unmistakable. --Gwendolyn FreedCustomer Reviews:
Music to get you through a bad moment or two.......2001-02-07
Finzi, a 20th Century British composer who is sadly neglected in the US, wrote this Eclogue for a never-to-be-finished piano concerto. He realized it stood well on its own and it was published as a complete composition. One only regrets that Finzi did not write the entire concerto as this fragment is incredibly beautiful. Close your eyes and you will see rolling, green pastures, bubbling streams, birds floating on warm breezes, fleecy clouds. Anyway, that's what I see whenever I play it. It's heavenly.
All the music on this CD (which is poorly titled and has boring cheap graphics on the cover) are masterpieces. And the selections are appropriate for one another. But get it for the Finzi and you won't be disappointed. All in all, the whole cd is lovely music and nicely selected.
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Benjamin Britten: Four Burns Songs from A Birthday Hansel Op.92 / A Charm of Lullabys
Manufacturer: Et'Cetera ProductGroup: Music Binding: Audio CD ASIN: B0000000NS Release Date: 2004-03-22 |
Tracks:
- Four Burns Songs From 'A Birthday Hansel', Op.92: Afton Water - Yvonne Kenny/Tan Crone
- Four Burns Songs From 'A Birthday Hansel', Op.92: Wee Willie - Yvonne Kenny/Tan Crone
- Four Burns Songs From 'A Birthday Hansel', Op.92: The Winter - Yvonne Kenny/Tan Crone
- Four Burns Songs From 'A Birthday Hansel', Op.92: My Hoggie - Yvonne Kenny/Tan Crone
- Folksong Arrangements: The Ash Grove (Welsh Tune) - Yvonne Kenny/Tan Crone
- Folksong Arrangements: The Trees They Grow So High (Somerset) - Yvonne Kenny/Tan Crone
- Folksong Arrangements: O Can Ye Sew Cushions? (Scottish Tune) - Yvonne Kenny/Tan Crone
- Folksong Arrangements: How Sweet The Answer (The Wren) - Yvonne Kenny/Tan Crone
- Folksong Arrangements: The Last Rose Of Summer (Groves Of Blarney) - Yvonne Kenny/Tan Crone
- Folksong Arrangements: The Minstrel Boy (The Moreen) - Yvonne Kenny/Tan Crone
- A Charm Of Lullabies, Op.41: A Cradle Song (William Blake) - Carolyn Watkinson/Tan Crone
- A Charm Of Lullabies, Op.41: The Highland Balou (Robert Burns) - Carolyn Watkinson/Tan Crone
- A Charm Of Lullabies, Op.41: Sephestia's Lullaby (Robert Greene) - Carolyn Watkinson/Tan Crone
- A Charm Of Lullabies, Op.41: A Charm (Thomas Randolph) - Carolyn Watkinson/Tan Crone
- A Charm Of Lullabies, Op.41: The Nurse's Song (John Philip) - Carolyn Watkinson/Tan Crone
- Folksong Arrangements: The Salley Gardens (Irish Tune) - Carolyn Watkinson/Tan Crone
- Folksong Arrangements: O Waly, Waly (Somerset) - Carolyn Watkinson/Tan Crone
- Folksong Arrangements: Come You Not From Newcastle? - Carolyn Watkinson/Tan Crone
- Folksong Arrangements: Quand Jetais Chez Mon Pere (France) - Carolyn Watkinson/Tan Crone
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A Soundscape Exploration Into The Realm Of Dreams And Magic
Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD ASIN: B000002SP1 Release Date: 1997-02-25 |
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Last Century Modern
Towa Tei Manufacturer: East West Japan ProductGroup: Music Binding: Audio CD ASIN: B000SM5SVQ |
Product Description
Track list:~~1. Last Century Modern~~~2. A Ring~~~3. Angel~~~4. Butterfly~~~5. CHATR-German version~~~6. Stretch Building Bamboo~~~7. Congratulations!~~~8. Funkin' For Jamaica~~~9. Let Me Know~~~10. LCM~~~Bonus Tracks:~~11. Funkin' For Jamaica~~~12. Let Me Know.Album Review:
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Album Review
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